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Telly, that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
'In this series, I'm going to journey through the fantastic world | 0:00:10 | 0:00:13 | |
'of TV with some of our favourite celebrities. | 0:00:13 | 0:00:17 | |
'They've chosen the precious TV moments that shed light...' | 0:00:17 | 0:00:21 | |
Oh, I loved this! | 0:00:21 | 0:00:22 | |
-BOTH: -Crackerjack! -'..on the stories of their lives.' | 0:00:22 | 0:00:25 | |
Oh, listen, this looks smashing, John. | 0:00:25 | 0:00:28 | |
-BOTH: -# Right on time. # | 0:00:28 | 0:00:30 | |
'Some are funny...' | 0:00:30 | 0:00:31 | |
-I love you. -BOTH: -# Became of the people. # | 0:00:31 | 0:00:34 | |
'Some...' | 0:00:34 | 0:00:35 | |
-Just like that. -'..are surprising." | 0:00:35 | 0:00:37 | |
I'll let you into a secret I've never told anyone before. | 0:00:37 | 0:00:40 | |
'Some are inspiring...' | 0:00:40 | 0:00:41 | |
I've always wanted to be a Miss Something. | 0:00:41 | 0:00:44 | |
The best TV transports you. | 0:00:44 | 0:00:47 | |
'..and many... | 0:00:47 | 0:00:48 | |
Did George Orwell get his predictions right? | 0:00:48 | 0:00:50 | |
-It's also dramatic. -'..are deeply moving.' | 0:00:50 | 0:00:52 | |
-Ohh. -The death of John F Kennedy... -This takes me back. | 0:00:52 | 0:00:56 | |
-Oh, makes me want to cry. -Oh. You can have a cry if you want. | 0:00:56 | 0:01:00 | |
So, come watch with us as we hand-pick the vintage telly that | 0:01:00 | 0:01:04 | |
helped turn our much-loved stars into the people they are today. | 0:01:04 | 0:01:09 | |
Welcome to The TV That Made Me. | 0:01:09 | 0:01:11 | |
My guest today is a broadcaster, journalist and presenter. | 0:01:20 | 0:01:24 | |
He has been a regular host of Wish You Were Here, | 0:01:24 | 0:01:27 | |
and the travel editor of Woman magazine but these days is | 0:01:27 | 0:01:32 | |
best known as the host of BBC One's Homes Under The Hammer. | 0:01:32 | 0:01:36 | |
It can only be Martin Roberts. And the TV that made him | 0:01:37 | 0:01:40 | |
include Britain's love affair with exotic travel... | 0:01:40 | 0:01:44 | |
Fish and chips. Pint of English ale and all the trimmings. | 0:01:44 | 0:01:47 | |
..the birth of interactive television... | 0:01:47 | 0:01:49 | |
What do you want to swap it for today? | 0:01:49 | 0:01:50 | |
That tape recorder down there. | 0:01:50 | 0:01:52 | |
-The one and only Martin Roberts, here you are. -Good to see you. | 0:01:52 | 0:01:55 | |
Good to see you, too. I'm a huge fan of Homes Under The Hammer. | 0:01:55 | 0:01:59 | |
Well, I'm very proud of it, thank you very much. | 0:01:59 | 0:02:01 | |
12 years we've been going for now, so... | 0:02:01 | 0:02:03 | |
-Are you looking forward to today? -Yeah. | 0:02:03 | 0:02:05 | |
Honestly, when I was asked to do this and I looked through, | 0:02:05 | 0:02:09 | |
delved into my history, and... | 0:02:09 | 0:02:11 | |
Shows from your childhood, they trigger off so many memories | 0:02:12 | 0:02:16 | |
and so many emotions. | 0:02:16 | 0:02:18 | |
It was... Sort of it was tears, some of it was laughter, some of it | 0:02:18 | 0:02:21 | |
was just, "Oh, my gosh, I'd forgotten all about that." | 0:02:21 | 0:02:23 | |
And, so, yeah, | 0:02:23 | 0:02:24 | |
really looking forward to just seeing some of the bits from my childhood. | 0:02:24 | 0:02:28 | |
We're looking forward to it. | 0:02:28 | 0:02:29 | |
I mean, as you're well-known today, it's a selection of TV shows that | 0:02:29 | 0:02:32 | |
I feel has probably even shaped you into the person you are today. | 0:02:32 | 0:02:36 | |
Shall we have a little look at what it was likely to be the young Martin Roberts? | 0:02:36 | 0:02:39 | |
Let's do that. It's going to be a bit scary, this, isn't it? | 0:02:39 | 0:02:42 | |
In 1963, the same year Doctor Who debuted, | 0:02:44 | 0:02:47 | |
Martin Roberts also made his very first appearance. | 0:02:47 | 0:02:51 | |
Born and bred in Warrington, | 0:02:51 | 0:02:52 | |
he was an only child and, no doubt inspiring his lifelong | 0:02:52 | 0:02:56 | |
thirst for knowledge, both his parents were research scientists. | 0:02:56 | 0:03:00 | |
-It's your first TV memory we're going to show now. -OK. | 0:03:05 | 0:03:08 | |
I won't say any more. Because I do think it has the best opening ever. | 0:03:08 | 0:03:13 | |
Here it is. | 0:03:13 | 0:03:14 | |
THEME MUSIC PLAYS | 0:03:14 | 0:03:16 | |
Ohh! SIGHING | 0:03:16 | 0:03:17 | |
MUSIC CONTINUES | 0:03:17 | 0:03:19 | |
Aw, it just makes you feel warm and cosy. | 0:03:19 | 0:03:22 | |
It's everything that was nice about being a kid, isn't it? | 0:03:22 | 0:03:25 | |
The year was 1967 and this was Trumpton, | 0:03:26 | 0:03:30 | |
the much-anticipated sequel to Camberwick Green. | 0:03:30 | 0:03:34 | |
13 episodes produced, in animation terms, at record speed in just | 0:03:34 | 0:03:39 | |
nine months. | 0:03:39 | 0:03:40 | |
You look at the animation here, and it's the simplest | 0:03:40 | 0:03:42 | |
