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TV, the magic box of delights. | 0:00:03 | 0:00:08 | |
As kids, it showed us a million different worlds, | 0:00:08 | 0:00:10 | |
all from our living room. | 0:00:10 | 0:00:12 | |
This takes me right back. | 0:00:12 | 0:00:13 | |
That's so embarrassing! | 0:00:13 | 0:00:15 | |
I am genuinely shocked. | 0:00:15 | 0:00:19 | |
Each day, I'm going to journey through the wonderful world of telly | 0:00:19 | 0:00:22 | |
with one of our favourite celebrities. | 0:00:22 | 0:00:24 | |
It's just so silly! | 0:00:24 | 0:00:26 | |
I love it! | 0:00:26 | 0:00:28 | |
Is it Mr Benn? | 0:00:28 | 0:00:29 | |
Shut it! | 0:00:29 | 0:00:33 | |
As they select the iconic TV moments... | 0:00:33 | 0:00:35 | |
Oh, hello! | 0:00:35 | 0:00:37 | |
That tell us the stories of their lives. | 0:00:37 | 0:00:40 | |
Oh, my gosh! | 0:00:40 | 0:00:43 | |
Some will make you laugh... | 0:00:43 | 0:00:46 | |
Some will surprise... | 0:00:46 | 0:00:50 | |
Many will inspire... | 0:00:50 | 0:00:52 | |
Look at this. | 0:00:52 | 0:00:54 | |
Why wouldn't you want to watch this? | 0:00:54 | 0:00:56 | |
And others will move us. | 0:00:56 | 0:00:59 | |
Seeing that there made a huge impact on me. | 0:00:59 | 0:01:01 | |
Got a handkerchief? | 0:01:01 | 0:01:03 | |
So come and watch with us, as we rewind to the classic telly | 0:01:03 | 0:01:07 | |
that shaped those wide-eyed youngsters into the much-loved stars | 0:01:07 | 0:01:10 | |
they are today. | 0:01:10 | 0:01:15 | |
Welcome to The TV That Made Me. | 0:01:23 | 0:01:25 | |
My guest today is a friend to the stars | 0:01:25 | 0:01:27 | |
and one in her own right. | 0:01:27 | 0:01:30 | |
It can only be the lovely Alison Hammond! | 0:01:30 | 0:01:34 | |
Oh, yeah! | 0:01:34 | 0:01:35 | |
Hello! | 0:01:35 | 0:01:36 | |
You all right, babe? | 0:01:36 | 0:01:37 | |
I'm good. | 0:01:37 | 0:01:41 | |
Bubbly Brummie Alison has been evicted from the Big Brother house, | 0:01:41 | 0:01:45 | |
strutted her stuff on Strictly, and is a showbiz reporter | 0:01:45 | 0:01:47 | |
who regularly rubs shoulders with the famous. | 0:01:47 | 0:01:52 | |
But today, she's a welcome visitor to my humble abode. | 0:01:52 | 0:01:56 | |
The TV that made her includes a comedienne | 0:01:56 | 0:01:58 | |
who had her in stitches... | 0:01:58 | 0:02:01 | |
Kick your own buttock. | 0:02:01 | 0:02:04 | |
A TV show with a personal connection... | 0:02:04 | 0:02:06 | |
And a brain-busting game show. | 0:02:06 | 0:02:11 | |
This is nice. | 0:02:11 | 0:02:12 | |
You like it? | 0:02:12 | 0:02:13 | |
Yeah. | 0:02:13 | 0:02:14 | |
It's like my own home! | 0:02:14 | 0:02:16 | |
No, it's nothing like it. | 0:02:16 | 0:02:19 | |
But it was similar to this when I was younger. | 0:02:19 | 0:02:22 | |
That's good, because we're going to go back in time. | 0:02:22 | 0:02:25 | |
This is a celebration of your TV classic moments | 0:02:25 | 0:02:28 | |
that you've chosen that have probably made you | 0:02:28 | 0:02:31 | |
the person you are today. | 0:02:31 | 0:02:33 | |
I know. | 0:02:33 | 0:02:35 | |
I can't believe how important TV was back then. | 0:02:35 | 0:02:38 | |
Obviously, we only had one telly in our house. | 0:02:38 | 0:02:42 | |
And I loved TV when I was younger. | 0:02:42 | 0:02:45 | |
No one has one telly in their house these days. | 0:02:45 | 0:02:47 | |
No, I have one in every room. | 0:02:47 | 0:02:49 | |
I don't watch them all, not at the same time. | 0:02:49 | 0:02:52 | |
It's just a thing to have. | 0:02:52 | 0:02:54 | |
Even in the bathroom now. | 0:02:54 | 0:02:56 | |
No, I haven't. | 0:02:56 | 0:02:58 | |
But people do. | 0:02:58 | 0:03:00 | |
I'd be in the bath all day. | 0:03:00 | 0:03:02 | |
And I love having a bath. | 0:03:02 | 0:03:05 | |
No, I haven't got a telly in there. | 0:03:05 | 0:03:08 | |
We're going to take a trip back but first, we're going to rewind | 0:03:08 | 0:03:12 | |
the clock and look at a very young Alison Hammond. | 0:03:12 | 0:03:14 | |
Here we go. | 0:03:14 | 0:03:17 | |
Born in 1975, Alison grew up with her mum, | 0:03:17 | 0:03:21 | |
older brother and sister in Birmingham. | 0:03:21 | 0:03:24 | |
Her love of stage and screen shone out from an early age. | 0:03:24 | 0:03:29 | |
After leaving school, | 0:03:29 | 0:03:31 | |
Alison had a spell as a cinema usherette and a holiday rep, | 0:03:31 | 0:03:35 | |
before finding fame when she entered the Big Brother house in 2002. | 0:03:35 | 0:03:39 | |
She was evicted after just 15 days, | 0:03:39 | 0:03:42 | |
but nonetheless, Alison's television career really took off. | 0:03:42 | 0:03:46 | |
Within weeks of leaving Big Brother, she was offered a three-month stint | 0:03:46 | 0:03:50 | |
on This Morning, and she's still there | 0:03:50 | 0:03:52 | |
to this day. | 0:03:52 | 0:03:58 | |
So, Alison, normally we go into the first TV clip, | 0:04:01 | 0:04:05 | |
but as a homage to your clip, I'm going to get changed. | 0:04:05 | 0:04:08 | |
No! | 0:04:08 | 0:04:09 | |
Yeah. | 0:04:09 | 0:04:10 | |
What are you going to wear? | 0:04:10 | 0:04:12 | |
I'm nervous. | 0:04:12 | 0:04:13 | |
This is now a clue. | 0:04:13 | 0:04:19 | |
I love it! | 0:04:21 | 0:04:23 | |
You know what the programme is? | 0:04:23 | 0:04:24 | |
Yeah! | 0:04:24 | 0:04:25 | |
Do I have to put that on? | 0:04:25 | 0:04:27 | |
Is it Mr Benn? | 0:04:27 | 0:04:29 | |
It is Mr Benn. | 0:04:29 | 0:04:31 | |
Oh, I love Mr Benn! | 0:04:31 | 0:04:33 | |
Let's cue Mr Benn. | 0:04:33 | 0:04:35 | |
That is brilliant. | 0:04:35 | 0:04:40 | |
This classic 1970s animation series followed the adventures of Mr Benn | 0:04:40 | 0:04:45 | |
as he embarked on a different fantastical adventure | 0:04:45 | 0:04:50 | |
every time he tried on a costume at a fancy dress shop. | 0:04:50 | 0:04:56 | |
Although Mr Benn was never given an on-screen first name, | 0:04:56 | 0:04:58 | |
writer David McKee always thought William would suit him. | 0:04:58 | 0:05:02 | |
Oh, memories for me. | 0:05:02 | 0:05:03 | |
I used to love this show. | 0:05:03 | 0:05:06 | |
As if by magic, the shopkeeper appeared. | 0:05:06 | 0:05:11 | |
He used to go into the shop and then get dressed up | 0:05:11 | 0:05:14 | |
and become that character. | 0:05:14 | 0:05:16 | |
So one day, he would become a spaceman. | 0:05:16 | 0:05:20 | |
I literally thought I was Mr Benn. | 0:05:20 | 0:05:22 | |
I wanted to be Mr Benn, believe it or not. | 0:05:22 | 0:05:24 | |
And I always wanted to be like a cave person | 0:05:24 | 0:05:28 | |
or something like that, a caveman. | 0:05:28 | 0:05:31 | |
Could you imagine it? | 0:05:31 | 0:05:33 | |
I would like to try the space outfit. | 0:05:33 | 0:05:36 | |
Favouring camera moves across still drawings, | 0:05:36 | 0:05:38 | |
the animation was basic, | 0:05:38 | 0:05:41 | |
