Anita Dobson The TV That Made Me

TV - the magic box of delights.

As kids, it showed us a million different worlds

all from our living room.

-So funny!

-That was state of the art.

-Argh!

-I loved this.

'Each day, I'm going to journey through

the wonderful world of telly...'

-Cheers.

-'..with one of our favourite celebrities.'

-We're going into space.

-It's just so silly!

Oh, no!

-Yeah!

-'As they select the iconic TV moments...'

-My God. This is the scene!

-Oh, dear.

'..that tell us the stories of their lives.'

I absolutely adored this.

-'Some will make you laugh...'

-SHE LAUGHS

Don't watch the telly, Esther - watch me.

-'..some will surprise...'

-HE LAUGHS

No way! Where did you find this?

'..many will inspire...'

It used to transport us to places that we could only dream about.

'..and others will move us.'

-I am emotional now.

-Today we look even more deeply.

Why wouldn't you want to watch this?

So, come watch with us as we rewind to the classic telly

that helped shape those wide-eyed youngsters

into the much-loved stars they are today.

Welcome to The TV That Made Me.

My guest today is one of Britain's most cherished actors.

It can only be the legend that is Anita Dobson.

CHEERING AND APPLAUSE

-Welcome. Mwah.

-Mwah.

-Mwah.

-Mwah.

-European! Come and sit down.

-Thank you.

-Hiya.

-Ah, are you looking forward to this?

-Yes, I am.

-Yeah?

-Very much so.

Anita stepped into the limelight on 19th February 1985

on the first ever episode of EastEnders

playing soap diva Angie Watts.

Since then, she's continued to be one of our best-loved actors

on both stage and screen.

She even shimmied her way through a nine-week run

on Strictly Come Dancing in 2011.

Amongst the TV that made her,

a man who helped kick-start our obsession with ballroom dancing...

..a much-loved kids TV show...

Don't I know you from someplace?

..and a Christmas present that shocked 30 million of us.

Happy Christmas, Ange.

-Thank you for asking me.

-Oh, it's a pleasure to have you here.

Well, I've got so many years now, that I'm so old

that reminiscing is all you can do, isn't it, really?

No, it's not.

You've just...I mean, recently, you were at the RSC, isn't it?

-I was, yeah. Finally got there.

-Yeah.

-How exciting was that?

-It was amazing.

To actually be on the stage at Stratford-upon-Avon,

and think, "Yeah, I'm here," was great, was fantastic, yeah.

So, do have much chance to watch TV?

I watch it when I can, and, you know, if I'm home,

but, really, I'm a film buff - that's me.

Oh, yeah, cos a lot of your choices today

-are films that you watched on TV.

-Yeah.

-Yeah.

Yeah, cos I loved Sunday afternoon matinees

with, you know, all those Hollywood movie stars,

and the thrillers, Hitchcock,

all those black-and-white movies and science-fiction films -

I loved all of that.

Well, today is a celebration of all those things you loved.

But first up, we're going to rewind the clock

and have a trip down memory lane

and look at a very young Anita Dobson.

A true East Ender,

Anita Dobson was brought up in Stepney, East London.

Dad and Mum both worked in the clothing industry

and raised Anita and her younger sister, Jill,

in a small but cosy council flat.

Despite the modest surroundings, Anita's closeness to her parents

meant that she didn't leave home until she was 27.

After drama school, she became a jobbing actor,

starting out on children's telly.

But then came an audition for a new soap opera at the BBC

that changed everything.

Anita is married to rock god Brian May,

but she's a legend in her own right too.

So, how does it make you feel looking at that, you know?

-It makes me realise that I've...I've been around an awful long time.

-No!

And it does seem amazing, because sometimes people say,

"When did you do...?" a certain production's name,

and I can't remember any of it.

It's all become a blur.

And one day, I'd love to sit down and kind of go through, very gently,

all the things that you've been in and the time you had doing them

and all the people that you met.

-Because, otherwise, it just becomes, you know...

-A blur.

-..a blur.

-Yeah.

-Are you one for looking back, though?

-Not really.

-No?

I'm somebody who lives very much in the moment,

and I'm all for moving on. I think...

I don't watch myself much on TV,

unless it's something really important or very technical.

Generally speaking, if the director's happy

and the people that did it are happy

-and you feel you gave 100%, onto the next.

-Yeah.

I don't know if that's a good or a bad thing.

You won't be watching this?

-Of course I'll watch this. Yes.

-Thank you.

-I want to see you and all the clips all over again.

-Good.

-Yes. I'm definitely watching this.

-I'm pleased.

Well, let's kick off with

a little bit of your required childhood viewing.

-This is your must-see TV.

-OK.

And a classic film.

Fred and Ginger.

BALLROOM MUSIC PLAYS

'Theirs was an iconic dance partnership

'that initially lasted from 1933 to 1939,

'before they reunited in the late '40s.

'Swing Time is the sixth out of ten films

'of Fred Astaire and Ginger Rogers made together.

