Browse content similar to Joe Swash. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
TV - the magic box of delights. | 0:00:02 | 0:00:04 | |
As kids, it showed us a million different worlds | 0:00:04 | 0:00:07 | |
all from our living room. | 0:00:07 | 0:00:08 | |
-So funny! -That was state-of-the-art. | 0:00:09 | 0:00:12 | |
-HE SCREAMS -I loved this. | 0:00:12 | 0:00:14 | |
'Each day, I'm going to journey through | 0:00:15 | 0:00:17 | |
'the wonderful world of telly...' | 0:00:17 | 0:00:19 | |
-Cheers. -'..with one of our favourite celebrities...' | 0:00:19 | 0:00:22 | |
-We're going into space. -It's just so silly. -Oh, no! | 0:00:22 | 0:00:25 | |
-Yeah! -'..as they select the iconic TV moments...' | 0:00:28 | 0:00:31 | |
-My God, this is the scene. -Oh, dear. | 0:00:33 | 0:00:35 | |
'..that tell us the stories of their lives.' | 0:00:35 | 0:00:38 | |
I absolutely adored this. | 0:00:39 | 0:00:40 | |
-'Some will make you laugh...' -SHE LAUGHS | 0:00:40 | 0:00:43 | |
Don't watch the telly, Esther. Watch me. | 0:00:43 | 0:00:45 | |
-'..some will surprise...' -HE LAUGHS | 0:00:45 | 0:00:47 | |
No way! Where did you find this? | 0:00:47 | 0:00:50 | |
'..many will inspire...' | 0:00:50 | 0:00:51 | |
It used to transport us to places that we could only dream about. | 0:00:51 | 0:00:55 | |
'..and others will move us.' | 0:00:55 | 0:00:57 | |
I am emotional now. | 0:00:57 | 0:00:58 | |
Today, we look even more deeply. | 0:00:58 | 0:01:01 | |
Why wouldn't you want to watch this? | 0:01:01 | 0:01:02 | |
So, come watch with us as we rewind to the classic telly | 0:01:02 | 0:01:06 | |
that helped shape those wide-eyed youngsters | 0:01:06 | 0:01:09 | |
into the much-loved stars they are today. | 0:01:09 | 0:01:11 | |
-APPLAUSE -Welcome to The TV That Made Me. | 0:01:19 | 0:01:21 | |
My guest today has been the King of the Jungle, | 0:01:21 | 0:01:23 | |
the star of the Square. | 0:01:23 | 0:01:25 | |
It can only be the one and only Joe Swash. | 0:01:25 | 0:01:27 | |
-CHEERING AND APPLAUSE -Welcome, Joe. -Hello, mate. | 0:01:27 | 0:01:30 | |
-You all right? -Sit yourself down there. | 0:01:30 | 0:01:32 | |
Thank you very much. | 0:01:32 | 0:01:33 | |
-Joe Swash! -Hello. CHEERING | 0:01:33 | 0:01:37 | |
Look at that cheer. They love you, Joe. | 0:01:37 | 0:01:39 | |
A gentleman who is humble, shy, modest, tough, deadly, resourceful, | 0:01:39 | 0:01:42 | |
at the peak of his physical fitness and mental alertness, | 0:01:42 | 0:01:44 | |
-handsome, debonair... -Oh, stop it. | 0:01:44 | 0:01:46 | |
..devastatingly beautiful young lady. | 0:01:46 | 0:01:48 | |
Here, let me give you that. | 0:01:48 | 0:01:50 | |
Thanks for that, mate. THEY LAUGH | 0:01:50 | 0:01:52 | |
-Oh, thank you very much indeed. -Don't spend it at once. -I won't. | 0:01:52 | 0:01:55 | |
Joe Swash began his career as a child actor | 0:01:56 | 0:02:00 | |
before graduating to Albert Square. | 0:02:00 | 0:02:03 | |
His character, Mickey Miller, | 0:02:03 | 0:02:05 | |
was a wide boy with an eye for the ladies, | 0:02:05 | 0:02:08 | |
a part that fitted Joe like a glove. | 0:02:08 | 0:02:11 | |
We all loved Mickey, but after five glorious years in Walford, | 0:02:12 | 0:02:16 | |
Joe surprised us all when he turned up down under | 0:02:16 | 0:02:19 | |
as King of the Jungle. | 0:02:19 | 0:02:21 | |
The TV that made him includes | 0:02:23 | 0:02:26 | |
the show that made a drama out of an emergency | 0:02:26 | 0:02:30 | |
and the soap that made him a star. | 0:02:30 | 0:02:34 | |
It's burning a hole in my pocket. | 0:02:34 | 0:02:35 | |
-Are you excited about the day, looking back? -I am. | 0:02:35 | 0:02:37 | |
When they asked me to do this | 0:02:37 | 0:02:39 | |
and started speaking about the programmes that I'd done, | 0:02:39 | 0:02:41 | |
all these memories come flying back that you forgot about. | 0:02:41 | 0:02:44 | |
So, it was like kind of walking through your history a little bit. | 0:02:44 | 0:02:47 | |
It was nice. | 0:02:47 | 0:02:49 | |
Yeah. So, we're going to go back to your childhood. | 0:02:49 | 0:02:51 | |
-Yeah, my childhood cos they're my most vivid memories of TV. -Really? | 0:02:51 | 0:02:55 | |
I think TV is everywhere these days, | 0:02:55 | 0:02:59 | |
so, as a kid, it really does shape your view | 0:02:59 | 0:03:01 | |
on what you like and what you don't like. | 0:03:01 | 0:03:03 | |
So, yeah, it'll be nice to show you my childhood programmes. | 0:03:03 | 0:03:06 | |
-Oh, I'm looking forward to it, mate. -Yeah. | 0:03:06 | 0:03:09 | |
And there's so many I forgot about as well. | 0:03:09 | 0:03:10 | |
All these other programmes come flying back. | 0:03:10 | 0:03:12 | |
-We'll do another show with you. -I've got loads for you. | 0:03:12 | 0:03:15 | |
-We'll do a series just on Joe. -You don't need any more guests. -No. | 0:03:15 | 0:03:18 | |
-Just me and you, innit? -Just me and you. -Yeah. -Give me that. | 0:03:18 | 0:03:20 | |
First up, we're going to rewind the clock | 0:03:20 | 0:03:22 | |
and have a look at a very young Joe Swash. | 0:03:22 | 0:03:25 | |
Oh, right. OK, this is interesting. | 0:03:25 | 0:03:27 | |
Joe Swash is a Londoner through and through. | 0:03:28 | 0:03:31 | |
He was born in Islington in 1982 | 0:03:31 | 0:03:34 | |
to doting parents Ricky and Catherine. | 0:03:34 | 0:03:37 | |
Sadly, Ricky died of a heart condition | 0:03:39 | 0:03:41 | |
when Joe was just 12, | 0:03:41 | 0:03:43 | |
which made the bond between him and his two younger sisters, | 0:03:43 | 0:03:46 | |