kind of stop-motion animation and yet, as a child... | 0:03:42 | 0:03:46 | |
I think what's interesting is how much of it's repeated. | 0:03:46 | 0:03:49 | |
It is that repetition. So I think you derive huge comfort from that. | 0:03:49 | 0:03:53 | |
When you look back at it now, as an adult, you think, | 0:03:53 | 0:03:55 | |
"Is that a bit boring, perhaps?" | 0:03:55 | 0:03:57 | |
But actually as a child you want the repetitiveness. | 0:03:57 | 0:03:59 | |
It sort of goes in there and provides that whole comfort. | 0:03:59 | 0:04:03 | |
"A red rose will do nicely instead of a carnation." | 0:04:03 | 0:04:06 | |
Not only was the action simple, so were the stories, | 0:04:06 | 0:04:09 | |
with each episode telling the tale of a single and usually | 0:04:09 | 0:04:12 | |
quite small mishap attended to by the Trumpton Fire Brigade. | 0:04:12 | 0:04:17 | |
"Trumpton Fire Station. | 0:04:17 | 0:04:19 | |
"What? Mrs Cobbit's cottage? Branch through roof?" | 0:04:19 | 0:04:22 | |
Mrs Cobbit's cottage. | 0:04:22 | 0:04:24 | |
-It's all so dramatic. -Yes. | 0:04:24 | 0:04:25 | |
"Yes, yes, by all means. | 0:04:25 | 0:04:27 | |
"We'll come right away, right away." | 0:04:27 | 0:04:29 | |
BELL RINGS | 0:04:29 | 0:04:30 | |
Pugh, Pugh, Barney McGrew, | 0:04:30 | 0:04:32 | |
-BOTH: -Cuthbert, Dibble, Grub. | 0:04:32 | 0:04:34 | |
-Well remembered. -Yeah, of course. Absolutely. | 0:04:34 | 0:04:36 | |
"Pugh, Pugh, Barney McGrew, Cuthbert, Dibble, Grub." | 0:04:36 | 0:04:41 | |
ENGINE TURNS ON | 0:04:41 | 0:04:43 | |
The style of the programme also meant the writers had to get | 0:04:43 | 0:04:45 | |
creative as neither water, steam nor fire could be shown | 0:04:45 | 0:04:49 | |
because they were too difficult to animate. | 0:04:49 | 0:04:51 | |
Then as they drive along, isn't it, | 0:04:51 | 0:04:53 | |
# Did-i-la-ding ding! Did-i-la-ding, did-i-la... # | 0:04:53 | 0:04:56 | |
Where is this stored in my mind? | 0:04:56 | 0:04:59 | |
"No, no, not the hose, we don't want to wash the branch off the roof. | 0:04:59 | 0:05:03 | |
"Cuthbert, to the box. Drive to the cottage." | 0:05:03 | 0:05:06 | |
The end result was classic storylines such as the mayor's hat | 0:05:06 | 0:05:10 | |
getting stuck in a tree | 0:05:10 | 0:05:11 | |
and the equally dramatic tale of a paint tin jamming the town clock. | 0:05:11 | 0:05:16 | |
"Elevate." | 0:05:16 | 0:05:17 | |
It does take you back to that simple time | 0:05:19 | 0:05:21 | |
and maybe sitting, you know, on Mum's knee or whatever it was. | 0:05:21 | 0:05:23 | |
So, do these shows remind you of this happy childhood that you had? | 0:05:23 | 0:05:29 | |
For me, as a child growing up, television was a magical thing. | 0:05:29 | 0:05:34 | |
I remember when we got our first colour television. And I actually... | 0:05:34 | 0:05:38 | |
The day it arrived, I couldn't sleep the night before. | 0:05:38 | 0:05:41 | |
And as it turned out, we were going to a pantomime or something. | 0:05:41 | 0:05:45 | |
And I actually came out of the school trip - I must have | 0:05:45 | 0:05:48 | |
been about seven or something - left the whole school trip, | 0:05:48 | 0:05:51 | |
walked down the road away from the theatre, found a phone box | 0:05:51 | 0:05:54 | |
and phoned home to find out if the television had arrived. | 0:05:54 | 0:05:58 | |
Because it was so exciting. | 0:05:58 | 0:06:00 | |
And we rented it from like some RentaFusion, or Rediffusion, | 0:06:00 | 0:06:03 | |
because you didn't own a television, or Granada, whatever it was. | 0:06:03 | 0:06:06 | |
-Radio Rentals. -Radio Rentals, that's it! | 0:06:06 | 0:06:07 | |
You rented the TV, you didn't actually own the TV. | 0:06:07 | 0:06:10 | |
It sat there and the first time I saw colour television... | 0:06:10 | 0:06:13 | |
was-was truly amazing. | 0:06:13 | 0:06:15 | |
The Beeb started transmitting in colour in 1967. | 0:06:15 | 0:06:20 | |
But what really made the likes of Trumpton | 0:06:20 | 0:06:22 | |
so appealing was its narration, provided by the legendary | 0:06:22 | 0:06:25 | |
children's presenter Brian Cant. | 0:06:25 | 0:06:28 | |
"Done it already?" says Chippy. "My word, you have been quick." | 0:06:28 | 0:06:31 | |
"What are you going to do with this branch?" | 0:06:31 | 0:06:33 | |
"Oh," says Captain Flack, "We hadn't thought of that." | 0:06:33 | 0:06:36 | |
Brian's big break came in 1964 with the creation of Playschool, | 0:06:36 | 0:06:41 | |
a series he would host for the next 21 years. | 0:06:41 | 0:06:44 | |
Though he also found time to narrate the Trumptonshire Trilogy | 0:06:44 | 0:06:48 | |
concluding with Chigley, the tale of life in an industrial hamlet. | 0:06:48 | 0:06:52 | |
Then, in the '70s, came Playaway, | 0:06:52 | 0:06:55 | |
famous for its groan-inducing humour. | 0:06:55 | 0:06:58 | |
Even so, it kept British kids laughing for 13 years | 0:06:58 | 0:07:01 | |
and Brian went on to work on countless other shows. | 0:07:01 | 0:07:04 | |
In 2010, he was awarded a well deserved BAFTA for his outstanding | 0:07:04 | 0:07:08 | |
