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Marshalling the backline, stand-up Joe Wilkinson! | 0:00:02 | 0:00:05 | |
Holding up the midfield, Manchester band Hurts! | 0:00:07 | 0:00:10 | |
And who else to lead the attack but British comedy legend, Frank Skinner! | 0:00:11 | 0:00:17 | |
It's kick-off! | 0:00:19 | 0:00:21 | |
-CHEERING -Hello! | 0:00:27 | 0:00:30 | |
Good evening! Welcome, welcome, welcome. Hello! | 0:00:31 | 0:00:35 | |
Welcome to the show. Good evening. Hello. Welcome. | 0:00:35 | 0:00:38 | |
Now then, let's see... Over here we've got an Andrew Smith. | 0:00:38 | 0:00:42 | |
Stick your hand up, Andrew. Hello, Andrew. What is it that you do? | 0:00:42 | 0:00:46 | |
-I enjoy metal detecting. -Aww! | 0:00:46 | 0:00:49 | |
-That most sociable of hobbies! -That's the one. | 0:00:49 | 0:00:52 | |
So, you go out... | 0:00:52 | 0:00:53 | |
Have you got a little thing that goes "beep"? | 0:00:53 | 0:00:56 | |
-I've got a metal detector, as well! -Sorry. | 0:00:56 | 0:00:59 | |
Let's... Let's... | 0:00:59 | 0:01:01 | |
Let's stamp on this right away! | 0:01:01 | 0:01:05 | |
Look at him, laughing his head off down the front. | 0:01:05 | 0:01:09 | |
He looks like he's auditioning for a Beach Boys tribute act. | 0:01:09 | 0:01:13 | |
Look at him! I simply asked | 0:01:17 | 0:01:20 | |
if you had a little thing that went "beep"? | 0:01:20 | 0:01:22 | |
I meant a detector. | 0:01:22 | 0:01:25 | |
Is that... Are you one of those guys? | 0:01:25 | 0:01:28 | |
No, I go forwards. | 0:01:28 | 0:01:30 | |
LAUGHTER | 0:01:30 | 0:01:33 | |
No, I was going forwards! | 0:01:33 | 0:01:35 | |
-You were going backwards. -That is by nobody... Even by these idiots, that is forward! | 0:01:35 | 0:01:41 | |
You're looking, aren't you? You're waiting for "Beep"! | 0:01:41 | 0:01:44 | |
HE MIMICS DETECTOR That's the one. | 0:01:44 | 0:01:47 | |
You'd have a hell of a lot of it down here! | 0:01:47 | 0:01:50 | |
For that plate in the skull, it would be going off! | 0:01:50 | 0:01:54 | |
I don't mean that. Come on. | 0:01:54 | 0:01:57 | |
Let's go across now, over to here. Lovely lady there on the second row in the lovely flowery top. | 0:02:00 | 0:02:06 | |
-What is your name? -Hi, Rob. I'm Roz. I'm a good Welsh girl. | 0:02:06 | 0:02:10 | |
I didn't catch any of that. | 0:02:10 | 0:02:13 | |
-You're Rob? -No, you're Rob. I'm Roz. | 0:02:13 | 0:02:16 | |
I know that, love! | 0:02:16 | 0:02:18 | |
Please... | 0:02:18 | 0:02:20 | |
I have, at no stage, | 0:02:24 | 0:02:26 | |
been in any doubt of who I am. | 0:02:26 | 0:02:29 | |
-What we want to establish, who are you? -I'm Roz. -Sorry. Roz. | 0:02:29 | 0:02:34 | |
Sorry, I didn't catch it. Where are you from? | 0:02:34 | 0:02:36 | |
Originally, I'm from Porthcawl. | 0:02:36 | 0:02:39 | |
-I lived in Porthcawl myself! -And I went to school with you. | 0:02:39 | 0:02:43 | |
LAUGHTER | 0:02:43 | 0:02:46 | |
WHISTLING | 0:02:46 | 0:02:47 | |
This is a little bit embarrassing. | 0:02:47 | 0:02:51 | |
-Porthcawl Comp? -Yes. -Not at the same time. | 0:02:51 | 0:02:54 | |
I mean, you must've been, er, after me. | 0:02:54 | 0:02:58 | |
-When were you there? -At the same time as you, Rob. | 0:02:58 | 0:03:02 | |
Oh, I'm so sorry. Did we know each other? | 0:03:02 | 0:03:04 | |
Yes, my darling. You came to my 18th birthday party! | 0:03:04 | 0:03:09 | |
-Seriously? -Yes! | 0:03:09 | 0:03:11 | |
-What was your surname at school? -Williams. | 0:03:11 | 0:03:14 | |
That narrows it down! | 0:03:14 | 0:03:16 | |
Roz Williams. | 0:03:17 | 0:03:19 | |
Well, it's great to see you again! | 0:03:19 | 0:03:22 | |
-Where was the party then? -In Penymynydd. | 0:03:23 | 0:03:26 | |
Yes! So I came to your party. Was it a good night? | 0:03:26 | 0:03:31 | |