'It was typical of the films shown in the Sunday afternoon matinee slot

'on TV during Anita's childhood.'

-They make it look so easy, don't they?

-It's beautiful.

I so wanted to just be Ginger Rogers.

-They're like one person, aren't they?

-Yeah.

'The glamorous pair with

'their incredible synchronised routines and extravagant sets

'became box office gold,

'with audiences looking for escapism

'during The Great Depression of the 1930s.

'Fred Astaire preferred the magic of their dance scenes

'to be captured in one long continuous shot.'

I mean, you just know that they've rehearsed for weeks

to get these routines right.

Well, apparently, everyday of his life, he tapped.

-First thing in the morning.

-Really?

-Yeah.

And for hours. Even when he wasn't working.

That's why he's so good.

Did you think Ginger Rogers got the credit she deserved?

You know, cos it was always, "Yeah, Fred Astaire," but...

-Well, she wanted to act as well...

-..something...

..where as he always was a dancer first and foremost.

But she was a good little actress,

and I think she kind of diversified a bit - maybe that's why.

But look how beautiful she is.

I know. And that dress.

Oh!

BOTH CLAP Oh!

-That was gorgeous!

-Really?

-Oh, my goodness.

-Yeah. Beautiful. Makes me cry.

-Really? Why? Why is it so emotional?

Because it's so exquisite to see

-two people dance together in perfect sync...

-Harmony, yeah.

..that it just...

And also the way they move, the beauty of it

makes me feel very emotional, yeah.

-So, a huge Fred Astaire fan, Ginger Rogers?

-Yeah, absolutely.

Every Sunday, without fail. As soon as you mention the names

Fred Astaire and Ginger Rogers, I was there.

He danced with a lot of other people,

but I think that kind of...that duo was the best, really, ever.

So, you would sit down on a Sunday with the whole family?

Well...always me.

I mean, irrespective of what was on,

I would watch the Sunday afternoon matinee,

and sometimes they did have them on Saturday afternoon.

So, we'd have Sunday dinner and I'd be, plonk, in front of the box.

And Judy Garland, Rita Hayworth, whatever it was,

you know, I would be there.

-Westerns, anything.

-Oh, anything?

Anything. I just loved the movies.

And do you think that made you want to be an actor?

What made me really want to become an actress, the clincher was

when I was a young girl, I was taken to see Julius Caesar

in which James Mason starred as Brutus.

And I remember listening to the beautiful voice that he had,

and thinking, "I want to make people feel like that.

"That's what I want to do.

"I want to have that kind of ability to move people

"and make them cry and make them feel something."

Well, we have a clip of that particular film...

-No!

-..with James Mason in.

-Oh!

-Yes.

-My goodness. I am going to cry now.

-Shall I get the tissues out?

-CROWD PROTEST

-If there be any in this assembly,

any dear friend of Caesar's,

to him I say that Brutus' love to Caesar was no less than his.

'James Mason starred as Brutus in this

'1953 classic movie version of Shakespeare's Julius Caesar.'

..not that I loved Caesar less, but that I loved Rome more.

So, look at that scene.

I mean, look at the amount of extras, and he did it all in a dress.

LAUGHTER

-I mean, to be that heroic, I mean, amazing.

-Yeah.

I just think he's awesome.

'The film featured other big stars like Marlon Brando,

'and its sets, like this one, were recycled from

'the big epic Quo Vadis, made two years earlier.

'However, the film still went on to win an Oscar for its art direction.'

As he was fortunate, I rejoice at it.

Look at the photography. It's awesome, isn't it?

You know, the shadows, the detail, everything.

Yeah, I think it was a winner.

'Brutus is seen here addressing an angry mob after murdering Caesar.

'It's one of the last times this famous speech

'was seen on the big screen.

'Since then, the play has been adapted

'at least nine times for television.'

Who is here so vile that will not love his country?

If any, speak, for him have I offended.

I pause for a reply.

-Wow.

-How does that make you feel?

-APPLAUSE

-Thank you so much.

-Oh, no, it's an absolute pleasure.

It's fantastic. I adored him. I am emotional now.

And it really was that little spark needed

for a young Anita to sort of fall in love with acting.

Well, I think I'd always displayed a sort of...a spark, if you like,

of wanting to perform from a very, very young age.

From about four, I think my grandad said,

-"She's got the sawdust in her blood."

-Uh-huh?

But I think that sort of thing, as I started to grow up

and you start to become a little more informed -

although I didn't really wake up till 37 -

but as I kind of...

And I remember going to see that and thinking

the power he had and the command he had

-and the clarity in his voice...

-Yes.

..I just thought...

-I just fell in love with him a bit, I suppose.

-Yeah.

And I love Shakespeare,

and I fell in love with Shakespeare, with the written word,

and the eloquence of it and the way you could move people.

Mm-hm. Yeah.

-And, of course, he was an English actor.

-Yeah.

