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Tonight we have brawn with Ray Winstone, | 0:00:02 | 0:00:04 | |
we have brains with Professor Brian Cox, | 0:00:04 | 0:00:06 | |
and beauty with Kelly Jones. Let us begin. | 0:00:06 | 0:00:09 | |
This programme contains some strong language. | 0:00:09 | 0:00:16 | |
-Hello! Thank you very much! -CHEERING AND APPLAUSE | 0:00:16 | 0:00:20 | |
We have a fantastic show for you tonight. | 0:00:20 | 0:00:23 | |
And as always, a beautiful, superb audience. Look at these people. | 0:00:23 | 0:00:27 | |
There's a man wearing a cravat, and he... Yes, you. | 0:00:27 | 0:00:31 | |
-Who also, in addition, appears to have a claw for a hand. -LAUGHTER | 0:00:31 | 0:00:36 | |
-I was delighted by the cravat, sir. -LAUGHTER | 0:00:36 | 0:00:39 | |
-Hello. What's your name? -Brad. -Hello, Brad. | 0:00:39 | 0:00:42 | |
-Is that an industrial accident? -LAUGHTER | 0:00:42 | 0:00:45 | |
-They're rings from Camden. -They're rings from Camden. -Yes. | 0:00:45 | 0:00:49 | |
I saw a man with a cravat, I thought, "You don't see that very often, do you?" | 0:00:49 | 0:00:53 | |
-Nothing could have prepared me for the shock of the metallic hand. -LAUGHTER | 0:00:53 | 0:00:58 | |
-I'm slightly alarmed that you got through the metal detector. -LAUGHTER | 0:00:58 | 0:01:04 | |
-I mean, Brad, do you have to wear those? -I like wearing them. | 0:01:04 | 0:01:07 | |
All right. Yes. Fair enough. | 0:01:07 | 0:01:10 | |
-How does your carer feel? Let's ask her. -LAUGHTER | 0:01:10 | 0:01:13 | |
It's lovely that you're here, Brad. | 0:01:15 | 0:01:17 | |
-I hope you enjoy the show and thank you for coming along this evening. -Thank you. -Thank you. | 0:01:17 | 0:01:22 | |
Now, there's a chap here waving his hand. Hello, sir. What is your name? | 0:01:22 | 0:01:25 | |
-It's Dave. -Hello, Dave. | 0:01:25 | 0:01:27 | |
Perched on that seat like you might be about to pounce at any moment. | 0:01:27 | 0:01:31 | |
What's your little interesting fact? | 0:01:31 | 0:01:34 | |
-I was born in a loo. -LAUGHTER | 0:01:34 | 0:01:37 | |
-You were born in the loo. -In the loo. | 0:01:37 | 0:01:40 | |
-Talk us through it. -LAUGHTER | 0:01:40 | 0:01:44 | |
-Take us through the motions. -LAUGHTER | 0:01:44 | 0:01:48 | |
-Er, it was the coldest day of 1966. -Yeah. | 0:01:48 | 0:01:52 | |
-Er... -LAUGHTER | 0:01:52 | 0:01:54 | |
That's it, really. Nothing more to say, really. | 0:01:54 | 0:01:57 | |
My mother said, "Cor, blimey, it's cold! I'm going to go in a toilet. Oh, my word, what's this?" | 0:01:57 | 0:02:03 | |
-That's how it was. -Was it? -LAUGHTER | 0:02:03 | 0:02:06 | |
You were born in the toilet, she looked down, she said, "It's a wee boy." | 0:02:06 | 0:02:10 | |
LAUGHTER AND APPLAUSE | 0:02:10 | 0:02:14 | |
So, who was there? Was there anybody there to help? | 0:02:14 | 0:02:19 | |
-Er, my mum was there. -LAUGHTER | 0:02:19 | 0:02:22 | |
Well, | 0:02:25 | 0:02:27 | |
-I'm glad we've cleared that up. -LAUGHTER | 0:02:27 | 0:02:30 | |
So often now, these posh mothers, they're not even there, are they? | 0:02:30 | 0:02:34 | |
LAUGHTER | 0:02:34 | 0:02:36 | |
You were there, I'm guessing. | 0:02:36 | 0:02:39 | |
I was. | 0:02:39 | 0:02:41 | |
I learnt to swim at an early age. | 0:02:41 | 0:02:43 | |
So you didn't literally go into the loo, did you? | 0:02:43 | 0:02:46 | |
-I did. -What, you went into the loo? -Into the loo. | 0:02:46 | 0:02:49 | |
-Ohhh! -LAUGHTER | 0:02:49 | 0:02:50 | |
-What an incredible story. I tell you what, I'm glad we flushed you out. -LAUGHTER | 0:02:50 | 0:02:56 | |
-Give him a round of applause. Thank you very much. Thank you. -APPLAUSE | 0:02:56 | 0:03:00 | |
In a moment, we'll be meeting Professor Brian Cox, | 0:03:00 | 0:03:03 | |
and from the Stereophonics, Kelly Jones. | 0:03:03 | 0:03:05 | |
But first, a true acting legend. | 0:03:05 | 0:03:08 | |
When the going gets tough, they call for | 0:03:08 | 0:03:11 | |
-Ray Winstone! -CHEERING AND APPLAUSE | 0:03:11 | 0:03:14 | |
Ray Winstone, everybody! | 0:03:23 | 0:03:26 | |
CHEERING AND APPLAUSE | 0:03:26 | 0:03:29 | |
You know what I thought? When you were coming on, I thought, the great thing with you, unlike me, | 0:03:29 | 0:03:35 | |
you must love watching yourself in the stuff you've done. | 0:03:35 | 0:03:39 | |
