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feeling tonight's show may be a goodie. Will.i.am and his finalist | :00:10. | :00:16. | |
Jermain are joining me. Plus, vocal virtuoso, Ali Tennant, is popping by | :00:17. | :00:21. | |
for some more expert analysis. And, hour rein's back with another | :00:22. | :00:33. | |
singing masterclass. You're watching The Voice: Louder on Two - help me! | :00:34. | :00:38. | |
Hello welcome to The Voice: Louder on Two. The final is edging ever | :00:39. | :00:41. | |
closer. Just four more sleeps until we find out who is going to be | :00:42. | :00:46. | |
crowned the voice Champion 2014. After narrowly missing out last | :00:47. | :00:51. | |
series, my first guest has his eyes firmly on the prize. He Is a | :00:52. | :01:00. | |
superstar producer, pop innovator, dedicated follower of fashion and | :01:01. | :01:04. | |
last, but not least, a highly skilled wordsmith. I can only of | :01:05. | :01:06. | |
course be talking about Will.i.am. You have the crazy harmones. It was | :01:07. | :01:20. | |
a sick beat. Sick describes someone who is suffering from nausea. Sick | :01:21. | :01:26. | |
may describe the vomit itself. Let's go back to 1987 and skateboarding. | :01:27. | :01:30. | |
In those days, well skateboarders would use the word "sick" to | :01:31. | :01:34. | |
describe a stunt that really appealed or a crash that was quite | :01:35. | :01:42. | |
horrendous! Totally sick, man! Sorry, I lost my balance. Gyles | :01:43. | :01:53. | |
there. Give it up for Will.i.am. APPLAUSE | :01:54. | :01:55. | |
Lovely to see you. We loved your show with Joanna Lumley. Isn't she a | :01:56. | :02:02. | |
great Dame? Super dope. One woman can you use that term for. | :02:03. | :02:05. | |
Saturday's show, to brilliant. Can you describe it using suffixes like | :02:06. | :02:11. | |
brilliantly, superbly, like you were doing on Saturday? I was really sad | :02:12. | :02:15. | |
because Sophie left. Yeah. At the same time I was thrilled that | :02:16. | :02:21. | |
Jermain was there. It's like, this rollercoaster of emotion where | :02:22. | :02:27. | |
you're happy for your finalist, but you're sad for someone who deserves | :02:28. | :02:31. | |
to be there as well. It was kind of... I was kind of torn. Ed bag? | :02:32. | :02:37. | |
Yeah. We can feel that will watching it with you. The great thing was you | :02:38. | :02:41. | |
performed with Sophie May and Jermain and show off your fancy foot | :02:42. | :02:47. | |
work up on the stage with Let's Dance. How difficult is to choose a | :02:48. | :02:52. | |
song to suit such different voices, you you all have different voices? | :02:53. | :02:57. | |
You do something to where you are thrown out of your comfort zone so | :02:58. | :03:01. | |
everyone is uncomfortable. If you do that, and you are trying to make it | :03:02. | :03:08. | |
a rememberable moment, then you go... You go at it that way. You | :03:09. | :03:12. | |
don't want to favour one person's voice over the other. So, to have | :03:13. | :03:17. | |
everyone uncomfortable, when you have that much diversity - It worked | :03:18. | :03:23. | |
really well though. Yeah. We talked about Sophie May, her performance | :03:24. | :03:27. | |
was encountriedible. They loved the homage to Metropolois and her head | :03:28. | :03:31. | |
dress and the rings around her. I imagine that was your concept? Yeah | :03:32. | :03:39. | |
I loved Metropolois. I was surprised that a 17-year-old would have | :03:40. | :03:43. | |
knowledge of. I was like, really, do you want to go there, have you heard | :03:44. | :03:47. | |
of Metropolois? She was like, no, the hotel next to Hide Park? I was | :03:48. | :03:54. | |
like, no, not that Metropolois! ,,you impressed with her ninjas, | :03:55. | :04:01. | |
will Jermain have stormtroopers or tumblers? Stormtroopers... I will | :04:02. | :04:06. | |