-Born in Huddersfield.

-Bless him.

-Yeah.

-One of us.

-Yeah.

-SHE CHUCKLES

So, we're going to move on to your home life, Anita.

What was that like?

-I was born in the East End...

-You're a true Cockney, aren't you?

-Born within the sound of Bow Bells.

-My father was born within

the sound of Bow Bells, so he was a true Cockney.

Stepney was a little further away from Bow.

We couldn't actually hear the bells.

But, yeah, I like to think of myself as a Cockney born and bred.

So, there was me, my dad, my mum and my younger sister,

and we were very, very close.

We had a little council flat, and I felt very blessed.

I was very loved as a child.

So, you know, born right in the heart of London.

-Where's that Cockney accent gone?

-Well, it's still there.

I mean, if I tell jokes, or get tiddly...

HE LAUGHS ..or get cross, it's right there.

You ask my husband. LAUGHTER

As soon as I lose my temper, he goes, "Here she is."

So, your mum and dad, what did they do?

My father was a dress cutter,

-and my mother was a tailoress.

-Oh, right.

-So, sometimes...

-Real rag trade...

-A rag trade, yeah.

So, you always enjoyed fashion?

Well, I was the best dressed kid on the block.

We didn't have much money, but I always looked great,

cos my mum was fantastic.

She'd find bits of material or dresses,

and she'd cut them down and add little bits, you know?

She made me a beautiful coat once,

and she found these really big shiny black buttons, you know,

which really gave it a whoosh.

And a lovely scarf, and she found some lovely black edging.

And then she took me shopping, and she said,

"We're going to find you a pair of shoes.

"It's got to be the right shoes."

And we schlepped all over the East End to all the markets,

and finally, very late on a Saturday, we stopped at this stall,

and she went, "Try those."

And I popped them on. They were beautiful.

They were black patent with a big black bow,

and they had heels, high heels.

And my mum said, "That's the ones."

So, I looked a million dollars. SHE CHUCKLES

They were very good, my mum and dad. They were very good at...

-And they liked their ballroom.

-They did.

-Didn't they?

-They did.

-Erm...I think they met at a dance.

-Oh, right.

I think it was one of those dances where the music stops

and you turn to the next person and you dance with them.

And they both had a different way of describing that meeting.

My mum said, "The music stopped and I turned round and there he was."

She said, "He had odd socks on, a really loud tie,

"and a very loud jacket and lots of hair.

"That was your dad."

And then my father said, "Well, I was dancing

"because that's what you had to do, otherwise you didn't meet girls.

"And the music stopped and I turned around...

"..and there she was."

That's all he said.

-The love of his life.

-Aw.

-He knew in that second.

-I think he proposed to her about three days later.

-Really?

-Yeah.

He knew immediately.

So, your next clip is your parents' choice.

It's a show that your mum and dad really enjoyed.

I'd like to introduce the girl who usually dances with me.

Here she is, attractive Christine Norton.

-"Attractive."

-"Attractive."

-SHE LAUGHS

Aw, bless her. She looks lovely.

The basic step of the cha-cha-cha, you'll remember, goes...

one, two, cha-cha-cha...

'Victor Silvester, a former world ballroom dancing champion,

'began his lessons on the radio in 1941.

'His show brought a touch of glamour to the listeners' lives

'during wartime Britain.'

She's got my shoes on. She's been shopping down the market.

-Look.

-Yeah!

-LAUGHTER

'He moved onto our screens in 1948,

'where he stayed on the BBC until the mid-'60s.'

-Oh!

-Oh!

-Little open out.

-Look at that.

Look at the dress. The skirt. I love it.

-And so this is must-see viewing for your...

-..mum and dad, yeah.

Because they used to have, not arguments,

but they used to have little moments when my dad would say,

"What are you doing? That's not a fish tail."

And I'd think, "What are they talking about?"

-But, obviously, they all have special names.

-Yeah. Oh, yeah.

One, two, three, one, two, one, two, three.

Right, well, that's all it is,

so now we'll give you a short demonstration of the cha-cha-cha.

-Shall we have a go, Anita?

-SHE GASPS

Shall we?

-Are you serious?

-Come and join me over here.

Oh, my goodness.

Right, are we ready for this?

Oh, my button's undone. Hold on.

He's getting undressed. LAUGHTER

CHA-CHA-CHA MUSIC PLAYS

And... What are we doing, then?

-You're leading with the right.

-Am I?

-Yes.

Yes, there you go.

-BOTH:

-One, two, cha-cha-cha,

one, two, cha-cha-cha.

One, two, cha-cha-cha,

one, two, cha-cha-cha.

-Woo! One, two...

-Ooh, hello.

-BOTH:

-Cha-cha-cha,

-one, two, cha-cha-cha.

-SHE LAUGHS

SHE LAUGHS

-APPLAUSE We were wasted, weren't we?

-I know.

-Wasted.

-I know.

