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TV, the magic box of delight. | 0:00:02 | 0:00:03 | |
As kids, it showed us a million different worlds | 0:00:03 | 0:00:06 | |
all from our living room. | 0:00:06 | 0:00:08 | |
-So funny. -That was state-of-the-art! -Ah! | 0:00:10 | 0:00:13 | |
I loved this. | 0:00:13 | 0:00:14 | |
'Each day, I'm going | 0:00:15 | 0:00:16 | |
'to journey through the wonderful world of telly...' | 0:00:16 | 0:00:19 | |
-Cheers. -'..with one of our favourite celebrities...' | 0:00:19 | 0:00:22 | |
'We are going into space.' | 0:00:22 | 0:00:23 | |
-It's just so silly. -Oh, no! | 0:00:23 | 0:00:25 | |
-Yeah! -'..as they select the iconic TV moments...' | 0:00:28 | 0:00:31 | |
-My God. This is the scene! -Oh, dear. | 0:00:33 | 0:00:35 | |
'..that tell us the stories of their lives.' | 0:00:35 | 0:00:38 | |
I absolutely adored this. | 0:00:39 | 0:00:40 | |
-'Some will make you laugh...' -SHE LAUGHS | 0:00:40 | 0:00:42 | |
Don't watch the telly, Esther. Watch me. | 0:00:42 | 0:00:44 | |
-'..some will surprise...' -THEY LAUGH | 0:00:44 | 0:00:47 | |
No way! Where did you find this?! | 0:00:47 | 0:00:50 | |
'..many will inspire...' | 0:00:50 | 0:00:51 | |
It used to transport us to places that we could only dream about. | 0:00:51 | 0:00:55 | |
'..and others will move us.' | 0:00:55 | 0:00:57 | |
I am emotional now. | 0:00:57 | 0:00:58 | |
'Today, we look even more deeply.' | 0:00:58 | 0:01:00 | |
Why wouldn't you want to watch this? | 0:01:00 | 0:01:02 | |
So, come watch with us as we rewind to the classic telly that | 0:01:02 | 0:01:06 | |
helped shape those wide-eyed youngsters into the much-loved | 0:01:06 | 0:01:10 | |
stars they are today. | 0:01:10 | 0:01:11 | |
Welcome to The TV That Made Me. | 0:01:20 | 0:01:21 | |
My guest today is one of TV's most talented and lovable actors. | 0:01:21 | 0:01:25 | |
-It is Mr Richard Ridings. -APPLAUSE | 0:01:25 | 0:01:29 | |
-Hello. -Hello, sir. Good to see you. | 0:01:29 | 0:01:31 | |
-Give us a hug. -Oh, no. Oh, don't hurt me, don't hurt me. | 0:01:31 | 0:01:33 | |
-Are you not a hugger? -Yeah, go on. | 0:01:33 | 0:01:35 | |
Give us a hug, give us a hug. Come sit down. | 0:01:35 | 0:01:37 | |
Take a seat. | 0:01:37 | 0:01:39 | |
Richard Ridings has been a stalwart on our screens | 0:01:40 | 0:01:43 | |
for over 30 years. | 0:01:43 | 0:01:45 | |
You'll recognise him from playing characters like Bernard | 0:01:46 | 0:01:49 | |
in Common As Muck | 0:01:49 | 0:01:51 | |
and more recently, Mr Bumble in Dickensian. | 0:01:51 | 0:01:54 | |
But what you might not recognise him for is one of his biggest roles, | 0:01:56 | 0:01:59 | |
the voice of Daddy in Peppa Pig. | 0:01:59 | 0:02:02 | |
The TV that made Richard Ridings | 0:02:04 | 0:02:06 | |
includes his big break as hard man Mad Mick in The Ritz... | 0:02:06 | 0:02:11 | |
They are reopening that disco, are they? | 0:02:11 | 0:02:14 | |
..a four-hour funeral that gripped our nation... | 0:02:15 | 0:02:18 | |
'19 guns in salute, | 0:02:18 | 0:02:20 | |
'the first time that a commoner has ever been given more than 17 guns.' | 0:02:20 | 0:02:25 | |
..and a show that used to have his father in stitches | 0:02:25 | 0:02:27 | |
back in the '60s. | 0:02:27 | 0:02:29 | |
Richard, it's great having you here. | 0:02:30 | 0:02:32 | |
Today's a celebration of some TV classics, | 0:02:32 | 0:02:35 | |
some wonderful bits that will take you, hopefully, down memory lane. | 0:02:35 | 0:02:38 | |
Stuff that you've chosen. | 0:02:38 | 0:02:40 | |
So, we are going to rewind the clock | 0:02:40 | 0:02:41 | |
and this is a very young Richard Ridings. | 0:02:41 | 0:02:43 | |
Richard Ridings was born in Henley-on-Thames in 1958 to parents | 0:02:46 | 0:02:51 | |
Doreen and Robert, who was a headmaster at a residential | 0:02:51 | 0:02:54 | |
school for asthmatic boys. | 0:02:54 | 0:02:57 | |
He and his older siblings, twins Jonathan and Sarah, | 0:02:57 | 0:03:00 | |
had free rein of the school | 0:03:00 | 0:03:02 | |
and a young Richard was often found playing around the grounds - | 0:03:02 | 0:03:06 | |
a freedom that allowed him to explore his active | 0:03:06 | 0:03:08 | |
and creative sides. | 0:03:08 | 0:03:10 | |
Famed for his voice as well as his acting skills, | 0:03:11 | 0:03:14 | |
after training at Bristol's Old Vic, Richard | 0:03:14 | 0:03:16 | |
starred in a variety of roles across TV and film. | 0:03:16 | 0:03:20 | |
And the demand for his talents has ensured that he has | 0:03:20 | 0:03:22 | |
remained on our screens for over three decades. | 0:03:22 | 0:03:26 | |
-So, where did you grow up, Richard? -It's a... Grew up? | 0:03:28 | 0:03:30 | |
Or have you ever grown up? | 0:03:30 | 0:03:32 | |
Well, now, that's a good question, actually, because part of me | 0:03:32 | 0:03:35 | |