leave that with you. You think about it. This show is about the Voice. | :04:07. | :04:12. | |
Can you do many clever things with yours. I love beat boxing. Lucy! | :04:13. | :04:20. | |
Like that. # Bring the action... # | :04:21. | :04:33. | |
WILL BEATBOXING # Watch out now... # | :04:34. | :04:46. | |
That sucked! He is saying - when did I do all that stuff? We have a treat | :04:47. | :04:51. | |
for you. The other day when you were on we had hand bells. We have a game | :04:52. | :04:56. | |
for you to play, have you heard of a glass harmonica, Will? I have. We | :04:57. | :05:01. | |
have one in the studio for you. There are two kinds. Oh, yeah. The | :05:02. | :05:06. | |
one where you use your finger. Ah, ha. Then you rev your finger up. | :05:07. | :05:21. | |
Alasdair will play snippets of four songs. Take it away. | :05:22. | :05:48. | |
PLAYS GLASS HARMONICA Where's the love. Yeah, you got one. | :05:49. | :06:27. | |
Alasdair, isn't he great! That is so wonderful. I want to play that. I'm | :06:28. | :06:36. | |
sure he will have a go. He is part of an Oscar-winning team he played | :06:37. | :06:45. | |
in the opening scene of Gravity. I thought I heard Miley Cyrus. It's | :06:46. | :06:56. | |
not. It is I Should Be So Lucky. And Ruby Ruby Ruby, Kayser chiefs -- | :06:57. | :07:09. | |
Kaiser chiefs and It's Not Unusual. That is from Sir Tom Jones. We'll be | :07:10. | :07:17. | |
chatting to Jermain in a moment, but first let's enjoy a special acoustic | :07:18. | :07:30. | |
performance from the Sophie-isticated Miss Sophie May who | :07:31. | :07:35. | |
came in earlier in the week. Here he is singing Royals. | :07:36. | :07:44. | |
# In the town # It goes tripping in the bathroom | :07:45. | :07:51. | |
# We don't care # We drive a Cadillac in our dreams | :07:52. | :08:00. | |
# Tigers on a gold leash # We don't care | :08:01. | :08:05. | |
# We're all caught up in your love affair | :08:06. | :08:11. | |
# We'll never be royals # That ain't for us | :08:12. | :08:16. | |
# We crave a different kind of buzz # Now, let me be your ruler | :08:17. | :08:24. | |
# You can call me Queen Bee # Maybe I'll rule | :08:25. | :08:31. | |
# Let me live that fantasy. # Sophie May. Will is having | :08:32. | :08:35. | |
masterclass in how to play the glass harmonica. How is it going? Man, I | :08:36. | :08:42. | |
suck! Thank you so much Alasdair for that. Did you enjoy that performance | :08:43. | :08:48. | |
by Sophie May? I love Sophie May. We look forward to seeing what you two | :08:49. | :08:53. | |
do in the future. We talked to the one man music factory, Will I Wonka. | :08:54. | :09:03. | |
His act Jermain was handed a golden ticket to the final. Here's a little | :09:04. | :09:08. | |
recap. # Without you... # | :09:09. | :09:11. | |
You sound like a baritone when you are down there and like a tenor when | :09:12. | :09:20. | |
you go up there. Fantastic. Super confident performance from Jermain. | :09:21. | :09:28. | |
Keep on doing it. I loved that. I loved it. I needed a dance. | :09:29. | :09:36. | |
APPLAUSE # Let's dance... # | :09:37. | :09:50. | |
Team Will. The artist with the most view votes, securing them a place in | :09:51. | :09:59. | |
next week's final is... Jermain! Please welcome back Jermain Jackman. | :10:00. | :10:06. | |
Jermain, that was incredible. How are your family and friends about | :10:07. | :10:10. | |
you going through to the final? How did you celebrate. What was the | :10:11. | :10:14. | |
first thing you did? They are excited, so supportive. They are | :10:15. | :10:17. | |
waiting to see what is to come in the finals. They are really positive | :10:18. | :10:22. | |
and staying positive about it. The first thing I did was celebrate with | :10:23. | :10:25. | |
my family and friends, but the Sunday morning I went to church to | :10:26. | :10:30. | |