that didn't stop children adoring Mr Benn. | 0:05:41 | 0:05:43 | |
I can't believe it wasn't even moving at the time. | 0:05:43 | 0:05:47 | |
Mr Benn was soon in the changing room, and quickly took off | 0:05:47 | 0:05:50 | |
his clothes and put on the space outfit. | 0:05:50 | 0:05:59 | |
He looked at himself in the mirror. | 0:06:00 | 0:06:03 | |
Then he looked for the other door, the door that always | 0:06:03 | 0:06:06 | |
led to adventures. | 0:06:06 | 0:06:08 | |
This was Ray Brooks, who used to narrate this. | 0:06:08 | 0:06:12 | |
Ray Brooks, who many people will remember from Ken Loach's | 0:06:12 | 0:06:16 | |
ground-breaking 1960s television drama Cathy Come Home, | 0:06:16 | 0:06:19 | |
also narrated another children's animated series, | 0:06:19 | 0:06:22 | |
King Rollo. | 0:06:22 | 0:06:26 | |
I just wanted to go on these adventures. | 0:06:26 | 0:06:30 | |
He's now going to be a spaceman and literally become a spaceman. | 0:06:30 | 0:06:32 | |
How amazing would that be, | 0:06:32 | 0:06:35 | |
that you just went into a shop and came out | 0:06:35 | 0:06:37 | |
as whatever you wanted to be? | 0:06:37 | 0:06:38 | |
It's not real. | 0:06:38 | 0:06:39 | |
It's not a documentary. | 0:06:39 | 0:06:41 | |
But to me at the time, it was quite real. | 0:06:41 | 0:06:43 | |
I like the fact that you don't remember that it didn't move. | 0:06:43 | 0:06:46 | |
I did not remember. | 0:06:46 | 0:06:47 | |
I thought it was moving. | 0:06:47 | 0:06:49 | |
Well, it is moving, but it's quite still, isn't it? | 0:06:49 | 0:06:52 | |
Hello, he said. | 0:06:52 | 0:06:53 | |
Ready for the blast-off? | 0:06:53 | 0:06:55 | |
Here we go, then. | 0:06:55 | 0:06:58 | |
Can you imagine children liking this these days? | 0:06:58 | 0:07:00 | |
You know what? | 0:07:00 | 0:07:03 | |
I was thinking if my son watched this, I think he would enjoy it. | 0:07:03 | 0:07:07 | |
I can't believe how primitive it is, watching it. | 0:07:07 | 0:07:11 | |
It really isn't that great, but I loved this programme. | 0:07:11 | 0:07:15 | |
It was like reading a book. | 0:07:15 | 0:07:17 | |
How can you talk to me seriously when I'm dressed like this? | 0:07:17 | 0:07:21 | |
I'd forgotten it. | 0:07:21 | 0:07:22 | |
You just look like Mr Benn. | 0:07:22 | 0:07:25 | |
Has it been great being a spaceman? | 0:07:25 | 0:07:26 | |
I've enjoyed it. | 0:07:26 | 0:07:28 | |
So you wanted to be a cavewoman? | 0:07:28 | 0:07:32 | |
A cavewoman, and a red Indian. | 0:07:32 | 0:07:34 | |
Never happened. | 0:07:34 | 0:07:36 | |
Never been a cavewoman. | 0:07:36 | 0:07:37 | |
Don't know if I want to do it now. | 0:07:37 | 0:07:39 | |
Well, you wanted to be a cavewoman. | 0:07:39 | 0:07:42 | |
I want to get out of this costume desperately right now. | 0:07:42 | 0:07:45 | |
Get out! | 0:07:45 | 0:07:47 | |
While Mr Benn's adventures were imaginary, | 0:07:47 | 0:07:51 | |
British TV has produced plenty of real life adventurers, too, | 0:07:51 | 0:07:55 | |
like the great Sir David Attenborough, | 0:07:55 | 0:08:00 | |
who over his six decade broadcasting career has made | 0:08:00 | 0:08:03 | |
some of the most impressive natural history programmes ever produced. | 0:08:03 | 0:08:07 | |
Sir David is the only person to have won a Bafta in black and white, | 0:08:07 | 0:08:10 | |
colour, HD and 3D. | 0:08:10 | 0:08:15 | |
Journalist and broadcaster will Alan Whicker was | 0:08:15 | 0:08:19 | |
best known for Whicker's World, running from 1959 to 1988. | 0:08:19 | 0:08:22 | |
The series featured Whicker reporting on | 0:08:22 | 0:08:26 | |
the unusual and bizarre from around the world. | 0:08:26 | 0:08:29 | |
The show even inspired a famous Monty Python sketch | 0:08:29 | 0:08:32 | |
about the mythical Whicker Island, populated by Alan lookalikes. | 0:08:32 | 0:08:38 | |
Speaking of Monty Python, | 0:08:38 | 0:08:41 | |
Michael Palin has been wowing us with his journeys around | 0:08:41 | 0:08:44 | |
the globe since 1989. | 0:08:44 | 0:08:49 | |
And while filming a travel documentary in Australia in 1997, | 0:08:49 | 0:08:52 | |
Michael managed to squeeze in a cameo on Home And Away | 0:08:52 | 0:08:54 | |
as an English surfer with a fear of sharks. | 0:08:54 | 0:08:59 | |
I want to move on to your next clip now. | 0:09:02 | 0:09:05 | |
This is what your must-see TV was. | 0:09:05 | 0:09:10 | |
Baywatch. | 0:09:10 | 0:09:12 | |
Loved Baywatch. | 0:09:12 | 0:09:18 | |
At its peak in the mid-1990s, | 0:09:18 | 0:09:22 | |
Baywatch was shown in over 140 countries in dozens of languages | 0:09:22 | 0:09:27 | |
and watched by over 1 billion viewers. | 0:09:27 | 0:09:31 | |
I actually did think I was in Baywatch. | 0:09:31 | 0:09:35 | |
See, you wanted to be a caveman, you wanted to be in Baywatch. | 0:09:35 | 0:09:38 | |
Was it the escapism? | 0:09:38 | 0:09:41 | |
I suppose so. | 0:09:41 | 0:09:43 | |
It was the running in slow motion, David Hasselhoff. | 0:09:43 | 0:09:46 | |
I loved him to bits, wanted to marry him. | 0:09:46 | 0:09:51 | |
Those orange things are called torpedo rescue buoys. | 0:09:51 | 0:09:56 | |
They're meant to keep them afloat. | 0:09:56 | 0:09:59 | |
I don't know why Pamela Anderson ever needed one. | 0:09:59 | 0:10:02 | |
She has her own buoyancy, hasn't she? | 0:10:02 | 0:10:08 | |
Apparently, they couldn't run very fast when they were filming this. | 0:10:08 | 0:10:11 | |
Because there would be too much jiggling, | 0:10:11 | 0:10:18 | |
so they had to run quite slowly. | 0:10:18 | 0:10:19 | |
This was on a Saturday night at about five o'clock. | 0:10:19 | 0:10:22 | |
This was the start of my Saturday evening. | 0:10:22 | 0:10:24 | |
I would sit and watch Baywatch and just go | 0:10:24 | 0:10:26 | |
into another world. | 0:10:26 | 0:10:27 | |
Wonderful escapism. | 0:10:27 | 0:10:28 | |
Yeah. | 0:10:28 | 0:10:31 | |
And they were good stories, about saving people. | 0:10:31 | 0:10:36 | |
And there was always some sort of dilemma going on. | 0:10:36 | 0:10:38 | |
It was great. | 0:10:38 | 0:10:40 | |
I loved it. | 0:10:40 | 0:10:43 | |
One of the biggest stars to come from the series was of course | 0:10:43 | 0:10:47 | |
Pamela Anderson. | 0:10:47 | 0:10:50 | |
Look at that, isn't she beautiful? | 0:10:50 | 0:10:54 | |
This is what happened every episode. | 0:10:54 | 0:10:58 | |
Someone was in need. | 0:10:58 | 0:11:00 | |
Well, if they didn't need help, there wouldn't be much to see. | 0:11:00 | 0:11:06 | |
Look how perfect she looked in that swimsuit. | 0:11:06 | 0:11:10 | |
How long has he been down? | 0:11:10 | 0:11:11 | |
Maybe ten minutes. | 0:11:11 | 0:11:12 | |
I don't think he's breathing. | 0:11:12 | 0:11:15 | |
Do you know CPR? | 0:11:15 | 0:11:19 | |
What are you going to do, Pam? | 0:11:19 | 0:11:21 | |
You'll get out of it somehow. | 0:11:21 | 0:11:22 | |