really hasn't. No. | 0:03:35 | 0:03:36 | |
The child is still very much alive within me, I think, | 0:03:36 | 0:03:40 | |
but my dad was headmaster. | 0:03:40 | 0:03:41 | |
But he was headmaster of a very, very large school. | 0:03:41 | 0:03:46 | |
Not a lot of pupils, but just a very, very, very big building. | 0:03:46 | 0:03:49 | |
So, yeah, the first ten years of my life, | 0:03:49 | 0:03:51 | |
we had these marvellous grounds, a lot of running around. | 0:03:51 | 0:03:54 | |
-And you had a telly. -And we had a telly. -Yeah? -We had a telly, yeah. | 0:03:54 | 0:03:57 | |
And so, where was your telly? Where's your telly situated? | 0:03:57 | 0:03:59 | |
Telly. Now, I seem to recall it was in the dining room to start | 0:03:59 | 0:04:02 | |
with, but then later, moved into the sitting room. | 0:04:02 | 0:04:05 | |
And my earliest memories are... | 0:04:05 | 0:04:07 | |
-Watch With Mother... -Yes. | 0:04:07 | 0:04:09 | |
-Andy Pandy. -Andy Pandy and Looby Loo. | 0:04:09 | 0:04:12 | |
-I had a Looby Loo. -Did you? | 0:04:12 | 0:04:13 | |
I carried it everywhere. Yeah, first five years of my life, | 0:04:13 | 0:04:16 | |
I had a Looby Loo. | 0:04:16 | 0:04:17 | |
You do not strike me as a man who'd have a Looby Loo. | 0:04:17 | 0:04:20 | |
No, I did I had... I loved Looby Loo. | 0:04:20 | 0:04:22 | |
-We are going to go to your first memory, Richard. -Right, OK. | 0:04:28 | 0:04:31 | |
Just have a little look. | 0:04:31 | 0:04:33 | |
-This is Winston Churchill's funeral. -Yes. | 0:04:37 | 0:04:41 | |
The TV had moved into the sitting room by now. | 0:04:41 | 0:04:43 | |
Maybe, maybe in honour of Winston Churchill, | 0:04:43 | 0:04:46 | |
-it was moved into the sitting room. -Right. | 0:04:46 | 0:04:48 | |
But I can just remember sitting there going, | 0:04:48 | 0:04:50 | |
-"Oh, this is a bit grand." -This is 1965. | 0:04:50 | 0:04:53 | |
'The guns ring out. A salute of 19 guns...' | 0:04:55 | 0:04:58 | |
A funeral may seem like an unusual first TV memory for six-year-old | 0:04:58 | 0:05:02 | |
Richard, but that goes to show the magnitude of the event... | 0:05:02 | 0:05:05 | |
..and also how long the programme was actually on for - | 0:05:07 | 0:05:10 | |
four hours and five minutes. | 0:05:10 | 0:05:13 | |
'So, as the pigeons are raised...' | 0:05:13 | 0:05:15 | |
I can remember sitting there watching it, thinking, | 0:05:15 | 0:05:18 | |
"God, this is going on a long time!" THEY LAUGH | 0:05:18 | 0:05:22 | |
-I don't think I watched all of it. -No. -Cos I could never sit still. | 0:05:22 | 0:05:27 | |
So, I'd be out at the back playing a bit, I'd come in and watch a bit | 0:05:27 | 0:05:30 | |
more and go, "Where's he got to now, then? Is he at the Mall yet?" | 0:05:30 | 0:05:33 | |
GUNS FIRE | 0:05:33 | 0:05:36 | |
This funeral was known as Operation Hope Not. | 0:05:36 | 0:05:38 | |
-Was it really? -Yeah. | 0:05:38 | 0:05:40 | |
-Planned for 12 years. -Wow. | 0:05:41 | 0:05:45 | |
So, who would you watch this with, then, Richard? | 0:05:45 | 0:05:47 | |
Who was watching this with you? | 0:05:47 | 0:05:48 | |
I think my mum and dad were watching it. | 0:05:48 | 0:05:53 | |
And of course, they both had been through the war. | 0:05:53 | 0:05:56 | |
My dad had been in the Royal Signals, a captain. | 0:05:56 | 0:06:00 | |
-My mum was in the WAF. -Yeah? | 0:06:00 | 0:06:03 | |
So, yes, this was a great commemoration of our fantastic | 0:06:03 | 0:06:06 | |
-wartime leader. -Yeah, he was, wasn't he? -Yeah. | 0:06:06 | 0:06:09 | |
'It seems almost to be drifting up the last of the tide at high | 0:06:09 | 0:06:13 | |
'water on its way to Waterloo.' | 0:06:13 | 0:06:17 | |
-Would you ever have liked to play Winston Churchill? -Crikey. | 0:06:17 | 0:06:20 | |
Yeah, I suppose so. Yes. Yeah. Maybe. | 0:06:21 | 0:06:25 | |
I think you would be a good Winston Churchill. | 0:06:25 | 0:06:27 | |
-AS CHURCHILL: "Never..." -AS CHURCHILL: "Never..." | 0:06:27 | 0:06:29 | |
-"..in the field of human conflicts..." -"Have so many..." | 0:06:29 | 0:06:32 | |
-".. has so much been owed to so few." -I think you should do it. | 0:06:32 | 0:06:34 | |
-Oh, I think... -AS CHURCHILL: Do you know... -That's good. -No, I don't. | 0:06:34 | 0:06:37 | |
-I sound more like Bruce Forsyth. -HE BABBLES | 0:06:37 | 0:06:41 | |
HE LAUGHS | 0:06:41 | 0:06:43 | |
So, what was Richard like as a boy? | 0:06:43 | 0:06:45 | |
-Apparently, he never sat still. -No? | 0:06:45 | 0:06:47 | |
-He was always very, very, very noisy. -Mm-hm. | 0:06:47 | 0:06:50 | |
-Always interested in the arts? -More in nature and sport than into... | 0:06:50 | 0:06:55 | |
-Oh, really? It's got to be rugby. -Yes. | 0:06:55 | 0:06:57 | |
Yes. Yeah, I was very keen on rugby, but also shot putting as well. | 0:06:57 | 0:07:01 | |
I developed an interest in the shot put and discus. | 0:07:01 | 0:07:03 | |