It was a good night. You were very sweet, you were the only boy who bought me a present. | 0:03:31 | 0:03:35 | |
-It was a beautiful... -What did I get you? | 0:03:35 | 0:03:38 | |
It was a beautiful box of really expensive, obviously, | 0:03:38 | 0:03:42 | |
Charlie perfume! | 0:03:42 | 0:03:44 | |
-ALL: Whoo! -Wow. | 0:03:44 | 0:03:47 | |
-That was 30 years ago. -Yes. | 0:03:47 | 0:03:51 | |
Bet you Charlie's gone off by now. | 0:03:51 | 0:03:53 | |
Lovely to see you again. Roz, ladies and gentlemen. | 0:03:59 | 0:04:04 | |
Well, later on, I will be meeting the fantastic Hurts. | 0:04:05 | 0:04:11 | |
But first of all, please welcome a comedian | 0:04:11 | 0:04:14 | |
who's won a clean sweep of Perrier Award, British Comedy Award | 0:04:14 | 0:04:18 | |
and the big one, the 1998 Rear of the Year, | 0:04:18 | 0:04:22 | |
Frank Skinner! | 0:04:22 | 0:04:25 | |
INTRODUCTORY MUSIC | 0:04:25 | 0:04:27 | |
CHEERING | 0:04:29 | 0:04:31 | |
Frank Skinner, ladies and gentlemen... | 0:04:39 | 0:04:42 | |
That's the big one, Rear of the Year. | 0:04:45 | 0:04:48 | |
It doesn't get any better than that. | 0:04:48 | 0:04:50 | |
And it's gone down the nick. This year it was Anton du Beke. | 0:04:50 | 0:04:55 | |
Oh, no! What a strange-looking man he is! | 0:04:55 | 0:04:59 | |
LAUGHTER | 0:04:59 | 0:05:02 | |
-Don't! -Yes. And, er... | 0:05:02 | 0:05:04 | |
Do you know Anton du Beke is really called Tony Beke? | 0:05:04 | 0:05:07 | |
-Yes, I do. -I love that. -Your real name is not Frank Skinner. | 0:05:07 | 0:05:11 | |
No, but I haven't changed my name to, er, | 0:05:11 | 0:05:14 | |
Francois de Skin! | 0:05:14 | 0:05:17 | |
-What were your thinking? Because Chris Collins was your birth name. -Yes. | 0:05:18 | 0:05:22 | |
Why Frank Skinner? Is there a reason for that particular name? | 0:05:22 | 0:05:26 | |
Frank Skinner was a member of my dad's dominoes team. | 0:05:26 | 0:05:31 | |
-At the pub? -Yes. We're a very sporting family. | 0:05:31 | 0:05:36 | |
I thought, "That's a great name." So when I needed to get a name for stage, I thought, "Hey." | 0:05:36 | 0:05:42 | |
So, when you took Frank Skinner the domino man's name, was it an honour for him? | 0:05:42 | 0:05:48 | |
He's no longer with us, I think. But a member of his family | 0:05:48 | 0:05:51 | |
sent me a little framed photograph of his tombstone. | 0:05:51 | 0:05:56 | |
-That's nice. -Mm. | 0:05:56 | 0:05:58 | |
So I had "Here Lies Frank Skinner" on my corkboard for several years. | 0:05:59 | 0:06:06 | |
Some days it was more relevant than others. | 0:06:06 | 0:06:09 | |
Depending how the gig had gone the night before! | 0:06:09 | 0:06:12 | |
But I stared mortality in the face, I think it's fair to say. | 0:06:12 | 0:06:15 | |
-You know what people say about you? -Go on. | 0:06:15 | 0:06:18 | |
They say you've mellowed. | 0:06:18 | 0:06:20 | |
-Mellowed? -That's what people say again and again. Is that fair? | 0:06:20 | 0:06:25 | |
-What does that mean, though? -I think, when they talk about you, | 0:06:25 | 0:06:28 | |
I think it means you've become a nicer person to be around, a bit warmer, a bit more affable. | 0:06:28 | 0:06:34 | |
What, you think I used to be an unpleasant person? | 0:06:34 | 0:06:38 | |
No, but I do think that, quite seriously, | 0:06:38 | 0:06:40 | |
I think that you had more of a... | 0:06:40 | 0:06:43 | |
You give off a far more friendly air now. | 0:06:43 | 0:06:46 | |
-You must've heard that. -Did we meet years ago? | 0:06:46 | 0:06:49 | |
-We did. -What happened? -You were unfriendly. | 0:06:49 | 0:06:52 | |
LAUGHTER | 0:06:52 | 0:06:54 | |
We met after one of your shows and I struck up conversation with you about Elvis, | 0:06:54 | 0:06:58 | |
because I know you're a big fan, like me, | 0:06:58 | 0:07:01 | |
