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Telly - that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
In this series, I'm going on a journey | 0:00:10 | 0:00:12 | |
through the fantastic world of TV | 0:00:12 | 0:00:14 | |
with some of our favourite celebrities. | 0:00:14 | 0:00:16 | |
Good evening! | 0:00:16 | 0:00:17 | |
They've chosen the precious TV moments that shed light... | 0:00:17 | 0:00:20 | |
Oh, I love this! | 0:00:20 | 0:00:22 | |
-BOTH: -Crackerjack! | 0:00:22 | 0:00:23 | |
..on the stories of their lives. | 0:00:23 | 0:00:25 | |
Ooh! Listen, this looks smashing, Johnny. | 0:00:25 | 0:00:28 | |
-BOTH: -Right on time. | 0:00:28 | 0:00:29 | |
-Some are funny... -THEY LAUGH | 0:00:29 | 0:00:31 | |
I loved him! | 0:00:31 | 0:00:32 | |
-BOTH: -# Delicious ice cream! # | 0:00:32 | 0:00:34 | |
..some... | 0:00:34 | 0:00:35 | |
Just like that. | 0:00:35 | 0:00:36 | |
..are surprising. | 0:00:36 | 0:00:38 | |
I'll let you into a secret I've never told anyone before. | 0:00:38 | 0:00:40 | |
Some are inspiring... | 0:00:40 | 0:00:41 | |
I've always wanted to be a Miss Something. | 0:00:41 | 0:00:44 | |
The best TV transports you. | 0:00:44 | 0:00:47 | |
..and many... | 0:00:47 | 0:00:48 | |
Did George Orwell get his predictions right? | 0:00:48 | 0:00:50 | |
It's all so dramatic! | 0:00:50 | 0:00:51 | |
..are deeply moving. | 0:00:51 | 0:00:53 | |
The death of John F Kennedy... | 0:00:53 | 0:00:54 | |
It just takes me back. | 0:00:54 | 0:00:56 | |
VOICE BREAKS: Oh, it makes me want to cry. | 0:00:56 | 0:00:58 | |
-Oh, you can have a cry if you want. -Oh! | 0:00:58 | 0:01:00 | |
So, come watch with us as we hand-pick the vintage telly | 0:01:00 | 0:01:04 | |
that helped turn our much-loved stars | 0:01:04 | 0:01:06 | |
into the people they are today. | 0:01:06 | 0:01:08 | |
Welcome to The TV That Made Me. | 0:01:08 | 0:01:11 | |
My guest today is a national institution - | 0:01:20 | 0:01:22 | |
a one-woman comedy powerhouse. | 0:01:22 | 0:01:25 | |
Sandi Toksvig has fizzed through the radio waves | 0:01:25 | 0:01:28 | |
as presenter of the Radio 4 News Quiz for nine years, | 0:01:28 | 0:01:33 | |
and sparkled on TV in shows as diverse as Food & Drink, | 0:01:33 | 0:01:37 | |
Call My Bluff and the sitcom Up The Women. | 0:01:37 | 0:01:41 | |
The TV that made her | 0:01:41 | 0:01:43 | |
includes an anarchic Saturday morning kid's show.... | 0:01:43 | 0:01:46 | |
Oh, morning. Did you see who that was? | 0:01:46 | 0:01:48 | |
..shameless '70s smut... | 0:01:48 | 0:01:51 | |
You know, this sort of thing just isn't fair on my pussy. | 0:01:51 | 0:01:54 | |
..and the Apollo 11 manned space exploration to the moon. | 0:01:54 | 0:01:59 | |
Lift-off on Apollo 11. | 0:01:59 | 0:02:00 | |
There's no doubt a strong spirit of adventure and an appetite for fun | 0:02:00 | 0:02:05 | |
has helped Sandi rocket into the stratosphere of radio and TV comedy. | 0:02:05 | 0:02:10 | |
Apollo 11... | 0:02:10 | 0:02:12 | |
And she is now best known as the host of the quiz show | 0:02:12 | 0:02:15 | |
Fifteen to One. | 0:02:15 | 0:02:16 | |
It's with great pleasure that I introduce Sandi Toksvig. | 0:02:16 | 0:02:20 | |
-Sandi... -Hello, lovely. -Hello, darling. | 0:02:20 | 0:02:23 | |
-Hello, fellow thespian. -SHE LAUGHS | 0:02:23 | 0:02:25 | |
I want to ask, what was your relationship with telly? | 0:02:25 | 0:02:29 | |
It's been in my life always, | 0:02:29 | 0:02:30 | |
because my father was THE most famous broadcaster | 0:02:30 | 0:02:33 | |
-that Danish television had ever produced. -Mm-hm. | 0:02:33 | 0:02:36 | |
In fact, he was the FIRST broadcaster that Danish television ever produced. | 0:02:36 | 0:02:40 | |
Sandi Toksvig was born in Copenhagen in 1958 - | 0:02:42 | 0:02:47 | |
a time when Danish TV only broadcast two programmes each day, | 0:02:47 | 0:02:52 | |
and one of these was a daily news bulletin | 0:02:52 | 0:02:55 | |
presented by the incredibly famous Claus Toksvig - | 0:02:55 | 0:02:59 | |
or, as Sandi knew him, Dad. | 0:02:59 | 0:03:02 | |
Claus Toksvig's broadcasting career began in 1951 in London, | 0:03:02 | 0:03:07 | |
where he worked for the BBC World Service. | 0:03:07 | 0:03:10 | |
Here, he met Sandi's mum Julie Anne, | 0:03:10 | 0:03:13 | |
who was one of the very first female studio managers. | 0:03:13 | 0:03:16 | |
With two high-flying TV pioneers as parents, | 0:03:17 | 0:03:20 | |
Sandi was surely destined | 0:03:20 | 0:03:22 | |
for her own incredible career on the airwaves. | 0:03:22 | 0:03:26 | |
Although there wasn't a lot of telly around in her early years. | 0:03:26 | 0:03:30 | |
So, when I was a child, television started at seven. | 0:03:31 | 0:03:33 | |
-Do you remember you had to turn the telly on five minutes before, for it to warm up? -Yeah. | 0:03:33 | 0:03:37 | |
So, you'd turn it on at it on at five to seven, | 0:03:37 | 0:03:39 | |
and then at seven o'clock my dad would read the news. | 0:03:39 | 0:03:41 | |
They couldn't afford to have any filmed reports, | 0:03:41 | 0:03:43 | |
so it was just Dad reading the news - although there was a phone on his desk, | 0:03:43 | 0:03:46 | |
and occasionally that would ring, and he'd do an interview. | 0:03:46 | 0:03:49 | |
-And that lasted for an hour. -OK. | 0:03:49 | 0:03:50 | |
And then at eight o'clock there'd be a half-hour documentary | 0:03:50 | 0:03:53 | |
about something gripping like the Queen's silver spoon collection... | 0:03:53 | 0:03:56 | |
-Oh, yes. -..and then at 8.30 the whole service closed down. -Yeah. | 0:03:56 | 0:03:59 | |
So, I thought that's what dads did. | 0:03:59 | 0:04:01 | |
I thought that they just were on in the corner of the room, | 0:04:01 | 0:04:04 | |
and then you went to bed. | 0:04:04 | 0:04:05 | |
In 1967, | 0:04:06 | 0:04:08 | |
Claus became Danish television's first foreign correspondent ever, | 0:04:08 | 0:04:13 | |
and the family jetted off to the United States. | 0:04:13 | 0:04:16 | |
We moved to New York, because the idea was the UN was there, | 0:04:24 | 0:04:27 | |
so you could cover the whole world. | 0:04:27 | 0:04:28 | |
Because if something happened in the world, | 0:04:28 | 0:04:30 | |
he could talk to a person at the UN about it. | 0:04:30 | 0:04:33 | |
So we lived most of my childhood in New York. | 0:04:33 | 0:04:35 | |
Now, your first TV memory... it's enormous, really, you know? | 0:04:35 | 0:04:38 | |
It's something that 600 million people got to watch. | 0:04:38 | 0:04:42 | |
This, of course, was the rocket launch. | 0:04:42 | 0:04:45 | |
Yeah, Apollo 11, which was 1969. The first manned mission to the moon. | 0:04:45 | 0:04:51 | |
I knew that we were in the presence of history, | 0:04:51 | 0:04:55 | |
and my dad couldn't have been clearer about it. | 0:04:55 | 0:04:57 | |
Let me press the clicker. Just... Here we are. | 0:04:57 | 0:04:59 | |
Leading up to the ignition sequence at 8.9 seconds. | 0:04:59 | 0:05:02 | |
Back in Britain, we watched this through the night, | 0:05:02 | 0:05:06 | |
thanks to the BBC and ITV's first ever | 0:05:06 | 0:05:08 | |
all-night transmission. | 0:05:08 | 0:05:10 | |
All around the world, man's greatest adventure was being watched | 0:05:10 | 0:05:16 | |
on one of man's greatest inventions. | 0:05:16 | 0:05:19 | |
But Claus Toksvig was actually there reporting live to Denmark, | 0:05:19 | 0:05:23 | |
and he took 11-year-old daughter Sandi along with him. | 0:05:23 | 0:05:26 | |
40 seconds away... | 0:05:26 | 0:05:28 | |
-Can you see this crowd? -Mm-hm. -That's where I was standing. | 0:05:28 | 0:05:31 | |
So I am somewhere in that crowd. | 0:05:31 | 0:05:33 | |
Astronauts report it feels good. T minus 25 seconds. | 0:05:33 | 0:05:37 | |