David will rescue you. | 0:11:22 | 0:11:25 | |
Love it. | 0:11:25 | 0:11:28 | |
Baywatch was brilliant. | 0:11:28 | 0:11:31 | |
So that was Saturday night for you. | 0:11:31 | 0:11:33 | |
Baywatch, then Blind Date. | 0:11:33 | 0:11:36 | |
Maybe a bit of Gladiators. | 0:11:36 | 0:11:37 | |
Remember Gladiators? | 0:11:37 | 0:11:38 | |
That was filmed in Birmingham. | 0:11:38 | 0:11:39 | |
I loved Gladiators. | 0:11:39 | 0:11:43 | |
I want to go back to your childhood. | 0:11:43 | 0:11:45 | |
You was a child actress. | 0:11:45 | 0:11:48 | |
I was. | 0:11:48 | 0:11:52 | |
At the age of 11, my mum said, "There are some auditions for this | 0:11:52 | 0:11:55 | |
club called the Central Television Workshop". | 0:11:55 | 0:11:57 | |
It was like a drama school for kids | 0:11:57 | 0:11:59 | |
who couldn't afford to go to drama school, so it got you off | 0:11:59 | 0:12:02 | |
the streets and you'd learn about | 0:12:02 | 0:12:03 | |
TV, theatre and drama and you would go every week. | 0:12:03 | 0:12:06 | |
I had to audition. | 0:12:06 | 0:12:07 | |
There were, like, 25,000 kids auditioning for 25 places. | 0:12:07 | 0:12:11 | |
I said to my mum, "I don't want to do it". | 0:12:11 | 0:12:13 | |
She said, come on, and drove me there | 0:12:13 | 0:12:15 | |
and I went for the audition and had such a good time. | 0:12:15 | 0:12:18 | |
I got through into the workshop, which was brilliant. | 0:12:18 | 0:12:22 | |
And the guys I worked with are some of my lifetime friends. | 0:12:22 | 0:12:26 | |
And I was in that from the age of 11 to 18. | 0:12:26 | 0:12:30 | |
I was cast in a couple of children's programmes. | 0:12:30 | 0:12:34 | |
I was in Your Mother Wouldn't Like It, Palace Hill... | 0:12:34 | 0:12:36 | |
I think I did some extra work for Boon, | 0:12:36 | 0:12:39 | |
remember that? | 0:12:39 | 0:12:42 | |
My mum was really into TV as well. | 0:12:42 | 0:12:45 | |
So my mum would do extra work and she'd get us | 0:12:45 | 0:12:47 | |
into certain things. | 0:12:47 | 0:12:49 | |
When I was really young, | 0:12:49 | 0:12:50 | |
I think we did a film together called | 0:12:50 | 0:12:52 | |
Artemis 81. | 0:12:52 | 0:12:54 | |
Sting was in it. | 0:12:54 | 0:12:55 | |
I had to pretend to be dead. | 0:12:55 | 0:12:57 | |
It was great. | 0:12:57 | 0:13:00 | |
You played a dead body? | 0:13:00 | 0:13:01 | |
I bet you were a good corpse. | 0:13:01 | 0:13:05 | |
I was a good actress. | 0:13:05 | 0:13:08 | |
I was quite young. | 0:13:08 | 0:13:11 | |
Did a couple of episodes of Doctors as well. | 0:13:11 | 0:13:13 | |
Not as a dead body? | 0:13:13 | 0:13:15 | |
No, I had a part in that. | 0:13:15 | 0:13:18 | |
I was a prostitute's sister, yeah. | 0:13:18 | 0:13:24 | |
And she was going through some issues and I was trying | 0:13:24 | 0:13:26 | |
to advise her of the right way to go. | 0:13:26 | 0:13:29 | |
So when you watch shows like Baywatch, did you aspire to be...? | 0:13:29 | 0:13:35 | |
Maybe not Baywatch, that was a little bit unrealistic. | 0:13:35 | 0:13:40 | |
But I probably would aspire to maybe being in Crossroads, | 0:13:40 | 0:13:45 | |
because it was set in Birmingham. | 0:13:45 | 0:13:47 | |
But never got on it. | 0:13:47 | 0:13:50 | |
What was your mum like? | 0:13:50 | 0:13:51 | |
She was a lovely mum, a worker. | 0:13:51 | 0:13:53 | |
Single mum. | 0:13:53 | 0:13:55 | |
She's in our audience. | 0:13:55 | 0:13:56 | |
Shall we ask her what she thinks of you? | 0:13:56 | 0:13:59 | |
Hi, Mum! | 0:13:59 | 0:14:02 | |
Hello, Maria. | 0:14:02 | 0:14:04 | |
What was Alison like as a child? | 0:14:04 | 0:14:06 | |
She was a lovely child. | 0:14:06 | 0:14:08 | |
My mum is a big fan of yours. | 0:14:08 | 0:14:11 | |
I've seen you a few times at the Hippodrome in Birmingham. | 0:14:11 | 0:14:15 | |
Look, this is Alison's show, all right? | 0:14:15 | 0:14:18 | |
Let's get on with it, shall we? | 0:14:18 | 0:14:23 | |
Our next bit of telly is family favourite. | 0:14:25 | 0:14:29 | |
I know what it's going to be before you put it on. | 0:14:29 | 0:14:35 | |
Diff'rent Strokes. | 0:14:35 | 0:14:40 | |
Following the misadventures of a wealthy Manhattan family | 0:14:40 | 0:14:45 | |
who adopted their dead housekeeper's children, | 0:14:45 | 0:14:49 | |
Diff'rent Strokes ran for an impressive eight series, | 0:14:49 | 0:14:52 | |
and the catchy theme tune was co-written | 0:14:52 | 0:14:54 | |
by Blurred Lines singer Robin Thicke's parents. | 0:14:54 | 0:14:59 | |
Whenever there was a black person on the telly, | 0:14:59 | 0:15:03 | |
it was like, "There's a black person on the TV!" | 0:15:03 | 0:15:06 | |
Literally the whole family would run to the living room | 0:15:06 | 0:15:09 | |
to see who was on the TV. | 0:15:09 | 0:15:12 | |
So this was a big thing. | 0:15:12 | 0:15:14 | |
There were black people in this, so we wanted to see | 0:15:14 | 0:15:16 | |
what these black people were doing. | 0:15:16 | 0:15:20 | |
It was the one thing that culturally always happened. | 0:15:20 | 0:15:23 | |
They were huge child stars. | 0:15:23 | 0:15:26 | |
They were huge, yeah. | 0:15:26 | 0:15:28 | |
A vehicle for the precocious Gary Coleman, | 0:15:28 | 0:15:32 | |
Diff'rent Strokes turned child actors Dana Plato as Kimberly, | 0:15:32 | 0:15:34 | |
Todd Bridges as Willis and of course Coleman as Arnold | 0:15:34 | 0:15:39 | |
into international household names. | 0:15:39 | 0:15:40 | |
What a great bunch of guys at that club. | 0:15:40 | 0:15:42 | |
How come you guys never go down there? | 0:15:42 | 0:15:44 | |
Well, Dad, there's a good reason why we've never been down there. | 0:15:44 | 0:15:48 | |
What is it? | 0:15:48 | 0:15:49 | |
You never invited us! | 0:15:49 | 0:15:54 | |
He was the cutest little kid. | 0:15:54 | 0:15:56 | |
You just want to get his cheeks. | 0:15:56 | 0:15:58 | |
I wanted to marry him as a child. | 0:15:58 | 0:16:00 | |
I thought, "That's going to be my husband". | 0:16:00 | 0:16:03 | |
I may never be lean and mean, but I can be spunky and chunky. | 0:16:03 | 0:16:08 | |
Are they adopted by this family? | 0:16:08 | 0:16:10 | |
The penny's only just dropped. | 0:16:10 | 0:16:13 | |
I thought they were just one big family. | 0:16:13 | 0:16:16 | |
You thought that was his boys? | 0:16:16 | 0:16:20 | |
No, Alison. | 0:16:20 | 0:16:22 | |
As a child, you just watch it, don't you? | 0:16:22 | 0:16:24 | |
It's only now that I'm going, actually, I think they're adopted. | 0:16:24 | 0:16:30 | |
He's a widower, and he adopts those two. | 0:16:30 | 0:16:34 | |
And they live with the family. | 0:16:34 | 0:16:36 | |
You don't connect when you're a child. | 0:16:36 | 0:16:38 | |
I was a bit dim. | 0:16:38 | 0:16:44 | |
Diff'rent Strokes didn't shy away from tackling tough subjects | 0:16:44 | 0:16:47 | |
from bulimia to alcoholism, | 0:16:47 | 0:16:50 | |