-And I got quite passionate about that. -Yeah. | 0:07:03 | 0:07:05 | |
-Did you get any good at it? -Well, I did, yeah. Quite good, actually. | 0:07:05 | 0:07:08 | |
I got... I represented the county and later on, went up to... | 0:07:08 | 0:07:13 | |
They have these all England sports and it's great fun. | 0:07:13 | 0:07:17 | |
You turn up at this stadium and the stadium is packed with | 0:07:17 | 0:07:20 | |
teams from every county in Britain, you know? | 0:07:20 | 0:07:22 | |
And I was representing Oxfordshire. | 0:07:22 | 0:07:24 | |
-I came third. -Mm! | 0:07:24 | 0:07:26 | |
Yeah, I was quite pleased with that. | 0:07:26 | 0:07:28 | |
And then started doing a bit of drama, | 0:07:28 | 0:07:29 | |
but it was always that kind of thing, | 0:07:29 | 0:07:31 | |
"Yeah, I can do a bit of that as well. | 0:07:31 | 0:07:32 | |
"Of course, yeah, I'd like to be an actor." | 0:07:32 | 0:07:34 | |
Never really seriously thought of myself as an actor. | 0:07:34 | 0:07:37 | |
You know... In fact... | 0:07:37 | 0:07:39 | |
in fact, I still don't. THEY LAUGH | 0:07:39 | 0:07:42 | |
It's just one of those things that kind of happened. | 0:07:42 | 0:07:44 | |
-So, your dad was a headmaster. -He was. | 0:07:44 | 0:07:46 | |
Was he quite strict with you when it comes to watching TV? | 0:07:46 | 0:07:50 | |
-We certainly... There was certainly a cut-off point, definitely. -Yeah. | 0:07:50 | 0:07:53 | |
You know, they'd be watching Z-Cars and we would be going, | 0:07:53 | 0:07:56 | |
"What's going on?" | 0:07:56 | 0:07:57 | |
"No, you are supposed to be in bed. You should be asleep by now." | 0:07:57 | 0:08:00 | |
And also until quite late in the '60s, | 0:08:00 | 0:08:03 | |
I don't think we were allowed to watch ITV. | 0:08:03 | 0:08:06 | |
-Oh, really? -Yeah, had to be BBC. -Oh, isn't it? | 0:08:06 | 0:08:09 | |
-So, there's a snobbery there. -Yeah! -Yeah. -Yeah. | 0:08:09 | 0:08:14 | |
I'm sure of it. Yes, I think it was sort of frowned upon. | 0:08:14 | 0:08:18 | |
"Oh, they are advertising. No, we will stick with good old Beeb." | 0:08:18 | 0:08:21 | |
-Your next choice is Dad's Choice... -My dad's choice. | 0:08:27 | 0:08:29 | |
It's something your dad used to love watching. | 0:08:29 | 0:08:32 | |
-This gentleman - Mr Harry Worth. -Yes, yes. | 0:08:32 | 0:08:36 | |
RICHARD LAUGHS | 0:08:36 | 0:08:37 | |
How many times did we do this? | 0:08:41 | 0:08:43 | |
-How many times have you wandered along the shops and done that? -Yeah. | 0:08:43 | 0:08:47 | |
-Had to do it. -HE MUTTERS | 0:08:47 | 0:08:48 | |
I showed that to my kids only recently. I went, "Kids, have a look | 0:08:48 | 0:08:51 | |
"at this." Well, they wet themselves | 0:08:51 | 0:08:52 | |
when I said, "Well, there's a gentleman called Harry Worth," | 0:08:52 | 0:08:55 | |
and I'd lost them by that point. | 0:08:55 | 0:08:56 | |
-They were back on their iPads. -Yes. -But I did have a moment. | 0:08:56 | 0:08:59 | |
It happens, doesn't it? Just for a split-second, you sometimes get | 0:08:59 | 0:09:02 | |
-their attention. -Yeah. But your dad loved this? -Loved it. | 0:09:02 | 0:09:04 | |
I can't remember anything about the show, | 0:09:04 | 0:09:06 | |
-just that title sequence. -Yeah. | 0:09:06 | 0:09:08 | |
And the fact that he would sit there roaring his head off. | 0:09:08 | 0:09:10 | |
I wanted to save money. | 0:09:10 | 0:09:12 | |
-You want to save money, sir? -Yeah. | 0:09:12 | 0:09:13 | |
Well, you've come to the right place. You can save money here, sir. | 0:09:13 | 0:09:16 | |
-Can I really? -Indeed you can, sir. | 0:09:16 | 0:09:18 | |
-Now, what did you have for breakfast this morning? -Well, let me see. | 0:09:18 | 0:09:21 | |
Breakfast...a boiled egg, toast and marmalade and cornflakes. | 0:09:21 | 0:09:26 | |
Right. Now, what can we save on that? | 0:09:26 | 0:09:28 | |
Well, I could do without the boiled egg. It's true. | 0:09:28 | 0:09:31 | |
-Reminds me very much of Harry Hill as well. -Yes, yes. | 0:09:31 | 0:09:34 | |
Well, this is really marvellous. | 0:09:34 | 0:09:36 | |
Well, I've saved over seven shillings already. | 0:09:36 | 0:09:38 | |
-You've got the idea, sir. I'll leave you to it. -Thank you very much. | 0:09:38 | 0:09:43 | |
Ah, what's this? | 0:09:43 | 0:09:45 | |
South African peaches. | 0:09:45 | 0:09:46 | |
Not four and 11, not three and 11, not two and 11, but one and 11! | 0:09:46 | 0:09:50 | |
Must have one! | 0:09:50 | 0:09:52 | |
So, do you think this was escapism for your father's hectic life of | 0:09:52 | 0:09:56 | |
-being a... -Yeah. -..a headmaster? -Could be, yeah. | 0:09:56 | 0:09:59 | |
He spent a lot of time being very proper and strict and quite | 0:09:59 | 0:10:03 | |
austere and he was an ex-military man, you know, man of the church. | 0:10:03 | 0:10:06 | |