contribution to children's television. | 0:07:08 | 0:07:11 | |
No wonder he was regular viewing in the Roberts household. | 0:07:11 | 0:07:15 | |
So, what was your living room like, then? | 0:07:15 | 0:07:18 | |
What was the seating arrangement with regards to...? | 0:07:18 | 0:07:20 | |
So, I guess, I used to sit really close, | 0:07:20 | 0:07:23 | |
probably on a beanbag or something. | 0:07:23 | 0:07:25 | |
Don't you worry about that. We want to make you feel at home. | 0:07:25 | 0:07:29 | |
-No, you haven't got a beanbag?! -Of course we have. | 0:07:29 | 0:07:31 | |
-There you go. -You just... There's no expense spared, is there? | 0:07:33 | 0:07:37 | |
Look at that. | 0:07:38 | 0:07:39 | |
-Do you want me to sit there, then? -Yeah, of course. | 0:07:42 | 0:07:45 | |
Uh! | 0:07:45 | 0:07:46 | |
-Well, actually, no. -No? -I probably would have been more like... | 0:07:48 | 0:07:51 | |
-Is that the look? -That is the look, yes. Definitely. | 0:07:55 | 0:07:57 | |
-And what would you watching? -What would I be watching? | 0:07:57 | 0:08:00 | |
Can you not hit your feet on the floor, please? | 0:08:00 | 0:08:03 | |
-This is what I would have done. -No, I'm not having it. | 0:08:03 | 0:08:06 | |
-But you're going to ruin the carpets. -I don't think they had... | 0:08:06 | 0:08:09 | |
It's so surreal, you chatting to me seriously laying on a beanbag. | 0:08:09 | 0:08:14 | |
-Does it make you feel better if I do that? -No. | 0:08:14 | 0:08:16 | |
I won't stay here for long, by the way, because I do feel a bit... | 0:08:16 | 0:08:19 | |
slightly out of my comfort zone. Although, actually, it's quite nice. | 0:08:19 | 0:08:22 | |
So, on your beanbag, what sort of things would you be watching? | 0:08:28 | 0:08:32 | |
It was something you were scared of. | 0:08:32 | 0:08:34 | |
Well, my mum and dad were both sort of scientists | 0:08:34 | 0:08:38 | |
and very much into educational programmes so we used to watch | 0:08:38 | 0:08:40 | |
things like Horizon and all sorts of documentaries and stuff. | 0:08:40 | 0:08:43 | |
But there were some which I definitely don't think were suitable for kids. | 0:08:43 | 0:08:47 | |
And I remember there was one documentary about the Pharaohs | 0:08:47 | 0:08:51 | |
and about Tutankhamen, in particular, which absolutely put | 0:08:51 | 0:08:54 | |
the complete heebie-jeebies over me. | 0:08:54 | 0:08:56 | |
And I couldn't sleep and I've been paranoid and frightened | 0:08:56 | 0:09:00 | |
of mummies and I've never watched any those horror movies with mummies. | 0:09:00 | 0:09:03 | |
Do you think you can cope with sitting up here and having a look at... | 0:09:03 | 0:09:06 | |
-Can we hold hands? -..one of those Pharaoh things. Yes, we can. -Thank you. | 0:09:06 | 0:09:09 | |
-In a manly way, let's hold hands. -Yes. | 0:09:09 | 0:09:11 | |
Don't get too frightened now, Martin. Have a little look at this. | 0:09:11 | 0:09:14 | |
Peering beneath the southernmost of the three great couches, | 0:09:14 | 0:09:17 | |
we noticed a small, irregular hole in the wall. | 0:09:17 | 0:09:20 | |
HE WHIMPERS | 0:09:20 | 0:09:21 | |
Here was yet another sealed doorway and a plunderer's hole. | 0:09:21 | 0:09:24 | |
First uncovered in 1922, the tomb of Tutankhamen is | 0:09:24 | 0:09:28 | |
one of archaeology's biggest ever discoveries. | 0:09:28 | 0:09:31 | |
50 years later, this programme, | 0:09:31 | 0:09:34 | |
Tutankhamen Postmortem, celebrated the anniversary, | 0:09:34 | 0:09:37 | |
as well as documenting the reopening of the Pharaoh's tomb | 0:09:37 | 0:09:41 | |
to allow for a series of x-rays. | 0:09:41 | 0:09:43 | |
Only the head, protected by the golden mask, | 0:09:44 | 0:09:47 | |
had escaped this carbonising damage, | 0:09:47 | 0:09:50 | |
and when the last decayed bandages were removed from it, | 0:09:50 | 0:09:52 | |
Carter was able to look at last at the face of the king, | 0:09:52 | 0:09:56 | |
whose name on some pottery jars had set him digging for the tomb | 0:09:56 | 0:09:59 | |
some ten years before. | 0:09:59 | 0:10:01 | |
I mean, look, it's just spooky, spooky, spooky, spooky. | 0:10:01 | 0:10:04 | |
And it's the thought that, you know, | 0:10:04 | 0:10:06 | |
the people who went in there got these curses on them, | 0:10:06 | 0:10:08 | |
so you know, Lord Carnarvon and his whole family was cursed | 0:10:08 | 0:10:11 | |
and it carried on through the generations, | 0:10:11 | 0:10:13 | |
and just this whole thought that, you know, gosh, what is that spooky stuff? | 0:10:13 | 0:10:16 | |
And I don't know, the whole thing with the wrapping and all that, | 0:10:16 | 0:10:19 | |
I don't now. Looking back at it now... | 0:10:19 | 0:10:20 | |
Actually, this has been good therapy, | 0:10:20 | 0:10:22 | |
cos I do look at that and think, what's scary about that? | 0:10:22 | 0:10:25 | |
When Professor Harrison reconstructed the facial | 0:10:25 | 0:10:27 | |
features on the basis of the skull of these remains, again, | 0:10:27 | 0:10:31 | |
