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On the show tonight... | 0:00:09 | 0:00:11 | |
Bear Grylls, | 0:00:11 | 0:00:14 | |
Gary Barlow, | 0:00:14 | 0:00:16 | |
Nigella Lawson. | 0:00:16 | 0:00:19 | |
But first, please welcome your host, Michael McIntyre. | 0:00:19 | 0:00:23 | |
No more. | 0:00:28 | 0:00:29 | |
Bravo! Bravo! | 0:00:33 | 0:00:35 | |
Ladies and gentlemen, welcome to The Michael McIntyre Chat Show. | 0:00:41 | 0:00:45 | |
We have an amazing show tonight, so let's get straight on with it. | 0:00:49 | 0:00:54 | |
My first guest is an alligator-wrestling adrenaline junkie. | 0:00:57 | 0:01:00 | |
He is no stranger to danger. | 0:01:00 | 0:01:02 | |
He conquered Everest and his TV shows have conquered the world. | 0:01:02 | 0:01:05 | |
He is the master of the mountain, king of the jungle, | 0:01:05 | 0:01:08 | |
and a health and safety nightmare. | 0:01:08 | 0:01:10 | |
Please welcome Bear Grylls. | 0:01:10 | 0:01:12 | |
-Nice to see you. -What an absolute pleasure. Bear Grylls! | 0:01:22 | 0:01:26 | |
What an absolute pleasure to have you here. Thank you, yes. | 0:01:32 | 0:01:35 | |
I don't know what I expected you to be wearing. | 0:01:35 | 0:01:37 | |
-I suppose this is the kind of get up... -I suddenly feel quite unsmart. | 0:01:37 | 0:01:40 | |
-Should I have worn a suit, do you think? -No. You're mostly naked. | 0:01:40 | 0:01:43 | |
-I don't have a suit, only a shirt. -That's quite a lot of nakedness. | 0:01:43 | 0:01:47 | |
Well, the truth is, you know, you're out there for however many days. | 0:01:47 | 0:01:50 | |
At one point, you're going to have a wash in a stream or whatever | 0:01:50 | 0:01:53 | |
and, you know, that's three minutes out of five days that you're out, | 0:01:53 | 0:01:57 | |
but it always seems to end up on TV and, um, I always get a lot of... | 0:01:57 | 0:02:00 | |
My wife goes, "Why are you always taking your clothes off?" | 0:02:00 | 0:02:03 | |
I go, "I took them off three minutes in five days!" | 0:02:03 | 0:02:06 | |
-And so, yes. -You must notice all the cameras. | 0:02:06 | 0:02:08 | |
LAUGHTER | 0:02:08 | 0:02:12 | |
It's very easy to say, "Guys, I'm going to have shower now." | 0:02:12 | 0:02:15 | |
I do that a lot. I'm always saying, you know, "Guys, I'm going to go to the loo behind the bush," | 0:02:15 | 0:02:20 | |
and invariably, I sort of finish, | 0:02:20 | 0:02:22 | |
and pull my trousers up and I see a distant little red blinking | 0:02:22 | 0:02:25 | |
camera, and I go, "Leave me alone!" | 0:02:25 | 0:02:27 | |
We've actually got a photo of you. | 0:02:27 | 0:02:29 | |
LAUGHTER | 0:02:29 | 0:02:32 | |
So what are you doing here? | 0:02:33 | 0:02:36 | |
What is that? | 0:02:36 | 0:02:37 | |
Bear, you must remember this. You're naked in the snow. | 0:02:37 | 0:02:40 | |
It's a very good way of getting warm after you've got out of a very | 0:02:40 | 0:02:43 | |
-cold icy river. -Can I tell you another one? -Do some jumping jacks. -Put some clothes on, Bear! -Yes. | 0:02:43 | 0:02:48 | |
I thought you were making a hole for the tent peg. | 0:02:48 | 0:02:51 | |
So tell me about this new show. | 0:02:53 | 0:02:55 | |
You've got a new show for Discovery and it's called... | 0:02:55 | 0:02:58 | |
It's called Bear Grylls' Extreme Survival Caught On Camera. | 0:02:58 | 0:03:01 | |
-And we've got a new show coming up, Channel 4, called the Island Of Lost Blokes. -What's that? | 0:03:01 | 0:03:05 | |
It's really a study of my experiment of what's happened to modern-day man. | 0:03:05 | 0:03:09 | |
What makes a man masculine nowadays, you know. | 0:03:09 | 0:03:12 | |
-So we took 13 regular modern British men... -Oh, that's interesting... | 0:03:12 | 0:03:15 | |
Teachers, plumbers, the whole lot, and no... | 0:03:15 | 0:03:18 | |
Very little training, no equipment, no camera crews, | 0:03:18 | 0:03:21 | |
they had to film it all themselves and I dropped them in basically hell. | 0:03:21 | 0:03:24 | |
This swamp-infested crocodile, you know, nasty place. | 0:03:24 | 0:03:28 | |
-How many are there left? -Um... Well... -It's a bit like The Hunger Games. | 0:03:28 | 0:03:33 | |
-I won't give it away but chaos ensues, basically. -Really? | 0:03:33 | 0:03:36 | |
-I think we've got a clip from that. -OK, cool. | 0:03:36 | 0:03:38 | |
More dangerous than any snake, scorpion or crocodile | 0:03:38 | 0:03:42 | |
is this fellow. | 0:03:42 | 0:03:44 | |
Innocent looking little apple, actually called the death apple | 0:03:44 | 0:03:48 | |
and this is enough to kill not one man, | 0:03:48 | 0:03:52 | |
but 20 and when you're surviving on an island, you're hungry, you | 0:03:52 | 0:03:55 | |
see what you think is edible fruits, so tempting to pick it up, eat it. | 0:03:55 | 0:04:01 | |
Endgame. | 0:04:01 | 0:04:02 | |
APPLAUSE | 0:04:02 | 0:04:05 | |
The killer apple, Bear! | 0:04:05 | 0:04:07 | |
How does that kill 20 men? I don't understand. | 0:04:07 | 0:04:10 | |
They're just scarily toxic, you know. | 0:04:10 | 0:04:12 | |
Yeah, but 20 men? Surely after the first one's died... | 0:04:12 | 0:04:15 | |
LAUGHTER | 0:04:15 | 0:04:17 | |
Who's going to go, "Oh, can I get a bite of that?" | 0:04:17 | 0:04:20 | |
That actually gets to 20 men? The 20th one is not an intelligent man. | 0:04:20 | 0:04:23 | |
I'm never quite sure how they found the statistic. | 0:04:23 | 0:04:26 | |
You're surrounded by dead bodies. "It is tempting!" | 0:04:26 | 0:04:29 | |
-So what would happen, Bear, I think we all want to know. -Well, the truth is, the thing is, | 0:04:32 | 0:04:36 | |
I always wonder how they find these facts out and what our crew have worked out, when I say something | 0:04:36 | 0:04:40 | |
like that, they go, "Is that a Bear fact or a real fact?" 20 men. | 0:04:40 | 0:04:44 | |
-Moving on... Um... -Now, you live off the coast of Wales on an island. | 0:04:44 | 0:04:50 | |
I don't know if people are aware of this. | 0:04:50 | 0:04:52 | |
This came as a real shock to me. This is actually your home? | 0:04:52 | 0:04:55 | |
Yeah, it is. It's where we spend part of the year up in North Wales. | 0:04:55 | 0:04:59 | |
-You're like a superhero! -But I love it. | 0:04:59 | 0:05:02 | |
It's about, you know, it's a few miles off the north Welsh coast. | 0:05:02 | 0:05:05 | |
But do you have everything there? Do you have like internet and... | 0:05:05 | 0:05:08 | |
Er, no. No, No, but I quite like that. | 0:05:08 | 0:05:10 | |
We're not there all of the year. | 0:05:10 | 0:05:11 | |
I quite like the fact that it's a real retreat | 0:05:11 | 0:05:13 | |
and we haven't got phones and internet and we collect rainwater off | 0:05:13 | 0:05:18 | |
the roof and there's a lot of manual this and manual that and I love that. | 0:05:18 | 0:05:22 | |
Cos I'm fascinated by this, because I've got children | 0:05:22 | 0:05:25 | |
and I want them to be like you. I want them to be adventurers and I can't get them in the garden. | 0:05:25 | 0:05:29 | |
Do you know what I mean? "Get in the bloody garden!" There's a lot of iPads. | 0:05:29 | 0:05:32 | |
It's a big old place. Bring them up. It's a wild old playground up there. | 0:05:32 | 0:05:36 | |
I can't wait to come over with my kids | 0:05:36 | 0:05:38 | |
-and you'll be there doing naked press ups! -That was a winter one. | 0:05:38 | 0:05:42 | |
Pressing up, "Help yourself to rainwater, guys!" | 0:05:42 | 0:05:46 | |
