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Telly. That magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:09 | |
In this series, I'm going to journey through the fantastic world | 0:00:09 | 0:00:13 | |
of TV with some of our favourite celebrities. | 0:00:13 | 0:00:16 | |
They've chosen the precious TV moments that shed light... | 0:00:16 | 0:00:20 | |
-Proper. -'She seems like a nice girl, though.' -Look at that. | 0:00:20 | 0:00:24 | |
..on the stories of their lives. | 0:00:24 | 0:00:26 | |
THEY SING | 0:00:26 | 0:00:29 | |
Some are funny. | 0:00:29 | 0:00:31 | |
-Could you do the chanting? -I could do... Mnum, mnum, mnum. | 0:00:31 | 0:00:34 | |
Some... | 0:00:34 | 0:00:35 | |
Amazing. | 0:00:35 | 0:00:36 | |
..are surprising. | 0:00:36 | 0:00:38 | |
I was mortified. | 0:00:38 | 0:00:40 | |
Some are inspiring. | 0:00:40 | 0:00:42 | |
I am not a number. I am a free man. | 0:00:42 | 0:00:45 | |
-And many... -Did George Orwell get his predictions right? | 0:00:45 | 0:00:48 | |
It's all so dramatic! | 0:00:48 | 0:00:49 | |
..are deeply moving. | 0:00:49 | 0:00:50 | |
Oh, no. | 0:00:50 | 0:00:52 | |
And heads down the beach towards almost certain death. | 0:00:52 | 0:00:54 | |
All of us, weeping. | 0:00:54 | 0:00:57 | |
So come watch with us as we hand-pick the vintage telly | 0:00:57 | 0:01:00 | |
that helped turn our much-loved stars into the people they are today. | 0:01:00 | 0:01:05 | |
Welcome to the TV That Made Me. | 0:01:05 | 0:01:07 | |
My guest today is one of the first people we see when we wake up. | 0:01:16 | 0:01:20 | |
Carol Kirkwood has been brightening up our mornings come rain or | 0:01:20 | 0:01:24 | |
shine for over a decade. | 0:01:24 | 0:01:26 | |
The TV that made her includes a family game show... | 0:01:26 | 0:01:30 | |
Could we have the scores on the doors, please? | 0:01:30 | 0:01:33 | |
..a Scouse sitcom... | 0:01:33 | 0:01:34 | |
-Do I ever ask you personal questions about your private life? -Yes. | 0:01:34 | 0:01:39 | |
..and a kids' institution. | 0:01:39 | 0:01:41 | |
My idea of this special treat is called scone pizza. | 0:01:41 | 0:01:45 | |
It can only be the one and only, | 0:01:45 | 0:01:47 | |
-the lovely Carol Kirkwood is with us today. -Hi, Brian. | 0:01:47 | 0:01:52 | |
Are you excited about this? | 0:01:52 | 0:01:53 | |
I am, I'm really looking forward to taking a wee jaunt down memory lane. | 0:01:53 | 0:01:57 | |
That's what it is. Today is a collection of TV archives, | 0:01:57 | 0:02:01 | |
things that you've enjoyed over the years but first up, | 0:02:01 | 0:02:04 | |
we're going to rewind the clock and go back to the early Carol. | 0:02:04 | 0:02:09 | |
Carol Kirkwood was born Carol MacKellaig on 29 May 1962 | 0:02:11 | 0:02:18 | |
in the remote rural village of Morar in the West Highlands of Scotland. | 0:02:18 | 0:02:22 | |
Mum and Dad had their hands full with two sons, six daughters | 0:02:23 | 0:02:27 | |
and a family business to run. | 0:02:27 | 0:02:29 | |
My parents owned a hotel. | 0:02:29 | 0:02:31 | |
It was only about four minutes' walk up the road, but we spent a lot of | 0:02:31 | 0:02:34 | |
time in the hotel and we used to play in the hotel car park on our bikes. | 0:02:34 | 0:02:38 | |
And when we went to school, the local school, when we were at primary | 0:02:38 | 0:02:42 | |
school, we would come home for lunch and I never wanted to do that. | 0:02:42 | 0:02:46 | |
I wanted to stay with my friends and have a school lunch, | 0:02:46 | 0:02:49 | |
but we were going back to the hotel and having a hotel lunch. | 0:02:49 | 0:02:52 | |
So things like lemon sole, salmon, and I wanted a burger and chips! | 0:02:52 | 0:02:58 | |
With you talking about that hotel... | 0:02:58 | 0:03:01 | |
You might find this a little bit interesting. | 0:03:01 | 0:03:04 | |
'And then the manager will come out and welcome you all to Morar.' | 0:03:06 | 0:03:10 | |
BAGPIPES PLAY | 0:03:10 | 0:03:12 | |
That's Morar Hotel! | 0:03:12 | 0:03:14 | |
'Here, too, is a piper to greet you after your second day's journey. | 0:03:14 | 0:03:18 | |
'The hotel manager is on the doorstep to welcome you.' | 0:03:18 | 0:03:21 | |
Oh, my goodness! | 0:03:21 | 0:03:23 | |
-Oh, my goodness! -How does it feel seeing it? -Lovely. | 0:03:24 | 0:03:28 | |
-Oh, gosh, I spent years there. -That's not you on the left. | 0:03:29 | 0:03:34 | |
SHE LAUGHS No. | 0:03:34 | 0:03:35 | |
We used to love it when the coach drivers would come up | 0:03:35 | 0:03:38 | |
because they would take us for a spin in their coach. | 0:03:38 | 0:03:40 | |
-You'd be sitting there like wee girls. -So, is that...? -Oh, yes. Yes! | 0:03:40 | 0:03:45 | |
That's what it was like. Look at the wallpaper and the carpets. | 0:03:45 | 0:03:48 | |
-Oh, look at that fire. -That's what it was like! | 0:03:48 | 0:03:50 | |
The rooms look out at the dark islands of Rum and Eigg. | 0:03:50 | 0:03:54 | |
-Look at that view, Brian. -Oh, it's stunning. -Look at the bedspread! | 0:03:54 | 0:03:58 | |
HE LAUGHS | 0:03:58 | 0:03:59 | |
You had these candlewick bedspreads too. | 0:03:59 | 0:04:02 | |
We had so much freedom! | 0:04:02 | 0:04:04 | |
Because you'd come home from school, dump your school bag, pick up | 0:04:04 | 0:04:08 | |
your bike with your friends, swimming costume on, off to the beach. | 0:04:08 | 0:04:11 | |
-It sounds to me like you didn't have much time to watch TV! -SHE LAUGHS | 0:04:11 | 0:04:14 | |
Well, our TV was very much monitored. | 0:04:14 | 0:04:17 | |
I know some children nowadays go in and just watch telly | 0:04:17 | 0:04:21 | |
ad nauseam or watch it on the computer or whatever. | 0:04:21 | 0:04:24 | |
It wasn't like that for us. We were very much outdoor kids | 0:04:24 | 0:04:27 | |
and we'd play and make up games. | 0:04:27 | 0:04:28 | |
-Well, look at that. You had a chance to see... -Beautiful. | 0:04:28 | 0:04:31 | |
..a beautiful setting. | 0:04:31 | 0:04:33 | |
But I remember, at the corner of the hotel in the opening | 0:04:33 | 0:04:35 | |
shot of that, there was a car parking space | 0:04:35 | 0:04:37 | |
and my dad always parked there. | 0:04:37 | 0:04:39 | |
And I was just little, wanted to learn to drive but was far too young. | 0:04:39 | 0:04:42 | |
And so the hotel was on a slight slope, | 0:04:42 | 0:04:45 | |
the car park was on a slight slope. | 0:04:45 | 0:04:47 | |
So anyway, he had a Jag and I was sitting in the Jag pretending | 0:04:47 | 0:04:50 | |
to drive, turning the steering wheel. | 0:04:50 | 0:04:52 | |
I'd seen Dad taking the handbrake off often. | 0:04:52 | 0:04:55 | |
I took the handbrake off, didn't know how to put it back on | 0:04:55 | 0:04:57 | |
as the car and me slid slowly smack into the wall. | 0:04:57 | 0:05:02 | |
Couldn't sit down for two weeks. | 0:05:02 | 0:05:04 | |
Dad was gutted! Bless him. | 0:05:04 | 0:05:06 | |
Carol, your earliest TV memories, what are they? | 0:05:13 | 0:05:16 | |
-We didn't have telly when I was a wee girl, Brian... -No! | 0:05:16 | 0:05:19 | |
..because we didn't have reception. | 0:05:19 | 0:05:21 | |
We didn't actually get BBC One until probably... I was about six. | 0:05:21 | 0:05:25 | |
Then we only had BBC One for donkey's years after that, | 0:05:25 | 0:05:28 | |
so STV, as it would have been in my case, | 0:05:28 | 0:05:31 | |
and BBC Two just weren't there, and as for Channel 4 or 5, well, | 0:05:31 | 0:05:34 | |
-we're going back to BC, so obviously they weren't there either. -Yeah. | 0:05:34 | 0:05:38 | |
As six-year-old Carol and her siblings | 0:05:38 | 0:05:40 | |
switched on TV for the first time in 1968, | 0:05:40 | 0:05:44 | |
they could have watched The Railway Children, | 0:05:44 | 0:05:46 | |
one of the first children's novels adapted by the BBC, | 0:05:46 | 0:05:50 | |
Dad's Army, beginning its nine-year run, | 0:05:50 | 0:05:53 | |