-and you didn't, you know... You weren't unpleasant. -No. | 0:07:01 | 0:07:04 | |
But you didn't embrace the conversation like I thought you would. | 0:07:04 | 0:07:08 | |
But now when I try to talk about Elvis with you, | 0:07:08 | 0:07:11 | |
I can't get rid of you. | 0:07:11 | 0:07:13 | |
Well, I remember that night and I was put off by, erm, | 0:07:14 | 0:07:18 | |
the bottle of Charlie you gave me. | 0:07:18 | 0:07:21 | |
I'm sorry if I wasn't as friendly as I could've been. | 0:07:26 | 0:07:30 | |
It's a positive, what I'm saying. You make out like I'm the only person who's said this. | 0:07:30 | 0:07:35 | |
Yes, I think I was seen as, erm, | 0:07:35 | 0:07:37 | |
-a bit of a laddish comedian. -Yes. | 0:07:37 | 0:07:40 | |
I talked about my sexual endeavours and stuff like that. | 0:07:40 | 0:07:47 | |
-At length! -Mm. -But, erm... | 0:07:47 | 0:07:49 | |
I put myself around quite a lot in those days. | 0:07:49 | 0:07:55 | |
You know what it's like, you're not a very good-looking bloke, and then suddenly... | 0:07:55 | 0:07:59 | |
LAUGHTER | 0:07:59 | 0:08:02 | |
I don't want sympathy. I want disagreement. | 0:08:05 | 0:08:09 | |
So suddenly, you get a bit of celebrity and you're a bit more popular, | 0:08:09 | 0:08:14 | |
and I believe, erm, the phrase is | 0:08:14 | 0:08:18 | |
"I filled my boots" somewhat. And I spoke about it. | 0:08:18 | 0:08:22 | |
What made you stop that way of life? | 0:08:22 | 0:08:25 | |
I think... I had, erm, | 0:08:25 | 0:08:28 | |
what I believe they call | 0:08:28 | 0:08:30 | |
a threesome. | 0:08:30 | 0:08:31 | |
I only ever did that once. This is old hat now. | 0:08:32 | 0:08:35 | |
People like Russell Brand, they were having multiples of... | 0:08:35 | 0:08:39 | |
He operated on a kind of binary system. | 0:08:39 | 0:08:43 | |
Was it a success? | 0:08:43 | 0:08:45 | |
There was a lot of sniggering. LAUGHTER | 0:08:45 | 0:08:48 | |
Oh! Unwelcome in the bedroom. | 0:08:48 | 0:08:51 | |
And you know the elbow going into the side like that? And I started to feel very insecure. | 0:08:51 | 0:08:55 | |
And then there was... | 0:08:55 | 0:08:58 | |
They both went in and there was, erm, | 0:08:58 | 0:09:00 | |
a clash of heads. | 0:09:00 | 0:09:02 | |
Honestly, I heard "Da-dunk!" Ohh! I winced. You know? | 0:09:05 | 0:09:11 | |
So I said, "Look, just sit down, have a breather..." | 0:09:11 | 0:09:15 | |
LAUGHTER | 0:09:15 | 0:09:18 | |
But they both went to the bathroom and there was a bit of a row ensued. | 0:09:18 | 0:09:23 | |
Some sort of territorial, erm, argument. | 0:09:25 | 0:09:29 | |
And so after they left, | 0:09:29 | 0:09:33 | |
I thought, "That's it for me." | 0:09:33 | 0:09:36 | |
-That was the turning point? -I want love. You know? | 0:09:36 | 0:09:41 | |
-And you've found love now. -I have found love. | 0:09:41 | 0:09:43 | |
Just one person. | 0:09:43 | 0:09:45 | |
APPLAUSE | 0:09:46 | 0:09:48 | |
Here's the thing... I know that you love your music | 0:09:48 | 0:09:52 | |
and you've got one thing in common with me, you love Elvis. | 0:09:52 | 0:09:55 | |
I grew up on those movies, those Elvis movies that everyone criticised. | 0:09:55 | 0:09:59 | |
Even Elvis fans don't like those, and I... | 0:09:59 | 0:10:02 | |
Elvis would be out and he'd see a guitar, pick it up, | 0:10:02 | 0:10:06 | |
and not only was it in tune, but these other guys knew the song. | 0:10:06 | 0:10:10 | |
People passing by knew the backing vocals! | 0:10:10 | 0:10:15 | |
You like Elvis, I like Elvis. | 0:10:15 | 0:10:17 | |
I have an in-house guitarist who I keep here, Frank, for just these occasions. | 0:10:17 | 0:10:22 | |
We're going to go back to 1969. | 0:10:22 | 0:10:25 | |
GUITARIST PLAYS SOFTLY | 0:10:25 | 0:10:27 | |