So, to see him relaxed and having a laugh was great, you know? | 0:10:06 | 0:10:10 | |
And sometimes it would bring out what my mum called | 0:10:10 | 0:10:14 | |
the giddy goat in him, you know? | 0:10:14 | 0:10:16 | |
-And he'd get a bit, "Wahey," you know, which was wonderful. -Yeah. | 0:10:16 | 0:10:19 | |
Yeah, I think that's all I've got from him, | 0:10:19 | 0:10:21 | |
actually, is the giddy goat bit. THEY LAUGH | 0:10:21 | 0:10:24 | |
-Sometimes. -I mean, Harry Worth was your dad's favourite. -Yeah. | 0:10:24 | 0:10:27 | |
But did you have some classics? Did you grow up with some great comedy? | 0:10:27 | 0:10:31 | |
Comedy, slightly later. | 0:10:31 | 0:10:32 | |
-I mean, I think earlier on, I was into Thunderbirds. -Yeah. | 0:10:32 | 0:10:36 | |
-Before that Fireball XL5. -Oh, yes. | 0:10:36 | 0:10:38 | |
And Stingray. | 0:10:38 | 0:10:41 | |
# Stingray! Stingray! | 0:10:41 | 0:10:43 | |
-BOTH: -# Da-da-da-da-da. # -Yeah. | 0:10:43 | 0:10:45 | |
# Marina | 0:10:45 | 0:10:47 | |
# Aqua Marina. # | 0:10:47 | 0:10:49 | |
-I loved her. I was in love with her. -Oh. You was in love with her? | 0:10:49 | 0:10:52 | |
-I was in love with Marina, yeah. -It was a puppet! | 0:10:52 | 0:10:54 | |
LAUGHTER | 0:10:54 | 0:10:57 | |
-And Lady Penelope. She was a puppet too. -Yeah! | 0:10:57 | 0:11:00 | |
-Time for one of your family favourites. -All right. | 0:11:06 | 0:11:09 | |
LOUD CHATTER | 0:11:09 | 0:11:13 | |
-Is it Kojak? -Yes, it is. -Oh-ho! | 0:11:13 | 0:11:16 | |
-I would try not to miss this. -There he is, Telly Savalas. | 0:11:16 | 0:11:18 | |
-"Who loves you, baby?" -Telly Savalas. "Who loves you?" | 0:11:18 | 0:11:21 | |
You let all the other cats go. | 0:11:21 | 0:11:24 | |
-Hands, behind. -Why I got to get busted? | 0:11:24 | 0:11:26 | |
'Just check out the acting and the action. | 0:11:26 | 0:11:28 | |
'It's no wonder that Kojak won a whole host of Emmys | 0:11:28 | 0:11:31 | |
'and Golden Globes when it blasted onto our screens in the '70s. | 0:11:31 | 0:11:35 | |
'The flair in the writing | 0:11:35 | 0:11:37 | |
'and the acting was almost as good as the flares we saw on screen.' | 0:11:37 | 0:11:41 | |
-And the lollipops. -Yeah. -Yeah. | 0:11:42 | 0:11:44 | |
He always had a lollipop and you know why? | 0:11:44 | 0:11:46 | |
He was trying to give up smoking. | 0:11:46 | 0:11:48 | |
-Oh, is that right? -Yeah. | 0:11:48 | 0:11:50 | |
Actually, I think... Yes, I remember that. I remember seeing him | 0:11:50 | 0:11:53 | |
interviewed by Parkinson, talking about it, yeah. | 0:11:53 | 0:11:55 | |
Meantime, Benny, can you tell me why an expensive piece of manpower | 0:11:55 | 0:11:58 | |
like myself should be chauffeuring you around, huh? | 0:11:58 | 0:12:01 | |
It's heavy, lieutenant. I mean, like millions, maybe. | 0:12:01 | 0:12:03 | |
Millions? Millions of what? | 0:12:03 | 0:12:05 | |
Diamonds. | 0:12:05 | 0:12:07 | |
'Kojak's popularity has certainly stood the test of time. | 0:12:07 | 0:12:10 | |
'"Who loves you, baby?" made TV Guide's top 20 catchphrase list | 0:12:10 | 0:12:15 | |
'almost 30 years after Savalas' last episode was made.' | 0:12:15 | 0:12:19 | |
And how old was you when you were watching this? | 0:12:19 | 0:12:22 | |
-Ten, 11. It was Saturday night, wasn't it? -Yeah. | 0:12:22 | 0:12:24 | |
It was Saturday night. It was like get all your stuff done. | 0:12:24 | 0:12:27 | |
Yeah, go and play a bit of sport in the morning, | 0:12:27 | 0:12:29 | |
run around in the afternoon, get in, have something to eat, | 0:12:29 | 0:12:32 | |
but make sure that you've finished eating | 0:12:32 | 0:12:34 | |
and done the washing up by the time Kojak comes on. | 0:12:34 | 0:12:37 | |
-Yeah. -There they go. Ba-ba! Yeah, great stuff. | 0:12:37 | 0:12:41 | |
We're moving onto your next clip now. This is a movie. | 0:12:46 | 0:12:49 | |
This is your biggest influence, and here's the film. | 0:12:49 | 0:12:53 | |
Oliver! | 0:12:53 | 0:12:55 | |
Oh, yeah. Ollie. | 0:12:55 | 0:12:58 | |
-He looks good, doesn't he? Oliver Reed? -Wonderful. | 0:12:58 | 0:13:01 | |
-Great film, isn't it? -Yeah. | 0:13:02 | 0:13:03 | |
'Ollie Reed's brooding performance as the villainous | 0:13:07 | 0:13:10 | |
'Bill Sikes has got to be one of the most famous in film history. | 0:13:10 | 0:13:14 | |
'Not many actors can make such an impression while saying so little. | 0:13:14 | 0:13:19 | |
'Based on the Dickens novel Oliver Twist, | 0:13:25 | 0:13:28 | |
'this 1968 movie adaptation proved its popularity by being | 0:13:28 | 0:13:33 | |
'nominated for 12 and winning six Oscars.' | 0:13:33 | 0:13:36 | |
Absolutely magnetic. | 0:13:38 | 0:13:39 | |
Saw this in the cinema two or three times with my mum, I think, | 0:13:39 | 0:13:42 | |
and she loved the musicals. And we had the record. | 0:13:42 | 0:13:48 | |
You couldn't get videos and DVDs in those days. | 0:13:48 | 0:13:50 | |