It's amazing to get in touch with nature like that. | 0:05:49 | 0:05:52 | |
So have your kids taken to it because you never know, | 0:05:52 | 0:05:54 | |
you know, how your kids are going to be, like you did? | 0:05:54 | 0:05:57 | |
Yeah, I mean, generally this isn't something we kind of force on them, | 0:05:57 | 0:06:00 | |
you know, I think the best way to parent | 0:06:00 | 0:06:02 | |
is example, you know, and we do lots of this sort of stuff for fun. | 0:06:02 | 0:06:05 | |
You say the best way to parent is by example | 0:06:05 | 0:06:08 | |
and it is, but you do take a lot of risks, Bear. | 0:06:08 | 0:06:11 | |
Shall I show you an example, for your children? | 0:06:11 | 0:06:13 | |
Can we show the seal thing? That's quite interesting. So here's you... | 0:06:13 | 0:06:17 | |
Now, what's going on here, Bear? | 0:06:17 | 0:06:18 | |
Well, this was the Hebrides in winter time | 0:06:18 | 0:06:20 | |
and I was trying to work out how to get from one island to the other | 0:06:20 | 0:06:23 | |
and it was cold and I found this old seal and it was rotten, | 0:06:23 | 0:06:26 | |
and I said to the crew, "We can do something with this," | 0:06:26 | 0:06:28 | |
and they said, "It's stinking. You can't use that." And I said, | 0:06:28 | 0:06:31 | |
"It's the ultimate wet suit if we can skin this." And they went, "That's never going to work." | 0:06:31 | 0:06:35 | |
So then it became a point of pride that I'm going to make this work, skinned it. | 0:06:35 | 0:06:39 | |
It was a little bit tight and quite a suspect-looking gilet. | 0:06:39 | 0:06:43 | |
But I got it on. It worked a treat, you know, it kept me nice and warm. | 0:06:43 | 0:06:46 | |
You skinned a seal? And turned it into a wet suit? | 0:06:46 | 0:06:51 | |
It had these sort of hairs protruding from it | 0:06:51 | 0:06:54 | |
and a lot of stinking blubber underneath. | 0:06:54 | 0:06:55 | |
And that's what you ended up with? It's a sort of cropped tank-top. | 0:06:55 | 0:07:00 | |
It's simultaneously the most macho and campest thing I've ever seen. | 0:07:00 | 0:07:05 | |
But it worked a treat and it's a part of survival. | 0:07:05 | 0:07:08 | |
I love being, you know, resourceful and using your initiative | 0:07:08 | 0:07:11 | |
-and imagination. -It's not initiative. It's completely insane, Bear. | 0:07:11 | 0:07:15 | |
-That's... Is that making you warmer? This seal... I mean, was it in your size? -Way warmer! | 0:07:15 | 0:07:19 | |
This is the bit you've got to keep warm. | 0:07:19 | 0:07:21 | |
Are you going through all the seals going, "Is there a medium here? I need a medium!" | 0:07:21 | 0:07:25 | |
"Is there an XL? I don't know. How do these seals come up on me?" | 0:07:25 | 0:07:28 | |
Now, Bear, I'm very excited about this thing they've given me, | 0:07:29 | 0:07:33 | |
which is your survival thing. | 0:07:33 | 0:07:35 | |
Yeah, that's a basic survival pack that...you need to start taking | 0:07:35 | 0:07:38 | |
-this everywhere. -Right, so this is the Bear essential... | 0:07:38 | 0:07:41 | |
-Is that what you call it, the Bear essentials? -No, you go... | 0:07:41 | 0:07:43 | |
-You don't even call it that? -Well, it's... -Why don't you call it that? | 0:07:43 | 0:07:47 | |
I don't know. I thought it was a bit cheesy. But good. But good! | 0:07:47 | 0:07:53 | |
-Just trying to help. -Not in a bad way, Michael. -OK. | 0:07:53 | 0:07:55 | |
So let's go through it. What is this one? | 0:07:55 | 0:07:57 | |
That will help you start a fire. | 0:07:57 | 0:07:58 | |
It's a fire steel, creates sparks and will light tinder. | 0:07:58 | 0:08:01 | |
So how do you create sparks? What are you talking about? | 0:08:01 | 0:08:04 | |
Hold on, hold on. It's got to be warmed up. Hold on. Patience. | 0:08:12 | 0:08:16 | |
Are you the real Bear Grylls? | 0:08:16 | 0:08:19 | |
LAUGHTER | 0:08:19 | 0:08:20 | |
-Hold on, hold on, hold on, hold on. -If you want, I've got a match. | 0:08:27 | 0:08:31 | |
LAUGHTER | 0:08:31 | 0:08:32 | |
Hold on, we'll get there. I've known it to take two days to start. | 0:08:36 | 0:08:40 | |
Oh, yes! Yes! | 0:08:44 | 0:08:47 | |
APPLAUSE AND CHEERING | 0:08:47 | 0:08:48 | |
Well done. I have to say, you got there in the end. | 0:08:50 | 0:08:53 | |
That was fantastic. | 0:08:53 | 0:08:55 | |
It's not always pretty, it sometimes takes a bit of time. There you go. | 0:08:55 | 0:08:58 | |
What have you got there? | 0:08:58 | 0:09:00 | |
That went on so long, I nearly ordered a death apple. | 0:09:00 | 0:09:02 | |
But then you've got to have some... Then you've got to have some | 0:09:04 | 0:09:07 | |
-tinder to light it. -Shoelaces? What is this? | 0:09:07 | 0:09:10 | |
You can make snares, or tie up a shelter or, you know, lots of things. | 0:09:10 | 0:09:14 | |
Rope is always essential. | 0:09:14 | 0:09:16 | |
This is a whistle. Is it? Well, that's just fabulous, isn't it? | 0:09:16 | 0:09:21 | |
LAUGHTER | 0:09:21 | 0:09:22 | |
Saved a lot of lives. | 0:09:22 | 0:09:24 | |
I'm in the jungle, I'm on my own, I'm naked, I'm hungry. | 0:09:24 | 0:09:28 | |
HE BLOWS | 0:09:28 | 0:09:30 | |
HE WHISTLES CLAPPED FOOTBALL CHANT | 0:09:33 | 0:09:36 | |
OK. Saved a lot of lives. | 0:09:36 | 0:09:38 | |
This is brilliant. And these are? | 0:09:41 | 0:09:44 | |
Waterproof matches, so they will light even when they're wet. | 0:09:44 | 0:09:49 | |
-OK, great. So if the spark... -Shall we test that? -Waterproof matches? | 0:09:49 | 0:09:52 | |
-OK, brilliant, yes. -Let's get some water and try it. -This is great. | 0:09:52 | 0:09:56 | |
-Hold on, I can't... -This might be another one that... | 0:09:56 | 0:09:59 | |
All right, OK, hold on. You see how much I can survive? | 0:10:02 | 0:10:05 | |
I can't get the packet open! | 0:10:05 | 0:10:07 | |
-There's no rush. There's no rush. -There is a rush. | 0:10:08 | 0:10:12 | |
-Here you go, let's use a knife. We've got a knife. -Oh, brilliant. | 0:10:12 | 0:10:15 | |
-There you go. -This is amazing. -Don't cut yourself. Cut away from yourself. | 0:10:15 | 0:10:18 | |
Cut away from myself. OK. | 0:10:18 | 0:10:20 | |
And remember, a sharp knife is a safe knife. | 0:10:21 | 0:10:25 | |
-It's the blunt ones that are most dangerous. -No. | 0:10:25 | 0:10:28 | |
LAUGHTER | 0:10:28 | 0:10:29 | |
All right, so I've opened that with my knife cutting away from my body, | 0:10:30 | 0:10:33 | |
then I put that down there and then you take your match, | 0:10:33 | 0:10:37 | |
this waterproof match, and we're going to dip it. | 0:10:37 | 0:10:40 | |
-Well, let's just throw it in. -Throw it in, brilliant. OK. | 0:10:40 | 0:10:43 | |
What are you doing on the table? | 0:10:45 | 0:10:47 | |
There we go. So it's all wet, you're in the river. | 0:10:49 | 0:10:52 | |
-LAUGHTER -In the river! | 0:10:54 | 0:10:56 | |
APPLAUSE | 0:10:56 | 0:10:59 | |
I'm not in the river, Bear. I'm in a television studio. | 0:10:59 | 0:11:03 | |
-Dry it off as best you can. -I'm not in the river, | 0:11:03 | 0:11:06 | |
I wouldn't dress like this if I was in the jungle. | 0:11:06 | 0:11:08 | |
APPLAUSE AND CHEERING | 0:11:10 | 0:11:11 | |
-There you go. -Amazing. Thank you so much for that, Bear. | 0:11:14 | 0:11:17 | |
The only thing that I know I can use this for at the moment is this. | 0:11:26 | 0:11:30 | |
So, I just wanted to quickly ask you, if it was just us | 0:11:33 | 0:11:36 | |