Caisie and Shana, even stronger. | 0:03:46 | 0:03:48 | |
Joe went to the famous Anna Scher Theatre School in Islington | 0:03:51 | 0:03:56 | |
where he studied alongside young talents like Natalie Cassidy. | 0:03:56 | 0:04:00 | |
They both went on to join the cast of EastEnders | 0:04:00 | 0:04:03 | |
where Joe was joined by his real-life sister Shana, | 0:04:03 | 0:04:06 | |
who played his on-screen sister Demi. | 0:04:06 | 0:04:10 | |
What was the young Joe Swash like? | 0:04:10 | 0:04:13 | |
Oh, you know what? I reckon the young Joe Swash... | 0:04:13 | 0:04:15 | |
-I reckon I was probably very hard to live with. -Really? | 0:04:15 | 0:04:18 | |
Yeah, cos I had a lot of energy and I needed to do stuff | 0:04:18 | 0:04:20 | |
and touch stuff, and I broke a lot of stuff as a kid. | 0:04:20 | 0:04:24 | |
I think I tested my mum's patience. | 0:04:24 | 0:04:26 | |
So, TV, for my mum, was like a blessing | 0:04:26 | 0:04:28 | |
cos that was the only time I'd sit down and not do nothing for a while. | 0:04:28 | 0:04:31 | |
Have you got trouble with haemorrhoids at the moment? | 0:04:31 | 0:04:34 | |
LAUGHTER I think they're all right. | 0:04:34 | 0:04:36 | |
Then why are you sitting on my pillow? | 0:04:36 | 0:04:38 | |
It makes me feel slightly taller. LAUGHTER | 0:04:38 | 0:04:41 | |
-It's like a booster seat. -Do you feel inferior? -No. | 0:04:41 | 0:04:44 | |
You're a big man, aren't you? You've got a good frame on you, Bri. | 0:04:44 | 0:04:48 | |
HE LAUGHS | 0:04:48 | 0:04:50 | |
So, that's what made you sit on my pillow. | 0:04:50 | 0:04:52 | |
-Yeah, I've got a habit of sitting on pillows. -Yeah? -Yeah. | 0:04:52 | 0:04:54 | |
Now it's time for your first TV choice. | 0:04:59 | 0:05:01 | |
-This is your earliest TV memory. -OK. | 0:05:01 | 0:05:03 | |
-Well, let's just take a look, shall we? -All right. | 0:05:03 | 0:05:06 | |
-Yes. You see, furry face... -'Oh, Grotbag.' -..it means | 0:05:06 | 0:05:08 | |
-you'd make a lot of money. -CASH REGISTER CHIMES | 0:05:08 | 0:05:11 | |
-Do you remember this? -Grotbags? Yeah, I do vaguely remember it. | 0:05:11 | 0:05:14 | |
There's a lot of cash to be made from an improved mouse restrainer. | 0:05:14 | 0:05:18 | |
'The programme revolved around the everyday lives | 0:05:18 | 0:05:21 | |
'of Carol Lee Scott's pantomime witch Grotbags | 0:05:21 | 0:05:24 | |
'and her puppet minions.' | 0:05:24 | 0:05:26 | |
Dodos hardly constitute a mass market. | 0:05:26 | 0:05:29 | |
'The show owed much of its broad humour, | 0:05:29 | 0:05:32 | |
'filming style and puppets to the great Rod Hull.' | 0:05:32 | 0:05:35 | |
Boo! Ha-ha! | 0:05:35 | 0:05:36 | |
'That's because Grotbags first appeared | 0:05:36 | 0:05:39 | |
'as a character on Emu's World.' | 0:05:39 | 0:05:41 | |
Shut up, furry ears. | 0:05:41 | 0:05:43 | |
'Well, I think, if my son was watching this,' | 0:05:43 | 0:05:45 | |
-he would've been scared of this. -He would? Why? | 0:05:45 | 0:05:48 | |
He's scared of everything on TV, my little boy. | 0:05:48 | 0:05:51 | |
He's a bit of a wimp when it comes to TV, | 0:05:51 | 0:05:53 | |
and I think this would have sent him over the edge, the green lady. | 0:05:53 | 0:05:56 | |
So, were you scared watching this as a young child? | 0:05:56 | 0:05:58 | |
I think I might have been slightly scared. | 0:05:58 | 0:06:00 | |
-And I had a thing for witches as a kid. -Yeah. | 0:06:00 | 0:06:03 | |
Not that I liked them, but I always thought that witches were around. | 0:06:03 | 0:06:08 | |
Do you know what I mean? | 0:06:08 | 0:06:09 | |
So, I'd walk past my bathroom door at my mum's house, | 0:06:09 | 0:06:12 | |
but every time I'd walk past the door and the lights were off, | 0:06:12 | 0:06:15 | |
I'd have to do that cos I'd think | 0:06:15 | 0:06:16 | |
that there would be a witch in there or under my bed. | 0:06:16 | 0:06:19 | |
So, yeah, this was a little bit like sadomasochistic. | 0:06:19 | 0:06:22 | |
-And this all stemmed from Grotbags. -From Grotbags, yeah. | 0:06:22 | 0:06:24 | |
And then Roald Dahl, he did The Witches, the film, remember? | 0:06:24 | 0:06:27 | |
-Yeah. -The Witches. | 0:06:27 | 0:06:28 | |
-That done me in for a couple of years. -Really? -Yeah. | 0:06:28 | 0:06:31 | |
-Witches played a big part in my life. -Really? | 0:06:31 | 0:06:33 | |
LAUGHTER Talking of my mum... | 0:06:33 | 0:06:35 | |
-They've guided you? -HE LAUGHS | 0:06:35 | 0:06:37 | |
-You'll take that bit out, won't you? -No. -Yeah. She'll kill me. -We won't. | 0:06:37 | 0:06:41 | |
Brats! We're knee deep in brats at the moment. | 0:06:41 | 0:06:44 | |
'So, she used to refer to children as brats.' | 0:06:44 | 0:06:47 | |
-Were you ever a brat? -Yeah, I think people would have called me... | 0:06:47 | 0:06:51 | |
-But not a brat. I mean, a likeable brat, I think. -Yeah. | 0:06:51 | 0:06:53 | |
You know, I wasn't malicious or rude. | 0:06:53 | 0:06:56 | |
-I just was, like, a real hyperactive... -Cheeky? | 0:06:56 | 0:06:59 | |
-Yeah. ..boy. Hyperactive boy. -Cheeky lad. | 0:06:59 | 0:07:01 | |
Did you get into any scrapes? Were you accident-prone? | 0:07:01 | 0:07:04 | |
Yeah, I've broken my legs, I've broken my arm, | 0:07:04 | 0:07:07 | |
I've broken my fingers, my toes. | 0:07:07 | 0:07:09 | |
So, bringing it back to Grotbags, | 0:07:09 | 0:07:11 | |
what did you think of her costume, you know? | 0:07:11 | 0:07:14 | |
I wouldn't say it was a great costume. | 0:07:14 | 0:07:16 | |
