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TV, the magic box of delight. | 0:00:02 | 0:00:04 | |
As kids, it showed us a million different worlds, | 0:00:04 | 0:00:06 | |
all from out living room. | 0:00:06 | 0:00:09 | |
This takes me right back. | 0:00:09 | 0:00:11 | |
-That's so embarrassing! -I am genuinely shocked. | 0:00:11 | 0:00:14 | |
Each day, I'm going to journey through the wonderful | 0:00:14 | 0:00:17 | |
world of telly with one of our favourite celebrities... | 0:00:17 | 0:00:20 | |
It's just so silly! | 0:00:20 | 0:00:22 | |
Ah! I love it! Is it Mr Benn? | 0:00:22 | 0:00:26 | |
Shut it! | 0:00:27 | 0:00:28 | |
..as they select the iconic TV moments... | 0:00:28 | 0:00:31 | |
-Oh, hello! -Ha-ha! | 0:00:31 | 0:00:34 | |
..that tell us the stories of their lives. | 0:00:34 | 0:00:37 | |
-SHE GASPS -Oh, my gosh! | 0:00:37 | 0:00:39 | |
-BOTH: Cheers. -Some will make you laugh... | 0:00:39 | 0:00:43 | |
-Oh, no! -Some will surprise... | 0:00:43 | 0:00:46 | |
-Quack! -Oh! | 0:00:46 | 0:00:48 | |
Many will inspire... | 0:00:48 | 0:00:50 | |
-Ooh! -Look at this. | 0:00:50 | 0:00:51 | |
Why wouldn't you want to watch this? | 0:00:51 | 0:00:53 | |
..and others will move us. | 0:00:53 | 0:00:55 | |
Seeing that there made a huge impact on me. | 0:00:55 | 0:00:58 | |
Got a handkerchief? | 0:00:58 | 0:01:01 | |
So, come watch with us as we rewind | 0:01:01 | 0:01:04 | |
to the classic telly | 0:01:04 | 0:01:06 | |
that shaped those wide-eyed youngsters | 0:01:06 | 0:01:08 | |
into the much-loved stars they are today. | 0:01:08 | 0:01:11 | |
Welcome to the TV That Made Me. | 0:01:20 | 0:01:21 | |
My guest today is a friend to the stars and one in her own right. | 0:01:21 | 0:01:26 | |
It can only be the lovely Alison Hammond! | 0:01:26 | 0:01:29 | |
-How are you? -Hello! Are you all right, bud? -I'm good. | 0:01:31 | 0:01:34 | |
-Little mark on you now. -Have I? -Oh. Right. | 0:01:34 | 0:01:36 | |
SHE LAUGHS | 0:01:36 | 0:01:38 | |
Bubbly Brummie Alison has been evicted | 0:01:38 | 0:01:40 | |
from the Big Brother house, strutted her stuff on Strictly, | 0:01:40 | 0:01:44 | |
and is a showbiz reporter who regularly | 0:01:44 | 0:01:46 | |
rubs shoulders with the famous. | 0:01:46 | 0:01:49 | |
But today, she's a welcome visitor to my humble abode. | 0:01:49 | 0:01:53 | |
The TV that made her includes a comedienne | 0:01:54 | 0:01:56 | |
who had her in stitches... | 0:01:56 | 0:01:58 | |
Connie, kick your own buttock. | 0:01:58 | 0:02:01 | |
A TV show with a very personal connection, | 0:02:01 | 0:02:04 | |
and a brain-busting games show. | 0:02:04 | 0:02:06 | |
-Oh, this is nice. -Yeah, you like it? | 0:02:08 | 0:02:10 | |
-Yeah. -You feel comfy? -It's great. It's like my own home. -Is it really? | 0:02:10 | 0:02:14 | |
No, it's not. It's nothing like it. | 0:02:14 | 0:02:16 | |
-It was similar to this when I was younger. -Yeah? -Yeah. | 0:02:16 | 0:02:19 | |
-Well, that's good, because we're going to go back in time, aren't we? -I can't wait. | 0:02:19 | 0:02:22 | |
This is a celebration of your TV, TV classic moments | 0:02:22 | 0:02:26 | |
that you've chosen, that have shaped you | 0:02:26 | 0:02:28 | |
-and probably made you the person you are today. -Yeah, I know. | 0:02:28 | 0:02:32 | |
I can't believe how important TV was back then, to be honest with you... | 0:02:32 | 0:02:35 | |
-Yeah. -Because, obviously, we only had one telly in our house | 0:02:35 | 0:02:38 | |
and, yeah, I loved TV when I was younger. I just absolutely loved it. | 0:02:38 | 0:02:42 | |
-Of course, no-one's got one telly in their house these days. -No, we did. | 0:02:42 | 0:02:45 | |
-No, I've got one in every room. -Yeah. | 0:02:45 | 0:02:47 | |
So, look, we're going to take a trip back, but we're going to | 0:02:47 | 0:02:49 | |
first rewind the clock and have a look at a very young Alison Hammond. | 0:02:49 | 0:02:52 | |
-Oh, I'm excited! -Here we go. | 0:02:52 | 0:02:55 | |
Born in 1975, Alison grew up with her mum, | 0:02:56 | 0:03:00 | |
older brother and sister in Birmingham. | 0:03:00 | 0:03:03 | |
A love of stage and screen shone out from an early age. | 0:03:03 | 0:03:07 | |
After leaving school, Alison had a spell as a cinema usherette | 0:03:08 | 0:03:12 | |
and a holiday rep before finding fame | 0:03:12 | 0:03:15 | |
when she entered the Big Brother house in 2002. | 0:03:15 | 0:03:18 | |
She was evicted after just 15 days, | 0:03:18 | 0:03:21 | |
but nonetheless Alison's television career really took off. | 0:03:21 | 0:03:25 | |
Within weeks of leaving Big Brother, she was offered a three-month stint | 0:03:25 | 0:03:29 | |
on This Morning, and she's still there to this day. | 0:03:29 | 0:03:32 | |
So, Alison, normally we go into the first little TV clip, | 0:03:39 | 0:03:43 | |
but as a homage to your clip, | 0:03:43 | 0:03:46 | |
-I'm going to get changed. -No! | 0:03:46 | 0:03:48 | |
-Yeah, I'm going to get changed. -What are you going to wear? | 0:03:48 | 0:03:50 | |