And this countdown... | 0:05:38 | 0:05:40 | |
20 seconds and counting. | 0:05:40 | 0:05:42 | |
..the thrill of it was unbelievable. | 0:05:42 | 0:05:44 | |
What's extraordinary, as you stood in the crowd, was the tremor. | 0:05:44 | 0:05:47 | |
Ten, nine - ignition sequence starts. | 0:05:47 | 0:05:51 | |
It felt like your whole heart was going to come out of your chest. | 0:05:51 | 0:05:55 | |
Six, five, four, three, two, one, zero. | 0:05:55 | 0:06:00 | |
All engine running. | 0:06:00 | 0:06:03 | |
Lift-off! We have a lift-off! | 0:06:03 | 0:06:05 | |
32 minutes past the hour. | 0:06:05 | 0:06:07 | |
People started clapping and crying - | 0:06:07 | 0:06:10 | |
it was incredibly moving. | 0:06:10 | 0:06:12 | |
Apollo 11, Houston. You're good at one minute. | 0:06:13 | 0:06:17 | |
And as it disappeared up into the clouds, | 0:06:17 | 0:06:19 | |
we absolutely knew we were seeing something extraordinary. | 0:06:19 | 0:06:23 | |
You're good at one minute. | 0:06:23 | 0:06:24 | |
And then, of course, we moved to Mission Control, | 0:06:26 | 0:06:29 | |
-which was in Houston. -Mm-hm. | 0:06:29 | 0:06:31 | |
And so I was standing next to a woman who was watching, | 0:06:31 | 0:06:33 | |
and she looked rather nervous, and I said, "Are you all right?" | 0:06:33 | 0:06:36 | |
And she said, "Actually, I'm a little nervous, | 0:06:36 | 0:06:38 | |
"because that's my boss about to step out on to the moon." | 0:06:38 | 0:06:41 | |
And I said, "Oh, don't worry, I'll hold your hand." | 0:06:41 | 0:06:43 | |
And so, Neil Armstrong, as he stepped out on to the moon, | 0:06:43 | 0:06:46 | |
I was holding his secretary's hand. | 0:06:46 | 0:06:48 | |
That's one small step for man... | 0:06:49 | 0:06:52 | |
..one giant leap for mankind. | 0:06:54 | 0:06:57 | |
-"One giant leap." -Yes. -That's it. | 0:06:59 | 0:07:01 | |
Great sentence, terrible grammar. | 0:07:01 | 0:07:03 | |
Erm...but it was an extraordinary... | 0:07:03 | 0:07:04 | |
Was it you who told the secretary that? | 0:07:04 | 0:07:06 | |
I said, "Look, I don't who wrote that for him, but seriously..." | 0:07:06 | 0:07:09 | |
The excitement in that room - I mean, | 0:07:09 | 0:07:12 | |
watching grown men sobbing with the relief and excitement and so on. | 0:07:12 | 0:07:18 | |
They've got the flag up now, | 0:07:18 | 0:07:19 | |
and you can see the Stars and Stripes on the lunar surface. | 0:07:19 | 0:07:23 | |
Beautiful. Just beautiful. | 0:07:25 | 0:07:27 | |
-Now, we have a surprise for you. -Oh, Lord. -Yeah. | 0:07:27 | 0:07:29 | |
-Because you've been talking about your father... -Yeah. | 0:07:29 | 0:07:32 | |
..and, er... | 0:07:32 | 0:07:33 | |
Well, have a little look at this. | 0:07:33 | 0:07:35 | |
HE SPEAKS IN DANISH | 0:07:42 | 0:07:44 | |
SHE GASPS: There he is! | 0:07:44 | 0:07:46 | |
I can translate - he says, "I am sitting in the captain's seat | 0:07:58 | 0:08:01 | |
"in the Apollo space capsule..." | 0:08:01 | 0:08:05 | |
But look - that's how they controlled... | 0:08:11 | 0:08:12 | |
That's extraordinary, isn't it? | 0:08:12 | 0:08:14 | |
-Left, right! -Don't you think that's unbelievable? | 0:08:14 | 0:08:16 | |
When we think about computers today - | 0:08:16 | 0:08:18 | |
they're literally going "left" and "right" | 0:08:18 | 0:08:20 | |
in the command module, it is sort of unbelievable. | 0:08:20 | 0:08:22 | |
HE CONTINUES IN DANISH | 0:08:22 | 0:08:24 | |
-And... -Have you seen this, Sandi? | 0:08:29 | 0:08:30 | |
VOICE BREAKS: Oh, it makes me want to cry. | 0:08:30 | 0:08:32 | |
-Oh, you can have a cry if you want. -Oh! | 0:08:32 | 0:08:34 | |
He was the best live broadcaster. He... | 0:08:34 | 0:08:39 | |
He brought the world to Denmark. | 0:08:39 | 0:08:41 | |
That's what's really hard to imagine - he was it, | 0:08:41 | 0:08:44 | |
and he became the idol for anybody who wanted to work in television. | 0:08:44 | 0:08:50 | |
He was a very special guy. | 0:08:54 | 0:08:55 | |
A special dad indeed. | 0:08:57 | 0:08:58 | |
When the family lived in an austere post-war Denmark, | 0:08:58 | 0:09:01 | |
wherever Claus was sent in the world, | 0:09:01 | 0:09:04 | |
he'd always come back with a special treat. | 0:09:04 | 0:09:07 | |
I believe there's something about oranges. | 0:09:07 | 0:09:11 | |
-Something about oranges? -Oranges. | 0:09:11 | 0:09:13 | |
-Oranges - let me show you. -Oh, my word. | 0:09:13 | 0:09:16 | |
-This is it. -Yeah. -This is my magic pouffe. | 0:09:17 | 0:09:20 | |
Oh, that's so sweet! | 0:09:20 | 0:09:22 | |
Oh, my goodness! OK, so this is really sweet, | 0:09:22 | 0:09:26 | |
and again, it's hard to imagine, because the world is small now, | 0:09:26 | 0:09:29 | |
and we can eat whatever we like, and we get food from all over the world. | 0:09:29 | 0:09:32 | |
-Yeah. -An orange, when I was a child in Denmark, | 0:09:32 | 0:09:34 | |
-was still a really rare thing. -Mm. | 0:09:34 | 0:09:36 | |
You just didn't see them, | 0:09:36 | 0:09:38 | |
because - we mostly had pickled vegetables in the winter. | 0:09:38 | 0:09:41 | |
So, if you got an orange, that was a fantastic treat, | 0:09:41 | 0:09:43 | |
and very occasionally Dad would bring back an orange - | 0:09:43 | 0:09:46 | |
one for me and one for my brother. | 0:09:46 | 0:09:48 | |
I love this! This is the sweetest thing! Oh, this is wonderful. | 0:09:48 | 0:09:51 | |
-Well, we've done our research. -I love it! | 0:09:51 | 0:09:54 | |
So, what you do is, you make a hole in the orange like this, | 0:09:54 | 0:09:57 | |
and you put a sugar cube... Try this, OK? Cos it's just gorgeous. | 0:09:57 | 0:10:00 | |
-Am I going to try it, or are you? -No, no, you go. | 0:10:00 | 0:10:02 | |
-We both can have a go. -So, ideally, there should be... | 0:10:02 | 0:10:04 | |
And have a little go at this at home, ladies and gentlemen. | 0:10:04 | 0:10:07 | |
If you look down in there, the sugar cube is already melting. | 0:10:07 | 0:10:10 | |
-Right? -Yes, we can see that. | 0:10:10 | 0:10:11 | |
And so, what you do then - | 0:10:11 | 0:10:13 | |
I'm going to make a terrible mess now - | 0:10:13 | 0:10:14 | |
-is you suck up the juice... -Of course. | 0:10:14 | 0:10:16 | |
..up through the hole in the... | 0:10:16 | 0:10:18 | |
Try that. | 0:10:19 | 0:10:20 | |
You have got to try this at home. Ladies and gentlemen... | 0:10:24 | 0:10:27 | |
Isn't that delicious? | 0:10:27 | 0:10:28 | |
Thanks to Sandi, we have created... | 0:10:28 | 0:10:32 | |
a phenomenon. I mean, it really is... | 0:10:32 | 0:10:34 | |
-And you could spend... -It's really nice! | 0:10:34 | 0:10:36 | |
-It's delicious, isn't it? -I'm not just saying that. | 0:10:36 | 0:10:38 | |
And you'd suck all the sweetness out, and all the juice, | 0:10:38 | 0:10:41 | |
and then eventually you'd make a terrible mess, | 0:10:41 | 0:10:43 | |
-open the orange up and eat it. I haven't... -I'm going to... | 0:10:43 | 0:10:46 | |
Dear Lord, that must be half a century | 0:10:46 | 0:10:48 | |
since I've had a sugared orange | 0:10:48 | 0:10:49 | |
-How nice is that? -I'm going to show my girls. | 0:10:49 | 0:10:51 | |
I will show my girls that one. | 0:10:51 | 0:10:52 | |
-I am genuinely impressed. That's wonderful. -Thank you. | 0:10:52 | 0:10:57 | |
Moving on a few years, and back to the States, | 0:10:57 | 0:11:00 | |
where that sweet little Danish girl | 0:11:00 | 0:11:02 | |
had turned into a rebellious American teenager. | 0:11:02 | 0:11:06 | |
To save their 14-year-old daughter from herself, | 0:11:06 | 0:11:08 | |
Mum and Dad sent Sandi to school in England, | 0:11:08 | 0:11:12 | |
and two years later the whole family followed. | 0:11:12 | 0:11:15 | |
I came... When I was 14, I came to boarding school, | 0:11:17 | 0:11:19 | |