and the last episode of sitcom | 0:05:53 | 0:05:55 | |
Beggar My Neighbour, starring Reg Varney. | 0:05:55 | 0:05:59 | |
The first programme I actually remember is Play School, | 0:05:59 | 0:06:02 | |
the theme tune and everything. | 0:06:02 | 0:06:03 | |
A little trip down memory lane for Carol Kirkwood. Here we go. | 0:06:03 | 0:06:07 | |
Look at that! Oh, my goodness! | 0:06:08 | 0:06:10 | |
-VOICEOVER: -Here's a house. | 0:06:10 | 0:06:12 | |
-Oh! -With a door. | 0:06:12 | 0:06:15 | |
CAROL AND BRIAN: Windows - one, two, three, four. | 0:06:15 | 0:06:20 | |
-Ready to knock? -Yes! | 0:06:20 | 0:06:22 | |
Here you are, there's some cornflakes for you. | 0:06:23 | 0:06:27 | |
Oh, my goodness, Big Ted! | 0:06:27 | 0:06:29 | |
I used to do this as a kid myself with my dolls. We'd have tea parties, | 0:06:29 | 0:06:32 | |
be pretending to feed them things, cakes and things. | 0:06:32 | 0:06:35 | |
So, you mentioned the names of the dolls. Don't cheat! | 0:06:35 | 0:06:39 | |
Who have we got, then? | 0:06:41 | 0:06:43 | |
There was Mabel and Jemima, there was Big Ted and Little Ted... | 0:06:43 | 0:06:46 | |
-Big Ted, Little Ted. -..and Humpty. | 0:06:46 | 0:06:48 | |
-And apparently Hamble. -Hamble! | 0:06:48 | 0:06:52 | |
Oh, my goodness, I'd forgotten about her. | 0:06:52 | 0:06:54 | |
For me, Humpty was the star. | 0:06:54 | 0:06:56 | |
He was the only one that looked... I don't know, I liked Humpty. | 0:06:57 | 0:07:00 | |
Plenty of sugar. | 0:07:00 | 0:07:02 | |
Look at Humpty, what a cool hairdo! | 0:07:02 | 0:07:04 | |
BUZZING | 0:07:04 | 0:07:06 | |
What do you think that is? | 0:07:06 | 0:07:07 | |
-Look at the special effects! -I know, look at that fly! | 0:07:09 | 0:07:13 | |
This is better than Avatar! | 0:07:13 | 0:07:16 | |
BUZZING CONTINUES | 0:07:16 | 0:07:18 | |
-Oh, look, there's Brian Cant. -Doesn't he look young? | 0:07:18 | 0:07:23 | |
Did you guess it was on the end of a bit of thread? | 0:07:23 | 0:07:25 | |
I've really come to say it's time to say goodbye until tomorrow. | 0:07:25 | 0:07:28 | |
-Goodbye until then. -Goodbye. | 0:07:28 | 0:07:30 | |
You used to answer them when everybody was saying goodbye. | 0:07:30 | 0:07:33 | |
You'd go, "Goodbye!" | 0:07:33 | 0:07:34 | |
BBC Two's planned opening night on 20 April 1964 | 0:07:35 | 0:07:39 | |
was blacked out by a power cut. | 0:07:39 | 0:07:42 | |
When the new station finally launched the next day, | 0:07:42 | 0:07:45 | |
Play School was its first-ever programme. | 0:07:45 | 0:07:48 | |
-So, what did you love about it, Carol? The simplicity? -Yes. | 0:07:48 | 0:07:53 | |
I'd never seen anything like this before because again, | 0:07:53 | 0:07:55 | |
growing up, my mother was a teacher. | 0:07:55 | 0:07:57 | |
We grew up with lots of books and things | 0:07:57 | 0:07:59 | |
but we hadn't seen television. It seems incredible now. | 0:07:59 | 0:08:03 | |
-And just to see that and to see what they did... -And see it in colour? | 0:08:03 | 0:08:06 | |
Well, we were black-and-white to start with, | 0:08:06 | 0:08:08 | |
but seeing it in colour now - incredible! | 0:08:08 | 0:08:11 | |
It takes you back to when you were inch high, | 0:08:11 | 0:08:13 | |
and it wasn't just me watching it, it was my wee sister | 0:08:13 | 0:08:17 | |
and then later on my wee brother as well. | 0:08:17 | 0:08:19 | |
I think he was a bit of a legend, wasn't he, old Brian Cant? | 0:08:19 | 0:08:22 | |
Yes, he was. | 0:08:22 | 0:08:23 | |
I used to think he was just like a big brother, | 0:08:23 | 0:08:26 | |
although he probably would have been old enough to be my dad - | 0:08:26 | 0:08:28 | |
no disrespect intended to Brian. | 0:08:28 | 0:08:30 | |
But, yeah, he just had a warmth about him as well. | 0:08:30 | 0:08:33 | |
Just a really nice man. | 0:08:33 | 0:08:35 | |
Over its 24-year run, | 0:08:36 | 0:08:38 | |
Play School introduced us to 104 ever-enthusiastic presenters. | 0:08:38 | 0:08:43 | |
But there were a few who stood out from the crowd. | 0:08:43 | 0:08:46 | |
The legendary Johnny Ball, dad to DJ Zoe Ball, | 0:08:46 | 0:08:51 | |
and children's TV stalwart, | 0:08:51 | 0:08:53 | |
Chloe Ashcroft, presented 545 episodes each across three decades. | 0:08:53 | 0:09:00 | |
Avengers and Carry On actress Julie Stevens appeared in 600 episodes. | 0:09:01 | 0:09:07 | |
The man most linked to the show, Brian Cant, | 0:09:07 | 0:09:09 | |
managed 620 episodes, but even he didn't beat Carol Chell, | 0:09:09 | 0:09:15 | |
who appeared in a whopping 763 Play School days. | 0:09:15 | 0:09:20 | |
Oh, those were the days. They don't make telly like that any more. | 0:09:20 | 0:09:23 | |
-No. And it was only on for a short period of time. -I know. | 0:09:23 | 0:09:28 | |
I think that's what was interesting, | 0:09:28 | 0:09:30 | |
there's not a children's channel, like now you have got CBeebies. | 0:09:30 | 0:09:35 | |
Then, you had a little window and that was your time. | 0:09:35 | 0:09:39 | |
It was also how you watched it, so I would watch it with my mum | 0:09:39 | 0:09:43 | |
if she was around, for example, and my little sister, as I was saying. | 0:09:43 | 0:09:46 | |
It was a family thing. Play School was on. | 0:09:46 | 0:09:49 | |
There was a time you switched on the telly and there it was. | 0:09:49 | 0:09:52 | |
And you were glued, you know, kind of sitting there | 0:09:52 | 0:09:55 | |
with your mouth hanging open, just agog | 0:09:55 | 0:09:57 | |
watching all that was happening. | 0:09:57 | 0:09:58 | |
Then you would repeat some of it yourself with your toys. | 0:09:58 | 0:10:01 | |
So, do you recognise anything around our palacious little place here? | 0:10:01 | 0:10:06 | |
That chair, actually. We had two of those in our front porch. | 0:10:06 | 0:10:09 | |
-They were blue and white. -Yeah? -Exactly the same. | 0:10:09 | 0:10:12 | |
-We've got pipes for you. -Oh! | 0:10:12 | 0:10:14 | |
-My dad used to smoke a pipe and... Oh, a wee story for you. -Go on. | 0:10:14 | 0:10:18 | |
Bless him, I loved the smell of the tobacco that he burnt. | 0:10:18 | 0:10:21 | |
Obviously we didn't smoke. Thank you. | 0:10:21 | 0:10:24 | |
I feel like Sherlock Holmes now! | 0:10:24 | 0:10:27 | |
Anyway, we would, in the morning, after... | 0:10:27 | 0:10:30 | |
He put his pipes in the stand at night before he went to bed | 0:10:30 | 0:10:33 | |
and my wee sister, Trish, and myself would go down | 0:10:33 | 0:10:35 | |
and we'd be sucking on them in the morning, like, | 0:10:35 | 0:10:37 | |
"Mmm, this tastes nice," and they'd be covered in slabbers! | 0:10:37 | 0:10:41 | |
We put them back and poor Dad, not having a clue we'd done it, | 0:10:41 | 0:10:44 | |
later on would put his tobacco in, light it up. | 0:10:44 | 0:10:47 | |
I don't think I know anyone that owns a pipe these days. | 0:10:47 | 0:10:49 | |
-No, neither do I. -It's just from a different era, isn't it? | 0:10:49 | 0:10:52 | |
Your biggest influence, Carol, stems back to 1973. | 0:10:57 | 0:11:02 | |
I'm not going to say any more. We're going back to 1973. | 0:11:02 | 0:11:06 | |
Princess Anne, as she walks down the aisle of Westminster Abbey | 0:11:06 | 0:11:09 | |
-to marry Captain Mark Phillips. -Oh, my goodness. | 0:11:09 | 0:11:11 | |
-Now, you were a huge fan. -I was, I loved Blue Peter. | 0:11:11 | 0:11:15 | |
...The Royal Military School of Music. | 0:11:15 | 0:11:18 | |
We used to watch this all the time. | 0:11:18 | 0:11:20 | |
You'd come in from whatever you were doing. | 0:11:20 | 0:11:22 | |
If you were outside playing, you'd come in and watch Blue Peter. | 0:11:22 | 0:11:25 | |
If you were outside crashing the car, you'd think, | 0:11:25 | 0:11:27 | |
"You know what? I'd better go in now, it's Blue Peter!" | 0:11:27 | 0:11:29 | |
I'm in enough trouble. | 0:11:29 | 0:11:30 | |
There are an estimated 500 million people going to be watching | 0:11:30 | 0:11:34 | |