Look, I think the wig's quite a teller. | 0:07:16 | 0:07:18 | |
-I think you can tell it's a wig, can't you? -I can tell that's a wig. | 0:07:18 | 0:07:22 | |
-I don't think that mole's real. -No, I don't think it... | 0:07:22 | 0:07:24 | |
And I don't think she's green. | 0:07:24 | 0:07:25 | |
-But she's got crazy-looking eyes, doesn't she? -Yeah. | 0:07:25 | 0:07:28 | |
I'm surprised that she didn't go on to do other stuff. | 0:07:28 | 0:07:30 | |
What, Shakespeare or...? | 0:07:30 | 0:07:32 | |
Yeah, a little bit of stage work. LAUGHTER | 0:07:32 | 0:07:34 | |
-She's a good character actress, isn't she? -Yeah. | 0:07:34 | 0:07:36 | |
I could see her on Baywatch. They could call it Baywitch. | 0:07:36 | 0:07:39 | |
So, what was your living room like, Joe? | 0:07:39 | 0:07:41 | |
-What was, you know, growing up....? -So, my house... | 0:07:41 | 0:07:44 | |
Yeah, the house that I grew up in, it was... | 0:07:44 | 0:07:46 | |
My mum still lives in that house. | 0:07:46 | 0:07:48 | |
My sisters still live there and stuff, | 0:07:48 | 0:07:50 | |
so it's nice to go back. It was a nice house. | 0:07:50 | 0:07:52 | |
The front room wasn't massive. Similar sort of size to this. | 0:07:52 | 0:07:55 | |
Maybe smaller than this. | 0:07:55 | 0:07:57 | |
So, we'd all have...like, my mum and dad used to have the sofa. | 0:07:57 | 0:08:00 | |
-Remember beanbags? -Yeah. -We used to have beanbags. | 0:08:00 | 0:08:03 | |
So, you used to sit on a beanbag to watch the telly? | 0:08:03 | 0:08:05 | |
Me and my sister used to have a beanbag until I broke the beanbag | 0:08:05 | 0:08:08 | |
and the beans went everywhere. | 0:08:08 | 0:08:10 | |
-You know when the beans get, like, static electricity? -Yeah. | 0:08:10 | 0:08:12 | |
They were stuck on the walls, on the ceilings. | 0:08:12 | 0:08:14 | |
LAUGHTER My mum had the Hoover out. | 0:08:14 | 0:08:17 | |
HE IMITATES HOOVER Yeah. So, the beanbags had to go, | 0:08:17 | 0:08:19 | |
so we just had to sit on a cushion in the end, yeah. | 0:08:19 | 0:08:22 | |
But, no, it was lovely because, as a family, | 0:08:22 | 0:08:24 | |
we'd all sit around together. | 0:08:24 | 0:08:26 | |
My dad was a London taxi driver, so... | 0:08:26 | 0:08:27 | |
-My dad was a taxi driver. -Oh, was he? -Yeah. | 0:08:27 | 0:08:29 | |
-See, there you go. -There you go. -He used to come back on Fridays - | 0:08:29 | 0:08:33 | |
that was his day - and he wouldn't work the weekends, | 0:08:33 | 0:08:35 | |
so we'd get, like, a takeaway and all sit and watch TV. | 0:08:35 | 0:08:38 | |
It's lovely. Really lovely memories of being in the front room. | 0:08:38 | 0:08:41 | |
-Close family? -Really close family. Still really, really close. | 0:08:41 | 0:08:44 | |
Unfortunately, my dad passed away when we were younger, | 0:08:44 | 0:08:47 | |
but as a family, we're really close, and we still watch TV together. | 0:08:47 | 0:08:50 | |
-So, Joe, we're moving on to your Must See TV now. -Mm-hm. | 0:08:56 | 0:08:59 | |
An absolute classic from down under. Let's have a little look at this. | 0:08:59 | 0:09:04 | |
-Oh! Do you remember this? -I... | 0:09:06 | 0:09:08 | |
-Go on. Tell me about it. -I know the theme tune. | 0:09:08 | 0:09:11 | |
# ..when strange things happening Are you going round the twist? # | 0:09:11 | 0:09:15 | |
Yeah. See, that little kid looked like me when I was a kid, | 0:09:15 | 0:09:17 | |
my mum used to say. | 0:09:17 | 0:09:19 | |
-This was a great programme. -So, what was it about? | 0:09:19 | 0:09:22 | |
Well, what I can remember is, | 0:09:22 | 0:09:25 | |
is that just magical, | 0:09:25 | 0:09:27 | |
weird things would happen to them. | 0:09:27 | 0:09:29 | |
-Yeah. -And they'd have to explain why they happened. | 0:09:29 | 0:09:32 | |
It was like a family of young kids and the mum and dad, | 0:09:32 | 0:09:34 | |
and just how they kind of coped with them and stuff like that. | 0:09:34 | 0:09:37 | |
None of it really made sense. | 0:09:37 | 0:09:39 | |
The TV, when I was a kid, didn't make sense... | 0:09:39 | 0:09:41 | |
HE LAUGHS ..as it does today. | 0:09:41 | 0:09:43 | |
I'm hoping they'll be faster than this in the frog race. | 0:09:43 | 0:09:45 | |
Come on, Libby. Show them what you're made of. Go! | 0:09:45 | 0:09:48 | |
'Actually, this comedy drama was about a widowed dad | 0:09:48 | 0:09:51 | |
'and his three kids | 0:09:51 | 0:09:52 | |
'who lived in a mysterious and ghostly lighthouse in Australia.' | 0:09:52 | 0:09:56 | |
Got all these little hairs on them. | 0:09:56 | 0:09:58 | |
-This must have been the dad. Look. See, it was a lighthouse. -Yeah. | 0:09:58 | 0:10:02 | |
-Come on, let's have it. -I used it to brush my mouse. | 0:10:02 | 0:10:06 | |
-Use your own toothbrush, Bronson. -Not my mouth. My mouse. | 0:10:06 | 0:10:10 | |
'It was sold all over the world, | 0:10:10 | 0:10:12 | |
'winning awards in Canada, America and in Australia. | 0:10:12 | 0:10:16 | |
'And 15 years after the last series was broadcast, | 0:10:16 | 0:10:19 | |
'it's still watched down under.' | 0:10:19 | 0:10:21 | |
Right. | 0:10:23 | 0:10:24 | |
I used to fancy that girl as well a little bit. | 0:10:26 | 0:10:28 | |
-She might have been my first sort of crush. -Oh, first crush. -Yeah. | 0:10:28 | 0:10:31 | |
Mice are disgusting creatures. | 0:10:31 | 0:10:33 | |
-I could get some terrible disease. -SHE SCREAMS | 0:10:33 | 0:10:36 | |
It's in his pants. That'd have had me in stitches. | 0:10:36 | 0:10:38 | |
LAUGHTER He's got a frog in his pants. | 0:10:38 | 0:10:40 | |
