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TV - the magic box of delights. | 0:00:02 | 0:00:04 | |
As kids, it showed us a million different worlds, | 0:00:04 | 0:00:06 | |
all from our living rooms. | 0:00:06 | 0:00:08 | |
-This takes me right back. -That's so embarrassing! | 0:00:09 | 0:00:12 | |
I am genuinely shocked! | 0:00:12 | 0:00:14 | |
Each day I'm going to journey through the wonderful | 0:00:14 | 0:00:16 | |
world of telly with one of our favourite celebrities... | 0:00:16 | 0:00:20 | |
It's just so silly! | 0:00:20 | 0:00:22 | |
-SHE LAUGHS -I love it! | 0:00:22 | 0:00:24 | |
Is it Mr Benn? | 0:00:24 | 0:00:27 | |
Shut it! | 0:00:27 | 0:00:28 | |
..as they select the iconic TV moments... | 0:00:28 | 0:00:31 | |
Oh, hello! | 0:00:31 | 0:00:33 | |
..that tell us the stories of their lives. | 0:00:33 | 0:00:36 | |
Oh, my God! | 0:00:37 | 0:00:39 | |
Cheers! | 0:00:39 | 0:00:40 | |
-Some will make you laugh... -WUUURGH! | 0:00:40 | 0:00:42 | |
..some will surprise... | 0:00:43 | 0:00:46 | |
-SQUEAKING -Oh! | 0:00:46 | 0:00:48 | |
..many will inspire... | 0:00:48 | 0:00:49 | |
-Oooh! -Look at this! | 0:00:49 | 0:00:51 | |
Why wouldn't you want to watch this? | 0:00:51 | 0:00:53 | |
..and others will move us. | 0:00:53 | 0:00:55 | |
Seeing that there made a huge impact on me. | 0:00:55 | 0:00:57 | |
BABY CRIES | 0:00:57 | 0:00:59 | |
Got a handkerchief? | 0:00:59 | 0:01:00 | |
So come watch with us as we rewind to the classic telly that shaped | 0:01:02 | 0:01:07 | |
those wide-eyed youngsters into the much-loved stars they are today. | 0:01:07 | 0:01:11 | |
Welcome to The TV That Made Me. | 0:01:19 | 0:01:21 | |
My guest today is on our screens every day fronting the one show | 0:01:21 | 0:01:25 | |
we love to watch, | 0:01:25 | 0:01:26 | |
it's the gorgeous, the wonderful Alex Jones! | 0:01:26 | 0:01:30 | |
CHEERING AND APPLAUSE | 0:01:30 | 0:01:33 | |
-Hello, Brian! Are you well? -I'm very well. I hope you are too. | 0:01:33 | 0:01:36 | |
-It's lovely to be here. -Come and sit down. | 0:01:36 | 0:01:40 | |
-Well! I love this sofa. -Do you? | 0:01:40 | 0:01:44 | |
-Yeah! -Are you comfy? | 0:01:44 | 0:01:45 | |
Having swapped her Welsh homeland for a spot on The One Show sofa, | 0:01:47 | 0:01:51 | |
Alex is fast becoming one of the best known faces on the BBC. | 0:01:51 | 0:01:56 | |
-Thanks for tuning in to The One Show with Alex Jones... -And Chris Evans. | 0:01:56 | 0:01:59 | |
Coming up from our top team tonight... | 0:01:59 | 0:02:02 | |
In the last few years, there has been no stopping her. | 0:02:02 | 0:02:06 | |
Shows like Tumble... | 0:02:06 | 0:02:07 | |
..and a run on Strictly Come Dancing, where she reached | 0:02:08 | 0:02:11 | |
the semifinals, have all helped turn her into a household name. | 0:02:11 | 0:02:16 | |
And amongst the TV that made her, | 0:02:16 | 0:02:18 | |
comedy in the best possible taste from one comedian who | 0:02:18 | 0:02:22 | |
-dominated our screens in the '80s... -You've found the secret of life! | 0:02:22 | 0:02:25 | |
..to another whose Canned Carrot | 0:02:25 | 0:02:27 | |
was a staple in many homes during the early '90s. | 0:02:27 | 0:02:31 | |
Spread your legs and your arms. | 0:02:31 | 0:02:34 | |
As well as close encounters with kids and animals on S4C. | 0:02:34 | 0:02:38 | |
This is a celebration of television that you know and love | 0:02:39 | 0:02:44 | |
and that you've grown-up with. Are you excited about that? | 0:02:44 | 0:02:47 | |
Really excited. | 0:02:47 | 0:02:48 | |
Because actually, when you think back, you can | 0:02:48 | 0:02:51 | |
remember different eras by what you were watching at the time. | 0:02:51 | 0:02:54 | |
I've always been a huge telly fan. | 0:02:54 | 0:02:56 | |
Today, we're going to watch some classic TV shows, | 0:02:56 | 0:03:00 | |
but before we do that we going to rewind the clock | 0:03:00 | 0:03:02 | |
and have a look at a very young Alex Jones. | 0:03:02 | 0:03:05 | |
Alex grew up in Ammanford, Carmarthenshire, with her mum, | 0:03:08 | 0:03:13 | |
a bank clerk, dad, an engineer, | 0:03:13 | 0:03:14 | |
and Jenny, her younger sister by three years. | 0:03:14 | 0:03:17 | |
She was seen chatting away in her native tongue | 0:03:18 | 0:03:20 | |
after attending the local Welsh speaking school. | 0:03:20 | 0:03:24 | |
Giving up childhood dreams to be a ballet dancer, | 0:03:24 | 0:03:27 | |
she headed off to university to study theatre, film and TV. | 0:03:27 | 0:03:32 | |
After working briefly behind the cameras it wasn't long | 0:03:32 | 0:03:35 | |
before she found herself on screen and starting her TV career | 0:03:35 | 0:03:39 | |
presenting the Welsh language channel S4C. | 0:03:39 | 0:03:43 | |
-So what about nostalgia? Are you one for nostalgia? -Yeah, I am, yeah. | 0:03:43 | 0:03:48 | |
Um, you know, when we were thinking about shows we used to watch, | 0:03:48 | 0:03:53 | |
it brings back really happy memories, | 0:03:53 | 0:03:56 | |
especially of watching television as a family. | 0:03:56 | 0:03:58 | |
And I think back when we were young | 0:03:58 | 0:04:02 | |
it was more of an appointment to view, then. | 0:04:02 | 0:04:04 | |
People would sit down as their family - nine o'clock on a Friday, | 0:04:04 | 0:04:08 | |
so-and-so is on, get the fish and chips in, and we'd all be there. | 0:04:08 | 0:04:11 | |
And I don't think that happens as much any more | 0:04:11 | 0:04:13 | |
because you can watch things on catch-up. | 0:04:13 | 0:04:15 | |
I dunno, when I look back it reminds me of really happy, | 0:04:15 | 0:04:18 | |
comforting, cosy times. | 0:04:18 | 0:04:20 | |
And we want to make you comfy, we want to make you happy today. | 0:04:20 | 0:04:23 | |
Did you have any TV snacks? | 0:04:23 | 0:04:25 | |
TV snacks would be mostly, well, tea and biscuits. | 0:04:25 | 0:04:28 | |
-Tea and biscuits. Don't go anywhere. -Well, it's great service here! | 0:04:28 | 0:04:32 | |
I'm going in the kitchen now. | 0:04:32 | 0:04:34 | |
-I hope you like builder's tea. -Oh, I love builder's tea. -There you go. | 0:04:34 | 0:04:39 | |
Drop of milk, that's all you need. | 0:04:39 | 0:04:40 | |
We have a small selection here - do you want to take any? | 0:04:40 | 0:04:43 | |
Well, I'm spoiled for choice here. I think I'll have a custard cream. | 0:04:43 | 0:04:47 | |
-Oh, custard cream! -Do you mind if I dunk? | 0:04:47 | 0:04:50 | |
Oh, I'm going to have a dunk as well. | 0:04:50 | 0:04:52 | |
-The good thing with a custard cream is they're robust. -Very robust, yes. | 0:04:52 | 0:04:56 | |
What you don't want is a biscuit and you dunk it | 0:04:56 | 0:05:00 | |
and then it goes pathetic. | 0:05:00 | 0:05:01 | |
-Yes. -Custard cream, nice and chunky. It can withstand the tea. | 0:05:01 | 0:05:06 | |
Yeah, see, you've learned something today, haven't you, ladies and gentlemen? | 0:05:06 | 0:05:09 | |
LAUGHTER | 0:05:09 | 0:05:10 | |
A custard cream is robust! | 0:05:10 | 0:05:13 | |
Good for dunking. So not a digestive, then? | 0:05:14 | 0:05:17 | |
I'm not opposed, I love a digestive. | 0:05:17 | 0:05:19 | |
I like Rich Tea, and I'll tell you why. | 0:05:19 | 0:05:22 | |
Because they're so thin you can eat loads of them. | 0:05:22 | 0:05:25 | |