the royal wedding on Wednesday and amongst them, there's going to be | 0:11:34 | 0:11:37 | |
an awful of a lot of children, because the Queen... | 0:11:37 | 0:11:39 | |
I remember actually watching this particular one. | 0:11:39 | 0:11:42 | |
Look at the set. | 0:11:42 | 0:11:44 | |
Gosh, it looks so sparse. | 0:11:44 | 0:11:46 | |
Launched in 1958, | 0:11:46 | 0:11:47 | |
Blue Peter is the world's longest-running children's programme. | 0:11:47 | 0:11:51 | |
Not bad for a show that was designed to fill a six-week | 0:11:51 | 0:11:54 | |
gap in the schedule. | 0:11:54 | 0:11:56 | |
It blazed the trail for TV shows to break out of the studio | 0:11:56 | 0:11:59 | |
and use BBC TV Centre as a location, | 0:11:59 | 0:12:03 | |
prompting a stern memo from the then BBC management | 0:12:03 | 0:12:06 | |
that read, "Television Centre is not a place of entertainment." | 0:12:06 | 0:12:10 | |
Have a listen to what Johnny's got to say | 0:12:10 | 0:12:12 | |
because he's got rather a good idea for something to do. | 0:12:12 | 0:12:14 | |
Dead right, there. My idea is to give your mum a holiday too. | 0:12:14 | 0:12:17 | |
Tell her you'll cook her a special treat when she puts her feet up | 0:12:17 | 0:12:21 | |
on Wednesday morning to watch the television. | 0:12:21 | 0:12:23 | |
I loved John Noakes. | 0:12:23 | 0:12:24 | |
So did I, you never knew what he was going to do next. | 0:12:24 | 0:12:26 | |
-And he always got so many things wrong. -I know, that was his charm. | 0:12:26 | 0:12:30 | |
Look at the state of that! | 0:12:30 | 0:12:31 | |
I loved, "Here's one we prepared earlier." | 0:12:31 | 0:12:33 | |
Oh, that's where it first started. | 0:12:33 | 0:12:36 | |
-A lovely smell. -We smelt it. -Is it done? -Is that why you're here? | 0:12:36 | 0:12:39 | |
-I haven't had any lunch. -Can you pass the knife? | 0:12:39 | 0:12:41 | |
-Is this the sort of thing you would have made? -Yes. -Really? | 0:12:41 | 0:12:44 | |
I wouldn't have done it regularly but because they made it | 0:12:44 | 0:12:46 | |
on Blue Peter, it would be, "Let's have a bash at doing this." | 0:12:46 | 0:12:50 | |
I didn't make everything they made, | 0:12:50 | 0:12:52 | |
but they always had the sticky-back plastic | 0:12:52 | 0:12:54 | |
and the loo rolls and the empty washing-up liquids. | 0:12:54 | 0:12:56 | |
And they are making this for the royal wedding | 0:12:56 | 0:12:59 | |
-so that they can eat this. -Which is exactly what we did. | 0:12:59 | 0:13:03 | |
With the scones? | 0:13:03 | 0:13:05 | |
Yeah, we made them and we sat down... I remember it so well. | 0:13:05 | 0:13:07 | |
The sun was shining, | 0:13:07 | 0:13:09 | |
we drew the blinds, watched it on the telly with our scones. | 0:13:09 | 0:13:13 | |
To make you feel more at home, we've actually got some scones for you. | 0:13:13 | 0:13:16 | |
-Have you? -Yeah, I shall go and get them. -Thank you. | 0:13:16 | 0:13:19 | |
Wait there. Don't go anywhere. | 0:13:19 | 0:13:22 | |
Scones, it's a long time since I've had a scone. | 0:13:22 | 0:13:25 | |
-Oh, lovely! -I've been in the kitchen. | 0:13:25 | 0:13:28 | |
Oh, yum! You know, I may as well whack them straight onto my thighs | 0:13:29 | 0:13:32 | |
because that's where they're heading. | 0:13:32 | 0:13:34 | |
-Oh, yeah, a moment on the lips. -I know. | 0:13:34 | 0:13:36 | |
Blue Peter is also renowned for its cast of animals. | 0:13:38 | 0:13:41 | |
Each year, young tortoise owners were reminded how to safely | 0:13:41 | 0:13:45 | |
prepare their four-legged friends for winter, | 0:13:45 | 0:13:48 | |
usually with the show's longest-serving pet, Freda, | 0:13:48 | 0:13:52 | |
who stayed with the show for 16 years. | 0:13:52 | 0:13:55 | |
She first appeared in 1963 as Fred until they realised he was a she. | 0:13:55 | 0:14:01 | |
So, was Blue Peter something that made you want to be a presenter? | 0:14:03 | 0:14:07 | |
-Yes. -Really? -I wanted to be a Blue Peter presenter full stop, | 0:14:07 | 0:14:11 | |
but I was so shy. | 0:14:11 | 0:14:13 | |
Is it still an ambition to be a Blue Peter presenter? | 0:14:13 | 0:14:17 | |
Gordon MacKenzie Highlander, | 0:14:17 | 0:14:18 | |
I would be like the granny on that programme! | 0:14:18 | 0:14:21 | |
-I think you could earn a gold Blue Peter badge today. -Yeah? | 0:14:21 | 0:14:26 | |
What I've got planned for you... This is a classic, | 0:14:26 | 0:14:29 | |
a moment that every year on Blue Peter they would do | 0:14:29 | 0:14:33 | |
and present to the children, and of course this is your chance | 0:14:33 | 0:14:37 | |
to do that and I have a couple of things to get for you. | 0:14:37 | 0:14:40 | |
-I'm feeling very nervous now, Brian. -Don't feel nervous. -Eek! | 0:14:40 | 0:14:44 | |
First of all, I would like to introduce you to Trevor. | 0:14:44 | 0:14:49 | |
-That's not real, is it? -Yeah. -Seriously? | 0:14:49 | 0:14:51 | |
-Just put him on your lap there. -Hello, Trevor! | 0:14:53 | 0:14:57 | |
And we are going to hibernate him. | 0:14:57 | 0:14:59 | |
Oh, I can feel his leg moving on my leg! | 0:14:59 | 0:15:02 | |
Oh, it's quite tickly! | 0:15:02 | 0:15:04 | |
-Trevor, you're tickling me! -So, we're going to... We're going to put... | 0:15:04 | 0:15:07 | |
-We're going to hibernate him. -CAROL GASPS | 0:15:07 | 0:15:09 | |
So, you have to take this box | 0:15:09 | 0:15:10 | |
-that is big enough for him to turn around in... -Yeah. | 0:15:10 | 0:15:13 | |
-Oh, Trevor! -..fill it with shredded paper... | 0:15:13 | 0:15:16 | |
And this is yours. I will hold on to Trevor while you now | 0:15:16 | 0:15:19 | |
-present the rest of this moment to earn your gold Blue Peter badge. -OK. | 0:15:19 | 0:15:23 | |
OK, well, first of all, | 0:15:23 | 0:15:25 | |
Trevor, I hope that you are going to enjoy your bed. | 0:15:25 | 0:15:28 | |
Some very nice bedding here for you. | 0:15:28 | 0:15:31 | |
We've put this through a shredder, it's all confidential, | 0:15:31 | 0:15:34 | |
you can't see anything from it. | 0:15:34 | 0:15:35 | |
-No. -So, Trevor, I'm just going to make... | 0:15:35 | 0:15:37 | |
-Very important, data protection. -Yep... | 0:15:37 | 0:15:39 | |
CAROL LAUGHS Absolutely. | 0:15:39 | 0:15:41 | |
Spreading this out, nice and evenly. | 0:15:41 | 0:15:43 | |
HE MOUTHS Yeah. | 0:15:43 | 0:15:44 | |
-It's going all over the place, Trevor. -Nice. | 0:15:44 | 0:15:46 | |
But we want to make a nice little... | 0:15:46 | 0:15:48 | |
I'll make it nice and soft in the middle, particularly, a little... | 0:15:48 | 0:15:51 | |
A little bit of a hollow for Trevor to sit in. | 0:15:51 | 0:15:53 | |
Yes, a little bit of a hollow. | 0:15:53 | 0:15:54 | |
-Note the hollow. That's very good, you know. -Yeah, so that... | 0:15:54 | 0:15:57 | |
Yeah, you've sold it for me. | 0:15:57 | 0:15:58 | |
Right, Trevor, how deep would you like your bed? | 0:15:58 | 0:16:01 | |
-Um, I think one more and that should do. -One more? OK. | 0:16:01 | 0:16:03 | |
Do we now place Trevor in, Blue Peter presenter? | 0:16:03 | 0:16:07 | |
Yes, well, has he got anything else that can go in with him, | 0:16:07 | 0:16:09 | |
-or is this it? -Well, what, like, a cuddly toy? | 0:16:09 | 0:16:12 | |
What do you mean? I don't know, he doesn't need anything else. | 0:16:12 | 0:16:14 | |
Oh, Trevor, little man! | 0:16:14 | 0:16:15 | |
I like the way you're stroking him. He can't feel anything, it's... | 0:16:15 | 0:16:18 | |
I know, I don't like to touch him in case I scare him, though. | 0:16:18 | 0:16:21 | |
Oh, why are you going to scare him, Carol? | 0:16:21 | 0:16:23 | |
-Oh, you're a good boy, aren't you? Look at you! -Ooh... | 0:16:23 | 0:16:25 | |
There you are, I'll let you place him into the box. | 0:16:25 | 0:16:27 | |
OK, Trevor, come on, we're going in. | 0:16:27 | 0:16:28 | |
-In you go, wee man. -And now... | 0:16:28 | 0:16:30 | |
There you go! Watch your wee leggies. | 0:16:30 | 0:16:33 | |