Cos you play, kind of, cool guys. | 0:03:39 | 0:03:42 | |
I do like watching what I've done, because I can't see the point of doing it otherwise. | 0:03:42 | 0:03:47 | |
-Really? -It would be like painting a picture and not signing it, you know? -Yeah. | 0:03:47 | 0:03:51 | |
And what about fight scenes? Cos I've never done a fight scene. | 0:03:51 | 0:03:54 | |
-I used to like them when I was younger. -Yeah. | 0:03:54 | 0:03:56 | |
But it gets tough when you get older cos the kids are getting tougher who come into it. | 0:03:56 | 0:04:00 | |
They used to be namby-pamby kids years ago, you could knock them about a bit. | 0:04:00 | 0:04:04 | |
-I don't think you were meant to knock them about. -LAUGHTER | 0:04:04 | 0:04:08 | |
But now, you know, there's a lot of tough kids coming into this game. | 0:04:08 | 0:04:11 | |
When I was... When I first started, there wasn't very many people from my kind of background | 0:04:11 | 0:04:16 | |
that were in the film industry, you know? Or in TV. | 0:04:16 | 0:04:20 | |
-Cos you boxed as a child, didn't you? -As a child? -LAUGHTER | 0:04:20 | 0:04:25 | |
-Yes, I did. I boxed as a child. -LAUGHTER | 0:04:25 | 0:04:28 | |
Er, the one thing it taught me in life, | 0:04:28 | 0:04:31 | |
and I've said it before, but I will say it again, | 0:04:31 | 0:04:34 | |
I have the greatest respect for anyone who climbs into a ring. | 0:04:34 | 0:04:37 | |
You're one-on-one, and it's, erm... | 0:04:37 | 0:04:39 | |
And when you look across the ring and look into someone's eyes, you know whether you can win it or not. | 0:04:39 | 0:04:43 | |
-From the outset? -You know from that moment. But you have to dig deep. | 0:04:43 | 0:04:48 | |
And you've no hate for the person opposite you, | 0:04:48 | 0:04:50 | |
in fact, you have nothing but respect for the other guy. | 0:04:50 | 0:04:53 | |
It's not someone who's beat your sister up, you know? It's not that kind of thing. | 0:04:53 | 0:04:57 | |
And that kind of digging deep and that discipline of the boxing ring | 0:04:57 | 0:05:02 | |
stood me in very good stead for the rest of my life. | 0:05:02 | 0:05:05 | |
-You've just done The Sweeney, haven't you? -Yeah, the film, The Sweeney with Ben Drew. | 0:05:05 | 0:05:09 | |
-Plan B. -Plan B, yeah. | 0:05:09 | 0:05:11 | |
He's a great kid. He really is a great kid. | 0:05:11 | 0:05:14 | |
One of the most intelligent boys I've worked with. | 0:05:14 | 0:05:17 | |
We've made a really, really good film. | 0:05:17 | 0:05:18 | |
-Yeah. Teach me, Ray, teach me... -What do you want to be taught? | 0:05:18 | 0:05:23 | |
I want you to teach me how to extend my range. | 0:05:23 | 0:05:26 | |
When I'm acting, I just play kind of nice guys. | 0:05:26 | 0:05:29 | |
I play, kind of, softies. I'd like to be able to play somebody intimidating. | 0:05:29 | 0:05:35 | |
-It's actually stillness. -Stillness? | 0:05:35 | 0:05:38 | |
Stillness and quietness. Someone can go on and go on, and you just look at them without blinking. | 0:05:38 | 0:05:43 | |
-You can even laugh. -LAUGHTER | 0:05:43 | 0:05:48 | |
-So, that's not it? -I want to kiss you. -LAUGHTER | 0:05:48 | 0:05:52 | |
-All right, how about this? -Go on. | 0:05:52 | 0:05:55 | |
LAUGHTER | 0:05:57 | 0:05:59 | |
-All right, all right. OK. -APPLAUSE | 0:05:59 | 0:06:03 | |
So, I find it... I find it hard to be intimidating. | 0:06:03 | 0:06:06 | |
Maybe you find it hard to be sensitive and warm. | 0:06:06 | 0:06:10 | |
Will you take the sensitivity and warmth test? | 0:06:10 | 0:06:12 | |
-I'll have a go. -LAUGHTER | 0:06:12 | 0:06:16 | |
-I have a book I'd like you to read. -Certainly. -The Three Little Pigs. -LAUGHTER | 0:06:16 | 0:06:22 | |
Now this book, Ray, you can not have a trace of menace when you read this book. | 0:06:22 | 0:06:27 | |
-OK? You're reading to children, Ray. -To kids? | 0:06:27 | 0:06:30 | |
You ain't seen the kids round my way. Jesus Christ. | 0:06:30 | 0:06:33 | |
You've got to give them a slap. | 0:06:33 | 0:06:35 | |
-LAUGHTER -Right. Now, look, I'm a little child. Here I am. | 0:06:37 | 0:06:40 | |
-Look at him... -LAUGHTER | 0:06:40 | 0:06:44 | |
APPLAUSE | 0:06:44 | 0:06:46 | |
-LAUGHTER -Take your thumb out your mouth! | 0:06:47 | 0:06:50 | |
