Browse content similar to 2017. Check below for episodes and series from the same categories and more!
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DRUMMING | 0:00:04 | 0:00:07 | |
The 2017 Royal Edinburgh Military Tattoo's Fanfare To The Oceans | 0:00:33 | 0:00:37 | |
greets their Royal Highnesses, Prince Charles, Duke of Rothesay, | 0:00:37 | 0:00:41 | |
and Prince William, Earl of Strathearn. | 0:00:41 | 0:00:43 | |
First, the important business of a dram, | 0:00:46 | 0:00:48 | |
and the lone piper's toast. | 0:00:48 | 0:00:50 | |
Ceud mile failte dhuibh uile | 0:00:52 | 0:00:54 | |
gu Baile Dhun Eideann agus chun a' Chaisteil. | 0:00:54 | 0:00:58 | |
Moran laithean sona dhuibh is sith. | 0:00:58 | 0:01:01 | |
Slainte don Bhanrigh. Slainte dhuibh uile. | 0:01:01 | 0:01:08 | |
The toast - welcome to the city of Edinburgh and to the castle, | 0:01:10 | 0:01:13 | |
and health to you all. | 0:01:13 | 0:01:15 | |
GUNS FIRE | 0:02:03 | 0:02:05 | |
Pipes and drums, centre, quick march! | 0:02:05 | 0:02:08 | |
The Massed Pipes And Drums. | 0:02:10 | 0:02:13 | |
The 2017 Tattoo sets out to splash the tartan, | 0:02:16 | 0:02:20 | |
and the splash becomes a mighty wave | 0:02:20 | 0:02:22 | |
as the pipes and drums march across the drawbridge | 0:02:22 | 0:02:25 | |
to When The Pipers Play. | 0:02:25 | 0:02:27 | |
Now framed by the statues of Robert the Bruce and William Wallace, | 0:02:53 | 0:02:57 | |
those legendary heroes of Scottish independence, | 0:02:57 | 0:03:00 | |
the march is, of course, Scots Wha Hae. | 0:03:00 | 0:03:02 | |
In his first tattoo | 0:03:14 | 0:03:15 | |
as Director of Army Bagpipe Music And Highland Drumming, | 0:03:15 | 0:03:19 | |
Major Gordon Rowan has compiled a set of tunes | 0:03:19 | 0:03:22 | |
that will recall the 1745 Jacobite uprising. | 0:03:22 | 0:03:25 | |
The Band Of The Royal Regiment of Scotland joins | 0:06:01 | 0:06:03 | |
for the reel, Mrs MacLeod Of Raasay. | 0:06:03 | 0:06:05 | |
The Massed Pipes And Drums. | 0:06:45 | 0:06:47 | |
CHEERING AND APPLAUSE | 0:06:47 | 0:06:50 | |
The call of the tutari marks the arrival of The Indian Navy Band. | 0:06:53 | 0:06:58 | |
2017 commemorates 70 years of Indian independence, | 0:07:03 | 0:07:07 | |
and The Indian Navy Band are joined by dancers | 0:07:07 | 0:07:10 | |
from the New Dehli-based Teamwork Arts and the Tattoo Dance Company. | 0:07:10 | 0:07:15 | |
They fill the esplanade with a vibrant display | 0:07:15 | 0:07:18 | |
of colour and movement. | 0:07:18 | 0:07:19 | |
Bollywood comes to Holyrood - | 0:11:17 | 0:11:19 | |
The Indian Navy Band, Teamwork Arts and The Tattoo Dance Company. | 0:11:19 | 0:11:23 | |
CHEERING AND APPLAUSE | 0:11:23 | 0:11:25 | |
Remembering the Auld Alliance, | 0:11:27 | 0:11:29 | |
the ancient bond of friendship between Scotland and France, | 0:11:29 | 0:11:33 | |