-There you go! -So, we have to... And then we have to... | 0:16:33 | 0:16:35 | |
-All settled. -Oh... | 0:16:35 | 0:16:37 | |
This is a true Blue Peter moment. | 0:16:39 | 0:16:42 | |
-Look at that. -This is a little... | 0:16:43 | 0:16:47 | |
A little message from Trevor. | 0:16:47 | 0:16:48 | |
CAROL LAUGHS | 0:16:48 | 0:16:51 | |
-Oh! -But a good Blue Peter presenter will always carry on | 0:16:51 | 0:16:54 | |
in the face of adversity. | 0:16:54 | 0:16:56 | |
Carol, you hold them because my hand's a bit messy. | 0:16:56 | 0:16:59 | |
Look at him, he's looking out, now, what are you laughing at? | 0:16:59 | 0:17:01 | |
We have to punch some holes in here. I need a dry-clean. | 0:17:01 | 0:17:04 | |
If you've got to go, Trevor, you've got to go. | 0:17:04 | 0:17:06 | |
BRIAN SIGHS OK. How many...three on each side? | 0:17:06 | 0:17:09 | |
Yeah. And just maybe a few on top there, that's it. | 0:17:09 | 0:17:11 | |
You're OK, Trevor. | 0:17:11 | 0:17:13 | |
And, um... | 0:17:13 | 0:17:14 | |
And, of course, then you put a bit of gaffer tape over it and... | 0:17:14 | 0:17:17 | |
Yeah, and Bob's your uncle. Trevor's your uncle. | 0:17:17 | 0:17:19 | |
Congratulations, well done, | 0:17:19 | 0:17:21 | |
I think you've earned your gold Blue Peter badge. | 0:17:21 | 0:17:23 | |
Thank you. | 0:17:23 | 0:17:24 | |
In the... No, it's all right, it's the other hand! | 0:17:24 | 0:17:27 | |
THEY LAUGH | 0:17:27 | 0:17:30 | |
Thank you, Brian. | 0:17:30 | 0:17:31 | |
-Oh, let's watch something else, we need to escape from all of this. -Aww! | 0:17:31 | 0:17:34 | |
Thanks to Blue Peter, | 0:17:35 | 0:17:37 | |
the only thing harmed there was maybe a bit of my pride. | 0:17:37 | 0:17:40 | |
The show's first-ever pet arrived in 1962, | 0:17:40 | 0:17:44 | |
but sadly, the poorly pup died shortly after her debut. | 0:17:44 | 0:17:48 | |
Fearing the news might upset the young viewers, who had been asked | 0:17:48 | 0:17:51 | |
to choose her name, | 0:17:51 | 0:17:53 | |
producers secretly found a lookalike to take her place. | 0:17:53 | 0:17:56 | |
The new dog was named Petra. | 0:17:56 | 0:17:59 | |
Over 50 years, the show has become home to... | 0:17:59 | 0:18:02 | |
Thankfully not all at the same time. | 0:18:07 | 0:18:10 | |
CHEERING AND APPLAUSE | 0:18:16 | 0:18:19 | |
Thank you. | 0:18:21 | 0:18:22 | |
Oh, I used to love this! | 0:18:22 | 0:18:24 | |
Do you know, every Saturday, the television on, | 0:18:24 | 0:18:27 | |
everybody sitting down, The Generation Game on, loved it. | 0:18:27 | 0:18:30 | |
Yeah. | 0:18:30 | 0:18:31 | |
In the '70s, traditional variety shows fell out of favour | 0:18:31 | 0:18:35 | |
and TV bosses were on the hunt for something new. | 0:18:35 | 0:18:38 | |
And could we have the scores on the doors, please? | 0:18:38 | 0:18:40 | |
Step forward Bruce Forsyth with his Generation Game. | 0:18:40 | 0:18:44 | |
It fast became one of the biggest game shows of the decade. | 0:18:44 | 0:18:49 | |
When Larry Grayson took the helm in 1978, it seemed unstoppable. | 0:18:49 | 0:18:53 | |
In 1979, at its peak, | 0:18:53 | 0:18:56 | |
the show entertained 25 million people of all generations. | 0:18:56 | 0:19:01 | |
-Larry was so funny. -He was so endearing. | 0:19:01 | 0:19:03 | |
You never knew what the devil was going to happen | 0:19:03 | 0:19:05 | |
-and he was on with Isla...St Clair, wasn't he? -Yeah. | 0:19:05 | 0:19:07 | |
Please meet Miss Isla St Clair. | 0:19:07 | 0:19:10 | |
And look at Isla's dresses. | 0:19:10 | 0:19:12 | |
APPLAUSE | 0:19:12 | 0:19:14 | |
Did you always want to be Isla St Clair? | 0:19:14 | 0:19:18 | |
-No, I wanted to be a contestant on this. -Oh, right. | 0:19:18 | 0:19:21 | |
I loved the way that they would be killing themselves laughing, | 0:19:21 | 0:19:24 | |
so if they were making something with pottery, for example, and you know | 0:19:24 | 0:19:27 | |
how you have to keep your hands on it as it spins, or it'll go choooww? | 0:19:27 | 0:19:30 | |
-Yeah. -If you take your hands off it... -Oh, here they go. | 0:19:30 | 0:19:32 | |
I say, I wouldn't like to stick a chocolate flake amongst this lot! | 0:19:32 | 0:19:35 | |
LAUGHTER | 0:19:35 | 0:19:37 | |
It always ended up a right old mess, didn't it? | 0:19:37 | 0:19:40 | |
But Larry was so camp around the whole thing, which made it. | 0:19:40 | 0:19:44 | |
I know, I know. | 0:19:44 | 0:19:46 | |
-You are doing well, Fred. -Fred? | 0:19:46 | 0:19:48 | |
Fred, Joe. | 0:19:48 | 0:19:49 | |
Look at that, though! | 0:19:49 | 0:19:51 | |
Oh, look at the mess. | 0:19:51 | 0:19:52 | |
Look at the mess! | 0:19:52 | 0:19:54 | |
And you'd be sitting at home thinking, | 0:19:54 | 0:19:55 | |
"I could do better than that!" | 0:19:55 | 0:19:57 | |
The show introduced us to a conveyor belt of glamorous assistants, | 0:19:59 | 0:20:04 | |
including trained dancer Anthea Redfern, | 0:20:04 | 0:20:07 | |
who would go on to become Mrs Forsyth. | 0:20:07 | 0:20:09 | |
Isla St Clair arrived alongside Larry Grayson and would go on | 0:20:10 | 0:20:14 | |
to present her own travel show and become a folk singer. | 0:20:14 | 0:20:18 | |
And after a nine-year break, the show returned in the '90s | 0:20:18 | 0:20:21 | |
with Bruce back at the helm and Rosemary Ford as his sidekick. | 0:20:21 | 0:20:25 | |
She became eternally linked to the catchphrase, | 0:20:25 | 0:20:28 | |
"What's on the board, Miss Ford?" | 0:20:28 | 0:20:31 | |
I love, more and more, Larry Grayson, as I've got older. | 0:20:31 | 0:20:34 | |
-I just think he was so... -So funny. | 0:20:34 | 0:20:36 | |
-He was. -MIMICS LARRY: -"And you know..." | 0:20:36 | 0:20:38 | |
-But he was also... He was caring as well, you felt you knew him. -Mm. | 0:20:38 | 0:20:41 | |
-You thought, "Oh, Larry, bless you." -Yeah. | 0:20:41 | 0:20:43 | |
He was that kind of person. | 0:20:43 | 0:20:45 | |
Bruce had a slickness, but there was...there was... | 0:20:45 | 0:20:48 | |
It was just chaotic, you know, it was. | 0:20:48 | 0:20:51 | |
-With Larry, I know. -Yeah. | 0:20:51 | 0:20:52 | |
But remember the conveyor belt and they'd be trying to help him? | 0:20:52 | 0:20:55 | |
"Have you said a cuddly toy? Have you said a cuddly toy?" | 0:20:55 | 0:20:57 | |
-"Yes, I've said a cuddly toy." -Yeah. | 0:20:57 | 0:20:59 | |
Cos that was always there. But the Teasmade, | 0:20:59 | 0:21:00 | |
the electric blankets, the candlewick cover for your bed, | 0:21:00 | 0:21:04 | |
all the things that were trendy in those days, maybe a radio. | 0:21:04 | 0:21:07 | |
What else did they have? Cutlery and vases and glasses and all of that. | 0:21:07 | 0:21:12 | |
-MIMICS BUZZER: -You've won! -CAROL LAUGHS | 0:21:12 | 0:21:14 | |
-You won, Carol, all right? -I loved it. -What did you get? | 0:21:14 | 0:21:16 | |
-The Hoover, the shaver, the electric drill, the blanket, the cuddly toy... -A Hoover? Yes! | 0:21:16 | 0:21:20 | |
So, let's move away from The Gen Game now, | 0:21:25 | 0:21:27 | |
a world away from The Gen Game because this is TV taboo, | 0:21:27 | 0:21:31 | |
this is something that, well, dare I say, really made your mum | 0:21:31 | 0:21:35 | |
and dad hot under the collar. | 0:21:35 | 0:21:37 | |
THE OLD GREY WHISTLE TEST THEME TUNE PLAYS | 0:21:37 | 0:21:40 | |
Is this The Old Grey Whistle Test? Do you know what? | 0:21:46 | 0:21:49 | |
I'm surprised I even know that | 0:21:49 | 0:21:51 | |
because I was never allowed to watch it. | 0:21:51 | 0:21:52 | |
-Wonderful opening music, isn't it? -It is, isn't it? | 0:22:02 | 0:22:04 | |
What's really strange about this is I was never allowed to watch it, | 0:22:04 | 0:22:07 | |
it was too risque. | 0:22:07 | 0:22:09 | |
It was on late at night as well, but the Sex Pistols and groups | 0:22:09 | 0:22:11 | |
-like that were on and anything with that word in front of it... -Yeah! | 0:22:11 | 0:22:15 | |