-This is now a clue... -I'm nervous. | 0:03:50 | 0:03:53 | |
LAUGHTER | 0:03:54 | 0:03:57 | |
-I love it! I absolutely love it! -Do you know what the programme is? | 0:04:00 | 0:04:04 | |
-Yeah, I totally know what it is. -Do I have to put that on? | 0:04:04 | 0:04:07 | |
-Is it Mr Benn? -It is Mr Benn. | 0:04:07 | 0:04:10 | |
Oh, I love Mr Benn! | 0:04:10 | 0:04:12 | |
-Let's cue Mr Benn. -That's brilliant! | 0:04:12 | 0:04:15 | |
This classic 1970s animation series | 0:04:19 | 0:04:23 | |
followed the adventures of Mr Benn | 0:04:23 | 0:04:25 | |
as he embarked on a different fantastical adventure | 0:04:25 | 0:04:28 | |
every time he tried on a costume at a fancy dress shop. | 0:04:28 | 0:04:31 | |
Although Mr Benn was never given an on-screen first name, | 0:04:34 | 0:04:37 | |
writer David McKee always thought William would suit him. | 0:04:37 | 0:04:41 | |
Oh, memories for me. I used to love this show. | 0:04:41 | 0:04:45 | |
As if by magic, the shopkeeper appeared. | 0:04:45 | 0:04:49 | |
So, he used to go into the shop, didn't he? | 0:04:49 | 0:04:51 | |
Yeah, he used to go into the shop and then get dressed up | 0:04:51 | 0:04:54 | |
and become that character. | 0:04:54 | 0:04:55 | |
-So, obviously, one day he would become a spaceman. -A spaceman, yeah. | 0:04:55 | 0:04:58 | |
And I literally thought I was Mr Benn. | 0:04:58 | 0:05:01 | |
When I used to watch this show, I wanted to be Mr Benn, | 0:05:01 | 0:05:03 | |
believe it or not. | 0:05:03 | 0:05:04 | |
And I always wanted to be, like, a cave person, or something like that. | 0:05:04 | 0:05:09 | |
A caveman. | 0:05:09 | 0:05:10 | |
-Let's see what he is today. -Could you imagine it? | 0:05:10 | 0:05:12 | |
I would like to try the space outfit. | 0:05:12 | 0:05:15 | |
Favouring camera moves across still drawings, | 0:05:15 | 0:05:17 | |
the animation was basic, | 0:05:17 | 0:05:19 | |
but that didn't stop children adoring Mr Benn. | 0:05:19 | 0:05:22 | |
Oh, my gosh, I can't believe it wasn't even moving at the time... | 0:05:22 | 0:05:25 | |
-No, I know. -I remember that he was moving. | 0:05:25 | 0:05:27 | |
Mr Benn was soon in the changing room, | 0:05:27 | 0:05:29 | |
and quickly took off his clothes and put on the space outfit. | 0:05:29 | 0:05:32 | |
Ooh. | 0:05:36 | 0:05:38 | |
He looked at himself in the mirror. | 0:05:39 | 0:05:42 | |
Then he looked for the other door, | 0:05:42 | 0:05:44 | |
the door that always led to adventures. | 0:05:44 | 0:05:47 | |
-This was Ray Brooks who used to narrate this. -Really? | 0:05:47 | 0:05:51 | |
Ray Brooks, who many people will remember from Ken Loach's | 0:05:52 | 0:05:55 | |
ground-breaking 1960s television drama Cathy Come Home, | 0:05:55 | 0:05:59 | |
also narrated another children's animated series, King Rollo. | 0:05:59 | 0:06:03 | |
At the controls was another... | 0:06:03 | 0:06:05 | |
I just wanted to go on these adventures. | 0:06:05 | 0:06:07 | |
Look, he's now going to be a spaceman. | 0:06:07 | 0:06:09 | |
He's going to actually literally become a spaceman. | 0:06:09 | 0:06:11 | |
-How amazing would that be? -Yeah. | 0:06:11 | 0:06:12 | |
That you just went into a shop and just became what you wanted to be? | 0:06:12 | 0:06:15 | |
Yeah. It's not real. It's not a documentary. | 0:06:15 | 0:06:18 | |
No, but to me at the time, it was quite real. | 0:06:18 | 0:06:21 | |
THEY LAUGH | 0:06:21 | 0:06:23 | |
-Now, next bit of telly was a family favourite. -Oh, gosh. | 0:06:27 | 0:06:30 | |
I think I know what it's going to be before you even put it on. | 0:06:30 | 0:06:33 | |
# Now the world don't move to the beat of just one drum... # | 0:06:33 | 0:06:36 | |
-Diff'rent Strokes, do you remember that? -Diff'rent Strokes, yeah. | 0:06:36 | 0:06:40 | |
Following the misadventures of a wealthy Manhattan family | 0:06:42 | 0:06:45 | |
who adopted their dead housekeeper's children, | 0:06:45 | 0:06:48 | |
Diff'rent Strokes ran for an impressive eight series, | 0:06:48 | 0:06:51 | |
and the catchy theme tune was co-written | 0:06:51 | 0:06:53 | |
by Blurred Lines singer Robin Thicke's parents. | 0:06:53 | 0:06:57 | |
# Everybody's got a special kind of story... # | 0:06:57 | 0:07:01 | |
Whenever there was a black person on the telly, | 0:07:01 | 0:07:04 | |
it was like, "There's a black person on the TV!" | 0:07:04 | 0:07:07 | |
Literally the whole family would run to the living room | 0:07:07 | 0:07:09 | |
to see who was on the TV. So, this is a big thing. | 0:07:09 | 0:07:13 | |
-There was no way we were going to miss this, because there was black people in it. -Yeah. | 0:07:13 | 0:07:17 | |
So, we wanted to see, "What are these other black people doing?" Do you know what I mean? | 0:07:17 | 0:07:20 | |
It was the one thing that was, culturally, always happened. | 0:07:20 | 0:07:23 | |
They were huge child stars, weren't they? | 0:07:23 | 0:07:26 | |
They were huge, yeah. | 0:07:26 | 0:07:28 | |
A vehicle for the precocious Gary Coleman, | 0:07:28 | 0:07:31 | |