this is the Fanfare Band of the Ninth French Marine Infantry Brigade | 0:11:33 | 0:11:38 | |
with the musical alliance of bagpipes and bombards. | 0:11:38 | 0:11:42 | |
The bandsmen in white are the Chasseurs Alpins, | 0:11:49 | 0:11:52 | |
the Alpine Hunters. | 0:11:52 | 0:11:54 | |
The transition into the Daft Punk medley | 0:13:42 | 0:13:45 | |
is eased by the addition of signature helmets | 0:13:45 | 0:13:48 | |
and a virtual mirror ball. | 0:13:48 | 0:13:49 | |
The Fanfare Band of the Ninth French Marine Infantry Brigade Marine. | 0:14:39 | 0:14:42 | |
Merci beaucoup, mesdames et messieurs. | 0:14:42 | 0:14:45 | |
The Shetland Fiddlers, Hjaltibonhoga, | 0:14:47 | 0:14:50 | |
bring the spirit of Up Helly Aa to Edinburgh. | 0:14:50 | 0:14:53 | |
Shetland's midwinter fire festival of Up Helly Aa | 0:15:20 | 0:15:23 | |
has the ritual burning of a Viking longship as its climax. | 0:15:23 | 0:15:27 | |
This longship, the Mirrie Dancer, | 0:15:39 | 0:15:41 | |
takes its name from aurora borealis, the northern lights. | 0:15:41 | 0:15:45 | |
Hjaltibonhoga light up the Edinburgh night. | 0:16:23 | 0:16:26 | |
Tattoo Dance Director Aileen Robertson has picked | 0:16:29 | 0:16:31 | |
the best of Highland dancers from around the world | 0:16:31 | 0:16:35 | |
to launch the Tattoo Dance Company. | 0:16:35 | 0:16:37 | |
The music is composed by Finlay MacDonald. | 0:16:38 | 0:16:40 | |
Time to splash the tartan. | 0:16:42 | 0:16:43 | |
The Tattoo Dance Company. | 0:19:44 | 0:19:45 | |
CHEERING AND APPLAUSE | 0:19:45 | 0:19:48 | |
The Edinburgh night echoes to a virtuoso drumming display | 0:19:49 | 0:19:54 | |
courtesy of Sergeant Kadome | 0:19:54 | 0:19:55 | |
of the Japanese Ground Self-Defence Force Central Band. | 0:19:55 | 0:19:59 | |
HE SHOUTS | 0:20:18 | 0:20:19 | |
HE SHOUTS | 0:20:43 | 0:20:45 | |
On their first appearance at the Tattoo, | 0:20:48 | 0:20:51 | |
the band delivered a varied programme | 0:20:51 | 0:20:53 | |
of contemporary and traditional performance... | 0:20:53 | 0:20:56 | |
with a few surprises. | 0:20:56 | 0:20:58 | |
MAN SHOUTS | 0:22:09 | 0:22:10 | |
MAN SHOUTS | 0:22:27 | 0:22:30 | |
SHE SINGS IN JAPANESE TO THE TUNE OF Annie Laurie | 0:22:31 | 0:22:36 | |
Leading Private Michiko Matsunaga. Stunning. | 0:24:08 | 0:24:13 | |
Harking back to the days of whales and sailing ships, | 0:24:15 | 0:24:18 | |
the United States Naval Forces Europe Band is very much at home | 0:24:18 | 0:24:22 | |
at a maritime-themed Tattoo. | 0:24:22 | 0:24:24 | |
Led by director of music Lieutenant Commander Charles White, | 0:24:24 | 0:24:28 | |
they fill the esplanade with a selection of sea shanties | 0:24:28 | 0:24:31 | |
and hornpipes, played with the usual waves of American pizzazz. | 0:24:31 | 0:24:35 | |
Brake drum? | 0:24:38 | 0:24:40 | |
No, drum break! | 0:24:40 | 0:24:41 | |
Dating from 1897, Asleep In The Deep | 0:25:34 | 0:25:38 | |