# Today I stumbled from my bed | 0:10:27 | 0:10:30 | |
# Thunder crashing in my head | 0:10:30 | 0:10:33 | |
# Pillow still wet From last night's tears | 0:10:33 | 0:10:37 | |
# As I think of giving up | 0:10:39 | 0:10:42 | |
# A voice inside my coffee cup | 0:10:42 | 0:10:44 | |
# Keeps calling out | 0:10:44 | 0:10:46 | |
# Ringing in my ears | 0:10:46 | 0:10:50 | |
BOTH: # Don't cry, Daddy | 0:10:50 | 0:10:55 | |
# Daddy, please don't cry | 0:10:56 | 0:11:01 | |
# Daddy, you still got me Little Tommy | 0:11:02 | 0:11:05 | |
# Together we'll find A brand-new mommy | 0:11:05 | 0:11:08 | |
# Daddy, Daddy, please laugh again | 0:11:08 | 0:11:09 | |
# Daddy, ride us on your back again | 0:11:09 | 0:11:12 | |
# Oh, Daddy, please don't cry | 0:11:12 | 0:11:17 | |
# Why are children always first | 0:11:20 | 0:11:23 | |
# To feel the pain And hurt the worst? | 0:11:23 | 0:11:25 | |
# It's true But somehow it don't seem right | 0:11:25 | 0:11:30 | |
# And every time I cry, I know | 0:11:33 | 0:11:35 | |
# It hurts my little children so | 0:11:35 | 0:11:38 | |
# I wonder Will it be the same to...night | 0:11:38 | 0:11:44 | |
# Don't cry, Daddy | 0:11:44 | 0:11:48 | |
-Abba! -# Daddy, please don't cry | 0:11:48 | 0:11:54 | |
# Daddy, you still got me Little Tommy | 0:11:55 | 0:11:58 | |
# Together we'll find A brand-new mommy | 0:11:58 | 0:12:01 | |
# Daddy, Daddy, please laugh again | 0:12:01 | 0:12:03 | |
# Daddy, ride us on your back again | 0:12:03 | 0:12:06 | |
# Oh, Daddy | 0:12:06 | 0:12:08 | |
# Please don't cry # | 0:12:08 | 0:12:11 | |
-APPLAUSE -Frank Skinner! | 0:12:11 | 0:12:15 | |
My dear fella! | 0:12:16 | 0:12:19 | |
WHISTLING | 0:12:19 | 0:12:21 | |
We'll talk more to Frank later on. He'll be answering your questions. | 0:12:25 | 0:12:29 | |
Now, you've already shown you're a big music fan, Frank. You're going to enjoy this. | 0:12:29 | 0:12:34 | |
It's one of the biggest bands of the moment, | 0:12:34 | 0:12:36 | |
please give a huge welcome, Hurts! | 0:12:36 | 0:12:40 | |
APPLAUSE | 0:12:40 | 0:12:43 | |
-Hi, guys. -Hello. | 0:12:43 | 0:12:45 | |
-How you doing? -Fantastic. | 0:12:45 | 0:12:48 | |
Welcome. First things first, why are you called Hurts? Because it's Hurts as in "Agh!" | 0:12:50 | 0:12:56 | |
-Yes. -Where did it come from? | 0:12:56 | 0:12:58 | |
Erm, it looked cool and sounded good! | 0:12:58 | 0:13:02 | |
Yes, we were very miserable for a time. And now we're not. | 0:13:02 | 0:13:05 | |
-You've gone through a period of unhappiness. -We were unemployed for a long time. | 0:13:05 | 0:13:10 | |
It seemed to fit at the time. | 0:13:10 | 0:13:12 | |
-Where did you meet? -Outside a nightclub in Manchester at about 4am. | 0:13:12 | 0:13:16 | |
-Our friends were having a fight. -No! -I know. Pent-up male aggression. | 0:13:16 | 0:13:21 | |
We were too drunk to fight, so we, er, sort of murmured to each other and went... | 0:13:21 | 0:13:26 | |
And then the next day, nothing else to do, start a band. | 0:13:26 | 0:13:30 | |
LAUGHTER | 0:13:30 | 0:13:32 | |
It's gone very well, hasn't it? | 0:13:32 | 0:13:34 | |
It was all worthwhile. In the last year and a half, it kind of rocketed. | 0:13:34 | 0:13:40 | |
You collaborated with Kylie. | 0:13:40 | 0:13:43 | |
You worked with her on your album Happiness. | 0:13:43 | 0:13:46 | |
Big question for you. Taller or shorter than me? | 0:13:46 | 0:13:48 | |
Er... With or without heels? | 0:13:48 | 0:13:52 | |
I don't often wear heels. | 0:13:52 | 0:13:55 | |
-Was she lovely? She comes across as being lovely. -She was great. | 0:13:56 | 0:14:00 | |
It was amazing. It was the final thing we did. | 0:14:00 | 0:14:02 | |
We had this song and we thought, | 0:14:02 | 0:14:05 | |
"Wouldn't it be great if she sung on it?" | 0:14:05 | 0:14:07 | |
And we got the balls together to write her an email, | 0:14:07 | 0:14:10 | |