Diff'rent Strokes turned child actors Dana Plato as Kimberly, | 0:07:31 | 0:07:35 | |
Todd Bridges as Willis and, of course, Coleman as Arnold, | 0:07:35 | 0:07:38 | |
into international household names. | 0:07:38 | 0:07:41 | |
What a great bunch of guys. | 0:07:41 | 0:07:42 | |
You know, Willis, I really love that club. | 0:07:42 | 0:07:44 | |
How come you guys never come down there? | 0:07:44 | 0:07:46 | |
Well, Dad, there's a very good reason why | 0:07:46 | 0:07:49 | |
we've never been down there. | 0:07:49 | 0:07:50 | |
-What is it? -You never invited us! | 0:07:50 | 0:07:53 | |
-Oh, I just thought he was the cutest little kid ever. -Yeah. | 0:07:53 | 0:07:56 | |
-Did you just want to get his cheeks and go...? -I did. | 0:07:56 | 0:07:58 | |
I think I actually wanted to marry him as a child, | 0:07:58 | 0:08:00 | |
to be honest with you. | 0:08:00 | 0:08:01 | |
I thought, "Oh, that's going to be my husband when I grow up." | 0:08:01 | 0:08:04 | |
Hey, I may never be lean and mean, but I can be spunky and chunky. | 0:08:04 | 0:08:08 | |
-Are they adopted by this family? -Yeah. -Is that the story? | 0:08:08 | 0:08:11 | |
Can you believe I didn't even know? The penny's only just dropped. | 0:08:11 | 0:08:14 | |
-He's a widow... -I thought they were just one big family! | 0:08:14 | 0:08:17 | |
What, you thought that that was his boys? | 0:08:17 | 0:08:19 | |
-No, Alison. -No but, obviously, you know, | 0:08:21 | 0:08:23 | |
-as a child, you just watch it, don't you? You don't think... -Yeah. | 0:08:23 | 0:08:26 | |
It's only now, I'm watching it, I'm going, | 0:08:26 | 0:08:28 | |
-"Actually, I think they're adopted." -Yeah. | 0:08:28 | 0:08:31 | |
-He's a widower and he adopts those two, yeah. -Oh, right, OK. | 0:08:31 | 0:08:35 | |
And they come and live in the family. | 0:08:35 | 0:08:37 | |
You know when you don't connect when you're a child? | 0:08:37 | 0:08:40 | |
I was a little bit dim. | 0:08:40 | 0:08:42 | |
I'll have you guys there to root for me when I do that mile run. | 0:08:42 | 0:08:45 | |
Diff'rent Strokes didn't shy away from tackling tough subjects, | 0:08:45 | 0:08:49 | |
from bulimia to alcoholism, while still keeping it's comedy moments. | 0:08:49 | 0:08:53 | |
Well, even if you don't win that trophy, Dad, | 0:08:53 | 0:08:56 | |
we can always have Arnold bronzed. | 0:08:56 | 0:08:59 | |
Oh, that's lovely, that. What a lovely show. | 0:08:59 | 0:09:02 | |
-Yeah, it was a great show. -What was his catchphrase? | 0:09:02 | 0:09:05 | |
He used to say something that really made me laugh. | 0:09:05 | 0:09:08 | |
-"What you talking about?" -"What you talking about, Willis?" | 0:09:08 | 0:09:11 | |
"What are you talking about, Willis?" | 0:09:11 | 0:09:12 | |
-"What are you talking about?" -Yeah. -There you go. -That was it, yeah. | 0:09:12 | 0:09:15 | |
That really reminds me of childhood, everyone gathered around the TV. | 0:09:15 | 0:09:18 | |
Especially my brother. My brother loved that. | 0:09:18 | 0:09:20 | |
-I mean, you were a child actress. -I was, yeah. | 0:09:20 | 0:09:23 | |
Well, at the age of 11, | 0:09:23 | 0:09:26 | |
my mum said there's some auditions for this club | 0:09:26 | 0:09:29 | |
called The Central Television Workshop, and it was like | 0:09:29 | 0:09:31 | |
a drama school for kids who couldn't afford to go to drama school. | 0:09:31 | 0:09:34 | |
So, it kind of got you off the streets, and you'd go | 0:09:34 | 0:09:36 | |
and learn everything about TV and theatre and drama and stuff. | 0:09:36 | 0:09:40 | |
And you'd go every week. And I had to go and audition. | 0:09:40 | 0:09:43 | |
-There was, like, 25,000 kids auditioning for 25 places. -Really? | 0:09:43 | 0:09:47 | |
And I said to my mum, "No, I don't want to do it," | 0:09:47 | 0:09:48 | |
and she was like, "Come on." She drove me there. | 0:09:48 | 0:09:51 | |
I went for the audition. I had such a great time. | 0:09:51 | 0:09:53 | |
I got through three auditions, and then I got into | 0:09:53 | 0:09:55 | |
this Central Television Workshop, which was just brilliant. | 0:09:55 | 0:09:58 | |
And those guys who I worked with, | 0:09:58 | 0:10:00 | |
they're like some of my lifetime friends, from there. | 0:10:00 | 0:10:03 | |
-Really? -Yeah. And I was in that from the age of 11 to 18. | 0:10:03 | 0:10:06 | |
-Oh, wow. -And I was cast in a couple of children's programmes and stuff. | 0:10:06 | 0:10:09 | |
-Oh, really? -Yeah. I was in Your Mother Wouldn't Like It, Palace Hill. | 0:10:09 | 0:10:13 | |
I think I did some extra work for Boon. | 0:10:13 | 0:10:16 | |
-Do you remember Boon with Neil Morrissey? -Yeah, of course. | 0:10:16 | 0:10:19 | |
And my mum was really into TV as well, | 0:10:19 | 0:10:21 | |
so my mum would do extra work, | 0:10:21 | 0:10:23 | |
and she'd get us in certain things. | 0:10:23 | 0:10:25 | |
And I think we even did, when I was really young, I think | 0:10:25 | 0:10:27 | |
-we did a film together, a film called Artemis 81. -Really? | 0:10:27 | 0:10:31 | |
