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MALE VOICE CHOIR SINGS "Land Of My Fathers" | 0:00:02 | 0:00:05 | |
'This is Dai Young. | 0:00:07 | 0:00:10 | |
'From 1988 to 1993, he and Rob Brydon were THE comedy duo | 0:00:10 | 0:00:16 | |
'in West Glamorgan and parts of Pembrokeshire. | 0:00:16 | 0:00:20 | |
'With Rob Brydon back on our screens in a brand-new series, | 0:00:21 | 0:00:25 | |
'Dai Young has agreed to give us an insider's view of his old partner.' | 0:00:25 | 0:00:31 | |
Young And Brydon was the... | 0:00:39 | 0:00:41 | |
Sorry. Young And Brydon was the name of the double act we had. | 0:00:41 | 0:00:45 | |
Musical comedy. | 0:00:45 | 0:00:47 | |
I was the... the driving force, really, with it. | 0:00:47 | 0:00:52 | |
And Rob was, uh... | 0:00:52 | 0:00:55 | |
I'd say "made up the numbers", that's a bit unfair, but he was the dead weight. You know? | 0:00:56 | 0:01:02 | |
-As an interviewer... -He's still there. What? | 0:01:02 | 0:01:05 | |
-As an interviewer, how would you rate Rob Brydon? -Recording. Ssh, ssh! | 0:01:05 | 0:01:10 | |
How would I rate him as an interviewer? Um... | 0:01:10 | 0:01:13 | |
He's poor. | 0:01:13 | 0:01:15 | |
-When you say soul, you think of American, Luther Vandross and... -Yeah, of course, of course. | 0:01:15 | 0:01:21 | |
-I can't believe that when you think of soul, you think of Luther Vandross. -You wouldn't think of him? | 0:01:21 | 0:01:27 | |
-Of all the greats, you could have had Aretha Franklin, you know. -Yes, yes. Hang on a second, Bill. | 0:01:27 | 0:01:34 | |
-Hang on a second. -Sorry. -I suppose when you think of soul, you think of people like... | 0:01:34 | 0:01:39 | |
LAUGHTER | 0:01:39 | 0:01:41 | |
-Does the cushion move? -Yeah, you can move it. -But continuity... -We don't worry about that. | 0:01:41 | 0:01:47 | |
-You don't? -It's a lost cause. Some shots back at you, it'll be Martin Clunes. | 0:01:47 | 0:01:52 | |
They are a bit shoddy on this show, yeah. | 0:01:52 | 0:01:55 | |
Look at that. | 0:01:57 | 0:01:58 | |
An American star, Play Your Cards Right, Woody Allen is Bruce. | 0:01:58 | 0:02:03 | |
OK? | 0:02:03 | 0:02:04 | |
-AMERICAN ACCENT: -I'm the leader of the pack. | 0:02:04 | 0:02:07 | |
I'm doing Woody Allen! | 0:02:07 | 0:02:10 | |
It was more like Lily Allen! | 0:02:10 | 0:02:12 | |
In Bridesmaids, you have a sex scene... | 0:02:14 | 0:02:17 | |
-That's not yours. -OK. -It's a sex scene. | 0:02:17 | 0:02:20 | |
-It's gin! -Yes. -LAUGHTER | 0:02:20 | 0:02:24 | |
And a little bit of Jif. I find it... | 0:02:25 | 0:02:28 | |
It cleans the tubes as it goes down. | 0:02:28 | 0:02:30 | |
-I'm frightened of water, basically. -Oh, you should get over that. -OK, I will. Thank you very much! | 0:02:31 | 0:02:37 | |
-I mean... -What's this? A phobia clinic? | 0:02:37 | 0:02:40 | |
Dame Edna, you look wonderful. | 0:02:40 | 0:02:43 | |
You seem to get better as each year passes. | 0:02:43 | 0:02:47 | |
Oh, Rob, you know the right things to say. | 0:02:47 | 0:02:50 | |
I'm thrilled by your career too | 0:02:52 | 0:02:54 | |
and you're starting it in the way I would recommend to you. | 0:02:54 | 0:02:58 | |
Quietly. Very quietly. LAUGHTER | 0:02:58 | 0:03:01 | |
You talk about fans. With the work that I do here in the pub, I've got fans who come in. | 0:03:01 | 0:03:07 | |
I mean, Denis, you know, he's a super-fan. | 0:03:07 | 0:03:10 | |
Well, sometimes he's stalking me. I mean, he's in here every night. | 0:03:10 | 0:03:14 | |
"I want more of the Dai, I want more of the Dai!" | 0:03:14 | 0:03:17 | |
I said to him, "Calm down, Denis." | 0:03:17 | 0:03:20 | |