and we just wrote, "All right, Kylie?" | 0:14:10 | 0:14:13 | |
LAUGHTER | 0:14:13 | 0:14:15 | |
"We're Hurts. Are you up for it?" | 0:14:15 | 0:14:19 | |
-I love your brevity! -And she got back. It was an amazing thing. | 0:14:19 | 0:14:22 | |
Two weeks later, out the blue, she got back and said she'd do it | 0:14:22 | 0:14:26 | |
and then we were in the studio in London. | 0:14:26 | 0:14:28 | |
You know my next question. It's an obvious one. What's her email address? | 0:14:28 | 0:14:33 | |
So she came into the studio. Sometimes when you meet these icons, | 0:14:34 | 0:14:39 | |
-they can disappoint you. -LAUGHTER | 0:14:39 | 0:14:43 | |
-How was it... -HE LAUGHS | 0:14:43 | 0:14:46 | |
I don't mean it. How was it meeting Kylie? | 0:14:46 | 0:14:49 | |
I do! | 0:14:49 | 0:14:52 | |
It was brilliant. It was everything you imagine really. | 0:14:52 | 0:14:55 | |
-It was the icing on the cake of a long old road. -She's a legend. -She's beautiful. | 0:14:55 | 0:15:00 | |
-You've covered one of her songs. -We have. | 0:15:00 | 0:15:02 | |
The Locomotion. | 0:15:02 | 0:15:04 | |
Which one did you do? | 0:15:04 | 0:15:07 | |
-We play a song called Confide In Me. -I know that song. | 0:15:07 | 0:15:10 | |
-Could I join you on that song? -You can. | 0:15:10 | 0:15:13 | |
-Would you let me join you? -It would be our pleasure. | 0:15:13 | 0:15:16 | |
I'm going to play a little something on a drum machine. If it's too fast, | 0:15:16 | 0:15:20 | |
put your hand up and I'll slow things down. OK? | 0:15:20 | 0:15:24 | |
BOTH: Here we go. | 0:15:24 | 0:15:26 | |
# I stand at a distance | 0:15:26 | 0:15:30 | |
# I watch | 0:15:30 | 0:15:32 | |
# From afar | 0:15:32 | 0:15:34 | |
# Should I offer my assistance? | 0:15:34 | 0:15:37 | |
# Should it matter | 0:15:37 | 0:15:40 | |
# Who you are? | 0:15:40 | 0:15:44 | |
# We all get hurt by love | 0:15:44 | 0:15:47 | |
# And we all have a cross to bear | 0:15:47 | 0:15:51 | |
# But in the name of understanding | 0:15:51 | 0:15:54 | |
-FAMILY FORTUNES-STYLE BUZZER -# A problem should be shared | 0:15:54 | 0:15:59 | |
-# Confide -BUZZER RINGS | 0:15:59 | 0:16:03 | |
# In me | 0:16:03 | 0:16:07 | |
# Confide | 0:16:07 | 0:16:09 | |
-BOING! -# In me # | 0:16:09 | 0:16:13 | |
FAST-PACED TECHNO MUSIC | 0:16:14 | 0:16:17 | |
MUSIC STOPS | 0:16:24 | 0:16:26 | |
-Ladies and gentlemen, Hurts! -Thank you very much. | 0:16:26 | 0:16:31 | |
Right, thanks very much, guys. | 0:16:32 | 0:16:35 | |
Hurts are going to performing for us again later on. | 0:16:35 | 0:16:38 | |
But now, he's the nosy neighbour on the BBC3 sitcom Him & Her, | 0:16:38 | 0:16:42 | |
he's taken time from his splendid Edinburgh show to be with us, | 0:16:42 | 0:16:46 | |
please welcome Joe Wilkinson! | 0:16:46 | 0:16:48 | |
APPLAUSE | 0:16:48 | 0:16:50 | |
CHEERING | 0:16:50 | 0:16:53 | |
LOUD CHEERING | 0:17:00 | 0:17:02 | |
CHEERING | 0:17:04 | 0:17:06 | |
Come on, I haven't got long. | 0:17:06 | 0:17:09 | |
I live in south London. I live near my mum and dad still. | 0:17:09 | 0:17:14 | |
I go and see my mum and dad quite a lot, you know. | 0:17:14 | 0:17:17 | |
Because I love them. But they've also got Sky. | 0:17:17 | 0:17:21 | |
Which helps. | 0:17:21 | 0:17:23 | |
And last time I went to see them, I came out of my mum and dad's train station, | 0:17:23 | 0:17:27 | |
and outside the station there was three Community Support Officers. | 0:17:27 | 0:17:31 | |
You know them fellas, right? | 0:17:31 | 0:17:33 | |
"Hello. I like your hat." | 0:17:33 | 0:17:37 | |
They were just standing there. They were stopping people parking in these spaces. | 0:17:37 | 0:17:42 | |
I thought, "If that's your day, fair enough." | 0:17:42 | 0:17:46 | |
But I went home, I came back | 0:17:46 | 0:17:48 | |