Yeah, when they started showing this on telly, it was, "Oh, yes." | 0:13:50 | 0:13:53 | |
I loved anything Ollie Reed was in, I just loved his ability to | 0:13:53 | 0:13:57 | |
kind of be on screen and not say much and just exude such power. | 0:13:57 | 0:14:03 | |
-Charismatic. -Very charismatic. | 0:14:03 | 0:14:07 | |
Oh, there he is again. | 0:14:07 | 0:14:09 | |
There's Jack Wild, God bless him. | 0:14:09 | 0:14:11 | |
Oliver is back. | 0:14:15 | 0:14:16 | |
Look at his togs. | 0:14:16 | 0:14:18 | |
'Even the younger members of the cast gave brilliant performances. | 0:14:18 | 0:14:21 | |
'Jack Wild as the Artful Dodger | 0:14:21 | 0:14:23 | |
'who was nominated for an Oscar, a BAFTA and a Golden Globe.' | 0:14:23 | 0:14:28 | |
Cor, look at this! | 0:14:28 | 0:14:29 | |
I'll bank it for you. | 0:14:33 | 0:14:34 | |
What's that? | 0:14:35 | 0:14:36 | |
-That's mine, Fagin. -No, no. No, my dear. Mine. | 0:14:38 | 0:14:43 | |
Ours. You shall have the books. | 0:14:43 | 0:14:45 | |
You hand it over, you avaricious old skeleton. | 0:14:45 | 0:14:48 | |
Do you think Oliver Reed inspired you? | 0:14:48 | 0:14:50 | |
Oh, yeah. Definitely, yeah. | 0:14:50 | 0:14:52 | |
This movie in particular? | 0:14:52 | 0:14:54 | |
I think so, yes. | 0:14:54 | 0:14:55 | |
But did it make you think, "Do you know what, | 0:14:55 | 0:14:58 | |
"this is what I want to do. I want to be an actor"? | 0:14:58 | 0:15:00 | |
No, I mean, I didn't know you did that. | 0:15:00 | 0:15:01 | |
I thought... Now and again, I thought, | 0:15:01 | 0:15:03 | |
"Ooh, I'd love to be a singer," | 0:15:03 | 0:15:04 | |
but I don't... I didn't know anybody who did it | 0:15:04 | 0:15:07 | |
or how you did it professionally. No. | 0:15:07 | 0:15:10 | |
I mean, even later, when I went to college | 0:15:10 | 0:15:12 | |
and I was studying drama, | 0:15:12 | 0:15:14 | |
even then, I was thinking, "I wonder what I'm going to do," you know? | 0:15:14 | 0:15:18 | |
It was only, I think, in the final year of my degree, I thought, | 0:15:18 | 0:15:21 | |
"Oh, maybe I'll have a crack at that." | 0:15:21 | 0:15:24 | |
-Yeah? -Yeah. | 0:15:24 | 0:15:26 | |
We're going to move onto your break now. This is your... | 0:15:32 | 0:15:35 | |
an early TV clip of yourself as Mad Mick. | 0:15:35 | 0:15:40 | |
Oh, yes. | 0:15:40 | 0:15:42 | |
# If you're blue and you don't know where to go to | 0:15:44 | 0:15:47 | |
# Why don't you go where fashion sits? | 0:15:47 | 0:15:49 | |
# Putting on the Ritz. # | 0:15:51 | 0:15:52 | |
-Came out of a stage show called Bouncers. -Yes, I remember. | 0:15:54 | 0:15:58 | |
-I did go and see that. -Right. | 0:15:58 | 0:15:59 | |
So... | 0:16:04 | 0:16:05 | |
they are reopening that disco, are they? | 0:16:05 | 0:16:08 | |
Look at that. What an entrance. | 0:16:08 | 0:16:10 | |
Let's see how long it stays open this time, shall we? | 0:16:10 | 0:16:13 | |
The last two others lasted five hours | 0:16:15 | 0:16:19 | |
between them. | 0:16:19 | 0:16:21 | |
It's a good look, Richard. | 0:16:21 | 0:16:23 | |
Anyone who takes my costume is going to finish up | 0:16:25 | 0:16:28 | |
in the end bed of the infirmary. | 0:16:28 | 0:16:30 | |
Hey. | 0:16:31 | 0:16:32 | |
If you happen to be passing the hospital, | 0:16:34 | 0:16:37 | |
stitch this up! | 0:16:37 | 0:16:39 | |
LAUGHTER | 0:16:40 | 0:16:43 | |
I wouldn't like to cross you, Richard. | 0:16:45 | 0:16:49 | |
-Wow. -I mean, what do you base characters like that...? | 0:16:50 | 0:16:54 | |
Cos you're not like that. | 0:16:54 | 0:16:55 | |
You are kindly Richard that we all know and love. | 0:16:55 | 0:16:58 | |
But where does that come from? | 0:16:58 | 0:17:01 | |
Got it playing in the front row of rugby, I think, yeah. | 0:17:01 | 0:17:04 | |
"Come here, then. Let's go." HE MUMBLES | 0:17:04 | 0:17:07 | |
Maybe a bit of that. | 0:17:07 | 0:17:09 | |
I remember... | 0:17:09 | 0:17:11 | |
I haven't seen that for about 30 years or since it was on, really. | 0:17:11 | 0:17:16 | |
-Yeah, fun times, fun times. -Yeah. -But he was a complete psychopath. | 0:17:16 | 0:17:21 | |
LAUGHTER | 0:17:21 | 0:17:23 | |
-Him or you? -The Ritz. No, him, him. Yes, yes. | 0:17:23 | 0:17:26 | |
No, I think you captured it there. | 0:17:26 | 0:17:28 | |
I mean, you are suitably evil enough. | 0:17:28 | 0:17:30 | |
Did you love playing that part? | 0:17:30 | 0:17:31 | |
Yeah, great fun. Great fun. I think it was quite popular. | 0:17:31 | 0:17:35 | |
Oh, no, it was very popular. I remember seeing it. | 0:17:35 | 0:17:37 | |
I remember somebody told me it got something like... | 0:17:37 | 0:17:40 | |
It was BBC Two and I think it got 4.2 million one week, but... | 0:17:40 | 0:17:46 | |
-I don't think the top brass at the Beeb liked it. -Really? | 0:17:46 | 0:17:50 | |