LAUGHTER | 0:05:25 | 0:05:26 | |
It's time for your first choice now, Alex. | 0:05:30 | 0:05:33 | |
Let's take a look at an early TV memory. Here it is. | 0:05:33 | 0:05:37 | |
# Sunny day... # | 0:05:37 | 0:05:40 | |
Sesame Street! | 0:05:40 | 0:05:41 | |
This takes me right back | 0:05:41 | 0:05:43 | |
to being probably four or five. | 0:05:43 | 0:05:45 | |
Really? | 0:05:45 | 0:05:47 | |
With over 4,000 episodes over the last 47 years, Sesame Street | 0:05:47 | 0:05:53 | |
has become an institution on both sides of The Pond. | 0:05:53 | 0:05:56 | |
It was originally created for nursery-aged children | 0:05:56 | 0:06:00 | |
to prepare them for school. | 0:06:00 | 0:06:01 | |
The educational content of the series was delivered by children | 0:06:01 | 0:06:05 | |
and adults interacting with puppets provided by the then relatively | 0:06:05 | 0:06:09 | |
unknown Jim Henson. | 0:06:09 | 0:06:11 | |
# Can you tell me how to get, how to get to Sesame Street? # | 0:06:11 | 0:06:16 | |
It reminds me of school holidays, especially summer holidays. | 0:06:16 | 0:06:19 | |
We'd get up really early, Jen and I - Jen is my sister - | 0:06:19 | 0:06:23 | |
and first thing we do, Mum would bring us some cereal, | 0:06:23 | 0:06:27 | |
turn the telly on and Sesame Street would be on. | 0:06:27 | 0:06:30 | |
I used to absolutely love it. | 0:06:30 | 0:06:31 | |
It's one of the most vivid memories, you know, as a child. | 0:06:31 | 0:06:36 | |
Sesame Street was a big... | 0:06:36 | 0:06:37 | |
On our street, we lived on a sort of cul-de-sac, | 0:06:37 | 0:06:42 | |
and all the parents bought houses at about the same time | 0:06:42 | 0:06:45 | |
because they were new houses then, back in the early '80s or whatever. | 0:06:45 | 0:06:50 | |
And so all the children were around the same age | 0:06:50 | 0:06:52 | |
and we were all friends. | 0:06:52 | 0:06:54 | |
And we'd all watch that in the morning and then we go out | 0:06:54 | 0:06:56 | |
and play our own version of Sesame Street. So we were all big fans. | 0:06:56 | 0:07:01 | |
What sort of games would you play that stemmed from watching Sesame Street? | 0:07:01 | 0:07:05 | |
Well, we had a tree in the field that was near this | 0:07:05 | 0:07:07 | |
cul-de-sac where we lived, and the big tree would be Big Bird's nest. | 0:07:07 | 0:07:12 | |
Of course, of course. | 0:07:12 | 0:07:14 | |
-You've just got imagination when you're little, haven't you? -Yeah. | 0:07:14 | 0:07:17 | |
And we'd sing the same songs and... I don't know, it just seemed... | 0:07:17 | 0:07:22 | |
Because I think it was filmed in New York, wasn't it? I'm not sure. | 0:07:22 | 0:07:25 | |
I believe so, yeah. | 0:07:25 | 0:07:26 | |
Yeah, and to us, who lived in South Wales, | 0:07:26 | 0:07:30 | |
that seems the ultimate glamour. | 0:07:30 | 0:07:32 | |
-Did you have a favourite character? -Big Bird. -Oh, really? -Mm. | 0:07:32 | 0:07:36 | |
And Groucho in the bin. | 0:07:36 | 0:07:38 | |
(Bert is it!) | 0:07:39 | 0:07:41 | |
-Oh, Bert and Ernie! -Yeah. | 0:07:41 | 0:07:44 | |
The very first Muppets to appear were Bert and Ernie | 0:07:44 | 0:07:48 | |
Henson himself performed as Ernie. | 0:07:48 | 0:07:50 | |
Fellow puppeteer Frank Oz played Bert. | 0:07:50 | 0:07:53 | |
-You're it, Bert! -Aaaagh! | 0:07:53 | 0:07:55 | |
I'LL GET YOU! I'LL GET YOU! | 0:07:55 | 0:07:56 | |
I'M GOING TO GET YOU! | 0:07:56 | 0:07:58 | |
It's been claimed that Bert's irritation at Ernie's endless | 0:07:58 | 0:08:01 | |
harebrained schemes bore a strong similarity | 0:08:01 | 0:08:04 | |
to their real-life friendship. | 0:08:04 | 0:08:06 | |
I'm going to get you! | 0:08:06 | 0:08:08 | |
-BERT PUFFS -Oh, you got me, Bert. | 0:08:08 | 0:08:10 | |
Actually watching it as an adult, you think, this is weird! | 0:08:10 | 0:08:14 | |
Do you think it was exciting because it came from America? | 0:08:14 | 0:08:17 | |
-Yeah, probably. -Do you think there was something about that, as well? | 0:08:17 | 0:08:20 | |
I suppose. You know, we were all, as children, I suppose, um... | 0:08:20 | 0:08:25 | |
obsessed with anything American. It seemed quite exotic, didn't it? | 0:08:25 | 0:08:29 | |
Especially in Wales. | 0:08:29 | 0:08:31 | |
And of course it was educational. | 0:08:31 | 0:08:33 | |
It was, yeah, because every day and have a different letter | 0:08:33 | 0:08:36 | |
and a different number, one or the other. Definitely. | 0:08:36 | 0:08:40 | |
So yeah, I suppose it was educational, you know. | 0:08:40 | 0:08:43 | |
-It won over 150 Emmys. -Did it? Sesame Street? -Mm-hm. | 0:08:43 | 0:08:48 | |
-150 Emmys? -Yeah. -That's incredible, isn't it? | 0:08:48 | 0:08:51 | |
Yeah, yeah, yeah. | 0:08:51 | 0:08:53 | |
Sesame Street's 47 years on our screens is impressive, | 0:08:53 | 0:08:57 | |
but with shows like Playschool, | 0:08:57 | 0:08:59 | |
some of our home-grown educational | 0:08:59 | 0:09:02 | |
children's shows | 0:09:02 | 0:09:03 | |
have had record-breaking runs. | 0:09:03 | 0:09:05 | |
Playschool, starting five years earlier than Sesame Street, | 0:09:05 | 0:09:08 | |
in 1964, was the first programme | 0:09:08 | 0:09:10 | |
to air on BBC Two. | 0:09:10 | 0:09:13 | |
It ran on the BBC for the next 24 years. | 0:09:13 | 0:09:15 | |
Next up, Newsround. | 0:09:17 | 0:09:19 | |
It began in 1972, presented by | 0:09:19 | 0:09:22 | |
John Craven for the first 17 years. | 0:09:22 | 0:09:24 | |
It's the world's first | 0:09:24 | 0:09:25 | |
and longest running news magazine | 0:09:25 | 0:09:27 | |
programme aimed specifically | 0:09:27 | 0:09:29 | |
at children. | 0:09:29 | 0:09:30 | |
But the granddaddy of them all and still going strong is Blue Peter. | 0:09:32 | 0:09:36 | |
Dating back to 1958, | 0:09:36 | 0:09:39 | |
it's the longest-running | 0:09:39 | 0:09:41 | |
children's TV show in the world. | 0:09:41 | 0:09:43 | |
Originally created to cater for five to eight-year-olds, its appeal soon | 0:09:43 | 0:09:47 | |
extended to older viewers as it quickly became a BBC classic. | 0:09:47 | 0:09:53 | |
So, Alex, tell me about where you lived. | 0:09:53 | 0:09:55 | |
So, yeah, it was a little cul-de-sac in South Wales. | 0:09:55 | 0:09:58 | |
Well, in Carmarthenshire. That's the house we've always lived in. | 0:09:58 | 0:10:02 | |
-Oh, right, even to this day? -Mum and Dad still live in the same house. | 0:10:02 | 0:10:05 | |
Where was the telly, in the lounge? | 0:10:05 | 0:10:07 | |
-So our lounge, the cat used to sleep on top of the telly. -No! | 0:10:07 | 0:10:11 | |
But then the telly... | 0:10:11 | 0:10:13 | |
well, it sort of exploded, for want of a better word... | 0:10:13 | 0:10:16 | |
Not with the cat on top of it? | 0:10:16 | 0:10:17 | |
-No, thankfully. But all her fur had gone into the telly... -No! | 0:10:17 | 0:10:21 | |
Yeah, and had blocked it. | 0:10:21 | 0:10:23 | |
She used to love it because it was hot on top of the telly. | 0:10:23 | 0:10:26 | |
And she lived until she was 24. | 0:10:26 | 0:10:29 | |
So she was doing something right. | 0:10:29 | 0:10:31 | |
I mean, I googled it and I wondered if she was the oldest cat ever, | 0:10:31 | 0:10:35 | |
but, damn it all, there was a cat called Cream Puff that lived to 38. | 0:10:35 | 0:10:39 | |
Yeah? | 0:10:39 | 0:10:41 | |