Victor Silvester's televised dance lessons

not only contributed to a boom in dance schools around the country,

it also started an obsession with ballroom which

is still in evidence to this day.

Come Dancing began

in 1949,

eventually evolving into a national competition

with couples from all across the UK

going head-to-head for the coveted trophy.

Hosts have included Judith Chalmers

and the much missed Terry Wogan.

Not to mention high-kicking journalist Angela Rippon

who hosted the show for three years from 1988.

By 2004,

we were missing the sequins and the big bands,

so with Bruce Forsyth and Tess Daly at the helm,

Strictly Come Dancing was born,

and ballroom was back on our screens with a bang.

And it hasn't left since.

With around 40 versions of the show worldwide,

the phenomena isn't showing any signs of slowing down.

Your next choice is Comedy Heroes,

and let's have a look at these two old pros.

Two of my favourites - Flanagan and Allen.

-Oh!

-Yeah.

-Here, help me load up, will you?

-I certainly will.

Now, this coat will come in handy...

'Seen here towards the end of their career

'in the 1958 film Life Is A Circus,

'the comedy duo Flanagan and Allen

'started out in musicals during the '20s.'

-BRIAN GASPS

-They're underneath the arches.

-I think there's a song in that.

-You think(?)

-Takes you back a bit, doesn't it, Ches?

-Yeah.

-Who are we trying to kid, Bud?

-Doing well.

'Underneath The Arches was written by Flanagan in 1927

'and became one of their most famous songs.'

# ..the one place that we know

# And that is where we sleep

-OBJECTS DING

-# Underneath the arches

-# We dream our dreams away... #

-SHE LAUGHS

# Underneath the arches

# On cobblestones, we lay... #

-I do love Flanagan and Allen.

-It's great.

-It's just...

-Great lyrics too.

-..from a different era

-and just from a more peaceful...

-Gentle.

-..gentle time, wasn't it?

# Every night you'll find us... #

'The film showed the duo as down-on-their-luck entertainers

'forced to sleep rough underneath a railway bridge.'

# ..happy when the daylight comes creeping

# Heralding the dawn... #

There's a lot of effort gone into that set.

And look at all the stuff in that place.

I know, I know. There's a lot there, isn't there?

Look, they've even got a donkey, I believe. Is it? Yeah.

-And he kept quiet the whole time, bless him.

-Yeah.

-Probably stuffed.

-LAUGHTER

Did you like the chemistry between Flanagan and Allen?

Yeah. They were lovely, and so different, and yet, so together,

you know, like a married couple, almost, yeah.

So different, you know?

But very good, yeah. Very good. Wonderful double act.

# ..underneath the arches

# We dream our dreams away. #

-Aw, fantastic.

-Yeah?

-APPLAUSE

-A whole different era.

-I know.

But what was it about Flanagan and Allen?

Oh, I suppose it was about... It's gentle.

It was about an era that's gone now,

where the world was much slower and gentler.

I mean, even the rhythm section at the back, that's gentle, laid-back.

-Nothing's too much.

-Yeah.

-Don't take too much time, relax.

I think it just brought traditions of the musical

-to the big screen, didn't it, you know?

-Yeah.

-And what lovely characters they were.

-Mm-hm.

-Yeah.

-Aw, bless.

-My dad loved them.

-Did he?

-Yeah, he loved all that.

-He loved all of soft-shoe thing, you know?

-Yeah.

Loved all that, yeah.

Another iconic comedy duo

that credited Flanagan and Allen as a huge influence on their work

is Eric Morecambe and Ernie Wise.

They began as a double act during the war, reaching their peak

on TV in the '70s

with their enormously successful partnership.

During the '70s, another double act.

The Two Ronnies became unmissable telly on a Saturday night.

Ronnie Corbett and Ronnie Barker's comedy sketch show

became the BBC's flagship light entertainment programme

after Morecambe and Wise defected to ITV in 1978.

By the mid-'80s,

Mel Smith and Griff Rhys Jones had begun entertaining us on BBC Two

with their comedy series.

After four years,

they moved over to BBC One, where they stayed until 1998.

By the end of the '80s, the comedians Hale and Pace

had teamed up for their successful

series that ran for ten years.

And from 1987, Dawn French and Jennifer Saunders

became one of our best-loved double acts.

The multi-award-winning pair

received a BAFTA Fellowship award in 2009.

Who makes you laugh these days?

Erm...I tend to laugh a lot anyway.

-You have. You're very bubbly.

-I'm a fairly optimistic person...

-Which is lovely.

-..and I think you should never go through a day

-without having laughed really loudly at least once.

-Mm-hm.

-That's my advice to anyone.

-Does your husband make you laugh?

He's...well, he's a very serious man.

We're very, very different, Brian and I.

He's very serious. You know, he's an astronomer,

he's a sort of absent-minded professor.

I mean, when you say, "He's an astronomer,"

you think, "Oh, bless," but he's a professor, isn't he?

-He's Dr Brian May.

-Dr Brian May.