-Don't hit me again, Uncle Ray! Please don't hit me again. -LAUGHTER | 0:06:50 | 0:06:55 | |
Don't do intimidating. Do warmth. | 0:06:57 | 0:07:00 | |
LAUGHTER | 0:07:02 | 0:07:05 | |
-You really want to bash him, don't you? -LAUGHTER | 0:07:05 | 0:07:09 | |
Once upon a time... | 0:07:09 | 0:07:12 | |
..there was a mother pig | 0:07:13 | 0:07:15 | |
-who had three little piggies. -LAUGHTER | 0:07:15 | 0:07:20 | |
-The three little pigs grew so big... -LAUGHTER | 0:07:20 | 0:07:24 | |
..that their mother said to them, | 0:07:25 | 0:07:27 | |
-"You're too fat..." No. "You're too big..." -LAUGHTER | 0:07:27 | 0:07:32 | |
Please don't let the mother hurt the pigs. | 0:07:33 | 0:07:36 | |
LAUGHTER | 0:07:36 | 0:07:38 | |
"You're too big to live here any longer. | 0:07:40 | 0:07:43 | |
"You must go and build houses for yourselves. | 0:07:43 | 0:07:47 | |
"But take care that that naughty, naughty, naughty, naughty wolf does not catch you. | 0:07:47 | 0:07:54 | |
-"Cos he's a fucker!" -LAUGHTER -No! No! I'm not having... | 0:07:54 | 0:07:58 | |
What's the matter with you, man? You ruined a classic! | 0:07:58 | 0:08:01 | |
CHEERING AND APPLAUSE | 0:08:01 | 0:08:05 | |
How good were you at school at physics? | 0:08:07 | 0:08:11 | |
-I was very good, actually. -You were good? -I got 98 percent. | 0:08:11 | 0:08:15 | |
-98 percent in physics? -Because we had a great teacher. -Yeah. | 0:08:15 | 0:08:18 | |
-Who was a raving lunatic, but he made it interesting. -Oh, OK. | 0:08:18 | 0:08:22 | |
He even threw a kid out of the first floor window. | 0:08:22 | 0:08:25 | |
-He did what? -He threw a kid out of the window. It was a tough old school, I tell you. | 0:08:25 | 0:08:29 | |
-Out of a first floor window? -Yeah, he was giving him some lip | 0:08:29 | 0:08:33 | |
and he picked him up and he put him out this window and dropped him, and he went down one floor. | 0:08:33 | 0:08:36 | |
-You're not serious. -Oh, yeah, yeah. But he learnt. -LAUGHTER | 0:08:36 | 0:08:42 | |
-APPLAUSE -OK. Erm... -But... | 0:08:42 | 0:08:45 | |
I'll tell you how important someone like Brian Cox is | 0:08:45 | 0:08:49 | |
to make something you might not understand interesting is, | 0:08:49 | 0:08:54 | |
in chemistry I got 14 percent. | 0:08:54 | 0:08:57 | |
-Wow! -Which is another science, but the teacher was diabolical, | 0:08:57 | 0:09:00 | |
you know, and didn't make it interesting. | 0:09:00 | 0:09:03 | |
History, I got 92 percent. | 0:09:03 | 0:09:05 | |
Because we had a Mr Sharp, who made... Who told you stories and got you into it. | 0:09:05 | 0:09:09 | |
But the rest of it, I was crap at. | 0:09:09 | 0:09:12 | |
But it just shows you how important interesting teachers are. | 0:09:12 | 0:09:16 | |
-Kids from anywhere can learn anything if they're interested in it. -Wow. | 0:09:16 | 0:09:19 | |
Well, you've already mentioned him. Let's bring him out and meet him. | 0:09:19 | 0:09:22 | |
Ladies and gentlemen, Professor Brian Cox! | 0:09:22 | 0:09:25 | |
CHEERING AND APPLAUSE | 0:09:25 | 0:09:27 | |
Books. | 0:09:32 | 0:09:34 | |
-There's no physics books in there. -There's no physics books. It's very much a humanities bookshelf. | 0:09:38 | 0:09:44 | |
-They're not real books. -LAUGHTER | 0:09:44 | 0:09:47 | |
You've got a big fan in Ray here. | 0:09:50 | 0:09:52 | |
LAUGHTER | 0:09:53 | 0:09:56 | |
-You look like you're on a date now. -LAUGHTER | 0:09:56 | 0:09:58 | |
-Talk amongst yourselves. -I've gone all shy. | 0:09:58 | 0:10:01 | |
You're Professor Brian Cox. That's not an honorary professorship. Is it a proper professor? | 0:10:01 | 0:10:06 | |
Yeah, I'm actually lecturing starting this month. | 0:10:06 | 0:10:10 | |
So in the autumn term at Manchester, I'm lecturing quantum mechanics and relativity to first years. | 0:10:10 | 0:10:14 | |
-And I'm going to... -LAUGHTER | 0:10:14 | 0:10:17 | |
APPLAUSE | 0:10:17 | 0:10:20 | |
-Where is this happening? -E... equals... M... C... squared! That's right. | 0:10:20 | 0:10:24 | |
I'm going to bring some discipline back. | 0:10:24 | 0:10:27 | |
-Where is this, Manchester what? -Manchester University. -OK. | 0:10:27 | 0:10:29 | |
-First floor windows... -LAUGHTER | 0:10:29 | 0:10:32 | |
If you're a student there, I would sellotape them up. | 0:10:32 | 0:10:35 | |