Calm down. I said it again there. | 0:03:20 | 0:03:22 | |
He's, uh... He's my sort of Charles Manson. | 0:03:22 | 0:03:26 | |
We've got somebody very special here tonight, a VIP. We have Mr President. Where are you? | 0:03:28 | 0:03:33 | |
-There you are. Hello, Kevin. -Hello. -Kevin Beresford. Tell everybody what you are the President of. | 0:03:33 | 0:03:40 | |
I'm the President of the UK Roundabout Appreciation Society. | 0:03:40 | 0:03:45 | |
LAUGHTER AND APPLAUSE | 0:03:45 | 0:03:48 | |
And your family? Does your wife like the roundabouts? | 0:03:50 | 0:03:53 | |
She's left me, actually. | 0:03:53 | 0:03:56 | |
All right, Kevin, hold it together. | 0:04:03 | 0:04:06 | |
Did she say, "I'm fed up, we're just going round and round in circles? | 0:04:06 | 0:04:11 | |
-"I mean, what do you want?" -APPLAUSE | 0:04:12 | 0:04:16 | |
How many members have you got? | 0:04:16 | 0:04:18 | |
There's just me at the moment. | 0:04:18 | 0:04:21 | |
That's not a society, Kevin. | 0:04:21 | 0:04:23 | |
That's you! | 0:04:23 | 0:04:25 | |
-What is your name? -Barbara. | 0:04:26 | 0:04:29 | |
-Hello, Barbara. Where are you from? -I'm from Swindon. -All right. | 0:04:29 | 0:04:33 | |
-And what do you do...? -CHEERING | 0:04:33 | 0:04:37 | |
We all want to celebrate Swindon at every opportunity. What do you do? | 0:04:37 | 0:04:41 | |
I'm a crime scene investigator. | 0:04:41 | 0:04:43 | |
AUDIENCE: Ooh! | 0:04:43 | 0:04:45 | |
Bloody hell! | 0:04:45 | 0:04:47 | |
CSI Swindon! | 0:04:47 | 0:04:49 | |
That'd be a series, wouldn't it? | 0:04:49 | 0:04:53 | |
And you also have an interesting hobby. What is it that you do? | 0:04:55 | 0:04:59 | |
I enjoy metal detecting. | 0:04:59 | 0:05:02 | |
-That most sociable of hobbies(!) -That's right. | 0:05:02 | 0:05:05 | |
So you go out. Have you got a little thing that goes "beep"? | 0:05:05 | 0:05:09 | |
-LAUGHTER I've got a metal detector as well(!) -Sorry. | 0:05:09 | 0:05:13 | |
Let's... Let's stamp on this right away. | 0:05:13 | 0:05:17 | |
Look at him laughing his head off down there! | 0:05:18 | 0:05:22 | |
He looks like he's auditioning for a Beach Boys tribute act. | 0:05:22 | 0:05:26 | |
I simply asked if you had a little thing that went "beep". | 0:05:31 | 0:05:35 | |
I meant a detector. | 0:05:35 | 0:05:38 | |
Are you one of those guys? | 0:05:38 | 0:05:40 | |
No, I go forwards. | 0:05:40 | 0:05:43 | |
LAUGHTER | 0:05:43 | 0:05:45 | |
No, I was going forwards. | 0:05:45 | 0:05:48 | |
-You were going backwards. -Even by these idiots, that is forwards. | 0:05:48 | 0:05:52 | |
You're looking, aren't you? | 0:05:52 | 0:05:55 | |
-You're waiting for..."beep-beep". -MAKES WHINING SOUND That's the one. | 0:05:55 | 0:06:00 | |
You'd have a hell of a lot of it down here. | 0:06:00 | 0:06:03 | |
With the plate in the skull, it would be going off! | 0:06:03 | 0:06:06 | |
I don't mean that. I don't mean that. | 0:06:07 | 0:06:10 | |
APPLAUSE | 0:06:10 | 0:06:12 | |
How does your wife feel about the water under the bridge with you and Rob Brydon? | 0:06:14 | 0:06:20 | |
My wife, God rest her soul, | 0:06:22 | 0:06:24 | |
passed away...three years ago, | 0:06:24 | 0:06:28 | |
come November. | 0:06:28 | 0:06:30 | |
And, uh... I keep her. | 0:06:30 | 0:06:33 | |
Bring her over. Bring her over, Sue. | 0:06:33 | 0:06:36 | |
There she is. | 0:06:36 | 0:06:38 | |
I keep her here in the bar. | 0:06:38 | 0:06:41 | |
I'll be honest with you. There's only half of her in here. | 0:06:41 | 0:06:45 | |
We scattered the other half in the Chilterns | 0:06:45 | 0:06:48 | |
because she loved to ramble. | 0:06:48 | 0:06:50 | |