it was quite clear that they were those of a young man. | 0:10:31 | 0:10:34 | |
And this would disturb the young Martin? | 0:10:34 | 0:10:37 | |
It would, and I would hide behind a sofa just like this, | 0:10:37 | 0:10:39 | |
but it doesn't sometimes make any sense as to why you found | 0:10:39 | 0:10:43 | |
things either very appealing, like Trumpton, or very scary, | 0:10:43 | 0:10:48 | |
like a silly documentary about Tutankhamen. | 0:10:48 | 0:10:51 | |
Just, it all goes in there and you won't get me | 0:10:51 | 0:10:54 | |
inside a pyramid for love nor money. | 0:10:54 | 0:10:57 | |
I'll get rid of the beanbag now, cos I don't want you banging your feet. | 0:11:03 | 0:11:06 | |
-No, I'm sorry that was annoying there. -Yeah, it was annoying me. -Sorry, Dad! -All right. | 0:11:06 | 0:11:11 | |
What have you got back there? | 0:11:11 | 0:11:13 | |
-Oh, wow! -I've been in the kitchen, love. | 0:11:13 | 0:11:15 | |
-Oh, look at this! -So, this was part of your... -Oh, fantastic. | 0:11:15 | 0:11:21 | |
-Do you want some? -Yeah. | 0:11:21 | 0:11:23 | |
I used to eat cereals while I was watching telly, I have to say. | 0:11:23 | 0:11:25 | |
-What's your favourite? -Well, this was more than this, because... | 0:11:25 | 0:11:28 | |
-I don't know why... -I'm going to have Frosties. | 0:11:28 | 0:11:30 | |
I'm going to have Coco Pops, that works well. | 0:11:30 | 0:11:33 | |
-It's always the Rice Krispies that are left at the end. -Yeah. | 0:11:33 | 0:11:36 | |
Nobody wants the Rice Krispies! | 0:11:36 | 0:11:37 | |
Erm, but whenever we used to go on childhood, | 0:11:37 | 0:11:40 | |
I used to go on childhood holidays, | 0:11:40 | 0:11:42 | |
that was the only time we ever had little packets of cereal, | 0:11:42 | 0:11:45 | |
and it was such a treat, and nowadays, | 0:11:45 | 0:11:49 | |
whenever we go on holiday, cos I'm a huge fan of caravans... | 0:11:49 | 0:11:52 | |
-Thank you very much. -Oh, really? -Yeah, I'm a huge fan of going on caravan holidays, | 0:11:52 | 0:11:55 | |
and we've got a caravan, and the kids absolutely love it. | 0:11:55 | 0:11:58 | |
For my age group, there's no better holiday for kids, | 0:11:58 | 0:12:00 | |
but I always insist that in the caravan we have little | 0:12:00 | 0:12:02 | |
packets of cereal like this. And why does it taste any different? | 0:12:02 | 0:12:05 | |
But, I tell you, if I poured this out of the big packet, | 0:12:05 | 0:12:07 | |
-it would not taste... Mm-mm, mm-mm. -It is lovely. | 0:12:07 | 0:12:13 | |
And little packets and everything. Excellent. | 0:12:13 | 0:12:16 | |
-I've got your parents' choice now. -OK. -I won't say anything. -OK. | 0:12:16 | 0:12:20 | |
-Oh, fantastic! -Well, time to go. | 0:12:23 | 0:12:25 | |
But it's true, it was that sort of tax in that | 0:12:25 | 0:12:28 | |
sort of part of the world, in that country, Wales. | 0:12:28 | 0:12:30 | |
The name of the game was Call My Bluff. | 0:12:30 | 0:12:32 | |
Two teams, each with three celebrity contestants. | 0:12:32 | 0:12:35 | |
They were given one word and three possible definitions. | 0:12:35 | 0:12:39 | |
As I was saying when I was interrupted... | 0:12:39 | 0:12:42 | |
A simple idea that ran for 33 years and was later revived for nine more. | 0:12:42 | 0:12:48 | |
Stagnum is... | 0:12:48 | 0:12:52 | |
an extremely important, nay, vital part of a barometer. | 0:12:52 | 0:12:56 | |
It is the little bowl cistern at the bottom of a barometer, | 0:12:56 | 0:13:01 | |
which contains the mercury, which expands | 0:13:01 | 0:13:04 | |
and contracts according to atmospheric pressure. | 0:13:04 | 0:13:08 | |
-Mum and Dad loved crosswords. -Yeah. | 0:13:08 | 0:13:10 | |
Mum was an absolute wizard, she was also - | 0:13:10 | 0:13:12 | |
and this is where it's quite interesting - | 0:13:12 | 0:13:14 | |
she was also very into puns, my mum, | 0:13:14 | 0:13:19 | |
so she would always be coming up with interesting ways of, well, | 0:13:19 | 0:13:22 | |
making jokes and puns and stuff, and, actually, this probably | 0:13:22 | 0:13:26 | |
went to make me what I am in terms of the stuff I say on telly. | 0:13:26 | 0:13:30 | |
Robert Powell, true or bluff? | 0:13:30 | 0:13:32 | |
Oh, what a shame. | 0:13:32 | 0:13:34 | |
CHEERING | 0:13:35 | 0:13:37 | |
Your comedy hero is the person we are about to see. | 0:13:45 | 0:13:49 | |
It's interesting, cos I went through comedy heroes | 0:13:49 | 0:13:51 | |
and there's obvious people like Ronnie Barker and Dave Allen | 0:13:51 | 0:13:54 | |
and Morecambe and Wise, I mean, they were true comedy heroes, but in | 0:13:54 | 0:13:57 | |
terms of effects on me, this person was somebody who made, who had fun... | 0:13:57 | 0:14:04 | |
-Well, let's have a look. -..with normal people. -Don't tell anyone. | 0:14:04 | 0:14:07 | |
This is Martin's comedy hero, ladies and gentlemen. | 0:14:07 | 0:14:11 | |
Good morning, Noel! | 0:14:11 | 0:14:12 | |
-Keith Chegwin! -What a superstar. | 0:14:12 | 0:14:15 | |
Well, they say there's nothing like blowing your own trumpet | 0:14:15 | 0:14:18 | |