Yeah, they were going to make a second series called | 0:17:50 | 0:17:53 | |
The Continental and then halfway through preparation for that, | 0:17:53 | 0:17:58 | |
they said, "No." They decided they didn't want the series. | 0:17:58 | 0:18:00 | |
They are just going to do a Christmas special. | 0:18:00 | 0:18:02 | |
Said, "OK, fair enough." Onwards and upwards, on to other things. | 0:18:02 | 0:18:06 | |
And you have gone onwards and upwards. | 0:18:06 | 0:18:07 | |
I mean, Who Framed Roger Rabbit. | 0:18:07 | 0:18:09 | |
-That was straight after this, actually. -Was it, really? -Yes. | 0:18:09 | 0:18:12 | |
-Yeah, yeah. -And you enjoyed that? -Very much. | 0:18:12 | 0:18:16 | |
A very different way of working. | 0:18:16 | 0:18:18 | |
-Cos half the characters weren't there, were they? -That's right. | 0:18:18 | 0:18:21 | |
Exactly. And it took... | 0:18:21 | 0:18:22 | |
Because of that, the filming was that much more complicated. | 0:18:22 | 0:18:27 | |
And not only that, we were filming on stages which had | 0:18:27 | 0:18:31 | |
a kind of a gap underneath for puppeteers and they had gantries | 0:18:31 | 0:18:37 | |
for puppeteers above us. | 0:18:37 | 0:18:39 | |
And then we had to film at different speeds. | 0:18:39 | 0:18:42 | |
Roger. | 0:18:44 | 0:18:46 | |
'Who Framed Roger Rabbit really pushed the boundaries | 0:18:46 | 0:18:48 | |
'when it came to mixing live action and animation. | 0:18:48 | 0:18:51 | |
'And considering the actors often had to play to cartoon characters | 0:18:51 | 0:18:55 | |
'that weren't even there, the quality of acting is incredible. | 0:18:55 | 0:18:59 | |
'Pretty hair-raising stuff for Richard | 0:19:01 | 0:19:03 | |
'who played wisecracking Angelo | 0:19:03 | 0:19:06 | |
'and there he is.' | 0:19:06 | 0:19:07 | |
# I...I love to... # | 0:19:07 | 0:19:09 | |
I forget how many scenes I was in. | 0:19:09 | 0:19:11 | |
What, five, six, seven scenes, something like that. | 0:19:11 | 0:19:13 | |
I was there for about two or three months, I seem to recall. | 0:19:13 | 0:19:16 | |
-Really? -Yeah, it was very, very detailed. | 0:19:16 | 0:19:18 | |
Imagine what Bob Hoskins must've been going through. | 0:19:18 | 0:19:20 | |
Oh, he was delightful, but, yeah, | 0:19:20 | 0:19:23 | |
going slightly loopy with the acting to fresh air, you know? | 0:19:23 | 0:19:26 | |
So, those sort of tough roles, you know, | 0:19:26 | 0:19:30 | |
-I mean, you've done of few of them. The Planet Of The Apes. -Yes. | 0:19:30 | 0:19:33 | |
How did that come about? I mean, did you have to go and now study apes? | 0:19:33 | 0:19:37 | |
How I got the role was, I think | 0:19:37 | 0:19:38 | |
I'd been working with Andy Serkis on video games with | 0:19:38 | 0:19:43 | |
performance capture, the thing that he made famous with Gollum | 0:19:43 | 0:19:47 | |
and Weta Workshop in New Zealand. | 0:19:47 | 0:19:49 | |
What is performance capture? | 0:19:49 | 0:19:51 | |
It's this thing where you're put in a very tight, very tight suit | 0:19:51 | 0:19:55 | |
and they put dots on all of your joints | 0:19:55 | 0:19:57 | |
and they put dots all over your face. | 0:19:57 | 0:19:59 | |
And then you have, I think, | 0:19:59 | 0:20:01 | |
it's something like 360 cameras surrounding you. | 0:20:01 | 0:20:05 | |
It's called The Volume. | 0:20:05 | 0:20:06 | |
It's a technical word, The Volume. | 0:20:06 | 0:20:09 | |
And they track your movements and they track your face. | 0:20:09 | 0:20:12 | |
So, everything you do can then be captured on computers | 0:20:12 | 0:20:16 | |
and mapped onto a puppet, which is an amazing way of working. | 0:20:16 | 0:20:21 | |
-Well, shall we have a look at you in Planet Of The Apes? -OK. | 0:20:21 | 0:20:24 | |
-Let's have a little look. -OK. Yeah. | 0:20:24 | 0:20:26 | |
'2011 saw the release of Rise Of The Planet Of The Apes, | 0:20:30 | 0:20:34 | |
'the first reboot of the world-famous franchise. | 0:20:34 | 0:20:37 | |
'And here comes Richard as the silverback gorilla Buck.' | 0:20:39 | 0:20:43 | |
HE GROWLS | 0:20:47 | 0:20:48 | |
What is going through the gorilla's mind at this point as he's | 0:20:48 | 0:20:51 | |
let out of the cage? | 0:20:51 | 0:20:52 | |
This is freedom for the first time for him for years. | 0:20:54 | 0:20:57 | |
-Yeah. -From Caesar. | 0:20:57 | 0:20:59 | |
HE GRUNTS | 0:21:05 | 0:21:08 | |
Go on, then. Go on, then. | 0:21:10 | 0:21:11 | |
So, that's you running around? | 0:21:26 | 0:21:28 | |
Hey, listen now. Now then, steady on. | 0:21:28 | 0:21:30 | |
Some of it is. | 0:21:30 | 0:21:32 | |
But some of it is also a wonderful Canadian gymnast, | 0:21:32 | 0:21:35 | |
part of the Canadian Olympic team who did a lot of very fast | 0:21:35 | 0:21:40 | |
stuff and a lot of up the tree and things like that, | 0:21:40 | 0:21:43 | |
but, yeah, they got me to do it as well. | 0:21:43 | 0:21:45 | |