-My office is on the sixth floor. -Oh, my God! -LAUGHTER | 0:10:35 | 0:10:39 | |
-Oh, my God. Now, you were a keyboard player with D:Ream. -Yeah. | 0:10:39 | 0:10:43 | |
# Things can only get better... # Was the big hit. | 0:10:43 | 0:10:47 | |
And now, it's a serious question, how did you become this? | 0:10:47 | 0:10:50 | |
Well, I was at university during the time I was in D:Ream. | 0:10:50 | 0:10:54 | |
I joined them by accident because I started off as the roadie | 0:10:54 | 0:10:57 | |
and the keyboard player... The singer, Peter Cunnah said, | 0:10:57 | 0:11:00 | |
"I need a keyboard player and you can do a bit, can you just do a bit of that?" | 0:11:00 | 0:11:04 | |
So I was doing my degree all the way through that. | 0:11:04 | 0:11:06 | |
When you were on Top Of The Pops, you were studying for a degree? | 0:11:06 | 0:11:09 | |
Yeah, and bizarrely, in Manchester, I was in labs, I was doing my physics experiments in the lab, | 0:11:09 | 0:11:14 | |
and then at five o'clock one night, I went out of the lab, took my white coat off, | 0:11:14 | 0:11:17 | |
walked up the road and went on stage with Take That at G-Mex, | 0:11:17 | 0:11:20 | |
-played my keyboards, and then went back again the day after and carried on. -Wow! | 0:11:20 | 0:11:24 | |
So it was, kind of... It was like a bar job, really. | 0:11:24 | 0:11:28 | |
It's a nice bar job. It's a nice bar job. | 0:11:28 | 0:11:30 | |
And I'm told that wherever you go, a bit like a doctor, | 0:11:30 | 0:11:33 | |
you know, a doctor goes to a party or a dentist, "Have a look at this," | 0:11:33 | 0:11:36 | |
that you get the science questions wherever you go. | 0:11:36 | 0:11:39 | |
If you're at a bash, you get people coming up and asking you. | 0:11:39 | 0:11:41 | |
They do, and the strangest people ask them. | 0:11:41 | 0:11:44 | |
So if I'm in the shops, people come up, | 0:11:44 | 0:11:47 | |
but I was in a bar a few months ago and Kate Moss came up to me. | 0:11:47 | 0:11:51 | |
But what was interesting is that she had a very precise question that was perfectly phrased | 0:11:51 | 0:11:56 | |
and she understood exactly what she was asking. It was about entropy. | 0:11:56 | 0:11:59 | |
And she said to me, "The second law of thermodynamics suggests as the universe proceeds, | 0:11:59 | 0:12:05 | |
"as time passes, the universe becomes more and more disordered, | 0:12:05 | 0:12:08 | |
"and that's entirely statistical, it's down to the statistical movements of particles around, | 0:12:08 | 0:12:12 | |
"it's just the fact that disordered things are more likely to form than ordered things. | 0:12:12 | 0:12:16 | |
-"Is that right?" And I said, "Yes, it is." -LAUGHTER | 0:12:16 | 0:12:19 | |
And she'd watched the show with her daughter, I think she said, | 0:12:19 | 0:12:22 | |
and she'd absolutely got it. | 0:12:22 | 0:12:26 | |
-Kate Moss? -Yeah. -Kate Moss. Wow! | 0:12:26 | 0:12:28 | |
Do you have a question, Ray? We've got him here. I know you like your physics. | 0:12:28 | 0:12:32 | |
-You keep banging on about your 92 percent. -LAUGHTER | 0:12:32 | 0:12:36 | |
-Well, I was... 98, actually. -LAUGHTER AND APPLAUSE | 0:12:36 | 0:12:41 | |
I suppose it's the age-old question, really. | 0:12:45 | 0:12:48 | |
I mean, because, is there anything out there? | 0:12:48 | 0:12:52 | |
The question is where are these other civilisations, because they should be there, | 0:12:52 | 0:12:57 | |
because our galaxy, there is something like 400 billion stars in our galaxy. | 0:12:57 | 0:13:01 | |
We've been discovering over the last few years that there are planetary systems everywhere we look. | 0:13:01 | 0:13:05 | |
We've found a couple of earth-like planets, rocky planets at the right temperature for water. | 0:13:05 | 0:13:10 | |
The galaxy has been around for 11 billion years. | 0:13:10 | 0:13:12 | |
Now, the earth has only been around for four and a half billion. | 0:13:12 | 0:13:15 | |
So there's been so much time, and there are so many planets, so many solar systems, | 0:13:15 | 0:13:19 | |
that you would think that one of them had been able to build spacecraft | 0:13:19 | 0:13:22 | |
and get out there and explore, and we see no evidence for them. | 0:13:22 | 0:13:26 | |
One of the ideas is maybe they're around and maybe we just don't recognise them. | 0:13:26 | 0:13:30 | |