and you're right, that was nothing like blowing my own trumpet. | 0:14:18 | 0:14:20 | |
Keith Chegwin began his career as an actor, | 0:14:20 | 0:14:22 | |
but it was Swap Shop that made him a household name. | 0:14:22 | 0:14:25 | |
He was walking down the road with two sacks in either hand | 0:14:25 | 0:14:29 | |
full of telephones, and this policeman came up to him | 0:14:29 | 0:14:31 | |
and said, "Hey, what are you doing with those two sacks?" | 0:14:31 | 0:14:35 | |
He said, "Well, my brother said I can join his band | 0:14:35 | 0:14:38 | |
-"if I have two sacks of phones." -NOEL GROANS | 0:14:38 | 0:14:40 | |
Just not taking himself too seriously. | 0:14:40 | 0:14:43 | |
In later life, he did that, didn't he do the naked darts thing? | 0:14:43 | 0:14:45 | |
Let's not go there, let's not go there. Yeah, he did. | 0:14:45 | 0:14:48 | |
But that, just again, | 0:14:48 | 0:14:49 | |
sums him up in a way that he didn't take himself too seriously. | 0:14:49 | 0:14:52 | |
-Cheggers, swap away. -Oh, thank you very much, Noel. | 0:14:52 | 0:14:55 | |
Well, the swapping is going very well, here in Blackpool. | 0:14:55 | 0:14:58 | |
The live Saturday morning programme allowed kids to swap | 0:14:58 | 0:15:01 | |
just about anything they didn't want. | 0:15:01 | 0:15:03 | |
-And what do you want to swap it for today? -That tape recorder down there. | 0:15:03 | 0:15:06 | |
Oh, right, we're doing well this morning. There you go, madam. | 0:15:06 | 0:15:09 | |
That was the first time that I felt that you, as a viewer, | 0:15:09 | 0:15:14 | |
-as a child, could interact with the television... -Without a doubt. | 0:15:14 | 0:15:18 | |
..because you could pick up a phone or you could go along | 0:15:18 | 0:15:21 | |
to where they were doing their live bits, and you could actually | 0:15:21 | 0:15:25 | |
swap physically which you owned and get something else back. | 0:15:25 | 0:15:28 | |
It's like, suddenly the television wasn't just there, | 0:15:28 | 0:15:30 | |
something you watched, you could actually interact with it. | 0:15:30 | 0:15:33 | |
I mean, let's remind everyone, it was ground-breaking, wasn't it? | 0:15:33 | 0:15:36 | |
I mean, no-one was doing this. | 0:15:36 | 0:15:37 | |
No, and because it was real kids phoning up, | 0:15:37 | 0:15:40 | |
so people like you as a viewer watching were actually on telly. | 0:15:40 | 0:15:45 | |
"Oh, my gosh, wow! I'm talking to Noel Edmonds!" | 0:15:45 | 0:15:47 | |
-Is your hand all right? -This is a phone, Brian. -Sorry. | 0:15:47 | 0:15:49 | |
LAUGHTER | 0:15:49 | 0:15:51 | |
Why do I do that? | 0:15:51 | 0:15:52 | |
It's now time to look at the person that most influenced your career... | 0:15:57 | 0:16:02 | |
-OK. -..Martin. There you go. | 0:16:02 | 0:16:03 | |
'Many Chinese learn English, | 0:16:04 | 0:16:06 | |
'so the chance to try it out is quite an event.' | 0:16:06 | 0:16:09 | |
Do you know the BBC? | 0:16:09 | 0:16:10 | |
I know. | 0:16:10 | 0:16:12 | |
Do you know what BBC...? | 0:16:12 | 0:16:13 | |
BBC is the British Broadcast Company. | 0:16:13 | 0:16:16 | |
Inspired by Jules Verne's classic novel, | 0:16:16 | 0:16:18 | |
Around The World In 80 Days saw Michael Palin, | 0:16:18 | 0:16:22 | |
formerly of Monty Python, | 0:16:22 | 0:16:23 | |
transform himself from one of Britain's favourite comedians | 0:16:23 | 0:16:26 | |
into one of the world's most recognised travel presenters. | 0:16:26 | 0:16:30 | |
Yes. | 0:16:30 | 0:16:31 | |
What comes over about Michael Palin in this, | 0:16:31 | 0:16:34 | |
and everything that he does, | 0:16:34 | 0:16:36 | |
-is just what a nice guy he is. -Uh-huh. | 0:16:36 | 0:16:39 | |
A genuinely nice guy. | 0:16:39 | 0:16:40 | |
And you felt like it really was an adventure, | 0:16:40 | 0:16:43 | |
and it wasn't scripted. | 0:16:43 | 0:16:44 | |
It was almost like let's just see what happens. | 0:16:44 | 0:16:47 | |
It was a true adventure. | 0:16:47 | 0:16:49 | |
'I'm now only six days behind Fogg, | 0:16:49 | 0:16:51 | |
'and he'd lost his Passepartout, | 0:16:51 | 0:16:52 | |
'who got drunk in Hong Kong.' | 0:16:52 | 0:16:54 | |
So after visiting 14 countries, | 0:16:54 | 0:16:56 | |
travelling 28,000 miles | 0:16:56 | 0:16:59 | |
and contracting one case of Delhi belly, | 0:16:59 | 0:17:02 | |
Michael Palin did indeed travel the world in 80 days, | 0:17:02 | 0:17:05 | |
or to be more precise, | 0:17:05 | 0:17:07 | |
79 days and seven hours. | 0:17:07 | 0:17:10 | |
I'm only doing this so the cameraman can get the sunset, | 0:17:10 | 0:17:12 | |
so I'll leave you to it. | 0:17:12 | 0:17:14 | |
All yours, Nigel. | 0:17:14 | 0:17:15 | |
It's over there, the sunset, if you can't see it. | 0:17:16 | 0:17:18 | |
That big red thing behind the building, all right? | 0:17:18 | 0:17:21 | |
When I started out when I was at university, | 0:17:21 | 0:17:23 | |
I was also doing the hospital radio station, | 0:17:23 | 0:17:25 | |
and in the local theatre was Michael Palin and Terry Jones, | 0:17:25 | 0:17:30 | |
