Browse content similar to 23/03/2016. Check below for episodes and series from the same categories and more!
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Exciting Times. Spoons At The Ready. It Is Wednesday The 23rd Of March. | :00:08. | :00:18. | |
And In 90 Minutes, Tony Rudd Is Back. We Have Got last year's | :00:19. | :00:23. | |
finalists with us. Hello and welcome to the programme. | :00:24. | :00:40. | |
Nobody does that better than you. Tonight, Jason Mohammad tells us | :00:41. | :00:48. | |
about Crimewatch. Susan Calman visits somebody who makes sound | :00:49. | :00:54. | |
effects for the telly. Plus, we will have some classic TV moments on | :00:55. | :00:58. | |
today's date, nearly 30 years ago, in Windback Wednesday. And the | :00:59. | :01:04. | |
knives, forks and spoons will be out as we chat to last year's Tony Rudd | :01:05. | :01:10. | |
finalists. First, we are one step closer to seeing live coverage on | :01:11. | :01:16. | |
our screens, by all accounts, from the courts. It will be part of a | :01:17. | :01:20. | |
pilot scheme which is expect to start within weeks. As it stands, | :01:21. | :01:25. | |
Crown Court are open to the public but filming is strictly prohibited. | :01:26. | :01:28. | |
I am sure I will be rushing off to watch it. And you will not be able | :01:29. | :01:33. | |
to sneak in without your fans following you now! In other news, it | :01:34. | :01:42. | |
has been announced that new Robot Wars host Dara Brean is presenting a | :01:43. | :01:46. | |
new show all about computer games. It will cover 40 years of classic | :01:47. | :01:53. | |
games, and as well as the latest gaming technology... Thank you for | :01:54. | :02:02. | |
that! I was more Spectrum ZX! Bless you! On that embarrassing note, | :02:03. | :02:09. | |
let's meet our first guest. Yes, Tony Rudd is back on our television | :02:10. | :02:14. | |
tonight, with 40 new amateur cooks aiming for victory. Joining us now, | :02:15. | :02:21. | |
Emma Spitzer and Tony Rudd. But first, a little taste of the new | :02:22. | :02:26. | |
series. MasterChef is back. Searching for | :02:27. | :02:31. | |
the countries best amateur cook. How long does this normally take? Until | :02:32. | :02:38. | |
it is cooked! Two spoons, please. Each week, ten new contestants | :02:39. | :02:42. | |
battle for a place in Friday's quarterfinal. I think it is | :02:43. | :02:47. | |
magnificent. Only the strongest will make it through to the final | :02:48. | :02:54. | |
challenges. Oh! I love that! Please welcome Emma Spitzer and Tony Rudd! | :02:55. | :03:04. | |
First of, do you have your own detective show on the telly?! With | :03:05. | :03:10. | |
those names! Tonight, the tables are turned, you get to judge the food | :03:11. | :03:13. | |
instead of being judged. How was that? I prefer eating to cooking, | :03:14. | :03:18. | |
definitely. So much nicer being on the other side of the fence. Every | :03:19. | :03:22. | |
time we went in, we did not know what was going to happen anyway on | :03:23. | :03:28. | |
the show. So when we went into taste other people's, the first question | :03:29. | :03:30. | |
was, I'll be cooking today? It is nice not to. You really feel for | :03:31. | :03:36. | |
them. It must be nice to be back, to see everybody. Yes, I always wanted | :03:37. | :03:41. | |
to go back to the studio without the pressure. It was really exciting to | :03:42. | :03:46. | |
be back there. The main kitchen, is it a fully functioning kitchen only | :03:47. | :03:51. | |
it is, but it is a studio. Everything moves around. Every day | :03:52. | :03:55. | |
you walk in, it is in a different format. If you are at home and you | :03:56. | :03:59. | |
suddenly realise you need a colander, you open up your cupboard | :04:00. | :04:02. | |
and it is there. But when you are in the studio, if there is something | :04:03. | :04:07. | |
you have not got, somebody has got to run off and get it for you, which | :04:08. | :04:11. | |
adds to the pressure. And there is a special table? The condiment Island, | :04:12. | :04:17. | |
yes. Sounds lovely, this time of year! What will you wear?! Tell us, | :04:18. | :04:25. | |
so, with the filming, it looks like it is really intense. How do you fit | :04:26. | :04:30. | |
it into your normal lives? You don't. Everything else gets put to | :04:31. | :04:34. | |
the side. It is full on. You rarely sleep. You are not really eating | :04:35. | :04:39. | |
other than what you are cooking. It takes over, absolutely, your life. | :04:40. | :04:46. | |
Where your families just constantly eating whatever you were cooking? | :04:47. | :04:52. | |
Yes. I think I worked out that I cooked about 17 lamb racks in | :04:53. | :04:55. | |
preparation for my first one. That is almost a field! At the end of it, | :04:56. | :05:01. | |
no more lamb, please! Tell us some secrets about MasterChef that we | :05:02. | :05:07. | |
might not know. We always get asked two questions. We do not want the | :05:08. | :05:13. | |
answers to those! Everybody asks, is it cold when you are tasting it? | :05:14. | :05:18. | |
Because it is a TV show, and we have got the lovely voice-over, the food | :05:19. | :05:23. | |
does go cold. But the nice thing is, they walk around the kitchen with a | :05:24. | :05:29. | |
spoon, they are tasting out of your saucepans, they know what it is like | :05:30. | :05:32. | |
when it is hot. And when they bring the food into us, when we are | :05:33. | :05:35. | |