so I came two years before the rest of my family. | 0:11:19 | 0:11:22 | |
I got thrown out of three American schools in a row. | 0:11:22 | 0:11:25 | |
-Can I just say, the last one was a misunderstanding? -OK. | 0:11:25 | 0:11:29 | |
I had no idea you were supposed to be there every day. | 0:11:29 | 0:11:31 | |
And so, in order to contain me, | 0:11:31 | 0:11:34 | |
-because I found school very boring... -Mm-hm. | 0:11:34 | 0:11:36 | |
..my parents sent me to boarding school. | 0:11:36 | 0:11:38 | |
So my parents sent me when I was 14, and my parents then... | 0:11:38 | 0:11:41 | |
My dad got the posting to London when I was 16. | 0:11:41 | 0:11:44 | |
So we didn't move here until quite late in my life. | 0:11:44 | 0:11:47 | |
As the Toksvig family first gathered around a British TV in 1974, | 0:11:49 | 0:11:54 | |
they were just in time to see Tom Baker become Doctor Who, | 0:11:54 | 0:11:58 | |
a show called Angels rewrite the rules on television hospital drama, | 0:11:58 | 0:12:03 | |
and a man called Norman Stanley Fletcher get porridge. | 0:12:03 | 0:12:08 | |
There'd never been so much great TV to choose from, | 0:12:08 | 0:12:12 | |
so, what did the Toksvigs choose? | 0:12:12 | 0:12:14 | |
So, Family Favourites - what did the whole family sit down and watch? | 0:12:21 | 0:12:25 | |
-Well, when we were in the UK? -Yes. -My dad loved That's Life. | 0:12:25 | 0:12:28 | |
-That did make us cry with laughter. -Shall we have a look? | 0:12:28 | 0:12:31 | |
-Yeah! -Yeah, absolutely. -Let's have a look. | 0:12:31 | 0:12:33 | |
Let's have a look. This is the opening of That's Life. | 0:12:33 | 0:12:35 | |
THAT'S LIFE THEME | 0:12:35 | 0:12:38 | |
They certainly don't make shows like That's Life any more. | 0:12:39 | 0:12:43 | |
It was the hard-hitting campaigns | 0:12:43 | 0:12:45 | |
mixed with the light-hearted slices of life | 0:12:45 | 0:12:48 | |
that made it so ground-breaking and so popular. | 0:12:48 | 0:12:51 | |
For 21 years it made us laugh and cry in equal measure, | 0:12:51 | 0:12:56 | |
and it remains one of the very few shows in the history of TV | 0:12:56 | 0:13:00 | |
that has truly changed the way we live. | 0:13:00 | 0:13:03 | |
-As soon as you hear the music... -The music is the best. | 0:13:03 | 0:13:06 | |
It was great. | 0:13:06 | 0:13:07 | |
And nobody in our family could understand the obsession | 0:13:07 | 0:13:11 | |
with misshapen vegetables. We just... | 0:13:11 | 0:13:14 | |
We used to look at it... Because we'd been in Denmark | 0:13:14 | 0:13:16 | |
and then in America, it was a completely different kind of humour. | 0:13:16 | 0:13:19 | |
-Yeah. -And Esther's obsession with strange carrots and, er... | 0:13:19 | 0:13:23 | |
-I think Britain's obsession with strange carrots... -Yeah. | 0:13:23 | 0:13:27 | |
It wasn't just about carrots. | 0:13:30 | 0:13:32 | |
That's Life is actually our most successful consumer programme ever. | 0:13:32 | 0:13:37 | |
At its height, over 20 million people watched | 0:13:37 | 0:13:40 | |
as Esther Rantzen crusaded against all kinds of wrong, | 0:13:40 | 0:13:44 | |
from dodgy domestic appliances to issues of life and death. | 0:13:44 | 0:13:48 | |
Thank you very much indeed. Welcome once again to That's Life, | 0:13:48 | 0:13:51 | |
and thank you... | 0:13:51 | 0:13:52 | |
For me, watching as a young person, I watched Esther be in charge, | 0:13:52 | 0:13:56 | |
and I suddenly thought, cos I had never really seen that before,- | 0:13:56 | 0:14:00 | |
and I thought, "Oh, wow, you can be a woman | 0:14:00 | 0:14:02 | |
"and be in control of the show." | 0:14:02 | 0:14:03 | |
While Esther held court, her jester, | 0:14:03 | 0:14:06 | |
the brilliant Cyril Fletcher, kept us in stitches, | 0:14:06 | 0:14:10 | |
especially with those clippings sent in by viewers. | 0:14:10 | 0:14:13 | |
-Do you remember Cyril Fletcher? -Of course. -In the armchair. | 0:14:13 | 0:14:16 | |
We loved Cyril Fletcher. | 0:14:16 | 0:14:17 | |
LAUGHTER | 0:14:28 | 0:14:29 | |
For anyone who might be thinking unchristian thoughts | 0:14:29 | 0:14:32 | |
about our vicar, readers learned on Tuesday... | 0:14:32 | 0:14:35 | |
LAUGHTER | 0:14:53 | 0:14:54 | |
However, on Wednesday... | 0:14:56 | 0:14:58 | |
"The Reverend AJ Agland has one television set for sale cheap. | 0:15:07 | 0:15:10 | |
"Telephone 626 1313 after 7pm, | 0:15:10 | 0:15:13 | |
"And ask for Mrs Jordan who loves with him." | 0:15:13 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:18 | |
How can you laugh? | 0:15:21 | 0:15:22 | |
This blooming reverend is getting very annoyed. | 0:15:22 | 0:15:25 | |
On Thursday, the Reverend AJ Agland comes out fighting. | 0:15:25 | 0:15:28 | |
LAUGHTER | 0:15:43 | 0:15:45 | |
Dear old Rev Agland doesn't give up easily. | 0:15:47 | 0:15:50 | |
In Friday's paper, his advertisement read... | 0:15:50 | 0:15:52 | |
LAUGHTER | 0:16:01 | 0:16:02 | |
Let me press pause. | 0:16:02 | 0:16:05 | |
Isn't he a legend? | 0:16:05 | 0:16:06 | |
He was just wonderful. He had great delivery. And do you know what? | 0:16:06 | 0:16:09 | |
I don't think you'd get somebody who looks like that on television today. | 0:16:09 | 0:16:12 | |
It's absolutely fantastic. | 0:16:12 | 0:16:14 | |
And I remember, because Dad had a wonderful sense of humour, | 0:16:14 | 0:16:16 | |
I remember Cyril Fletcher reading one out, and I have never forgotten, | 0:16:16 | 0:16:20 | |
and it said, "Messenger wanted. | 0:16:20 | 0:16:21 | |
"Must have own bike and messages." | 0:16:21 | 0:16:23 | |
And... | 0:16:23 | 0:16:24 | |
And Dad couldn't stop laughing, and it was a nightmare. | 0:16:24 | 0:16:27 | |
You couldn't pause the television in those days, | 0:16:27 | 0:16:29 | |
and you couldn't record it, and we couldn't hear what the next bit was, | 0:16:29 | 0:16:32 | |
-cos Dad was laughing so much. -Yeah! | 0:16:32 | 0:16:34 | |
How television has changed. Absolutely fantastic. | 0:16:34 | 0:16:37 | |
I loved the programme, I loved the variety of it, | 0:16:37 | 0:16:39 | |
I loved the fact that it appealed to everybody - we could watch it | 0:16:39 | 0:16:42 | |
from a young age, to the parents watching it and enjoying it. | 0:16:42 | 0:16:45 | |
I thought it was a wonderful programme, | 0:16:45 | 0:16:47 | |
and I think Esther as a campaigning journalist is an inspiration... | 0:16:47 | 0:16:51 | |
-Yes. -..and I would pay tribute to her, absolutely. | 0:16:51 | 0:16:54 | |
Another fulsome tribute to Esther came from a talking dog, | 0:16:54 | 0:16:59 | |
who could not only pronounce her name, but could also say... | 0:16:59 | 0:17:02 | |
Sausages. | 0:17:02 | 0:17:04 | |
LAUGHTER | 0:17:04 | 0:17:05 | |
-Sausages. -APPLAUSE | 0:17:05 | 0:17:07 | |
The whole nation was mesmerised by that in 1979. | 0:17:07 | 0:17:11 | |
Esther and the team also successfully campaigned | 0:17:12 | 0:17:15 | |
for child seatbelts and more organ donors | 0:17:15 | 0:17:18 | |
at the same time as attempting to feed dodgy drinks to crows... | 0:17:18 | 0:17:22 | |
I think it doesn't take much beer for him to get fighting. | 0:17:22 | 0:17:24 | |
..pensioners... | 0:17:24 | 0:17:26 | |
Cheers, everybody! | 0:17:26 | 0:17:28 | |
..and Alsatians. | 0:17:28 | 0:17:29 | |
No wonder she got arrested. | 0:17:31 | 0:17:34 | |
There will never be another show like it. | 0:17:37 | 0:17:40 | |
Sandi, now, your next choice is fear - TV Fear - | 0:17:47 | 0:17:50 | |
and obviously we're talking about you as a young child. | 0:17:50 | 0:17:53 | |
JAWS THEME PLAYS | 0:17:53 | 0:17:54 | |
What was it you most feared on television? | 0:17:54 | 0:17:57 | |
You were most creeped-out about? | 0:17:57 | 0:17:59 | |
OK, seriously, there was one thing that actually was | 0:17:59 | 0:18:01 | |