So, I mean, let's be honest, we don't know which half we scattered. | 0:06:50 | 0:06:55 | |
I'm hoping, fingers crossed, it was the lower half because she loved to ramble. | 0:06:55 | 0:07:00 | |
I mean, if by some twist of fate, we scattered the top half of her, | 0:07:00 | 0:07:05 | |
I shudder to think of her desperately trying to claw her way across the countryside. | 0:07:05 | 0:07:10 | |
She still turns me on. | 0:07:10 | 0:07:12 | |
I'm getting a bit now, looking at this. Look at the shape of the urn! | 0:07:12 | 0:07:17 | |
Now, in this country, were you to work more in this country... | 0:07:17 | 0:07:22 | |
-Which I hope to. -Which you will. | 0:07:22 | 0:07:24 | |
I want to see you in great British drama. | 0:07:24 | 0:07:28 | |
-Really? -Yeah. | 0:07:28 | 0:07:30 | |
I see you coming to Walford... | 0:07:30 | 0:07:33 | |
LAUGHTER | 0:07:33 | 0:07:35 | |
You've come back to the Square. | 0:07:36 | 0:07:38 | |
-Right. -You are the long-lost, sensitive Mitchell brother. | 0:07:38 | 0:07:43 | |
-Really? -Yes, yes. | 0:07:43 | 0:07:45 | |
Now, look... | 0:07:45 | 0:07:47 | |
I can see that. | 0:07:47 | 0:07:49 | |
-Let's give it a go. -OK. -We'll give it a little thing... We'll improv. | 0:07:49 | 0:07:53 | |
I will be... | 0:07:53 | 0:07:55 | |
-COCKNEY ACCENT: -I'll be a bloke. My name is Lenny. Right? | 0:07:55 | 0:07:59 | |
-I run a market stall in Walford. Right? -What do you sell? -What? -What do you sell? -What do you want? | 0:07:59 | 0:08:05 | |
-I see. -I'll get whatever you want. -You get it to order, do you? -Yeah. | 0:08:05 | 0:08:09 | |
You are coming back. You are the mysterious... | 0:08:09 | 0:08:12 | |
-What shall we call you? A sensitive Mitchell name - Larry. -Larry? | 0:08:12 | 0:08:18 | |
-Larry Mitchell. You've come back to the Square. I'm on my stall. OK? -OK. | 0:08:18 | 0:08:23 | |
I'm shuffling my plums. | 0:08:23 | 0:08:25 | |
LAUGHTER | 0:08:25 | 0:08:28 | |
They let you down, don't they? | 0:08:28 | 0:08:30 | |
They let me down time and again. | 0:08:30 | 0:08:33 | |
-It's like a Carry On film here sometimes. -I know. | 0:08:33 | 0:08:36 | |
You try and get my attention. You're the sensitive Mitchell. | 0:08:36 | 0:08:40 | |
I know. I know what happens. When you come back into a soap... | 0:08:40 | 0:08:44 | |
I was in it 15 years ago played by someone else. | 0:08:44 | 0:08:47 | |
-Exactly. -I was played by Nigel Havers. | 0:08:47 | 0:08:50 | |
-Yes, yes. -But am I still Cockney? | 0:08:50 | 0:08:53 | |
Am I allowed to be? Gotta be a bit of that, ain't I? | 0:08:53 | 0:08:57 | |
That's nice. I like that. | 0:08:57 | 0:08:59 | |
-As you know, the Mitchells talk very quiet, don't they? They talk very, very quiet. -That's very nice. | 0:08:59 | 0:09:05 | |
I'll come in very, very quiet indeed. | 0:09:05 | 0:09:08 | |
If I was in EastEnders, I'd go, "I'm terribly sorry. I didn't hear a word of that." | 0:09:08 | 0:09:13 | |
-So I'm shuffling my plums. -All right. | 0:09:13 | 0:09:16 | |
I'm going to say what people say in EastEnders when they've been away for 15 years. | 0:09:16 | 0:09:21 | |
It's the last line of the episode. Turn round. This is what I'll say. | 0:09:21 | 0:09:26 | |
Hello, treacle. | 0:09:26 | 0:09:28 | |
LAUGHTER | 0:09:28 | 0:09:30 | |
Doof-doof-doof... What do you reckon? | 0:09:30 | 0:09:33 | |
I was gutted when I saw the Bill Bailey interview. | 0:09:34 | 0:09:37 | |
One thing Rob and I did in the early days was a routine with the bells. | 0:09:37 | 0:09:41 | |
He would sing a song, I would play the bells. It was our routine. I thought of it. | 0:09:41 | 0:09:46 | |