I'd have been rolling around on the floor. It's amazing. | 0:10:40 | 0:10:44 | |
Did it inspire you to be an actor? | 0:10:45 | 0:10:47 | |
-I mean, cos you started at a really young age, didn't you? -Yeah. | 0:10:47 | 0:10:50 | |
Yeah, well, I started off doing, like, baby modelling | 0:10:50 | 0:10:53 | |
-when I was about eight to six, six to seven or something. -Right. | 0:10:53 | 0:10:57 | |
Cos I had curly, long hair and it was bright red, | 0:10:57 | 0:11:00 | |
and, like, at parties, my mum and dad used to say, | 0:11:00 | 0:11:02 | |
"Joe, Joe, who's your dad?" | 0:11:02 | 0:11:04 | |
And they trained me to say Mick Hucknall. | 0:11:04 | 0:11:06 | |
LAUGHTER | 0:11:06 | 0:11:08 | |
Which I think's a bit cruel, you know what I mean? | 0:11:08 | 0:11:10 | |
But, yeah, I'd done a little bit of modelling, | 0:11:10 | 0:11:13 | |
and then my mum is good friends with Linda Robson and Pauline Quirke, | 0:11:13 | 0:11:17 | |
who my mum's known for years. They're like family. | 0:11:17 | 0:11:20 | |
And they went to a place called Anna Scher's. | 0:11:20 | 0:11:22 | |
And cos I had a lot of energy, they was like... | 0:11:22 | 0:11:25 | |
-"We know where to stick him." -.."We'll stick him in there." | 0:11:25 | 0:11:27 | |
And it was nice then because my energy was kind of | 0:11:27 | 0:11:31 | |
-aimed towards something. -Yeah, you had something to focus on. -Yeah. | 0:11:31 | 0:11:34 | |
And it kept me out of a lot of trouble as well | 0:11:34 | 0:11:36 | |
because I really fell in love with being on TV and working. | 0:11:36 | 0:11:39 | |
-Yeah. -So, I knew then... | 0:11:39 | 0:11:42 | |
My mum and dad, they used to blackmail me, basically, | 0:11:42 | 0:11:44 | |
say, "If you're naughty, you can't go to work." | 0:11:44 | 0:11:47 | |
So it kind of kept me out of trouble. | 0:11:47 | 0:11:49 | |
-Kept me out of trouble for a long time. -Kept you focused. | 0:11:49 | 0:11:52 | |
Kept me focused as a young kid. To have a passion as a young kid, | 0:11:52 | 0:11:54 | |
I think is really important | 0:11:54 | 0:11:56 | |
cos it does keep you on the straight and narrow | 0:11:56 | 0:11:58 | |
and it kind of keeps you kind of focused on something. | 0:11:58 | 0:12:01 | |
-Did you do any adverts or anything like that? -Yeah, I did an advert. | 0:12:01 | 0:12:04 | |
I'm sure you know about it. I'm sure you've got it. | 0:12:04 | 0:12:07 | |
-You've got it, haven't you? -I might have. | 0:12:07 | 0:12:08 | |
-Shall we have a look at Joe Swash? -Let's have a look. | 0:12:08 | 0:12:11 | |
-Let's see Mick Hucknall live. -HE LAUGHS | 0:12:11 | 0:12:14 | |
'Andrex's toilet tissue ads have always been, well, comforting.' | 0:12:14 | 0:12:20 | |
There's a new kind of tissue... | 0:12:20 | 0:12:22 | |
'Joe's ad appeared in 1989, | 0:12:22 | 0:12:24 | |
'and features all the Andrex hallmarks.' | 0:12:24 | 0:12:27 | |
-Is that you? -That's me. | 0:12:27 | 0:12:30 | |
-Aw, weren't you sweet? -Stop it. | 0:12:30 | 0:12:33 | |
'The soft lighting, the domestic setting, | 0:12:33 | 0:12:36 | |
'and all importantly, the cute puppy and even cuter kid.' | 0:12:36 | 0:12:40 | |
Bleurgh! APPLAUSE | 0:12:40 | 0:12:42 | |
That was, um... HE LAUGHS | 0:12:42 | 0:12:44 | |
You've got to kiss me first. | 0:12:44 | 0:12:46 | |
-No, I ain't going to kiss you. -You've got to kiss me, Bri. | 0:12:46 | 0:12:49 | |
-Come on. If we're going to do it, do it properly. -All right. | 0:12:49 | 0:12:51 | |
Mwah! Hold on. | 0:12:51 | 0:12:54 | |
Bleurgh! LAUGHTER | 0:12:54 | 0:12:56 | |
You know I love you. I wouldn't do that. | 0:12:56 | 0:12:58 | |
I'll have your kisses all day long. | 0:12:58 | 0:13:00 | |
Joe, we're going to move on now to Parents' Choice. | 0:13:05 | 0:13:08 | |
So, this is what my mum and dad would have chosen, yeah? | 0:13:08 | 0:13:10 | |
Yeah. Let's see what it was. | 0:13:10 | 0:13:12 | |
MUSIC: 999 Theme Tune | 0:13:12 | 0:13:15 | |
HE SINGS 999 THEME TUNE | 0:13:15 | 0:13:17 | |
You know it's a serious programme with... | 0:13:17 | 0:13:19 | |
HE SINGS 999 THEME TUNE | 0:13:19 | 0:13:21 | |
-It's either 999 or the news, isn't it? -Yeah. | 0:13:21 | 0:13:23 | |
'The life-savers in leather on the streets of Bristol...' | 0:13:23 | 0:13:26 | |
Yes, it's 999, created | 0:13:26 | 0:13:28 | |
after the runaway success of Crimewatch UK. | 0:13:28 | 0:13:32 | |
It was a reconstruction show featuring every emergency service | 0:13:32 | 0:13:35 | |
from firefighters to coastguards. | 0:13:35 | 0:13:38 | |
It proved that dramatising reality was hugely popular. | 0:13:38 | 0:13:41 | |
It was an instant hit, | 0:13:41 | 0:13:42 | |
with over 12 million of us watching every week. | 0:13:42 | 0:13:46 | |
But watching it now, none of it looks particularly scary, | 0:13:48 | 0:13:52 | |
-but at the time... -Yeah. -..I loved this programme. -Yeah. | 0:13:52 | 0:13:55 | |
It was like watching a real episode of Casualty or something. | 0:13:55 | 0:13:58 | |
-You know what I mean? -Yeah. -Do you remember this? -Yeah, 999. | 0:13:58 | 0:14:01 | |
I loved it. I watched it religiously. | 0:14:01 | 0:14:04 | |
Your own house should feel the safest place in the world, | 0:14:04 | 0:14:07 | |
but more accidents... | 0:14:07 | 0:14:09 | |
-Oh, Buerky. Look at Buerky! -Yeah. | 0:14:09 | 0:14:11 | |
-Yeah, he's changed. -Look at those chinos, mate. | 0:14:11 | 0:14:13 | |
Ooh, and he ain't got any socks on. Very cutting edge. | 0:14:13 | 0:14:16 | |