while still keeping its comedy moments. | 0:16:50 | 0:16:52 | |
Even if you don't win the trophy, Dad, we can always have our own. | 0:16:52 | 0:16:58 | |
What a lovely show. | 0:16:58 | 0:17:03 | |
Yeah, it was a great show. | 0:17:03 | 0:17:04 | |
What was his catchphrase he used to say? | 0:17:04 | 0:17:07 | |
What you talkin' about? | 0:17:07 | 0:17:09 | |
What you talkin' about, Willis? | 0:17:09 | 0:17:10 | |
What you talkin' about, Willis? | 0:17:10 | 0:17:11 | |
Yeah. | 0:17:11 | 0:17:15 | |
That really reminds me of my childhood, | 0:17:15 | 0:17:17 | |
everyone gathered around the TV, especially my brother. | 0:17:17 | 0:17:20 | |
How many siblings are there, just you and your brother? | 0:17:20 | 0:17:23 | |
My sister and my brother. | 0:17:23 | 0:17:26 | |
But they're a lot older than me. | 0:17:26 | 0:17:28 | |
There's an eight-year gap between us. | 0:17:28 | 0:17:30 | |
So when you watched telly, | 0:17:30 | 0:17:32 | |
was there a hierarchy in who chose what to watch? | 0:17:32 | 0:17:36 | |
My brother probably would be the one controlling things. | 0:17:36 | 0:17:40 | |
He was nine years older than me, and he was the middle child. | 0:17:40 | 0:17:43 | |
They have problems, don't they, the middle child? | 0:17:43 | 0:17:46 | |
So he would choose what was going on on the TV. | 0:17:46 | 0:17:54 | |
But on a Saturday, we would all be watching those programmes, | 0:17:54 | 0:17:57 | |
Diff'rent Strokes, Baywatch and stuff. | 0:17:57 | 0:18:00 | |
Did you manage to get a seat on the sofa? | 0:18:00 | 0:18:02 | |
No. | 0:18:02 | 0:18:04 | |
I would sit on the floor. | 0:18:04 | 0:18:06 | |
They would all be on the sofa and I'd be sitting down there, | 0:18:06 | 0:18:09 | |
watching the TV, which was fine. | 0:18:09 | 0:18:12 | |
I was the youngest and cutest, and I was fine sitting on the floor. | 0:18:12 | 0:18:16 | |
Diff'rent Strokes was a classic American family sitcom, | 0:18:16 | 0:18:18 | |
but we Brits have produced some corkers too. | 0:18:18 | 0:18:21 | |
Back in the '80s, we lapped up the Boswells, | 0:18:21 | 0:18:23 | |
a Liverpudlian Catholic family living on the breadline. | 0:18:23 | 0:18:26 | |
Over 21 million viewers tuned in to watch Aveline | 0:18:26 | 0:18:30 | |
marry Protestant vicar Oswald in 1988. | 0:18:30 | 0:18:36 | |
Rocked by the change of two of the lead actors in series five, | 0:18:36 | 0:18:39 | |
the show's popularity slipped, and the last episode aired in 1991. | 0:18:39 | 0:18:46 | |
And 1991 was the year we welcomed the Porter family to our screens | 0:18:46 | 0:18:49 | |
in 2point4 Children. | 0:18:49 | 0:18:52 | |
For eight series, we watched the seemingly average family's | 0:18:52 | 0:18:55 | |
world turned upside down by bizarre and unlucky situations. | 0:18:55 | 0:19:02 | |
In the noughties, the domestic sitcom My Family, | 0:19:02 | 0:19:06 | |
following the fortunes of Ben and Susan Harper and their kids, | 0:19:06 | 0:19:09 | |
kept us entertained. | 0:19:09 | 0:19:12 | |
The show ran for 11 series, with the last episode airing | 0:19:12 | 0:19:16 | |
in 2011. | 0:19:16 | 0:19:22 | |
Alison, we're moving on to Mum's Choice now. | 0:19:24 | 0:19:27 | |
This is a programme that your mum used to love watching. | 0:19:27 | 0:19:32 | |
Want to go for a drink? | 0:19:32 | 0:19:33 | |
Is it your birthday? | 0:19:33 | 0:19:35 | |
Is this Angels? | 0:19:35 | 0:19:36 | |
Yes. | 0:19:36 | 0:19:40 | |
Maybe you're right. | 0:19:40 | 0:19:41 | |
A very young Pauline Quirke. | 0:19:41 | 0:19:44 | |
In that case, mine's a pint of special. | 0:19:44 | 0:19:47 | |
Dealing with the subject of student nurses, | 0:19:47 | 0:19:50 | |
British drama Angels received some criticism for its unglamorous | 0:19:50 | 0:19:54 | |
depiction of the nursing profession, | 0:19:54 | 0:19:58 | |
while others declared it grittily authentic. | 0:19:58 | 0:20:04 | |
My mum did extra work on this. | 0:20:04 | 0:20:06 | |
Really? | 0:20:06 | 0:20:07 | |
Yeah. | 0:20:07 | 0:20:12 | |
Sometimes, she'd say, "I'm on tonight's show", | 0:20:12 | 0:20:14 | |
and literally if you blinked, you would miss it. | 0:20:14 | 0:20:16 | |
Just a quick walk by. | 0:20:16 | 0:20:19 | |
She would be like, come on, and gather | 0:20:19 | 0:20:21 | |
the whole family. | 0:20:21 | 0:20:22 | |
It would be a massive event, food, drink, everything, | 0:20:22 | 0:20:24 | |
and then she would just go past for two seconds. | 0:20:24 | 0:20:28 | |
I didn't see it because I blinked. | 0:20:28 | 0:20:30 | |
You didn't have video in those days, | 0:20:30 | 0:20:32 | |
so you can't rewind it. | 0:20:32 | 0:20:34 | |
But yeah, my mum used to work on that. | 0:20:34 | 0:20:37 | |
Well, we can't not take a look at her in action. | 0:20:37 | 0:20:40 | |
Get ready, here she comes... | 0:20:40 | 0:20:42 | |
and there she goes. | 0:20:42 | 0:20:43 | |
Worth another look, eh? | 0:20:43 | 0:20:48 | |
And there she is. | 0:20:48 | 0:20:50 | |
She always said she furnished our house through extra work. | 0:20:50 | 0:20:54 | |
I was able to look after you and give you | 0:20:54 | 0:20:56 | |
all the little luxuries from my extra work. | 0:20:56 | 0:21:00 | |
The bike and the roller skates. | 0:21:00 | 0:21:03 | |
That was all from her "extra" work(!) | 0:21:03 | 0:21:13 | |
I know now. | 0:21:21 | 0:21:23 | |
Extra work, eh? | 0:21:23 | 0:21:24 | |
That's what she called it. | 0:21:24 | 0:21:31 | |
Alison, I'm going to move on now to what we call | 0:21:31 | 0:21:34 | |
your comfort viewing. | 0:21:34 | 0:21:35 | |
Ooh! | 0:21:35 | 0:21:37 | |
Let's have a look. | 0:21:37 | 0:21:39 | |
Some very good performances from the girls | 0:21:39 | 0:21:41 | |
from Gravesend Grammar School. | 0:21:41 | 0:21:42 | |
Amazing. | 0:21:42 | 0:21:43 | |
I'm getting comfy already. | 0:21:43 | 0:21:45 | |
Bob Holness. | 0:21:45 | 0:21:46 | |
Look at Bob. | 0:21:46 | 0:21:48 | |
Based on an American game show with the same name, | 0:21:48 | 0:21:50 | |
the original run of Blockbusters was on our TV screens for ten years. | 0:21:50 | 0:21:55 | |
With Bob Holness at the helm, sixth formers | 0:21:55 | 0:21:56 | |
put their general knowledge to the test. | 0:21:56 | 0:21:59 | |
James, for the first time. | 0:21:59 | 0:22:01 | |
What did you think of Bob Holness? | 0:22:01 | 0:22:03 | |
I loved him. | 0:22:03 | 0:22:05 | |
He was the original James Bond on the radio, Bob Holness. | 0:22:05 | 0:22:09 | |
Stop it! | 0:22:09 | 0:22:12 | |
Really? | 0:22:12 | 0:22:13 | |
I can see why. | 0:22:13 | 0:22:14 | |
Did you always want to be on this show? | 0:22:14 | 0:22:17 | |
I did, but I knew I'd be rubbish on it. | 0:22:17 | 0:22:19 | |
I knew I wouldn't answer any of the questions. | 0:22:19 | 0:22:21 | |
Because they were always teenagers, | 0:22:21 | 0:22:23 | |
the make-up girls used to call the show Spotbusters. | 0:22:23 | 0:22:26 | |