give thanks. You are a good boy, aren't you? That was a knockout | :10:31. | :10:34. | |
performance that he gave there on Saturday. Were you part of the | :10:35. | :10:39. | |
planning with the little mic trick at the end or was that a surprise | :10:40. | :10:44. | |
for you as well? No, I was surprised with the volume swell and the hand | :10:45. | :10:54. | |
automate manual wa, wa, the little technique he created. It is - He | :10:55. | :11:02. | |
probably got that from the organ in the church with the spinner on it. | :11:03. | :11:07. | |
# Wa, wa, wa... # You worked the audience up there. A | :11:08. | :11:12. | |
vision in white, Jermain. You looked like you had been up there for | :11:13. | :11:17. | |
every. Were you ever apprehensive or anxious or did you feel strong about | :11:18. | :11:25. | |
the performance? I was nervous about my performance. I went into the zone | :11:26. | :11:29. | |
where I converted the nerves into positive energy and let it shine | :11:30. | :11:33. | |
through in my performance. He is good, isn't he? He is good! How was | :11:34. | :11:41. | |
Let's Dance up there, your capetastic out fit with Sophie May | :11:42. | :11:46. | |
and Will. We had so much fun on the stage. So much fun... It felt | :11:47. | :11:51. | |
relaxing, very cool. The seriousness of performing. We had fun. The most | :11:52. | :11:55. | |
important thing to me was having fun. Make sure you enjoy yourself. | :11:56. | :12:00. | |
We fed off each other, bonded as well going to the Savoy hotel. With | :12:01. | :12:06. | |
your mums! This weekend you will do up to three songs. You are doing a | :12:07. | :12:12. | |
new one which is Wrecking Ball, Miley Cyrus. Here is Miley. Here is | :12:13. | :12:17. | |
how she sings it. We will forget that. We will hear it Jermain-style | :12:18. | :12:23. | |
this is piano he hersals earlier on today. | :12:24. | :12:27. | |
# Don't you ever say I just walked away | :12:28. | :12:29. | |
# I will always want you # I can't live a lie... # | :12:30. | :12:36. | |
We are loving it. Why is this a good song for Jermain? Will he be lifting | :12:37. | :12:43. | |
a sledgehammer on the stage? You are going to give away my secrets. I in | :12:44. | :12:48. | |
trouble? That was supposed to be a surprise. Man, we have to pick a new | :12:49. | :12:53. | |
song. Maybe it's an Ape Fool. Yeah, yeah! I'm kidding. Don't tell him he | :12:54. | :13:00. | |
you have to do it before noon or it doesn't count. You are doing a duet, | :13:01. | :13:04. | |
can you tell hi anything about that? No. Google bought my brain for $40 | :13:05. | :13:14. | |
billion - Really? April Fools. You get to sing a favourite, which has | :13:15. | :13:18. | |
been your favourite performance in your journey? I sing a favourite. I | :13:19. | :13:25. | |
was saying this earlier on today, it meant a lot to me when I started | :13:26. | :13:30. | |
performing publicly. Performing publicly! He was shy back then. The | :13:31. | :13:37. | |
movie inspired me to do much more of my singing. What movie? Am I meant | :13:38. | :13:44. | |
to give it away? Don't give it away! When I sang my song it was in a | :13:45. | :13:50. | |
competition in my school. I won the competition. Won the competition. | :13:51. | :13:52. | |
You heard that. Ladies and gentlemen, he won the competition! | :13:53. | :13:59. | |
He always like that. He is the best coach. Are you going to do anything | :14:00. | :14:02. | |
different on Saturday with your performances, or will you keep them | :14:03. | :14:06. | |
as he has always done? The same thing we ask last week! Exactly. He | :14:07. | :14:13. | |
is giving him the sweeties. Your family and your friends have been | :14:14. | :14:16. | |
standing by you. They have seen you go through this journey. They have a | :14:17. | :14:20. | |
few messages for you, Jermain. Enjoy this. Jermain as a son is brilliant. | :14:21. | :14:27. | |