That'd have taken ages to iron that crease in them trousers. | 0:14:16 | 0:14:19 | |
That's not his kitchen, is it? | 0:14:19 | 0:14:21 | |
Now, if a freshly made cup of tea hits you, | 0:14:21 | 0:14:23 | |
then the heat burns deeper and deeper. | 0:14:23 | 0:14:25 | |
Didn't think skin reacted in the same way | 0:14:25 | 0:14:27 | |
as tissue when it got burned. | 0:14:27 | 0:14:29 | |
LAUGHTER | 0:14:29 | 0:14:33 | |
Look, you know that kid's in trouble. Look. Straight away. | 0:14:33 | 0:14:36 | |
Oh, no. Don't. Oh, no. | 0:14:36 | 0:14:38 | |
You know when you watch Casualty and you see the actor in the beginning? | 0:14:38 | 0:14:41 | |
You're like, "They're going to die in a minute." | 0:14:41 | 0:14:43 | |
LAUGHTER I hope that baby doesn't. | 0:14:43 | 0:14:45 | |
-Oh, look. Don't do it. -No, he'll be all right. Don't. | 0:14:46 | 0:14:48 | |
'I turned to get the milk...' | 0:14:48 | 0:14:50 | |
-JOE GASPS -No! | 0:14:50 | 0:14:52 | |
HE SCREAMS Is he going to do it? | 0:14:52 | 0:14:54 | |
HE SCREAMS | 0:14:54 | 0:14:56 | |
Chucked him in the sink. LAUGHTER | 0:14:56 | 0:14:59 | |
Um, but, no, I like this programme. This was really, really good. | 0:14:59 | 0:15:02 | |
-And there's all different sorts of 999 emergencies. -Yeah. | 0:15:02 | 0:15:05 | |
You had, like, a plane crash in one of them, | 0:15:05 | 0:15:06 | |
then you would have, like, a snow one. | 0:15:06 | 0:15:08 | |
What we're going to do now is to push your acting skills, Joe. | 0:15:08 | 0:15:12 | |
-Oh, stop it. -Yeah. I'm going to give you various scenarios, | 0:15:12 | 0:15:16 | |
and we want to see how well | 0:15:16 | 0:15:19 | |
and what a great actor you are at those 999 scenarios. | 0:15:19 | 0:15:23 | |
I ain't done acting in ages. HE LAUGHS | 0:15:23 | 0:15:25 | |
I ain't done it in ages. | 0:15:25 | 0:15:26 | |
You should just be able to turn it on. It's like a light switch. | 0:15:26 | 0:15:29 | |
I'm not like you, am I? We're not all born to do it, Bri. | 0:15:29 | 0:15:33 | |
This is me. You read out Me. | 0:15:33 | 0:15:35 | |
"Brian making a cuppa, scolded by the kettle." | 0:15:35 | 0:15:38 | |
OK, I'm making a cuppa. | 0:15:38 | 0:15:39 | |
-Ooh. -Wait, wait, wait. What are you doing? You've got a kettle here. | 0:15:39 | 0:15:42 | |
-Oh, yeah. All right. All right. -LAUGHTER | 0:15:42 | 0:15:45 | |
Just making that... | 0:15:45 | 0:15:46 | |
HE SCREAMS | 0:15:46 | 0:15:50 | |
He's burnt himself right in the crotch. | 0:15:50 | 0:15:52 | |
-APPLAUSE -Thank you. | 0:15:52 | 0:15:54 | |
-All right, then. -Right. -I'll read out your one. | 0:15:55 | 0:15:58 | |
"Joe, a boy who got stuck down a well, and he is from Halifax." | 0:15:58 | 0:16:03 | |
All right. LAUGHTER | 0:16:03 | 0:16:05 | |
-So, you've got to do the accent. -So, this is the well, right? -OK. | 0:16:05 | 0:16:09 | |
What's a Halifax accent? LAUGHTER | 0:16:10 | 0:16:13 | |
-How do they talk in Halifax? -Yorkshire. Yorkshire, Joe. | 0:16:13 | 0:16:16 | |
Yorkshire. Give me... I need a little... | 0:16:16 | 0:16:18 | |
-YORKSHIRE ACCENT: -'Ey up, me duck. Help! Help!' | 0:16:18 | 0:16:20 | |
YORKSHIRE ACCENT: 'Help me! Ey up! | 0:16:20 | 0:16:22 | |
'Hey up, duck. Help me.' LAUGHTER | 0:16:22 | 0:16:25 | |
'Give me your hand, love. Give me your hand. I've got you. | 0:16:25 | 0:16:28 | |
'I've got you. Pull yourself up now. | 0:16:28 | 0:16:30 | |
-'Help me! -Come on. Come on. I've got you. I've got you.' | 0:16:30 | 0:16:34 | |
THEY GROAN | 0:16:34 | 0:16:36 | |
-APPLAUSE It was all right. -All right. | 0:16:36 | 0:16:39 | |
I'm knackered, mate. | 0:16:40 | 0:16:42 | |
Ladies and gentlemen, by applause, um, Joe Swash. | 0:16:42 | 0:16:46 | |
CHEERING AND APPLAUSE | 0:16:46 | 0:16:48 | |
Oh. You're going to struggle there, Bri. | 0:16:48 | 0:16:51 | |
Me. | 0:16:51 | 0:16:53 | |
RIPPLE OF APPLAUSE | 0:16:53 | 0:16:55 | |
LAUGHTER I'd say, Bri, that was a draw. | 0:16:55 | 0:16:58 | |
All right. Thanks, love. Thanks. | 0:16:58 | 0:17:00 | |
Tell you what, mate, for that, | 0:17:00 | 0:17:02 | |
-you can have your tenner back. -Nice one. | 0:17:02 | 0:17:04 | |
-LAUGHTER -Yeah. -Sweet. | 0:17:04 | 0:17:06 | |
-So, Joe, your next choice is Comfort Viewing. -Right. | 0:17:11 | 0:17:14 | |
And considering people watched this show in bed, | 0:17:14 | 0:17:18 | |
it couldn't get any comfier. | 0:17:18 | 0:17:19 | |
Oh, Big Breakfast! | 0:17:19 | 0:17:22 | |
Set in a house in East London | 0:17:22 | 0:17:24 | |
with the cameras flying all over the place, | 0:17:24 | 0:17:26 | |
Channel 4's alternative breakfast show | 0:17:26 | 0:17:29 | |
was truly revolutionary. | 0:17:29 | 0:17:31 | |
-What a legendary show this was. -Really? Did you ever appear on it? | 0:17:32 | 0:17:35 | |
No, I didn't really do any TV work at the time, | 0:17:35 | 0:17:39 | |
but I do remember thinking it's the only programme in the mornings | 0:17:39 | 0:17:42 | |
that didn't bore the life out of me. | 0:17:42 | 0:17:44 | |
-CHEERING AND APPLAUSE -It's Gordon the Gopher. | 0:17:44 | 0:17:48 | |
-Gordon the Gopher's in the bathroom. -You wouldn't believe the stories. | 0:17:48 | 0:17:53 | |
Zig and Zag are interviewing Gordon the Gopher. | 0:17:53 | 0:17:55 | |
This is brilliant. It's what you need in the morning. | 0:17:55 | 0:17:58 | |
-That's a young Chris Evans there. -That is, isn't it? | 0:17:58 | 0:18:01 | |
He's brilliant as well, isn't he, Chris Evans? | 0:18:01 | 0:18:04 | |
So, what set this show apart from GMTV? | 0:18:04 | 0:18:06 | |
