22/03/2016 Too Much TV


22/03/2016

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On yesterday's show Bill Turnbull led a yoga class near the studio.

:00:10.:00:15.

Unfortunately, Aled got a bit carried away. It's me and Sara who

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will be guiding you through the highlights including Greg McHugh who

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is here to talk about a new drama series The A word. I bet Aled is

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fine, he is just wagging it APPLAUSE

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Hello and welcome. Of course, we were joking about the yoga. Aled is

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poorly. He is resting at home. We know he is watching. Get well soon,

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Aled. We love you. Well, we are fond of you. Coming up we are joined by a

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lady who has more talent than I have teeth and I am toothsome. She is an

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actor, singer, comedian, Queen of impersonations, she's Debra

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Stephenson and hereditary to talk us through the -- and is here to talk

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us through catchphrases. Another star will be telling us which

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legendary show she would like to bring back. Here is a clue, it

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starred a medical examiner who had a sidekick called Sam. And another

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show for you, we have professional warm-up artist Karl Lucas. Greg

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McHugh is here ahead of tonight's first episode of The A-Word. First,

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in other news there is going to be a Fawlty Towers stage show, girls and

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boys, isn't that exciting? Here is Stephen Hall introducing the new

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Basil. Fawlty Towers fact fans, in the 80s, America did their own

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version, they called it Amanda's by The Sea. Here is their Basil, a

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lady. Look at that lady face. She us a called Bea Arthur and of course is

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Dorothy in Golden girls. After saying hello to the new Basil we are

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saying bye to another classic TV character, Barbara Windsor. She

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started to film her final EastEnders scenes as Peggy Mitchell. Get out of

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my pub! The soap posted a photo right there of Dame Babs dressing

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room to she she is on set but not for long. Peggy will make a final

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appearance in late spring. She's been part of the cast for so many

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years now, I think it's going to be emotional. Of course, I don't

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believe she's going until I see BBC security Escort her off the premises

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of the set, I don't believe it. She is back and forth on it. Time to

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meet our first guest, Greg McHugh. He is a BAFTA nominated writer, and

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star of the Newham dra The A word, here is talking about his grandson.

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She had a follow-up at the hospital today. Stay out of their business.

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Don't be ridiculous, it's my grandson. It's my business too. It

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must be great being so certain about everything. Are you saying the boy

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is normal? Are you saying there is nothing wrong with him? Come on!

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Go absolutely bonkers for Greg McHugh!

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Thank you very much. Your people love you. Well, I love them.

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Two things. First, Christopher Eccleston playing a grandad makes me

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feel old. He is bt fitter than me. Lovely man. Can we talk about the

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leg? Yeah, we can talk about it. Crutches. It was one of those, when

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you do too many spins and you kick. It was like too many. It was one of

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those rotation ones. A street fight? It was a massive street fight. You

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should see the other 25 guys. We heard you slipped at a party. Did

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you? OK. All right. Tell us about The A word. There's been a kerfuffle

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about it. There is a buzz about it? A young guy has been diagnosed being

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on the autism spectrum. It's about how the family cope with the

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diagnosis and how the family discover their own communication is

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lacking and the impact that has. It's emotive but also has lovely

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moments of light and shade and comedy, not strict comedy, it's a

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mixture of things going on. You play uncle Eddie. What is he about? I

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play poor old Eddie. Eddie has come back into the family fold. His

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business in London is failing. His wife's had an affair. He is a lucky

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guy. Like myself. So, it's really an interesting piece because the main

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strand is the diagnosis of Joe, the character, but also the other

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strands of Eddie and his wife and what's happened. Stuff like that.

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Lucky to be part of it. I read it was a personal thing for the writer.

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Peter Bowker. Why is that? I think Peter had worked with people with

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special needs and people on the autism spectrum for around 12 years.

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He had obviously - it's something close to his heart and he has

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experience of that. He managed to get it into this form. You can

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really tell because the scripts are very heartfelt and it's a moving

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piece. Also the little boy Joe is played brilliantly by Max. It's a

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demanding role. It was, yeah. How did that work? He is phenomenal. He

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is a six-year-old boy. He is not on the autism spectrum but he is

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playing a boy who is. So, it took a lot of kind of explaining but not

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overexplaining to this young guy. You are playing this individual who

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has some difficulties or some positives... How did they do it?