He is always there to help me. He's always there to give me advice. It's | :14:28. | :14:35. | |
a pleasure to have Jermain as a son. As a twin brother Jermain is | :14:36. | :14:40. | |
extremely supportive. And, honestly, I can always rely on him. He's | :14:41. | :14:48. | |
always singing at home. Always - nonstop. First time I heard him sing | :14:49. | :14:53. | |
everyone was blown away by his voice. Even I was. I never knew he | :14:54. | :15:00. | |
was amazele He works so hard. Results come in time. Dream! | :15:01. | :15:13. | |
# HA is still a chair... # When you hear him sing, you think, why is he | :15:14. | :15:21. | |
standing in front of me, and not standing in front of 30,000 people? | :15:22. | :15:27. | |
When Jermain sings, it gives me goose pimples. He's got a God gifted | :15:28. | :15:35. | |
voice. Makes me very proud. # Still in love with me. It's Not | :15:36. | :15:46. | |
your beautiful mother. She is wonderful. And your friend also. | :15:47. | :15:53. | |
Saturday, how you feeling at this point before the final? I'm focused. | :15:54. | :16:04. | |
I am focusing on the ending goal, and focusing on my performance, how | :16:05. | :16:09. | |
to deliver that, and I'm focusing on the competition and how I can do | :16:10. | :16:14. | |
what I need to do in order to make sure I get the top spot. You are so | :16:15. | :16:20. | |
grown up. Have you heard from your cousin, Eddy Grant? He has given me | :16:21. | :16:26. | |
words of wisdom so I fully appreciate them. Are you excited for | :16:27. | :16:32. | |
Saturday? You are related to Eddy Grant? I didn't know that. You are | :16:33. | :16:40. | |
learning a lot today. I'm Blake steady grant. April fool! Good luck | :16:41. | :16:45. | |
for Saturday. Give it up Will.i.am and Jermain! Don't forget you can | :16:46. | :16:51. | |
download Saturday's performances from Jermain and indeed all the | :16:52. | :16:54. | |
finalists by heading to the Voice website. 20p from every download | :16:55. | :16:57. | |
goes to the BBC performing arts charity. With a place in the coveted | :16:58. | :17:03. | |
final at stake, all of the acts pulled it out of the bag with their | :17:04. | :17:06. | |
performances on Saturday night. Here to sing their praises is vocal coach | :17:07. | :17:11. | |
Ali Tennant. I've worked with some of the biggest names in pop, Jessie | :17:12. | :17:17. | |
J, one direction, JLS. I love nurturing new stars. From the | :17:18. | :17:23. | |
rehearsal studio, to the world stage for them that's what it's all about | :17:24. | :17:26. | |
for me. Please welcome back Ali Tennant. | :17:27. | :17:26. | |
APPLAUSE Hello, darling. | :17:27. | :17:34. | |
Don't play any tricks on me. How much did you enjoy Saturday? How | :17:35. | :17:39. | |
anxious do you get before they perform? I get super anxious because | :17:40. | :17:43. | |
a lot of the time and the last person they see before they go | :17:44. | :17:47. | |
upstairs onto the stage, and you give them so much energy over the | :17:48. | :17:52. | |
week and it's like you are walking on with them so you get nervous and | :17:53. | :17:55. | |
anxious. It's like your child, you know. And they don't let you down. | :17:56. | :18:01. | |
They have all been so brilliant. Would you believe it, they are all | :18:02. | :18:05. | |
fast passes? Who would have thought it. Who knew? It shows that they | :18:06. | :18:14. | |
know what they're talking about. I don't know how it goes. It's a | :18:15. | :18:19. | |
surprise but, at the same time, they were great. Let's have a closer look | :18:20. | :18:25. | |
at your boys from Saturday. Here is Team Kylie and Jamie Johnson. # No, | :18:26. | :18:35. | |
you won't, because I can't make you Love me # If you don't... | :18:36. | :18:44. | |
It gets me every time watching him sing that. Tom Jones said | :18:45. | :18:51. | |