reminds us that not all who go down to the sea in ships | 0:25:38 | 0:25:41 | |
will return to dry land safe and sound. | 0:25:41 | 0:25:44 | |
Listen closely to the words of Musician 3rd Class Patrick Melton | 0:25:44 | 0:25:48 | |
from Charleston, South Carolina. | 0:25:48 | 0:25:50 | |
# Stormy the night and the waves roll high | 0:25:52 | 0:25:55 | |
# Bravely the ship doth ride | 0:25:55 | 0:25:58 | |
# Hark! While the lighthouse bell's solemn cry | 0:25:58 | 0:26:02 | |
# Rings o'er the sullen tide | 0:26:02 | 0:26:04 | |
# There on the deck see two lovers stand | 0:26:04 | 0:26:08 | |
# Heart to heart beating and hand in hand | 0:26:08 | 0:26:11 | |
# Though death be near She knows no fear | 0:26:11 | 0:26:14 | |
# While at her side is the one ever near | 0:26:14 | 0:26:18 | |
# Loudly the bell in the old tower rings | 0:26:18 | 0:26:24 | |
# Bidding us list to the warning it brings | 0:26:24 | 0:26:30 | |
# Sailor take care, sailor take care | 0:26:30 | 0:26:36 | |
# Danger is near thee Beware, beware | 0:26:36 | 0:26:42 | |
# Beware, beware | 0:26:42 | 0:26:49 | |
# Many brave hearts are asleep in the deep so beware, beware | 0:26:49 | 0:26:55 | |
# Many brave hearts are asleep in the deep | 0:26:55 | 0:27:00 | |
# So beware, beware... # | 0:27:00 | 0:27:09 | |
CHEERING AND APPLAUSE | 0:27:09 | 0:27:11 | |
The Roscommon Hornpipe heralds the return of the Tattoo Dance Company. | 0:27:14 | 0:27:20 | |
AUDIENCE CLAPS IN TIME | 0:28:06 | 0:28:08 | |
With Anchors Aweigh, the United States Naval Forces Europe Band | 0:28:18 | 0:28:21 | |
takes its leave. | 0:28:21 | 0:28:24 | |
CHEERING AND APPLAUSE | 0:28:26 | 0:28:28 | |
BAND STRIKES UP | 0:28:30 | 0:28:33 | |
As the castle esplanade transforms | 0:28:38 | 0:28:40 | |
into a quiet Highland glen, | 0:28:40 | 0:28:43 | |
the Band of the Royal Regiment of Scotland | 0:28:43 | 0:28:45 | |
is followed by a small group of Redcoats. | 0:28:45 | 0:28:49 | |
It's a well-known fact that Jacobite rebels | 0:29:03 | 0:29:06 | |
are also partial to a Highland glen, | 0:29:06 | 0:29:08 | |
so there is more than a strong likelihood | 0:29:08 | 0:29:10 | |
that there may be a noisy skirmish in store. | 0:29:10 | 0:29:14 | |
An ambush, in fact. | 0:29:14 | 0:29:15 | |
SHOUTING | 0:29:50 | 0:29:53 | |
# Bonnie Charlie's no' awa' | 0:30:10 | 0:30:14 | |
# Will ye no come back? # | 0:30:14 | 0:30:19 | |
APPLAUSE | 0:30:27 | 0:30:29 | |
With the retreat of the Redcoats, | 0:30:31 | 0:30:33 | |
the Jacobites celebrate a victory. | 0:30:33 | 0:30:36 | |
In reality, their campaign was to end in tragedy | 0:30:54 | 0:30:58 | |
at the Battle of Culloden in April 1746. | 0:30:58 | 0:31:02 | |
Bonnie Prince Charlie fled to Skye | 0:31:02 | 0:31:05 | |
before returning to exile in Rome. | 0:31:05 | 0:31:08 | |
The story continues | 0:31:14 | 0:31:15 | |