and nothing else was in the world and it was just us on this set, | 0:11:36 | 0:11:40 | |
-but we've got this, how would we survive? -Well, first, we'd | 0:11:40 | 0:11:43 | |
say thank goodness for the basic survival kit that you've got. | 0:11:43 | 0:11:46 | |
Excellent. We've got the whistle. We've got a knife. | 0:11:46 | 0:11:49 | |
I'd probably put you in charge of whistling. | 0:11:49 | 0:11:52 | |
Station you somewhere around here. We've got great shelter. | 0:11:53 | 0:11:56 | |
-We can both sleep under this. -Really? How would we do that? | 0:11:56 | 0:12:01 | |
Well, we could kind of spoon. Good body warmth. | 0:12:01 | 0:12:04 | |
LAUGHTER AND APPLAUSE | 0:12:11 | 0:12:13 | |
And then put your arm over. And then you've got a pillow here. You know? | 0:12:16 | 0:12:21 | |
-We're halfway to surviving already. -I'm loving this. | 0:12:21 | 0:12:24 | |
All right, we've got shelter. We've got our telephone. | 0:12:24 | 0:12:29 | |
Could I get a helicopter out here, please? What about the plants? | 0:12:29 | 0:12:34 | |
Could we eat these? I've got these Homebase plants. Is this edible? | 0:12:34 | 0:12:38 | |
Actually, there's a lot of good stuff over here. We've got it all. | 0:12:38 | 0:12:43 | |
It's like a buffet for you. | 0:12:43 | 0:12:45 | |
Don't you take that to bed with us. | 0:12:49 | 0:12:51 | |
Don't you dare take that to bed with us, Bear. | 0:12:51 | 0:12:54 | |
I tell you what... | 0:12:57 | 0:12:58 | |
LAUGHTER AND APPLAUSE | 0:12:58 | 0:13:00 | |
All I'll say is, you're going to know all about it. | 0:13:06 | 0:13:09 | |
HE BLOWS WHISTLE | 0:13:11 | 0:13:13 | |
LAUGHTER AND APPLAUSE | 0:13:14 | 0:13:15 | |
-So, yes. -Frightened the life out of me. | 0:13:17 | 0:13:20 | |
You get the fluids out of the cactus to stay alive. | 0:13:20 | 0:13:23 | |
So where are the fluids in the cactus? | 0:13:23 | 0:13:25 | |
-Well, you want to take the spikes off. -Ow! | 0:13:25 | 0:13:27 | |
Lesson one, watch out for that. So we would, we'd have a log fire. | 0:13:29 | 0:13:36 | |
LAUGHTER | 0:13:36 | 0:13:38 | |
-Pay attention. Pay attention. -Ah! | 0:13:40 | 0:13:42 | |
-I'm not surviving, Bear! -It's all right, we can have a sit-down. | 0:13:45 | 0:13:50 | |
-We'd have started a fire with the flint. -Are we burning the desk now? | 0:13:50 | 0:13:55 | |
-We'd probably burn all these nasty spikes off. -Good idea. | 0:13:55 | 0:13:58 | |
And then we can skin it to get the fluid underneath. | 0:13:58 | 0:14:01 | |
You've got to be careful - some, again, can kill you. | 0:14:01 | 0:14:04 | |
So if you see a milky white sap, we're not going to drink it. | 0:14:04 | 0:14:08 | |
Ha! No milky white sap. | 0:14:08 | 0:14:10 | |
-It's so mad. -Eating? | 0:14:14 | 0:14:17 | |
Eating - we might have to be slightly more resourceful | 0:14:17 | 0:14:20 | |
at the moment. | 0:14:20 | 0:14:22 | |
Don't eat me, Bear. | 0:14:22 | 0:14:26 | |
You can survive three minutes without air, three days without water, | 0:14:26 | 0:14:30 | |
three weeks without food. So food is not our priority at the moment. | 0:14:30 | 0:14:34 | |
It's about hydrating. Water. Pee, you can drink pee. | 0:14:34 | 0:14:37 | |
Well, can I just say, we had water. | 0:14:37 | 0:14:39 | |
LAUGHTER | 0:14:39 | 0:14:41 | |
You're absolutely right. | 0:14:51 | 0:14:53 | |
It might not be pretty or nice but it can save your life, | 0:14:53 | 0:14:55 | |
you've got to start thinking like that. | 0:14:55 | 0:14:57 | |
-Basically, we've got it all. We've got fire... -Fire. -..shelter. -Shelter. | 0:14:57 | 0:15:00 | |
..erm, water or fluids, | 0:15:00 | 0:15:03 | |
and a little bit of a, you know, we can eat the cactus, | 0:15:03 | 0:15:05 | |
that's a little bit of food, and we've got you whistling, | 0:15:05 | 0:15:08 | |
so to be honest, we're in good shape. | 0:15:08 | 0:15:10 | |
I'd feel safe with Bear. | 0:15:10 | 0:15:11 | |
Oh, fun, fun, fun! | 0:15:13 | 0:15:15 | |
Bear, that is what you're all about. So much fun. | 0:15:17 | 0:15:20 | |
I want to thank you so much for coming on the show. | 0:15:20 | 0:15:22 | |
How fun was that? | 0:15:22 | 0:15:23 | |
CHEERING AND APPLAUSE | 0:15:23 | 0:15:25 | |
Ladies and gentlemen, the fantastic Bear Grylls! | 0:15:25 | 0:15:27 | |
Thank you so much. That was awesome. | 0:15:27 | 0:15:31 | |
One more time for Bear Grylls. | 0:15:31 | 0:15:33 | |
Wow. I have been through it with Bear. | 0:15:36 | 0:15:38 | |
He just left. He just went. It's like he wasn't even here. | 0:15:40 | 0:15:43 | |
He's like a superhero. He's just off to do dangerous things. | 0:15:43 | 0:15:47 | |
He probably just ran in the middle of the road, | 0:15:47 | 0:15:49 | |
just jumped on top of a car. | 0:15:49 | 0:15:51 | |
Going back to his rock. | 0:15:52 | 0:15:54 | |
OK, Bear Grylls, how fantastic was that? | 0:15:55 | 0:15:57 | |
My next guest has been generating pop perfection for over 20 years. | 0:16:03 | 0:16:07 | |
He's the musical genius behind the biggest | 0:16:07 | 0:16:09 | |
and best boy band there's ever been. | 0:16:09 | 0:16:11 | |
He's created five number one albums, 13 number one singles | 0:16:11 | 0:16:14 | |
and A Million Love Songs, he is the unbelievable Gary Barlow! | 0:16:14 | 0:16:18 | |
CHEERING AND APPLAUSE | 0:16:18 | 0:16:19 | |
SONG: "Never Forget" by Take That | 0:16:19 | 0:16:22 | |
Thank you so much. | 0:16:31 | 0:16:33 | |
Gary Barlow's here! | 0:16:33 | 0:16:35 | |
-Gaz! -How are you? -I'm very well. How are you? -Good. Good. | 0:16:41 | 0:16:44 | |
Shall we tell everyone how we met? Do you remember? | 0:16:44 | 0:16:48 | |
-There's a story behind this that you don't even know. -I know. | 0:16:48 | 0:16:51 | |
I know all our stories. | 0:16:51 | 0:16:52 | |
-There's one you don't know. -Go on. -Shall I tell you? | 0:16:54 | 0:16:57 | |
I want to tell everyone. Because it was great. | 0:16:57 | 0:16:59 | |
It was my tenth wedding anniversary, me and my wife, | 0:16:59 | 0:17:03 | |
and we were organising a big party for our friends. | 0:17:03 | 0:17:05 | |
-You remember all this. -Of course I do. | 0:17:05 | 0:17:07 | |
And my wife said, "What are we doing about entertainment?" I said, | 0:17:07 | 0:17:11 | |
"I've got some friends coming who are singers, it's going to be great. | 0:17:11 | 0:17:14 | |
"Leave it to me. Leave it to me. | 0:17:14 | 0:17:16 | |
"I'm going to sort all the entertainment out." | 0:17:16 | 0:17:18 | |
And she said, "Listen, that's fine, as long as Michael Buble's there, | 0:17:18 | 0:17:22 | |
"it's fine. It's no problem." | 0:17:22 | 0:17:24 | |
OK, so honestly, I tried everybody who knew Michael Buble. | 0:17:24 | 0:17:29 | |
No luck whatsoever. He's away, he's on tour, he's doing all this stuff. | 0:17:29 | 0:17:33 | |
So we can't get him. | 0:17:33 | 0:17:34 | |
I thought, "Oh, no!" | 0:17:34 | 0:17:36 | |
But then I remembered her second favourite comedian was you. | 0:17:36 | 0:17:39 | |
LAUGHTER | 0:17:39 | 0:17:42 | |
I only say that cos, obviously, | 0:17:42 | 0:17:44 | |
Peter Kay's a very close friend of ours, so I've got to put him first. | 0:17:44 | 0:17:48 | |
-Oh, it wasn't a joke, it was... -No, it was actually true. | 0:17:48 | 0:17:50 | |
-It's actually true. -It's actually true! | 0:17:50 | 0:17:53 | |
But you're only second to Peter Kay. Don't worry. | 0:17:53 | 0:17:56 | |
OK. | 0:17:59 | 0:18:01 | |
So I knew that my wife loved you, so I called you up | 0:18:01 | 0:18:06 | |