and they were still doing it, just stopping people parking. | 0:17:48 | 0:17:52 | |
And I thought, "That's a bit odd." I wondered what had happened. | 0:17:52 | 0:17:55 | |
Do you reckon a real policeman had seen these spaces that they need to keep free and thought, | 0:17:55 | 0:18:02 | |
"Well, we've run out of traffic cones..." | 0:18:02 | 0:18:05 | |
"What else can we use? | 0:18:08 | 0:18:11 | |
"Community Support Officers! Course we can!" | 0:18:11 | 0:18:13 | |
They were using them as traffic cones. | 0:18:13 | 0:18:16 | |
Do you reckon they use them in any other part of the country, like on a motorway? | 0:18:16 | 0:18:20 | |
Just hundreds of them in a line, like that... | 0:18:20 | 0:18:23 | |
The occasional one knocked over where someone's changed the radio. "What was that? | 0:18:25 | 0:18:29 | |
"It's all right, it's just a Community Support Officer." | 0:18:29 | 0:18:32 | |
Students coming home with one on their head... | 0:18:33 | 0:18:37 | |
"Look what I nicked!" | 0:18:39 | 0:18:41 | |
APPLAUSE | 0:18:41 | 0:18:43 | |
I was in this jewellers recently. | 0:18:43 | 0:18:46 | |
I was standing behind this bloke who was waiting to be served. | 0:18:46 | 0:18:49 | |
There was a young girl serving. She was about 15, 16. She's standing there, chewing gum. | 0:18:49 | 0:18:54 | |
She's obviously a Saturday girl because she didn't give a... It's like that... | 0:18:54 | 0:18:59 | |
He went up to the counter and went, "Excuse me. I'm looking to buy a crucifix | 0:18:59 | 0:19:03 | |
"for my niece's christening." | 0:19:03 | 0:19:05 | |
And this girl went, "Oh, yeah, yeah, crucifix, yeah. Do you mean a cross?" | 0:19:05 | 0:19:11 | |
"Yes, a cross." She went, "We've got two types of crosses. | 0:19:11 | 0:19:14 | |
"We've got plain ones or ones with little men on them." | 0:19:14 | 0:19:18 | |
Little men? | 0:19:21 | 0:19:23 | |
Not Jesus. | 0:19:23 | 0:19:25 | |
"I'll have a Ronnie Corbett!" | 0:19:25 | 0:19:29 | |
I'll tell you one last thing. | 0:19:34 | 0:19:36 | |
It's a bit weird, but I'll just tell you. | 0:19:36 | 0:19:39 | |
Basically, my whole life, babies have stared at me. | 0:19:39 | 0:19:44 | |
Even before I looked like this. They've always stared at me. | 0:19:44 | 0:19:49 | |
I got the bus with my friend and there were about five babies on the bus, | 0:19:49 | 0:19:53 | |
and like always, they were staring at me. | 0:19:53 | 0:19:56 | |
My friend looked round the bus and she went, "Er... | 0:19:56 | 0:19:59 | |
"Joe, all the babies on this bus are staring at you." | 0:19:59 | 0:20:04 | |
I went, "I know. It happens." She went, "Really?" | 0:20:04 | 0:20:07 | |
I went, "It's always happened." She went, "That's a bit weird." I went, "Meh." | 0:20:07 | 0:20:11 | |
Anyway, got off the bus. About an hour later, I got on another bus on my own, | 0:20:11 | 0:20:15 | |
and there was a baby on that bus and it wasn't staring at me, | 0:20:15 | 0:20:19 | |
and I thought, "Ooh, that's weird." | 0:20:19 | 0:20:22 | |
But then, I saw the baby do this, I saw the baby go... | 0:20:22 | 0:20:25 | |
LAUGHTER | 0:20:26 | 0:20:28 | |
And I swear to God, at that point, I thought, "Still got it." | 0:20:32 | 0:20:36 | |
-I've got to go. -APPLAUSE | 0:20:38 | 0:20:41 | |
CHEERING | 0:20:46 | 0:20:48 | |
I've been Joe Wilkinson. Thank you. | 0:20:50 | 0:20:52 | |
CHEERING | 0:20:52 | 0:20:55 | |
Joe Wilkinson, ladies and gentlemen. Thank you, Joe. | 0:20:58 | 0:21:02 | |
We're going to hand you over to the audience, Frank. | 0:21:02 | 0:21:04 | |
Our first question comes from our audience at home on Twitter. It's Jill Simpson. | 0:21:04 | 0:21:09 | |
It's a lie. | 0:21:09 | 0:21:12 | |
She said her head has cleared up, but... | 0:21:12 | 0:21:15 | |
She says, "Please could you ask Frank to do Strictly Come Dancing? | 0:21:22 | 0:21:27 | |