-Mm.

-Isn't that amazing?

-Yeah.

I can get an examination whenever I want.

LAUGHTER

And he's a doctor of astronomy.

He's a doctor of physics, I suppose, really, astrophysics.

Yeah, astrophysics.

And he does 3-D photography, and he's an animal rights campaigner,

and he's a rock god.

I mean, you know, there's nothing...

He's got four careers, where most of us - if we're lucky -

-may be successful at one, you know?

-Yeah.

And his humour's quite dry.

Sometimes he'll catch me unaware and he'll really make me laugh.

But generally speaking,

he's not kind of, you know, a knock-about funny guy -

that's not really his thing, no.

-Yeah. It's more me, I suppose.

-Yeah, that's what makes you so...

It's that yin and yang, isn't it?

-Yeah, it is, isn't it?

-That's what you need.

-Yeah.

And I'm sort of the one that's kind of the one

that will see to the running of the house, if you like,

and the day-to-day things,

whereas his head's creating stuff and splitting atoms

and inventing things... LAUGHTER

-..so I just let him do that.

-So, how did you meet?

How did we meet?

We met at a preview of Down And Out In Beverly Hills

with Nina...with Bette Midler and Kris Kristofferson,

and I would never have been invited had I not just got EastEnders,

and suddenly being catapulted into the position

where you are invited to such, you know, nights.

And that's how we met.

And I sort of became...

And then I went to see them play at Wembley,

which I think was probably the last tour they did,

and I went to the party afterwards,

and I got very friendly with Fred.

We became really good mates,

and really, it was through that

that Brian and I got to know each other, yeah.

And you've been together quite some time now,

-which is wonderful, isn't it?

-Yeah.

Been married nearly 15 years, been together 29!

-29!

-Oh, God.

Yeah, it does deserve a round... APPLAUSE

It's not bad, is it? And they said it wouldn't last.

Are you applauding because

-she's managed to stick with Brian May for 29 years?

-Yeah!

-LAUGHTER

-That's what it is, isn't it?

Let's look at your next choice.

It is a performer,

but before we look at it,

I would like to give you a very subtle, subtle clue...

..as to who it is.

Don't know what he's doing.

I hope he's not taking his clothes off and doing something naughty.

OK.

Oh! Yes! LAUGHTER AND APPLAUSE

# I, I, I, I, I I like you very much

# I, I, I, I, I, I... #

-Carmen Miranda.

-Yes.

-Yay! Woo! APPLAUSE

-There you go.

-Fantastic.

We're going to...we'll watch a little clip now,

and in it she plays a banana xylophone,

-so that's your big moment to shine within this.

-Merci.

So, here we are.

Let's have a look, ladies and gentlemen, at Carmen Miranda.

Oh, my goodness.

# I wonder why does everybody look at me... #

'A Brazilian bombshell

'who became one of the highest-paid female stars in 1940s Hollywood,

'Carmen Miranda will always be remembered for

'her outrageous fruit hats,

'especially this one from the 1943 film The Gang's All Here.

'It was director and choreographer Busby Berkeley's first colour film

'and featured typically flamboyant dance numbers.'

# ..the lady in the tutti-frutti hat

-# Some people say... #

-She was tiny.

-Really?

Yeah. About four foot or something.

-They had to have little men to dance with her.

-Oh, really?

-I bet they did.

-I tease. LAUGHTER

Oh, they're in a trench.

# ..because I will not take it off to kiss a guy... #

'With hundreds of dancing girls and thousands of bananas,

'big spectacles like this made it

'20th Century Fox's most expensive wartime musical.'

# ..the lady in the tutti-frutti hat... #

'The psychedelic masterpiece

'was seen as a Second World War morale booster.'

-Your xylophone solo's coming up...

-Oh, is it?

-..any minute now, Anita.

# ..and when you're gay you dress that way

-# There's nothing wrong with that... #

-Here we go.

SHE PLAYS BANANA XYLOPHONE

She's going all the way around, look.

CHEERING AND APPLAUSE

-That was good.

-Fantastic.

-My grandfather adored her.

-Yeah?

-And I actually got to play her.

-Oh, really?

-I did.

I did a musical called Happy As A Sandbag,

and in it I played Carmen Miranda, and I sang the song,

# I, I, I, I, I I like you very much. #

And it was fantastic.

And, also, I had to come down a huge flight of stairs

and go straight into a conga.

You know, dah-dah-dah, which she did in the film,

and I remember the director was a lovely man called Philip Hedley,

and he said...the first day we went into theatre, he said,

"Anita, I want you to look at those stairs

"and I want you to say to yourself, 'One day I'm going to go down them.'"

-Meaning fall?

-Yeah.

So, every night, I used to start the song at the top of the stairs,

and by the time I got to the bottom,

I thought, "Phew, I'm on even ground."

And the night I did go down in a show

and I went straight up in the air and went smack onto my butt.