and you very kindly agreed to come along, didn't you? | 0:18:06 | 0:18:09 | |
-Yes, I remember it so well. -You very kindly did. | 0:18:09 | 0:18:12 | |
You took the evening out of your life and you came to perform at our party. | 0:18:12 | 0:18:15 | |
So just before you went on I went, "Ladies and gentlemen, we're going to | 0:18:15 | 0:18:20 | |
"have some entertainment now," and my wife didn't know who was coming. | 0:18:20 | 0:18:23 | |
"And I've got a great act." | 0:18:23 | 0:18:25 | |
And my wife sat there thinking, "Here comes Buble! | 0:18:25 | 0:18:29 | |
"Here comes Buble!" And I said, | 0:18:29 | 0:18:30 | |
"Ladies and gentlemen, please welcome our first act tonight, Michael..." | 0:18:30 | 0:18:34 | |
She's thinking, "Here comes Buble!" | 0:18:34 | 0:18:36 | |
"..McIntyre!" | 0:18:36 | 0:18:38 | |
"Oh, no Buble." | 0:18:38 | 0:18:40 | |
Fortunately, you were brilliant. | 0:18:40 | 0:18:42 | |
You were brilliant and you entertained us all. | 0:18:43 | 0:18:46 | |
You were excellent. Sorry, I had to share that story. | 0:18:46 | 0:18:49 | |
-Now, Gary. -Yes. -You are looking incredible. | 0:18:49 | 0:18:52 | |
-Do you tire of hearing that? -Never. No. -It's not something... | 0:18:52 | 0:18:56 | |
-What did you say? -You look incredible. | 0:18:56 | 0:18:59 | |
-Make-up, plastic surgery. -No. | 0:18:59 | 0:19:02 | |
I've been told that you are... You had the Beard Of The Year. | 0:19:02 | 0:19:07 | |
This is right. Did you know you won this? | 0:19:07 | 0:19:10 | |
-Were you informed of this victory? -I never got the award. | 0:19:10 | 0:19:12 | |
-You never got the award? -I was told I was in the running. | 0:19:12 | 0:19:15 | |
-I didn't know I'd won. -Ladies and gentlemen... -Thank you. | 0:19:15 | 0:19:18 | |
..we've got a scoop tonight. | 0:19:18 | 0:19:20 | |
I can announce that Gary Barlow is Beard Of The Year. | 0:19:20 | 0:19:23 | |
CHEERING AND APPLAUSE | 0:19:23 | 0:19:24 | |
Haircut... You had the most requested... | 0:19:27 | 0:19:29 | |
-Did you know this as well? The most requested haircut of 2012. -Really? | 0:19:29 | 0:19:32 | |
Yes. That was two years ago, but it doesn't mean it's not a great... | 0:19:32 | 0:19:36 | |
-People go and they ask for the Gary Barlow. -Is that right? | 0:19:36 | 0:19:38 | |
-It's an extraordinary situation. -Wow. OK. | 0:19:38 | 0:19:40 | |
And you are looking good, so how do you do that? | 0:19:40 | 0:19:42 | |
Did you think about your look? The haircut, the beard? | 0:19:42 | 0:19:45 | |
I think a lot of those things came around from actually being on TV | 0:19:45 | 0:19:47 | |
a lot, because when I started to do X Factor three years ago | 0:19:47 | 0:19:51 | |
those things like Nose Of The Year, Rear Of The Year, | 0:19:51 | 0:19:55 | |
Haircut Of The Year, all these things just started emerging. | 0:19:55 | 0:19:58 | |
Sorry, I don't want to upset you, you didn't win the first two. | 0:19:58 | 0:20:00 | |
-Here's a question for you, Gary. -Mm-hm. | 0:20:02 | 0:20:04 | |
-Early Take That, when you first got assembled... -Mm-hm. | 0:20:04 | 0:20:07 | |
-How old were you when you first got together? -I was 19. | 0:20:07 | 0:20:09 | |
-Rob was 16. -Wow. -Mark was 17, I think. | 0:20:09 | 0:20:14 | |
Howard was 47. | 0:20:14 | 0:20:16 | |
LAUGHTER | 0:20:16 | 0:20:18 | |
He's going to kill me for that. He really is. | 0:20:18 | 0:20:20 | |
Howard was a little bit older. I think he was 23. | 0:20:20 | 0:20:23 | |
-So, if these teenagers and Howard... -LAUGHTER | 0:20:23 | 0:20:28 | |
..walked onto the X Factor stage and sung your first song | 0:20:28 | 0:20:32 | |
and you're sitting on the panel, what would you have said? | 0:20:32 | 0:20:35 | |
I remember when we first started, we were so ambitious. | 0:20:35 | 0:20:39 | |
We really wanted to take the world on. | 0:20:39 | 0:20:42 | |
But for the first year, definitely, we were rubbish. | 0:20:42 | 0:20:45 | |
We were rubbish. | 0:20:45 | 0:20:46 | |
We needed a lot of work, and we had choreographers who came in, | 0:20:46 | 0:20:49 | |
we had singing lessons and all the rest of it. | 0:20:49 | 0:20:51 | |
And our manager really did grow it from the ground up. | 0:20:51 | 0:20:55 | |
But I did think we got quite good quite quickly, as well. | 0:20:55 | 0:20:58 | |
Well, there's no doubt that you did very well, Gary! | 0:20:58 | 0:21:01 | |
But I'm just wondering - is it a yes from you? | 0:21:01 | 0:21:04 | |
-Probably a no. -A no? | 0:21:05 | 0:21:08 | |
Probably a, "Come back next year," | 0:21:08 | 0:21:09 | |
and we'd have gone back the next year and you'd have had that music. | 0:21:09 | 0:21:13 | |
-Yes. -That running music. | 0:21:13 | 0:21:16 | |
Simon, what do you think Simon would have said? | 0:21:16 | 0:21:19 | |
-I don't know. -Louis? Yes, it's a yes. | 0:21:19 | 0:21:21 | |
-HIGH-PITCHED IRISH ACCENT: -"Oh, yes! Fantastic. Absolutely fantastic! | 0:21:21 | 0:21:24 | |
"Especially you two." | 0:21:24 | 0:21:26 | |
When you said singing lessons, I want to know what that means. | 0:21:26 | 0:21:30 | |
Because I watch these people having lessons. What does it mean? | 0:21:30 | 0:21:33 | |
Tell me what to do. Singing. | 0:21:33 | 0:21:35 | |
-Like, the first lesson. -You warm up first. | 0:21:35 | 0:21:38 | |
So how do you do that? | 0:21:38 | 0:21:39 | |
# Mamma mia fettuccine | 0:21:39 | 0:21:42 | |
# Mamma mia fettuccine. # | 0:21:42 | 0:21:45 | |
-You're warming up all the vowels. -Who is that woman? | 0:21:45 | 0:21:49 | |
-# Mamma mia ravioli. # -Oh, brilliant. | 0:21:49 | 0:21:52 | |
Yes, you do all the vowels. | 0:21:52 | 0:21:53 | |
Can I have a spaghetti bolognese while we're at it? | 0:21:53 | 0:21:56 | |
OK. | 0:21:56 | 0:21:57 | |
# Mamma mia fettuccine. # Oh, cos it's... | 0:21:57 | 0:21:59 | |
-You've got to go through the... -Don't strain your neck. | 0:21:59 | 0:22:02 | |
You're pushing your neck forward. Relax your neck. | 0:22:02 | 0:22:04 | |
I'm trying to get rid of the chins. | 0:22:04 | 0:22:06 | |
It's not working. | 0:22:06 | 0:22:08 | |
# Mamma mia fetu... | 0:22:08 | 0:22:09 | |
# Mamma mia fettuccine. # | 0:22:11 | 0:22:13 | |
-That was awful. -It's getting better. | 0:22:13 | 0:22:15 | |
# Mamma mia cannelloni. # | 0:22:15 | 0:22:17 | |
# Mamma mia...garlic bread. # | 0:22:18 | 0:22:21 | |
So, your first love is writing, it's writing music. | 0:22:24 | 0:22:27 | |
-Actually, it's equal for me. -Yeah. | 0:22:27 | 0:22:29 | |
I do love performing and I do love writing music. | 0:22:29 | 0:22:31 | |
I just love being involved in music. | 0:22:31 | 0:22:33 | |
Can you tell me about the process, though? | 0:22:33 | 0:22:35 | |
Because melody - I hear the word "melody". | 0:22:35 | 0:22:37 | |
Do you just hear that in your head, | 0:22:37 | 0:22:38 | |
do you just keep humming until something comes? I don't know... | 0:22:38 | 0:22:41 | |
-I've never understood how this works. -I know, I know. | 0:22:41 | 0:22:44 | |
Whenever I sit down to write, whether it's a new record for the band | 0:22:44 | 0:22:47 | |
or myself or whatever, I sit down and I think, "Has the luck run out? | 0:22:47 | 0:22:51 | |
"Is this it?" | 0:22:51 | 0:22:53 | |
-Always feel... -I think, if you're a creative person, | 0:22:53 | 0:22:56 | |
I don't know if you ever truly value the talent you have | 0:22:56 | 0:22:59 | |