doing a two-man show. | 0:17:30 | 0:17:32 | |
I thought, well, I'll go and do an interview. | 0:17:32 | 0:17:34 | |
I went along and I went when they were doing the sound check. | 0:17:34 | 0:17:37 | |
I went up to Michael Palin - my absolute hero - and said, | 0:17:37 | 0:17:40 | |
"Can I do a little interview with you for the hospital radio?" | 0:17:40 | 0:17:43 | |
And he said, "Well, come and see us at the end of the show." | 0:17:43 | 0:17:46 | |
So at the end of the show, duly I went backstage into the green room. | 0:17:46 | 0:17:50 | |
There was the mayor there with chains and all these local dignitaries, | 0:17:50 | 0:17:53 | |
they were all in this green room. | 0:17:53 | 0:17:54 | |
After about ten minutes, Michael Palin stood on a chair and said, | 0:17:54 | 0:17:58 | |
"OK, everybody, you're all going to have to go now, | 0:17:58 | 0:18:00 | |
"cos we've got an important interview to do." | 0:18:00 | 0:18:02 | |
So I thought, that's a shame. | 0:18:02 | 0:18:03 | |
Anyway, I'm walking out with the mayor, the great and the good, | 0:18:03 | 0:18:06 | |
and Michael Palin comes running after me and said, "No, no, it's with you!" | 0:18:06 | 0:18:09 | |
Cherished by Martin, this lesser-known Monty Python interview | 0:18:09 | 0:18:12 | |
still exists, as well as a promo voiced by the stars themselves. | 0:18:12 | 0:18:16 | |
You are... | 0:18:16 | 0:18:18 | |
Oh, you are listening to Radio Royal. | 0:18:18 | 0:18:20 | |
You're listening to M-m-m-martin Roberts... | 0:18:20 | 0:18:23 | |
Roberts. | 0:18:23 | 0:18:24 | |
Yes, Martin Roberts is available on the National Health | 0:18:24 | 0:18:27 | |
as part of your treatment. | 0:18:27 | 0:18:29 | |
And while it played to an audience of dozens rather than millions, | 0:18:29 | 0:18:32 | |
Martin will never forget that day. | 0:18:32 | 0:18:35 | |
There they were, comedy legends, | 0:18:35 | 0:18:37 | |
you know, travel, TV reporting legends, | 0:18:37 | 0:18:40 | |
my superheroes, and I was basically a nothing. | 0:18:40 | 0:18:43 | |
And yet they spared the time to be with me and to do those things. | 0:18:43 | 0:18:47 | |
And so when I meet people now, you know, | 0:18:47 | 0:18:50 | |
people ask for autographs and they want their picture taken, | 0:18:50 | 0:18:52 | |
I remember how that made me feel at the time | 0:18:52 | 0:18:55 | |
-and I'll always say, "Fine, absolutely delighted." -Yeah. | 0:18:55 | 0:18:58 | |
So, hero? Absolutely. | 0:18:58 | 0:18:59 | |
For what he does, for what he did with Monty Python, | 0:18:59 | 0:19:02 | |
for what he did subsequently, for what he does now. | 0:19:02 | 0:19:04 | |
Absolutely. | 0:19:04 | 0:19:06 | |
Martin, you've been a broadcaster for well over | 0:19:11 | 0:19:14 | |
-a quarter of a century. -Mm-hm. | 0:19:14 | 0:19:16 | |
Erm, but I want to take you back now | 0:19:16 | 0:19:18 | |
-and we're going to have a look at your first big break. -No! -Have a look at this... | 0:19:18 | 0:19:23 | |
Now, it's time for another report from Martin Roberts. | 0:19:23 | 0:19:26 | |
This week, motorsports. | 0:19:26 | 0:19:29 | |
Fantastic! This is The 8:15 From Manchester! | 0:19:29 | 0:19:33 | |
-Saturday morning kids' TV... -Yeah... | 0:19:33 | 0:19:36 | |
From Manchester, surprise, surprise! | 0:19:36 | 0:19:40 | |
If you've outgrown your BMX, you're in for something a bit more | 0:19:42 | 0:19:46 | |
exciting, something with a bit more speed... | 0:19:46 | 0:19:50 | |
This could be the place to come. | 0:19:50 | 0:19:51 | |
Boreatton Park in Shropshire, where you can spend the whole week trying out different motorsports. | 0:19:51 | 0:19:56 | |
Like zinger quads! | 0:19:56 | 0:19:58 | |
MUSIC: "The Race" by Yello | 0:20:00 | 0:20:02 | |
Ha-ha-ha! I can't believe you found a clip of that! | 0:20:02 | 0:20:07 | |
I didn't even think they had video recorders recording those shows! | 0:20:07 | 0:20:10 | |
When you come on this holiday, | 0:20:10 | 0:20:11 | |
you spend the mornings doing motorsports and in the afternoon, | 0:20:11 | 0:20:14 | |
you can do other things, like the death sli-i-i-ide! | 0:20:14 | 0:20:19 | |
The year was 1990 and this was 8:15 From Manchester. | 0:20:19 | 0:20:24 | |
Or you can go canoeing! | 0:20:24 | 0:20:25 | |
A Saturday morning children's magazine show, | 0:20:25 | 0:20:28 | |
which featured cartoons, repeats of Rentaghost | 0:20:28 | 0:20:31 | |
and a long-haired roving reporter called Martin Roberts. | 0:20:31 | 0:20:34 | |
'How important was that to your career?' | 0:20:37 | 0:20:39 | |
It was actually the first thing I did on television. | 0:20:39 | 0:20:41 | |
And I'll tell me how that came about, very strange, | 0:20:41 | 0:20:43 | |
I was actually working at the local radio station in the same | 0:20:43 | 0:20:46 | |
building in Manchester, as where the television was produced and I actually went to the canteen | 0:20:46 | 0:20:50 | |
and I was standing in the queue for the canteen and there was some | 0:20:50 | 0:20:53 | |