afterwards, Jamie really sounded like he had lived that song. He | :18:52. | :18:55. | |
threw those emotions. It's impossible because it's only 19. How | :18:56. | :19:03. | |
do you help him? Zoe, I can't exactly help him with the emotion of | :19:04. | :19:07. | |
a song. What I can help him with is the dynamic so it's loud to soft and | :19:08. | :19:17. | |
soft too loud, which pulls you in. You got me, you got me. Sorry, | :19:18. | :19:23. | |
sorry. Yeah, you know, it helps with pulling the listener in, and giving | :19:24. | :19:29. | |
them the heart tug. It really does work. We've got a never- seen-before | :19:30. | :19:34. | |
exclusive clip for you now. This is Jamie in the open auditions. Never | :19:35. | :19:39. | |
seen before. Look, little Jamie. # I've got to change my answering | :19:40. | :19:45. | |
machine. # Now that I'm alone. # Come to the phone # And I know it | :19:46. | :19:49. | |
makes no sense... Can you see the changes in his voice | :19:50. | :19:59. | |
since then? Big-time. There's a lot of pronunciation changes, breathing | :20:00. | :20:03. | |
changes. He has got the full package now. Now we have thrown a lot of | :20:04. | :20:10. | |
different genre that, rock, pop ballads. He has grown in a short | :20:11. | :20:15. | |
period of time, so you can feel that now. Come on, Jamie. Now let's move | :20:16. | :20:19. | |
on to Jermain from Team Will. Here he was on Saturday. | :20:20. | :20:37. | |
Come on! So brilliant! A phenomenal ending. And of course, that trick | :20:38. | :20:46. | |
with a microphone for some how tricky is that? First of all, the | :20:47. | :20:49. | |
breathing technique you have to do is applied to do that, you have got | :20:50. | :20:54. | |
to fill your lungs, control those notes from the diaphragm. You have | :20:55. | :21:00. | |
some vocal lessons. I'm a long way from that, believe me. He had to | :21:01. | :21:08. | |
control the diaphragm and use that. Really manage his breath and | :21:09. | :21:16. | |
obviously, the trick that are used, it's the dynamics, again. Going from | :21:17. | :21:20. | |
loud to soft just using the microphone. Luther Vandross used to | :21:21. | :21:27. | |
do that. That's what he did. It was so impressive. We loved it. Here is | :21:28. | :21:34. | |
Jermain in his first audition. # Walk on, walk on, with God in your | :21:35. | :21:45. | |
heart # And you'll never walk alone... | :21:46. | :21:49. | |
Nice. It's like you're standing in church there. How much has he | :21:50. | :21:59. | |
changed? Big time. He has grown again. He is used to sing gospel | :22:00. | :22:06. | |
stuff, singing classical records. Now we have thrown in a lot of R, | :22:07. | :22:14. | |
up-tempo, so he has grown. In the clip, actually, his breathing is not | :22:15. | :22:18. | |
as good as it is now, so we have definitely made him grow and we have | :22:19. | :22:24. | |
pushed him. And they are all going to go out. Who will win? Good | :22:25. | :22:29. | |
question. I don't know. I knew you would not say. Will you come back on | :22:30. | :22:35. | |
the show on Friday? 100%. Thank you. We'll see you again on Friday. But, | :22:36. | :22:40. | |
for now, Ali Tennant, everyone! Time now to put my singing under scrutiny | :22:41. | :22:43. | |
with another masterclass from Maureen. Brace yourselves! This | :22:44. | :22:51. | |
could get ugly! I am Maureen Scott, a singing teacher and a vocal coach. | :22:52. | :22:58. | |
I have put loads of pop stars, people in major West End shows. The | :22:59. | :23:02. | |
whole thing about teaching singing is rewarding. Please welcome back | :23:03. | :23:07. | |
the incomparable Maureen Scott! APPLAUSE | :23:08. | :23:13. | |
Thank you are coming back foot I have been practising my hamster | :23:14. | :23:17. | |
face. And hopefully, let's have a recap of | :23:18. | :23:24. | |
the basics. Left luggage alignment, make sure you're standing correctly. | :23:25. | :23:28. | |