But what about the idea of... | 0:13:30 | 0:13:32 | |
I'm not saying... I've got to say, this is not UFO nonsense. | 0:13:32 | 0:13:35 | |
-No UFOs have ever landed. No-one's been abducted. It's all bollocks. -LAUGHTER | 0:13:35 | 0:13:40 | |
APPLAUSE | 0:13:40 | 0:13:44 | |
It's this idea that they're incompetent, | 0:13:44 | 0:13:46 | |
that they float down and they don't really want to be seen, | 0:13:46 | 0:13:48 | |
but they accidentally don't wipe a farmer's mind perfectly. | 0:13:48 | 0:13:53 | |
And so ten years later he kind of remembers. | 0:13:53 | 0:13:55 | |
You say that, but truth be told, most of my science knowledge is based on science fiction. | 0:13:55 | 0:14:02 | |
Let me give you a few things that science fiction has thrown up | 0:14:02 | 0:14:04 | |
and you tell us the likelihood of it happening. | 0:14:04 | 0:14:07 | |
Now, I once saw a film that confidently predicted that in 2015 | 0:14:07 | 0:14:11 | |
we would have hoverboards. | 0:14:11 | 0:14:14 | |
-This was Back To The Future II. -LAUGHTER | 0:14:14 | 0:14:17 | |
Now, hoverboards. How close are we? | 0:14:17 | 0:14:20 | |
-We could do that. -We can do it? -We could do it if we wanted, yeah. | 0:14:20 | 0:14:23 | |
We've got trains that do it. Maglev trains. | 0:14:23 | 0:14:26 | |
-Yes, maglev trains! How's that coming along? -It works, doesn't it? | 0:14:26 | 0:14:30 | |
There isn't one in Cardiff, I can tell you that. | 0:14:30 | 0:14:32 | |
-There's one in Japan. -Yeah. -Isn't there one in Japan? | 0:14:32 | 0:14:35 | |
-So they float? Literally, they're not touching the ground? -Magnets. That's right. -OK. | 0:14:35 | 0:14:39 | |
Fine. Beaming people up. | 0:14:39 | 0:14:41 | |
-That we've done. -No, we haven't. | 0:14:41 | 0:14:45 | |
Not with people, but we've done it. Teleportation works. | 0:14:45 | 0:14:49 | |
This is the Star Trek thing where they stand and they go... | 0:14:49 | 0:14:52 | |
-That's been done. It was done back in the 1980s with single particles. -What did they use? | 0:14:52 | 0:14:56 | |
Er, they used photons. So particles of light. But it genuinely works. | 0:14:56 | 0:15:00 | |
You genuinely destroy a particle here and it appears over here. | 0:15:00 | 0:15:06 | |
It's been done and it's a well-known effect in quantum mechanics. | 0:15:06 | 0:15:09 | |
-It's called quantum teleportation. -Wow! That's actually happening? | 0:15:09 | 0:15:12 | |
Nobody knows whether you can scale it up. | 0:15:12 | 0:15:14 | |
There's nothing in the theory that stops you... | 0:15:14 | 0:15:17 | |
-Why don't they just pop an apple in and see what happens? -LAUGHTER | 0:15:17 | 0:15:20 | |
Small steps. But nobody knows... | 0:15:20 | 0:15:23 | |
If there is a reason you can't just keep going bigger, no-one knows what it is. | 0:15:23 | 0:15:27 | |
-To my mind, we're still talking pretty small. -Yes. | 0:15:27 | 0:15:29 | |
All right, time to meet my next guest. He is a Welsh icon, | 0:15:29 | 0:15:33 | |
he's also frontman of the Stereophonics, | 0:15:33 | 0:15:35 | |
-ladies and gentlemen, please welcome Kelly Jones! -CHEERING AND APPLAUSE | 0:15:35 | 0:15:39 | |
-Good to see you. -Welcome, welcome, welcome. Yeah, yeah. Pop yourselves down. | 0:15:48 | 0:15:52 | |
Straight away, Kelly, do you know that Ray Winstone got 98 percent in physics? | 0:15:52 | 0:15:56 | |
LAUGHTER | 0:15:56 | 0:15:58 | |
-What did you get in physics? -Three. LAUGHTER | 0:15:58 | 0:16:02 | |
My house got flooded when I was 11. | 0:16:02 | 0:16:05 | |
This was the first year I started comprehensive school. | 0:16:05 | 0:16:08 | |
Just as I saw a boat fly on top of my old man's car, | 0:16:08 | 0:16:11 | |
I thought, "Well, I'll chuck my school bag and my uniform out there." | 0:16:11 | 0:16:15 | |
And I put my guitar on top of the old girl's wardrobe. | 0:16:15 | 0:16:18 | |
I thought that would be the best place for the guitar and the best place for the school books. | 0:16:18 | 0:16:23 | |
-So what sort of tribe were you in? -Tribe? -Well, you know, there were different types. | 0:16:23 | 0:16:28 | |
There was rock fans and different people. | 0:16:28 | 0:16:30 | |
What were you? Because you were a big AC/DC fan. I know that. | 0:16:30 | 0:16:34 | |