And Sting was in it. And it was just great. I had to pretend to be dead. | 0:10:31 | 0:10:35 | |
It was great. | 0:10:35 | 0:10:37 | |
-Yeah. -You played a dead body? -I was a corpse. -Yeah? | 0:10:37 | 0:10:40 | |
-Yeah. -But I bet you were a good corpse. -I was a good corpse. | 0:10:40 | 0:10:42 | |
I was a good actress at... | 0:10:42 | 0:10:44 | |
-I can't even remember how old I was. I was quite young. -Yeah. | 0:10:44 | 0:10:47 | |
But that was really good. | 0:10:47 | 0:10:48 | |
-I did a couple of episodes of Doctors as well. -Not as a dead body? | 0:10:48 | 0:10:52 | |
-Not as a dead body. I had a part in that. -Oh, good for you, girl. | 0:10:52 | 0:10:55 | |
I was a prostitute's sister. | 0:10:55 | 0:10:57 | |
Yeah. And she was going... LAUGHTER | 0:10:57 | 0:11:00 | |
She was going through some issues, | 0:11:00 | 0:11:02 | |
and I was trying to advise her in the right way to go. | 0:11:02 | 0:11:05 | |
-So, what was your mum like? -My mum was a lovely mum. She was a worker. | 0:11:05 | 0:11:09 | |
Single mum. | 0:11:09 | 0:11:11 | |
She's in our audience, your mum, | 0:11:11 | 0:11:12 | |
-so shall we ask her what she thinks of you? -Yeah. | 0:11:12 | 0:11:16 | |
-Hi, Mum! -Hello there, Maria. It's lovely to meet you. -Thank you. | 0:11:16 | 0:11:19 | |
-So, what was Alison like as a young child? -Oh, she was a lovely child. | 0:11:19 | 0:11:23 | |
-My mum's a big fan of yours, by the way. She does like you. -Oh, really? | 0:11:23 | 0:11:26 | |
-Oh, thank you very much. -Yes. -I've seen you a few times in the Hippodrome in Birmingham. | 0:11:26 | 0:11:30 | |
Oh, right. Oh, lovely. Look, this is Alison's show, all right? | 0:11:30 | 0:11:33 | |
Just let's get on with it, shall we? | 0:11:34 | 0:11:37 | |
Alison, we're moving on to Mum's Choice now. | 0:11:42 | 0:11:45 | |
This is a programme that your mum used to love watching. | 0:11:45 | 0:11:47 | |
-Fancy going for a drink? -It's not your birthday, is it? | 0:11:49 | 0:11:52 | |
-Is this Angels? -Yes. -Oh. | 0:11:52 | 0:11:55 | |
I know it's my turn on the rota. Maybe you're right, Jane. | 0:11:55 | 0:11:58 | |
-A very young Pauline Quirke. -Oh, wow. | 0:11:58 | 0:12:01 | |
-Look at that. -In that case, mine's a pint of Special. -Brown Ale, please. | 0:12:01 | 0:12:05 | |
Dealing with the subject of student nurses, | 0:12:05 | 0:12:08 | |
British drama Angels received some criticism | 0:12:08 | 0:12:11 | |
for it's unglamorous depiction of the nursing profession, | 0:12:11 | 0:12:15 | |
while others declared it "grittily authentic". | 0:12:15 | 0:12:18 | |
-You're learning, then. -It's been that kind of week. | 0:12:18 | 0:12:21 | |
-My mum did extra work on this. -Oh, really? -Yeah. | 0:12:21 | 0:12:24 | |
Cos sometimes she'd get us and she'd be like, "I'm on tonight's show." | 0:12:24 | 0:12:27 | |
-And we'd be sitting there. Literally, if you blinked, you'd miss it. -Yeah. | 0:12:27 | 0:12:32 | |
-What, just a quick walk-by? -Literally. | 0:12:32 | 0:12:34 | |
She's be like, "Come on, everyone." | 0:12:34 | 0:12:36 | |
-She'd gather the whole family, it'd be a real, massive event. -Yeah. | 0:12:36 | 0:12:39 | |
Food, drink, everything. | 0:12:39 | 0:12:41 | |
And then she'd just go past and she'd be, like, | 0:12:41 | 0:12:44 | |
there for two seconds. "I didn't see it cos I blinked." | 0:12:44 | 0:12:47 | |
Yeah, cos you didn't have video in those days, so you can't rewind it. | 0:12:47 | 0:12:49 | |
No, no. But, yeah. So, my mum used to work on that. | 0:12:49 | 0:12:53 | |
Didn't you darling? Yeah. | 0:12:53 | 0:12:54 | |
Well, we can't not take a look at her in action. | 0:12:54 | 0:12:57 | |
Get ready, here she comes... | 0:12:57 | 0:13:00 | |
and there she goes. Worth another look, eh? | 0:13:00 | 0:13:02 | |
And there she is. | 0:13:05 | 0:13:08 | |
She always said she furnished our house through extra work. | 0:13:08 | 0:13:11 | |
Now, I was able to look after you | 0:13:11 | 0:13:13 | |
and give you all the little luxuries from my extra work. | 0:13:13 | 0:13:17 | |
That's the bike and the roller skates. | 0:13:17 | 0:13:20 | |
That was all from her "extra work". | 0:13:20 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:25 | |
-Oh, I know now. -Yeah, you know now. -"Extra work". | 0:13:38 | 0:13:41 | |
Yeah, that's what she called it. | 0:13:41 | 0:13:43 | |
So, Alison, I'm going to move on now | 0:13:48 | 0:13:50 | |
to what we call your Comfort Viewing. | 0:13:50 | 0:13:52 | |
-Ooh. -There it is. -Let's have a look. | 0:13:52 | 0:13:55 | |
Some very good performances. | 0:13:55 | 0:13:57 | |
Very good performances from the girls... | 0:13:57 | 0:14:00 | |
I mean, I'm getting all comfy already, just seeing it. | 0:14:00 | 0:14:02 | |
-Bob Holness. -Look at Bob. | 0:14:02 | 0:14:05 | |
Based on an American game show of the same name, | 0:14:05 | 0:14:08 | |
the original run of Blockbusters was on our TV screens for 10 years. | 0:14:08 | 0:14:12 | |
With Bob Holness at the helm, | 0:14:12 | 0:14:14 | |