designed for children, I simply couldn't bear it. | 0:18:01 | 0:18:03 | |
It was the most terrif... | 0:18:03 | 0:18:06 | |
-That was mean! -Hello, hello, hello, hello! | 0:18:07 | 0:18:10 | |
Enter the show! Welcome! | 0:18:10 | 0:18:12 | |
It's Basil Brush, ladies and gentlemen! | 0:18:12 | 0:18:14 | |
-Boom, boom! -I don't even think I can sit next to you! | 0:18:14 | 0:18:16 | |
Are you going to run out the door? | 0:18:16 | 0:18:18 | |
-Is it that scary? -Oh... | 0:18:18 | 0:18:20 | |
-Sorry, that's really terrifying. -I want to be mediator now... | 0:18:20 | 0:18:23 | |
-It's truly... -You can't even stroke...? | 0:18:23 | 0:18:26 | |
-Look at the teeth! -You can't even come close to me? | 0:18:26 | 0:18:28 | |
Don't you think the teeth are so frightening? | 0:18:28 | 0:18:30 | |
No, the teeth are frightening on Christopher Lee | 0:18:30 | 0:18:32 | |
when he's a vampire on Hammer House of Horrors. | 0:18:32 | 0:18:34 | |
But look at this, have a little close look... | 0:18:34 | 0:18:36 | |
No, really, I can't! | 0:18:36 | 0:18:37 | |
Honestly, I feel like a small child again, and I really want to go out... | 0:18:37 | 0:18:40 | |
I'd like to hide behind the sofa, is the truth of it. | 0:18:40 | 0:18:43 | |
-I don't know what it was - it creeped me out. -Really? -It was the sudden... | 0:18:43 | 0:18:46 | |
You're talking as if he's not here. | 0:18:46 | 0:18:47 | |
-I know... -I'm sitting right next to you, Miss Sandi. | 0:18:47 | 0:18:50 | |
-It's the "Boom, boom" noise. -Is it? | 0:18:50 | 0:18:52 | |
What, does my "boom, boom" look big in this? | 0:18:52 | 0:18:54 | |
All right, I'll give you a "Boom, boom" | 0:18:54 | 0:18:56 | |
-and see if it scares you. -Please do. -Oh, no! Yeah. | 0:18:56 | 0:18:58 | |
Join in with me. What do you call a deer with no eyes? | 0:18:58 | 0:19:01 | |
BOTH: No idea. | 0:19:01 | 0:19:03 | |
-LAUGHS: -Boom, boom! Very good! | 0:19:03 | 0:19:05 | |
Terrifying. I still feel, really, I do... | 0:19:05 | 0:19:09 | |
Give me little brush, a little tickle. | 0:19:09 | 0:19:11 | |
-Go on. -I... -Do you almost feel you do need some therapy with it? | 0:19:11 | 0:19:13 | |
-Just... -Don't move so sharply! | 0:19:13 | 0:19:16 | |
-..one little stroke. -I'll just put my hand on... | 0:19:16 | 0:19:18 | |
OK, I'll just creep closer. | 0:19:18 | 0:19:20 | |
I can't do this! | 0:19:20 | 0:19:22 | |
You touch him! You touch him. | 0:19:22 | 0:19:25 | |
-Well, you've touched me... -Argh! -That's what you want. | 0:19:25 | 0:19:28 | |
-You want to go... -While you've got him there... | 0:19:28 | 0:19:31 | |
It's a puppet! | 0:19:31 | 0:19:33 | |
-I'm sorry, Basil. -I tell you what, | 0:19:33 | 0:19:35 | |
I have a little poem which might set you at ease, Miss Sandi. | 0:19:35 | 0:19:39 | |
-Would I be all right to read it to her? -It would be a pleasure. | 0:19:39 | 0:19:43 | |
Thank you. Ahem. Right... | 0:19:43 | 0:19:44 | |
Roses are red, violets are blue, | 0:19:44 | 0:19:47 | |
On my radio I've always loved you. | 0:19:47 | 0:19:50 | |
So, could you love me with all of your might? | 0:19:50 | 0:19:54 | |
Because I think we're both | 0:19:54 | 0:19:56 | |
Just about the same height. | 0:19:56 | 0:19:58 | |
-HE LAUGHS: -Boom, boom! | 0:19:58 | 0:20:00 | |
-Oh, go on, give us a kiss, then. Give us a kiss. -Come here. | 0:20:00 | 0:20:02 | |
Mwah. | 0:20:02 | 0:20:04 | |
Basil, may I shake your paw? | 0:20:04 | 0:20:05 | |
Oh, yes, I've got two of them - you can shake whichever you like. | 0:20:05 | 0:20:08 | |
Basil, thank you very much. | 0:20:08 | 0:20:09 | |
-I hope this has helped in some very small way, Sandi. -Yes. | 0:20:09 | 0:20:12 | |
It has, although I have to say, the minute I saw him, | 0:20:12 | 0:20:14 | |
I felt my stomach get upset. | 0:20:14 | 0:20:15 | |
It was a kind of foxtrot that was about to happen, so... | 0:20:15 | 0:20:18 | |
Let's see how you get on with this, | 0:20:18 | 0:20:19 | |
because we've got a couple more of Basil's contemporaries. | 0:20:19 | 0:20:22 | |
-OK. -Oh, lovely. -Here they are. | 0:20:22 | 0:20:24 | |
Basil Brush comes from a long line of gifted British puppet performers. | 0:20:24 | 0:20:30 | |
Muffin the Mule kicked it all off | 0:20:30 | 0:20:31 | |
after a few strings were pulled in 1946. | 0:20:31 | 0:20:35 | |
Sooty and Sweep got their big break in 1948, | 0:20:35 | 0:20:39 | |
and still hold the Guinness World Record | 0:20:39 | 0:20:41 | |
for longest-running children's series. | 0:20:41 | 0:20:44 | |
Emu, Spit the Dog and Orville the Duck | 0:20:44 | 0:20:47 | |
entertained the adults through the '70s, | 0:20:47 | 0:20:49 | |
while Gordon the Gopher | 0:20:49 | 0:20:51 | |
made his sidekick Phillip Schofield a star in 1985. | 0:20:51 | 0:20:56 | |
Today, Hacker T Dog is TV's most versatile performer - a CBBC veteran | 0:20:56 | 0:21:03 | |
who also commentated on Russia v Belgium in the 2014 World Cup. | 0:21:03 | 0:21:08 | |
So, have you recovered? | 0:21:11 | 0:21:13 | |
Well, only just. I may need some therapy. | 0:21:13 | 0:21:17 | |
I thought you had some then! | 0:21:17 | 0:21:19 | |
Well, yeah, but I also may have mange now, which is a worry. | 0:21:19 | 0:21:21 | |
Right, we're moving on to TV Taboos. | 0:21:28 | 0:21:30 | |
Now, this is stuff that... Well, you can explain it. Top Of The Pops. | 0:21:30 | 0:21:34 | |
OK, so, when I was at boarding school, | 0:21:34 | 0:21:36 | |
-we pretty much were not allowed to watch television. -Right. | 0:21:36 | 0:21:39 | |
We pretty much weren't allowed to do anything, | 0:21:39 | 0:21:41 | |
but we were, on a Thursday night, allowed to watch Top Of The Pops. | 0:21:41 | 0:21:44 | |
-Right. -And a parent, grateful for having their daughter locked up | 0:21:44 | 0:21:48 | |
for so very long, donated a colour television to the school. | 0:21:48 | 0:21:51 | |
-Colour telly! -So, the very first time we watched it - | 0:21:51 | 0:21:55 | |
-it was glam rock in those days. -Yes. | 0:21:55 | 0:21:58 | |
It was thrilling, and we were all highly overexcited, | 0:21:58 | 0:22:01 | |
and the next morning, the headmistress, bless her, | 0:22:01 | 0:22:04 | |
called an engineer to the school, | 0:22:04 | 0:22:06 | |
and the television was retuned to black and white, | 0:22:06 | 0:22:09 | |
because it had been too exciting. | 0:22:09 | 0:22:11 | |
And we never saw the colour television in colour again. | 0:22:11 | 0:22:14 | |
That was the end of it - from then on, for the rest of my schooldays, | 0:22:14 | 0:22:17 | |
television appeared in black and white. | 0:22:17 | 0:22:19 | |
Oh, well, let me give you a little catch-up of glam rock. | 0:22:19 | 0:22:22 | |
-Is it in colour? -Of course it is. -Thank goodness. | 0:22:22 | 0:22:24 | |
Top Of The Pops. Can you cope? | 0:22:24 | 0:22:27 | |
MUSIC: Block Buster! by The Sweet | 0:22:27 | 0:22:30 | |
Top Of The Pops arrived on our screens on New Year's Day 1964, | 0:22:30 | 0:22:35 | |
and stayed for 42 years. | 0:22:35 | 0:22:38 | |
In the process, it became the biggest music show in the world. | 0:22:38 | 0:22:41 | |
At its height, the show was screened in over 100 different countries. | 0:22:41 | 0:22:46 | |
Luckily, they didn't stick to the original title - | 0:22:49 | 0:22:52 | |
I don't think Teen & 20 Record Club would have done quite so well. | 0:22:52 | 0:22:59 | |
The hair is fantastic. | 0:22:59 | 0:23:00 | |
# Does anyone know the way? | 0:23:00 | 0:23:02 | |
# Did we hear someone say | 0:23:02 | 0:23:05 | |
# We just haven't got a clue what to do! | 0:23:05 | 0:23:08 | |
# Does anyone know the way? | 0:23:08 | 0:23:10 | |
# There's got to be a way | 0:23:10 | 0:23:11 | |
# To Block Buster! # | 0:23:11 | 0:23:13 | |
So, is it making you feel wild and racy? | 0:23:13 | 0:23:16 | |