But anyway, so I used to have... Do you remember... | 0:10:41 | 0:10:44 | |
Sony televisions, and there was a fashion of having white televisions? | 0:10:44 | 0:10:49 | |
-Ooh! Very state of the art! -We had it for so long it was yellow. | 0:10:49 | 0:10:53 | |
LAUGHTER | 0:10:53 | 0:10:55 | |
-By the time it exploded due to cat hair. -What was the cat named? | 0:10:55 | 0:10:58 | |
-Medi, which is Welsh for September. -September. | 0:10:58 | 0:11:01 | |
She was born in September. | 0:11:01 | 0:11:03 | |
Has he got a cat? | 0:11:06 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:09 | |
-I shall place the cat... -Awwww! Well, now it's perfect. | 0:11:12 | 0:11:17 | |
-I feel right at home now. -Yeah. Happy with that, are we? | 0:11:17 | 0:11:20 | |
There she is. | 0:11:20 | 0:11:21 | |
-Perfect! See, it adds something, doesn't it? -Yeah. | 0:11:21 | 0:11:24 | |
Well, I think it brings us all nicely on to your next choice, | 0:11:29 | 0:11:32 | |
which is Must See TV. | 0:11:32 | 0:11:35 | |
DRUMBEAT AND ANIMAL CALLS | 0:11:36 | 0:11:39 | |
On Safari, with Christopher Biggins. | 0:11:39 | 0:11:41 | |
This is when we were a little bit older watching this. | 0:11:41 | 0:11:44 | |
It would be on when we got home from school. | 0:11:44 | 0:11:47 | |
Aw, look at Christopher Biggins! | 0:11:47 | 0:11:48 | |
-Do you member the catchphrase when he shouted "Safari"? -No! | 0:11:48 | 0:11:52 | |
"Safari!" And then the audience used to say, "So Goodie!" | 0:11:52 | 0:11:56 | |
-Safari! -ALL: So Goodie! | 0:11:56 | 0:11:59 | |
Well done! Hi, Biggins here. | 0:11:59 | 0:12:00 | |
Have we got a fun show for you! | 0:12:00 | 0:12:03 | |
-You think Biggins was a good children's presenter? -I do. | 0:12:03 | 0:12:06 | |
Well, I used to like him. | 0:12:06 | 0:12:08 | |
That was one of my favourite shows. | 0:12:08 | 0:12:09 | |
This fun-filled, messy children's game show was set in a studio | 0:12:09 | 0:12:13 | |
jungle filled with pools of gunge. | 0:12:13 | 0:12:16 | |
It ran on ITV from 1982 for two years. | 0:12:16 | 0:12:20 | |
The host was Christopher Biggins | 0:12:20 | 0:12:22 | |
and you might recognise his young female co-presenter. | 0:12:22 | 0:12:26 | |
CHEERING | 0:12:26 | 0:12:27 | |
-Gillian Taylforth is the host! -Look! | 0:12:27 | 0:12:31 | |
Yup, a pre-Eastenders Gillian Taylforth kept track of the scores, | 0:12:31 | 0:12:34 | |
as well as keeping her co-host in order. | 0:12:34 | 0:12:38 | |
I heard you insured your voice for a million dollars. | 0:12:38 | 0:12:40 | |
-Yes. -What did you do with the money? | 0:12:40 | 0:12:43 | |
-What's her name on EastEnders now? Kathy? -Kathy, yeah. | 0:12:43 | 0:12:47 | |
Here we are, through the gunge. | 0:12:47 | 0:12:49 | |
We used to recreate this in our bedroom. | 0:12:49 | 0:12:53 | |
We used to share a bedroom, me and my sister Jenny, | 0:12:53 | 0:12:56 | |
and I'd have my bed there | 0:12:56 | 0:12:58 | |
and she'd have her bed there, and we used to play this. | 0:12:58 | 0:13:01 | |
So we used to put pillows | 0:13:01 | 0:13:03 | |
and cushions across to get from one bed to the other. | 0:13:03 | 0:13:07 | |
CHEERING | 0:13:07 | 0:13:09 | |
They always had to cross from one path to the other without | 0:13:09 | 0:13:12 | |
-getting in the swamp. -Yeah. -This was my favourite bit, over the water. | 0:13:12 | 0:13:15 | |
-Oh, he's in! -SHE LAUGHS | 0:13:15 | 0:13:18 | |
I wonder if health and safety would allow that these days, | 0:13:18 | 0:13:20 | |
let's be honest. "Oh, no, you can't do that with kids." | 0:13:20 | 0:13:23 | |
-It's like where shows like Wipeout came from. -Mm-hm. -Isn't it? | 0:13:23 | 0:13:27 | |
You used to watch this with your sister? | 0:13:27 | 0:13:29 | |
-Yeah. -Is there still a strong bond between you and your sister? | 0:13:29 | 0:13:32 | |
Very, very, very. | 0:13:32 | 0:13:34 | |
We used to live next door to each other for a good few years | 0:13:34 | 0:13:36 | |
in Cardiff, before I came to do The One Show, yeah. | 0:13:36 | 0:13:40 | |
She's the sensible one. | 0:13:40 | 0:13:42 | |
She's younger, but she's the one that was, you know, | 0:13:42 | 0:13:46 | |
when they were sharing out the genes, she got the commonsense gene. | 0:13:46 | 0:13:49 | |
-But Jen is just lovely. -Yeah? -Quietly just... | 0:13:49 | 0:13:55 | |
Oh, supportive... Amazing. | 0:13:55 | 0:13:57 | |
-Yeah? -Yeah. She's... | 0:13:57 | 0:13:58 | |
-she's my best friend, yeah. -Awww. | 0:13:58 | 0:14:01 | |
Alongside educational programmes, | 0:14:01 | 0:14:04 | |
there's always been a place in kids' | 0:14:04 | 0:14:07 | |
TV for sheer outrageous fun. | 0:14:07 | 0:14:09 | |
Shows like Crackerjack, | 0:14:09 | 0:14:11 | |
which debuted in 1955 | 0:14:11 | 0:14:12 | |
and ran for nearly 30 years on the BBC, mixed games, jokes, | 0:14:12 | 0:14:16 | |
music and comedy in front of a live audience of kids. | 0:14:16 | 0:14:19 | |
We Are The Champions, with Ron Pickering, | 0:14:22 | 0:14:25 | |
was formatted around a traditional British school sports day, | 0:14:25 | 0:14:28 | |
with athletics and swimming races. | 0:14:28 | 0:14:31 | |
Later, in the '70s, Cheggers Plays Pop combined games on huge | 0:14:33 | 0:14:37 | |
inflatables with pop questions and current chart hits. | 0:14:37 | 0:14:40 | |
In 1991, Get Your Own Back, | 0:14:43 | 0:14:45 | |
with Dave Benson Phillips, | 0:14:45 | 0:14:47 | |
proved that kids still loved crazy game shows, | 0:14:47 | 0:14:51 | |
gunge-filled and anarchic. | 0:14:51 | 0:14:53 | |
With parents and teachers dropped in the plop, | 0:14:53 | 0:14:57 | |
it ran for 13 years until 2004. | 0:14:57 | 0:15:00 | |
The next clip I want to show you now, Alex, is from a show that your dad used to enjoy. | 0:15:05 | 0:15:09 | |
Spread your legs and arms. | 0:15:11 | 0:15:14 | |
HE SPEAKS SPANISH | 0:15:14 | 0:15:16 | |
What language is he speaking? | 0:15:16 | 0:15:18 | |
It's French. | 0:15:18 | 0:15:19 | |
Oh, Canned Carrott! | 0:15:19 | 0:15:22 | |
Voulez-vous une armoire, maintenant? | 0:15:22 | 0:15:24 | |
Que? | 0:15:24 | 0:15:27 | |
What did you say? | 0:15:27 | 0:15:28 | |
-It is the only bit of French I know. -What does it mean? | 0:15:28 | 0:15:31 | |
"Do you want a wardrobe at the moment?" | 0:15:31 | 0:15:34 | |
From the early '80s, Jasper Carrott wrote and performed in numerous | 0:15:34 | 0:15:37 | |
comedy sketch shows, including Carrott Confidential | 0:15:37 | 0:15:40 | |
and Canned Carrott. | 0:15:40 | 0:15:41 | |
His regular characters, | 0:15:41 | 0:15:43 | |
hapless detective duo Louis and Briggs, with Robert Powell, | 0:15:43 | 0:15:47 | |
became so popular that they were | 0:15:47 | 0:15:49 | |
given their own spin-off series in 1993. | 0:15:49 | 0:15:52 | |
-Dad was obsessed with - obsessed with - Jasper Carrot. -Really? -Yeah. | 0:15:52 | 0:15:57 | |
This was kind of on quite late at night, | 0:15:57 | 0:15:59 | |
I think it was about nine o'clock or something. | 0:15:59 | 0:16:02 | |
So it was the last thing we were allowed to watch | 0:16:02 | 0:16:04 | |
before we had to go to bed. | 0:16:04 | 0:16:06 | |
Then you search his jacket. | 0:16:06 | 0:16:08 | |
What's this? I have found a quantity of drugs? | 0:16:09 | 0:16:12 | |