Bill, it would be lovely... I'm a big Elvis fan. And I know what a muso you are. | 0:09:46 | 0:09:52 | |
I thought it would be a lovely thing to sing an Elvis song now. | 0:09:52 | 0:09:55 | |
-Now, I'm not sure that this is the perfect instrument to accompany it. -I'll just embellish once you start. | 0:09:55 | 0:10:02 | |
GENTLE GUITAR INTRO | 0:10:02 | 0:10:04 | |
# Maybe I didn't love you... # | 0:10:07 | 0:10:10 | |
Thank you. | 0:10:10 | 0:10:12 | |
# Quite as good as I should have | 0:10:12 | 0:10:17 | |
-RINGS BELL -# Maybe I didn't hold you | 0:10:17 | 0:10:22 | |
# Quite as often as I could have | 0:10:23 | 0:10:26 | |
RINGS BELL | 0:10:26 | 0:10:29 | |
# Little things I should have said and done | 0:10:29 | 0:10:33 | |
-RINGS TWO BELLS -# I just never took the time | 0:10:33 | 0:10:37 | |
# You were always on my mind | 0:10:38 | 0:10:41 | |
SHRILL RINGING | 0:10:41 | 0:10:44 | |
# You were always on my mind... | 0:10:44 | 0:10:47 | |
PLAYS TUNE WITH BELLS | 0:10:50 | 0:10:53 | |
CHEERING | 0:11:01 | 0:11:04 | |
# The little things I should have said and done | 0:11:06 | 0:11:11 | |
# I just never took the time... | 0:11:12 | 0:11:14 | |
SHRILL RINGING | 0:11:14 | 0:11:16 | |
# You were always on my mind | 0:11:18 | 0:11:21 | |
# You were always on... | 0:11:22 | 0:11:25 | |
# My-y-y mi-i-ind... # | 0:11:25 | 0:11:30 | |
PLAYS CLOSING NOTES WITH BELLS | 0:11:30 | 0:11:33 | |
CHEERING AND APPLAUSE | 0:11:41 | 0:11:43 | |
Rob used to work with you. | 0:11:51 | 0:11:54 | |
Is working with the likes of Will Young and Dame Edna a step up? | 0:11:55 | 0:12:01 | |
It is a step up in as much as he has to carry a little step with him | 0:12:01 | 0:12:05 | |
when he wants to be photographed with them because he's a dwarf. Not a word of a lie. | 0:12:05 | 0:12:10 | |
These are the shoes he used to wear. Look - built-up shoes. Where's the self-respect in that? There's none. | 0:12:10 | 0:12:16 | |
Why are you called Hurts? Cos it's Hurts as in "aaagh". | 0:12:16 | 0:12:21 | |
We were very miserable for a time. Now we're not. | 0:12:21 | 0:12:24 | |
You collaborated with Kylie on your album Happiness. | 0:12:24 | 0:12:28 | |
Yeah? Big question for you. | 0:12:28 | 0:12:30 | |
Taller or shorter than me? | 0:12:30 | 0:12:33 | |
With or without heels? | 0:12:33 | 0:12:35 | |
-I don't often wear heels. -LAUGHTER | 0:12:35 | 0:12:38 | |
-How tall then is Cruise? -Tom Cruise? -Yeah, how tall, how tall? | 0:12:38 | 0:12:43 | |
-I'm six one, so... -LAUGHTER | 0:12:43 | 0:12:46 | |
-He's probably about... -That's shorter than me! | 0:12:46 | 0:12:49 | |
-Exactly. -You just said... -A lower voice than you. | 0:12:49 | 0:12:53 | |
-I'm upset! So you're telling me that Cruise is there? -Yeah. | 0:12:53 | 0:12:57 | |
Wow! I picture him there. | 0:12:57 | 0:12:59 | |
-So he's like this. -Yeah. -"Love your movie, man!" | 0:12:59 | 0:13:02 | |
-That's right. Yeah, he is like that. -"Oh, man, I'm stoked!" | 0:13:02 | 0:13:06 | |
I'm really glad. | 0:13:06 | 0:13:08 | |
-LAUGHTER -"Yeah!" Is that what he's like? -Yeah. | 0:13:08 | 0:13:13 | |
You've got English guys out there. You're Irish. | 0:13:13 | 0:13:16 | |
Is there room for a Welshman? | 0:13:17 | 0:13:19 | |
LAUGHTER | 0:13:22 | 0:13:24 | |
It's been great talking to you, Chris. | 0:13:24 | 0:13:27 | |
-APPLAUSE -Sorry, I mean, um... I could... | 0:13:27 | 0:13:30 | |
-No, I could see it. -If it worked for... Don't sound so exasperated! | 0:13:32 | 0:13:37 | |
-I mean, Dudley Moore... -Yeah. -You know? -Yes. | 0:13:37 | 0:13:41 | |
Well, he was short. | 0:13:41 | 0:13:43 | |
You've got a lot more against you than that. | 0:13:43 | 0:13:46 | |