Yeah. I'm crazy now, I'm completely crazy now. | 0:23:16 | 0:23:18 | |
That's it - I'm going to go completely bonkers | 0:23:18 | 0:23:20 | |
-and have an extra sugar in my tea. -I know! | 0:23:20 | 0:23:22 | |
Quick, get it back to black and white. | 0:23:22 | 0:23:25 | |
We're freaking out here. | 0:23:25 | 0:23:26 | |
So, what were the other rules for television? | 0:23:26 | 0:23:29 | |
We were occasionally allowed to watch on a Saturday night, | 0:23:29 | 0:23:32 | |
if Matron decided, | 0:23:32 | 0:23:33 | |
but we were allowed to watch something on BBC One, | 0:23:33 | 0:23:36 | |
because it was the family channel, possibly something on BBC Two, | 0:23:36 | 0:23:39 | |
but that was really for people who'd read a book. | 0:23:39 | 0:23:41 | |
And nothing on ITV, because that was cheap and tawdry. | 0:23:41 | 0:23:43 | |
So it pleased me, usually, when I started on television, | 0:23:43 | 0:23:47 | |
that I worked for ITV, cos I knew it would have upset Matron. | 0:23:47 | 0:23:49 | |
-So, after school, you obviously moved on to university. -Yeah. | 0:23:49 | 0:23:53 | |
-Was it Cambridge, I believe? -I did, yeah. -Yes. | 0:23:53 | 0:23:55 | |
-Mm! -I was going to be a lawyer. -Really? -Yeah! | 0:23:55 | 0:23:58 | |
I did something called the Footlights, | 0:23:58 | 0:24:01 | |
which was a comic review, so if I wasn't studying the law, | 0:24:01 | 0:24:03 | |
-which was quite heavy-duty studying, I was acting and performing. -Mm-hm. | 0:24:03 | 0:24:08 | |
What other contemporaries were there at the time? | 0:24:08 | 0:24:10 | |
-Well, nobody you'd have heard of, darling. -No? | 0:24:10 | 0:24:12 | |
-Stephen Fry... -Stephen Fry! I knew, I knew...! | 0:24:12 | 0:24:15 | |
-Hugh Laurie... -Oh, yes. -Emma Thompson, Tony Slattery... | 0:24:15 | 0:24:19 | |
-Hardly... Nobody who did... -Well. -Well, Emma's done well. | 0:24:19 | 0:24:23 | |
-I think something secretarial, as I understood it. -Mm. -But... So, nobody. | 0:24:23 | 0:24:26 | |
Nothing in particular. | 0:24:26 | 0:24:28 | |
Parents' Choice. | 0:24:33 | 0:24:35 | |
This, I believe, is Tomorrow's World. | 0:24:35 | 0:24:37 | |
Yeah. My dad was obsessed with new technology. | 0:24:37 | 0:24:40 | |
We've already seen that he was obsessed with Saturn V rockets, | 0:24:40 | 0:24:43 | |
and Apollo and so on, so anything that was an advance, | 0:24:43 | 0:24:47 | |
technologically, my dad was fascinated by. | 0:24:47 | 0:24:50 | |
And I remember him bringing home | 0:24:50 | 0:24:52 | |
the very first calculator that you could buy. | 0:24:52 | 0:24:54 | |
I've got something in my pouffe. | 0:24:54 | 0:24:56 | |
-Oh! -This is a very early calculator. -Oh, my goodness! | 0:24:56 | 0:25:01 | |
-Wow. -Let me show them at home. | 0:25:01 | 0:25:04 | |
-There it is. -Look at the size of it! | 0:25:04 | 0:25:07 | |
-Ooh... -There you go. -Oh, there - it IS working! | 0:25:07 | 0:25:10 | |
Oh, how tiny - look how tiny the numbers are. | 0:25:10 | 0:25:12 | |
How much do you think this was? This was back in 1972, this. | 0:25:12 | 0:25:15 | |
-I mean, er... Well, it would have been in dollars. -Yeah. | 0:25:15 | 0:25:19 | |
So maybe 100 or so? | 0:25:19 | 0:25:21 | |
-149.95. -The numbers are so tiny. | 0:25:21 | 0:25:25 | |
-I know. -And still working. | 0:25:25 | 0:25:27 | |
That's absolutely fantastic. | 0:25:27 | 0:25:28 | |
-Oh, bless, you've written "BOOB". -Yeah. | 0:25:28 | 0:25:30 | |
-Well, got to be done. -You have to, don't you? -Sorry. | 0:25:30 | 0:25:33 | |
Shall we have a little look at Tomorrow's World? | 0:25:33 | 0:25:35 | |
-Yeah, let's do that. -Here we go. Tomorrow's World. | 0:25:35 | 0:25:38 | |
TOMORROW'S WORLD THEME | 0:25:38 | 0:25:41 | |
The BBC introduced us to Tomorrow's World in 1965, | 0:25:41 | 0:25:46 | |
and for 38 years | 0:25:46 | 0:25:48 | |
we were totally amazed, and often confused, | 0:25:48 | 0:25:51 | |
by the inventions that were seemingly just around the corner. | 0:25:51 | 0:25:55 | |
In 1972, ten million people tuned in | 0:25:55 | 0:25:57 | |
to hear about a barely believable prospect | 0:25:57 | 0:26:00 | |
of something called the Channel Tunnel... | 0:26:00 | 0:26:03 | |
A large area of western | 0:26:03 | 0:26:04 | |
and central Europe will come within a comfortable day's | 0:26:04 | 0:26:07 | |
driving from London, and that mighty ditch, the Channel, | 0:26:07 | 0:26:09 | |
will have been reduced to an average day's journey to work. | 0:26:09 | 0:26:12 | |
..and to watch demonstrations of the first water bikes | 0:26:13 | 0:26:16 | |
and helicopter cars. | 0:26:16 | 0:26:18 | |
Mine still hasn't been delivered. | 0:26:18 | 0:26:21 | |
Telecommunications have intruded into our lives, | 0:26:21 | 0:26:24 | |
but not for political purposes, like Orwell's telescreen. | 0:26:24 | 0:26:27 | |
And ironically, | 0:26:27 | 0:26:28 | |
the ingredients aren't futuristic technological wonders, | 0:26:28 | 0:26:32 | |
they're basically just our old friends | 0:26:32 | 0:26:34 | |
the telephone and the television linking with a computer database. | 0:26:34 | 0:26:38 | |
Even the way she speak - nobody talks like that. | 0:26:38 | 0:26:40 | |
CLIPPED ACCENT: They talk like this. | 0:26:40 | 0:26:42 | |
There's the telephone, and things you're entirely used to. | 0:26:42 | 0:26:45 | |
This is a breakthrough that will affect all our everyday lives. | 0:26:45 | 0:26:49 | |
You can already use it to do your shopping. | 0:26:49 | 0:26:51 | |
Now, a list of wines to stock up again after Christmas. | 0:26:53 | 0:26:56 | |
Now, I can put in a credit card to pay for it, | 0:26:56 | 0:27:00 | |
and the orders are on the way. | 0:27:00 | 0:27:02 | |
That was incredible - the idea that you could order something | 0:27:02 | 0:27:05 | |
-through your television was unbelievable. -Mm. | 0:27:05 | 0:27:07 | |
This is the more normal size of set, | 0:27:07 | 0:27:10 | |
and at the moment it's telling where to take my children this holiday. | 0:27:10 | 0:27:14 | |
Ever book a holiday on Ceefax, Sandi? | 0:27:14 | 0:27:16 | |
No, I did not. Did you? | 0:27:16 | 0:27:19 | |
No, I didn't. | 0:27:19 | 0:27:20 | |
No, I mean, but it was always good for, you know, | 0:27:20 | 0:27:23 | |
some major news-breaking story, wasn't it? | 0:27:23 | 0:27:25 | |
-It was like, "Oh, let's go to Ceefax!" -Mm. | 0:27:25 | 0:27:27 | |
In your home or your office, | 0:27:27 | 0:27:29 | |
computers join the mass communication market | 0:27:29 | 0:27:31 | |
for the first time. | 0:27:31 | 0:27:33 | |
This is a sign of how fast we've come along. | 0:27:33 | 0:27:35 | |
My dad died - where are we now? - | 0:27:35 | 0:27:38 | |
26 years ago, and he never saw a mobile phone. | 0:27:38 | 0:27:41 | |
-Really? -And he would have loved it! -Yeah, yeah. | 0:27:41 | 0:27:43 | |
He would have loved all that computerised stuff. | 0:27:43 | 0:27:46 | |
I sometimes have some trouble with my hands, | 0:27:46 | 0:27:48 | |
-and I dictate to my computers, I have a voice recognition programme. -Mm-hm. | 0:27:48 | 0:27:51 | |
And I remember my son coming in, and I was dictating a book. | 0:27:51 | 0:27:53 | |
He said, "What are you doing?" I said, "I'm talking to my computer." | 0:27:53 | 0:27:56 | |
He went, "Oh, yeah." And you just think, | 0:27:56 | 0:27:58 | |
-"Oh, you don't think it's extraordinary and amazing." -No. | 0:27:58 | 0:28:01 | |
That I can speak and the computer will type for me is unbelievable. | 0:28:01 | 0:28:04 | |
We've got a clip from a show that I think you'll really enjoy. | 0:28:09 | 0:28:13 | |
Dan...da-da! | 0:28:13 | 0:28:15 | |
Good God! | 0:28:15 | 0:28:16 | |