Well, I mean, you had Paula Yates in the bed with people... | 0:18:06 | 0:18:09 | |
-That's right, yeah. -..doing her interviewing. | 0:18:09 | 0:18:12 | |
-Um, you had Denise van Outen first thing in the morning. -Yeah. | 0:18:12 | 0:18:16 | |
As a young boy, that was definitely going to get you up in the mornings. | 0:18:16 | 0:18:20 | |
LAUGHTER | 0:18:20 | 0:18:22 | |
-You've got Zig and Zag, you know. -Zig and Zag. | 0:18:22 | 0:18:25 | |
It's almost like it's kids' TV | 0:18:25 | 0:18:28 | |
that your parents are watching as well. | 0:18:28 | 0:18:30 | |
So, is it the type of show that would make you want to skip school? | 0:18:30 | 0:18:33 | |
-You know, would you sort of...? -I couldn't skip school as a kid. -No? | 0:18:33 | 0:18:37 | |
You couldn't get a day off school out of my mum for love nor money. | 0:18:37 | 0:18:40 | |
-No? -I tried every trick. LAUGHTER | 0:18:40 | 0:18:43 | |
I've stuck my head on a radiator to try and warm it up. | 0:18:43 | 0:18:46 | |
LAUGHTER I remember chopping up... | 0:18:46 | 0:18:48 | |
I chopped up little carrots and made, like, a weird soup, | 0:18:48 | 0:18:51 | |
put that down the toilet, made out like I'd been sick. | 0:18:51 | 0:18:53 | |
I did everything. You couldn't get a day off school off my mum | 0:18:53 | 0:18:56 | |
unless your finger was hanging off. LAUGHTER | 0:18:56 | 0:18:59 | |
-Honestly. "Have an aspirin, go to school." -Yeah. | 0:18:59 | 0:19:02 | |
But on the odd occasion that I'd have, like, a sick day | 0:19:02 | 0:19:05 | |
and you could just lay in bed and you could watch that, | 0:19:05 | 0:19:08 | |
you know, brilliant morning TV. | 0:19:08 | 0:19:10 | |
Did you think it was very anarchic? You know, really...? | 0:19:10 | 0:19:13 | |
It was very of its time, and I don't think... | 0:19:13 | 0:19:15 | |
There's nothing like that at the moment. | 0:19:15 | 0:19:17 | |
I don't think anything replaced Big Breakfast | 0:19:17 | 0:19:19 | |
-as that sort of like high... -Energy. -..energy sort of morning show. -Yeah. | 0:19:19 | 0:19:23 | |
Do you remember, at the end of the series, | 0:19:23 | 0:19:24 | |
when they stopped the whole thing, | 0:19:24 | 0:19:26 | |
they did a competition where you could win the house? | 0:19:26 | 0:19:29 | |
-That's right, yeah. -You could win the house. | 0:19:29 | 0:19:31 | |
I thought, "What an amazing present." | 0:19:31 | 0:19:32 | |
-It's house, Joe. -House, sorry. -Not "haarse." | 0:19:32 | 0:19:35 | |
-LAUGHTER -That sounds disgusting. | 0:19:35 | 0:19:38 | |
"You could win the haarse." | 0:19:38 | 0:19:40 | |
-House. -House, yeah. -You could win that lovely home. | 0:19:40 | 0:19:43 | |
LAUGHTER | 0:19:43 | 0:19:45 | |
APPLAUSE | 0:19:45 | 0:19:47 | |
It was good, though, wasn't it? It was a good programme. | 0:19:47 | 0:19:50 | |
-It was brilliant, yeah. -Good programme. | 0:19:50 | 0:19:52 | |
-So, Joe, your first day on EastEnders. -Yeah. | 0:19:58 | 0:20:01 | |
-What was that like? -Yeah, well, I nearly got sacked on my first day. | 0:20:01 | 0:20:04 | |
-Yeah. I mean, I always wanted to be in EastEnders. -Right. | 0:20:04 | 0:20:07 | |
I mean, when we were at Anna Scher's, my drama class, | 0:20:07 | 0:20:10 | |
we'd talk about it cos we knew Natalie Cassidy | 0:20:10 | 0:20:12 | |
and James Alexandrou that were in it already. | 0:20:12 | 0:20:14 | |
Everyone wanted to be in films, but I just wanted to be in EastEnders. | 0:20:14 | 0:20:17 | |
It was, like, my passion, EastEnders, | 0:20:17 | 0:20:19 | |
so to get it was amazing. | 0:20:19 | 0:20:21 | |
But then I wanted to share it with my mates cos, like... | 0:20:21 | 0:20:23 | |
So, I invited my mate along. | 0:20:23 | 0:20:25 | |
I sneaked him in the studio for my first day. | 0:20:25 | 0:20:27 | |
And I said to him, "Don't leave the dressing room. | 0:20:27 | 0:20:30 | |
"Stay in the dressing room." And he didn't. | 0:20:30 | 0:20:32 | |
He went wandering around, and we were filming, | 0:20:32 | 0:20:34 | |
and he walked round the back of the camera right through the scene. | 0:20:34 | 0:20:37 | |
They had to stop. They all went mad. "Who's this geezer?" | 0:20:37 | 0:20:41 | |
-"It's my mate Nick the Greek." -Nick the Greek! | 0:20:41 | 0:20:44 | |
Nick the Greek, yeah, we called him. And, yeah, so, I nearly got sacked. | 0:20:44 | 0:20:47 | |
-They had to escort him out, and I got told off. -Oh, right. | 0:20:47 | 0:20:50 | |
But I think I set the tone. They knew what they were handling, | 0:20:50 | 0:20:53 | |
-what they were dealing with. -Yeah. -You know? | 0:20:53 | 0:20:55 | |
So nothing else would surprise them. | 0:20:55 | 0:20:57 | |
-You're a great actor. There's no denying it. -Thank you. | 0:20:57 | 0:21:00 | |
-But did you find it hard to get the accent for EastEnders? -Yeah. | 0:21:00 | 0:21:03 | |
LAUGHTER Yeah, I did. | 0:21:03 | 0:21:05 | |
-It was something you had to work on? -I think that was one of | 0:21:05 | 0:21:08 | |
the good things about EastEnders, and my character Mickey - | 0:21:08 | 0:21:11 | |
he was just like me, so I wasn't even acting. | 0:21:11 | 0:21:13 | |
I was just saying the lines like I'd have said them in real life. | 0:21:13 | 0:21:16 | |
-You know what I mean? -Yeah. | 0:21:16 | 0:21:17 | |
-So, it was a pleasure to play him. -Yeah. | 0:21:17 | 0:21:20 | |
-You played him for six years. -Played him for six years. | 0:21:20 | 0:21:23 | |
They brought a family in around him, which had my little sister in it, | 0:21:23 | 0:21:26 | |