Oh! I have been naughty! | 0:16:12 | 0:16:14 | |
I have got really vivid memories of sitting on Dad's lap, | 0:16:14 | 0:16:16 | |
and I would get really annoyed because he would be laughing | 0:16:16 | 0:16:19 | |
so much, he would be jiggling up and down and I would fall off, | 0:16:19 | 0:16:22 | |
and then I'd get back on and he would laugh again and I'd fall off. | 0:16:22 | 0:16:25 | |
Weirdly, about, I don't know, | 0:16:25 | 0:16:27 | |
a couple of weeks ago, a few weeks ago, | 0:16:27 | 0:16:30 | |
Jasper Carrott presented The One Show with me. | 0:16:30 | 0:16:34 | |
APPLAUSE | 0:16:34 | 0:16:36 | |
-Lovely...to see you. -Love to see you. | 0:16:36 | 0:16:38 | |
-A1, A1. Really looking forward to this. -Good! | 0:16:38 | 0:16:41 | |
Are you ready for all The One Show has to offer? | 0:16:41 | 0:16:43 | |
-Dad was completely made up. -Yeah? | 0:16:43 | 0:16:45 | |
It was...kind of his highlight, I think. | 0:16:45 | 0:16:48 | |
He said, "Well, there we are. | 0:16:48 | 0:16:51 | |
"She is sat next to Jasper Carrott, I am a happy man." | 0:16:51 | 0:16:55 | |
-And that is the only One Show he has ever recorded. -Really? | 0:16:55 | 0:16:58 | |
The cheek of it. | 0:16:58 | 0:17:00 | |
So, was comedy and laughter a big part of the Jones' household? | 0:17:00 | 0:17:03 | |
It was, looking back, I can remember, | 0:17:03 | 0:17:06 | |
I mean, that is one of my most vivid memories, | 0:17:06 | 0:17:09 | |
is of watching television as a family and belly laughing | 0:17:09 | 0:17:13 | |
at all sorts of things. | 0:17:13 | 0:17:15 | |
What was it your mum used to enjoy? | 0:17:20 | 0:17:22 | |
Um, we used to like family sitcoms, | 0:17:22 | 0:17:26 | |
Sunday night drama, she loves, as well. | 0:17:26 | 0:17:29 | |
She will watch Downton, you know really enjoyed War And Peace, | 0:17:29 | 0:17:33 | |
that sort of thing. | 0:17:33 | 0:17:35 | |
But there is one programme your mum used to watch which should really | 0:17:35 | 0:17:38 | |
have carried a government health warning. | 0:17:38 | 0:17:40 | |
-This, of course... -This, of course, Dynasty. -Yeah, Dynasty. | 0:17:45 | 0:17:48 | |
This is the only show that we were allowed to stay up late to watch, | 0:17:48 | 0:17:52 | |
because Mum was obsessed, and, to be honest, | 0:17:52 | 0:17:54 | |
when Dynasty was on, nothing else mattered. | 0:17:54 | 0:17:56 | |
It was the only time Mum would really switch off. | 0:17:56 | 0:17:59 | |
Never has she been one of those mums to say, | 0:17:59 | 0:18:01 | |
"Don't talk to me, so-and-so is on," | 0:18:01 | 0:18:04 | |
but during this, she was less keen to chat. | 0:18:04 | 0:18:06 | |
Throughout the '80s, perms and shoulder pads were in abundance. | 0:18:13 | 0:18:17 | |
Actors in Dynasty, like British-born Emma Samms, commanded | 0:18:17 | 0:18:21 | |
huge weekly audiences. | 0:18:21 | 0:18:23 | |
I used to want to be her. | 0:18:25 | 0:18:28 | |
Spanning nine series and over 200 episodes, | 0:18:28 | 0:18:31 | |
at its peak it was the number one drama on our screens. | 0:18:31 | 0:18:35 | |
So, the opening titles of Dynasty, do you remember? | 0:18:37 | 0:18:40 | |
All of these glamorous ladies used to come down the stairs | 0:18:40 | 0:18:43 | |
and they would stop and they would turn to the camera like that, | 0:18:43 | 0:18:45 | |
and they would be, like, windswept, | 0:18:45 | 0:18:47 | |
and then their name would come up, | 0:18:47 | 0:18:48 | |
and I thought that was the epitome of glamour. | 0:18:48 | 0:18:51 | |
So, my sister and I would run upstairs, | 0:18:51 | 0:18:55 | |
grab the closest thing to glamour we could find, | 0:18:55 | 0:18:57 | |
which, in South Wales, | 0:18:57 | 0:18:58 | |
was my mother's thermal dressing gown from M&S, | 0:18:58 | 0:19:01 | |
and drape that over our shoulders, because it was nice and long. | 0:19:01 | 0:19:05 | |
And then we would stick on a pair of | 0:19:05 | 0:19:07 | |
her high-heels and recreate the scene. | 0:19:07 | 0:19:09 | |
-And come down the stairs. Unfortunately... -Yes? | 0:19:09 | 0:19:14 | |
..a child in high heels is never a good combination on stairs, | 0:19:14 | 0:19:18 | |
and, twice, I ended up in accident and emergency | 0:19:18 | 0:19:22 | |
-having broken my arm. -Broken your arm? -Broken my arm. -Not once? | 0:19:22 | 0:19:25 | |
Not once, but twice, thanks to Dynasty. It was worth it. | 0:19:25 | 0:19:31 | |
-It was worth it? -Yeah. The lengths girls go to for a bit of glamour! | 0:19:31 | 0:19:34 | |
Should have carried a health warning! | 0:19:34 | 0:19:35 | |
I know! Should have a warning! | 0:19:35 | 0:19:37 | |
When you were rushed to the hospital, | 0:19:37 | 0:19:39 | |
was it your dad that took you and | 0:19:39 | 0:19:40 | |
your mum carried on watching the programme? | 0:19:40 | 0:19:42 | |
Yeah, "You take her, Al!" | 0:19:42 | 0:19:44 | |
LAUGHTER | 0:19:44 | 0:19:47 | |
What brings you here? And why didn't you let us know you were coming? | 0:19:47 | 0:19:50 | |
It was a last-minute thing, Jeff has to see mother about some business, | 0:19:50 | 0:19:53 | |
and I thought, "I am going, too, | 0:19:53 | 0:19:55 | |
"just to see my father's great smile." | 0:19:55 | 0:19:57 | |
Everybody was in lovely, massive shoulder pads and massive earrings. | 0:19:57 | 0:20:01 | |
I think it was just an insight into a really glamorous world, | 0:20:01 | 0:20:04 | |
and nothing else on television really compared to it at that time, | 0:20:04 | 0:20:09 | |
from what I can remember. | 0:20:09 | 0:20:10 | |
Excuse me, I thought you were alone, but I see... | 0:20:11 | 0:20:14 | |
Hello, Fallon. | 0:20:17 | 0:20:18 | |
My aim in life as a young child was to be Fallon off Dynasty. | 0:20:18 | 0:20:22 | |
I used to think she was so pretty | 0:20:22 | 0:20:24 | |
and I thought, "Gosh, she has got everything going for her." | 0:20:24 | 0:20:27 | |
I know you saved my sister's life, we are all very grateful for that. | 0:20:27 | 0:20:31 | |
You know, we have had Joan Collins on. | 0:20:31 | 0:20:33 | |
I couldn't believe it, | 0:20:33 | 0:20:35 | |
that Alexis was sitting in front of me. | 0:20:35 | 0:20:37 | |
I think it is people that you watch as a child that really stand... | 0:20:37 | 0:20:41 | |
You know, I don't get really star-struck any more, | 0:20:41 | 0:20:44 | |
but when Joan Collins came on, I thought, "Wow, you're amazing." | 0:20:44 | 0:20:48 | |
-Really? -Yeah. -Did she look that good in the flesh? | 0:20:48 | 0:20:51 | |
Oh, she is flawless, she is literally... | 0:20:51 | 0:20:55 | |
I looked really close up, I pretended to go in for a kiss, | 0:20:55 | 0:20:57 | |
but really, I wanted to see how many wrinkles she had. | 0:20:57 | 0:20:59 | |
LAUGHTER | 0:20:59 | 0:21:01 | |
There was nothing there. She is amazing. | 0:21:01 | 0:21:04 | |
-So, Alex, it is now time to move on to your must-see TV. -Right. | 0:21:09 | 0:21:13 | |
Oh! Beadle about! | 0:21:15 | 0:21:17 | |
-BOTH: -# Watch out, Beadle's about | 0:21:17 | 0:21:20 | |
# You better watch out | 0:21:20 | 0:21:22 | |
# Cos Beadle's about! # | 0:21:22 | 0:21:24 | |
APPLAUSE | 0:21:24 | 0:21:27 | |
Oh, my gosh, it is funny, isn't it, how a catchy theme tune, | 0:21:29 | 0:21:33 | |
just, can transport you to a time and a place. | 0:21:33 | 0:21:36 | |