Yes, none of your shop-bought rubbish. | 0:28:16 | 0:28:18 | |
Now, there's a trick with these, all right? | 0:28:18 | 0:28:20 | |
They're perfectly all right, they're perfectly sound, | 0:28:20 | 0:28:23 | |
except they do not go bang. So... | 0:28:23 | 0:28:24 | |
-And... -BOTH: Bang! | 0:28:24 | 0:28:26 | |
-Richard Briers... -Yeah, I know, what a legend. | 0:28:26 | 0:28:29 | |
And Felicity Kendal, but, for me, the show was about Penny Keith. | 0:28:29 | 0:28:33 | |
The show was about the timing of that genius comic woman. | 0:28:33 | 0:28:38 | |
One, two, three... | 0:28:38 | 0:28:39 | |
Crack. | 0:28:39 | 0:28:40 | |
LAUGHTER | 0:28:40 | 0:28:42 | |
Not "bang"? | 0:28:42 | 0:28:44 | |
No, I see "crack" as a more pertinent word. | 0:28:44 | 0:28:46 | |
It is, after all, the stem of "cracker", isn't it? | 0:28:46 | 0:28:49 | |
You can't argue with that. | 0:28:49 | 0:28:51 | |
Of course, because I'd been brought up so far in Denmark, and in America, | 0:28:51 | 0:28:58 | |
I didn't know about the class system in Britain. | 0:28:58 | 0:29:00 | |
We don't really have a class system in Denmark at all. | 0:29:00 | 0:29:03 | |
And it seemed extraordinary to me | 0:29:03 | 0:29:06 | |
that these two women could not get on, couldn't understand each other. | 0:29:06 | 0:29:09 | |
Oh, look at her! | 0:29:09 | 0:29:11 | |
Come on, Margot, get your hat on! | 0:29:11 | 0:29:12 | |
This is the Daily Mirror. | 0:29:12 | 0:29:14 | |
I am terribly sorry, Margot. Please, have the Telegraph. | 0:29:16 | 0:29:20 | |
-So, of course, he's got the Financial Times on... -Yes! | 0:29:24 | 0:29:27 | |
..and she's got the Daily Telegraph on, | 0:29:27 | 0:29:29 | |
and that tells you so much about British society, doesn't it? | 0:29:29 | 0:29:31 | |
-Yes. -But I didn't know it at the time. | 0:29:31 | 0:29:33 | |
But look at it - it's all happening in one room... | 0:29:33 | 0:29:35 | |
There's no great, fantastic television thing happening here, | 0:29:35 | 0:29:39 | |
-apart from people sitting, chatting and being funny. -Yeah. | 0:29:39 | 0:29:42 | |
Bit like us. | 0:29:42 | 0:29:43 | |
SHE CHUCKLES | 0:29:43 | 0:29:44 | |
We should have had hats. We should have had hats! | 0:29:44 | 0:29:47 | |
Now, then, my motto. | 0:29:47 | 0:29:49 | |
"The 'ooh-aah' bird is so called because it lays square eggs." | 0:29:51 | 0:29:55 | |
I don't understand that. | 0:30:04 | 0:30:06 | |
So you'd watch that at home, with your family? | 0:30:06 | 0:30:08 | |
Yeah. Yeah, that was a good one for the family. | 0:30:08 | 0:30:11 | |
And I miss it. It always used to be on at half past seven, | 0:30:11 | 0:30:13 | |
we'll all sit together at half past seven. | 0:30:13 | 0:30:15 | |
-Of course, it doesn't work that way now. -No. | 0:30:15 | 0:30:17 | |
You would have 12 million people might watch one thing, | 0:30:17 | 0:30:20 | |
and the chances are somebody else at work had seen the same thing. | 0:30:20 | 0:30:23 | |
-It doesn't happen any more. -12 million people watched one thing, | 0:30:23 | 0:30:25 | |
because there was only what, three channels? | 0:30:25 | 0:30:27 | |
Yeah, and one of them was cheap and tawdry, so... | 0:30:27 | 0:30:29 | |
-Yeah, which you never watched. -No. | 0:30:29 | 0:30:31 | |
Watching Penelope, watching The Good Life, | 0:30:31 | 0:30:33 | |
did it influence your comedy? | 0:30:33 | 0:30:34 | |
Yeah, there's no question | 0:30:34 | 0:30:36 | |
that there's a lot of very strong women that I've watched | 0:30:36 | 0:30:38 | |
-over the years, and admired their timing. -Mm. | 0:30:38 | 0:30:41 | |
When Penelope Keith gave her last performance as Margot in 1978, | 0:30:43 | 0:30:48 | |
even the Queen and Prince Philip were in the audience. | 0:30:48 | 0:30:52 | |
But is she the most watched British sitcom leading lady? | 0:30:52 | 0:30:55 | |
Well, here's the top five. | 0:30:55 | 0:30:58 | |
At five, Prunella Scales' Sybil Fawlty and husband Basil | 0:30:58 | 0:31:02 | |
attracted over 12 million guests | 0:31:02 | 0:31:05 | |
to Fawlty Towers in the ''70s. | 0:31:05 | 0:31:07 | |
At four, Patricia Routledge as Hyacinth Bucket | 0:31:07 | 0:31:11 | |
kept up appearances and audiences | 0:31:11 | 0:31:14 | |
of over 16 million in the ''90s. | 0:31:14 | 0:31:16 | |
Annette Crosbie's long-suffering wife of Victor Meldrew | 0:31:18 | 0:31:21 | |
is straight in at number three | 0:31:21 | 0:31:23 | |
with a high of 20 million | 0:31:23 | 0:31:25 | |
in the noughties. | 0:31:25 | 0:31:27 | |
At two, it's Penelope Keith. | 0:31:27 | 0:31:29 | |
Margot and the Good Life gang got an audience high of 21 million in 1979. | 0:31:29 | 0:31:36 | |
And at one, as Audrey fforbes-Hamilton, | 0:31:38 | 0:31:41 | |
Penelope Keith gave us yet another brilliant character | 0:31:41 | 0:31:46 | |
in the biggest sitcom of the ''70s. | 0:31:46 | 0:31:48 | |
Almost 24 million people tuned in to watch... | 0:31:48 | 0:31:51 | |
To The Manor Born. | 0:31:51 | 0:31:53 | |
I mean, what do you think of people that say that, | 0:31:56 | 0:31:59 | |
"Oh, women can't be funny"? | 0:31:59 | 0:32:02 | |
-Ridiculous, isn't it? -Here's a little test I would do for you, OK? | 0:32:02 | 0:32:04 | |
Try and do this without getting arrested. | 0:32:04 | 0:32:06 | |
-If you're ever at a big function, OK? -Mm. | 0:32:06 | 0:32:08 | |
Go and stand outside the gents' toilets - | 0:32:08 | 0:32:10 | |
you don't need to go in, just stand outside - | 0:32:10 | 0:32:12 | |
the door will open and close, and all you'll hear is... | 0:32:12 | 0:32:15 | |
SHE MURMURS ..and water running. | 0:32:15 | 0:32:17 | |
Stand outside the ladies'. As the door opens and closes, | 0:32:17 | 0:32:19 | |
you will hear nothing but laughter. | 0:32:19 | 0:32:21 | |
Women are funny all the time. | 0:32:21 | 0:32:23 | |
We still have a problem in this country - | 0:32:23 | 0:32:26 | |
if there's a show on, you hardly ever have more than one woman on the show. | 0:32:26 | 0:32:30 | |
If there's four panellists, it'll be three boys and a girl. | 0:32:30 | 0:32:33 | |
-And they'll say, "Ooh, women - we've already got one of those." -Mm. | 0:32:33 | 0:32:37 | |
So, we still have work to do. There's stuff to do. | 0:32:37 | 0:32:39 | |
The Good Life, the class system, | 0:32:39 | 0:32:42 | |
do you think it really taught you about British values? | 0:32:42 | 0:32:44 | |
I certainly think it opens the door. | 0:32:44 | 0:32:46 | |
When you come from abroad, living abroad, | 0:32:46 | 0:32:48 | |
a lot of bits of British life just seem a bit strange, | 0:32:48 | 0:32:51 | |
and when I first arrived, | 0:32:51 | 0:32:53 | |
-I remember the Wombles of Wimbledon were a big hit. -Yes! | 0:32:53 | 0:32:56 | |
And I thought that it was that they were OF Wimbledon, | 0:32:56 | 0:32:58 | |
and that they were common. | 0:32:58 | 0:33:00 | |
And I didn't understand that there was a place called Wimbledon Common. | 0:33:00 | 0:33:03 | |
I thought it was, "We're the Wombles of Wimbledon - common are we." | 0:33:03 | 0:33:06 | |
I thought, "Oh, what an extraordinary thing, | 0:33:06 | 0:33:08 | |
"to talk about yourself being common." | 0:33:08 | 0:33:09 | |
So there's lots of bits of the life that I didn't understand. | 0:33:09 | 0:33:12 | |
I didn't understand about the class system, | 0:33:12 | 0:33:14 | |
and there were lots of jokes. | 0:33:14 | 0:33:16 | |
-Innuendo is peculiarly British. -Mm. | 0:33:16 | 0:33:19 | |
And it is something that completely passed me by | 0:33:19 | 0:33:22 | |
when I first came across it. | 0:33:22 | 0:33:23 | |
Speaking of which, I think that brings us nicely to our next clip. | 0:33:23 | 0:33:26 | |
Have a little look at this. | 0:33:26 | 0:33:28 | |
Oh, yes. | 0:33:29 | 0:33:30 | |