playing my sister. | 0:21:26 | 0:21:28 | |
And we all still know each other really well from the family. | 0:21:28 | 0:21:31 | |
But it was just an amazing place to grow up in. | 0:21:31 | 0:21:34 | |
And I was 21, so, like, before that, I was just a ginger kid. | 0:21:34 | 0:21:39 | |
And then, I get in EastEnders, I was like... | 0:21:39 | 0:21:41 | |
I was like a big kid in a sweet shop. | 0:21:41 | 0:21:43 | |
I could eat everything, like. | 0:21:43 | 0:21:45 | |
I could get into clubs for nothing. HE LAUGHS | 0:21:45 | 0:21:48 | |
I went to town for about two years. I got in so much trouble. | 0:21:48 | 0:21:51 | |
But thank God I grew out of it and I got it out of my system. | 0:21:51 | 0:21:54 | |
So, here is you, Joe, on EastEnders. | 0:21:54 | 0:21:57 | |
I ain't seen any of this. I never watch my old stuff back. | 0:21:57 | 0:22:01 | |
Once I've done it, I've done it. | 0:22:01 | 0:22:02 | |
-Is Spencer around, please? -Yeah. Why? Who's asking? -Oh, it's Mickey. | 0:22:02 | 0:22:06 | |
I'm Spencer's mate. | 0:22:06 | 0:22:08 | |
-'Look at the shirts as well. -Yeah.' | 0:22:08 | 0:22:10 | |
-He looks young, doesn't he? Old Richie? -Yeah, bless him. | 0:22:11 | 0:22:14 | |
Hey! Oh! All right, Spencer. You back there, mate? | 0:22:14 | 0:22:17 | |
-I wasn't gone. -That's not what Nana just said. | 0:22:17 | 0:22:19 | |
-Nana's not in. -Come on, mate. We've got work to do. | 0:22:19 | 0:22:22 | |
We ain't got time to chat all day. Come on, pal. | 0:22:22 | 0:22:24 | |
-See, I auditioned for his part, for Spencer... -Right. | 0:22:24 | 0:22:27 | |
..and I got down to the last two to play Shane's brother. | 0:22:27 | 0:22:30 | |
-Listen, Spence, you still got that cash? -Yeah. | 0:22:30 | 0:22:33 | |
-It's burning a hole in my pocket. -Why don't we have a little chat? | 0:22:33 | 0:22:36 | |
-Still got that denim jacket? -Yeah, still got that. | 0:22:38 | 0:22:41 | |
But it was really weird because when I auditioned for EastEnders, | 0:22:41 | 0:22:45 | |
you know when you audition for a small part, | 0:22:45 | 0:22:47 | |
you don't really want to do it | 0:22:47 | 0:22:48 | |
because there's less chance of you getting a bigger part later on. | 0:22:48 | 0:22:52 | |
And I was really reluctant to do it | 0:22:52 | 0:22:54 | |
because it was only for a couple of episodes. | 0:22:54 | 0:22:56 | |
So, I was working at the BBC doing fire protection | 0:22:56 | 0:23:00 | |
-cos I wanted to be a fireman. -Oh. -So, I was doing fire protection. | 0:23:00 | 0:23:02 | |
So, I was going into a room and making sure, | 0:23:02 | 0:23:05 | |
if there was a fire in it, it wouldn't spread. | 0:23:05 | 0:23:07 | |
So, I'd be on EastEnders. | 0:23:07 | 0:23:08 | |
I'd go in and do maybe two weeks' work on EastEnders, | 0:23:08 | 0:23:11 | |
and then go back to my normal job. | 0:23:11 | 0:23:13 | |
So, I was on TV while I was doing my normal job, | 0:23:13 | 0:23:15 | |
and everyone was like, "Are you not that dude from EastEnders? Mickey?" | 0:23:15 | 0:23:19 | |
while I was working at the BBC doing a bit of building. | 0:23:19 | 0:23:22 | |
And that went on for about three or four months to maybe a year | 0:23:22 | 0:23:25 | |
of going in and out, in and out. | 0:23:25 | 0:23:27 | |
It took them that long until they offered me my contract. | 0:23:27 | 0:23:30 | |
What was it like when you got that phone call? | 0:23:30 | 0:23:33 | |
It was amazing cos it was all I ever wanted, | 0:23:33 | 0:23:35 | |
was to be in EastEnders. | 0:23:35 | 0:23:36 | |
And I'd already got a taste of it from being Mickey, | 0:23:36 | 0:23:39 | |
so when they said they wanted to keep my character, | 0:23:39 | 0:23:42 | |
it was like winning the lottery. I was so excited. | 0:23:42 | 0:23:44 | |
Um, it's an amazing place. I've got some great memories. | 0:23:44 | 0:23:47 | |
-Would you like to go back? -I think, you know, the door's always open. | 0:23:47 | 0:23:51 | |
People are always asking me. | 0:23:51 | 0:23:54 | |
So, I think, one day, I would like to go back just because... | 0:23:54 | 0:23:57 | |
Because when I was on EastEnders, I got ill. | 0:23:57 | 0:24:00 | |
I got a thing called viral meningoencephalitis, | 0:24:00 | 0:24:02 | |
so I was off work for about a year, in hospital, then rehab and stuff. | 0:24:02 | 0:24:06 | |
So, I feel like, where my character was just about to go off | 0:24:06 | 0:24:10 | |
and do his own little storylines, | 0:24:10 | 0:24:12 | |
-it sort of got cut short a bit. -Yeah. | 0:24:12 | 0:24:13 | |
So, I'd like to go back and do it properly one day. | 0:24:13 | 0:24:16 | |
We'd like to see you back there. | 0:24:16 | 0:24:17 | |
Oh, thanks. But then I like what I'm doing. | 0:24:17 | 0:24:19 | |
I like doing presenting and I like doing the Jungle | 0:24:19 | 0:24:22 | |
and TV and doing stuff like that, | 0:24:22 | 0:24:23 | |
so, you know, it's a balancing thing, isn't it? | 0:24:23 | 0:24:26 | |
One day. One day. But they might not even want me back. | 0:24:26 | 0:24:28 | |
-I caused them so much trouble when I was on there. -Why? | 0:24:28 | 0:24:31 | |
Oh, I was always late, I'd have parties. | 0:24:31 | 0:24:34 | |
My biggest pulling thing at the weekend... | 0:24:34 | 0:24:36 | |
If I wanted to pull someone, like, if I had my eye on someone, | 0:24:36 | 0:24:39 | |
I'd take them to EastEnders on a Sunday | 0:24:39 | 0:24:41 | |
cos I knew the geezer at the gate. | 0:24:41 | 0:24:42 | |