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They said you have to look dreamy now, did they use different ways?

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There was all kinds of phrase to see get the performance out. Max had a

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really kind of bizarre and natural understanding of what he was doing.

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Yeah, you would have shortcuts to do. He is just mess meshic on the

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screen. He is six. Did he have days where he didn't feel like playing

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it? No. No, overall he was brilliant. Long days and obviously

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had the chaperone. It's still a challenging job. You filmed in the

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Lake District. Emma thinks I am daft asking this, did you do any

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canoeing? This is a serious interview! A bit of Orienteering? In

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November after a 12-hour day, anyone off for canoeking? I fancy that? We

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did go for walks and stuff. There wasn't that many hours of light. We

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did get out, it was the local pub. You have done writing yourself

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before. Yeah. With Gary Tank Commander. That could be the next

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one I do. There you are. I got quite excited. The uniform.

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The uniform and the crutches got you wild, didn't it? That's the ideal

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combination. What an insight. What do you prefer, do you prefer writing

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side or being an actor? No, being an actor is better. If you do the

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quality work that Peter is going to give you words for or Sam and Jessie

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from Fresh Meat to do those words is great. On your own, writing is like

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you have to get up and do it. That takes ages. More like proper work.

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When other actors are doing your script how do you feel about that?

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That's good, if they get it right. It's lovely. It's a real honour if

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someone else is doing your work. Overall, I enjoy writing but I

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prefer probably acting. Let's watch a little bit of Fresh Meat because I

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know fans are obsessed with you as Howard with a hairy face there.

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JP played by Jack Whitehall. Was it fun to film? Was there improv going

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on? Not a lot. Occasionally there is but the scripts are tightly written.

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Occasionally Jack and I did play a little bit but we were reined in and

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stick to the words, because they worked. Instead of just jazz it up.

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No, it's not as funny. Stick to it, sunshine! It's good and it works and

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they're brilliant writers. It works. People love it. It's about students

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at university. If you have not seen, it it's hugely popular. You can

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catch it. Howard, what do you say to me and your lovely brain table

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taking a study cruise down the historic aquatic? Let me guess. Just

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pure hard core study. JP, I will not be joining you on your ship of

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fools. Brilliant. Fresh Meat does come to

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an end I am afraid. The A word is just starting. We can't wait to

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watch it, it's BBC One 9.00pm tonight. Thank you so much, Greg!

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Thank you so much. Hope your leg gets better. Thanks.

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You are probably going to find a rice crispy when you take that off.

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A whole box I think. What links together Juliet Bravo, Worzel

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Gummidge and Blankety Blank? All your tattoos? Well done. It's also

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the three shows that our TMTV celebrities have said they want to

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bring back. Tonight it's Tim Vine's choice.

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My name's Tim Vine and I would like to bring back Quincey.

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The central character is called Quincy played by Jack Klugman.

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Possibly the best wig ever in television. He is very passionate

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about his job as a medical examiner. His job is when someone's died he

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looks at the body, what have they died of? We are looking at murder in

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the first degree. Most doctors deal with what's in front of them. And

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the stuff that's for the police is for the police. No one told Quincy

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that. He is hungry for justice and to hell with the rulebook. What

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about right or wrong? This man is a medical examiner and ends up almost

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always in a fist fight with a crook. I believe the show started in 1976

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tan ended in 1983, so about seven years and in that time did 148

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episodes. My parents and I once we discovered Quincy that was it. I

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love the fact he is almost always angry: You almost expect to see him

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shouting at his cereal in the morning. How long does it take to

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plan a lousy wedding? These things have to be checked and double

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checked! Always almost single case he is involved with he always ends

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up going to his superior. Inside, please! Whose name I don't know. He

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says... We are being used by Brady, by the politicians and big orpgs

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corporations. The sidekick, unnaturally placid Sam who pretty

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much takes everything on the chin. Do you have the death certificate

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made up? You are a ray of sunshine. What is he still doing working with

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Quincy? You always make an argument out of things. You throw into the

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mix a short policeman with white hair who really thinks police

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business is police business and it's none of Quincy's business. What's

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going on? One of the great things I love is the way it's filmed. That

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sort of everyone's dressed as though they're from the 70s. Because

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they're from the 70s. It's got a lovely look to it. At the end of

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every episode they all go to this pizza restaurant and go did you get

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the guy in the end? I did, yeah. There's something wrong with this

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pepperoni. Tell me about it. They all pause like that. Well, it's a

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freeze frame. These are the days they used to do a freeze frame at

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the end of the episode. You know, television takes itself too

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seriously now. Let's have more freeze frames before the credits.