sixth-formers put their general knowledge to the test. | 0:14:14 | 0:14:17 | |
So, James, for the first time... | 0:14:17 | 0:14:19 | |
And what did you think of the great Bob Holness? | 0:14:19 | 0:14:21 | |
Oh, I loved him, I loved him. | 0:14:21 | 0:14:22 | |
The original James Bond on the radio, was Bob Holness. | 0:14:22 | 0:14:26 | |
-Stop it. Really? -Yeah. | 0:14:26 | 0:14:27 | |
-I can see why. -Did you always want to be on this show? | 0:14:27 | 0:14:30 | |
I did want to be on this show, but I know I'd be rubbish at it. | 0:14:30 | 0:14:33 | |
I know I wouldn't answer any of the questions. But I just liked it. | 0:14:33 | 0:14:36 | |
I just enjoyed watching this show. | 0:14:36 | 0:14:38 | |
You know, because they were always teenagers, | 0:14:38 | 0:14:41 | |
-the make-up girls used to call the show Spotbusters. -Really? -Yeah. | 0:14:41 | 0:14:44 | |
-I didn't know that. -Yeah. -I never even noticed. | 0:14:44 | 0:14:47 | |
I think because I was probably a teenager myself. | 0:14:47 | 0:14:49 | |
-I just loved this show. -Yeah, no, it was... | 0:14:49 | 0:14:52 | |
Yeah, a bit of Blockbusters, a bit of Bob. "Can I have a P, Bob?" | 0:14:52 | 0:14:54 | |
Do you remember that, when he'd done that? He was so funny? | 0:14:54 | 0:14:57 | |
-Shall we see if we can play along? -Yes, come on then. | 0:14:57 | 0:14:59 | |
Where do you want to start on the left? | 0:14:59 | 0:15:01 | |
-PO. He's going to go for PO. -How do you know? | 0:15:01 | 0:15:03 | |
I used to try and predict it. PO. | 0:15:03 | 0:15:05 | |
PO. | 0:15:05 | 0:15:07 | |
-Cool. -Fate or complete military training? | 0:15:07 | 0:15:10 | |
DAV. OAV, sorry. | 0:15:10 | 0:15:13 | |
Two ingredients which make French dressing? | 0:15:13 | 0:15:16 | |
Oil and vinegar. | 0:15:16 | 0:15:18 | |
-Oil and vinegar. -That's it. -Well done. FT. | 0:15:18 | 0:15:20 | |
-FT. -Moralistic fantasy stories for children. | 0:15:20 | 0:15:23 | |
-Fairy tales. -That's it. | 0:15:23 | 0:15:25 | |
-TW. -Characters who open Shakespeare's Scottish play. | 0:15:25 | 0:15:28 | |
-The witches. -Three witches. -That's right. -SM. | 0:15:28 | 0:15:31 | |
Its cocoon is unwound and then woven into a fine fabric. | 0:15:31 | 0:15:35 | |
-Silk moth. -Silk moth. | 0:15:35 | 0:15:37 | |
Silkworm. | 0:15:37 | 0:15:38 | |
No, there's more to it. | 0:15:38 | 0:15:40 | |
BOTH: Moth! | 0:15:40 | 0:15:41 | |
Silk moth! | 0:15:41 | 0:15:43 | |
Silkworm... | 0:15:43 | 0:15:45 | |
Did you get frustrated watching it? | 0:15:45 | 0:15:47 | |
For me, it was all about if I could predict the path | 0:15:47 | 0:15:50 | |
of where it was going to go and I'm normally quite good at it. | 0:15:50 | 0:15:53 | |
Yeah, well you got the... | 0:15:53 | 0:15:55 | |
You went, "He's going to go PO, he's going to go PO," and he did. | 0:15:55 | 0:15:59 | |
-See what I mean? -I mean, he did get it wrong... -Oh, bless him. | 0:15:59 | 0:16:01 | |
Yeah, that reminds me of coming home. | 0:16:01 | 0:16:03 | |
Great games show hosts are something the UK excels at. | 0:16:05 | 0:16:09 | |
Just look at Sir Bruce Forsyth. | 0:16:09 | 0:16:11 | |
He has been on TV almost as long as television has existed, | 0:16:11 | 0:16:15 | |
making his first experience in 1939. | 0:16:15 | 0:16:19 | |
And as a game show host, he has given us many a famous catchphrase. | 0:16:19 | 0:16:23 | |
Who could forget, "Good game, good game!" and, "Didn't they do well?" | 0:16:23 | 0:16:27 | |
And, of course, "Nice to see you, to see you nice." | 0:16:27 | 0:16:31 | |
From nice to nasty, Queen of mean Anne Robinson often made | 0:16:34 | 0:16:37 | |
contestants quake in the quiz show The Weakest Link. | 0:16:37 | 0:16:40 | |
She even made ex Blue Peter presenter John Noakes cry | 0:16:40 | 0:16:44 | |
by teasing him about the death of Shep, the rotter! | 0:16:44 | 0:16:48 | |
And of course, who could forget the legendary Bob Monkhouse? | 0:16:53 | 0:16:57 | |
After carving out a career as a top comedian, Bob went on | 0:16:57 | 0:17:01 | |
to host a whole heap of popular game shows | 0:17:01 | 0:17:04 | |
from Family Fortunes to Bob's Full House. | 0:17:04 | 0:17:07 | |
Your next choice is your comedy hero | 0:17:14 | 0:17:16 | |
-so let's take a look at this fitness fanatic. -Yeah. | 0:17:16 | 0:17:21 | |
There she is. | 0:17:21 | 0:17:23 | |
I love Victoria Wood. Victoria Wood is my favourite. | 0:17:23 | 0:17:26 | |
Now, I'll just launch into my usual preamble. | 0:17:26 | 0:17:29 | |
Bear down with me if you've heard it before. I'm Madge, obviously. | 0:17:29 | 0:17:32 | |
Oh, sorry, not obviously. I've usually got it written on, sorry. | 0:17:32 | 0:17:35 | |
Got a new leotard on tonight. Do you like it? It's flattering, isn't it? | 0:17:35 | 0:17:38 | |
I wasn't sure when I got it home. I thought, "Hmm, bit subtle." | 0:17:40 | 0:17:43 | |
SHE LAUGHS | 0:17:43 | 0:17:46 | |
It's just... Oh, she is just a funny, funny lady. | 0:17:46 | 0:17:49 | |
This is one of her best sketches I have ever seen. | 0:17:49 | 0:17:51 | |