LAUGHTER | 0:13:46 | 0:13:48 | |
It was all hushed up. Now when I see him on Would I Lie To You, I think, | 0:13:52 | 0:13:56 | |
"Aye, you could and you did. In a court of law." | 0:13:56 | 0:14:00 | |
Have you seen The Trip with Steve Coogan? | 0:14:00 | 0:14:03 | |
Aye, I've seen The Trip. | 0:14:03 | 0:14:05 | |
If you looked up "overrated" in the dictionary, you'd see a picture of The Trip. | 0:14:05 | 0:14:10 | |
The publicity photo for it, a poster. | 0:14:10 | 0:14:13 | |
What is it about? He's driving round with Alan Partridge. | 0:14:13 | 0:14:17 | |
They go to a restaurant, they have a meal, they talk. That is it. | 0:14:17 | 0:14:21 | |
I mean, Laughing Boy and me, we do that every day. Here's The Trip for you now. | 0:14:21 | 0:14:26 | |
Hmm, that's nice. | 0:14:26 | 0:14:28 | |
My name is Michael Caine. | 0:14:28 | 0:14:31 | |
Come on, they got a BAFTA for that? | 0:14:31 | 0:14:33 | |
Well, he didn't. Coogan did. Rightly so. | 0:14:33 | 0:14:36 | |
-I saw the tape of your Mastermind performance. -Oh, no. | 0:14:36 | 0:14:41 | |
I thought some of those questions weren't tough enough. So I'm going to ask you a few more questions | 0:14:41 | 0:14:48 | |
as we stage our own...Mastermind. | 0:14:48 | 0:14:52 | |
MASTERMIND THEME MUSIC | 0:14:52 | 0:14:54 | |
-Your name, please. -Beverley Knight. -Your specialist subject? | 0:14:57 | 0:15:02 | |
-Prince. -You have as much time as it takes to answer these three questions. | 0:15:02 | 0:15:07 | |
In 1985, Prince did not have a hit with the song Merry Christmas, Everyone. Who did? | 0:15:07 | 0:15:13 | |
LAUGHTER | 0:15:13 | 0:15:15 | |
-Shakin' Stevens. -Yes, it was Shakin' Stevens. | 0:15:16 | 0:15:21 | |
Prince is famous for his duets... Please keep it together. | 0:15:21 | 0:15:25 | |
Prince is famous for his duets, but he's never worked with Welsh songstress Bonnie Tyler, | 0:15:25 | 0:15:31 | |
who duetted on 1987's A Rocking Good Way with whom? | 0:15:31 | 0:15:34 | |
I ain't got a clue! | 0:15:37 | 0:15:39 | |
-It was Shakin' Stevens. -LAUGHTER | 0:15:39 | 0:15:42 | |
Question three. Prince's music is squarely aimed at the ladies, | 0:15:42 | 0:15:47 | |
yet he failed to record the romantic hit single My Pretty One, a 1987 chart smash for who? | 0:15:47 | 0:15:53 | |
-Shakin' Stevens? -No, Cliff Richard. | 0:15:53 | 0:15:55 | |
-LAUGHTER -Well done, Beverley Knight. | 0:15:55 | 0:16:00 | |
Funny thing is I watch his show and the first thing I think is "budget". | 0:16:00 | 0:16:04 | |
Does the show have a budget? Because it looks so cheap. Tacky is the word. | 0:16:04 | 0:16:10 | |
I know the BBC are having to cut back, austerity measures, but you can take it too far. | 0:16:10 | 0:16:16 | |
Where is the money going on that show? I'll tell you where. Pocketing it. | 0:16:16 | 0:16:21 | |
Cos it ain't going on the set. | 0:16:21 | 0:16:24 | |
You're a three-piece, OK? Lots of great three-pieces. The Jam. | 0:16:24 | 0:16:29 | |
-Yeah. -Police. -Yes. -Bananarama. | 0:16:29 | 0:16:32 | |
LAUGHTER For the girls! | 0:16:32 | 0:16:34 | |
But the big bands are four-pieces. | 0:16:34 | 0:16:37 | |
The Beatles, you know? How would you feel about me joining The Script? | 0:16:37 | 0:16:43 | |
I've been a little but presumptuous. I've done a little bit... See what you think of this. | 0:16:43 | 0:16:50 | |
How about that? | 0:16:51 | 0:16:53 | |
See that? Now there I am. That was my first idea, OK? | 0:16:53 | 0:16:58 | |
-That's good. -The Script. I'm just there, blending in. | 0:16:58 | 0:17:02 | |
-Not pale enough. -You've more hair than him. -We don't talk about hair. | 0:17:02 | 0:17:07 | |