Really? | 0:22:26 | 0:22:27 | |
Yes. | 0:22:27 | 0:22:28 | |
I didn't even know that. | 0:22:28 | 0:22:29 | |
I never even noticed, probably because I was a teenager myself. | 0:22:29 | 0:22:32 | |
I just loved this show. | 0:22:32 | 0:22:34 | |
A bit of Blockbusters. | 0:22:34 | 0:22:36 | |
Can I have a P, Bob? | 0:22:36 | 0:22:37 | |
Remember that? | 0:22:37 | 0:22:38 | |
So funny. | 0:22:38 | 0:22:39 | |
Shall we see if we can play along? | 0:22:39 | 0:22:41 | |
Yes, go on. | 0:22:41 | 0:22:42 | |
Where do we want to start? | 0:22:42 | 0:22:44 | |
PO. | 0:22:44 | 0:22:45 | |
He's going to go for PO. | 0:22:45 | 0:22:46 | |
I used to try and predict it. | 0:22:46 | 0:22:48 | |
PO. | 0:22:48 | 0:22:50 | |
Faint or complete military training? | 0:22:50 | 0:22:55 | |
DAV. | 0:22:55 | 0:22:56 | |
OAV, sorry. | 0:22:56 | 0:22:57 | |
Two ingredients that make French dressing? | 0:22:57 | 0:22:58 | |
Oil and vinegar. | 0:22:58 | 0:23:01 | |
Well done. | 0:23:01 | 0:23:02 | |
FT. | 0:23:02 | 0:23:05 | |
Moralistic fantasy stories for children? | 0:23:05 | 0:23:06 | |
Fairy tales. | 0:23:06 | 0:23:07 | |
That is it. | 0:23:07 | 0:23:08 | |
TW. | 0:23:08 | 0:23:09 | |
Characters who opened Shakespeare's Scottish play? | 0:23:09 | 0:23:11 | |
The witches. | 0:23:11 | 0:23:12 | |
Three witches. | 0:23:12 | 0:23:13 | |
SM. | 0:23:13 | 0:23:14 | |
Its cocoon is unwound and woven into a fine fabric? | 0:23:14 | 0:23:17 | |
Silk moth. | 0:23:17 | 0:23:19 | |
Silkworm. | 0:23:19 | 0:23:21 | |
No. | 0:23:21 | 0:23:22 | |
There's more to it. | 0:23:22 | 0:23:23 | |
Silk moth! | 0:23:23 | 0:23:26 | |
Silkworm... | 0:23:26 | 0:23:27 | |
Did you get frustrated watching it? | 0:23:27 | 0:23:30 | |
For me, it was all about if I could predict the path | 0:23:30 | 0:23:32 | |
of where it was going to go. | 0:23:32 | 0:23:34 | |
And I am normally quite good at it. | 0:23:34 | 0:23:37 | |
You said he was going to go PO, and he went PO. | 0:23:37 | 0:23:41 | |
See what I mean? | 0:23:41 | 0:23:45 | |
That reminds me of coming home. | 0:23:45 | 0:23:48 | |
Great game show hosts are something the UK excels at. | 0:23:48 | 0:23:52 | |
Just look at Sir Bruce Forsyth. | 0:23:52 | 0:23:54 | |
He has been on TV almost as long as television has existed, | 0:23:54 | 0:23:58 | |
making his first appearance in 1939. | 0:23:58 | 0:24:02 | |
And as a game show host, he has given us many | 0:24:02 | 0:24:05 | |
a famous catchphrase. | 0:24:05 | 0:24:06 | |
Who can forget, "Good game, good game"? | 0:24:06 | 0:24:08 | |
"Didn't they do well?" | 0:24:08 | 0:24:09 | |
And of course, "Nice to see you, to see you, nice." | 0:24:09 | 0:24:19 | |
From nice to nasty. | 0:24:19 | 0:24:20 | |
Queen of mean Anne Robinson often made contestants quake in the quiz | 0:24:20 | 0:24:23 | |
show, The Weakest Link. | 0:24:23 | 0:24:24 | |
She even made ex-Blue Peter presenter John Noakes cry by teasing | 0:24:24 | 0:24:27 | |
him about the death of Shep. | 0:24:27 | 0:24:28 | |
The rotter! | 0:24:28 | 0:24:37 | |
And of course, who could forget the legendary Bob Monkhouse? | 0:24:37 | 0:24:39 | |
After carving out a career as a top comedian, Bob went on to host | 0:24:39 | 0:24:43 | |
a whole heap of popular game shows, from Family Fortunes | 0:24:43 | 0:24:47 | |
to Bob's Full House. | 0:24:47 | 0:24:53 | |
It seems as if during your youth, you did watch quite a bit of telly? | 0:24:53 | 0:24:57 | |
I didn't think I did, but it did carve out a lot | 0:24:57 | 0:25:00 | |
of my time, to be honest. | 0:25:00 | 0:25:01 | |
I'm not like a couch potato, honestly. | 0:25:01 | 0:25:06 | |
You didn't sit on the couch, you were on the floor. | 0:25:06 | 0:25:09 | |
Floor potato! | 0:25:09 | 0:25:11 | |
I did go out a lot, but I loved TV. | 0:25:11 | 0:25:14 | |
TV was great. | 0:25:14 | 0:25:15 | |
That's probably why you ended up in it. | 0:25:15 | 0:25:17 | |
I think it was my mum more than anything. | 0:25:17 | 0:25:20 | |
She pushed me into it. | 0:25:20 | 0:25:22 | |
You know one of them pushy mums? | 0:25:22 | 0:25:23 | |
Over there. | 0:25:23 | 0:25:28 | |
Your next choice is your comedy hero. | 0:25:28 | 0:25:30 | |
Let's take a look at this fitness fanatic. | 0:25:30 | 0:25:35 | |
There she is. | 0:25:35 | 0:25:38 | |
Love Victoria Wood. | 0:25:38 | 0:25:39 | |
Victoria Wood's my favourite. | 0:25:39 | 0:25:40 | |
I'll just launch into my usual preamble. | 0:25:40 | 0:25:42 | |
Bear with me if you've heard it before. | 0:25:42 | 0:25:44 | |
I'm Madge. | 0:25:44 | 0:25:45 | |
Obviously. | 0:25:45 | 0:25:46 | |
Sorry, not obviously. | 0:25:46 | 0:25:48 | |
Got a new leotard on too. | 0:25:48 | 0:25:50 | |
Do you like it? | 0:25:50 | 0:25:51 | |
It's flattering, isn't it? | 0:25:51 | 0:25:54 | |
She's just the funniest... | 0:25:54 | 0:26:03 | |
This is one of her best sketches I have ever seen. | 0:26:03 | 0:26:06 | |
You can do it any day you like, girls. | 0:26:06 | 0:26:08 | |
If you can't do these exercises, you're up the shopping centre | 0:26:08 | 0:26:11 | |
without a credit card. | 0:26:11 | 0:26:12 | |
Actress, writer and producer Victoria Wood | 0:26:12 | 0:26:15 | |
is one of Britain's top comediennes. | 0:26:15 | 0:26:17 | |
During the '80s and '90s, her character-driven sketches | 0:26:17 | 0:26:21 | |
kept the nation in stitches. | 0:26:21 | 0:26:30 | |
It's just that physical comedy. | 0:26:30 | 0:26:31 | |
I know. | 0:26:31 | 0:26:32 | |
The words are so clever too. | 0:26:32 | 0:26:33 | |
I know. | 0:26:33 | 0:26:34 | |
She's hilarious. | 0:26:34 | 0:26:36 | |
This is the biggest muscle in the entire body | 0:26:36 | 0:26:38 | |
and it's directly connected to the brain. | 0:26:38 | 0:26:40 | |
So while we're working it, we are improving our circulation | 0:26:40 | 0:26:42 | |
and breathing, and our ability to follow a knitting pattern. | 0:26:42 | 0:26:45 | |
I go to a Zumba class, and the teacher is like that. | 0:26:45 | 0:26:48 | |
I'm not even joking. | 0:26:48 | 0:26:50 | |
Hi, Lynn! | 0:26:50 | 0:26:53 | |
She's literally like that. | 0:26:53 | 0:26:55 | |
When I go in, I literally chuckle to myself and think of Victoria | 0:26:55 | 0:26:59 | |
Wood. | 0:26:59 | 0:27:04 | |
She has a gruff, loud voice. | 0:27:04 | 0:27:05 | |
It's hilarious. | 0:27:05 | 0:27:06 | |
That is how she carries on. | 0:27:06 | 0:27:11 | |
There is a point where skinny can tip over into scrawny. | 0:27:11 | 0:27:14 | |
And I should know, because I am dangerously near it myself. | 0:27:14 | 0:27:16 | |
Absolute genius. | 0:27:16 | 0:27:17 | |
Really is funny. | 0:27:17 | 0:27:19 | |
That sketch, I remember. | 0:27:19 | 0:27:19 | |
It cracks me up every time I watch it. | 0:27:19 | 0:27:22 | |
I love that sketch. | 0:27:22 | 0:27:23 | |
Did you used to watch these as a child? | 0:27:23 | 0:27:25 | |