"He's been my dream contestant since series one." | 0:21:27 | 0:21:30 | |
-Do you fancy that? -I've been asked to do all those things. | 0:21:30 | 0:21:34 | |
My favourite one, I was asked to do a thing called | 0:21:34 | 0:21:37 | |
-Celebrity Shark Cage. -I saw that! | 0:21:37 | 0:21:41 | |
I can't swim. I would've been the only person more frightened of the water than the sharks. | 0:21:41 | 0:21:46 | |
What if I'd been so desperate to get on telly, | 0:21:46 | 0:21:49 | |
and some people are, if I'd just done it and drowned in the cage? | 0:21:49 | 0:21:53 | |
I think you had an aqua-lung on and underwater breathing things. | 0:21:53 | 0:21:58 | |
-But I can't put my face under. -Can you not? -No. -Why? | 0:21:58 | 0:22:03 | |
Well, I'm worried about a clash of heads. | 0:22:03 | 0:22:06 | |
-I'm frightened of water, basically. -You should get over that - | 0:22:08 | 0:22:11 | |
OK, I will! Thank you very much. | 0:22:11 | 0:22:14 | |
-No - -What's this, a phobia clinic? | 0:22:14 | 0:22:17 | |
I know, and many of the audience will agree, | 0:22:17 | 0:22:21 | |
that the water can be a whole world of fun | 0:22:21 | 0:22:23 | |
-and you're missing out on it. -Yes. | 0:22:23 | 0:22:26 | |
The sea, as well? You won't go in the sea? | 0:22:26 | 0:22:28 | |
If it's water... | 0:22:28 | 0:22:31 | |
No, there's a difference! There's a difference. | 0:22:31 | 0:22:34 | |
With pools, you've got a deep end and a slightly shallow end. | 0:22:34 | 0:22:38 | |
With the sea, depending on the beach, the gradation of the land, you can paddle and that can be nice. | 0:22:38 | 0:22:43 | |
I think it could be said of the sea that there is a deep end and a shallow end. | 0:22:43 | 0:22:48 | |
LAUGHTER | 0:22:48 | 0:22:50 | |
And then some! | 0:22:51 | 0:22:53 | |
A really deep end. | 0:22:54 | 0:22:57 | |
Obviously, I'm more afraid of the sea because there's wildlife in it, as well as drowning. | 0:22:57 | 0:23:02 | |
This is from Twitter. It's Steven Horner. | 0:23:02 | 0:23:05 | |
He says, "Do you miss living with David Baddiel?" | 0:23:05 | 0:23:09 | |
-You genuinely did live together. -Oh, we lived together for, erm... | 0:23:09 | 0:23:14 | |
I got thrown out by my girlfriend of the time, and I said to Dave, "Could I stay at yours?" | 0:23:14 | 0:23:19 | |
He said, "You can come and lie on the sofa for a couple of days." | 0:23:19 | 0:23:22 | |
Well, not lie on the sofa. I would get up in the day and go back to it in the evening. | 0:23:22 | 0:23:27 | |
And I stayed for seven years. | 0:23:27 | 0:23:30 | |
Just the two of you? | 0:23:30 | 0:23:32 | |
I think his girlfriend moved in towards the end, and that was awkward. | 0:23:32 | 0:23:36 | |
-It was unfair of her really, wasn't it? -It was! | 0:23:36 | 0:23:40 | |
He's very gullible, David Baddiel, so I used to play a series of practical jokes on him. | 0:23:40 | 0:23:46 | |
-What sort of things? -His girlfriend went to a fancy-dress as Catwoman, | 0:23:46 | 0:23:49 | |
and she had these two enormous ears on a hat band. | 0:23:49 | 0:23:53 | |
I found this about six months later, and the ears were like this long. | 0:23:53 | 0:23:58 | |
I wedged it, I got in about three o'clock in the morning, | 0:23:58 | 0:24:01 | |
and wedged it in the cat flap... LAUGHTER | 0:24:01 | 0:24:05 | |
..and then really rattled the door! | 0:24:05 | 0:24:08 | |
Dave came out and went, "Agghh!" | 0:24:08 | 0:24:11 | |
-One last question for you. Crystal Carr is here. Where's Crystal? -Just here! | 0:24:13 | 0:24:17 | |
-Crystal Carr is a brilliant name! -Thank you. | 0:24:17 | 0:24:20 | |
-What's your question? -Since your chat show with her, have you seen Tara Palmer-Tomkinson? | 0:24:20 | 0:24:26 | |
-Oh, yes! -Er, I have. I have seen her a couple of times. | 0:24:26 | 0:24:32 | |