-And were originally on this programme. -Yes. -It was... | 0:22:15 | 0:22:17 | |
It certainly was a forerunner for...just great acts. | 0:22:17 | 0:22:20 | |
Look at Whispering Bob! | 0:22:20 | 0:22:21 | |
Hello there and welcome to this week's Whistle Test. | 0:22:21 | 0:22:24 | |
-Do you know, the thing is, now I know him, he's a friend... -Uh-huh. | 0:22:24 | 0:22:27 | |
..and it's so strange to think that I wasn't allowed to watch him | 0:22:27 | 0:22:31 | |
and now he's just...amazing. | 0:22:31 | 0:22:33 | |
First of all, music from an American group who are to The Stones | 0:22:33 | 0:22:36 | |
what The Monkees were to The Beatles - | 0:22:36 | 0:22:38 | |
a pale and amusing derivative. | 0:22:38 | 0:22:40 | |
These are the New York Dolls. | 0:22:40 | 0:22:42 | |
-Remember that Love Story movie that was out many moons ago with Ali MacGraw in it? -Yeah, yeah. | 0:22:42 | 0:22:46 | |
I didn't see that till I was about 31, | 0:22:46 | 0:22:48 | |
so just a couple of days ago, frankly. Um, because... | 0:22:48 | 0:22:51 | |
Thank you for not laughing at that. | 0:22:51 | 0:22:52 | |
-THEY LAUGH -I'm sorry. | 0:22:52 | 0:22:54 | |
You managed to keep a straight face. | 0:22:54 | 0:22:56 | |
But because there was so much shenanigans in it, put it that way. | 0:22:56 | 0:22:59 | |
-Yeah. -So my dad would just say, "This is rubbish," and switch it off. | 0:22:59 | 0:23:02 | |
But in a way, I wasn't bothered about that | 0:23:02 | 0:23:04 | |
because I used to find it embarrassing. We were all very young | 0:23:04 | 0:23:07 | |
and innocent and, you know, a couple kissing on telly was like, | 0:23:07 | 0:23:10 | |
"Oh, Mum and Dad are in here, don't want to see that." | 0:23:10 | 0:23:12 | |
-And they wouldn't let you watch this? -No. | 0:23:12 | 0:23:14 | |
Did you know that The Whistle Test was actually commissioned | 0:23:14 | 0:23:17 | |
by David Attenborough? | 0:23:17 | 0:23:18 | |
-No, I didn't. -Yeah. -Gosh. | 0:23:18 | 0:23:20 | |
It was good, though. All my friends at school were allowed to watch it | 0:23:20 | 0:23:23 | |
and they'd be in in the morning at school saying who they'd been watching and how cool they were | 0:23:23 | 0:23:27 | |
and how brilliant they were, and I just didn't know anything. | 0:23:27 | 0:23:31 | |
-Aww, did you pretend that you'd watched it? -Yes, sometimes I did. | 0:23:31 | 0:23:35 | |
-Ah. -Cos I felt so uncool! -And do you think...? | 0:23:35 | 0:23:37 | |
-I mean, you've now befriended... It's Bob, isn't it? -Bob, yeah. | 0:23:37 | 0:23:40 | |
Is that because way back then you just wasn't allowed | 0:23:40 | 0:23:42 | |
-to even watch the show? -No... | 0:23:42 | 0:23:44 | |
Have you ever confessed to him that...? | 0:23:44 | 0:23:46 | |
No, I've never confessed to him, so I hope he's not watching today! | 0:23:46 | 0:23:49 | |
-But, no, I haven't. But he's a lovely, gentle man, Bob Harris. -Mm. | 0:23:49 | 0:23:53 | |
Really lovely. | 0:23:53 | 0:23:55 | |
Mock rock. | 0:23:55 | 0:23:56 | |
The New York Dolls and one of the songs from their first album, | 0:23:56 | 0:24:00 | |
that was called Jet Boy. | 0:24:00 | 0:24:01 | |
Was this the sort of thing you were into at...? | 0:24:01 | 0:24:04 | |
I was more a Donny Osmond kind of girl, loved Donny Osmond. | 0:24:04 | 0:24:07 | |
Bay City Rollers to a certain extent. | 0:24:07 | 0:24:09 | |
I mean, when I was growing up at school | 0:24:09 | 0:24:11 | |
we had all the Bay City Rollers stuff, | 0:24:11 | 0:24:13 | |
like the short tartan trousers, | 0:24:13 | 0:24:14 | |
the hessian bags that had Bay City Rollers on them, all that stuff. | 0:24:14 | 0:24:17 | |
But it was... You were either Bay City Rollers or you was Donny Osmond. | 0:24:17 | 0:24:20 | |
I know, Donny Osmond was my number one. But music is my passion. | 0:24:20 | 0:24:24 | |
If I had to tell you anything it would be music, so, yes, | 0:24:24 | 0:24:27 | |
I bought loads of records, then CDs and now download it all the time. | 0:24:27 | 0:24:30 | |
-LOVE music. -But when you were younger, | 0:24:30 | 0:24:32 | |
-did you find it difficult to get hold of records? -Yes. -Really? | 0:24:32 | 0:24:35 | |
We had to go from Morar to Fort William, | 0:24:35 | 0:24:37 | |
which was about 45 miles away. | 0:24:37 | 0:24:38 | |
Now, nowadays, you think, 45 miles, | 0:24:38 | 0:24:40 | |
a drop in the ocean. But it was twisty roads... | 0:24:40 | 0:24:42 | |
Yeah, but you were in a horse and cart, weren't you? | 0:24:42 | 0:24:45 | |
-It was that long ago. -You cheeky monkey! No! | 0:24:45 | 0:24:47 | |
-But we had single-track roads with lay-bys. -Yeah. | 0:24:47 | 0:24:50 | |
So, you know, it would take forever to get to Fort William. | 0:24:50 | 0:24:53 | |
-It was an excursion. -So how would you get music, then? | 0:24:53 | 0:24:56 | |
Well, Radio Luxembourg and Top Of The Pops. | 0:24:56 | 0:24:59 | |
And one year, from Santa, we actually got... My sister and myself | 0:24:59 | 0:25:03 | |
got two tape recorders, and the kind that you pressed play | 0:25:03 | 0:25:06 | |
and record, so you'd have them in front of the telly | 0:25:06 | 0:25:08 | |
whilst your favourite track was playing, or when they were doing | 0:25:08 | 0:25:11 | |
the top 40 on the Sunday evening and you'd get your music that way. | 0:25:11 | 0:25:14 | |
-So it was a bit... Swwshhhswww... -Yeah, yeah, yeah. | 0:25:14 | 0:25:17 | |
..until we got the records. | 0:25:17 | 0:25:18 | |
-It's amazing how it's moved on. -I know! | 0:25:18 | 0:25:20 | |
-Can you imagine it? -Oh, I know! | 0:25:20 | 0:25:22 | |
So, we're going to move on to comedy heroes | 0:25:27 | 0:25:29 | |
and I'm going to take you now back to 1973. | 0:25:29 | 0:25:32 | |
-1973? -Yeah. | 0:25:32 | 0:25:33 | |
-I was 11. -Aww! | 0:25:33 | 0:25:35 | |
It's going back to the days of bows and arrows. | 0:25:35 | 0:25:37 | |
Fancy spending Friday night on me own. | 0:25:37 | 0:25:40 | |
CAROL GASPS The Liver Birds! | 0:25:40 | 0:25:42 | |
BRIAN HUMS THEME TUNE | 0:25:42 | 0:25:44 | |
Me, with all the talent, it's a sheer waste of woman. | 0:25:44 | 0:25:48 | |
They were so funny. | 0:25:48 | 0:25:49 | |
Didn't you just love the way that Sandra was, like, | 0:25:49 | 0:25:52 | |
"Oh, I've found a new man," | 0:25:52 | 0:25:53 | |
-and Beryl was so matter-of-fact about the whole thing? -Yeah. | 0:25:53 | 0:25:56 | |
-Hi, Beryl! -Hello. | 0:25:56 | 0:25:59 | |
-Have a nice evening? -Ecstatic. | 0:25:59 | 0:26:02 | |
I've had four showers and half a gallon of cocoa. | 0:26:02 | 0:26:05 | |
-I had a fabulous time. -Where did you go? | 0:26:06 | 0:26:09 | |
No, Paul and I stayed in. | 0:26:09 | 0:26:11 | |
-Ooh, did you now? -Yeah, we wanted to see the play on the telly. | 0:26:11 | 0:26:15 | |
Of course you did, love. | 0:26:15 | 0:26:17 | |
I found it hilarious, I loved it. | 0:26:17 | 0:26:19 | |
I just loved the characters. | 0:26:19 | 0:26:20 | |
-The characters. -I loved them both. | 0:26:20 | 0:26:22 | |
-Beryl, I loved her sense of humour. -Mm-hm. | 0:26:22 | 0:26:24 | |
-And Sandra, she was just like your big sister, wasn't she? -Yeah. | 0:26:24 | 0:26:28 | |
She was really nice. | 0:26:28 | 0:26:30 | |
I loved seeing their fashions, though, because they had white | 0:26:30 | 0:26:33 | |
boots, knee-length white boots and you'd think, "Wow, look at them!" | 0:26:33 | 0:26:35 | |
Look, she's got 'them on there. | 0:26:35 | 0:26:37 | |
Beryl! Do I ever ask you personal questions about your private life? | 0:26:37 | 0:26:40 | |
Yes. | 0:26:40 | 0:26:41 | |
When you brought that fella back last week, | 0:26:41 | 0:26:44 | |
did I ask what you were doing on the sofa? | 0:26:44 | 0:26:46 | |
You didn't have to, this sofa gives its own running commentary. | 0:26:46 | 0:26:49 | |
Four twangs and a boing and me secrets are out. | 0:26:51 | 0:26:54 | |