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When you get a character that you really love you end up feeling a

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certain amount of affection for him. Really? So I love Quincy. It's a

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brilliant show. They should bring back Quincy.

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Ah! Wasn't that great everyone? Wasn't it good everybody?

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You lot need warming up, seriously guys. Luckily we have a man here who

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is great at that job. TV warm-up artist Karl Lucas is here.

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En Karl, you are a professional warm-up act for TV. For those who

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don't know what that means, can you tell us what you do.

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I come in and entertain a crowd of people watching a TV show. Sometimes

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on a TV show it takes three or four or five hours to record a one-hour

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or 45-minute show. This is live. This is great. You have a studio

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audience here, if you did, it would be better. A live show is brilliant.

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On a pre-recorded show, you can take a long time so you need an idiot

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like me to tell jokes, keep them all lively and have a good laugh. What

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shows have you done? The Voice, Strictly Come Dancing, X Factor,

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Loose Women is my favourite, ten years I have done that. Celebrity

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Juice. Loads of shows. We have a clip of you from this afternoon's

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Loose Women. This is what you do, you get them all excited about the

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show. This is before they come in? Basically, they coming in and you

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have to get them to a level where they are going to enjoy your show,

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have a laugh. It is great. I love a bit of backstage, behind-the-scenes

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of Loose Women. What are you doing there? It is like some sort of cult,

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almost! Yes. Were they shaking hands, meeting each other? It is

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like Butlin's. Not Butlin's. It is about having fun and let them know

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they can enjoy the show as much as the people at home. Is there a show

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that is tricky to do? A particularly type of show? The first show was the

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hardest, University Challenge. Tough crowd! Especially when they are

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clever. This lot will laugh at anything! It was tough. Half the

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audience were young people and half were, like, older people shipped in.

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And then I had to, like, do jokes across the barrier. It didn't work.

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I did get an old woman make Jeremy Paxman do a Bruce Forsyth

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impression. AS SIR BRUCE FORSYTH: Nice to see

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you, to see you nice! Other celebs, famous comedians, they started off

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doing your gig, like Peter Kay, Jimmy Carr, is it a good place to

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start? Most comedians want to try material out on an audience and get

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in there and start their career off. I'm a bit lazy. I enjoy doing

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warm-up. I'm more of an entertainer than a comedian. You are top of your

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game at doing this. I love doing it. Most move on. Peter did it on

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Parkinson, and then... Alan Carr was on Jonathan Ross. How did you get

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into it? I have always been an idiot. I like to show off. I like

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making people laugh. The idea of - I started at college, I did game shows

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in the break, I was hosting things. I went on to studios tours, a friend

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of mine saw me and said, "Come over and do University Challenge." We

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have some clips of you with your celebrity friends. We have a nice

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snapshot of you where you have grabbed hold of Sir Ian McKellen.

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Where was that? At Jonathan Ross. He was lovely. I did a game in that

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show, I do a game thing where I get all the women to stand up and say,

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"Let's play the oldest woman in the audience game." The last oldest

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woman will say, "Your prize is, you get to stand for the rest of the

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show." He was, like, I was having a picture with him, he was, like, "Who

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was the oldest woman in the audience?" He was so nice. Thank you

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very much for joining us. You are a show pro. Go wild. We should applaud

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him! APPLAUSE Thank you. Our next guest was Shell

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in Bad Girls. She was Frankie in Corrie and she's been Davina McCall,

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Kylie Minogue, Joanna Lumley and Claudia Winkleman. It is

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impressionist, Debra Stephenson. AS CLAUDIA WINKLEMAN: He is really

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yummy if I can say that out loud. He does this thing. The other man, who

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has a red-head and no face, he's on the other side and he goes boom,

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crash! Someone goes no! How good is that? Welcome, Debra.