lemon meringue pie, which was, like, phosphorescent yellow. | 0:20:53 | 0:20:56 | |
And I said to the man standing beside me, "Look at this lemon meringue pie, ha-ha..." | 0:20:56 | 0:21:00 | |
We laughed about it being radioactive. | 0:21:00 | 0:21:02 | |
As we were walking away, he said, "By the way, what do you do?" | 0:21:02 | 0:21:05 | |
I said, "I work downstairs in the radio station." He said, "Oh, have you ever thought about television?" | 0:21:05 | 0:21:09 | |
I went, no! He went, "Oh, well, if you ever fancy it, Peter, fifth floor." I went, "Oh, yeah, right." | 0:21:09 | 0:21:13 | |
So, later that day, I phoned up the operator and I said, "Is there a Peter on the fifth floor?" | 0:21:13 | 0:21:17 | |
And they said, "Oh, only the Peter - head of television." I was like... | 0:21:17 | 0:21:21 | |
-So, my big break, if you want to say... -Lemon meringue... | 0:21:21 | 0:21:24 | |
-..came as a result of talking about lemon meringue pie in the queue of the canteen. -Amazing. | 0:21:24 | 0:21:29 | |
-Now, we're going to move on to comfort viewing. -Uh-huh. | 0:21:34 | 0:21:37 | |
So, you're at home, you're feeling a bit under the weather | 0:21:37 | 0:21:39 | |
and this is what you watch... | 0:21:39 | 0:21:42 | |
Thank you. | 0:21:46 | 0:21:48 | |
Fish and chips, a pint of English ale and all the trimmings. | 0:21:48 | 0:21:52 | |
First launched in 1969, this is the programme that spent | 0:21:52 | 0:21:55 | |
the next 38 years enticing us to go abroad. | 0:21:55 | 0:21:59 | |
It inspired a series of short lived spin-offs, including | 0:21:59 | 0:22:02 | |
Summer Holiday, Holiday On A Shoestring, and even | 0:22:02 | 0:22:07 | |
Holiday - Fasten Your Seatbelt, where the presenters took on holiday-related jobs. | 0:22:07 | 0:22:11 | |
This goes to show that going to Spain doesn't mean you must | 0:22:11 | 0:22:13 | |
change your holiday habits. | 0:22:13 | 0:22:16 | |
It's John Carter's voice, those wonderful, dark, syrupy, treacly... | 0:22:16 | 0:22:21 | |
Because of the fuel and currency surcharges, | 0:22:21 | 0:22:23 | |
this year's package deals are bound to cost more. | 0:22:23 | 0:22:26 | |
But in spite of it all, some people reckon Benidorm can still | 0:22:26 | 0:22:29 | |
give Blackpool a run for your money. | 0:22:29 | 0:22:31 | |
'In its heyday, the Holiday programme attracted audiences of up | 0:22:31 | 0:22:34 | |
'to 20 million and in 1974, ITV decided to get in on the act, | 0:22:34 | 0:22:40 | |
'launching their own travel show, Wish You Were Here. | 0:22:40 | 0:22:43 | |
'A series that would one day feature a fresh-faced Martin Roberts.' | 0:22:43 | 0:22:47 | |
So, I was there as a travel journalist, working alongside | 0:22:47 | 0:22:50 | |
Judith Chalmers, and actually John Carter and people who I had grown up with again, | 0:22:50 | 0:22:54 | |
and it's just like, "Oh, my gosh, | 0:22:54 | 0:22:55 | |
"I can't believe I'm working with these people!" | 0:22:55 | 0:22:58 | |
It changed your life very much so doing that. | 0:22:58 | 0:23:00 | |
Well, actually, it did because doing Wish You Were Here, | 0:23:00 | 0:23:03 | |
one of the things I did was, I used to do a charity climb for the NSPCC. | 0:23:03 | 0:23:08 | |
-And I filmed the charity climb up Kilimanjaro. -Wow! | 0:23:08 | 0:23:12 | |
So, I climbed Kilimanjaro and on that charity climb, | 0:23:12 | 0:23:16 | |
I met my...person who became my wife. And the mother of my children. | 0:23:16 | 0:23:22 | |
So, erm, we actually, you could say, | 0:23:22 | 0:23:24 | |
we fell in love on the top of Kilimanjaro because I got really | 0:23:24 | 0:23:28 | |
badly sick with altitude sickness and just about made it to the top. | 0:23:28 | 0:23:32 | |
Did my final piece to camera right at the top of Kilimanjaro, saying, | 0:23:32 | 0:23:35 | |
"That was absolutely horrendous and I've still got to get down. | 0:23:35 | 0:23:38 | |
"But I've raised all this money for the NSPCC." | 0:23:38 | 0:23:41 | |
And, very emotional, did that, and it was almost like, | 0:23:41 | 0:23:44 | |
my body then said, "Right, your work's done, it's MY turn." | 0:23:44 | 0:23:47 | |
And...I got really badly sick with altitude sickness, which is | 0:23:47 | 0:23:51 | |
very serious and you've got to get off the mountain really quickly. | 0:23:51 | 0:23:54 | |
But through the mists on the top of Kilimanjaro appeared this | 0:23:54 | 0:23:57 | |
behuddled figure, clutching a piece of fruit cake and it was my wife, | 0:23:57 | 0:24:02 | |
subsequent wife-to-be, whose nan had baked her a fruitcake to | 0:24:02 | 0:24:07 | |
take on this trip and it was the last piece of fruitcake that she had | 0:24:07 | 0:24:11 | |
and she gave it to me on the top of Kilimanjaro. | 0:24:11 | 0:24:13 | |
Soon after that fateful slice of fruitcake, | 0:24:13 | 0:24:16 | |
Martin and Kirsty were married and today are proud parents of two. | 0:24:16 | 0:24:20 | |
As for Wish You Were Here, the show that brought them together, | 0:24:20 | 0:24:24 | |
it came to an end in 2003, after almost 30 years of being on the box. | 0:24:24 | 0:24:30 | |