No, that was really good, that was good fun. | 0:26:54 | 0:26:56 | |
So, which one of them was closest to you? | 0:26:56 | 0:26:58 | |
Which one of those two characters was closest to Carol? | 0:26:58 | 0:27:00 | |
I would like to say Sandra, but it was probably Beryl! | 0:27:00 | 0:27:03 | |
The Liver Birds was often seen as a female version of The Likely Lads | 0:27:03 | 0:27:08 | |
and was co-created by one of TV's most successful writers. | 0:27:08 | 0:27:13 | |
Carla Lane would become the first woman to create | 0:27:13 | 0:27:16 | |
hugely popular sitcoms. | 0:27:16 | 0:27:18 | |
She scored her first solo hit in 1978 with Butterflies, casting | 0:27:18 | 0:27:23 | |
Wendy Craig as the frustrated stay-at-home wife | 0:27:23 | 0:27:26 | |
to Geoffrey Palmer. | 0:27:26 | 0:27:28 | |
She went on to write love affair drama, Solo, in 1981 | 0:27:28 | 0:27:31 | |
and The Mistress in 1985, both starring Felicity Kendal. | 0:27:31 | 0:27:37 | |
In 1985, she wrote I Woke Up One Morning about four alcoholics | 0:27:37 | 0:27:42 | |
trying to quit the drink, starring Jean Boht, who went on to star as | 0:27:42 | 0:27:46 | |
Nellie Boswell in the smash-hit sitcom Bread. | 0:27:46 | 0:27:50 | |
So, Carol, watching The Liver Birds, | 0:27:50 | 0:27:51 | |
did it make you want to live in the city? | 0:27:51 | 0:27:54 | |
I always wanted to live in the city, not necessarily Liverpool, | 0:27:54 | 0:27:57 | |
although I've been to Liverpool many times. | 0:27:57 | 0:27:59 | |
Edinburgh or London were my cities of choice | 0:27:59 | 0:28:02 | |
and I did end up living in both. | 0:28:02 | 0:28:04 | |
Yes, because it seemed so glamorous - | 0:28:04 | 0:28:06 | |
-the styles, the opportunities and everything else. -Yeah. | 0:28:06 | 0:28:09 | |
So, yes, it did. | 0:28:09 | 0:28:11 | |
And when I was growing up, you know, it was beautiful | 0:28:11 | 0:28:14 | |
and I appreciate it as an adult, but as a child, | 0:28:14 | 0:28:16 | |
you did all the outdoor things like going a bike, cycling, and so on... | 0:28:16 | 0:28:19 | |
Yeah, I mean, you had an idyllic childhood. | 0:28:19 | 0:28:21 | |
Yes, but it didn't have cinemas and things like that. | 0:28:21 | 0:28:24 | |
The disco was in the local hall, for example, | 0:28:24 | 0:28:26 | |
so it wasn't a discotheque, as they were called in those days. | 0:28:26 | 0:28:29 | |
Did you eventually get a pair of knee-high white boots? | 0:28:29 | 0:28:32 | |
No, I got knee-high black ones, though. | 0:28:32 | 0:28:34 | |
Let's not go there, Carol, let's move on. | 0:28:34 | 0:28:37 | |
Carol, what was it your mum and dad loved to watch? | 0:28:43 | 0:28:45 | |
A whole host of things, but again, it is Saturday night viewing - | 0:28:45 | 0:28:48 | |
-Blankety Blank with Terry Wogan. -Oh! | 0:28:48 | 0:28:51 | |
They were big fans of Terry Wogan. | 0:28:51 | 0:28:52 | |
So I'm going to take you back there now, | 0:28:52 | 0:28:55 | |
to your parents' choice - Blankety Blank. | 0:28:55 | 0:28:58 | |
APPLAUSE | 0:28:58 | 0:29:00 | |
Good evening and welcome. | 0:29:00 | 0:29:02 | |
Now, who have we here that we haven't had before? | 0:29:02 | 0:29:05 | |
-Me, sir. -You, sir? | 0:29:05 | 0:29:06 | |
-Yes, me, sir. -Wee Joe Brown. | 0:29:06 | 0:29:07 | |
Yes, sir. | 0:29:07 | 0:29:09 | |
-Do you know, the star of this was the microphone, wasn't it? -Oh... | 0:29:09 | 0:29:13 | |
-They loved that. -Yeah, they did too. | 0:29:13 | 0:29:16 | |
Said Biggles, "By Jove, | 0:29:16 | 0:29:18 | |
"flying in an open biplane is an exhilarating experience." | 0:29:18 | 0:29:22 | |
-Very good that, isn't it? -Yes, very good, yes, carry on. | 0:29:22 | 0:29:25 | |
"Why, the wind almost blew my BLANK off." | 0:29:25 | 0:29:29 | |
Do you know, this takes me back. | 0:29:30 | 0:29:32 | |
We'd all be sitting round, you know, | 0:29:32 | 0:29:34 | |
watching the telly, and it was - shhh, | 0:29:34 | 0:29:37 | |
silence whilst we watched this and listened to what Terry's saying. | 0:29:37 | 0:29:41 | |
But it was so funny and some of the answers they gave, | 0:29:41 | 0:29:43 | |
and you'd play along with them as well. | 0:29:43 | 0:29:45 | |
-Goggles? -Goggles. | 0:29:45 | 0:29:46 | |
I thought from the old days they would always wear one of these? | 0:29:46 | 0:29:49 | |
Yes, wig. | 0:29:49 | 0:29:50 | |
BUZZER | 0:29:50 | 0:29:51 | |
It's amazing when you look at it and you see all the hairdos, | 0:29:51 | 0:29:54 | |
-which were trendy at the time. -Yeah. | 0:29:54 | 0:29:56 | |
Well, I copied Norman and I had toupee, but... | 0:29:56 | 0:29:59 | |
-Goggles! -I had goggles. | 0:29:59 | 0:30:01 | |
BUZZER, APPLAUSE | 0:30:01 | 0:30:03 | |
But some of the things they came out with were so random, | 0:30:03 | 0:30:06 | |
you know, "What?!" | 0:30:06 | 0:30:08 | |
Come on, handsome. Pants, you had. | 0:30:08 | 0:30:10 | |
LAUGHTER | 0:30:10 | 0:30:12 | |
"Almost blew my pants off?" Some wind! | 0:30:12 | 0:30:14 | |
You wonder how long it took to film this with all the laughter and everything. | 0:30:14 | 0:30:18 | |
Mm. | 0:30:18 | 0:30:19 | |
She's gone with goggles. I think... Well done, Lynsey. | 0:30:20 | 0:30:24 | |
Terry was brilliant as well, he's got the gift of the gab. | 0:30:24 | 0:30:26 | |
Yeah, there's a real art to it. | 0:30:26 | 0:30:28 | |
I mean, he's got a lot going on there - he's got six celebrities, he's got the contestants. | 0:30:28 | 0:30:31 | |
Well, there you are, Connie, two points is as good as anything on this show. | 0:30:31 | 0:30:35 | |
They had the Supermatch Game which used to finish it, | 0:30:35 | 0:30:37 | |
and I bet you always wished you could play that, didn't you? | 0:30:37 | 0:30:39 | |
-Yes, yes! -Good. -Oh, no! | 0:30:39 | 0:30:41 | |
Good. | 0:30:41 | 0:30:43 | |
-And here it is. Here it is. -Brilliant. | 0:30:43 | 0:30:46 | |
So, look, I've even got a... I'm not quite sure what it is. | 0:30:46 | 0:30:50 | |
Looks like a drumstick. | 0:30:50 | 0:30:51 | |
It is, actually, you know, we've adapted that. | 0:30:51 | 0:30:53 | |
But it's good, it's good. | 0:30:53 | 0:30:55 | |
So, we are going with the theme of you being the gorgeous, | 0:30:55 | 0:30:58 | |
lovely weather lady that you are. Snow. | 0:30:58 | 0:31:00 | |
So, what do we think it is? What do we think that is? | 0:31:00 | 0:31:04 | |
What do you want to put in there? | 0:31:04 | 0:31:05 | |
-Shower. -Snow shower? | 0:31:05 | 0:31:08 | |
I'm like as if I think that this works, I can't believe... | 0:31:08 | 0:31:11 | |
I want to say Snow White, in all honesty, | 0:31:11 | 0:31:13 | |
-but sticking with the weather theme, I'm going to say snow shower. -Whoa... | 0:31:13 | 0:31:17 | |
-Let's see. So. This is for one point. -Yeah. | 0:31:17 | 0:31:21 | |
-We did ask 100 people to supply this...missing word. -OK. | 0:31:21 | 0:31:25 | |
-You are saying...remind me again? -Snow shower. | 0:31:25 | 0:31:29 | |
OK, let's see if you get... Snow shower? | 0:31:29 | 0:31:32 | |
-BRIAN GASPS -Snow White, which was, of course, your first answer there. | 0:31:32 | 0:31:36 | |
-Ooh. -Gasps of awe from Carol. | 0:31:36 | 0:31:40 | |
Number two, sno-o-o-ow... | 0:31:40 | 0:31:43 | |
Plough? | 0:31:43 | 0:31:45 | |
Man! Oh! | 0:31:45 | 0:31:46 | |
-Yeah. So we are hoping that this is snow... Remind me again? -Showers. | 0:31:46 | 0:31:51 | |
-CAROL GASPS -Snowball! | 0:31:51 | 0:31:53 | |
-So you are completely wrong. -Gutted! | 0:31:53 | 0:31:55 | |
-Well, commiserations. -I'm rubbish at all the games on this show, aren't I? | 0:31:55 | 0:31:59 | |
-Uh, no, you're not. Yes, you are. -Yes, I am. | 0:31:59 | 0:32:03 | |
I would like to give you a consolation prize, | 0:32:03 | 0:32:06 | |
something that you can take home with you and here it is. | 0:32:06 | 0:32:10 | |
I've always wanted one of these. Thank you very much, Brian. | 0:32:10 | 0:32:14 | |
-It's a pleasure! -I love it. | 0:32:14 | 0:32:16 | |