So, I'd take them for a walk around the square, yeah? | 0:24:42 | 0:24:45 | |
I did that for about a year until I got caught. | 0:24:45 | 0:24:48 | |
Because they had a camera that was doing an internet live feed. | 0:24:48 | 0:24:50 | |
-Oh, right. -After a while, it was just every Sunday | 0:24:50 | 0:24:53 | |
going round with different people. HE LAUGHS | 0:24:53 | 0:24:55 | |
You touched on the Jungle. What was that like? | 0:24:55 | 0:24:58 | |
That was good, the Jungle, because I'd just left EastEnders. | 0:24:58 | 0:25:00 | |
-You became King of the Jungle. -Yeah. | 0:25:00 | 0:25:02 | |
It was weird because I'd just left EastEnders, | 0:25:02 | 0:25:04 | |
and it was their decision for me to leave EastEnders, | 0:25:04 | 0:25:07 | |
so I was slightly heartbroken by it. | 0:25:07 | 0:25:09 | |
And I knew I was going to be typecast | 0:25:09 | 0:25:11 | |
and I'd struggle doing other acting work. | 0:25:11 | 0:25:13 | |
And then the Jungle came in, and I was really nervous. | 0:25:13 | 0:25:16 | |
You know, I just didn't know what was going to happen. | 0:25:16 | 0:25:19 | |
But I bit the bullet and did it, | 0:25:19 | 0:25:20 | |
and it was one of the best things I've done. Really enjoyed it. | 0:25:20 | 0:25:23 | |
From that, I've been going back for the last eight years, you know. | 0:25:23 | 0:25:26 | |
So, I've got my money's worth out of it. | 0:25:26 | 0:25:28 | |
Yeah, I've really enjoyed it. It's an amazing place. | 0:25:28 | 0:25:30 | |
Was it nice to be voted King of the Jungle by the public? | 0:25:30 | 0:25:33 | |
Yeah. Yeah, I think that was the best thing | 0:25:33 | 0:25:35 | |
because it's such a...it's such a weird feeling being in there | 0:25:35 | 0:25:41 | |
because you don't know no-one in there. | 0:25:41 | 0:25:43 | |
There's no-one in there to say to you, "You're not being yourself. | 0:25:43 | 0:25:46 | |
"What are you doing? Cheer up." | 0:25:46 | 0:25:48 | |
So, you're constantly kind of questioning yourself. | 0:25:48 | 0:25:50 | |
"Am I being myself? Am I being myself?" | 0:25:50 | 0:25:53 | |
But no, it was just an amazing place. | 0:25:53 | 0:25:55 | |
And again, like, EastEnders and the Jungle, | 0:25:55 | 0:25:57 | |
I just have two of the most amazing, incredible memories of them. | 0:25:57 | 0:26:01 | |
So, yeah, I'd say them two hold big places in my heart. | 0:26:01 | 0:26:05 | |
-Joe, I want to talk about the TV you love watching now. -Yeah. | 0:26:11 | 0:26:14 | |
Bring it full circle. What do you enjoy watching? | 0:26:14 | 0:26:17 | |
-I love documentaries. -Yeah? -I'm really into documentaries. | 0:26:17 | 0:26:20 | |
I love Louis Theroux and stuff like that. | 0:26:20 | 0:26:23 | |
I like stuff like Big Brother, I'm A Celebrity, Strictly. | 0:26:23 | 0:26:28 | |
I like my reality stuff. | 0:26:28 | 0:26:29 | |
Cos I grew up in a house full of women for most of it, | 0:26:29 | 0:26:32 | |
cos my dad died I was 12, | 0:26:32 | 0:26:33 | |
so that's got a big effect on my taste in TV. | 0:26:33 | 0:26:36 | |
So, I like my soaps, you know, I like my antiques shows, | 0:26:36 | 0:26:41 | |
like Antiques Roadshow and all of that. | 0:26:41 | 0:26:45 | |
Yeah, so, I think my taste in TV probably reflects | 0:26:45 | 0:26:47 | |
my mum and my sisters' taste. | 0:26:47 | 0:26:49 | |
I had no control over the telly dial. | 0:26:49 | 0:26:51 | |
That was up to them. I just had to watch what they watched. | 0:26:51 | 0:26:54 | |
Well, I want to thank you for brightening up my sofa today. | 0:26:54 | 0:26:57 | |
-Thank you, mate. -It's been an absolute joy. -Is that it? | 0:26:57 | 0:26:59 | |
-Yeah. -Aw! -Aw! Well, I've enjoyed it. | 0:26:59 | 0:27:02 | |
It really has. The time's gone so quickly. | 0:27:02 | 0:27:04 | |
But we give our guests the opportunity | 0:27:04 | 0:27:06 | |
to pick a theme tune for us to play out on. | 0:27:06 | 0:27:08 | |
-So, what's it going to be, Joe? -All right. | 0:27:08 | 0:27:10 | |
-Do you want me to sing it? -No. -LAUGHTER | 0:27:10 | 0:27:14 | |
No, we play it. | 0:27:14 | 0:27:16 | |
-It's the actual theme tune. -Yeah, so... | 0:27:16 | 0:27:18 | |
But you can sing it as well. You can sing along to it. | 0:27:18 | 0:27:20 | |
-Shall we see if they get it, yeah? -Well, all right. Go on, then. | 0:27:20 | 0:27:23 | |
# Dah-dah-dah! # | 0:27:23 | 0:27:26 | |
No? LAUGHTER | 0:27:26 | 0:27:28 | |
# Dah-dah-dah! # | 0:27:28 | 0:27:30 | |
-We Will Rock You? -No! LAUGHTER | 0:27:30 | 0:27:32 | |
-We watched it. It was on there. AUDIENCE MEMBER: -999. | 0:27:32 | 0:27:35 | |
-999. -999. | 0:27:35 | 0:27:36 | |
# Dah-dah-dah! # | 0:27:36 | 0:27:38 | |
That's my theme song. HE HUMS 999 THEME SONG | 0:27:38 | 0:27:40 | |
-It's either the news or 999 coming up, yeah. -All right, then. | 0:27:40 | 0:27:43 | |
So, we play out with 999. Have you enjoyed it? | 0:27:43 | 0:27:45 | |
-I've loved it, yeah. -And we've loved you. | 0:27:45 | 0:27:47 | |
Let me come back because I've got all these other programmes. | 0:27:47 | 0:27:50 | |
All right, I know you're struggling. You're out of work at the moment. | 0:27:50 | 0:27:53 | |
-We'll let you back. -Get me back. | 0:27:53 | 0:27:54 | |
-We'll let him back, won't we? -AUDIENCE: -Yeah! -Yeah? | 0:27:54 | 0:27:57 | |
-My thanks to Joe. -Aw. Cheers, mate. -Mate, thank you. | 0:27:57 | 0:28:01 | |
And my thanks to you for watching The TV That Made Me. | 0:28:01 | 0:28:04 | |
We'll see you next time. Bye-bye! | 0:28:04 | 0:28:06 | |
MUSIC: 999 Theme Tune | 0:28:06 | 0:28:09 |