On Saturday afternoon, you know, pools would be on. | 0:21:36 | 0:21:39 | |
-Oh, yeah! -And do you remember the noise of the pools? | 0:21:39 | 0:21:42 | |
And it was really monotone, wasn't it? It would be like, | 0:21:42 | 0:21:44 | |
-IN MONOTONE VOICE: -"Swansea City, one. Bristol...three." | 0:21:44 | 0:21:49 | |
And it just went on for ages, | 0:21:49 | 0:21:51 | |
and you were, like, "Oh, come on! Where's the good programmes? | 0:21:51 | 0:21:54 | |
And Dad would go, "Ssh! Shh!" | 0:21:54 | 0:21:56 | |
And then, you know, this would come on and we would all sit down. | 0:21:56 | 0:22:00 | |
We are here at Leigh-on-Sea in Essex to try and pull off... | 0:22:00 | 0:22:04 | |
-He's got classic '80s hair. -Yeah. | 0:22:04 | 0:22:07 | |
And now they are off to enjoy a lovely lunch, | 0:22:07 | 0:22:10 | |
but they better watch out, because Beadle's about! | 0:22:10 | 0:22:13 | |
Starting in 1986 on ITV, Jeremy Beadle's hidden camera show | 0:22:13 | 0:22:17 | |
played practical jokes on members of the public for a whole decade. | 0:22:17 | 0:22:22 | |
As top Saturday night entertainment, | 0:22:22 | 0:22:24 | |
it regularly attracted 15 million viewers. | 0:22:24 | 0:22:27 | |
Even though this was a long time ago, | 0:22:27 | 0:22:30 | |
-the stunts were... -Oh, amazing, yeah. | 0:22:30 | 0:22:32 | |
Amazing, and really big scale, weren't they? | 0:22:32 | 0:22:35 | |
What did you do that for?! | 0:22:36 | 0:22:37 | |
I just used to love it when people would get angrier and angrier, | 0:22:48 | 0:22:52 | |
and then he just, the timing that he had, | 0:22:52 | 0:22:55 | |
just before it all kicked off badly, | 0:22:55 | 0:22:58 | |
it was brilliant, wasn't it? | 0:22:58 | 0:23:01 | |
What do you think of Brian, though? | 0:23:01 | 0:23:02 | |
I think he is an outright BLEEP! | 0:23:02 | 0:23:04 | |
I used to love that, and I think it was really forward-thinking. | 0:23:06 | 0:23:09 | |
It was the first big prank show, wasn't it? | 0:23:09 | 0:23:12 | |
-It was, and it wasn't small-scale stuff. -Oh, no. | 0:23:12 | 0:23:15 | |
I mean, it was huge things. | 0:23:15 | 0:23:17 | |
I have had a lot of things happened to me where I thought, | 0:23:17 | 0:23:20 | |
"Is Jeremy Beadle anywhere near here?" | 0:23:20 | 0:23:22 | |
Any that spring to mind? | 0:23:22 | 0:23:25 | |
I was a runner at the time. | 0:23:25 | 0:23:26 | |
-Oh, I see. -I had just started out in television. | 0:23:26 | 0:23:28 | |
There was a man who was the first, well, it was Michael Crawford, | 0:23:28 | 0:23:31 | |
and he was doing a documentary all about | 0:23:31 | 0:23:33 | |
being the first Phantom Of The Opera, | 0:23:33 | 0:23:35 | |
and my task that day was to go and collect him from the station | 0:23:35 | 0:23:39 | |
and take him to the location where we were filming. | 0:23:39 | 0:23:42 | |
He comes off the train, lovely, lovely man. | 0:23:42 | 0:23:44 | |
And I said, "I am just going to take you, Michael, now, | 0:23:44 | 0:23:47 | |
"to the location where we are filming." He said "Yeah, absolutely." | 0:23:47 | 0:23:50 | |
Anyway, they rang and said, "We are running late, | 0:23:50 | 0:23:54 | |
"so ask him whether he wants some lunch, and take him if he does." | 0:23:54 | 0:23:59 | |
Well, at the time, I had no money, because I had only just started out, | 0:23:59 | 0:24:02 | |
and I thought, "Oh, God, how will I pay for this?" | 0:24:02 | 0:24:05 | |
I said "Are you hungry, Michael?" And he went, | 0:24:05 | 0:24:07 | |
"Oh, yeah, I could do with a snack." | 0:24:07 | 0:24:08 | |
So I took him to McDonald's, to the drive-through. | 0:24:08 | 0:24:11 | |
Because I thought, well, it is going to be really embarrassing | 0:24:13 | 0:24:15 | |
if I can't afford to buy him lunch, so I thought, I can shout him | 0:24:15 | 0:24:19 | |
a burger or something. | 0:24:19 | 0:24:21 | |
He was happy enough, but they were absolutely horrified. | 0:24:21 | 0:24:25 | |
Oh, and then there was another one, there was an alarm on the building. | 0:24:25 | 0:24:31 | |
-The alarm had broken. As it does. -Mm-hm. | 0:24:31 | 0:24:34 | |
And then, one morning, a man called Mike, who was in a band | 0:24:35 | 0:24:42 | |
called The Alarm... Have you heard of a band called The Alarm? | 0:24:42 | 0:24:45 | |
AUDIENCE MUTTERS | 0:24:45 | 0:24:47 | |
Some of you. | 0:24:47 | 0:24:48 | |
So, Mike comes to the office, I only hear the word "alarm" | 0:24:48 | 0:24:51 | |
and I wasn't familiar with the band, | 0:24:51 | 0:24:53 | |
and he was in something that | 0:24:53 | 0:24:55 | |
I thought looked a bit like a boiler suit, | 0:24:55 | 0:24:57 | |
so I gave him a cup of coffee and steered him to the alarm, | 0:24:57 | 0:25:02 | |
and said, "There we are, it has been awful, it has been playing up, | 0:25:02 | 0:25:05 | |
"we can't get it to switch off." | 0:25:05 | 0:25:07 | |
-And I left him there. -That is lovely! -And off I went. | 0:25:07 | 0:25:11 | |
And then my boss said, "Where is Mike?" | 0:25:11 | 0:25:15 | |
I said, "Well, he is downstairs by the panel." | 0:25:16 | 0:25:19 | |
And he said, "What Mike is downstairs?" | 0:25:19 | 0:25:22 | |
I said, "Yes, Mike, you know, the alarm." | 0:25:22 | 0:25:24 | |
He said, "No, he is in a band called The Alarm! | 0:25:24 | 0:25:27 | |
Oh, gosh! Right, OK, so they said, "Listen, this isn't working out." | 0:25:28 | 0:25:34 | |
I was young, Brian, I was 21, straight out of university, | 0:25:35 | 0:25:39 | |
and so they said, "Do you know what? | 0:25:39 | 0:25:41 | |
"We might see if you are better off on-camera." | 0:25:41 | 0:25:45 | |
-And, so, that was that. -The rest is history? | 0:25:46 | 0:25:48 | |
They didn't have much choice, they thought, | 0:25:48 | 0:25:50 | |
"We are not having her back on production, stick her on a show!" | 0:25:50 | 0:25:53 | |
Alex, we are now going to move on to TV fear. | 0:25:58 | 0:26:01 | |
-And this is a show... -Uh-oh... -Oooh? | 0:26:01 | 0:26:04 | |
-I know what it is. -A show that used to scare you witless. | 0:26:04 | 0:26:08 | |
Hello. | 0:26:09 | 0:26:11 | |
I am talking to you, yes, you, | 0:26:11 | 0:26:13 | |
sitting there on your comfortable settee | 0:26:13 | 0:26:16 | |
and laughing a lot at this great show, feeling comfortable, secure. | 0:26:16 | 0:26:20 | |
Mortgage paid, happy in your job, pretty wife... | 0:26:20 | 0:26:23 | |
-What is scary about.. -Well, look at him! | 0:26:23 | 0:26:26 | |
Fear! | 0:26:27 | 0:26:28 | |
See? | 0:26:29 | 0:26:32 | |
I have got really vivid memories of being petrified of this man. | 0:26:32 | 0:26:36 | |
Of the legend, the comedy legend that is Kenny Everett? | 0:26:36 | 0:26:40 | |
I know, it is ridiculous, now, obviously, | 0:26:40 | 0:26:42 | |
having learned about him over the years, | 0:26:42 | 0:26:45 | |
I can really appreciate how much of a legend he is. | 0:26:45 | 0:26:48 | |
Saucy and subversive, Kenny Everett's manic comedy sketch show | 0:26:48 | 0:26:53 | |
moved to BBC One in 1981, after three years on ITV. | 0:26:53 | 0:26:57 | |
With his wild eyes and outrageous innuendo-heavy humour, | 0:26:57 | 0:27:02 | |
he kept viewers entertained for most of the decade. | 0:27:02 | 0:27:05 | |
Fear today, you know it makes sense! | 0:27:05 | 0:27:08 | |