Yeah. | 0:27:25 | 0:27:26 | |
Maybe a little bit older, maybe as a teenager | 0:27:26 | 0:27:28 | |
I used to watch Victoria Wood. | 0:27:28 | 0:27:31 | |
I just found her brilliant. | 0:27:31 | 0:27:33 | |
I thought she was a genius. | 0:27:33 | 0:27:35 | |
I would literally laugh out loud and think, you are hilarious. | 0:27:35 | 0:27:40 | |
Is there anybody else you used to laugh at? | 0:27:40 | 0:27:42 | |
Dawn French and Jennifer Saunders. | 0:27:42 | 0:27:46 | |
They were the best at their job. | 0:27:46 | 0:27:48 | |
It's the physical comedy. | 0:27:48 | 0:27:49 | |
I love physical comedy. | 0:27:49 | 0:27:51 | |
Slapstick. | 0:27:51 | 0:27:52 | |
Slapstick just makes me laugh. | 0:27:52 | 0:27:55 | |
I love it. | 0:27:55 | 0:27:56 | |
I suppose I have incorporated it a little bit. | 0:27:56 | 0:27:59 | |
When I do my sketches on This Morning, sometimes I get | 0:27:59 | 0:28:01 | |
a little bit physical. | 0:28:01 | 0:28:03 | |
I would probably put it towards Victoria Wood. | 0:28:03 | 0:28:05 | |
Are you also a fan of silent comedy? | 0:28:05 | 0:28:08 | |
Love silent comedy. | 0:28:08 | 0:28:10 | |
I just think it's the most clever comedy going. | 0:28:10 | 0:28:12 | |
Obviously, you've got no words. | 0:28:12 | 0:28:15 | |
People like Buster Keaton...? | 0:28:15 | 0:28:19 | |
Harold Lloyd. | 0:28:19 | 0:28:21 | |
I was a massive fan of his. | 0:28:21 | 0:28:24 | |
I've been telling people, why don't they repeat | 0:28:24 | 0:28:27 | |
Harold Lloyd and Charlie Chaplin and Laurel and Hardy? | 0:28:27 | 0:28:31 | |
Your dream has come true. | 0:28:31 | 0:28:33 | |
We will repeat a little bit of Harold Lloyd. | 0:28:33 | 0:28:37 | |
On the clock tower. | 0:28:37 | 0:28:42 | |
So no words. | 0:28:42 | 0:28:44 | |
It was black and white. | 0:28:44 | 0:28:45 | |
Arguably his most famous sketch. | 0:28:45 | 0:28:48 | |
And he wore glasses as well. | 0:28:48 | 0:28:52 | |
And apparently, he did all of his own stunts as well. | 0:28:52 | 0:28:55 | |
I couldn't believe it. | 0:28:55 | 0:28:56 | |
So funny. | 0:28:56 | 0:28:59 | |
He looks absolutely terrified, doesn't he? | 0:28:59 | 0:29:01 | |
He was crazy, when you think about it. | 0:29:01 | 0:29:04 | |
This is a programme that literally had you on the edge of your seat, | 0:29:04 | 0:29:08 | |
but you can't help but carry on watching. | 0:29:08 | 0:29:11 | |
I think it was very cleverly shot. | 0:29:11 | 0:29:13 | |
I don't think he was actually up that high. | 0:29:13 | 0:29:19 | |
Look! | 0:29:19 | 0:29:22 | |
So dangerous. | 0:29:22 | 0:29:26 | |
Oh, no! | 0:29:26 | 0:29:28 | |
There's always a disaster with Harold Lloyd. | 0:29:28 | 0:29:31 | |
Legendary silent film star Harold Lloyd was one of the greatest | 0:29:31 | 0:29:34 | |
comic stars of his time. | 0:29:34 | 0:29:36 | |
His motion picture career spanned 34 years | 0:29:36 | 0:29:39 | |
and over 200 comedies. | 0:29:39 | 0:29:43 | |
Here we go! | 0:29:43 | 0:29:48 | |
We've had two completely different types of comedy there. | 0:29:48 | 0:29:50 | |
What is closest to your heart? | 0:29:50 | 0:29:53 | |
I like them both. | 0:29:53 | 0:29:55 | |
I like the silent, purely because you have to work so hard | 0:29:55 | 0:29:58 | |
to keep people's attention. | 0:29:58 | 0:30:03 | |
You're a big fan of Buster Keaton, Laurel and Hardy? | 0:30:03 | 0:30:06 | |
I wanted to see Charlie Chaplin. | 0:30:06 | 0:30:09 | |
Yes, all of those sorts of things, I used to watch mesmerised. | 0:30:09 | 0:30:13 | |
Loved it. | 0:30:13 | 0:30:16 | |
You don't have to really think. | 0:30:16 | 0:30:17 | |
It's all done for you. | 0:30:17 | 0:30:22 | |
I like that! | 0:30:22 | 0:30:25 | |
Sit back, relax. | 0:30:25 | 0:30:27 | |
How would you describe your own sense of humour? | 0:30:27 | 0:30:30 | |
I don't know. | 0:30:30 | 0:30:31 | |
Natural. | 0:30:31 | 0:30:32 | |
Keep it natural. | 0:30:32 | 0:30:33 | |
I don't like to try and find the laughs. | 0:30:33 | 0:30:35 | |
I find natural comedy out of everyday life. | 0:30:35 | 0:30:38 | |
Has your love of comedy helped you in life? | 0:30:38 | 0:30:41 | |
Yeah, I suppose so. | 0:30:41 | 0:30:44 | |
I've always had a good sense of humour, even in bad times. | 0:30:44 | 0:30:47 | |
You have to laugh, otherwise you'd cry. | 0:30:47 | 0:30:50 | |
I'm not scared of crying either. | 0:30:50 | 0:30:52 | |
Crying is all right. | 0:30:52 | 0:30:53 | |
It is good to cry. | 0:30:53 | 0:30:55 | |
To let it out. | 0:30:55 | 0:30:56 | |
I think I am the funniest crier you've ever come across. | 0:30:56 | 0:30:59 | |
I literally cry so loud and over the top. | 0:30:59 | 0:31:02 | |
When I broke my ankle ice-skating, everybody thought I was joking. | 0:31:02 | 0:31:05 | |
I was literally crying out loud. | 0:31:05 | 0:31:07 | |
Everybody was laughing, they thought I was taking the mickey. | 0:31:07 | 0:31:10 | |
I'd broken it in two places, my ankle. | 0:31:10 | 0:31:12 | |
I was in so much pain. | 0:31:12 | 0:31:17 | |
The next choice is an interesting one. | 0:31:19 | 0:31:22 | |
It's a woman who had a big influence on you. | 0:31:22 | 0:31:25 | |
We're about to sit back and relax and enjoy a little bit of, | 0:31:25 | 0:31:28 | |
who is it? | 0:31:28 | 0:31:29 | |
It's Oprah. | 0:31:29 | 0:31:30 | |
All right. | 0:31:30 | 0:31:34 | |
Inside one of these boxes is a key. | 0:31:34 | 0:31:37 | |
Do not open it yet. | 0:31:37 | 0:31:40 | |
Self-made billionaire and the richest African-American | 0:31:40 | 0:31:43 | |
of the 20th century, | 0:31:43 | 0:31:45 | |
Oprah Winfrey's hugely popular talk show ran for 25 years. | 0:31:45 | 0:31:48 | |
Famed for covering controversial subjects, the programme also hit | 0:31:48 | 0:31:52 | |
the headlines for its amazing audience giveaways. | 0:31:52 | 0:31:56 | |
JR is back in our audio booth. | 0:31:56 | 0:31:59 | |
This calls for a drum roll. | 0:31:59 | 0:32:01 | |
Cue the drum roll. | 0:32:01 | 0:32:03 | |
All right, open your boxes. | 0:32:03 | 0:32:05 | |
Open your boxes. | 0:32:05 | 0:32:06 | |
One, two, three. | 0:32:06 | 0:32:08 | |
Oprah has since said | 0:32:08 | 0:32:11 | |
the world-famous You've Got a Car Giveaway | 0:32:11 | 0:32:13 | |
is one of her all-time favourite happiest moments ever. | 0:32:13 | 0:32:19 | |
They all got a key. | 0:32:19 | 0:32:20 | |
They all got a car! | 0:32:20 | 0:32:22 | |
They all got a car. | 0:32:22 | 0:32:25 | |
Literally, she put a key in every single box. | 0:32:25 | 0:32:27 | |
Ladies and gentlemen, | 0:32:27 | 0:32:29 | |
now have a look underneath your seats, and you'll probably find | 0:32:29 | 0:32:33 | |
four legs to a chair! | 0:32:33 | 0:32:39 | |
How amazing would that have been. | 0:32:39 | 0:32:42 | |
To have sat in the audience. | 0:32:42 | 0:32:45 | |