But lucky for me, the gods were with me, cos the next line was,

"And when I fall, I think I fall for you."

And I was up!

-LAUGHTER AND APPLAUSE

-Oh, that's a lovely story.

Mad, isn't it?

The whole company were like... SHE CHUCKLES

The lovely thing about Carmen Miranda,

she just used to pop up in movies,

and make these sort of cameo appearances.

Which nobody could understand because the accent was so thick.

But the energy of the woman was wonderful, wasn't it? Fantastic.

-And the eyes were going. I loved her.

-Yeah.

I mean, how did the hat, the big...?

-To make her taller.

-Oh, I see.

-She had very, very high wedge heels...

-Yeah.

..and she always had big headdresses and hats.

-So she was very petite.

-Tiny. Yeah, tiny little thing.

But, boy, what a bundle of energy. Yeah.

And was she an inspiration to yourself?

Well, I knew my grandfather loved her,

and I loved my grandfather.

And I must admit, I thought that she did have something special, yeah.

I thought that kind of...you know, kind of pizzazz was wonderful,

and that's what musical comedy's all about.

So I think, yeah, I probably did learn a lot from her, yeah.

-Now we're going to have a commercial break.

-Oh, OK.

-Mm-hm.

This is a classic TV ad.

-COCKEREL CROWS

-This is from 1973.

-Wow.

'Set in an idyllic farm to emphasise the fresh wholesomeness of peas,

'this Birds Eye advert starred

'a four-year-old Patsy Kensit.'

-PEAPOD POPS

-..so speed is needed now.

Every pea will be picked and frozen in less than two and a half hours.

Birds Eye are the only ones who promise this.

And by freezing within two and a half hours,

every pea is tender, sweet perfection...

'It included one of the most memorable tag lines

'in advertising history.'

We're all waiting for the moment.

They know. You know, don't you?

# Birds Eye peas sweet as the moment

# Sweet as the moment

-# When the pod went... #

-SHE POPS LIP

That's it! Yay!

APPLAUSE

-So, that was it?

-That little pop. Yeah.

Can you not do it?

Not with lipstick on, no. I wouldn't dream of it.

-Are you ready?

-Yay! Very good. HE POPS LIPS

Thank you, ladies and gentlemen.

-Thank you for that...applaud.

-LAUGHTER

Who needs Patsy Kensit, hey, when you can...

-HE POPS LIP

-..to your heart's content.

You could do the new advert for them.

-Do you think so?

-I think so.

-Yeah?

Birds Eye gave us the very first colour ad

from 1969 - did you know that?

-I didn't know that.

-Font of information.

-What was it about that one?

-Oh, it's adorable.

It's the fact that it's the countryside,

and it's gentle and rustic,

and then that adorable little girl

doing that lovely little thing at the end.

It just shows you how powerful television is,

how powerful adverts are,

that how long ago was that ad,

but you still remember that little hook.

Yeah, that's right.

The hook's the all-important thing, isn't it?

It's like a riff, isn't it? Listen to me, the musician(!)

It's like the riff in a song, isn't it?

-That beat, that little...that's what tells you that you love it.

-Yeah.

So, moving back to your television career.

Can you remember your very first big break?

-My big break?

-Mm-hm.

Well, of course, the biggest break had to be EastEnders, yeah.

That was the thing that changed everything.

I'd kind of being knocking around for a while

and done sort of things like Partners In Crime

and, you know, sort of odd little bits.

-Play Away.

-Oh, really?

-That was my first telly, really, Play Away.

-Play Away?

-Yeah.

# P-L-A-Y, Play Away way, Play Away. #

-You don't have to sing it, Anita.

-That's all right. But I like it!

Do you know why? Cos we've got it for you.

Here we go.

-This is Anita Dobson...

-It's fantastic.

-..on Play Away.

Say, don't I know you from someplace?

-HE HICCUPS

-The name's Wild Bill Hiccup, ma'am.

'Running for 13 years from 1971,

'Play Away was the sister programme to Play School.

'The format was aimed at older children

'and was like a musical variety show with songs and sketches.'

-One glass of water coming up.

-Thanks.

-So, how old would you have been?

-Yay!

-Oh.

-Hey!

-HE CHUCKLES

Oh, thank you, ma'am.

-HE HICCUPS

-No, ma'am, I'm afraid

they haven't done the trick.

Well, why don't you try drinking from the other side?

They say that can cure hiccups.

-Very good American accent there.

-Thank you very much, sir.

If that's what you say. Seems a stupid idea to me.

LAUGHTER

There you are.

So in character. Look at her.

-HE HICCUPS

-No, ma'am, still there.

-Fantastic.

-So, your time on Play Away, what was that like?

Oh, I loved it. I loved...

-Do you remember Brian Cant?

-Yes.

Oh, he was adorable.

How did you get the job?

I auditioned. Same as everybody else.

Yeah, went along, sang a bit, you know, chatted a bit,

read some sketches and that was it.

-Had you been to drama school?