So that's the first one. Then I thought, "You're better than that." | 0:17:07 | 0:17:11 | |
So this is The Script... featuring Rob Brydon. | 0:17:11 | 0:17:14 | |
LAUGHTER | 0:17:14 | 0:17:16 | |
-I'm slightly pushed off to the side. -You're not featuring quite so much. | 0:17:16 | 0:17:21 | |
Then how about this one? Rob Brydon and Friends. | 0:17:21 | 0:17:25 | |
LAUGHTER Very good. | 0:17:25 | 0:17:28 | |
The musical brains was always me. | 0:17:29 | 0:17:32 | |
# Ohh... # | 0:17:33 | 0:17:34 | |
Let's say you don't like that. # Ohhhh... # | 0:17:34 | 0:17:38 | |
You're still not happy? # Ohhhh.... # | 0:17:38 | 0:17:43 | |
-You want a bit of a surprise? -TINKLES KEYS | 0:17:43 | 0:17:47 | |
-Now, Sophie, you did a lovely cover of Jolene. -I did. It's such a lovely song. So sad. | 0:17:47 | 0:17:54 | |
-We've both done Dolly covers. -Yes. Dolly's one of the best songwriters. | 0:17:54 | 0:17:59 | |
Would you give us a quick snatch of Dolly? | 0:17:59 | 0:18:02 | |
LAUGHTER | 0:18:02 | 0:18:05 | |
See, I expect it from them... | 0:18:06 | 0:18:09 | |
But the daughter of a Blue Peter presenter, I expect better. | 0:18:09 | 0:18:14 | |
Would you give us a snippet of Dolly? | 0:18:14 | 0:18:17 | |
We are not at home to smut! | 0:18:20 | 0:18:22 | |
LAUGHTER | 0:18:22 | 0:18:24 | |
-I would love to sing Jolene for you. -Thank you. Just a little. | 0:18:26 | 0:18:30 | |
# Jolene, Jolene, Jolene | 0:18:30 | 0:18:33 | |
# Jolene | 0:18:33 | 0:18:36 | |
-# I'm begging of you please don't take my man... # -Aww, that's lovely. -Is that OK? | 0:18:36 | 0:18:42 | |
-# -Why are children always first to feel the pain and hurt the worst | 0:18:47 | 0:18:52 | |
-# -It's true but somehow it don't seem right | 0:18:52 | 0:18:56 | |
# But every time I cry I know it hurts my little children so | 0:18:59 | 0:19:05 | |
# I wonder will it be the same toni-i-i-ight | 0:19:05 | 0:19:11 | |
# Don't cry, Daddy... # ABBA! | 0:19:11 | 0:19:15 | |
# Daddy, please don't cry | 0:19:16 | 0:19:21 | |
# Daddy, you've still got me and little Tommy | 0:19:21 | 0:19:25 | |
-# Together we'll find a brand-new mommy -Daddy, Daddy, please laugh again | 0:19:25 | 0:19:30 | |
# Daddy, ride us on your back again | 0:19:30 | 0:19:34 | |
# Oh, Daddy, please don't cry. # | 0:19:34 | 0:19:38 | |
CHEERING AND APPLAUSE | 0:19:38 | 0:19:40 | |
Frank Skinner! | 0:19:40 | 0:19:42 | |
Pleasure as ever. | 0:19:42 | 0:19:44 | |
Rob, of course, loves to sing on the show. Do you think he's respected by his musical guests? | 0:19:45 | 0:19:52 | |
Ron Wood and Mick Hucknall had nothing but contempt. | 0:19:52 | 0:19:57 | |
I mean, there was a moment when he asked them what did they think of Neil Diamond. | 0:19:57 | 0:20:02 | |
He used to bang on about Neil Diamond all the time. | 0:20:02 | 0:20:07 | |
We had a cassette in the car and he'd be playing Sweet Caroline, Crackling Rosie, | 0:20:07 | 0:20:13 | |
He Ain't Heavy He's My Brother, Love On the Rocks, Hello Again Hello, | 0:20:13 | 0:20:19 | |
They're Coming To America on the boats and trains and planes, | 0:20:19 | 0:20:23 | |
um, you know... | 0:20:23 | 0:20:25 | |
Crackling Rosie, The Boat That I Row, I'm A Believer, | 0:20:25 | 0:20:29 | |
but I, I never had any time for Neil Diamond. | 0:20:29 | 0:20:33 | |
I probably couldn't even name one of his songs. | 0:20:33 | 0:20:38 | |
-Do you like Neil Diamond? -LAUGHTER | 0:20:38 | 0:20:40 | |
There's some things I don't do! | 0:20:40 | 0:20:43 | |
-Mick, where do you stand on Neil Diamond? -I Am I Said. -Nice. | 0:20:44 | 0:20:49 | |