Yeah, we were all rock kids, really. | 0:16:34 | 0:16:36 | |
Wrangler jackets with all patches on the back | 0:16:36 | 0:16:39 | |
and Dr Martens and tight jeans. Not a lot's changed, to be honest with you. | 0:16:39 | 0:16:43 | |
Ray, what about you? What were you at school? What look did you have? | 0:16:43 | 0:16:47 | |
I think about my time was the old skinhead style, wasn't it? | 0:16:47 | 0:16:50 | |
-So were you a skinhead? -Yeah. It was suedeheads and skinheads | 0:16:50 | 0:16:54 | |
and loafers, Dr Martens, the same. Drainpipe jeans and that. | 0:16:54 | 0:16:58 | |
What about you, Brian? What department did you fit into? | 0:16:58 | 0:17:01 | |
-I went through... I was a goth at school. -You were a goth! | 0:17:01 | 0:17:04 | |
-At 17, I had purple hair. -That's the worst possible option. | 0:17:04 | 0:17:10 | |
-Who in their right mind becomes a goth? -LAUGHTER | 0:17:10 | 0:17:15 | |
To piss your parents off. LAUGHTER | 0:17:15 | 0:17:17 | |
Is that to piss your parents off? But your father always encouraged you, didn't he? | 0:17:17 | 0:17:21 | |
He wanted you to go into music. | 0:17:21 | 0:17:23 | |
Well, my mum was a singer, and he was a... | 0:17:23 | 0:17:26 | |
-When I was kid, my old man's record was on the jukebox in the pub. -Wow. | 0:17:26 | 0:17:29 | |
He did a little record deal with Polydor and he was playing gigs | 0:17:29 | 0:17:32 | |
with, like, Roy Orbison in Batley Variety Club in Leeds, | 0:17:32 | 0:17:35 | |
stuff like that, so... He loved music for what it was about. | 0:17:35 | 0:17:38 | |
And if you pick up an instrument, you're never lonely, are you? You've always got somewhere to go. | 0:17:38 | 0:17:42 | |
But my uncle was a boxing referee, so I did boxing when I was a kid, | 0:17:42 | 0:17:45 | |
-but they were always pushing me into something. -You did boxing? | 0:17:45 | 0:17:48 | |
-Five fights undefeated. -Was you? | 0:17:48 | 0:17:51 | |
Five fights undefeated? Which category were you in? | 0:17:51 | 0:17:54 | |
Small. LAUGHTER | 0:17:54 | 0:17:58 | |
And is this other thing I read true, that you were offered to be one of the coaches on The Voice? | 0:17:58 | 0:18:04 | |
-I was asked to do The Voice, yeah. -Yeah? | 0:18:04 | 0:18:06 | |
And the Jesus Christ Superstar one, as well, with Andrew Lloyd Webber. | 0:18:06 | 0:18:09 | |
Last week, I was asked to dance on Strictly. I hope they keep coming when I'm 60, all these offers. | 0:18:09 | 0:18:13 | |
LAUGHTER | 0:18:13 | 0:18:15 | |
-What age did you start, then? -Er, did my first gig when I was 12. | 0:18:15 | 0:18:19 | |
We pushed the gear up the street on a trolley, | 0:18:19 | 0:18:21 | |
and as soon as we finished, they told us to piss off cos we were too young to drink. | 0:18:21 | 0:18:25 | |
-So, yeah, it was working men's clubs. -And you've got a remarkable voice. | 0:18:25 | 0:18:29 | |
You've got this... It's got like a rasp to it. | 0:18:29 | 0:18:31 | |
Was that always the case, even as a kid? | 0:18:31 | 0:18:34 | |
Well, I didn't want to be the singer in the band, really. | 0:18:34 | 0:18:37 | |
Because my old man was a singer, the first four, five bands I was in, | 0:18:37 | 0:18:40 | |
you get pushed in it cos your old man's a singer and they think you'll be the singer. | 0:18:40 | 0:18:44 | |
At about 18, I started to get into it. | 0:18:44 | 0:18:45 | |
Before then, I wasn't... I'd rather play guitar and be wallpaper. | 0:18:45 | 0:18:48 | |
You've got the guitar there. Would you give us a little... Would you give us a little something? | 0:18:48 | 0:18:52 | |
APPLAUSE | 0:18:52 | 0:18:55 | |
You're starting out, you're learning to play the guitar, what were the tunes you were doing then? | 0:18:55 | 0:19:00 | |
I had older brothers. Some were listening to, like, Creedence Clearwater Revival and... | 0:19:00 | 0:19:04 | |
Proud Mary? Bad Moon Rising? | 0:19:04 | 0:19:07 | |
I did that on the first gig, aye, when I was 12. | 0:19:07 | 0:19:10 | |
Pretty Woman? Not by Creedence Clearwater. | 0:19:10 | 0:19:12 | |
-Could you give us a bit of Pretty Woman? -Yeah. | 0:19:12 | 0:19:15 | |
-PLAYS PRETTY WOMAN -Oh, yeah! | 0:19:15 | 0:19:18 | |
-AUDIENCE CLAPS ALONG -What a woman. | 0:19:18 | 0:19:20 | |
Mercy! | 0:19:23 | 0:19:25 | |