-Yes. Yeah, I went to drama school.

Webber Douglas, which is gone now -

that's how old I am.

The weird thing was that

the drama school was in Gloucester Road, South Kensington,

and I lived in Stepney.

And when I got a grant,

cos we didn't have any money, obviously, where I came from,

so I had to apply for a grant cos I hadn't gone to university.

So, I got one, erm...and they would pay for the fees,

but I had to live at home,

which meant I didn't lose any weight because Mum was still cooking.

So, I would travel up to, you know, South Kensington...

IN A POSH VOICE: ..where everybody spoke like that.

And it was all a bit, "Yah. Oh, darling, how lovely."

Then I'd go home, and everyone was like...

IN A COCKNEY ACCENT: "How did it go, then? Was it all right, girl?

"I bet you it was fantastic today."

-And it was like being a sort of split personality.

-Yeah.

But I think it was good for me.

-It kind of gave me two voices, if you like.

-Yeah.

-Gave you your EastEnders voice.

-Yeah, it did.

-Yeah.

And how did that come about?

My agent said, "Oh, they want to see you.

"The girl that's playing...that was playing Angie Watts has been sacked,

"so they're looking for someone to play the part.

"So, Julia Smith, the executive producer,

"has asked to see about six..."

I think it was six or eight actresses.

"..of which you're one." So I said, "OK."

So, I went along in a little '40s suit.

I remember it was maroon. I've still got it.

With a little waist and a little brooch...

-I bet you can still fit into it as well.

-I can! Bless you.

And I had my hair gelled.

And as I walked in, Julia Smith went,

"Now, that's a look. That's a good look."

And that's all she said. And I thought, "Sounds good."

And then I read about six scripts,

and I thought, "This is good."

And she said, "Take them home, and we'll call you this afternoon

"and let you know whether you've got it or not."

I got into my beaten-up old Vauxhall Cavalier

with the tartan seating

and drove home.

The heavens opened, the car broke down,

I got soaked, I had to get a cab -

I had no money in those days -

had to get a cab, got home, drenched,

walked through the door of my little council flat,

dropped the scripts down, sat in the armchair.

The phone went. My agent said, "You've got it."

So, and I often find...yeah, when adversity strikes,

-sometimes it's a good omen, strangely enough.

-Yeah.

And it did go ballistic, didn't it?

I mean, you would get, you know, 23 million people watching it.

Yeah. Who knew, though? Nobody knew.

I just thought I was lucky I'd landed this wonderful part,

and I was going to be in work.

So, I just thought, how lucky was I?

"I'm earning money now. I'm really an actress," you know?

-But I didn't dream it would change my life.

-Yeah.

-I wouldn't have met Brian had it not been for EastEnders.

-Yes, of course.

-So, how long was you in it for?

-Only three and three-quarter years.

-Really?

-Yeah.

-So you wasn't in it that long.

-No.

I suppose I felt I wanted to quit while I was ahead.

There's only so many ways you can play a drunk scene -

that's what I thought.

I thought, "You're going to have to go round and do them all again."

And I thought, "No, you've gone as far as you can go."

And then, of course, they divorced us,

and, for me, that was the end of the line.

I thought, "These two people work so well

"because they stay in the same house."

They war and they fight, but they stay under the same roof.

The minute you separate them,

something changes the chemistry in a way.

Shall we have a little look at a little moment from EastEnders?

Oh, my God. Which one have you chosen?

'Oh, there he is.'

You don't regret staying with me, do you? Don't answer.

BRIAN CHUCKLES

I don't want to get morbid, today of all days.

'Audience figures peaked on Christmas Day in 1986

'when 30 million of us switched on

'to watch Den end his marriage to Angie

'in true Dirty Den style.'

..like on the Orient Express,

back in the bar,

chatting up the barman.

"Oh, I've told my husband this terrible lie.

"Six little months to live."

(Still got that top.)

This, my sweet, is a letter from my solicitor

telling you that your husband has filed a petition for divorce.

Happy Christmas, Ange.

DRUMS BEAT

'God, I looked all right, didn't I?'

-Wasn't bad, was I?

-You still look good.

APPLAUSE

It's nice.

You forget...cos you're so in it, you forget, you know,

that when I left, and I watched some of the reruns,

then you realise kind of the impact you had.

But I suppose you have no idea, you know, at the time

just...what you look like and kind of how you're affecting people.

Well, it was one of the most iconic scenes

in the whole of the history of EastEnders.

It was a great part to play.

Really fantastic part. I was very blessed.

But, as I say, I never knew what it was going to do.

-Yeah.

-Never knew.

What I loved as well was the blue eyeliner.

You probably didn't appreciate that, but the ladies all...

They had a Krylon stick which was bright turquoise blue,

-and Ange loved it.

-Yeah.

-Loved it.

I like the fact you've still got that top.

Yes! I've still got the top!

Angie and Den's break-up may be

one of the most watched Christmas shows of all time,

but sitting down en masse in front of the TV

has always been a tradition at this special time of year.