Carol, we're moving on to your guilty pleasure now, | 0:32:21 | 0:32:23 | |
something that you would not ever miss. | 0:32:23 | 0:32:28 | |
That has to be Starsky & Hutch. | 0:32:28 | 0:32:30 | |
-Oh, you betcha! -Oh, I loved this! | 0:32:30 | 0:32:34 | |
STARSKY & HUTCH THEME TUNE PLAYS | 0:32:34 | 0:32:37 | |
-Look at that car. -Look at that car, look at it, it takes the corner... | 0:32:37 | 0:32:40 | |
I know, typical bloke, ain't I? Look at the car! | 0:32:40 | 0:32:42 | |
And the way they fall over the bonnet. Especially Hutch. Phwoar! | 0:32:42 | 0:32:46 | |
-You had a soft spot for Hutch? Really? -Yes. | 0:32:46 | 0:32:49 | |
In the 1970s, cop shows didn't come much cooler than this. | 0:32:49 | 0:32:54 | |
David Starsky and Kenneth Hutch skidded their way around | 0:32:54 | 0:32:58 | |
Bay City, California, catching bad guys in their iconic Gran Torino. | 0:32:58 | 0:33:04 | |
The series caught the mood of the decade with its fashionable | 0:33:04 | 0:33:07 | |
flares and funky soundtrack. | 0:33:07 | 0:33:10 | |
Do you know, I used to wash my hair before this came on every week. | 0:33:13 | 0:33:16 | |
I'm going to have to hold you back, you are nearly in the telly here! | 0:33:16 | 0:33:19 | |
But it is the middle of the show! | 0:33:19 | 0:33:20 | |
Well, at least I can hear the end of the game on the radio. | 0:33:20 | 0:33:22 | |
Hey, listen, listen... | 0:33:22 | 0:33:24 | |
-Before the show went on... -Yeah, I can't take my eyes off this, sorry. | 0:33:24 | 0:33:27 | |
-..you used to wash your hair? -Yes. | 0:33:27 | 0:33:30 | |
PEOPLE SCREAM | 0:33:30 | 0:33:32 | |
Just...just in case. Just in case. | 0:33:32 | 0:33:33 | |
-In some weird world that I lived in as a child... -Uh-huh. | 0:33:33 | 0:33:37 | |
..David Soul could actually see me and see that I had washed my hair! | 0:33:37 | 0:33:41 | |
-Aww! -I adored him. -Yeah? | 0:33:41 | 0:33:44 | |
And if anybody spoke when he was on, it was like, "No, please don't." | 0:33:44 | 0:33:47 | |
-And he was just such a hero. -Mm. | 0:33:53 | 0:33:55 | |
He was all man, there was nothing he couldn't do. | 0:33:55 | 0:33:59 | |
He was brave, he was powerful, he was handsome. | 0:34:01 | 0:34:05 | |
He was funny and he was so cool. | 0:34:05 | 0:34:07 | |
Yeah, Carol, calm down, love. Calm down. Even I fancy him. | 0:34:07 | 0:34:12 | |
CAROL LAUGHS | 0:34:12 | 0:34:14 | |
What did you think of the other characters in it and Huggy Bear? | 0:34:23 | 0:34:26 | |
Huggy Bear was really cool as well, you know, he was all, sort of, | 0:34:26 | 0:34:28 | |
shrugging his shoulders as he was walking along and... | 0:34:28 | 0:34:31 | |
Starsky was too, Starsky was always eating, wasn't he, | 0:34:31 | 0:34:33 | |
in his big long cardigans and things? | 0:34:33 | 0:34:35 | |
But he was cool too, but David was the epitome of perfection for me. | 0:34:35 | 0:34:40 | |
-Don't stand there with your mouth open, cuff him. -Oh. | 0:34:43 | 0:34:46 | |
See? So cool, took command of the whole situation, real he-man. | 0:34:48 | 0:34:53 | |
Lines like that, "Don't stand there and look at him, cuff him," you know? | 0:34:53 | 0:34:56 | |
You are very good at that, actually, Brian. | 0:34:56 | 0:34:58 | |
-Do you think so? -Yeah, yeah. -Thank you very much. | 0:34:58 | 0:35:01 | |
The '70s ushered in a wave of flashy US cop dramas that were unlike | 0:35:01 | 0:35:06 | |
anything British audiences had seen before. | 0:35:06 | 0:35:09 | |
The kindly policing of Dixon Of Dock Green with Jack Warner was | 0:35:09 | 0:35:13 | |
still on our screens and despite the slightly more realistic Z Cars, | 0:35:13 | 0:35:17 | |
British TV needed to take a handbrake turn. | 0:35:17 | 0:35:20 | |
And it came in 1975's The Sweeney, with John Thaw | 0:35:22 | 0:35:26 | |
and Dennis Waterman's Flying Squad | 0:35:26 | 0:35:28 | |
taking on London's underworld. "Shut it!" | 0:35:28 | 0:35:31 | |
Then, in 1978, it was the police themselves in the dock in | 0:35:31 | 0:35:36 | |
Law And Order, starring future EastEnder, Derek Martin. | 0:35:36 | 0:35:41 | |
Were there any other TV crushes? Was there any other shows | 0:35:41 | 0:35:43 | |
where you would sit there with your hair done? | 0:35:43 | 0:35:45 | |
He... | 0:35:45 | 0:35:47 | |
David Soul in Starsky and Hutch was the main one, he was just so cool. | 0:35:47 | 0:35:52 | |
-Do you know what? I met him in later life. -I know you did, I know you did. | 0:35:52 | 0:35:56 | |
-How do you know I did? -I know you met him in later life | 0:35:56 | 0:35:59 | |
and we are all going to see this right now. | 0:35:59 | 0:36:01 | |
Excited cos she's sitting alongside David Soul! | 0:36:02 | 0:36:04 | |
We were going to get to the weather, weren't we? | 0:36:04 | 0:36:07 | |
-We're about to take her out and hang her up! -Are you, indeed? | 0:36:07 | 0:36:10 | |
-Oh, a little touch of the arm there, Carol. -What was I wearing?! | 0:36:10 | 0:36:12 | |
I know, we all blame poor Carol. | 0:36:12 | 0:36:14 | |
-But it is going to get better this weekend. -Yeah. | 0:36:14 | 0:36:16 | |
Do you get letters of complaint? Do people blame you? Do they shoot the messenger? | 0:36:16 | 0:36:19 | |
They do. The most common thing I'm asked is, "What're you going to do about it?" | 0:36:19 | 0:36:23 | |
What ARE you going to do about it? | 0:36:23 | 0:36:24 | |
-Look how he's turned his body language... -Oh, the body language is there. | 0:36:24 | 0:36:28 | |
Didn't I hear recently that the BBC had asked their weather people | 0:36:28 | 0:36:31 | |
to sort of put a nice spin on the weather, regardless if...? | 0:36:31 | 0:36:33 | |
Absolutely not, David! You must be talking about another channel. | 0:36:33 | 0:36:37 | |
Controversy... | 0:36:37 | 0:36:38 | |
-Were the other presenters aware of your crush? -Yes, what had | 0:36:38 | 0:36:42 | |
happened beforehand was the researcher for The One Show | 0:36:42 | 0:36:44 | |
phoned me up and I said, "Who is the guest that's on tonight?" | 0:36:44 | 0:36:47 | |
and he said, "David Soul," | 0:36:47 | 0:36:49 | |
and I went, "Ah, David Soul who was Hutch in Starsky & Hutch?" | 0:36:49 | 0:36:52 | |
and he said, "Yes," and I went, "Oh, I used to LOVE him." | 0:36:52 | 0:36:56 | |
So, on the show, they were playing a little video of something else. | 0:36:56 | 0:37:00 | |
Adrian Chiles turns to David Soul and said, | 0:37:00 | 0:37:03 | |
-"David, Carol used to really fancy you." -No! | 0:37:03 | 0:37:06 | |
Yes, and he turned to me and said, "Do you not now?" What do you say? | 0:37:06 | 0:37:09 | |
And I just said, "Well, David, I haven't seen you for quite a while," | 0:37:09 | 0:37:12 | |
and he said, "Well, you are seeing me now." | 0:37:12 | 0:37:14 | |
Again, I said, "Well, I think you are lovely." What can you say, though? | 0:37:14 | 0:37:18 | |
-You can't say, "Yes, I fancy you," or, "No, I don't." -Yeah. -Whichever. | 0:37:18 | 0:37:21 | |
-One time he was in... Do you remember Saturday Swap Shop? -Yeah. | 0:37:21 | 0:37:25 | |
And Superstore and all of these Saturday morning programmes. | 0:37:25 | 0:37:28 | |
He was on that and I tried phoning up. | 0:37:28 | 0:37:29 | |
I must have run up a huge phone bill from the Highlands, | 0:37:29 | 0:37:32 | |
-trying to phone London all the time to talk to him. -Well... | 0:37:32 | 0:37:36 | |
let's welcome him. | 0:37:36 | 0:37:38 | |
-SHE SHRIEKS -No, no. | 0:37:38 | 0:37:39 | |
That would have been hilarious! I would have been mortified! | 0:37:39 | 0:37:43 | |
We've reached the point where we want to talk about your big break, | 0:37:49 | 0:37:52 | |
how it came about, your interest in weather. | 0:37:52 | 0:37:55 | |
I mean, did you go to college, did you study it, was it a game plan, | 0:37:55 | 0:38:00 | |
or was it pure luck that you fell into this sort of career now? | 0:38:00 | 0:38:04 | |