Straighten your knees of it. -- left luggage alignment. Put your hands on | :23:29. | :23:34. | |
your tummy. Release it and breed. Well done. And again. Brilliant. And | :23:35. | :23:42. | |
breed, and again. Fantastic. Now go VVVVV. VVVVV. And release, again. | :23:43. | :23:56. | |
And silent. And release. I'm not sure where my tummy is meant to be | :23:57. | :24:00. | |
going now. You will feel it going but it also holds for you. I will | :24:01. | :24:05. | |
hold your tummy for you. It'd comforting? IIIIINNNNGGG. And again. | :24:06. | :24:24. | |
IIIIINNNNGGG. And breed. Well done. I have to breathe through my mouth, | :24:25. | :24:31. | |
not my nose. Puffy cheeks. OK, puffy cheeks. I can feel a connection down | :24:32. | :24:36. | |
there for that what we going to learn today? Retraction, and opening | :24:37. | :24:42. | |
up of the throat. It's like giggling, laughing. I love your face | :24:43. | :24:53. | |
when you do it. What is that doing? One set of vocal folds sits on top | :24:54. | :24:58. | |
of the windpipe and they move like this. The other set on top of those, | :24:59. | :25:04. | |
OK, and these ones can squash those, and that's what happens when you're | :25:05. | :25:09. | |
feeling strained. If you have not warmed up. Hitting higher notes and | :25:10. | :25:16. | |
are not going properly. You have to giggle. With that face? Yes. | :25:17. | :25:26. | |
CHEERING I did it, everyone. It takes people | :25:27. | :25:34. | |
ages to do that. Let's do it. Can I sing now? That feeling, to the big | :25:35. | :25:47. | |
wide shape here and go MEE MA MEE MA MEE. MEE MA MEE MA MEE. Very good. | :25:48. | :25:58. | |
Go up a bit. The crew are shaking their heads. It was really good, | :25:59. | :26:03. | |
folks at home, and it takes ages to get that. MEE MA MEE MA MEE. MEE MA | :26:04. | :26:14. | |
MEE MA MEE. Now, to help you go up, what we can do is tilt. That means | :26:15. | :26:21. | |
that this, your thyroid, your vocal folds are in, and when you whine | :26:22. | :26:26. | |
like a puppy, quietly so you feel the muscles. So, | :26:27. | :27:03. | |
for people at home, this takes practice and you need to practice it | :27:04. | :27:10. | |
slowly. That's right. No sound at all? No sound, just feel the | :27:11. | :27:23. | |
muscles. And now Syron to the top of the range. IIIIINNNNGGG. Big smile. | :27:24. | :27:32. | |
IIIIINNNNGGG. I don't know what my face is doing. I apologise. Go. | :27:33. | :27:41. | |
IIIIINNNNGGG. IIIIINNNNGGG. Very nice. You can sing up there as well. | :27:42. | :27:48. | |
We are doing smiling and tilting. What will that give us? It makes us | :27:49. | :27:54. | |
sound pretty. It goes higher in the range, so we will do that. Tilt | :27:55. | :28:08. | |
silently. We will sing unchained Melody. | :28:09. | :28:14. | |
# Whoa, my love. # My darling. | :28:15. | :28:25. | |
# I hunger for your touch #. Go. OK, two seconds. Here we go. Tilt. OK, | :28:26. | :28:33. | |
release your tummy. # Whoa, my love. | :28:34. | :28:38. | |
# My darling. # I hunger for your touch #. Well | :28:39. | :28:44. | |
done. APPLAUSE | :28:45. | :28:50. | |
There goes my panto career. Thank you, Maureen. I'd like to say | :28:51. | :28:56. | |
it's been a pleasure. It's been painful. The next time we see little | :28:57. | :29:01. | |
beef from a very big performance from the two of us together. Give it | :29:02. | :29:06. | |
up for Maureen Scott! Well done. Thank you. That's it for today. | :29:07. | :29:13. | |
Thanks to all my guests. Tomorrow, the Voice godfather Tom Jones will | :29:14. | :29:16. | |
be here so if you've got any questions for him, send them in. | :29:17. | :29:20. | |
He'll be joined by his finalist Sally Barker. Plus vocal vixen Yvie | :29:21. | :29:23. | |
Burnett is back to look at the remaining finalists. See you | :29:24. | :29:25. |