So, how do you master the moves of being a gorilla? | 0:21:45 | 0:21:48 | |
Some of the performers worked with Cirque du Soleil. | 0:21:48 | 0:21:50 | |
There is a lovely guy called Terry who developed these adapted | 0:21:50 | 0:21:55 | |
-crutches. -Right. -Yeah. | 0:21:55 | 0:21:56 | |
-To make your arms longer. -To give you that stance, yeah. | 0:21:56 | 0:21:59 | |
To give you that... Because it's quite hard to do the movement | 0:21:59 | 0:22:01 | |
unless... A lot of it was just learning to work with these crutches | 0:22:01 | 0:22:04 | |
and learning how to walk and move. | 0:22:04 | 0:22:06 | |
When I got a phone call from Andy Serkis, saying, | 0:22:06 | 0:22:08 | |
"Do you fancy coming out to Vancouver | 0:22:08 | 0:22:10 | |
"to be my silverback on Planet...?" | 0:22:10 | 0:22:11 | |
I was like... HE STAMMERS | 0:22:11 | 0:22:14 | |
This is King Kong asking me if I want go... | 0:22:14 | 0:22:17 | |
I mean, what an honour, what an accolade. | 0:22:17 | 0:22:19 | |
And we had lots of resource material to watch as well. | 0:22:19 | 0:22:23 | |
Just get the movement right. | 0:22:23 | 0:22:25 | |
Did you ever think you'd be playing a gorilla? | 0:22:25 | 0:22:29 | |
-What do you think your dad would have said? -I don't know. | 0:22:30 | 0:22:33 | |
-I think he might have quite liked it. -Yeah, yeah. | 0:22:33 | 0:22:35 | |
The idea of me being an actor. A lot of fun. | 0:22:35 | 0:22:38 | |
I think I would've just said, "Dad, let your giddy goat out. | 0:22:38 | 0:22:41 | |
-"Go with it. Come on!" -Yeah. -Yeah. | 0:22:41 | 0:22:45 | |
So, Richard, Buck the gorilla is not the most famous animal you | 0:22:45 | 0:22:49 | |
-have played. -Now, would you be referring to a certain pig? | 0:22:49 | 0:22:53 | |
I would be. You played Daddy in Peppa Pig. | 0:22:53 | 0:22:56 | |
The voice of Daddy Pig. Yes. | 0:22:56 | 0:22:57 | |
Daddy Pig. And so, how did this come about? | 0:22:57 | 0:23:01 | |
Through a mutual friend. | 0:23:01 | 0:23:03 | |
I met Phil, the producer, at a gig, actually. | 0:23:03 | 0:23:06 | |
I think his daughter was playing drums | 0:23:06 | 0:23:09 | |
and my friend's daughter was playing drums. | 0:23:09 | 0:23:11 | |
They were big friends at school. | 0:23:11 | 0:23:13 | |
And he said, "Hold on, we've got something that I think you | 0:23:14 | 0:23:18 | |
"might be right for. Will you come in and have a test?" | 0:23:18 | 0:23:22 | |
I said, "I'd love to, yes." | 0:23:22 | 0:23:23 | |
And soon as you saw it and read the script, you thought, | 0:23:23 | 0:23:26 | |
"Oh, this is a bit special. This is a bit lovely." | 0:23:26 | 0:23:28 | |
And he said, "Well, we'd like you to do it." | 0:23:28 | 0:23:30 | |
But I was just about to start work on Terry Gilliam's Brothers Grimm. | 0:23:30 | 0:23:34 | |
I said, "Well, I'm...I'm flying out to Prague | 0:23:34 | 0:23:37 | |
"in about three days' time." | 0:23:37 | 0:23:39 | |
He said, "Well, we better book a studio, then." | 0:23:39 | 0:23:43 | |
-So, we did all of the first series in one day. -Really? | 0:23:43 | 0:23:45 | |
I think we started at about 7.30 in the morning. | 0:23:45 | 0:23:48 | |
We went through till about eight. | 0:23:48 | 0:23:49 | |
I mean, they're only five-minute episodes, but even so. | 0:23:49 | 0:23:52 | |
Um, it was great. | 0:23:52 | 0:23:54 | |
And did you ever think it would be as successful as it is? | 0:23:54 | 0:23:57 | |
I thought it was going to be successful, but wow! | 0:23:57 | 0:24:00 | |
I mean who can...who can prophesy that kind of...success? | 0:24:00 | 0:24:05 | |
-Yeah, should we have a little look? -Go on, then. -Peppa Pig. -Yeah. | 0:24:05 | 0:24:09 | |
Richard Ridings. | 0:24:09 | 0:24:11 | |
-PEPPA GIGGLES -Daddy, can we help put up the | 0:24:11 | 0:24:13 | |
picture? | 0:24:13 | 0:24:15 | |
You can watch and then you'll learn how to do it properly. | 0:24:15 | 0:24:18 | |
First, I need a tape measure. | 0:24:18 | 0:24:20 | |
'Here's a typically hilarious example of Daddy Pig's antics. | 0:24:22 | 0:24:26 | |
'Trying to do the right thing to help out around the house, | 0:24:26 | 0:24:29 | |
'but as usual, it doesn't go quite to plan. | 0:24:29 | 0:24:32 | |
'Poor Daddy Pig.' | 0:24:32 | 0:24:34 | |
DADDY LAUGHS | 0:24:34 | 0:24:36 | |
Feels like the character was written for you, Richard. | 0:24:36 | 0:24:39 | |
It does, doesn't it? | 0:24:39 | 0:24:40 | |
Stand back, children and watch a craftsman at work. | 0:24:40 | 0:24:44 | |
'So clever, the guys who write... Mark and Neville who write this.' | 0:24:44 | 0:24:47 | |
-SHE SNORTS -Don't break the wall, Daddy. | 0:24:47 | 0:24:50 | |
DADDY LAUGHS Don't be silly, Peppa. | 0:24:50 | 0:24:53 | |
LOUD BANG | 0:24:53 | 0:24:55 | |
HE SNORTS Easy as pie. | 0:24:55 | 0:24:57 | |
CRACKING Oh. It's not meant to do that. | 0:24:57 | 0:25:01 | |