-to be able to sit... I always think it's luck. -Yeah. | 0:22:59 | 0:23:03 | |
I think, "I've just been lucky for all these years," | 0:23:03 | 0:23:05 | |
and, "Has it run out, eventually?" | 0:23:05 | 0:23:07 | |
Is this going to be the day I realise it's never going to happen again? | 0:23:07 | 0:23:11 | |
-And so it never feels like your own... -I've got news for you, Gary. | 0:23:11 | 0:23:15 | |
Your luck has not run out. Your new single is amazing. | 0:23:15 | 0:23:18 | |
-We've got a clip of the video. -OK. | 0:23:18 | 0:23:20 | |
-It's very catchy! -Thank you. -You've still got it, Gary! | 0:23:20 | 0:23:22 | |
You've still got it! | 0:23:22 | 0:23:24 | |
# Today I took back what was stolen | 0:23:25 | 0:23:28 | |
# And gave new life to what was frozen | 0:23:28 | 0:23:33 | |
# One mouth talking a dead man walking | 0:23:33 | 0:23:37 | |
# A thousand faces watched me falling | 0:23:37 | 0:23:41 | |
# I've made my peace with what may happen | 0:23:41 | 0:23:45 | |
# Accepted I won't be in fashion | 0:23:45 | 0:23:49 | |
# All you gave, I got it | 0:23:49 | 0:23:51 | |
# Yeah, you gave, I got it all back | 0:23:51 | 0:23:55 | |
# Since I saw you last... # | 0:23:55 | 0:23:58 | |
Oh, come on, that is a monster hit! | 0:23:58 | 0:24:00 | |
I should have had you in the video. | 0:24:00 | 0:24:02 | |
# Since I... # I love your videos as well. | 0:24:02 | 0:24:05 | |
They're so black and white and serious. | 0:24:05 | 0:24:07 | |
You can't do anything unless you're black and white and serious. | 0:24:07 | 0:24:10 | |
Look at you, just so serious. "I'm just so serious. | 0:24:10 | 0:24:12 | |
"Look at my hair. I'm going to win awards for this hair. | 0:24:12 | 0:24:15 | |
"You can TRY and copy my shaving... | 0:24:15 | 0:24:18 | |
"I've won Beard Of The Year three years on the trot." | 0:24:18 | 0:24:21 | |
# Since I saw you last. # I love it! | 0:24:21 | 0:24:24 | |
# Mamma fettuccine. # | 0:24:24 | 0:24:26 | |
-Now, quite a serious song, though, it seems? -That one? | 0:24:28 | 0:24:31 | |
I just sing along, but the lyrics, when you look at them, | 0:24:31 | 0:24:33 | |
they're quite serious, Gary. What's going on here? | 0:24:33 | 0:24:36 | |
"They took my voice, erased my past." | 0:24:36 | 0:24:39 | |
So, what's this song about? | 0:24:39 | 0:24:40 | |
Well, you know, in '99 I lost my record deal, | 0:24:40 | 0:24:43 | |
and, you know... | 0:24:43 | 0:24:46 | |
99% of me when we came back | 0:24:46 | 0:24:50 | |
and started the band again and we were really successful, | 0:24:50 | 0:24:54 | |
99% was really humble. | 0:24:54 | 0:24:57 | |
And then the other 1% wanted to write that song. | 0:24:57 | 0:25:01 | |
And I've waited and waited and when I started my record last year | 0:25:01 | 0:25:06 | |
it just felt right. | 0:25:06 | 0:25:07 | |
It just felt right to sort of chronologically document | 0:25:07 | 0:25:11 | |
what had gone on in those 14 years. | 0:25:11 | 0:25:13 | |
-Cos, you know... -14 years? -14 years, yes. | 0:25:13 | 0:25:17 | |
-Between that and my last solo record. -Right. | 0:25:17 | 0:25:20 | |
So, who is this targeted towards? | 0:25:20 | 0:25:22 | |
I think in this industry you're written off really quickly | 0:25:22 | 0:25:28 | |
and I think that people barely get a chance to show what they've got | 0:25:28 | 0:25:32 | |
before they move on to the next one. | 0:25:32 | 0:25:36 | |
So it's written for all those people who doubt, really. | 0:25:36 | 0:25:39 | |
Do you think, though, because you've got it back, | 0:25:39 | 0:25:41 | |
the response, the sort of cinematic ending | 0:25:41 | 0:25:46 | |
of you getting back with Take That, | 0:25:46 | 0:25:47 | |
do you think was it almost worth it, those 14 years - or not? | 0:25:47 | 0:25:51 | |
-Oh, it completely was. -It was. -Completely was. | 0:25:51 | 0:25:54 | |
Now I look at who I was back in '99 and I look who I am now, | 0:25:54 | 0:25:59 | |
and I learnt so much about myself in those years. | 0:25:59 | 0:26:04 | |
And I kind of come back to this... to this job now, really, | 0:26:04 | 0:26:09 | |
with just a glint of a smile because it's a funny business | 0:26:09 | 0:26:14 | |
and if you take it too seriously, | 0:26:14 | 0:26:17 | |
then you are missing out on a lot of enjoyment. | 0:26:17 | 0:26:19 | |
Just enjoy every day you're here, | 0:26:19 | 0:26:21 | |
because to me it's a big treat now, this bit. | 0:26:21 | 0:26:23 | |
And you know what? I know it's not going to last forever, | 0:26:23 | 0:26:26 | |
but while it's here I'm going to enjoy it. | 0:26:26 | 0:26:28 | |
Well, you deserve to. | 0:26:28 | 0:26:29 | |
Now, recent times, | 0:26:29 | 0:26:30 | |
I wanted to talk about stuff you probably didn't even dream of doing, | 0:26:30 | 0:26:33 | |
let alone getting back with Take That, and it being so enormous, | 0:26:33 | 0:26:36 | |
and the huge arena solo tour, | 0:26:36 | 0:26:38 | |
there's been a bit of royalty in your life. | 0:26:38 | 0:26:40 | |
-The Jubilee. -The Jubilee. | 0:26:40 | 0:26:42 | |
For me, those things - | 0:26:42 | 0:26:44 | |
other than working for the Palace, which is amazing, | 0:26:44 | 0:26:46 | |
but to be able to call up Elton and Stevie Wonder and Paul McCartney | 0:26:46 | 0:26:50 | |
and say, "Do you want to do this gig?" | 0:26:50 | 0:26:52 | |
It was amazing. | 0:26:52 | 0:26:53 | |
-And they all came through. -Yes. Everybody we asked came through. | 0:26:53 | 0:26:57 | |
Spectacular. And what about the Queen herself, how was that? | 0:26:57 | 0:27:00 | |
-How was she? -It was great. | 0:27:00 | 0:27:01 | |
How much contact do you have with the Queen? | 0:27:01 | 0:27:03 | |
-Was she quite hands on? -Maybe five or six times... | 0:27:03 | 0:27:05 | |
She was doing the dialling. | 0:27:05 | 0:27:07 | |
-IMPERSONATES THE QUEEN: -"What's Elton, is he 0207? | 0:27:07 | 0:27:09 | |
"Hello? I've got Gary Barlow. | 0:27:09 | 0:27:11 | |
"You do it, you do it. Ask him. I'm too shy, I'm embarrassed." | 0:27:11 | 0:27:13 | |
So, this is a picture of you actually meeting the Queen. | 0:27:15 | 0:27:17 | |
There you are. | 0:27:17 | 0:27:18 | |
The terrible thing about this photo is she thought that was Take That. | 0:27:18 | 0:27:21 | |
Moments after this she was with Philip, going, | 0:27:24 | 0:27:26 | |
"I think Howard Donald's aged... | 0:27:26 | 0:27:28 | |
"Gary's still looking amazing. | 0:27:32 | 0:27:33 | |
"I just voted for him for Best Haircut Of The Year." | 0:27:33 | 0:27:36 | |
Ladies and gentlemen, give it up for the fantastic Mr Gary Barlow! | 0:27:40 | 0:27:44 | |
APPLAUSE | 0:27:44 | 0:27:45 | |
-Thank you. -Thank you so much. -Cheers. | 0:27:46 | 0:27:50 | |
-Thank you. -Ladies and gentlemen, the wonderful Gary Barlow! | 0:27:50 | 0:27:53 | |
Legend! | 0:27:53 | 0:27:54 | |
What a charming, wonderful man! | 0:27:54 | 0:27:57 | |
What's that man doing? | 0:28:03 | 0:28:04 | |
Are you all right? No, you. | 0:28:06 | 0:28:07 | |
You're holding something. Like a lasso or something. | 0:28:07 | 0:28:10 | |
What is this? What's the idea here? | 0:28:12 | 0:28:14 | |
-I hold the cable. -You hold the cable. | 0:28:14 | 0:28:16 | |
As you move... | 0:28:19 | 0:28:20 | |
Oh, as he moves, you just let it go... | 0:28:20 | 0:28:23 | |
Is that really it? That's it? | 0:28:31 | 0:28:32 | |
And then what happens when you come towards me? | 0:28:32 | 0:28:34 | |
You've got to coil it back in. | 0:28:34 | 0:28:35 | |