And, er, she's actually a very lovely person. | 0:24:32 | 0:24:36 | |
Just tell us the back-story to this. | 0:24:36 | 0:24:38 | |
Tara came on my show | 0:24:38 | 0:24:41 | |
and, er, she was, er... | 0:24:41 | 0:24:44 | |
I couldn't tell whether she was just very posh | 0:24:44 | 0:24:47 | |
or stoned out of her head. It's a very fine line. | 0:24:47 | 0:24:51 | |
She thought I was, er, this takes you back a bit, she thought I was Frank Butcher. | 0:24:51 | 0:24:57 | |
Who is a fictional character. | 0:24:57 | 0:24:59 | |
And, er, she was in... She was very slurry | 0:24:59 | 0:25:03 | |
and, erm, out of it. | 0:25:03 | 0:25:06 | |
And she said that she wasn't on cocaine, but that she had some in her dressing room, | 0:25:06 | 0:25:11 | |
and in anticipation, she was... | 0:25:11 | 0:25:15 | |
-What, like passive cocaine? -Yes. | 0:25:15 | 0:25:18 | |
And I think she had a bottle of Charlie in her... | 0:25:18 | 0:25:22 | |
Ladies and gentlemen, please show your appreciation for the excellent Frank Skinner! | 0:25:26 | 0:25:31 | |
CHEERING | 0:25:31 | 0:25:34 | |
-Cheers, mate. Thanks very much. That was all right, wasn't it? -Lovely! | 0:25:34 | 0:25:38 | |
I also want to say a big thank you to Joe Wilkinson! | 0:25:38 | 0:25:42 | |
And now, from their album Happiness, it's Hurts and "Wonderful Life"! | 0:25:42 | 0:25:47 | |
# On a bridge across the Severn On a Saturday night | 0:25:54 | 0:25:59 | |
# Susie meets the man of her dreams | 0:25:59 | 0:26:03 | |
# He says that he got in trouble And if she doesn't mind | 0:26:03 | 0:26:07 | |
# He doesn't want the company | 0:26:07 | 0:26:10 | |
# But there's something in the air | 0:26:10 | 0:26:13 | |
# They share a look in silence | 0:26:13 | 0:26:15 | |
# It's all understood | 0:26:15 | 0:26:19 | |
# Susie grabs the man And puts a grip on his hand | 0:26:19 | 0:26:22 | |
# As the rain puts a tear in his eye | 0:26:22 | 0:26:26 | |
# She says don't let go | 0:26:26 | 0:26:30 | |
# Never give up It's such a wonderful life | 0:26:31 | 0:26:35 | |
# Don't let go | 0:26:35 | 0:26:37 | |
# Never give up It's such a wonderful life | 0:26:39 | 0:26:44 | |
# Driving through the city To the Temple Station | 0:26:50 | 0:26:55 | |
# Cries into the leather sea | 0:26:55 | 0:26:59 | |
# Susie knows the baby Was a family man | 0:26:59 | 0:27:02 | |
# But the world has got him Down on his knees | 0:27:02 | 0:27:06 | |
# So she throws him at the wall Her kisses burn like fire | 0:27:06 | 0:27:11 | |
# And suddenly he starts to believe | 0:27:11 | 0:27:14 | |
# And he takes her in his arms And he doesn't know why | 0:27:14 | 0:27:18 | |
# But he thinks that He begins to see | 0:27:18 | 0:27:22 | |
# She says don't let go | 0:27:22 | 0:27:26 | |
# Never give up It's such a wonderful life | 0:27:27 | 0:27:31 | |
# Don't let go | 0:27:31 | 0:27:34 | |
# Never give up It's such a wonderful life | 0:27:35 | 0:27:40 | |
# Whoa... | 0:27:41 | 0:27:45 | |
# Ohh | 0:27:45 | 0:27:49 | |
# Whoa... | 0:27:49 | 0:27:52 | |
# Ohh | 0:27:52 | 0:27:55 | |
# She says don't let go | 0:27:56 | 0:28:00 | |
# Never give up | 0:28:01 | 0:28:04 | |
# Don't let go | 0:28:05 | 0:28:08 | |
# Never give up It's such a wonderful life | 0:28:09 | 0:28:13 | |
# Wonderful life, wonderful life | 0:28:13 | 0:28:17 | |
# Wonderful, wonderful Wonderful life | 0:28:17 | 0:28:21 | |
# Wonderful life, wonderful life | 0:28:21 | 0:28:25 | |
# Wonderful, wonderful Wonderful life | 0:28:25 | 0:28:29 | |
# Don't let go # | 0:28:36 | 0:28:40 | |
-APPLAUSE -Fantastic. | 0:28:43 | 0:28:47 | |
Brilliant. Thank you, guys. | 0:28:48 | 0:28:50 | |
Thanks very much. Thanks, Adam. | 0:28:50 | 0:28:53 | |
Hurts, ladies and gentlemen! | 0:28:53 | 0:28:56 | |
E-mail [email protected] | 0:28:56 | 0:28:58 |