You can do any diet you like, girls. If you don't do those exercises, | 0:17:51 | 0:17:55 | |
you are up that shopping centre without a credit card. | 0:17:55 | 0:17:58 | |
Actress, writer and producer, | 0:17:58 | 0:18:01 | |
Victoria Wood is one of Britain's top comediennes. | 0:18:01 | 0:18:04 | |
During the '80s and '90s, her character-driven sketches | 0:18:04 | 0:18:07 | |
kept the nation in stitches. | 0:18:07 | 0:18:09 | |
..kick in the buttock. Give it a nice stretch. | 0:18:09 | 0:18:11 | |
It's just that physical, like, comedy... | 0:18:11 | 0:18:13 | |
That's it, isn't it? I know. | 0:18:13 | 0:18:15 | |
-The words are so clever too. -I know, she's hilarious. | 0:18:15 | 0:18:19 | |
This is the biggest muscle in the entire body | 0:18:19 | 0:18:21 | |
and it's actually directly connected to the brain. | 0:18:21 | 0:18:24 | |
So, when we're working it, we're actually improving our circulation | 0:18:24 | 0:18:27 | |
and our breathing and our ability to follow a knitting pattern. | 0:18:27 | 0:18:30 | |
So... | 0:18:30 | 0:18:32 | |
I go to, like, a Zumba class and the teacher is like that. | 0:18:32 | 0:18:35 | |
I'm not even joking. Hi, Lynne, are you all right? | 0:18:35 | 0:18:38 | |
She's literally like that. | 0:18:38 | 0:18:40 | |
When I go in, literally, I just chuckle to myself and I think of | 0:18:40 | 0:18:43 | |
Victoria Wood. She's got a real, gruff, loud voice. | 0:18:43 | 0:18:47 | |
And it's just hilarious. Yeah, that's how she carries on. | 0:18:47 | 0:18:50 | |
There is a point with skinny where it can tip over into scrawny. | 0:18:50 | 0:18:53 | |
And I should know because I am dangerously near it myself. | 0:18:53 | 0:18:57 | |
Absolute genius, as far as I'm concerned. | 0:18:57 | 0:18:59 | |
Really is funny, and that is one of my... | 0:18:59 | 0:19:01 | |
That sketch, I remember, and honestly, it cracks me up | 0:19:01 | 0:19:05 | |
every time I watch it. I love that sketch. | 0:19:05 | 0:19:07 | |
So, did you used to watch these as a child? | 0:19:07 | 0:19:11 | |
Yeah, probably a little bit older, yeah. Maybe as a teenager. | 0:19:11 | 0:19:15 | |
I used to watch Victoria Wood, but I used to just find her brilliant. | 0:19:15 | 0:19:19 | |
I thought she was a genius. | 0:19:19 | 0:19:21 | |
I just literally would laugh out loud and just think, | 0:19:21 | 0:19:24 | |
"Oh, my God, you are hilarious." | 0:19:24 | 0:19:26 | |
Is there anyone else you used to laugh out loud to? | 0:19:26 | 0:19:28 | |
Dawn French as well. Dawn French, Jennifer Saunders. | 0:19:28 | 0:19:31 | |
Those guys were just the best at their job. | 0:19:31 | 0:19:34 | |
-It's the physical comedy for me, I love physical comedy. -Slapstick? | 0:19:34 | 0:19:38 | |
Slapstick, it just makes me laugh, I just love it and, I suppose, | 0:19:38 | 0:19:43 | |
I've kind of incorporated it a little bit. | 0:19:43 | 0:19:45 | |
When I do all my sketches on This Morning and stuff, | 0:19:45 | 0:19:47 | |
sometimes I get a little bit physical as well and | 0:19:47 | 0:19:49 | |
I would probably point towards Victoria Wood. | 0:19:49 | 0:19:52 | |
So, are you also a fan of silent comedy? | 0:19:52 | 0:19:54 | |
I love silent comedy because I just think | 0:19:54 | 0:19:56 | |
it's the most clever comedy going | 0:19:56 | 0:19:58 | |
because, obviously, you've got no words. | 0:19:58 | 0:20:00 | |
So are you referring to people like Buster Keaton and... | 0:20:00 | 0:20:04 | |
Yeah, do you remember Harold Lloyd? Harold Lloyd was a massive... | 0:20:04 | 0:20:08 | |
I was a massive fan of his and, I mean, | 0:20:08 | 0:20:11 | |
I have been telling people... what happened? | 0:20:11 | 0:20:13 | |
Why don't they repeat Harold Lloyd | 0:20:13 | 0:20:15 | |
and Charlie Chaplain and Laurel and Hardy? | 0:20:15 | 0:20:17 | |
Your dream has come true, Alison. | 0:20:17 | 0:20:19 | |
We will repeat a little bit of Harold Lloyd, here he is. | 0:20:19 | 0:20:22 | |
-Well, they should repeat it! Oh, he's brilliant. -On the clock tower. | 0:20:22 | 0:20:25 | |
So, no words. It was black and white. | 0:20:28 | 0:20:31 | |
Arguably his most famous sketch. | 0:20:31 | 0:20:33 | |
-I mean, it's incredible. -And he wore glasses as well. | 0:20:33 | 0:20:37 | |
And, apparently, he did all his own stunts as well. | 0:20:37 | 0:20:41 | |
I couldn't believe it. So funny. | 0:20:41 | 0:20:43 | |
-It looks absolutely terrifying, doesn't it? -Yes, it is. | 0:20:43 | 0:20:47 | |
He was crazy, really, if you think about it. | 0:20:47 | 0:20:50 | |
It's just one of those programmes | 0:20:50 | 0:20:51 | |
that literally has you on the edge of your seat, doesn't it? | 0:20:51 | 0:20:54 | |
And you can't help but carry on watching. | 0:20:54 | 0:20:57 | |
-I think it was very cleverly shot. -So funny, look! | 0:20:57 | 0:20:59 | |
I don't think he was actually up that high | 0:20:59 | 0:21:01 | |
but it is, still, of its time... Oh, my God. | 0:21:01 | 0:21:05 | |
Look, look, look! So dangerous. | 0:21:05 | 0:21:08 | |