with two of Scotland's best-loved songs, | 0:31:15 | 0:31:18 | |
the Skye Boat Song, and Caledonia, | 0:31:18 | 0:31:22 | |
Dougie MacLean's anthem to exiled Scots everywhere. | 0:31:22 | 0:31:25 | |
# Speed, bonnie boat | 0:31:44 | 0:31:46 | |
# Like a bird on the wing... # | 0:31:46 | 0:31:51 | |
The pipes and drums and the dancers | 0:32:14 | 0:32:17 | |
form the pattern of the white cockade, | 0:32:17 | 0:32:19 | |
the traditional symbol of support for the Jacobite cause. | 0:32:19 | 0:32:23 | |
CHEERING AND APPLAUSE | 0:33:31 | 0:33:33 | |
The castle esplanade is transformed into the flight deck | 0:33:38 | 0:33:42 | |
of a modern aircraft-carrier. | 0:33:42 | 0:33:44 | |
A Lynx Mark 3 maritime helicopter with Royal Marines on board | 0:33:44 | 0:33:49 | |
moves into position, | 0:33:49 | 0:33:50 | |
and the scene is set. | 0:33:50 | 0:33:52 | |
Centre stage is the Queen's Colour Squadron, | 0:34:11 | 0:34:14 | |
as they prepare to display their complex silent drill. | 0:34:14 | 0:34:18 | |
They are joined by the Band of the Royal Air Force Regiment, | 0:34:18 | 0:34:21 | |
marking its 75th anniversary. | 0:34:21 | 0:34:24 | |
GUNFIRE | 0:34:44 | 0:34:46 | |
The Queen's Colour Squadron | 0:36:39 | 0:36:41 | |
and the Band of the Royal Air Force Regiment, | 0:36:41 | 0:36:43 | |
saluted by the Duke of Rothesay. | 0:36:43 | 0:36:46 | |
Recognised as the most versatile, adaptable | 0:36:47 | 0:36:50 | |
and effective military musical | 0:36:50 | 0:36:52 | |
organisation of its kind in the world, | 0:36:52 | 0:36:54 | |
the Royal Marines Band Service continues to be | 0:36:54 | 0:36:56 | |
in a class of its own. | 0:36:56 | 0:36:59 | |
Tonight, the Massed Bands of Her Majesty's Royal Marines | 0:36:59 | 0:37:02 | |
are from Portsmouth, Scotland and the Commando Training Centre. | 0:37:02 | 0:37:06 | |
The inimitable signature tune - A Life On The Ocean Wave. | 0:37:06 | 0:37:09 | |
AUDIENCE CLAPS IN TIME | 0:37:18 | 0:37:21 | |
CHEERING AND APPLAUSE | 0:39:13 | 0:39:15 | |
The Royal Marine Drum Corps - | 0:40:17 | 0:40:20 | |
perfect percussion. | 0:40:20 | 0:40:21 | |
CHEERING AND APPLAUSE | 0:40:21 | 0:40:23 | |
CHEERING AND APPLAUSE | 0:41:44 | 0:41:47 | |
HE SHOUTS COMMANDS | 0:41:48 | 0:41:51 | |
Senior Drum Major Buster Brown gives the command | 0:41:54 | 0:41:57 | |
and the bands reform with a new march, | 0:41:57 | 0:42:00 | |
written for the launch of the aircraft-carrier | 0:42:00 | 0:42:03 | |
HMS Queen Elizabeth. | 0:42:03 | 0:42:05 | |
The 2017 Tattoo's Principal Director of Music, | 0:43:36 | 0:43:40 | |
Lieutenant Colonel Nick Grace OBE, takes up the baton | 0:43:40 | 0:43:43 | |
for From Two Steps From Hell's epic track, Flight Of The Silver Bird. | 0:43:43 | 0:43:48 | |
The soloist is musician Reuben Hanna. | 0:43:48 | 0:43:51 | |