The management would have had more consideration | 0:33:36 | 0:33:38 | |
than keep us sitting on our jacksies for the postmortem. | 0:33:38 | 0:33:42 | |
I used to watch this with no idea what was going on. | 0:33:42 | 0:33:46 | |
I knew that Mrs Slocombe had a cat, I didn't know why it was funny. | 0:33:46 | 0:33:49 | |
You know, this sort of thing just isn't fair on my pussy. | 0:33:51 | 0:33:54 | |
Rather appropriately, Are You Being Served? ran for 69 episodes. | 0:33:55 | 0:34:01 | |
It graced our screens from 1972 to 1975, | 0:34:01 | 0:34:04 | |
and at its peak Inman and Coutts delivered shameless innuendo | 0:34:04 | 0:34:09 | |
to audiences of 22 million viewers. | 0:34:09 | 0:34:12 | |
We'd sit and watch it completely bemused, | 0:34:12 | 0:34:14 | |
and my mother, who's English, would laugh, | 0:34:14 | 0:34:16 | |
and the rest of the family | 0:34:16 | 0:34:17 | |
are thinking, "Well, I've no idea what's going on here. | 0:34:17 | 0:34:20 | |
-"This is surely not the way to run any kind of shop." -Yeah! | 0:34:20 | 0:34:22 | |
Yodel-odel-odel-odel... | 0:34:22 | 0:34:25 | |
..ee-hee! | 0:34:25 | 0:34:27 | |
-John Inman. -"I'M free." -Yeah! | 0:34:30 | 0:34:33 | |
I can't think why, but my eyes are watering. | 0:34:33 | 0:34:36 | |
-Another innuendo. -Innuendo. Straight in. | 0:34:36 | 0:34:38 | |
-We should count how many there are. -Yeah. | 0:34:38 | 0:34:40 | |
'Ere, listen - I don't know how to wear me braces. | 0:34:40 | 0:34:42 | |
Should they be like that... | 0:34:42 | 0:34:44 | |
or like that? | 0:34:44 | 0:34:45 | |
I did panto with Wendy Richards. | 0:34:45 | 0:34:47 | |
This was before she did EastEnders, so she was still being billed | 0:34:47 | 0:34:49 | |
as Wendy "Are You Being Served?" Richards. | 0:34:49 | 0:34:51 | |
And do you know what? | 0:34:51 | 0:34:53 | |
She taught me a lot about a great attitude to show business, | 0:34:53 | 0:34:55 | |
which is that really you should just thank every day | 0:34:55 | 0:34:58 | |
-that this is what you do for a living. -Yeah. | 0:34:58 | 0:35:00 | |
And she was a joyous person, and is much missed. | 0:35:00 | 0:35:04 | |
I feel a right fairy. | 0:35:04 | 0:35:05 | |
Ooh. Aren't you the lucky one? | 0:35:05 | 0:35:08 | |
It hadn't occurred to me - this may surprise you - | 0:35:08 | 0:35:10 | |
that there were people of a homosexual persuasion. | 0:35:10 | 0:35:12 | |
-It had never occurred to me... -National television. | 0:35:12 | 0:35:15 | |
Well, not at all, darling. In life, it hadn't occurred to me. | 0:35:15 | 0:35:18 | |
-It's such a piece of history. -Did you not realise that they were gay? | 0:35:18 | 0:35:22 | |
I don't know. People thought Liberace wasn't, so...! | 0:35:22 | 0:35:26 | |
I seriously... I think possibly there was a bit of innocence in the world. | 0:35:26 | 0:35:31 | |
Although when my mother told my grandmother, she said, | 0:35:31 | 0:35:34 | |
"I've got something serious to tell you," to my grandmother, | 0:35:34 | 0:35:38 | |
and when they all sat down and had a cup of tea, | 0:35:38 | 0:35:40 | |
my mum sat down with my... | 0:35:40 | 0:35:42 | |
Why she thought she should do it, I don't know, | 0:35:42 | 0:35:44 | |
and said, "I've got something very serious to tell you about Sandi. | 0:35:44 | 0:35:47 | |
"She's gay." | 0:35:47 | 0:35:48 | |
And Granny said, "Oh, I thought you were going to say she was ill! | 0:35:48 | 0:35:51 | |
"We had those in OUR day." | 0:35:51 | 0:35:52 | |
-So, "We had those in our day" is good. It was OK. -That's lovely. | 0:35:53 | 0:35:56 | |
We were fine after that. | 0:35:56 | 0:35:59 | |
John Inman's Mr Humphries is a queen of British TV camp, | 0:35:59 | 0:36:03 | |
but he's one of many brilliant comic camp creations. | 0:36:03 | 0:36:07 | |
The success of Dick Emery's Clarence high-kicked it all off | 0:36:07 | 0:36:11 | |
with his catchphrase, "Hello, Honky Tonk," on TV in 1963. | 0:36:11 | 0:36:16 | |
Barry Stuart-Hargreaves came waltzing along in the ''80s, | 0:36:16 | 0:36:20 | |
taking camp on holiday in Hi-de-Hi. | 0:36:20 | 0:36:23 | |
James Dreyfus gave us | 0:36:23 | 0:36:26 | |
PC Goody alongside Rowan Atkinson in The Thin Blue Line in the 1990s, | 0:36:26 | 0:36:30 | |
and David Walliams gave camp a twist for the noughties | 0:36:30 | 0:36:33 | |
with Sebastian, | 0:36:33 | 0:36:35 | |
the Prime Minister's very personal aide in Little Britain. | 0:36:35 | 0:36:39 | |
But Sandi's big TV break came in 1982, | 0:36:45 | 0:36:48 | |
when ITV started making a brand-new, completely live | 0:36:48 | 0:36:53 | |
Saturday morning kids' TV show, No. 73. | 0:36:53 | 0:36:56 | |
It was to be bigger and messier than anything on the BBC, | 0:36:56 | 0:37:00 | |
but she got started on the road to stardom | 0:37:00 | 0:37:02 | |
not because of what she did right, but what she did wrong. | 0:37:02 | 0:37:05 | |
-So, you know The Stage newspaper... -Yes. | 0:37:05 | 0:37:07 | |
..the newspaper for the profession. | 0:37:07 | 0:37:09 | |
I was reading it, and there was an advert in the back, | 0:37:09 | 0:37:11 | |
"Would you like to have breakfast with a gorilla?" | 0:37:11 | 0:37:14 | |
And I though, "Well, I don't mind." | 0:37:14 | 0:37:15 | |
So, it said to send off your CV and a photograph of yourself, | 0:37:15 | 0:37:19 | |
and I didn't realise, because I didn't know much about show | 0:37:19 | 0:37:21 | |
business, that they meant one of those posh photographs. | 0:37:21 | 0:37:24 | |
I went to Victoria Station in London to a photo booth, | 0:37:24 | 0:37:27 | |
and I couldn't get the chair to go all the way up, | 0:37:27 | 0:37:29 | |
so, I sent a photo that, honestly, it was three-quarters of my head | 0:37:29 | 0:37:32 | |
in a little tiny picture like this, | 0:37:32 | 0:37:34 | |
and the producers thought it was a joke. | 0:37:34 | 0:37:36 | |
Oh, right! Oh, right. | 0:37:36 | 0:37:37 | |
It was the only photo that I had of myself, and I auditioned, | 0:37:37 | 0:37:42 | |
and I got the job. | 0:37:42 | 0:37:44 | |
So, here we are. This is No. 73, with Sandi Toksvig. | 0:37:44 | 0:37:49 | |
Morning. Did you see who that was? | 0:37:52 | 0:37:55 | |
I bet it was the milkman. | 0:37:55 | 0:37:57 | |
-That's not you! -It is me! | 0:37:57 | 0:37:59 | |
No, that's you! | 0:37:59 | 0:38:00 | |
-Have you seen this before? -No. Cos it was live! | 0:38:01 | 0:38:04 | |
Well, let's have a look. | 0:38:04 | 0:38:05 | |
That's how the day started. What does the horoscope say? | 0:38:05 | 0:38:08 | |
Er...Taurus. | 0:38:08 | 0:38:10 | |
It was live telly, hour and three-quarters. | 0:38:10 | 0:38:13 | |
Still only three channels. | 0:38:13 | 0:38:15 | |
Millions of people watching, | 0:38:15 | 0:38:17 | |
and you knew there was a lot of work ahead of you. | 0:38:17 | 0:38:20 | |
Your heart would be absolutely coming out of your chest. | 0:38:20 | 0:38:23 | |
So, the first six years of my television career. | 0:38:23 | 0:38:25 | |
-So, wonderful TV training, surely? -Oh, it's the best. | 0:38:25 | 0:38:28 | |
There's nothing that went wrong that couldn't have gone wrong. | 0:38:28 | 0:38:31 | |
First he had the whole house rewired, then he had me wired for sound. | 0:38:31 | 0:38:34 | |
It's wonderful. | 0:38:34 | 0:38:35 | |
KNOCK AT DOOR | 0:38:35 | 0:38:37 | |
Oh, it can't be the milkman, can it? | 0:38:38 | 0:38:39 | |
-I can't tell you... -A lot of acting. -There was a lot of acting, | 0:38:39 | 0:38:42 | |
and I can't tell you how many things went wrong. | 0:38:42 | 0:38:44 | |
We did a whole show with Spike Milligan, hour and three-quarters. | 0:38:44 | 0:38:48 | |
The last five minutes, | 0:38:48 | 0:38:49 | |
Spike and me are meant to do the whole big scene | 0:38:49 | 0:38:52 | |