Pretty easy. | 0:28:44 | 0:28:46 | |
You look like someone Bear Grylls would meet. | 0:28:48 | 0:28:50 | |
All right. | 0:28:53 | 0:28:54 | |
I've got a knife if you want to shave. | 0:28:54 | 0:28:56 | |
Thank you very much. | 0:28:56 | 0:28:57 | |
-OK. -All right. | 0:28:57 | 0:28:59 | |
My next guest is delightful, delicious and downright dishy. | 0:29:05 | 0:29:08 | |
Her TV cookery shows are watched around the world | 0:29:08 | 0:29:11 | |
and her books sell like hot cakes. | 0:29:11 | 0:29:12 | |
She's the princess of the pantry, the cream of the crop, | 0:29:12 | 0:29:15 | |
the cherry on the cake. | 0:29:15 | 0:29:17 | |
Let's hear it for the Domestic Goddess herself, | 0:29:17 | 0:29:19 | |
the wonderful Nigella Lawson is here! | 0:29:19 | 0:29:22 | |
# Sugar | 0:29:22 | 0:29:25 | |
-# Oh, honey, honey... # -Nigella! | 0:29:25 | 0:29:27 | |
# You are my candy girl | 0:29:30 | 0:29:32 | |
# And you got me wanting you... # | 0:29:32 | 0:29:35 | |
Nigella! | 0:29:35 | 0:29:36 | |
-# Sugar... # -I'd sing, but I can't. | 0:29:38 | 0:29:41 | |
Darling, I've brought something for you. | 0:29:41 | 0:29:43 | |
-Something for me? -Yeah. | 0:29:43 | 0:29:45 | |
Ooh! This is exciting. It comes in a little bag. | 0:29:45 | 0:29:47 | |
Did you make this? | 0:29:47 | 0:29:48 | |
I did, though not initially for you. | 0:29:48 | 0:29:51 | |
LAUGHTER | 0:29:51 | 0:29:53 | |
Were they for Peter Kay? | 0:29:53 | 0:29:54 | |
Sea-salted... | 0:29:56 | 0:29:58 | |
-Sea-salted fudge. -Amazing. | 0:29:58 | 0:29:59 | |
Is this made by your hand? | 0:29:59 | 0:30:01 | |
-Yeah, and burns to show. -Oh, this is amazing! | 0:30:01 | 0:30:04 | |
-I'm saying it's amazing before I've tasted it. -Lot of sugar. | 0:30:04 | 0:30:07 | |
-With sea salt on the top. -Is that what fudge is? Just sugar? | 0:30:07 | 0:30:10 | |
-Sugar and fat. -Great. | 0:30:10 | 0:30:12 | |
LAUGHTER | 0:30:12 | 0:30:15 | |
Mm. Oh! Oh! | 0:30:15 | 0:30:18 | |
-That's really sweet. -Yes, it is. -Can you tell me how you make this? | 0:30:18 | 0:30:21 | |
-Cos I don't know anything about cooking. -Do you really want to know | 0:30:21 | 0:30:24 | |
-or are you just passing the time so you can chew? -No! -OK. | 0:30:24 | 0:30:29 | |
-You put butter, condensed milk and sugar... -Settle in. Tell me. | 0:30:29 | 0:30:33 | |
..and Golden Syrup. | 0:30:33 | 0:30:35 | |
-Mm? -In a pan. Let it boil for a long time, stirring, stirring, stirring. | 0:30:35 | 0:30:40 | |
-You do so much stirring, don't you? -A lot of stirring. | 0:30:40 | 0:30:42 | |
Tell me about stirring. Do you do that with both hands or...? | 0:30:42 | 0:30:45 | |
I can do it with both hands, yes. | 0:30:45 | 0:30:46 | |
So, with your left hand... Whisking is the thing. | 0:30:46 | 0:30:49 | |
That's the really hard one, isn't it? | 0:30:49 | 0:30:51 | |
-Well, I'm slightly ambidextrous. -Do you use a... | 0:30:51 | 0:30:54 | |
-HE MAKES MACHINE NOISE -..or do you do it manually? | 0:30:54 | 0:30:57 | |
It, you know, depends how I feel. | 0:30:57 | 0:30:59 | |
-What, the manual or the... -HE MAKES MACHINE NOISE | 0:30:59 | 0:31:01 | |
Why are you giggling? | 0:31:01 | 0:31:02 | |
LAUGHTER | 0:31:02 | 0:31:04 | |
-This is the problem, Nigella, you're so sexual! -I'm not! | 0:31:04 | 0:31:07 | |
-I'm not saying anything! -That's the thing, I know. I know. It's right. | 0:31:07 | 0:31:10 | |
You don't mean to be, do you? Is that true, though? | 0:31:10 | 0:31:13 | |
I am quite prissy, actually. | 0:31:13 | 0:31:16 | |
-Prissy? -Prissy. -Yeah. | 0:31:16 | 0:31:18 | |
Everything you say, I can't cope with it! | 0:31:18 | 0:31:21 | |
LAUGHTER | 0:31:21 | 0:31:26 | |
I like ejecting the whisks. | 0:31:26 | 0:31:28 | |
-Oh, yes, cos you... -You just do that and they go pitow! | 0:31:28 | 0:31:31 | |
-When you're whisking like that... -No! | 0:31:31 | 0:31:34 | |
-Because if you're whisking by hand... -Is it beating? | 0:31:34 | 0:31:36 | |
-Beating is more...like, with a wooden spoon. -OK. So, you beat like this. | 0:31:36 | 0:31:42 | |
-You don't have to be that frenetic. -OK. | 0:31:42 | 0:31:44 | |
Cos it's quite a magical moment when it...solidifies. | 0:31:46 | 0:31:51 | |
-When it hardens. -When what hardens? | 0:31:51 | 0:31:54 | |
The... The... The yolk. The-the egg whites. | 0:31:54 | 0:31:58 | |
-When it becomes stiff. -Egg whites... You're talking about meringues? | 0:31:58 | 0:32:02 | |
-No, but, isn't it egg whites, they become stiff? -They do, they do, | 0:32:02 | 0:32:06 | |
and that definitely IS with a whisk. | 0:32:06 | 0:32:09 | |
Do you think it's like a magical moment? Cos it just turns. | 0:32:09 | 0:32:12 | |
You don't think it's going to turn and then it just goes - oh! | 0:32:12 | 0:32:14 | |
I think all baking is rather magical. | 0:32:14 | 0:32:17 | |
I mean, because I've cooked all my life | 0:32:17 | 0:32:21 | |
and I came to baking relatively late in life. | 0:32:21 | 0:32:24 | |
If you're making a stew, you understand that | 0:32:24 | 0:32:28 | |
if you put some beef and some leeks and some carrots, | 0:32:28 | 0:32:33 | |
you can understand in its raw state that it will be a stew. | 0:32:33 | 0:32:36 | |
You understand that, it makes sense. | 0:32:36 | 0:32:39 | |
But there is something extraordinary, that if you just have eggs | 0:32:39 | 0:32:43 | |
and flour and sugar and butter, these disparate elements, | 0:32:43 | 0:32:46 | |
you mix them together, put them in the oven, and it's a cake. | 0:32:46 | 0:32:51 | |
So, one feels a bit like an alchemist. | 0:32:51 | 0:32:53 | |
I always think it's a mixture of chemistry and poetry. | 0:32:53 | 0:32:56 | |
And what about the Great British Bake Off? | 0:32:56 | 0:32:57 | |
It's become this phenomenon. | 0:32:57 | 0:32:59 | |
-I love it. -Why do you think people love it so much? | 0:32:59 | 0:33:02 | |
Is it just watching that transformation? | 0:33:02 | 0:33:04 | |
Cos you don't get to eat the cake. | 0:33:04 | 0:33:05 | |
Well, you don't get to eat it but | 0:33:05 | 0:33:08 | |
I think it is interesting to see. | 0:33:08 | 0:33:11 | |
It's not the sort of baking I could do because I'm a bit haphazard | 0:33:11 | 0:33:16 | |
and the idea of making 18 biscuits which look identical, | 0:33:16 | 0:33:20 | |
whereas, you know, it's, like, smaller, bigger. | 0:33:20 | 0:33:23 | |
I feel it's so important not to put people off cooking. | 0:33:23 | 0:33:28 | |
Actually, if you needed to be an expert we'd have all fallen | 0:33:28 | 0:33:31 | |
out of the evolutionary loop a long time ago. | 0:33:31 | 0:33:35 | |
-Also, the masses aren't experts, so it's fun. -Nor should you be. | 0:33:35 | 0:33:39 | |
It's really strange in the modern world that there are two areas | 0:33:39 | 0:33:44 | |
which people seem to look for experts all the time. | 0:33:44 | 0:33:47 | |
And yet they're the two areas which guarantee our survival, | 0:33:47 | 0:33:52 | |
and that is in child rearing and cooking. | 0:33:52 | 0:33:55 | |
And yet everyone looks for experts | 0:33:55 | 0:33:57 | |
but it isn't really a field where expertise really helps that much. | 0:33:57 | 0:33:59 | |
It's natural. It's the most natural thing. | 0:33:59 | 0:34:02 | |
-And impossible as well. That's fine, that's life. -I don't cook. | 0:34:02 | 0:34:05 | |
I'm an eater. | 0:34:05 | 0:34:07 | |