EVIL LAUGHTER | 0:27:10 | 0:27:11 | |
-I used to do the warm-ups. -Did you? | 0:27:11 | 0:27:14 | |
Yeah, I was Kenny Everett's warm-up man all the time he was at the BBC. | 0:27:14 | 0:27:17 | |
-And he was charming and... -Oh, wow! -..a lovely guy. | 0:27:17 | 0:27:20 | |
That makes me feel better. | 0:27:20 | 0:27:22 | |
I am a little bit older than you, obviously you're watching this, what age are you watching this at? | 0:27:22 | 0:27:26 | |
-Getting petrified. -I dunno. Eight-ish, maybe? | 0:27:26 | 0:27:30 | |
I don't know, I just really vividly remember the character he used | 0:27:30 | 0:27:34 | |
to do, when he had the plastic legs or rubber legs? | 0:27:34 | 0:27:38 | |
No, those were his own legs | 0:27:38 | 0:27:40 | |
and he used to go, | 0:27:40 | 0:27:41 | |
-(IMPERSONATES KENNY EVERETT) "It is all done in the best possible taste! -Yeah, that's it! | 0:27:41 | 0:27:45 | |
And, I don't know, for some reason as a child, | 0:27:45 | 0:27:49 | |
yeah, I wasn't keen on Kenny. | 0:27:49 | 0:27:51 | |
At all. Mum and dad used to love it. | 0:27:51 | 0:27:54 | |
Kenny Everett's gallery of bawdy, lampooning characters was boundless. | 0:27:55 | 0:27:59 | |
From the fastidious Frenchman, moustachioed Marcel Wave, | 0:27:59 | 0:28:04 | |
to punk caricature Sid Snot. | 0:28:04 | 0:28:07 | |
Hilarious even in silence, with Morris Mimer, | 0:28:07 | 0:28:11 | |
to perhaps his most memorable creation, Cupid Stunt, | 0:28:11 | 0:28:15 | |
the bearded lady movie star, complete with risque name | 0:28:15 | 0:28:18 | |
and those gravity-defying legs. | 0:28:18 | 0:28:21 | |
-Alex, it is now time to have a look at your guilty pleasure. -Oh, right. | 0:28:27 | 0:28:33 | |
BEVERLY HILLS 90210 THEME PLAYS | 0:28:33 | 0:28:35 | |
Beverly Hills 90210. Amazing. | 0:28:38 | 0:28:41 | |
I would still be really happy watching this on a loop. | 0:28:41 | 0:28:44 | |
With one of the most star-studded postcodes | 0:28:44 | 0:28:47 | |
in the world, Beverly Hills 90210 chronicled the lives of the | 0:28:47 | 0:28:51 | |
beautiful and privileged teenagers who lived at this exclusive address. | 0:28:51 | 0:28:55 | |
-I didn't like him so much. -No? | 0:28:55 | 0:28:58 | |
Or her. | 0:28:59 | 0:29:01 | |
But him, now that is another level. | 0:29:02 | 0:29:05 | |
Really, you like Luke Perry? | 0:29:05 | 0:29:06 | |
Yeah. I used to think Luke Perry was future husband material. | 0:29:06 | 0:29:10 | |
-My husband now looks nothing like him. -No? | 0:29:12 | 0:29:14 | |
So, fail. | 0:29:14 | 0:29:16 | |
But I think, yeah, it was aspiring, wasn't it? | 0:29:16 | 0:29:20 | |
It's a group of teens who have got too much money, their own cars, | 0:29:20 | 0:29:23 | |
driving to school in a car! Who did that? | 0:29:23 | 0:29:26 | |
I know, I know, but they do, in America, don't they? | 0:29:26 | 0:29:29 | |
But they did, didn't they? | 0:29:29 | 0:29:31 | |
And, you know, I suppose it is when | 0:29:31 | 0:29:33 | |
you first start getting interested in boys | 0:29:33 | 0:29:35 | |
and all the rest of it. | 0:29:35 | 0:29:37 | |
As soon as he heard I talked to Dean Whitmore the guy went crazy. | 0:29:37 | 0:29:40 | |
Why would he do that? | 0:29:40 | 0:29:41 | |
With its glamorous, young cast, | 0:29:41 | 0:29:43 | |
the series became one of the most popular teen dramas of the '90s, | 0:29:43 | 0:29:47 | |
with many of its stars, like Jason Priestley, becoming huge idols. | 0:29:47 | 0:29:51 | |
Eckstern? What is that? Finley-speak? | 0:29:51 | 0:29:54 | |
I liked him as well, Jason Priestley. | 0:29:54 | 0:29:57 | |
Mind you, he has gone downhill. | 0:29:57 | 0:29:59 | |
I googled him and it was disappointing, the results. | 0:29:59 | 0:30:01 | |
LAUGHTER | 0:30:01 | 0:30:03 | |
For the first time since the fire, thanks to Finley, | 0:30:05 | 0:30:07 | |
I am feeling strong and clear and unafraid. And you just don't get it. | 0:30:07 | 0:30:11 | |
You're right, I don't get it. | 0:30:11 | 0:30:14 | |
For me, that was the ultimate escapism, it was aspiring | 0:30:14 | 0:30:19 | |
when you are young, isn't it? These teens had it all. | 0:30:19 | 0:30:24 | |
So, how old were you when you were watching this show? | 0:30:24 | 0:30:27 | |
Probably, I don't know, maybe 13, 14, or... | 0:30:27 | 0:30:31 | |
You know, as a crowd of friends at the time, | 0:30:31 | 0:30:33 | |
that was the thing to watch. | 0:30:33 | 0:30:35 | |
Now it is TOWIE or whatever, Made In Chelsea, | 0:30:35 | 0:30:39 | |
which I do watch on the sly, but when I was a teen, | 0:30:39 | 0:30:42 | |
I mean, I was a complete geek. | 0:30:42 | 0:30:44 | |
I used to go to school with my little violin, oh, God, | 0:30:44 | 0:30:48 | |
you know, I didn't come into my own, Brian, until probably 17, 18. | 0:30:48 | 0:30:53 | |
-Oh, right. -Yeah, I was quite shy. | 0:30:53 | 0:30:56 | |
Now, Alex, we are going to look at a clip from a show, | 0:31:01 | 0:31:04 | |
-and from a presenter that has had a big influence on you. -Yeah. | 0:31:04 | 0:31:07 | |
This is the first ever episode of... | 0:31:09 | 0:31:12 | |
TFI. | 0:31:14 | 0:31:15 | |
Beginning in 1996, and running for | 0:31:18 | 0:31:20 | |
four years in its distinctive warehouse set. | 0:31:20 | 0:31:23 | |
-You know, we all remember this on a Friday night. -Yeah, yeah, yeah. | 0:31:23 | 0:31:27 | |
The driving force behind TFI Friday was | 0:31:27 | 0:31:30 | |
TV and radio superstar Chris Evans. | 0:31:30 | 0:31:33 | |
Good evening and welcome to Friday nights live, here on Channel 4. | 0:31:35 | 0:31:38 | |
From now on, at six o'clock, this is the place to be | 0:31:38 | 0:31:41 | |
if you want to hear live music from Skunk Anansie! | 0:31:41 | 0:31:43 | |
Did you used to watch it before a night out? | 0:31:43 | 0:31:46 | |
Yes, we did, actually, | 0:31:46 | 0:31:47 | |
but during those days, probably, | 0:31:47 | 0:31:49 | |
it would be a night out in Ritzy's in Swansea. | 0:31:49 | 0:31:52 | |
Aaay. | 0:31:52 | 0:31:54 | |
Sticky carpets. Not very exciting. | 0:31:54 | 0:31:58 | |
But, yeah, we did, we used to watch it before a night out. | 0:31:58 | 0:32:01 | |
I will talk to Dawn French, Kathy Lloyd, I will be in bed with Cher... | 0:32:01 | 0:32:05 | |
With its anarchic backstage feel and roving camera, | 0:32:05 | 0:32:09 | |
and the very latest Britpop bands, | 0:32:09 | 0:32:11 | |
it inspired a whole new style of Friday night entertainment. | 0:32:11 | 0:32:15 | |
Ocean Colour Scene, The Riverboat Song, the new single out now! | 0:32:15 | 0:32:20 | |
Ocean Colour Scene, what happened to them? | 0:32:20 | 0:32:23 | |
-So that was Chris's first TFI, was it? -Yeah. -Amazing. | 0:32:23 | 0:32:27 | |
I used to watch all his shows, | 0:32:27 | 0:32:29 | |
and I always thought that he was a brilliant broadcaster. | 0:32:29 | 0:32:33 | |
He has become such a solid friend. | 0:32:33 | 0:32:35 | |
-Probably my best male friend. -And work colleague. | 0:32:35 | 0:32:38 | |
Yeah, I mean, we are an unlikely couple, | 0:32:38 | 0:32:40 | |
there's no two ways about it. | 0:32:40 | 0:32:42 | |
He is completely mental. | 0:32:42 | 0:32:44 | |
People don't really understand that Chris is, yes, he is mad and | 0:32:44 | 0:32:49 | |