to wrap up everything. | 0:38:52 | 0:38:54 | |
I go into that bit of the set, | 0:38:54 | 0:38:56 | |
and the floor manager's behind the camera going, "Spike's gone home." | 0:38:56 | 0:38:59 | |
To do the last five minutes, I played both parts. | 0:39:00 | 0:39:03 | |
HONKY TONK MUSIC So, the daring, dazzling, | 0:39:03 | 0:39:05 | |
death-defyingly dull, devastatingly dangerous, | 0:39:05 | 0:39:07 | |
delectable, divinely decadent Sandwich Quiz! | 0:39:07 | 0:39:10 | |
-ALL: -Heeeeeere's Ethel! | 0:39:10 | 0:39:12 | |
The reason we did the Sandwich Quiz was, because the show was live, | 0:39:12 | 0:39:15 | |
sometimes at the end we had two minutes left, | 0:39:15 | 0:39:17 | |
and sometimes we had 22 minutes left, | 0:39:17 | 0:39:18 | |
and we could never work out how to time it exactly, | 0:39:18 | 0:39:21 | |
and the Sandwich Quiz, and my job, | 0:39:21 | 0:39:23 | |
was to make sure we came out exactly on time. | 0:39:23 | 0:39:25 | |
Prince Charles has saved a 59-year-old man | 0:39:25 | 0:39:27 | |
who was in a car crash this morning. | 0:39:27 | 0:39:29 | |
-Quite a hero, old Charles. -Is he? Going to make your sandwich? | 0:39:29 | 0:39:31 | |
-Here's your currants. -Thanks. -Piece of bread. How are we doing? | 0:39:31 | 0:39:34 | |
That's very nice. | 0:39:34 | 0:39:35 | |
Pour them down here, and make them disappear or turn into sugar. | 0:39:35 | 0:39:38 | |
-Talking of the Sandwich Quiz, I've got something... -Oh, no. | 0:39:38 | 0:39:43 | |
..in the hall, that I'm just about to get. | 0:39:43 | 0:39:46 | |
Should I feel worried? It's not another fox puppet, is it? | 0:39:46 | 0:39:49 | |
No, you're OK. | 0:39:49 | 0:39:50 | |
-I've got here... -Oh, for goodness' sake. -..the very item. | 0:39:51 | 0:39:54 | |
SHE CHUCKLES | 0:39:54 | 0:39:55 | |
Ladies and gentlemen, we are presenting, for the first time... | 0:39:55 | 0:39:58 | |
Oh, we had currants! It was for current affairs, we had currants. | 0:39:58 | 0:40:02 | |
..in many years, we are going to perform the Sandwich Quiz. | 0:40:02 | 0:40:05 | |
-These are your questions. -OK. | 0:40:05 | 0:40:07 | |
-Cos we're going to play. I haven't seen them. -So, the idea was... | 0:40:07 | 0:40:11 | |
Well, first up, can you do the tongue twister? | 0:40:11 | 0:40:13 | |
Oh, my goodness, it must be 30 years. | 0:40:13 | 0:40:15 | |
-I've got it here. -No, no, let me try. | 0:40:15 | 0:40:17 | |
So, I used to bang the table, and the music would start. | 0:40:17 | 0:40:19 | |
HONKY-TONK MUSIC And I would say... | 0:40:19 | 0:40:21 | |
So, the daring, dazzling, death-defyingly dull, | 0:40:21 | 0:40:23 | |
devastatingly dangerous, delectable, | 0:40:23 | 0:40:25 | |
divinely decadent Sandwich Quiz. | 0:40:25 | 0:40:27 | |
In the bag, ladies and gentlemen. A Blue Peter badge. | 0:40:27 | 0:40:30 | |
So, I'm going to ask you a question. | 0:40:30 | 0:40:31 | |
-Right. -If you get it right, you make a sandwich. | 0:40:31 | 0:40:33 | |
You've got to do this quickly, we have a lot of people to feed. | 0:40:33 | 0:40:36 | |
-Mm-hm. -OK, are you ready? KLAXON | 0:40:36 | 0:40:38 | |
Sandwiches were invented by a famous earl, the Earl of...? | 0:40:38 | 0:40:41 | |
-Of Sandwich. -Absolutely right. Make a sandwich. | 0:40:41 | 0:40:43 | |
-So, I make a sandwich. -I'll ask you the next question - | 0:40:43 | 0:40:45 | |
you've got to be quick. | 0:40:45 | 0:40:46 | |
-Which country has a nut named after it? -Oh, gawd. | 0:40:46 | 0:40:49 | |
-Um... -What is that? -I don't know what sandwich it is. | 0:40:49 | 0:40:51 | |
Looks like salad cream. | 0:40:51 | 0:40:52 | |
-No, don't do jam with it! It looks horrible. -I'm sorry. | 0:40:52 | 0:40:55 | |
-Have I got to eat it afterwards? -Yes. Is it coronation chicken? | 0:40:55 | 0:40:57 | |
-It is...brazil nuts. -Brazil nuts! Make another sandwich. | 0:40:57 | 0:41:00 | |
Do you drink fizzy pop from a can or a cannot? | 0:41:00 | 0:41:03 | |
-Er...from a can. -Oh, you're good. You're good! -Ah! | 0:41:03 | 0:41:05 | |
-But you're not fast at the sandwiches. -No, I'm not. | 0:41:05 | 0:41:08 | |
Normally there would have been two people. | 0:41:08 | 0:41:09 | |
We'd have Elton John against Suzi Quatro. | 0:41:09 | 0:41:11 | |
Oh, where's Elton when you need him? | 0:41:11 | 0:41:13 | |
If you put bread in a bread bin, what do you put in a toaster? | 0:41:13 | 0:41:16 | |
-Er... Oh, good - bread, bread. -Hey! -That was good! | 0:41:16 | 0:41:18 | |
-I see where you were going there. -Another sandwich, please. | 0:41:18 | 0:41:21 | |
Thank you very much. | 0:41:21 | 0:41:22 | |
-Why did the chicken cross the road? -Er... | 0:41:22 | 0:41:24 | |
To get to the other side. | 0:41:24 | 0:41:26 | |
Ah, you see, a comic. | 0:41:26 | 0:41:27 | |
We should ask some currant ones. | 0:41:27 | 0:41:29 | |
Why did the tomato blush? | 0:41:29 | 0:41:30 | |
Er, because it was... | 0:41:30 | 0:41:32 | |
-sun-dried? -Because it saw the salad dressing. | 0:41:32 | 0:41:35 | |
KLAXON Oh, you were doing so well! | 0:41:35 | 0:41:37 | |
You should come on 15 to One. | 0:41:37 | 0:41:38 | |
I'm telling you, the physics questions were next. | 0:41:38 | 0:41:41 | |
Would have been great. | 0:41:41 | 0:41:42 | |
Do you think that this would work well on 15 to One, | 0:41:42 | 0:41:44 | |
-making sandwiches? -Yeah, why not? | 0:41:44 | 0:41:46 | |
I love the fact that this is your idea. | 0:41:46 | 0:41:48 | |
This is something that you thought of. | 0:41:48 | 0:41:50 | |
Well, it's a long time ago, but maybe it's ripe for a comeback. | 0:41:50 | 0:41:52 | |
Shall we see what we can do? | 0:41:52 | 0:41:54 | |
-You said we should work together. -I'm ready. | 0:41:54 | 0:41:56 | |
-Ready when you are. -Yeah? -Mm. | 0:41:56 | 0:41:58 | |
Does it seem weird, watching yourself? | 0:41:58 | 0:42:00 | |
Yeah, it is very strange. | 0:42:00 | 0:42:01 | |
Because it was live, I never really watched it. | 0:42:01 | 0:42:03 | |
So, it is very odd and dear Lord, I look young. | 0:42:03 | 0:42:06 | |
-Mm, you still do, though. -You are gorgeous. | 0:42:06 | 0:42:08 | |
I may be on the turn, Brian, I'm just saying. I really like you. | 0:42:08 | 0:42:11 | |
God bless you. | 0:42:11 | 0:42:12 | |
So, Sandi, to bring us up-to-date, | 0:42:12 | 0:42:14 | |
what do you enjoy watching now on TV? | 0:42:14 | 0:42:15 | |
I've loved all the Danish dramas that have done so well - | 0:42:15 | 0:42:18 | |
The Killing, Borgen, The Legacy - | 0:42:18 | 0:42:19 | |
I think they've been absolutely fantastic. | 0:42:19 | 0:42:21 | |
I love the international element of them. | 0:42:21 | 0:42:23 | |
Orange Is The New Black - American series, it's fantastic. | 0:42:23 | 0:42:27 | |
Mary Beard, classical historian, | 0:42:27 | 0:42:29 | |
talking about the Romans. | 0:42:29 | 0:42:30 | |
It would be impossible | 0:42:30 | 0:42:32 | |
to do documentary better than she does it, | 0:42:32 | 0:42:34 | |
and then, after that, news. I'm a newshound, I'm afraid. | 0:42:34 | 0:42:38 | |
So, as a guest on the show, you get a choice, now, | 0:42:38 | 0:42:41 | |
to pick a theme tune... | 0:42:41 | 0:42:42 | |
-OK. -..that we're going to play out on. | 0:42:42 | 0:42:45 | |
-There's only one. -Mm-hm. | 0:42:45 | 0:42:46 | |
It's got to be Cagney & Lacey. I love those feisty ladies. | 0:42:46 | 0:42:50 | |
I dreamt of striding down a street like that. | 0:42:50 | 0:42:53 | |
-It reminds me of my American childhood. -Mm-hm. | 0:42:53 | 0:42:56 | |
Ladies and gentlemen, this wonderful lady, | 0:42:56 | 0:42:58 | |
Sandi Toksvig, God bless you. | 0:42:58 | 0:43:01 | |
And here is Cagney & Lacey to play us out. | 0:43:01 | 0:43:03 | |
We'll see you soon. Bye-bye. | 0:43:03 | 0:43:05 |