Pure luck to fall into weather. I wanted to be on the telly | 0:38:04 | 0:38:07 | |
and had written to the Beeb to find out what I had to do | 0:38:07 | 0:38:11 | |
and I was just a regular presenter, doing other shows, | 0:38:11 | 0:38:14 | |
but not big shows, and my agent at the time was new | 0:38:14 | 0:38:18 | |
and he invited me to go for an audition for the Weather Channel. | 0:38:18 | 0:38:22 | |
I had no meteorological experience at this stage whatsoever | 0:38:22 | 0:38:24 | |
and I'm saying, "I don't want to be a weather presenter," | 0:38:24 | 0:38:27 | |
and he said, "Well, they're probably not going to offer it to you anyway, | 0:38:27 | 0:38:30 | |
"you big-headed thing, so just go for the audition," | 0:38:30 | 0:38:32 | |
so I did. Well, Brian, love at first sight. | 0:38:32 | 0:38:36 | |
When you present the weather in certain studios, | 0:38:36 | 0:38:38 | |
you can't see anything behind you - it's either a blue or a green screen, | 0:38:38 | 0:38:42 | |
so you see the image of what you're talking about | 0:38:42 | 0:38:45 | |
in the camera in front of you, which is reversed, | 0:38:45 | 0:38:48 | |
-so it is like rubbing your tummy and patting your head. -Right, right. | 0:38:48 | 0:38:51 | |
When you've got a front - it's hard not to move your hands | 0:38:51 | 0:38:53 | |
when you're talking about the weather - | 0:38:53 | 0:38:55 | |
but when you've got a weather front that's here and you rub your finger | 0:38:55 | 0:38:58 | |
down along it like that | 0:38:58 | 0:39:00 | |
and there's nothing there, it's just green, | 0:39:00 | 0:39:02 | |
it's so satisfying, and the weather, it changes every day. | 0:39:02 | 0:39:08 | |
-This is satisfying? -It's challenging. | 0:39:08 | 0:39:10 | |
So getting it right is what is satisfying? | 0:39:10 | 0:39:12 | |
Yes, because you're looking at an image that's reversed, | 0:39:12 | 0:39:15 | |
that's not behind you, | 0:39:15 | 0:39:16 | |
that you're talking about, so it's tricky to do | 0:39:16 | 0:39:18 | |
and the temptation is to do that when you're talking about the weather, | 0:39:18 | 0:39:21 | |
to bring your hand in front of you rather than keeping it behind, | 0:39:21 | 0:39:24 | |
but I just loved it. I loved the weather stories we'd talk about - | 0:39:24 | 0:39:27 | |
there's a beginning, a middle and an end to every weather story. | 0:39:27 | 0:39:30 | |
It's timed, we're usually in a live news environment | 0:39:30 | 0:39:34 | |
and with breaking news and things, you might be told, | 0:39:34 | 0:39:36 | |
"You've got two minutes." | 0:39:36 | 0:39:38 | |
You've got what we call open talk-back, | 0:39:38 | 0:39:39 | |
which means you hear everything. | 0:39:39 | 0:39:41 | |
If somebody's saying, "I want an Earl Grey," | 0:39:41 | 0:39:43 | |
you hear that, or talking about EastEnders, | 0:39:43 | 0:39:45 | |
you hear that as well as your timing, so you've got a minute left, | 0:39:45 | 0:39:47 | |
you've got 15 seconds left, whatever. | 0:39:47 | 0:39:50 | |
All of that is challenging | 0:39:50 | 0:39:51 | |
whilst talking about the weather at the same time. | 0:39:51 | 0:39:54 | |
But the weather is so varied and I love my job. | 0:39:54 | 0:39:58 | |
Do you many times go out on location? | 0:39:58 | 0:40:00 | |
-Yes, I go out on location lots. -Do you enjoy that? -Love it. -Yeah? | 0:40:00 | 0:40:03 | |
But sometimes it can be really rough! | 0:40:03 | 0:40:06 | |
-Sometimes you're standing in blizzards or rain... -We know. | 0:40:06 | 0:40:10 | |
We know. We've got some classic moments of you, Carol, | 0:40:10 | 0:40:13 | |
where things did start to go a bit rough. | 0:40:13 | 0:40:16 | |
And in the north of Wales, for example, | 0:40:16 | 0:40:18 | |
we'll be looking more at snow in the hills. | 0:40:18 | 0:40:21 | |
Now, behind all of that, | 0:40:21 | 0:40:22 | |
we're also going to have very strong winds gusting inland to about 55mph. | 0:40:22 | 0:40:29 | |
I remember that - we were in a blizzard. | 0:40:29 | 0:40:31 | |
I had the producer holding on to my legs, | 0:40:31 | 0:40:33 | |
-because it was... -So while you're filming this, | 0:40:33 | 0:40:35 | |
-you've got a producer hanging on to your legs? -Yes. And you know what? | 0:40:35 | 0:40:38 | |
It was so cold, my mouth started to freeze, my tongue. | 0:40:38 | 0:40:42 | |
It was like being hit by pins and needles. | 0:40:42 | 0:40:45 | |
And, really, wherever you are, it's going to feel cold, | 0:40:45 | 0:40:49 | |
despite the fact that we've got temperatures | 0:40:49 | 0:40:51 | |
up to about ten degrees Celsius in the Channel Islands. | 0:40:51 | 0:40:54 | |
When you add on the strength of the wind and the wind chill, | 0:40:54 | 0:40:56 | |
it will feel more like below freezing. | 0:40:56 | 0:40:58 | |
'The gallery was saying, | 0:40:58 | 0:40:59 | |
'"This is great television, have another minute!" I'm like, "No!"' | 0:40:59 | 0:41:02 | |
But you can't say, "No, I don't want another minute!" | 0:41:02 | 0:41:05 | |
You've just got to carry on. | 0:41:05 | 0:41:07 | |
-I'll never forget that, ever, as long as I live. -You can't even see! | 0:41:07 | 0:41:11 | |
'I know!' | 0:41:11 | 0:41:12 | |
That's it from me. Back to you two. | 0:41:12 | 0:41:15 | |
Weather is not the only hazard. | 0:41:15 | 0:41:18 | |
Here we go, have a look at this. | 0:41:18 | 0:41:19 | |
GASPING: 'I remember this!' | 0:41:19 | 0:41:21 | |
..although it will still be hot and humid, not quite as hot and humid | 0:41:21 | 0:41:24 | |
as it's going to be in the next few days, Charlie and Lou. | 0:41:24 | 0:41:27 | |
LOUD LAUGHTER IN STUDIO | 0:41:27 | 0:41:28 | |
Listen to the laughter! | 0:41:28 | 0:41:30 | |
Oh, Carol, don't look behind you! | 0:41:31 | 0:41:33 | |
Don't turn round! | 0:41:33 | 0:41:36 | |
Upstaged by a dog - it's the story of my life! | 0:41:37 | 0:41:40 | |
And it's true, it is. | 0:41:40 | 0:41:42 | |
You are so endearing, you really are, | 0:41:42 | 0:41:45 | |
-and you have the most amazing smile. -Aww! | 0:41:45 | 0:41:47 | |
And a wonderful joy, you know? | 0:41:47 | 0:41:50 | |
Bless, you're not so shabby yourself, Brian. | 0:41:50 | 0:41:52 | |
Oh, please! No, but you really are, | 0:41:52 | 0:41:55 | |
and I think that's what will sustain you and why you are so popular, | 0:41:55 | 0:41:59 | |
is because of how much sunshine you bring to the weather. | 0:41:59 | 0:42:03 | |
Oh, thank you, that's a lovely thing to say. Thank you. | 0:42:03 | 0:42:07 | |
So, what do you watch now? | 0:42:11 | 0:42:13 | |
I watch loads of telly. | 0:42:13 | 0:42:14 | |
I'm a big soap fan, from Neighbours | 0:42:14 | 0:42:16 | |
to Corrie to EastEnders, watch all of them. | 0:42:16 | 0:42:19 | |
I like reality telly as well... | 0:42:19 | 0:42:21 | |
-Oh, really? -..such as Strictly | 0:42:21 | 0:42:23 | |
and The Island With Bear Grylls at the moment, | 0:42:23 | 0:42:25 | |
-that's pretty good as well. -Ah! | 0:42:25 | 0:42:27 | |
-Yeah? -Yeah. | 0:42:27 | 0:42:28 | |
-We have to finish now. -Aww! | 0:42:28 | 0:42:30 | |
But our guest always gets the opportunity to pick a theme tune | 0:42:30 | 0:42:34 | |
to play us out with, | 0:42:34 | 0:42:36 | |
so what sort of theme tune, or what would you like us | 0:42:36 | 0:42:40 | |
to play out this afternoon with? | 0:42:40 | 0:42:42 | |
How about the theme tune to Top Of The Pops? | 0:42:42 | 0:42:45 | |
-Dee-dee-dee-dee-dee! -Ga-dang-dang! | 0:42:45 | 0:42:47 | |
That sounds good to me. | 0:42:47 | 0:42:49 | |
I meant every word - | 0:42:49 | 0:42:50 | |
this lady brings a ray of sunshine into the world and we love Carol. | 0:42:50 | 0:42:56 | |
Thank you so much! It's been an absolute pleasure. | 0:42:56 | 0:42:59 | |
Carol Kirkwood, ladies and gentlemen. | 0:42:59 | 0:43:00 | |
Here is Top Of The Pops! | 0:43:00 | 0:43:02 | |
MUSIC: TOP OF THE POPS THEME | 0:43:02 | 0:43:06 |