he has got these funny ideas, but underneath all of that he is really | 0:32:49 | 0:32:54 | |
kind, and when I came to London and I didn't know a single person, and I | 0:32:54 | 0:32:59 | |
had only met Chris once, and we were never supposed to do a show together | 0:32:59 | 0:33:02 | |
on Friday. I met him and he said, "Why don't you do Friday with me?" | 0:33:02 | 0:33:08 | |
I said, "I am all right, thanks, I would like a long weekend, | 0:33:08 | 0:33:10 | |
"I like going home to Cardiff." | 0:33:10 | 0:33:12 | |
He said, "Look, if you do the show I promise it will be really, | 0:33:12 | 0:33:16 | |
"really good fun." | 0:33:16 | 0:33:18 | |
And I said, "Well..." And he said, | 0:33:18 | 0:33:21 | |
"Just do it for a couple of weeks, see how you feel." | 0:33:21 | 0:33:23 | |
-So I did, and then we ended up doing five years together. -Five years. | 0:33:23 | 0:33:28 | |
-Do you miss him from the show? -I do. -Yeah? -Yeah. | 0:33:28 | 0:33:30 | |
It is more like... | 0:33:30 | 0:33:31 | |
Chris Evans was Alex's | 0:33:31 | 0:33:33 | |
sofa buddy for five years from 2010, they formed a dream partnership | 0:33:33 | 0:33:38 | |
hosting the Friday edition of The One Show. | 0:33:38 | 0:33:41 | |
-Alex is single. -All right, here we go, love. -Cancelled! It is all over! | 0:33:41 | 0:33:46 | |
Aww. Lovely couple! | 0:33:46 | 0:33:47 | |
I used to be a member of the Dennis the Menace club. | 0:33:47 | 0:33:49 | |
That is all I am looking for. | 0:33:49 | 0:33:51 | |
Having grown-up watching him | 0:33:51 | 0:33:53 | |
and then, suddenly, having him as a co-host, | 0:33:53 | 0:33:57 | |
it is quite bizarre, really. | 0:33:57 | 0:33:59 | |
But I never felt intimidated at all, because | 0:33:59 | 0:34:02 | |
he was just so down-to-earth, kind, straightforward | 0:34:02 | 0:34:07 | |
and generous as a presenter from the word go, | 0:34:07 | 0:34:09 | |
that we just got on like a house on fire. | 0:34:09 | 0:34:12 | |
-So, Alex, can we talk about your early TV career? -Yes. | 0:34:16 | 0:34:21 | |
How you got into it? | 0:34:21 | 0:34:22 | |
How it came about, how that spark was ignited? | 0:34:22 | 0:34:26 | |
Well, because I was such a bad television researcher, | 0:34:26 | 0:34:29 | |
-they then suggested... -I think we definitely established that. | 0:34:29 | 0:34:32 | |
..yeah, I might be better on camera, and so, | 0:34:32 | 0:34:34 | |
for years and years I worked on children's television, | 0:34:34 | 0:34:37 | |
which really suited me. | 0:34:37 | 0:34:39 | |
It was brilliant fun, I don't know, have you done children's television? | 0:34:39 | 0:34:42 | |
You must have done lots of children's television. | 0:34:42 | 0:34:45 | |
I have done a little bit. I did do Jackanory. | 0:34:45 | 0:34:47 | |
Aww! Jackanory tells a story! | 0:34:47 | 0:34:49 | |
I think you learn a lot, and I was lucky because I am bilingual | 0:34:49 | 0:34:55 | |
and can speak Welsh as well. | 0:34:55 | 0:34:57 | |
I was really lucky that they have got... | 0:34:57 | 0:35:00 | |
S4C, is basically the Welsh Channel 4, | 0:35:00 | 0:35:02 | |
and I learned loads without anybody really knowing who I was. | 0:35:02 | 0:35:07 | |
So, when I came to The One Show I had a lot of experience, | 0:35:07 | 0:35:10 | |
but nobody had seen me before, I suppose, | 0:35:10 | 0:35:14 | |
but children's telly, I think, is the best thing. | 0:35:14 | 0:35:16 | |
You learn to leave your embarrassment at the door. | 0:35:16 | 0:35:19 | |
Because I have dressed up as everything, | 0:35:19 | 0:35:21 | |
from a dolphin to a fire engine, was the best one. | 0:35:21 | 0:35:25 | |
We've got a little clip of you on S4C. | 0:35:25 | 0:35:28 | |
COCK CROWS | 0:35:28 | 0:35:30 | |
We should put a public warning out about clothes, hair, etc, | 0:35:33 | 0:35:36 | |
because I know it's gonna be bad. | 0:35:36 | 0:35:37 | |
-You might need to help me out with the name of the programme. -OK. | 0:35:37 | 0:35:40 | |
It is called Anifail Am Wythnos, which means animal for a week. | 0:35:40 | 0:35:45 | |
Oh, look! I'm like Biggins! See? On safari! | 0:35:45 | 0:35:50 | |
SHE SPEAKS WELSH | 0:35:53 | 0:35:55 | |
-God, I have got stripy hair. -I wouldn't recognise you there. | 0:35:55 | 0:35:58 | |
Oh, no, I've still got that shirt, I think it is in storage in Cardiff. | 0:35:58 | 0:36:04 | |
SHE SPEAKS WELSH | 0:36:04 | 0:36:06 | |
So, the concept of this show was families would have an | 0:36:12 | 0:36:16 | |
animal for a week to see how they got on with it. | 0:36:16 | 0:36:19 | |
So I would go and deliver a bearded dragon or an alpaca to a family | 0:36:19 | 0:36:25 | |
and then we would go back at the end of the week to see how | 0:36:25 | 0:36:27 | |
they got on with it and whether they think | 0:36:27 | 0:36:29 | |
-they could have it full-time. -Yeah, yeah, yeah. | 0:36:29 | 0:36:31 | |
SHE SPEAKS WELSH | 0:36:31 | 0:36:33 | |
GHOSTS WAIL | 0:36:37 | 0:36:39 | |
Do you miss Welsh TV? | 0:36:39 | 0:36:41 | |
I do, well, I miss Wales, but to be honest, I get back, I go home loads. | 0:36:41 | 0:36:46 | |
-I am home at least once a month. -Yeah. | 0:36:46 | 0:36:51 | |
When you are at home, do you speak in Welsh? | 0:36:51 | 0:36:53 | |
To Mum, yeah, and to my sister. Well, you know, English. | 0:36:53 | 0:36:57 | |
Back and forth. You would be able to pick up the odd phrase in there. | 0:36:57 | 0:37:03 | |
But I am so pleased, because Mum and Dad spoke English to each other, | 0:37:03 | 0:37:07 | |
and when I was a young child they spoke English to me, | 0:37:07 | 0:37:10 | |
but then they put me into a Welsh primary and I might as well | 0:37:10 | 0:37:13 | |
have been in Spain, because I could not understand a word anybody | 0:37:13 | 0:37:16 | |
was saying, but at four it only took six weeks before I was fluent. | 0:37:16 | 0:37:20 | |
-Really? -When you are little you absorb it, don't you? | 0:37:20 | 0:37:24 | |
-Yeah. -I am so glad, because I don't think I would be sitting here | 0:37:24 | 0:37:27 | |
with you, Brian, if I didn't have Welsh language, | 0:37:27 | 0:37:30 | |
-because that is where... -It all started. | 0:37:30 | 0:37:32 | |
..I sort of had a chance to... | 0:37:32 | 0:37:33 | |
Yeah, get all the experience that led me to the job I am in now. | 0:37:33 | 0:37:38 | |
My favourite Welsh word is for microwave. | 0:37:38 | 0:37:42 | |
Popty ping! | 0:37:42 | 0:37:43 | |
Isn't that lovely? Popty ping. | 0:37:43 | 0:37:46 | |
It says what it does, doesn't it? | 0:37:46 | 0:37:49 | |
-Exactly! -It sounds like it should, popty ping! It is brilliant. | 0:37:49 | 0:37:53 | |
And another one we've got, and I think it is, actually, | 0:37:53 | 0:37:57 | |
yesterday or today was national hug week, | 0:37:57 | 0:37:59 | |
but in Wales we call it a cwtsh. | 0:37:59 | 0:38:01 | |
-A cwtsh, yeah. Give us a cwtsh. -Give us a cwtsh. | 0:38:01 | 0:38:04 | |
And, you know, it is a nicer word. | 0:38:04 | 0:38:06 | |
I am trying to campaign to roll that out nationally. | 0:38:06 | 0:38:10 | |
-Give us a cwtsh. -A cwtsh. -Yeah. -Give me a cwtsh. | 0:38:10 | 0:38:12 | |
-I used to live in Wales. -Did you? -I lived in Tredegar. -No way! | 0:38:12 | 0:38:17 | |
-Round near Aberdare and Merthyr. -Why? | 0:38:17 | 0:38:20 | |