# Pretty woman, walking down the street | 0:19:25 | 0:19:29 | |
# Pretty woman, the kind I'd like to meet | 0:19:29 | 0:19:33 | |
# Pretty woman | 0:19:33 | 0:19:35 | |
# I don't believe you, you're not the truth | 0:19:35 | 0:19:39 | |
# No-one can look as good as you | 0:19:39 | 0:19:43 | |
Mercy! | 0:19:43 | 0:19:45 | |
-Raaarrr! -Yi-ah! -LAUGHTER | 0:19:45 | 0:19:49 | |
# Pretty woman, don't walk on by | 0:19:49 | 0:19:52 | |
(BOTH) # Pretty woman, don't make me cry | 0:19:52 | 0:19:56 | |
# Pretty woman | 0:19:56 | 0:19:58 | |
# You look as lovely as can be | 0:20:00 | 0:20:03 | |
# Are you lonely just like me? | 0:20:03 | 0:20:08 | |
-Have some! -Yeah! LAUGHTER | 0:20:08 | 0:20:11 | |
Whoa, whoa, whoa! Hang on. Hang on. Hang on. | 0:20:11 | 0:20:15 | |
-Have some? -LAUGHTER | 0:20:15 | 0:20:18 | |
-Where the hell did, "Have some!" -LAUGHTER | 0:20:18 | 0:20:21 | |
I do not remember Roy Orbison... | 0:20:21 | 0:20:23 | |
# Who-oa, pretty woman | 0:20:23 | 0:20:26 | |
-"Have some!" -LAUGHTER | 0:20:26 | 0:20:29 | |
But Kelly, thank you, fantastic. Thank you very much. | 0:20:29 | 0:20:32 | |
CHEERING AND APPLAUSE | 0:20:32 | 0:20:35 | |
Right. | 0:20:38 | 0:20:40 | |
Time for questions from the audience. | 0:20:41 | 0:20:44 | |
First of all tonight, er, Martin Hobbs. | 0:20:44 | 0:20:47 | |
-Sounds like a toaster. -LAUGHTER | 0:20:47 | 0:20:50 | |
-Hello, Martin. -Hi, Rob. -Who's your question for? | 0:20:50 | 0:20:52 | |
-My question is for Professor Brian there. -Yes. | 0:20:52 | 0:20:55 | |
Brian, you've had a varied career and no doubt met a lot of people, | 0:20:55 | 0:20:59 | |
but which is better, pop groupies or science groupies? | 0:20:59 | 0:21:03 | |
-Science groupies by a mile. -LAUGHTER | 0:21:03 | 0:21:07 | |
-What's the difference? -Er, IQ. | 0:21:07 | 0:21:11 | |
LAUGHTER | 0:21:11 | 0:21:13 | |
What are the pop groupies like? | 0:21:16 | 0:21:18 | |
What happens on the road, stays on the road, Rob. LAUGHTER | 0:21:18 | 0:21:22 | |
-Ian Mann is in the audience. Where is Ian? -I'm over here. | 0:21:22 | 0:21:26 | |
-Hello, Ian. Hello. -Hello. -Who is your question for? -I have a question for Ray. | 0:21:26 | 0:21:30 | |
Basically, I'm a struggling actor who's starting off as an extra, like you did. | 0:21:30 | 0:21:34 | |
And I'm finding it difficult to break into the mainstream. | 0:21:34 | 0:21:37 | |
I was wondering if there was any way I could act with you so I could pop it on my CV. | 0:21:37 | 0:21:41 | |
Cheeky, I know. | 0:21:41 | 0:21:43 | |
-You want to, what, like, film a scene? -Maybe do a scene. That would be amazing. | 0:21:43 | 0:21:47 | |
-Ray, what do you say? -Yeah, all right. Come on, Ian. -APPLAUSE | 0:21:47 | 0:21:51 | |
Here's what we're going to do, to make this simple. Right? | 0:21:51 | 0:21:54 | |
We're in a police cell. | 0:21:54 | 0:21:56 | |
-You've been arrested, what a surprise! -LAUGHTER | 0:21:56 | 0:21:59 | |
Right? You've only got one line, Ray. | 0:21:59 | 0:22:01 | |
All your line is this... | 0:22:01 | 0:22:03 | |
"All right, I did it." OK? | 0:22:03 | 0:22:05 | |
And that's when you break and you confess to it. OK? | 0:22:05 | 0:22:08 | |
-So I've got to give in? -Yeah. -LAUGHTER | 0:22:08 | 0:22:12 | |
This is going to be tough, this is. | 0:22:12 | 0:22:14 | |
Pop yourself down. Now, make it good because he wants this for his showreel. | 0:22:14 | 0:22:19 | |
-He's very big, isn't he? -He is a very big man. -LAUGHTER | 0:22:19 | 0:22:23 | |
I'm going to stand over here. OK. Get ready. | 0:22:23 | 0:22:26 | |
And action! | 0:22:26 | 0:22:28 | |
-I hear you've been a very naughty boy! -LAUGHTER | 0:22:28 | 0:22:32 | |
-OK. Let's stop there. Let's stop there. -LAUGHTER | 0:22:32 | 0:22:35 | |
APPLAUSE | 0:22:37 | 0:22:41 | |
-We are not making a porn film. -LAUGHTER AND APPLAUSE | 0:22:41 | 0:22:45 | |
All right, we'll try it again. We'll try take two. | 0:22:45 | 0:22:49 | |
-Ray, I'm so sorry. -LAUGHTER | 0:22:49 | 0:22:53 | |
-Take two. And action. -What's been going on? | 0:22:53 | 0:22:57 | |
Come on. You can tell me. | 0:22:57 | 0:23:00 | |
Walk around the other side. Try him on the other side. | 0:23:00 | 0:23:02 | |
-Intimidate him. -We've been in this position before. | 0:23:02 | 0:23:06 | |
-Whoa! I've warned you about that! -LAUGHTER | 0:23:06 | 0:23:09 | |