Why are they so clever to write? | 0:25:01 | 0:25:03 | |
I think to find something for a preschool audience that appeals | 0:25:03 | 0:25:08 | |
so much to parents as well... | 0:25:08 | 0:25:11 | |
LAUGHTER | 0:25:11 | 0:25:13 | |
-Oh, Daddy. -SHE SNORTS | 0:25:13 | 0:25:16 | |
Now you really have broken the wall. | 0:25:16 | 0:25:18 | |
Hm. | 0:25:18 | 0:25:20 | |
Do you think Mummy will notice? | 0:25:20 | 0:25:22 | |
Oh, yes, I think she might. | 0:25:22 | 0:25:24 | |
LAUGHTER | 0:25:24 | 0:25:27 | |
He seems to get himself into a lot of scrapes, Daddy Pig. | 0:25:27 | 0:25:29 | |
-Oh, absolutely. Yeah. -Yeah. -And... HE LAUGHS | 0:25:29 | 0:25:33 | |
I mean, that seems to be one of the central movements of the series, | 0:25:33 | 0:25:36 | |
isn't it? "Daddy will do it. Watch Daddy. | 0:25:36 | 0:25:38 | |
"Daddy knows how to do it. Oops. Oh, yeah. | 0:25:38 | 0:25:42 | |
-"I'm a bit of an expert in this," isn't it? -But he loves his kids. | 0:25:42 | 0:25:45 | |
-He ADORES his kids. -Hm. | 0:25:45 | 0:25:47 | |
I think it's beautifully conceived, beautifully written | 0:25:47 | 0:25:50 | |
and I'm very proud to be involved with it, actually. | 0:25:50 | 0:25:52 | |
Do you ever get recognised for your voice? You ever...? | 0:25:52 | 0:25:55 | |
It's funny... In the early days... | 0:25:55 | 0:25:57 | |
Say, "Hang on, you're not Daddy Pig, are you?" | 0:25:57 | 0:25:59 | |
Do you know... I mean, these days, I think most people sort of say... | 0:25:59 | 0:26:02 | |
HE MUMBLES | 0:26:02 | 0:26:04 | |
They kind of know and I love leaving little messages for people. | 0:26:04 | 0:26:07 | |
But very early on, I remember | 0:26:07 | 0:26:10 | |
I was in Sainsbury's with Freya, my daughter, | 0:26:10 | 0:26:12 | |
and out of the corner of my eye, I saw this little girl going, | 0:26:12 | 0:26:15 | |
"Mummy." | 0:26:15 | 0:26:17 | |
You know, tugging on Mummy's dress going, "Mummy." | 0:26:17 | 0:26:20 | |
And then you've got the, "Excuse me, you sound very similar to... | 0:26:20 | 0:26:24 | |
"to Daddy Pig." | 0:26:24 | 0:26:25 | |
"Well...I am, you know?" | 0:26:25 | 0:26:29 | |
You do a little bit of the voice for them. | 0:26:29 | 0:26:32 | |
The thing that always slightly gets me is the mummies | 0:26:32 | 0:26:35 | |
and daddies that want to get a photo of you. | 0:26:35 | 0:26:38 | |
I say, "No, no, don't do that. Don't do that. | 0:26:38 | 0:26:40 | |
"What would your children or your nieces and nephews want | 0:26:40 | 0:26:43 | |
"with a photograph of a, you know, balding 50-year-old? | 0:26:43 | 0:26:47 | |
"They want Daddy Pig." | 0:26:47 | 0:26:48 | |
-So, I do little voice messages. -Mm-hm. | 0:26:48 | 0:26:51 | |
So, is it one of the roles that has given you the most satisfaction? | 0:26:51 | 0:26:54 | |
-Yes. -Really? -Yes. Because it... | 0:26:54 | 0:26:56 | |
You know, every week, sometimes every day of every week, | 0:26:56 | 0:27:00 | |
you know, somebody will say, "Would you mind?" | 0:27:00 | 0:27:03 | |
-"Of course, I'd love to." -Ah. -Yeah. | 0:27:03 | 0:27:05 | |
-And of course, we have seen you in Dickensian. -Yeah. | 0:27:05 | 0:27:08 | |
-And have you enjoyed that playing Mr Bumble? -Very much. -Really? | 0:27:08 | 0:27:11 | |
-It's very... -She's giving you a hard time. -She is giving me a hard time. | 0:27:11 | 0:27:15 | |
Oh... Ugh! | 0:27:15 | 0:27:17 | |
What are you watching at the moment? | 0:27:21 | 0:27:23 | |
At the moment, watching a bit of War And Peace. | 0:27:23 | 0:27:26 | |
Watching a bit of Jericho cos I'm in that as well with ITV. | 0:27:26 | 0:27:29 | |
-There's nothing wrong with that. -No. -You a fan of Sherlock? | 0:27:29 | 0:27:32 | |
And Sherlock, of course! | 0:27:32 | 0:27:34 | |
-Really? -Oh, crikey, yes. | 0:27:34 | 0:27:35 | |
Yeah, wonderful. Wonderful. | 0:27:35 | 0:27:38 | |
Can I ask you now to pick a theme tune for us to play out with? | 0:27:38 | 0:27:42 | |
Oh, there are many, many, many I could pick, | 0:27:42 | 0:27:45 | |
but I think, I think it's got to be The Monkees. | 0:27:45 | 0:27:48 | |
-The Monkees? -The Monkees! -Really? -Oh, why not? We've had gorillas. | 0:27:48 | 0:27:52 | |
-Yeah. -The Monkees. I used to love The Monkees. -Yeah? | 0:27:52 | 0:27:55 | |
The Monkees or The Banana Splits, but I think The Monkees. | 0:27:55 | 0:27:58 | |
All right, we're going to go out with The Monkees. | 0:27:58 | 0:28:00 | |
And my thanks to you and my thanks to YOU for watching | 0:28:00 | 0:28:03 | |
The TV That Made Me. | 0:28:03 | 0:28:04 | |
We'll see you next time. Bye-bye. | 0:28:04 | 0:28:06 | |
# Hey, hey, we're the Monkees | 0:28:08 | 0:28:11 | |
# And people say we monkey around | 0:28:11 | 0:28:14 | |
# But we're too busy singing | 0:28:14 | 0:28:16 | |
# To put anybody down | 0:28:16 | 0:28:21 | |
# Wahoo! # | 0:28:21 | 0:28:23 |