-Eating is very important. -You love eating. -I do love eating. | 0:34:07 | 0:34:10 | |
That's where it all stemmed from. | 0:34:10 | 0:34:12 | |
-Eating. -Yes. My view is that you can | 0:34:12 | 0:34:16 | |
eat without loving cooking. | 0:34:16 | 0:34:21 | |
But to cook and enjoy it, you have to love eating. | 0:34:21 | 0:34:25 | |
So, eating is the important thing. | 0:34:25 | 0:34:27 | |
I think I can't cook because...I'm too hungry... | 0:34:27 | 0:34:31 | |
the whole time. | 0:34:31 | 0:34:33 | |
I pick. | 0:34:33 | 0:34:34 | |
-I'd have all the ingredients and I'd slowly eat them in that order. -No. | 0:34:34 | 0:34:39 | |
Picking does rather destroy the pleasure of eating, sometimes. | 0:34:39 | 0:34:43 | |
You're right about this. How do I stop picking? | 0:34:43 | 0:34:45 | |
I have two children and I have tried this so many times - | 0:34:45 | 0:34:49 | |
I cannot walk past a chicken nugget... | 0:34:49 | 0:34:53 | |
No-one can. | 0:34:53 | 0:34:54 | |
I have to say, when my children were small, everyone else would say, | 0:34:54 | 0:34:59 | |
"You must eat up." And I kept saying, "Have you finished now?" | 0:34:59 | 0:35:01 | |
-So I could just grab the ends. -I always take what they've left. | 0:35:01 | 0:35:06 | |
I like eating off other people's plates. | 0:35:06 | 0:35:08 | |
Sometimes I have it before them. | 0:35:08 | 0:35:11 | |
That's fine, that's fine. | 0:35:11 | 0:35:13 | |
-He's like, "I'm hungry." It's like, "No. There's no dinner now." -Tough. | 0:35:13 | 0:35:18 | |
Let me tell you about the first time I became aware of you. | 0:35:18 | 0:35:21 | |
It was that bit at the end of the show where you go to the fridge. | 0:35:21 | 0:35:25 | |
Was that at the end of the credits? | 0:35:25 | 0:35:27 | |
After the credits. | 0:35:27 | 0:35:29 | |
-They were brilliant. That's what I could relate to. -Everyone does that. | 0:35:29 | 0:35:33 | |
-Do you do that every night? -I don't do it every night. | 0:35:33 | 0:35:36 | |
It's not part of my routine, but sometimes I do make double visits. | 0:35:36 | 0:35:41 | |
-Yeah. -That is the difficulty. | 0:35:41 | 0:35:44 | |
-But you don't even know what you're after. -No, that's the thrill. | 0:35:44 | 0:35:48 | |
It's opening the fridge and seeing this whole world of possibilities. | 0:35:48 | 0:35:52 | |
That's what you see through your Nigella Lawson eyes. | 0:35:52 | 0:35:55 | |
What I see is, "Oh, I got a bit of pesto...I've got a bit of ham. | 0:35:55 | 0:36:01 | |
"I'm going to have pesto-ham." | 0:36:01 | 0:36:04 | |
The thing is... Do you have bread? | 0:36:04 | 0:36:07 | |
If you have bread and butter, you've got a sandwich there. | 0:36:07 | 0:36:09 | |
But I'm only functioning at the fridge. I don't go over there. | 0:36:09 | 0:36:12 | |
Once I'm there, the door's open. | 0:36:12 | 0:36:14 | |
-Do you have a beep on your fridge? -I've disabled it. | 0:36:14 | 0:36:19 | |
That's brilliant. Cos my fridge is always... | 0:36:19 | 0:36:22 | |
Stop nagging me! I haven't decided yet! | 0:36:22 | 0:36:26 | |
-What? -The fridge, not you. -Oh, sorry! | 0:36:26 | 0:36:29 | |
You're right, it nags you. It beeps. Cos I thought it was always on. | 0:36:32 | 0:36:36 | |
The fridge door's open so much in my house - beep! Beep! Beep! | 0:36:36 | 0:36:40 | |
-So rude. -I know. -Is it a German fridge? | 0:36:40 | 0:36:42 | |
-Yeah, it goes - -HARSHER TONE: -Beep! Beep! Beep! | 0:36:42 | 0:36:45 | |
-Not bad. -I don't know if my fridge is German. | 0:36:45 | 0:36:49 | |
Somebody recommended a fridge that actually makes a noise. | 0:36:49 | 0:36:52 | |
You can put something on the fridge and it snorts like a pig. | 0:36:52 | 0:36:55 | |
That would be so tiresome after a couple of days. | 0:36:55 | 0:36:58 | |
But it's supposed to make you feel you've eaten too much. | 0:36:58 | 0:37:01 | |
MAKES PIG NOISE | 0:37:01 | 0:37:03 | |
-For me, it would make me want a bacon sandwich. -Me too! | 0:37:03 | 0:37:07 | |
We should talk about your cook books. | 0:37:07 | 0:37:09 | |
This is How To Be A Domestic Goddess. | 0:37:09 | 0:37:11 | |
Which has been reissued. Now, I have no idea what that means. | 0:37:11 | 0:37:15 | |
-Got a new cover, love. -It's got a new cover! | 0:37:15 | 0:37:18 | |
-OK. -There's going to be a uniform edition. | 0:37:20 | 0:37:23 | |
Some of them I've done new introductions... And new end papers. | 0:37:23 | 0:37:27 | |
OK. So, it's not that you put the wrong recipes in originally? | 0:37:27 | 0:37:32 | |
You didn't think, | 0:37:32 | 0:37:34 | |
"Sorry, there should actually be salt in that one." | 0:37:34 | 0:37:36 | |
Well, that's happened over the years, but not particularly now. | 0:37:36 | 0:37:40 | |
But you - and I love this when I found out you did this - | 0:37:40 | 0:37:43 | |
you tweet a lot of the things you eat. | 0:37:43 | 0:37:46 | |
-You're photographing your food. -That's all I do, really. | 0:37:46 | 0:37:50 | |
This is earlier, this is lunch. You probably recognise this from lunch. | 0:37:50 | 0:37:53 | |
I can walk you through it. Rib eye steak - black and blue. | 0:37:53 | 0:37:56 | |
Not quite black enough but it was delicious. | 0:37:56 | 0:37:59 | |
-Chips. I like a fat chip, I don't like American fries so much. -OK. | 0:37:59 | 0:38:04 | |
And broccoli with lemon and chilli. | 0:38:04 | 0:38:07 | |
And you've said, "Was in danger of getting hangry." | 0:38:07 | 0:38:10 | |
-Hungry and angry. -It's a lovely word. | 0:38:10 | 0:38:13 | |
I am so hangry. I wake up hangry. | 0:38:13 | 0:38:18 | |
-It was about four o'clock. -So, when do you get hangry? | 0:38:18 | 0:38:21 | |
What's the difference between hungry and hangry? | 0:38:21 | 0:38:24 | |
Well, actually, not much. I do feel... | 0:38:24 | 0:38:27 | |
My agent says, for women, "Hunger is always an emergency." | 0:38:27 | 0:38:32 | |
And I think there's something in that. | 0:38:32 | 0:38:34 | |
I'm really very equable. | 0:38:34 | 0:38:36 | |
And I don't have a temper. | 0:38:36 | 0:38:38 | |
But if I'm not fed, I am both murderous and suicidal. | 0:38:38 | 0:38:44 | |
-Wow, you want to murder yourself? -Yes. | 0:38:44 | 0:38:47 | |
I cant... | 0:38:47 | 0:38:49 | |
Now I've learnt, | 0:38:49 | 0:38:52 | |
so just before I ate today I said, "I'm shutting down. | 0:38:52 | 0:38:55 | |
"No-one talk to me. | 0:38:55 | 0:38:57 | |
"I've gone without food for too long and I will be cranky | 0:38:57 | 0:39:02 | |
"and I could be rude. | 0:39:02 | 0:39:04 | |
"So, please, carry on without me until I've been given food." | 0:39:04 | 0:39:07 | |
-And this did the job? -Yes. | 0:39:07 | 0:39:09 | |
Let's talk about your life at the moment. | 0:39:09 | 0:39:12 | |
Where are you living? What's going on? | 0:39:12 | 0:39:15 | |
Well, I'm alive. I don't really want to say where I live. | 0:39:15 | 0:39:18 | |
-I think that would be a foolish thing. -I'm not your cab driver. | 0:39:18 | 0:39:21 | |
I was wondering about your living arrangements cos | 0:39:21 | 0:39:24 | |
-I heard you were looking for a place to live. -Think I've found somewhere. | 0:39:24 | 0:39:27 | |
And what's the kitchen like? | 0:39:27 | 0:39:29 | |
Kitchen's good but I can make it better. | 0:39:29 | 0:39:31 | |
So, how are you, though, in your life? | 0:39:31 | 0:39:34 | |
How are you feeling? Cos I have to say, you seem wonderful. | 0:39:34 | 0:39:37 | |
Well, you know... I've had better times. | 0:39:37 | 0:39:40 | |