# Ah-ah-ah | 0:44:19 | 0:44:21 | |
# Ah-ah-ah-ah-ah-ah-ah-ah-ah | 0:44:21 | 0:44:26 | |
# Ah-ah-ah-ah-ah-ah | 0:44:26 | 0:44:30 | |
# Ah-ah, ah-ah | 0:45:03 | 0:45:07 | |
# Ah-ah-ah-ah-ah-ah | 0:45:07 | 0:45:10 | |
# Ah-ah-ah-ah-ah-ah | 0:45:11 | 0:45:17 | |
# Ah-ah-ah-ah-ah-ah-ah-ah-ah | 0:45:31 | 0:45:36 | |
# Ah-ah-ah-ah-ah-ah | 0:45:36 | 0:45:39 | |
# Ah-ah, ah-ah | 0:45:39 | 0:45:42 | |
# Ah-ah-ah-ah-ah-ah | 0:45:42 | 0:45:50 | |
# Ah-ah-ah-ah-ah-ah, ah... # | 0:45:50 | 0:45:53 | |
CHEERING AND APPLAUSE | 0:46:09 | 0:46:11 | |
The huge cast is assembled, | 0:46:13 | 0:46:15 | |
and all eyes turn to the sky for the nightly Tattoo fireworks display. | 0:46:15 | 0:46:19 | |
The accompanying music is Michael McDermott's arrangement | 0:46:19 | 0:46:23 | |
of the Procol Harum track Conquistador. | 0:46:23 | 0:46:26 | |
CHEERING AND APPLAUSE | 0:48:03 | 0:48:05 | |
Sergeant Andy Platt, Royal Marines. | 0:48:08 | 0:48:11 | |
Guard of honour, | 0:48:14 | 0:48:16 | |
general salute, | 0:48:16 | 0:48:19 | |
present arms! | 0:48:19 | 0:48:21 | |
The National Anthem. | 0:48:21 | 0:48:23 | |
# God save our gracious Queen | 0:48:23 | 0:48:28 | |
# Long live our noble Queen | 0:48:28 | 0:48:33 | |
# God save the Queen | 0:48:33 | 0:48:37 | |
# Send her victorious | 0:48:37 | 0:48:42 | |
# Happy and glorious | 0:48:42 | 0:48:46 | |
# Long to reign over us | 0:48:46 | 0:48:51 | |
# God save the Queen. # | 0:48:51 | 0:48:56 | |
Guard of honour, | 0:48:56 | 0:48:59 | |
slope arms! | 0:48:59 | 0:49:01 | |
And now that international anthem of friendship that Robert Burns | 0:49:02 | 0:49:06 | |
gave to the world... | 0:49:06 | 0:49:08 | |
# Should auld acquaintance be forgot and never brought to mind? | 0:49:11 | 0:49:19 | |
# Should auld acquaintance be forgot and auld lang syne | 0:49:19 | 0:49:26 | |
# For auld lang syne, my dear | 0:49:26 | 0:49:30 | |
# For auld lang syne | 0:49:30 | 0:49:35 | |
# We'll tak a cup o' kindness yet | 0:49:35 | 0:49:39 | |
# For auld lang syne | 0:49:39 | 0:49:43 | |
# Should auld acquaintance be forgot and never brought to mind? | 0:49:44 | 0:49:53 | |
# Should auld acquaintance be forgot and auld lang syne | 0:49:53 | 0:50:00 | |
# For auld lang syne, my dear | 0:50:00 | 0:50:04 | |
# For auld lang syne | 0:50:04 | 0:50:08 | |
# We'll tak a cup o' kindness yet | 0:50:08 | 0:50:12 | |
# For auld lang syne... # | 0:50:12 | 0:50:18 | |
CHEERING AND APPLAUSE | 0:50:18 | 0:50:21 | |
The assembled cast now takes time to reflect | 0:50:29 | 0:50:33 | |
as they join together in the late Leonard Cohen's | 0:50:33 | 0:50:36 | |
evocative Hallelujah. | 0:50:36 | 0:50:38 | |