But that very same year, Martin was asked to present a brand-new | 0:24:30 | 0:24:33 | |
show, one which would go on to exceed all expectations. | 0:24:33 | 0:24:37 | |
We've got a clip here. Have a little look at this first. | 0:24:37 | 0:24:40 | |
This is a very old clip. I can tell straightaway. | 0:24:40 | 0:24:43 | |
Hello and welcome to the programme. | 0:24:43 | 0:24:45 | |
We're both property developers and we love the thrill of a good deal. | 0:24:45 | 0:24:49 | |
Absolutely. And in today's programme, we've got | 0:24:49 | 0:24:51 | |
three potential good deals to show you. | 0:24:51 | 0:24:54 | |
It's even more exciting because they're all coming up for auction. | 0:24:54 | 0:24:57 | |
So, let's find out what happens to them when they go under the hammer. | 0:24:57 | 0:25:01 | |
After 12 years on our screens, | 0:25:04 | 0:25:06 | |
Homes Under The Hammer can boast some pretty impressive numbers. | 0:25:06 | 0:25:09 | |
Over 2,000 properties featured | 0:25:09 | 0:25:11 | |
and more than 180,000 miles travelled up and down the country. | 0:25:11 | 0:25:16 | |
And the number of puns? Impossible to count! | 0:25:16 | 0:25:20 | |
When they come back and you go... | 0:25:20 | 0:25:22 | |
And they have done an incredible amount of work on that house, | 0:25:22 | 0:25:25 | |
they're not lying when they say, "Oh, yes. | 0:25:25 | 0:25:28 | |
"I've done this for 6,000..." | 0:25:28 | 0:25:30 | |
And I can't even, I don't know, buy a toilet... | 0:25:30 | 0:25:33 | |
One of my favourite stories was a chap who was going to do | 0:25:33 | 0:25:36 | |
the entire house, new roof, new electrics, damp proof throughout, | 0:25:36 | 0:25:41 | |
build a conservatory, rewire, new kitchen, new bathroom. | 0:25:41 | 0:25:44 | |
I said, "What's your budget?" He said, "2,000 quid." | 0:25:44 | 0:25:46 | |
And I was like, "OK. And how long?" "Three weeks." | 0:25:46 | 0:25:49 | |
So, not surprisingly, when we came back, | 0:25:49 | 0:25:52 | |
he hadn't quite finished it and he'd gone a bit over budget. | 0:25:52 | 0:25:55 | |
Sometimes, quite seamlessly, | 0:25:55 | 0:25:57 | |
you'll go from a little story into an apt bit of music, | 0:25:57 | 0:26:01 | |
something that very much fits that moment. | 0:26:01 | 0:26:04 | |
I take a bit of credit, but it's the editors. | 0:26:04 | 0:26:07 | |
The editors are amazing at finding tracks that fit perfectly | 0:26:07 | 0:26:10 | |
and not in... Sometimes in a really subtle way. | 0:26:10 | 0:26:13 | |
You'll hear a few bars of a song and think, | 0:26:13 | 0:26:16 | |
"What's that got to do with what I'm watching?" And then, you'll twig that | 0:26:16 | 0:26:19 | |
somewhere in the lyrics, there's a little line, | 0:26:19 | 0:26:22 | |
or sometimes it's really in your face. I know what you're thinking. | 0:26:22 | 0:26:25 | |
Yuck! But no, it's a piece of architectural history. | 0:26:25 | 0:26:28 | |
Do what you like with the rest of the house, but touch that at your peril! | 0:26:28 | 0:26:34 | |
# You can't touch this | 0:26:34 | 0:26:35 | |
# You can't touch this | 0:26:37 | 0:26:38 | |
# You can't touch this. # | 0:26:40 | 0:26:42 | |
It is amazing. I mean, you know... | 0:26:43 | 0:26:46 | |
Problems with the sewers - Going Underground by The Jam. | 0:26:46 | 0:26:49 | |
I mean, it just goes on... It is very, very good. | 0:26:49 | 0:26:53 | |
So what do you watch now? What keeps... | 0:26:59 | 0:27:01 | |
What floats your boat, love? | 0:27:01 | 0:27:03 | |
-I tell you what, I watch a lot of CBeebies and... -Yeah, with the kids. | 0:27:03 | 0:27:08 | |
And CBBC, and that's great cos they're repeating | 0:27:08 | 0:27:12 | |
a lot of the programmes that I used to watch when I was a kid. | 0:27:12 | 0:27:15 | |
Which is fantastic. So that... We sit down, we watch a lot of films. | 0:27:15 | 0:27:21 | |
A lot of it is driven by the kids, | 0:27:21 | 0:27:23 | |
so they love things like I'm A Celebrity, they love Strictly... | 0:27:23 | 0:27:26 | |
-How about you? Are you a big fan of I'm A Celebrity? -Yeah, absolutely. | 0:27:26 | 0:27:30 | |
-Is it something you would like to do? -Yeah! Definitely! | 0:27:30 | 0:27:34 | |
-I'm up for that. -Martin, you have been a wonderful guest. | 0:27:34 | 0:27:36 | |
-I hope you've enjoyed it. -It's been a pleasure. Really good fun. | 0:27:36 | 0:27:39 | |
I want you to choose a theme tune now that we can go out on. | 0:27:39 | 0:27:42 | |
Well, I think I'd like to go back, to the Gerry Anderson stuff | 0:27:42 | 0:27:45 | |
and those theme tunes were amazing. | 0:27:45 | 0:27:47 | |
The Captain Scarlets, the Joe 90s... But it has to be Thunderbirds. | 0:27:47 | 0:27:52 | |
Yes. | 0:27:52 | 0:27:53 | |
My favourite. Yeah, without a doubt. So, my thanks to Martin | 0:27:53 | 0:27:57 | |
and my thanks to you for watching The TV That Made Me. | 0:27:57 | 0:28:00 | |
We'll see you next time. Bye-bye. | 0:28:00 | 0:28:02 | |
# Theme from Thunderbirds by Barry Gray | 0:28:04 | 0:28:10 |