But, yeah, it's spring, I'm feeling better and I'm very happy to be here. | 0:39:40 | 0:39:44 | |
Life has its dips and it can get better and... | 0:39:44 | 0:39:50 | |
You know, you can't fight it. | 0:39:50 | 0:39:52 | |
Have you felt the unbelievable amount of support that you have? | 0:39:53 | 0:39:56 | |
Have you felt that? | 0:39:56 | 0:39:58 | |
Um...I try not to live in the public sphere very much. | 0:39:58 | 0:40:03 | |
Yes, I have, but the thing is, however you live, | 0:40:03 | 0:40:07 | |
you have your own life and you're the person inside, so... | 0:40:07 | 0:40:11 | |
If anything, all I've done is stop reading newspapers. | 0:40:11 | 0:40:14 | |
Which I find difficult cos I was a journalist for so long | 0:40:14 | 0:40:17 | |
and I'm a bit of a print fanatic. | 0:40:17 | 0:40:19 | |
But of all the things to go, that's relatively all right. | 0:40:19 | 0:40:25 | |
You say you're a journalist, you're in that game, | 0:40:25 | 0:40:29 | |
-you have a lot of friends in journalism. -Yeah. | 0:40:29 | 0:40:31 | |
And everything got flipped upside down and you're at the centre | 0:40:31 | 0:40:36 | |
of a media storm and it's being fed by that, by journalism. | 0:40:36 | 0:40:43 | |
I mean, how does that feel? | 0:40:43 | 0:40:44 | |
I'm not an innocent. I understand how it works. | 0:40:46 | 0:40:49 | |
I just...don't involve myself. | 0:40:49 | 0:40:52 | |
I don't speak and I don't comment. | 0:40:52 | 0:40:56 | |
I could say things and they would be indiscrete and I don't want to. | 0:40:56 | 0:41:00 | |
But the real truth is that... | 0:41:00 | 0:41:04 | |
if you don't read things and you don't get too involved, it doesn't | 0:41:04 | 0:41:08 | |
enter your bloodstream, and you're not contaminated. | 0:41:08 | 0:41:11 | |
But what I've found since then is that it's given me | 0:41:11 | 0:41:15 | |
a far too sensitised reaction to...um... | 0:41:15 | 0:41:21 | |
newspapers and when I see journalists being cruel | 0:41:21 | 0:41:25 | |
about other people's misfortunes. | 0:41:25 | 0:41:28 | |
Cos you can... You can survive anything yourself. | 0:41:28 | 0:41:31 | |
But when I see other people's private lives being | 0:41:31 | 0:41:35 | |
treated in a cavalier way, I feel I can't read this. | 0:41:35 | 0:41:38 | |
I don't want to be colluding with it. | 0:41:38 | 0:41:40 | |
You start to realise how that feels. | 0:41:40 | 0:41:42 | |
I think you always do realise but you also understand that | 0:41:42 | 0:41:46 | |
you have a responsibility not necessarily to be part of it. | 0:41:46 | 0:41:51 | |
But...I don't know. I think that... | 0:41:51 | 0:41:54 | |
There's gossip. | 0:41:54 | 0:41:56 | |
It is and we all like gossiping in our own lives, | 0:41:56 | 0:41:58 | |
so I don't take a lofty view. | 0:41:58 | 0:42:01 | |
I just perhaps feel, you know, having had a layer of skin removed, | 0:42:01 | 0:42:06 | |
I'm more sensitive to other people's misfortunes. | 0:42:06 | 0:42:13 | |
You say with life and ups and downs of life, because it is gossip, | 0:42:13 | 0:42:16 | |
it's important to you but it's not important to everybody else | 0:42:16 | 0:42:20 | |
so much because it's like gossip. | 0:42:20 | 0:42:22 | |
And things do move on. They just move on. Amazingly. | 0:42:22 | 0:42:26 | |
I certainly know that if I read something in a magazine | 0:42:26 | 0:42:29 | |
about someone, I can't remember, so why would they remember about me? | 0:42:29 | 0:42:32 | |
But it is true and you have to remember that. | 0:42:32 | 0:42:36 | |
I really think that if the major thing in your life is what | 0:42:36 | 0:42:41 | |
people who don't know you think, then you're living your life wrong. | 0:42:41 | 0:42:45 | |
I often do say things or do things maybe I regret later | 0:42:45 | 0:42:49 | |
but on the other hand, I'd rather embarrass myself or just be | 0:42:49 | 0:42:53 | |
a bit idiotic sometimes | 0:42:53 | 0:42:55 | |
than spend my whole life worrying about what people think or | 0:42:55 | 0:42:58 | |
-what I'm going to say. -You never win like that. | 0:42:58 | 0:43:01 | |
I don't think anyone can win. | 0:43:01 | 0:43:02 | |
I always worry about what I'm going to say all the time. | 0:43:02 | 0:43:04 | |
-But it doesn't help! -But neither of us ever stop ourselves. | 0:43:04 | 0:43:07 | |
-We may worry but we don't stop ourselves. -No. | 0:43:07 | 0:43:09 | |
-I talk too much. -I talk too much. | 0:43:09 | 0:43:11 | |
What my grandmother used to call "overtalking." | 0:43:11 | 0:43:13 | |
Yes, and that is true, and things move on and it's so important and | 0:43:13 | 0:43:18 | |
it's deep and hurtful and difficult | 0:43:18 | 0:43:20 | |
but it is, in the public domain, it's gossip, it's trivial. | 0:43:20 | 0:43:24 | |
It's horrible to be part of that. But you move on. | 0:43:24 | 0:43:28 | |
Have you ever thought about doing Thought For The Day? | 0:43:28 | 0:43:30 | |
My thought for the day right now is, | 0:43:30 | 0:43:32 | |
-"Move on to something funny." -OK, come on! | 0:43:32 | 0:43:35 | |
OK, let's do that. | 0:43:35 | 0:43:36 | |
-So, you found a place. Did you see a lot? -Lots. | 0:43:36 | 0:43:39 | |
It's quite stressful that, isn't it? | 0:43:39 | 0:43:42 | |
Yeah, but I'm also quite nosy so I like looking at other people's homes. | 0:43:42 | 0:43:46 | |
Tell me honestly, of all the houses you looked at, | 0:43:46 | 0:43:50 | |
what percentage of them had your books? | 0:43:50 | 0:43:53 | |
LAUGHTER | 0:43:53 | 0:43:55 | |
Do you walk in and go, "Yeah, OK." | 0:43:55 | 0:43:58 | |
No, I don't look... | 0:43:58 | 0:44:01 | |
I don't look for it. | 0:44:01 | 0:44:03 | |
But when I go into the kitchen I notice if they're there or not. | 0:44:03 | 0:44:06 | |
-You look for it. -I don't, actually. | 0:44:06 | 0:44:09 | |
I don't because when I'm looking I'm thinking, "Could I live here? | 0:44:09 | 0:44:14 | |
"Is this OK?" | 0:44:14 | 0:44:15 | |
-And then... Obviously I notice. -Yeah. | 0:44:15 | 0:44:19 | |
But what I find really difficult is when people get apologetic. | 0:44:19 | 0:44:24 | |
-And I feel like, "No, it's quite all right." -You say that... | 0:44:24 | 0:44:27 | |
-but it hurts, it's annoying. -It doesn't hurt. | 0:44:27 | 0:44:30 | |
There's Ramsay and Oliver. You're like, "I'm not living here!" | 0:44:30 | 0:44:32 | |
Nigella, thank you so much for coming on my show. | 0:44:34 | 0:44:37 | |
It's a real pleasure and, you know, | 0:44:37 | 0:44:40 | |
it's such a great thrill to see you looking so well and back | 0:44:40 | 0:44:44 | |
and gorgeous and yourself. | 0:44:44 | 0:44:46 | |
-Just great to see you. -Thank you. -Thanks very much. | 0:44:46 | 0:44:49 | |
The lovely Nigella Lawson. | 0:44:49 | 0:44:50 | |
I love Nigella! | 0:44:50 | 0:44:52 | |
Thank you so much! | 0:44:52 | 0:44:53 | |
Sorry, I'm in high heels. | 0:44:55 | 0:44:56 | |
Nigella. Amazing! Come on! | 0:44:57 | 0:45:00 | |
Ladies and gentlemen, a huge thanks to all my guests tonight. | 0:45:06 | 0:45:09 | |
We had the wonderful Bear Grylls! Come on! | 0:45:09 | 0:45:11 | |
Gary Barlow was here! | 0:45:14 | 0:45:16 | |
And the gorgeous and fantastic Nigella Lawson! | 0:45:18 | 0:45:21 | |
Join me next week when my guests will be Ray Winstone, | 0:45:23 | 0:45:25 | |
Holly Willoughby and Dynamo! | 0:45:25 | 0:45:27 | |
Thank you for watching. Good night. Bravo! | 0:45:27 | 0:45:29 |