-I used to be in a band that were based in Wales. -Did you? | 0:38:20 | 0:38:24 | |
-It wasn't The Alarm, was it? -No, it wasn't The Alarm! | 0:38:24 | 0:38:27 | |
Thank goodness for that! | 0:38:27 | 0:38:30 | |
LAUGHTER | 0:38:30 | 0:38:32 | |
-I never knew that. -So your mum and dad must be very proud of you. | 0:38:32 | 0:38:35 | |
-They are, but no more proud of me than they are of my sister. -Jenny. | 0:38:35 | 0:38:39 | |
Yeah, I mean, all they wanted, like any parents, | 0:38:39 | 0:38:42 | |
is for their daughters to be happy. | 0:38:42 | 0:38:45 | |
-Yeah, yes, of course. -And to be honest, | 0:38:45 | 0:38:47 | |
if I got any ideas above station, | 0:38:47 | 0:38:49 | |
they would bring me right back down to Earth like that. | 0:38:49 | 0:38:52 | |
Mam and Dad are sticklers. | 0:38:52 | 0:38:54 | |
I say, "I met the Queen today," they are like, | 0:38:54 | 0:38:58 | |
"Gosh, were you wearing something tidy?" "Yes!" | 0:38:58 | 0:39:01 | |
You know. But, they... Of course they think it is fantastic, but | 0:39:01 | 0:39:05 | |
they would be the same regardless of what job I did, I'm sure. | 0:39:05 | 0:39:10 | |
So, what TV do you enjoy watching now? | 0:39:15 | 0:39:18 | |
-Now I don't get, it is funny, isn't it? -Because you're busy. | 0:39:18 | 0:39:22 | |
We work in telly but I don't really get to watch it an awful lot. | 0:39:22 | 0:39:25 | |
-I must say, I do love Strictly. -Yes, of course, you were in that. | 0:39:25 | 0:39:30 | |
Having been on it you watch it in a slightly different way, | 0:39:30 | 0:39:33 | |
because you know the ins and outs. | 0:39:33 | 0:39:35 | |
-What are the ins and outs, then? -The ins and outs are, | 0:39:35 | 0:39:39 | |
you know how difficult a dance... | 0:39:39 | 0:39:42 | |
So, something can look really simple, but believe me, | 0:39:42 | 0:39:46 | |
doing a rumba on telly is the most embarrassing thing you will ever do. | 0:39:46 | 0:39:51 | |
I mean, I was dying inside. | 0:39:51 | 0:39:54 | |
Cha-cha-cha isn't, either, | 0:39:54 | 0:39:55 | |
to be honest, anything Latin I was not very good at. | 0:39:55 | 0:39:58 | |
-I like the ballroom stuff, which is a bit more elegant. -Graceful. -Yeah. | 0:39:58 | 0:40:02 | |
To the untrained eye, | 0:40:02 | 0:40:04 | |
some dancers can look a bit rough around the edges | 0:40:04 | 0:40:07 | |
and a bit ropey, but, honestly, believe me, | 0:40:07 | 0:40:09 | |
-to get to that point is really hard. -Yeah. | 0:40:09 | 0:40:12 | |
So you know the ins and outs, but I still watch it as a viewer and | 0:40:12 | 0:40:17 | |
really enjoy it, | 0:40:17 | 0:40:18 | |
-and I would do it every year if that was allowed. -Really? | 0:40:18 | 0:40:21 | |
Yeah, I absolutely loved it, because the thing is, you are not going | 0:40:21 | 0:40:25 | |
to end up a professional dancer, so you just enjoy it for what it is. | 0:40:25 | 0:40:29 | |
I mean, I was hopeless. | 0:40:29 | 0:40:30 | |
My mother, my own mother said, after the first show, | 0:40:30 | 0:40:34 | |
she said, "Well, how long is this going to go on now, Al? | 0:40:34 | 0:40:36 | |
"Because you are spoiling it for me, to be honest. | 0:40:36 | 0:40:39 | |
LAUGHTER | 0:40:39 | 0:40:41 | |
So I stuck it out till the semifinal. | 0:40:41 | 0:40:44 | |
There you are, Mary, have that! | 0:40:44 | 0:40:46 | |
-Well done, yeah. -But it was brilliant fun. | 0:40:46 | 0:40:49 | |
I do still enjoy watching that, | 0:40:49 | 0:40:50 | |
and I like dramas, like, recently, I really liked | 0:40:50 | 0:40:53 | |
Doctor Foster with Suranne Jones. | 0:40:53 | 0:40:56 | |
I thought that was excellent. | 0:40:56 | 0:40:58 | |
I loved The Missing with Jimmy Nesbitt in it, I thought | 0:40:58 | 0:41:01 | |
that was excellent. | 0:41:01 | 0:41:04 | |
I'll normally now watch something that is kind of a short drama | 0:41:04 | 0:41:07 | |
or something. I can't commit to something long term. | 0:41:07 | 0:41:11 | |
Because everybody is busy, aren't they? | 0:41:11 | 0:41:13 | |
But, um, yeah, a bit of everything, documentaries I find really interesting. | 0:41:13 | 0:41:17 | |
I love nature programmes. | 0:41:17 | 0:41:19 | |
Um... And we are lucky that we meet all of these wonderful people | 0:41:19 | 0:41:23 | |
on them because they come on and talk about them on our sofa! | 0:41:23 | 0:41:27 | |
So, how important is The One Show to you? | 0:41:27 | 0:41:29 | |
Oh, Brian, if I had my way they would be pushing me | 0:41:29 | 0:41:34 | |
out of there with a Zimmer frame. | 0:41:34 | 0:41:36 | |
I absolutely love it, Matt and I have such a nice time. Every day. | 0:41:36 | 0:41:40 | |
And every day is different, as you know. | 0:41:40 | 0:41:43 | |
And I just love live television, | 0:41:43 | 0:41:45 | |
but the show I find interesting, | 0:41:45 | 0:41:47 | |
because there is all sorts, history, nature, all sorts of things. | 0:41:47 | 0:41:51 | |
And, normally, a lovely guest as well. | 0:41:51 | 0:41:55 | |
At this moment, Alex, I give my guests the opportunity | 0:41:55 | 0:41:58 | |
to pick a theme tune for us to play out on. | 0:41:58 | 0:42:00 | |
What is it going to be? | 0:42:00 | 0:42:03 | |
Well, I did think long and hard, | 0:42:03 | 0:42:05 | |
and, over the summer holidays, my sister and I used to love watching | 0:42:05 | 0:42:10 | |
-a show called Going For Gold. -Yeah! | 0:42:10 | 0:42:14 | |
Do you remember it? And they used to go, | 0:42:14 | 0:42:16 | |
"Today, on the show, we have duh-duh-duh from duh-duh-duh" | 0:42:16 | 0:42:18 | |
and they would wave to the camera. | 0:42:18 | 0:42:20 | |
All different nationalities, weren't they? | 0:42:20 | 0:42:22 | |
From Finland! From Switzerland! | 0:42:22 | 0:42:24 | |
And it was just like a quiz show, wasn't it? | 0:42:24 | 0:42:26 | |
And I used to think the theme tune was just brilliant. | 0:42:26 | 0:42:29 | |
My thanks to you for being here. Have you enjoyed it? | 0:42:29 | 0:42:31 | |
It has been a pleasure, I have really enjoyed it, Brian, | 0:42:31 | 0:42:33 | |
-Thank you very much. Aww. -Oh, two. -I never know, in Wales it was one | 0:42:33 | 0:42:38 | |
and now in London it's two, I am confused. | 0:42:38 | 0:42:40 | |
We could also have a cwtsh. | 0:42:40 | 0:42:42 | |
-We could have a cwtsh. -Let's have a cwtsh. -Aww. -There you go. | 0:42:42 | 0:42:45 | |
My thanks to you, Alex. | 0:42:45 | 0:42:46 | |
-I have loved it, thank you. -APPLAUSE | 0:42:46 | 0:42:49 | |
Thank you. And my thanks to you for watching The TV That Made Me. | 0:42:49 | 0:42:52 | |
-See you next time. Bye-bye! -Bye! | 0:42:52 | 0:42:54 | |
# Going for gold! | 0:42:54 | 0:42:57 | |
# The heat is on The time is right | 0:42:57 | 0:43:01 | |
# It's time for you For you to play your game | 0:43:01 | 0:43:04 | |
# Cos people are coming Everyone's trying | 0:43:04 | 0:43:07 | |
# Trying to be the best that they can | 0:43:07 | 0:43:10 | |
# So reach for the sky Cos this space is so high | 0:43:10 | 0:43:13 | |
# When they're going for going for gold! | 0:43:13 | 0:43:16 | |
# Go for it, for gold! | 0:43:19 | 0:43:22 | |
# Go for it, only the best survive | 0:43:22 | 0:43:25 | |
# Go for it, for gold! | 0:43:25 | 0:43:28 | |
# Go for it And you can take your prize | 0:43:28 | 0:43:32 | |
# Going for gold! # | 0:43:32 | 0:43:35 |