# Hallelujah, hallelujah | 0:51:07 | 0:51:14 | |
# Hallelujah, hallelujah | 0:51:14 | 0:51:25 | |
# I heard there was a secret chord | 0:51:30 | 0:51:34 | |
# That David played and it pleased the Lord | 0:51:34 | 0:51:37 | |
# But you don't really care for music, do you? | 0:51:37 | 0:51:43 | |
# It goes like this The fourth, the fifth | 0:51:43 | 0:51:48 | |
# The minor fall and the major lift | 0:51:48 | 0:51:52 | |
# The baffled king composing Hallelujah | 0:51:52 | 0:51:57 | |
# Hallelujah, hallelujah | 0:51:57 | 0:52:05 | |
# Hallelujah, hallelujah | 0:52:05 | 0:52:15 | |
# Hallelujah, hallelujah | 0:52:34 | 0:52:40 | |
# Hallelujah, hallelujah | 0:52:40 | 0:52:51 | |
# Are you there, Lord? | 0:52:51 | 0:52:54 | |
# Are you there, Lord? | 0:52:54 | 0:52:57 | |
# Are you there, Lord? | 0:52:57 | 0:53:01 | |
# Hallelujah | 0:53:01 | 0:53:08 | |
# Hallelujah! # | 0:53:08 | 0:53:22 | |
CHEERING AND APPLAUSE | 0:53:22 | 0:53:25 | |
Michiko Matsunaga. | 0:53:28 | 0:53:30 | |
Sunset. The lowering of the flags, | 0:53:33 | 0:53:38 | |
lights out. | 0:53:38 | 0:53:40 | |
High on the castle ramparts, | 0:54:44 | 0:54:46 | |
the lone piper Corporal Charles Johnstone MacLean | 0:54:46 | 0:54:50 | |
plays the slow air Lochaber No More. | 0:54:50 | 0:54:52 | |
APPLAUSE | 0:56:03 | 0:56:06 | |
BANDS STRIKE UP | 0:56:09 | 0:56:11 | |
It's time to bid farewell to this international cast - | 0:56:11 | 0:56:15 | |
the Queen's Colour Squadron. the Royal Navy. | 0:56:15 | 0:56:19 | |
The Tattoo Dance Company. The Vikings, Redcoats and Jacobites. | 0:56:19 | 0:56:24 | |
The Bollywood dancers. | 0:56:24 | 0:56:26 | |
Hjaltibonhoga, the Shetland fiddlers. | 0:56:26 | 0:56:30 | |
We're no' awa' tae bide awa'. | 0:56:35 | 0:56:37 | |
This is the 19th successive sold-out season | 0:56:43 | 0:56:45 | |
of the Royal Edinburgh Military Tattoo, | 0:56:45 | 0:56:48 | |
supported by the Royal Bank of Scotland - | 0:56:48 | 0:56:50 | |
and it's the 23rd and final show | 0:56:50 | 0:56:53 | |
for Tattoo Production Manager Steve Walsh. | 0:56:53 | 0:56:56 | |
He will hang up his hat, and his sure hand will be missed. | 0:56:56 | 0:57:00 | |
Producer Brigadier David Allfrey has delivered a rich variety, | 0:57:00 | 0:57:05 | |
bringing people together and celebrating what makes them | 0:57:05 | 0:57:08 | |
gloriously different. | 0:57:08 | 0:57:10 | |
The Massed Pipes and Drums, | 0:57:18 | 0:57:20 | |
led by Drum Major Michael Hay, | 0:57:20 | 0:57:22 | |
from the Royal Regiment of Scotland, | 0:57:22 | 0:57:25 | |
march towards the cobbles of Castlehill | 0:57:25 | 0:57:27 | |
to the fine tune that has taken generations of pipes and drums | 0:57:27 | 0:57:30 | |
back to barracks - The Black Bear. | 0:57:30 | 0:57:33 | |
It's been a right royal evening of entertainment at Edinburgh Castle, | 0:57:44 | 0:57:48 | |
and this is Bill Paterson wishing you, | 0:57:48 | 0:57:50 | |
wherever in the world you've been watching, | 0:57:50 | 0:57:53 | |
good fortune and good health until we meet again. | 0:57:53 | 0:57:57 | |
MUSIC: Scotland The Brave | 0:57:57 | 0:58:00 | |
CHEERING AND APPLAUSE | 0:58:09 | 0:58:12 |