APPLAUSE | 0:23:09 | 0:23:12 | |
You know there's none of that. | 0:23:12 | 0:23:15 | |
Come on, you've got to break him, you've got to break him! Come on! | 0:23:15 | 0:23:18 | |
-Just admit it! -Oh! -LAUGHTER | 0:23:18 | 0:23:21 | |
Admit what you've been doing, come on! | 0:23:21 | 0:23:23 | |
-I don't know what you're talking about. -LAUGHTER | 0:23:23 | 0:23:26 | |
Come on, we've both had a tough day. We just want the confession! | 0:23:27 | 0:23:31 | |
-Have you been on this show before? -LAUGHTER | 0:23:31 | 0:23:35 | |
-No. -Come on, scare me! -What's going on, come on, just admit it, man, admit it! | 0:23:35 | 0:23:39 | |
All right! All right! All right! I did it. I did it. I did it. | 0:23:39 | 0:23:42 | |
CHEERING AND APPLAUSE | 0:23:42 | 0:23:45 | |
Ray, come and join us for a bow. Come on. | 0:23:45 | 0:23:48 | |
-Well done, son. -Ready? | 0:23:48 | 0:23:51 | |
CHEERING AND APPLAUSE | 0:23:51 | 0:23:55 | |
-Ian, fantastic! Thank you very much. Thank you, Ray. -Pleasure. | 0:23:55 | 0:23:58 | |
APPLAUSE | 0:23:58 | 0:24:00 | |
Kelly, you're going to go and sing a cracking song for us. | 0:24:00 | 0:24:03 | |
-So if you want to go and get yourself ready. -OK. -Thank you. | 0:24:03 | 0:24:06 | |
And while he does that, please let's hear it again for Brian Cox and Ray Winstone! | 0:24:06 | 0:24:09 | |
CHEERING AND APPLAUSE | 0:24:09 | 0:24:12 | |
And now, performing one of his classic hits, Dakota, Kelly Jones! | 0:24:15 | 0:24:20 | |
CHEERING AND APPLAUSE | 0:24:20 | 0:24:23 | |
# Thinking back, thinking of you | 0:24:40 | 0:24:43 | |
# Summertime, think it was June | 0:24:43 | 0:24:47 | |
# Yeah, I think it was June | 0:24:48 | 0:24:50 | |
# Laying back, head on the grass | 0:24:54 | 0:24:57 | |
# Chewing gum, having some laughs | 0:24:57 | 0:25:01 | |
# Yeah, having some laughs | 0:25:02 | 0:25:04 | |
# You made me feel like the one | 0:25:08 | 0:25:12 | |
# Made me feel like the one | 0:25:12 | 0:25:15 | |
# The one | 0:25:18 | 0:25:19 | |
# You made me feel like the one | 0:25:22 | 0:25:26 | |
# Made me feel like the one | 0:25:26 | 0:25:30 | |
# The one | 0:25:32 | 0:25:34 | |
# Drinking back, drinking for two | 0:25:38 | 0:25:41 | |
# Drinking with you | 0:25:43 | 0:25:45 | |
# When drinking was new | 0:25:46 | 0:25:48 | |
# Sleeping in the back of my car | 0:25:52 | 0:25:55 | |
# We never went far | 0:25:57 | 0:25:59 | |
# We didn't need to go far | 0:26:00 | 0:26:03 | |
# You made me feel like the one | 0:26:06 | 0:26:10 | |
# Made me feel like the one | 0:26:10 | 0:26:14 | |
# The one | 0:26:16 | 0:26:18 | |
# You made me feel like the one | 0:26:21 | 0:26:25 | |
# Made me feel like the one | 0:26:25 | 0:26:29 | |
# The one | 0:26:30 | 0:26:32 | |
BOTH: # I don't know where | 0:26:35 | 0:26:38 | |
# We are going now | 0:26:38 | 0:26:43 | |
# I don't know where | 0:26:50 | 0:26:54 | |
# We are going now | 0:26:54 | 0:26:59 | |
# Wake-up call, coffee and juice | 0:27:06 | 0:27:10 | |
# Remembering you | 0:27:11 | 0:27:14 | |
# What happened to you? | 0:27:15 | 0:27:17 | |
# I wonder if we'll meet again | 0:27:21 | 0:27:25 | |
# Talk about life since then | 0:27:25 | 0:27:28 | |
# Talk about why did it end? | 0:27:28 | 0:27:31 | |
# You made me feel like the one | 0:27:35 | 0:27:39 | |
# Made me feel like the one | 0:27:39 | 0:27:43 | |
# The one | 0:27:45 | 0:27:47 | |
# You made me feel like the one | 0:27:50 | 0:27:54 | |
# Made me feel like the one | 0:27:54 | 0:27:58 | |
# The one | 0:28:00 | 0:28:02 | |
BOTH: # I don't know where | 0:28:04 | 0:28:08 | |
# We are going now | 0:28:08 | 0:28:13 | |
# I don't know where | 0:28:19 | 0:28:23 | |
# We are going now | 0:28:23 | 0:28:29 | |
# So take a look at me now | 0:28:32 | 0:28:36 | |
# So take a look at me now | 0:28:36 | 0:28:40 | |
# Take a look at me now | 0:28:40 | 0:28:44 | |
# Take a look at me now | 0:28:44 | 0:28:48 | |
# Take a look at me now # | 0:28:48 | 0:28:53 | |
CHEERING AND APPLAUSE Thank you. | 0:28:53 | 0:28:57 | |
Fantastic. | 0:28:59 | 0:29:01 | |
Brilliant. Fantastic, fellas. | 0:29:02 | 0:29:05 | |
-Kelly Jones! -CHEERING AND APPLAUSE | 0:29:05 | 0:29:08 | |
Good night. | 0:29:08 | 0:29:10 | |
Subtitles by Red Bee Media Ltd | 0:29:11 | 0:29:14 | |
. | 0:29:14 | 0:29:14 |