-Oh, no. -There's always a disaster in Harold Lloyd. | 0:21:12 | 0:21:16 | |
Legendary silent film star Harold Lloyd was one of the greatest | 0:21:16 | 0:21:20 | |
comic stars of his time. | 0:21:20 | 0:21:22 | |
His motion picture career spanned 34 years and over 200 comedies. | 0:21:22 | 0:21:27 | |
-Off he goes. -Here we go. Oh, he just got it in time. | 0:21:30 | 0:21:34 | |
We have had two different... | 0:21:34 | 0:21:36 | |
completely different types of comedy there. | 0:21:36 | 0:21:38 | |
I mean, what is closest to your heart? | 0:21:38 | 0:21:39 | |
I don't know, I just like them both, to be honest with you. | 0:21:39 | 0:21:42 | |
I like that silent... Just purely because he has to work | 0:21:42 | 0:21:45 | |
so hard in order to... When the story just carries on, | 0:21:45 | 0:21:47 | |
you have to work so hard to keep people's attention. | 0:21:47 | 0:21:49 | |
-So, you are a big fan of Buster Keaton? Laurel and Hardy? -Yeah. | 0:21:49 | 0:21:53 | |
-Obviously Charlie Chaplain. -Yeah. | 0:21:53 | 0:21:55 | |
All those sort of things I used to watch and be mesmerised by, | 0:21:55 | 0:21:58 | |
-literally mesmerised by that sort of TV. Loved it. -Yeah. | 0:21:58 | 0:22:02 | |
Where you don't have to really think, | 0:22:02 | 0:22:05 | |
it's all done for you. I like that. | 0:22:05 | 0:22:08 | |
THEY LAUGH | 0:22:08 | 0:22:10 | |
Sit back, relax. Yeah. | 0:22:10 | 0:22:11 | |
We first saw you on our screens on Big Brother. | 0:22:18 | 0:22:20 | |
How was that experience? | 0:22:20 | 0:22:22 | |
It just felt like a mini holiday, to be honest with you. | 0:22:22 | 0:22:25 | |
So, the first day we arrived, we got like a full luxury shopping list | 0:22:25 | 0:22:30 | |
so I had two weeks of luxury and then I got kicked out. | 0:22:30 | 0:22:33 | |
-Yeah. -I was the second one to be kicked out | 0:22:33 | 0:22:36 | |
so I just had a really lovely holiday. | 0:22:36 | 0:22:38 | |
Then how long after that did you then work for This Morning? | 0:22:38 | 0:22:42 | |
Quite soon after, about a month or so afterwards, | 0:22:42 | 0:22:45 | |
they asked me, "We would love you to come on | 0:22:45 | 0:22:48 | |
"This Morning to do a three-month contract. Are you up for it?" | 0:22:48 | 0:22:51 | |
-I went, "Yeah." Been there 13 years now. -Wow. -Yeah. | 0:22:51 | 0:22:54 | |
Started off just on the three-month contract and... | 0:22:54 | 0:22:57 | |
It never went away. | 0:22:57 | 0:22:59 | |
We are going to have a look at you on one of your very first | 0:22:59 | 0:23:01 | |
interviews for This Morning. Do you know who it's with? | 0:23:01 | 0:23:05 | |
-Is it Mr Clooney? -It is. George himself. | 0:23:05 | 0:23:08 | |
If you thought George Clooney was just another sex symbol | 0:23:11 | 0:23:13 | |
from Hollywood, well, think again because with his directing debut, | 0:23:13 | 0:23:17 | |
Confessions Of A Dangerous Mind, he has proved that he is | 0:23:17 | 0:23:19 | |
just as talented behind the camera as he is in front. | 0:23:19 | 0:23:22 | |
Well, that's the Paul Ross bit out of the way. | 0:23:22 | 0:23:25 | |
The reason I'm here is for George Clooney. | 0:23:25 | 0:23:27 | |
-What do you want? ALL: -George! | 0:23:27 | 0:23:29 | |
-When do you want him? ALL: -Now! | 0:23:29 | 0:23:31 | |
-Aw! I look so young. -So does George. | 0:23:31 | 0:23:33 | |
-Your first directing role. -Yes. | 0:23:33 | 0:23:35 | |
-Were you nervous? -Yeah, I was nervous. | 0:23:35 | 0:23:37 | |
But, I had to carry Sam Rockwell around, so I was fine. | 0:23:37 | 0:23:40 | |
If you've got a good actor, you'll be OK. | 0:23:40 | 0:23:42 | |
I can't believe how confident I am on my first job. | 0:23:42 | 0:23:45 | |
I had an interview with him and then, like, he went away | 0:23:45 | 0:23:48 | |
and then I just thought, he's walking back, | 0:23:48 | 0:23:51 | |
"I'll get another interview." so I just shoved my mic in his face | 0:23:51 | 0:23:54 | |
and then thought, "Oh, that was a bit awkward." | 0:23:54 | 0:23:57 | |
SHE SNIGGERS | 0:23:57 | 0:23:58 | |
But, that's the thing, I never went to journalism school | 0:24:00 | 0:24:03 | |
so I didn't know what the etiquette was. | 0:24:03 | 0:24:05 | |
-I literally... -Well, you got his attention, didn't you? -I had an interview... | 0:24:05 | 0:24:08 | |
And some time goes by, maybe a few years, | 0:24:08 | 0:24:10 | |
-and he still remembers it. -He remembered it, yeah. | 0:24:10 | 0:24:12 | |
I went and did a sit-down interview with him and I thought, | 0:24:12 | 0:24:15 | |
"Oh, I look a little bit different, my hair is a bit different. | 0:24:15 | 0:24:18 | |
"He ain't going to recognise me." | 0:24:18 | 0:24:19 | |
Literally, as I walked through the door, | 0:24:19 | 0:24:21 | |
he says, "Did you hit me in the face with a microphone?" I was like, | 0:24:21 | 0:24:24 | |
"Me? Really?" He remembered, literally, that moment. | 0:24:24 | 0:24:28 | |
But I think, what you have is a talent to spark up | 0:24:28 | 0:24:30 | |
an immediate rapport with someone and that's what you're good at, | 0:24:30 | 0:24:35 | |