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I think it is such a brilliant skill to do impressions like that. In the

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meeting earlier on, we were like... That was brilliant. You have done

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all sorts of things. You do impressions, you have danced, you

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have sang. I want to go back to your acting. I loved Bad Girls. I loved

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you in it. I loved you in Corrie. How did it feel to be part of two of

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the biggest shows we have had on TV? Good, really. I feel very lucky. Bad

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Girls, in particular, was just great fun. We had no idea what it was

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going to be like, whether it was going to be a hit, or a massive

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miss, or what. There you are. It was really - it was a serious drama and

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it ended up with me running around in PVC with papier-mache. I didn't

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want to say too much about it... The kind of show this is and the kind of

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show that was! Let's leave that! Let's talk about your impressions.

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Incredible, we'd love to learn to do some. Is now the time? Or maybe

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after the show? I can give lessons. Where did it all start? Were you

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naturally a mimic around your family, could you take people off?

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It was a family thing. My dad used to do impressions. We watched Mike

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Yarwood. We had a shot at it. And I used to - he taught me how to do it.

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I would do Margaret Thatcher. AS MARGARET THATCHER: When I become

:19:59.:20:06.

Prime Minister. But I was six! It started from there. I used to listen

:20:07.:20:11.

to lots of music. The first sing I bought, or was bought for me was

:20:12.:20:17.

Kate Bush. So I have kept Kate Bush and the records that I used to

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listen to of my grans, Shirley Bassey, Cilla Black. I had the ear

:20:23.:20:26.

for it because of my dad's impressions. I have kind of held on

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to them all and... They are all in the act now. They are all the

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classic '80s ones, Margaret Thatcher, Cilla. You did Cilla

:20:36.:20:41.

earlier. I'm awful. I thought it was really good.

:20:42.:20:51.

AS CILLA BLACK: A lorra-lorra laughs... That was awful! You do it

:20:52.:20:55.

much better. AS CILLA BLACK: It is a tribute to

:20:56.:21:05.

Cilla... Lovely. Didn't you do Spitting Image when you were 16?

:21:06.:21:09.

That is incredibly young. You did so many voices. I sent a cassette in.

:21:10.:21:19.

Remember them? Yes! Kate Robbins, she was on there all the time, she

:21:20.:21:23.

was having a baby. They said, OK, come along and you can do a few

:21:24.:21:29.

voices in the show. Wow, really? What was your favourite? I got to do

:21:30.:21:34.

Esther Rantzen. AS ESTHER RANTZEN: Yes, That's Life.

:21:35.:21:41.

There's a vegetable, that we can't mention... We want to talk about TV

:21:42.:21:47.

catchphrases. As an impressionist, they are a gift, aren't they? I

:21:48.:21:50.

mean, not for you, but for people who were quite bad at impressions.

:21:51.:21:54.

If they can say a catchphrase, people know who they are trying to

:21:55.:21:59.

be. They do. Again, there is a bit of this in my act as well. I like to

:22:00.:22:03.

look back as well as coming forward to the really modern ones. We all

:22:04.:22:08.

love programmes that we remember, we remember them by their catchphrases,

:22:09.:22:12.

like... Hello, campers, hi-de-hi. I don't

:22:13.:22:29.

believe it! Surprise surprise! Ooh, Betty, I think I got it wrong again.

:22:30.:22:35.

Come here, there's more. Good God, Miss Jones. Oh Mr Rigsby! Wow! Stop

:22:36.:22:47.

messing about. That was my entire childhood in one moment! We have

:22:48.:22:52.

also got some of our favourites. First up is a comedian who wouldn't

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have made half the impact had he not come up with some of these

:22:57.:23:01.

catchphrases, it is Harry Hill. Sorry, Harry Enfield! Morning,

:23:02.:23:10.

morning, good morning young man! That is so unfair, I hate you.

:23:11.:23:15.

Lovely job. Loads of money! Alright, alright, calm down. We appear to be

:23:16.:23:22.

considerably richer than you! That was Harry Enfield! Next an

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entertainer who speaks almost entirely in catchphrases. He's been

:23:32.:23:37.

on TV since 1939. It is the legend that is Bruce Forsyth. Nice to see

:23:38.:23:45.

you, to see you... Nice! Over there, they are so appealing, OK, dollies,

:23:46.:23:49.

do your dealing! Alright my love? Alright my love? Didn't he do well?