Can you imagine being in the audience and winning a car? | 0:32:45 | 0:32:47 | |
Every person. | 0:32:47 | 0:32:49 | |
Then you go out, and there's your car. | 0:32:49 | 0:32:52 | |
Each car was worth over $30,000. | 0:32:52 | 0:32:55 | |
I loved when that happened, actually. | 0:32:55 | 0:32:58 | |
She did so many lovely things. | 0:32:58 | 0:33:01 | |
Oprah was one of my - she still is, | 0:33:01 | 0:33:03 | |
I find her very inspirational. | 0:33:03 | 0:33:08 | |
I find the things she says on programmes inspiring. | 0:33:08 | 0:33:10 | |
You know when you want to watch happy TV? | 0:33:10 | 0:33:12 | |
Watch Oprah. | 0:33:12 | 0:33:14 | |
Not in the early stages. | 0:33:14 | 0:33:16 | |
It was a bit Ricki Lake. | 0:33:16 | 0:33:17 | |
But then she became so inspirational. | 0:33:17 | 0:33:21 | |
There were doctors on it that would inspire me. | 0:33:21 | 0:33:23 | |
She tackled big issues as well. | 0:33:23 | 0:33:27 | |
It was not just about giving away cars. | 0:33:27 | 0:33:28 | |
She had amazing guests on. | 0:33:28 | 0:33:31 | |
She was one of those people who can really connect with people. | 0:33:31 | 0:33:33 | |
As soon as you started talking to her, you could see the guests | 0:33:33 | 0:33:37 | |
open up and want to tell their whole life story. | 0:33:37 | 0:33:41 | |
She would try to reach a resolution. | 0:33:41 | 0:33:43 | |
By the end of the show there was some sort of resolution. | 0:33:43 | 0:33:46 | |
When you finish watching, you felt happy. | 0:33:46 | 0:33:49 | |
If you can make someone happy, if you can make someone smile, | 0:33:49 | 0:33:56 | |
what a lovely thing to do. | 0:33:56 | 0:33:57 | |
I just love her for that really. | 0:33:57 | 0:33:59 | |
She was a huge influence? | 0:33:59 | 0:34:00 | |
Massive influence. | 0:34:00 | 0:34:01 | |
Love watching. | 0:34:01 | 0:34:02 | |
In fact, she came to England, she was promoting a film, | 0:34:02 | 0:34:05 | |
and I had an interview with her. | 0:34:05 | 0:34:09 | |
I was so, so excited, and for some reason it got cancelled. | 0:34:09 | 0:34:12 | |
And Lorraine Kelly did an interview with her. | 0:34:12 | 0:34:14 | |
It was such a lovely interview. | 0:34:14 | 0:34:17 | |
I was so upset I did not meet her, I cried my eyes out. | 0:34:17 | 0:34:20 | |
I still have not met her yet. | 0:34:20 | 0:34:23 | |
Did you cry like that? | 0:34:23 | 0:34:25 | |
I didn't, actually. | 0:34:25 | 0:34:27 | |
It was a silent cry. | 0:34:27 | 0:34:30 | |
I was so devastated. | 0:34:30 | 0:34:32 | |
I was crying tears because I have always wanted to meet her. | 0:34:32 | 0:34:39 | |
The fact I was that close to meeting her and it was cancelled... | 0:34:39 | 0:34:42 | |
We did not have the space for it. | 0:34:42 | 0:34:44 | |
I could not breathe. | 0:34:44 | 0:34:45 | |
I could not speak to anybody for the whole day. | 0:34:45 | 0:34:48 | |
I think one day me and Oprah's paths will cross. | 0:34:48 | 0:34:50 | |
Plenty of time. | 0:34:50 | 0:34:53 | |
She might give you a car. | 0:34:53 | 0:34:54 | |
You never know. | 0:34:54 | 0:34:56 | |
Just a box with a key in it. | 0:34:56 | 0:35:00 | |
I kind of had that moment with you as well. | 0:35:00 | 0:35:03 | |
I wanted to meet you. | 0:35:03 | 0:35:05 | |
Now my dreams have come true. | 0:35:05 | 0:35:07 | |
They say you should never meet your heroes. | 0:35:07 | 0:35:09 | |
It never works out, does it? | 0:35:09 | 0:35:16 | |
You have a lot of Oprah in you. | 0:35:16 | 0:35:19 | |
Do you think? | 0:35:19 | 0:35:21 | |
I love her hair. | 0:35:21 | 0:35:29 | |
You | 0:35:29 | 0:35:29 | |
You genuinely | 0:35:29 | 0:35:29 | |
You genuinely make | 0:35:29 | 0:35:29 | |
You genuinely make people | 0:35:29 | 0:35:29 | |
You genuinely make people happy, | 0:35:29 | 0:35:30 | |
You genuinely make people happy, Alison. | 0:35:30 | 0:35:32 | |
I hope if people watch me, I make them smile. | 0:35:32 | 0:35:34 | |
I probably make a lot of them sad as well. | 0:35:34 | 0:35:36 | |
If I can make someone smile, I am happy. | 0:35:36 | 0:35:38 | |
I'm doing my job right. | 0:35:38 | 0:35:43 | |
We first saw you on our screens in Big Brother. | 0:35:43 | 0:35:45 | |
How was that experience? | 0:35:45 | 0:35:47 | |
It felt like a mini holiday. | 0:35:47 | 0:35:50 | |
The first day we arrived we got a full luxury shopping list. | 0:35:50 | 0:35:56 | |
I had two weeks of luxury and then I got kicked out. | 0:35:56 | 0:35:59 | |
I was the second one to be kicked out. | 0:35:59 | 0:36:01 | |
I had a lovely holiday. | 0:36:01 | 0:36:03 | |
How long after that did you then work for This Morning? | 0:36:03 | 0:36:07 | |
Quite soon after. | 0:36:07 | 0:36:11 | |
About a month or so afterwards they asked me to come on and do | 0:36:11 | 0:36:14 | |
a three month contract. | 0:36:14 | 0:36:17 | |
I have been there 13 years now. | 0:36:17 | 0:36:21 | |
Started off on a three-month contract. | 0:36:21 | 0:36:23 | |
It never went away. | 0:36:23 | 0:36:25 | |
We are going to have a look at you on one of your first | 0:36:25 | 0:36:29 | |
interviews for This Morning. | 0:36:29 | 0:36:30 | |
Do you know who it is with? | 0:36:30 | 0:36:31 | |
Is it Mr Clooney? | 0:36:31 | 0:36:32 | |
It is. | 0:36:32 | 0:36:33 | |
George himself. | 0:36:33 | 0:36:36 | |
If you thought George Clooney was just another sex symbol | 0:36:36 | 0:36:39 | |
from Hollywood, think again. | 0:36:39 | 0:36:41 | |
With his directorial debut, he has proved he is just as talented | 0:36:41 | 0:36:46 | |
behind the camera as he is in front. | 0:36:46 | 0:36:48 | |
That is the Paul Ross bit out of the way. | 0:36:48 | 0:36:50 | |
The reason I'm here is for George Clooney! | 0:36:50 | 0:36:52 | |
What do you want? | 0:36:52 | 0:36:53 | |
George! | 0:36:53 | 0:36:55 | |
I looked so young. | 0:36:56 | 0:36:57 | |
So does George. | 0:36:57 | 0:36:59 | |
It's your directing debut - were you nervous? | 0:36:59 | 0:37:03 | |
I was nervous but I had to carry Sam Rockwell around. | 0:37:03 | 0:37:05 | |
I was fine. | 0:37:05 | 0:37:06 | |
If you have got a good actor you'll be OK. | 0:37:06 | 0:37:09 | |
I can't believe how confident I was. | 0:37:09 | 0:37:10 | |
I had an interview with him, and then he went away and I thought, | 0:37:10 | 0:37:16 | |
I will get another interview, so I just shoved a mike in his face. | 0:37:16 | 0:37:19 | |
That was a bit awkward. | 0:37:19 | 0:37:23 | |
But I never went to journalism school, so didn't know | 0:37:26 | 0:37:29 | |
what the etiquette was. | 0:37:29 | 0:37:30 | |
You got his attention. | 0:37:30 | 0:37:38 | |
And a years go by, and human members this was back | 0:37:38 | 0:37:40 | |
I did a sit down interview with him and I thought, | 0:37:40 | 0:37:43 | |
I look a bit different. | 0:37:43 | 0:37:44 | |
He ain't going to recognise me. | 0:37:44 | 0:37:45 | |
As soon as I walked through the door, he said, | 0:37:45 | 0:37:48 | |