-# -LA's fine The sun shines most of the time The feeling is laidback... -# | 0:20:49 | 0:20:55 | |
LAUGHTER | 0:20:55 | 0:20:57 | |
Shut your face! | 0:20:57 | 0:20:59 | |
-You charmless git. -Talk some more about Neil Diamond! | 0:20:59 | 0:21:04 | |
-LAUGHTER -You don't like his early stuff? | 0:21:04 | 0:21:09 | |
-You don't, do you? OK. Em... -LAUGHTER | 0:21:09 | 0:21:13 | |
-# -My baby loves me Yes, yes, she does | 0:21:13 | 0:21:17 | |
-# -Gonna show me tonight She got the way to move me, Cherry | 0:21:17 | 0:21:22 | |
-# -She got the way to move me She got the way to groove me | 0:21:22 | 0:21:26 | |
-# -She got the way to move me... -# -You know! | 0:21:26 | 0:21:30 | |
That was all right. | 0:21:30 | 0:21:32 | |
-DAI: -You could see Ronnie wasn't comfortable. He wanted to get out as quick as he could. | 0:21:32 | 0:21:38 | |
-Can we talk for a minute about this? -Yeah. -Have you got that on camera? | 0:21:38 | 0:21:43 | |
-I would like to give it a mention. -Your name is Young. Are you related to the singer Will Young? | 0:21:43 | 0:21:49 | |
I saw Will Young on the show with the woman, Edna Everage. | 0:21:49 | 0:21:53 | |
I thought, to be fair, she was very cruel to him. | 0:21:53 | 0:21:58 | |
And I don't think Rob made it any easier. He could have stood up for him. After all, he's a minority. | 0:21:58 | 0:22:04 | |
A minority? | 0:22:04 | 0:22:06 | |
-Oh, you mean he's gay? -Yes. | 0:22:06 | 0:22:09 | |
It's all right, calm down. Not here. | 0:22:11 | 0:22:14 | |
When you say "she", you know Edna Everage is a man playing a woman? | 0:22:15 | 0:22:19 | |
I'm not having that. | 0:22:24 | 0:22:26 | |
-I'd come out at university... -You what? -I'd come out as gay... at university. | 0:22:26 | 0:22:33 | |
LAUGHTER | 0:22:33 | 0:22:35 | |
Yes? | 0:22:47 | 0:22:49 | |
Now, Dame Edna, there's a lovely song. Frank Sinatra made it famous. | 0:22:49 | 0:22:55 | |
-It's called Something Stupid. Do you know it? -I remember it. | 0:22:55 | 0:23:00 | |
Why don't we make some musical magic right now with Something Stupid? | 0:23:00 | 0:23:05 | |
# I know I stand in line until you think you have the time | 0:23:05 | 0:23:10 | |
# To spend an evening with me... # | 0:23:10 | 0:23:13 | |
Oh, yes. | 0:23:13 | 0:23:15 | |
-# -And if we go some place to dance | 0:23:15 | 0:23:18 | |
-# -I know that there's a chance you won't be leaving with me | 0:23:18 | 0:23:24 | |
# And afterwards we drop into a quiet little place and have a drink or two... # | 0:23:26 | 0:23:33 | |
-Not a gay bar, please. -LAUGHTER | 0:23:33 | 0:23:36 | |
-# -And then I go and spoil it all by saying something stupid | 0:23:36 | 0:23:40 | |
-# -Like...I love you. -# | 0:23:40 | 0:23:44 | |
Isn't it a lovely song? | 0:23:44 | 0:23:47 | |
-# -I can see it in your eyes that you despise the same old lies you heard the night before | 0:23:48 | 0:23:55 | |
# And though it's just a line to you for me it's true | 0:23:58 | 0:24:02 | |
-# It never seemed so right before... # -Lovely to hear the tune again! | 0:24:02 | 0:24:08 | |
# The time is right Your perfume fills my head | 0:24:11 | 0:24:14 | |
# The stars get red and, oh, the night gets blue... # | 0:24:14 | 0:24:19 | |
The stars get red? | 0:24:19 | 0:24:20 | |
#And then I go and spoil it all by saying something stupid | 0:24:20 | 0:24:27 | |
# Like I... | 0:24:27 | 0:24:30 | |
-# -I lo-o-ove you! | 0:24:30 | 0:24:34 | |
# I love you! | 0:24:36 | 0:24:40 | |
# I love you-ou-ou! # | 0:24:43 | 0:24:49 | |
Ohhh. | 0:24:52 | 0:24:53 | |
What a joyous union! | 0:24:53 | 0:24:56 | |
What a joyous union. | 0:24:56 | 0:24:59 | |