and that's what you have to be good at, | 0:24:35 | 0:24:37 | |
and that's why you've been doing the show This Morning for 13 years now. | 0:24:37 | 0:24:40 | |
I have never even thought about what the secret is | 0:24:40 | 0:24:42 | |
but I think you've got it there, Brian. I think you have. | 0:24:42 | 0:24:45 | |
-I don't know. -But when have you struggled to strike up a rapport? | 0:24:45 | 0:24:48 | |
Do you know what? It does happen, believe it or not. | 0:24:48 | 0:24:50 | |
You're not going to get on with everyone..., | 0:24:50 | 0:24:52 | |
-Well, someone's having a bad day, you know... -I've had that, | 0:24:52 | 0:24:55 | |
I've had that, actually... I'll even name-drop here. | 0:24:55 | 0:24:58 | |
Um...I can't remember his name. | 0:24:58 | 0:25:01 | |
LAUGHTER | 0:25:01 | 0:25:03 | |
APPLAUSE | 0:25:04 | 0:25:07 | |
Probably me. "I was working with this Brian..." | 0:25:07 | 0:25:10 | |
Cut that bit out, cut that bit out. | 0:25:10 | 0:25:12 | |
-Right, I was working with Colin Firth. -Colin Firth. | 0:25:12 | 0:25:16 | |
And, the first time I met him, | 0:25:16 | 0:25:18 | |
I was on the red carpet and it was for Bridget Jones, | 0:25:18 | 0:25:20 | |
he was all over me, kissing me and everything, I was like, | 0:25:20 | 0:25:23 | |
"Oh, me and Colin are like that." | 0:25:23 | 0:25:24 | |
So, in my second interview, I was telling all the cameramen | 0:25:24 | 0:25:27 | |
and went, "Oh, you're going to love this interview because | 0:25:27 | 0:25:29 | |
"me and him get on like that. He was kissing me on the red carpet." | 0:25:29 | 0:25:32 | |
He came in and he went, "I've had a bad night, go easy on me." | 0:25:32 | 0:25:35 | |
I was like, "Oh, my God." | 0:25:35 | 0:25:36 | |
And the whole interview, he was just in a really... | 0:25:36 | 0:25:39 | |
-You wouldn't have noticed it, no-one else would have noticed it... -In the edit or whatever. | 0:25:39 | 0:25:44 | |
..but, you know, when I could feel in my heart | 0:25:44 | 0:25:46 | |
that he just wasn't with me and that's just the way it is. | 0:25:46 | 0:25:48 | |
Some people have a good day, some people have a bad day, | 0:25:48 | 0:25:51 | |
unfortunately, I had both with Colin Firth. | 0:25:51 | 0:25:55 | |
I've had a bad day and a good day. | 0:25:55 | 0:25:56 | |
-So what sort of TV do you like watching now? -I do like daytime TV. | 0:26:03 | 0:26:07 | |
Of course, you're on it. | 0:26:07 | 0:26:09 | |
Obviously, I like This Morning but I'm really into, like, box sets. | 0:26:09 | 0:26:14 | |
So I've just finished watching Breaking Bad, loved it. Brilliant. | 0:26:14 | 0:26:17 | |
And I'm now watching - can't believe I'm so behind - | 0:26:17 | 0:26:20 | |
-but I'm only now just watching Homeland. -Homeland. Oh, yeah. | 0:26:20 | 0:26:23 | |
-Really into that. -Do you... Can you switch off? | 0:26:23 | 0:26:26 | |
-Or, you know, you sort of binge on it? -Binge. | 0:26:26 | 0:26:29 | |
I literally want to watch like six episodes at one time. | 0:26:29 | 0:26:32 | |
I can't turn it off. | 0:26:32 | 0:26:34 | |
So, I might watch it in the car, I won't be driving, like, | 0:26:34 | 0:26:37 | |
if I've got a driver, I'll watch it in the car, | 0:26:37 | 0:26:39 | |
I'll watch it on the train, I literally binge. | 0:26:39 | 0:26:41 | |
I want to watch them all now. But, yeah, I like box sets | 0:26:41 | 0:26:46 | |
-at the minute. -All right. | 0:26:46 | 0:26:47 | |
And we give our guest the opportunity now to choose | 0:26:47 | 0:26:51 | |
a theme tune for us to play out on. | 0:26:51 | 0:26:53 | |
What's it going to be? | 0:26:53 | 0:26:55 | |
For me, what reminds me of family | 0:26:55 | 0:26:58 | |
and a Saturday night would have to be a Dallas theme tune. | 0:26:58 | 0:27:03 | |
-Because that was... -Big Dallas fan? -I just... I loved it | 0:27:03 | 0:27:07 | |
when JR got shot. Who did it? And all that sort of stuff? | 0:27:07 | 0:27:10 | |
Absolutely loved it | 0:27:10 | 0:27:12 | |
and the fact that we used to all sing it before it came on. | 0:27:12 | 0:27:15 | |
We would be like... | 0:27:15 | 0:27:16 | |
SHE SINGS DALLAS THEME | 0:27:16 | 0:27:18 | |
You know, we would literally be dancing round. | 0:27:18 | 0:27:21 | |
We would be so happy when that came on. | 0:27:21 | 0:27:23 | |
The whole family would just get so excited. | 0:27:23 | 0:27:25 | |
Well, you have made us happy today. You really have. | 0:27:25 | 0:27:27 | |
I genuinely say this that you are such a bright spark | 0:27:27 | 0:27:31 | |
and a lovely person. | 0:27:31 | 0:27:33 | |
Well, you've made me happy, I've loved this show. | 0:27:33 | 0:27:35 | |
-It's great. -Oh, thank you very much, thank you very much. Give us a kiss. | 0:27:35 | 0:27:38 | |
So, my thanks to Alison | 0:27:38 | 0:27:40 | |
and my thanks to you for watching The TV That Made Me. | 0:27:40 | 0:27:42 | |
-We'll see you next time. Bye-bye. -Bye! | 0:27:42 | 0:27:45 | |
MUSIC: Dallas Theme Song | 0:27:45 | 0:27:48 | |
LAUGHTER | 0:27:53 | 0:27:55 |