Of course, we can't look back at our festive favourites

without mentioning Morecambe and Wise again.

Many will remember the '70s

as the heyday of their extravagant specials,

the kings of Christmas Day entertainment

regularly attracted 20 million viewers.

And Mike Yarwood, in a slot before Eric and Ernie,

gave them a run for their money in the ratings.

In 1977, his Christmas special starring Paul McCartney

attracted over 21 million viewers, placing it comfortably

on the list of box-busting Christmas shows.

When another soap queen, Hilda Ogden, left Coronation Street

on Christmas Day in 1987,

over 26 million people tuned in

to watch the emotional farewell in the Rovers Return.

And at the turn of the century,

Only Fools And Horses' Yuletide show

attracted over 20 million viewers on Christmas Day.

You're a star of the screen, but also a star of stage.

You know, I mean, you really enjoy your stage work.

Yeah, well, I was brought up on the stage,

that's where I cut my teeth.

That's where you have to go back to

to kind of resharpen, I think,

you know, your talent, if you have any.

And, yeah, I do like...

-And live audiences - there's nothing like it. You know that.

-Oh, yeah.

-You can't beat a live crowd.

-When you hear them laugh

or when you hear them go... SHE GASPS

-..you know, it's lovely, isn't it?

-Yeah. No, it is.

-I think it fuel...it fuels you.

-Yeah.

-You know they're with you.

-The energy.

-Yeah.

And your job is done. You've done your job well.

So, recently, what stage work have you done?

Well, I did She Stoops To Conquer in Bath quite recently.

I've just done pantomime, which was exhausting at my age.

I'd forgotten.

I, of course, did a part that I'd done twice before

and was particularly energetic

because, you know, when you've got all that energy and stuff,

you just throw everything in.

And, of course, I didn't want to cut anything out, so...I did it again.

And I must say, it was exhausting, but it was such fun.

What part did you play in that?

I did the... Well, she was psychotic, the way I played,

but The Wicked Fairy in Sleeping Beauty, yeah.

-So, I started off playing Girl Babe...

-Oh, really?

..in Babes In The Wood.

And then I went on to playing principal boy, Aladdin,

and that was the one I got cast as mostly.

And then moved on to wicked queens,

and now I'm on psychotic fairies.

LAUGHTER

Who knows where it will end?

It is amazing that you still have this huge energy.

You know, you're still...

Right...right the way through your career

have just kept this energy there, kept the ball up.

You know, it's a real passion,

-and obviously a love affair with acting that you have.

-Yes.

Thank you for putting it so nicely,

but, yes, I think you're right - it is.

Basically, I eat, sleep and drink it.

You know, if I'm not talking about it,

I'm watching it or reading about it or discussing it or...yeah.

Or talking to youngsters and helping them, you know?

-Oh, really?

-Yeah.

Yeah, if anybody...people ask you to go and chat to people, I love it.

I love the fact that, you know, youngsters,

you want to inspire that same passion and desire in them,

you want to see their eyes light up and you want to see them fired up.

So, what's the best advice you give to a budding actor?

NEVER give up. Never give up.

If you want it badly enough, it will come,

but you have to give it everything,

and you have to believe in it, and you have to not give up.

So, I have to ask, what are you watching at the moment?

What am I watching? I'm not really much of a one for watching TV.

I believe you're...so, you're a fan of Midsomer Murders.

I do like Midsomer Murders, yeah.

-Does it worry you, all these murders happening?

-It does seem odd.

Does seem a little odd that...

I think, "Is there anybody left...in Midsomer?"

Yeah, it's worrying, isn't it, that people go there and die, really.

Yeah, yeah.

So, Anita, I give my guests the opportunity now

to pick a theme tune for us to play out on.

My head's full of Flanagan and Allen at the moment,

so I can't think of any.

But I do remember a series that I loved

and a policeman that I adored was Dixon Of Dock Green.

Oh, wow. Yeah.

-Do you remember Dixon Of Dock Green?

-Yes, of course.

-Was it Jack Warner?

-Jack Warner, yes!

And he was always so lovely, wasn't he?

-With his hands around his back.

-"Evening, all."

Aw, lovely. Yeah.

All right. Well, you've been lovely as well.

-My thanks to you.

-Thank you so much.

-Can I have a little peck? Mwah. Mwah.

-Mwah.

-Shall we do three?

-Go on!

-Damn it. LAUGHTER

-So, my thanks to you, Anita...

-It's a pleasure.

..and my thanks to you for watching The TV That Made Me.

-We'll see you next time. Bye-bye.

-Thank you.

APPLAUSE

DIXON OF DOCK GREEN THEME MUSIC PLAYS

-DIXON:

-Hello, that boy with the mouth organ's back again.

Oh, well, he's...he's not a bad bloke.

HE CONTINUES TO WHISTLE

It's a bit lonely on the old beat sometimes, you know...?