That was my first threesome, as a matter of fact. | 0:24:59 | 0:25:03 | |
-It wasn't mine. -No. | 0:25:04 | 0:25:07 | |
In all honesty, | 0:25:09 | 0:25:11 | |
I saw a life in entertainment. | 0:25:11 | 0:25:14 | |
It wasn't to be. I ended up running the pub. Rob's gone on with what he's done. Who's the winner? | 0:25:14 | 0:25:20 | |
I mean, you decide. | 0:25:20 | 0:25:22 | |
And with the new licensing hours, I'm laughing. | 0:25:22 | 0:25:27 | |
How long can he do a show for? Half an hour, tops. We're open all day. | 0:25:27 | 0:25:32 | |
-Where is Ricky Emery? Where are you? -Over here. -Ricky, what's your question for Bruce? | 0:25:32 | 0:25:38 | |
AS BRUCE: Everybody does Bruce. Did you get bored with it? | 0:25:38 | 0:25:43 | |
First of all, mate, I don't talk like that. | 0:25:44 | 0:25:48 | |
LAUGHTER | 0:25:48 | 0:25:50 | |
And if I did, I'd have an operation to get rid of it! Everybody thinks I talk like that! | 0:25:50 | 0:25:56 | |
-That "th-th-th-th". -You do a bit! | 0:25:59 | 0:26:02 | |
-You do! "Th-th-th-th-th." -I used to do it, but I've grown out of it! | 0:26:02 | 0:26:08 | |
-But no, I...no, I get a lot of fun out of watching people. -LAUGHTER | 0:26:08 | 0:26:15 | |
-Dominic Fraser. Hi, Dominic. -Hi. -What's your question? | 0:26:15 | 0:26:19 | |
Nice easy question. You have three older sisters? | 0:26:19 | 0:26:23 | |
I do. | 0:26:23 | 0:26:24 | |
LAUGHTER | 0:26:24 | 0:26:27 | |
Have you kidnapped them? My next question is: would you like to see them alive again? | 0:26:27 | 0:26:34 | |
Did they used to play dressing up with you? | 0:26:35 | 0:26:39 | |
LAUGHTER | 0:26:39 | 0:26:41 | |
-There was some dress up, yeah, -LAUGHTER | 0:26:41 | 0:26:45 | |
Dominic. | 0:26:45 | 0:26:48 | |
Why don't we have a little look at our audience? See if there's anybody here | 0:26:48 | 0:26:54 | |
-whose fashion sense catches your eye. -There's a glamourpuss in the third row | 0:26:54 | 0:27:01 | |
-in a mustard colour. -The blonde lady. -Look at that blonde lady! | 0:27:01 | 0:27:06 | |
-What's your name? -Sophie. | 0:27:06 | 0:27:09 | |
You remind me of myself, Sophie. | 0:27:09 | 0:27:12 | |
-Thank you. -I used to make my own clothes. | 0:27:12 | 0:27:16 | |
Like you! | 0:27:17 | 0:27:19 | |
And like you, I failed. | 0:27:23 | 0:27:26 | |
I think maybe we should stop, Dame Edna, before you go too far. | 0:27:28 | 0:27:31 | |
-What do you think Rob Brydon would say... -It's like Martin Bashir, this! What? | 0:27:34 | 0:27:39 | |
What do you think Rob Brydon would say if he walked in here now? What would you say? | 0:27:39 | 0:27:46 | |
Rob... | 0:27:57 | 0:27:59 | |
All right? | 0:28:01 | 0:28:03 | |
Dai. | 0:28:04 | 0:28:06 | |
Dai Young. | 0:28:06 | 0:28:08 | |
Hi. | 0:28:09 | 0:28:10 | |
Long ago. | 0:28:10 | 0:28:12 | |
Thanks, bruv. | 0:28:13 | 0:28:15 | |
Aw, cheers. | 0:28:18 | 0:28:19 | |
I know. | 0:28:19 | 0:28:21 | |
So long, then. | 0:28:23 | 0:28:25 | |
He come in by mistake. | 0:28:25 | 0:28:27 | |
Thank you. We're rocking the house. | 0:28:30 | 0:28:33 | |
-# -Tender love is blind | 0:28:33 | 0:28:36 | |
-# -It requires a dedication | 0:28:36 | 0:28:39 | |
-# -All this love we feel needs no conversation | 0:28:39 | 0:28:44 | |
-# -We ride it together, uh-huh Woo-hoo | 0:28:44 | 0:28:48 | |
-# -One lover to another, uh-huh... -# -Stop it, you. | 0:28:48 | 0:28:52 | |
-# -Islands in the stream that is what we are | 0:28:52 | 0:28:57 | |
-# -No one in-between How can we be wrong... -# | 0:28:57 | 0:29:01 | |
Use the Ladies. The Gents is locked. | 0:29:01 | 0:29:04 | |
-# -To another world And we rely on each other Uh-huh... -# | 0:29:04 | 0:29:10 |