:23:50.:23:53.

Didn't he do well? Didn't he do well? Oh, have a twirl, have a

:23:54.:23:58.

little twirl. Worth a twirl. You are my favourite! You are my favourite!

:23:59.:24:05.

Nice to see you, to see you... Nice! Keep dancing! Ah. Finally, a couple

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of comics whose sketch show was loaded with catchphrases, it is

:24:14.:24:16.

Walliams and Lucas in Little Britain. Look at my eyes. I am the

:24:17.:24:23.

only gay in this village and that is that! Everybody dance. Which one do

:24:24.:24:31.

you want to be? That one. Write the theme tune, sing the theme tune...

:24:32.:24:39.

Yeah, but, no, but... Computer says no. You are back in the room! I am

:24:40.:24:47.

still reeling from the mega mix! Some fantastic ones. If you get too

:24:48.:24:52.

good, you get people shouting them at you. Like the Richard Wilson.

:24:53.:24:57.

AS VICTOR MELDREW: I don't believe it! I'm a lady to David Walliams.

:24:58.:25:10.

Face bovvered? Thank you, Debra Stephenson. Now, then, it is time

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for the biggest decision of the day... What Are We Watching Tonight?

:25:16.:25:16.

! Something you might want to watch

:25:17.:25:34.

tonight is Channel 4 at 9.00pm, it is One Born Every Minute. 54 cameras

:25:35.:25:39.

rigged in a maternity ward capture the journey of an expectant mother

:25:40.:25:46.

through labour. This week, Jo and her parents get ready for a close

:25:47.:25:51.

encounter of the alien kind. Looks like an alien. Always reminds me of

:25:52.:26:03.

encounter of the alien kind. Looks that film Alien. They come out like

:26:04.:26:11.

aliens. Alright! Do you need to lie down? I might do in a minute. These

:26:12.:26:18.

are all new experiences for your dad. It is always the men who are

:26:19.:26:22.

moaning on this show. They need the gas and air! I was giving it a bit

:26:23.:26:30.

of that, was you? Keep moving! It is not for the faint-hearted. But it is

:26:31.:26:35.

still pretty magical when a baby arrives. I don't know about you, but

:26:36.:26:39.

I do get very, very emotional when I watch this. My other half leaves the

:26:40.:26:45.

room going, she is crying again! So far, 221 mums have been featured

:26:46.:26:56.

over 88 episodes. We will see the biggest baby born on the show

:26:57.:27:05.

weighing a hefty 11-pound 4-ounces. That is One Born Every Minute,

:27:06.:27:12.

Channel 4 at 9.00pm tonight. There is a brand-new series, we tried to

:27:13.:27:19.

tell you last week, it is on the History Channel at 10.00pm. It is

:27:20.:27:26.

called Black Sails. It's a swashbuckling series from the US! It

:27:27.:27:35.

stars Toby Stephens as Captain Flint from Treasure Island. Have a look.

:27:36.:27:43.

We control something so valuable. All of England wants it. There is an

:27:44.:27:48.

opportunity at hand. We just all need to agree to take it. There is

:27:49.:27:59.

no we. Partnership, between your crew and mine. We have gone too far

:28:00.:28:05.

to turn back. I think you are going to attack that beach and seize

:28:06.:28:10.

everyone... I intend to be a captain again. Did that swash your buckle?

:28:11.:28:19.

It did. Tonight is episode two of the series, so you can catch up. It

:28:20.:28:26.

is pretty good. Very good. That is all we have time for tonight. Before

:28:27.:28:31.

that, Greg, what TV theme tune are you playing for us tonight? Look at

:28:32.:28:36.

that. MUSIC: Crystal Maze Theme Tune

:28:37.:28:45.

The Crystal Maze. Join us tomorrow when we are joined by Emma Spitzer

:28:46.:28:52.

and Tony Rodd from Masterchef. Plus Jason Mohammad is here to talk

:28:53.:28:55.

Crimewatch. Till then, goodbye. Good night.

:28:56.:29:00.

You and I, we're going to change this country.

:29:01.:29:05.

You run, and hopefully win, elected office

:29:06.:29:09.

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