did you hit me in the face of the microphone? | 0:37:48 | 0:37:50 | |
I was like, me? | 0:37:50 | 0:37:51 | |
He remembered that moment. | 0:37:51 | 0:37:53 | |
You have interviewed so many stars. | 0:37:53 | 0:37:56 | |
What was the big question that people always | 0:37:56 | 0:37:58 | |
ask you about this? | 0:37:58 | 0:38:00 | |
They always ask, who was your favourite star? | 0:38:00 | 0:38:03 | |
I think it will be Oprah when I meet her. | 0:38:03 | 0:38:07 | |
But maybe Will Smith. | 0:38:07 | 0:38:11 | |
He literally gives 125% when you don't even ask | 0:38:11 | 0:38:13 | |
for it. | 0:38:13 | 0:38:14 | |
He is so giving in interviews. | 0:38:14 | 0:38:16 | |
Then you have Hugh Jackman, who is great in interviews. | 0:38:16 | 0:38:23 | |
Renee Zellweger always asks about my son every time | 0:38:23 | 0:38:25 | |
I see her. | 0:38:25 | 0:38:26 | |
I have met her four times and she is like, how is Aidan? | 0:38:26 | 0:38:29 | |
She remembers his name! | 0:38:29 | 0:38:30 | |
I was pregnant when I first met her, so she was | 0:38:30 | 0:38:33 | |
taking an interest. | 0:38:33 | 0:38:34 | |
Didn't you tap dance with her? | 0:38:34 | 0:38:35 | |
I did! | 0:38:35 | 0:38:37 | |
I tap danced for her. | 0:38:37 | 0:38:38 | |
She loved it. | 0:38:38 | 0:38:45 | |
And you have rapped with Will Smith. | 0:38:45 | 0:38:47 | |
Yes, we had a little wrap. | 0:38:47 | 0:38:48 | |
He said, can you write orange? | 0:38:48 | 0:38:52 | |
I said, I can rhyhme anything. | 0:38:52 | 0:38:54 | |
But it is the only thing you can't rhyme. | 0:38:54 | 0:38:56 | |
Orange, you cannot find a rhyme that goes with. | 0:38:56 | 0:39:03 | |
But you have a talent to spark up an immediate rapport with someone. | 0:39:03 | 0:39:07 | |
That is what you have to be good at, and | 0:39:07 | 0:39:10 | |
that is what you have been doing for 13 years now. | 0:39:10 | 0:39:14 | |
I never even thought about the secret, but you have got | 0:39:14 | 0:39:17 | |
it, Brian. | 0:39:17 | 0:39:19 | |
When have you struggled to strike up a report? | 0:39:19 | 0:39:23 | |
-- | 0:39:23 | 0:39:23 | |
-- rapport. | 0:39:23 | 0:39:24 | |
It does happen, you are not going to get on with | 0:39:24 | 0:39:28 | |
everyone. | 0:39:28 | 0:39:29 | |
People can have a bad day. | 0:39:29 | 0:39:30 | |
I am going to name drop him. | 0:39:30 | 0:39:32 | |
I can't remember his name! | 0:39:32 | 0:39:39 | |
LAUGHTER. | 0:39:39 | 0:39:41 | |
Probably me! | 0:39:41 | 0:39:46 | |
No, I was working with Colin Firth. | 0:39:46 | 0:39:50 | |
And the first time I met him, I was on the red carpet for Bridget | 0:39:50 | 0:39:53 | |
Jones. | 0:39:53 | 0:39:59 | |
He was all over me. | 0:39:59 | 0:40:01 | |
So my second interview, I was telling all the cameramen, | 0:40:01 | 0:40:03 | |
you're going to love this interview, because he was kissing me on the red | 0:40:03 | 0:40:06 | |
carpet. | 0:40:06 | 0:40:07 | |
He came in and went, I have had a bad night. | 0:40:07 | 0:40:11 | |
And the whole interview, no one else would have | 0:40:11 | 0:40:14 | |
noticed it. | 0:40:14 | 0:40:18 | |
But I could feel it in my heart, that he just wasn't with me. | 0:40:18 | 0:40:21 | |
That is just the way it is. | 0:40:21 | 0:40:23 | |
Some people have a good day, some have a | 0:40:23 | 0:40:25 | |
bad day. | 0:40:25 | 0:40:27 | |
Unfortunately, I had both with Colin Firth. | 0:40:27 | 0:40:29 | |
You did Strictly for us. | 0:40:29 | 0:40:31 | |
Can you believe I did Strictly? | 0:40:31 | 0:40:34 | |
This big girl from Birmingham? | 0:40:34 | 0:40:36 | |
You were brilliant. | 0:40:36 | 0:40:39 | |
You know, it was one of the best things | 0:40:39 | 0:40:41 | |
I have ever done. | 0:40:41 | 0:40:43 | |
And the fact that I got Aljaz, he was so lovely and we had such | 0:40:43 | 0:40:48 | |
a good time. | 0:40:48 | 0:40:50 | |
I didn't do very much dancing. | 0:40:50 | 0:40:54 | |
I did a lot of chatting and sitting around having a coffee | 0:40:54 | 0:40:57 | |
and a cup of tea. | 0:40:57 | 0:40:58 | |
And then we would do a bit of dancing. | 0:40:58 | 0:41:00 | |
I did about ten minutes of dancing in the whole thing. | 0:41:00 | 0:41:03 | |
I just loved every minute, the glamour, the hair, | 0:41:03 | 0:41:07 | |
the costumes, the glitter. | 0:41:07 | 0:41:08 | |
Brilliant. | 0:41:08 | 0:41:15 | |
What sort of TV do you watch now? | 0:41:15 | 0:41:18 | |
I do like daytime TV. | 0:41:18 | 0:41:20 | |
Of course. | 0:41:20 | 0:41:21 | |
Obviously, I like This Morning. | 0:41:21 | 0:41:22 | |
But I am really into box sets. | 0:41:22 | 0:41:25 | |
I've just finished watching Breaking Bad. | 0:41:25 | 0:41:27 | |
Loved it. | 0:41:27 | 0:41:30 | |
I am now watching, can't believe I'm so behind, | 0:41:30 | 0:41:32 | |
but I'm only just watching Homeland. | 0:41:32 | 0:41:35 | |
Really into that. | 0:41:35 | 0:41:38 | |
But can you switch off, or do you binge on it? | 0:41:38 | 0:41:40 | |
I binge. | 0:41:40 | 0:41:43 | |
I literally want to watch six episodes | 0:41:43 | 0:41:45 | |
at once. | 0:41:45 | 0:41:46 | |
I can't turn it off. | 0:41:46 | 0:41:47 | |
I might be watching in the car if I am | 0:41:47 | 0:41:50 | |
not driving. | 0:41:50 | 0:41:51 | |
I will watch in the train. | 0:41:51 | 0:41:53 | |
I literally binge. | 0:41:53 | 0:41:55 | |
I want to watch them all now. | 0:41:55 | 0:41:58 | |
I like box sets. | 0:41:58 | 0:42:03 | |
We give our guests the opportunity to choose a theme tune for us | 0:42:03 | 0:42:06 | |
to play out on. | 0:42:06 | 0:42:07 | |
What is it going to be? | 0:42:07 | 0:42:11 | |
For me, what reminds me of family and a Saturday night would have | 0:42:11 | 0:42:14 | |
to be the Dallas theme tune. | 0:42:14 | 0:42:16 | |
Big fan? | 0:42:16 | 0:42:18 | |
I loved it. | 0:42:18 | 0:42:24 | |
When JR got shot, who did it and all that stuff, loved it. | 0:42:24 | 0:42:27 | |
And we all used to sing it before it came on. | 0:42:27 | 0:42:31 | |
We would literally be dancing. | 0:42:31 | 0:42:33 | |
We were so happy when that came on, the whole family. | 0:42:33 | 0:42:37 | |
Well, you have made us happy today. | 0:42:37 | 0:42:43 | |
You are such a bright spark and a lovely | 0:42:43 | 0:42:45 | |
person. | 0:42:45 | 0:42:46 | |
Well, you've made me happy. | 0:42:46 | 0:42:48 | |
Thank you very much. | 0:42:48 | 0:42:49 | |
Give us a kiss. | 0:42:49 | 0:42:51 | |
So, my thanks to Alison and my thanks to you for watching | 0:42:51 | 0:42:54 | |
The TV That Made Me. | 0:42:54 | 0:42:55 | |
See you next time. | 0:42:55 | 0:42:56 | |
Bye-bye! | 0:42:56 | 0:42:57 | |
DALLAS THEME PLAYS | 0:42:57 | 0:43:06 | |
ALISON SINGS ALONG | 0:43:06 | 0:43:16 | |
Dad, can I just park the thing, OK? | 0:43:43 | 0:43:47 | |
Did you need planning permission for that cake? | 0:43:47 | 0:43:49 |