judging, who brings in the third plate? And it is a runner. Everybody | :05:36. | :05:41. | |
is always fascinated, who brings in that third plate. Does Gregg finish | :05:42. | :05:52. | |
all the puddings? What happens with the ice cream, I imagine it is | :05:53. | :05:56. | |
melted by the time they get to it? It is in the freezer and they get it | :05:57. | :06:01. | |
out right at the end. You have to keep an eye on the sound crew - | :06:02. | :06:07. | |
because they will have it. You are all supporting each other on the | :06:08. | :06:09. | |
show, but when you are their cooking and you can smell burning from | :06:10. | :06:14. | |
someone else, admit it, you must be a bit... Do you know what, you are | :06:15. | :06:19. | |
not. It is the least like a competition. You are only focusing | :06:20. | :06:23. | |
on what you are doing. You have not got time to look around at everybody | :06:24. | :06:27. | |
else. You are saying that, he is going...! In reality, you want the | :06:28. | :06:33. | |
other person that you are cooking with to do well, and the worst | :06:34. | :06:36. | |
person on the day to go home. When someone has a disaster, your heart | :06:37. | :06:40. | |
goes out to them because it could easily be you as well. Talking of | :06:41. | :06:45. | |
which, we found your disaster. Which is great, as I think it is Gregg who | :06:46. | :06:52. | |
says, it looks great! Emma, that is lovely. Thank you. Love the colours. | :06:53. | :07:03. | |
Oh, no! What went through your mind?! Where is the nearest cloth?! | :07:04. | :07:09. | |
I kind of felt it happening. I knew it was going to happensomething in | :07:10. | :07:14. | |
me just said, those are going to well, something is going to happen. | :07:15. | :07:18. | |
One wipe of the cloth, it was gone. That's why you are a professional. | :07:19. | :07:25. | |
The first winner back in 2005 of MasterChef went on to open a | :07:26. | :07:27. | |
successful chain of Mexican restaurants. And there have been ten | :07:28. | :07:31. | |
other winners. Let's have a look at the moment which changed their lives | :07:32. | :07:36. | |
for ever. Our winner is Peter. Stephen. James. Mata. True. Tim. | :07:37. | :07:49. | |
Natalie. Simon. Over the years, John Torode's town | :07:50. | :08:09. | |
has got even deeper, and his hair! He is more showbiz! There is a | :08:10. | :08:16. | |
79-year-old called Joe for this series, is that right? Apparently | :08:17. | :08:21. | |
so. Yes, we do not know much. It is good, because 79-year-olds just used | :08:22. | :08:26. | |
to walk around going, I am 79 you know! Good luck to Joe! Initial | :08:27. | :08:32. | |
series, it was very much all about home cooking. We had chicken rapped | :08:33. | :08:35. | |
in pancetta and things like that. Nowadays it is phones and purees | :08:36. | :08:43. | |
and... Stuff on a big white plate. Yes, splats. When you got home, did | :08:44. | :08:49. | |
you just give your kids beans on toast for a month afterwards? Yes, | :08:50. | :08:52. | |
fish fingers were my saviour definitely. Are you going to be nice | :08:53. | :08:59. | |
judges this evening? We tried to be but there were one or two disasters | :09:00. | :09:03. | |
in the show. And it is hard, because you want to be positive. Yes, you | :09:04. | :09:08. | |
want to be fair, you want to judge the food, but you feel for them. | :09:09. | :09:12. | |
That is back tonight, tomorrow night and Friday night as well, eight | :09:13. | :09:21. | |
o'clock on BBC One. Now, I know that Aled and I make this show look | :09:22. | :09:27. | |
completely effortless, but believe it or not, there is a team of | :09:28. | :09:30. | |
professionals behind-the-scenes, helping to bring you this TV magic | :09:31. | :09:33. | |
that you see now. Isn't there, crew?! Yes! Susan Calman has been to | :09:34. | :09:42. | |
meet one of those professionals, a Foley artist. I don't know about | :09:43. | :09:47. | |
you, but I never leave the house without a stick of celery and some | :09:48. | :09:52. | |
boiled pasta. ,, because here I am in Essex to visit the professionals. | :09:53. | :09:59. | |
I am told these will come in very useful. Is this all there is? More | :10:00. | :10:09. | |
carbs for lunch! Foley goes back to 1927. Microphones at the time | :10:10. | :10:13. | |
struggled to record anything but dialogue. Jack Foley came in | :10:14. | :10:20. | |
afterwards to record footsteps. The sounds of the props, the actors' | :10:21. | :10:25. | |
movements, and added them to the final film. 90 years later, and the | :10:26. | :10:31. | |
art of Foley is still going strong. Barnaby is responsible for creating | :10:32. | :10:34. | |
sound effects on loads of TV shows - like this. | :10:35. | :10:40. | |
WHY DO WE STILL NEED Foley artists in this day and age? | :10:41. | :10:54. | |
We are adding the gloss and the detail to the show. Do collect Jacob | :10:55. | :11:02. | |
before the child dies... What are some of the most challenging things | :11:03. | :11:07. | |
you have had to create? The really hard thing is the footsteps. Good | :11:08. | :11:15. | |
morning, Mrs Crawley. I did not know you were here. I have never been in | :11:16. | :11:20. | |
so much pain in my life, Barnaby. You are walking on the spot, but | :11:21. | :11:25. | |
with a bit of movement. You just sound like you are carrying a really | :11:26. | :11:30. | |
heavy object. Steady! This is what we use for woodland undergrowth... I | :11:31. | :11:35. | |
am in a forest! This is Downton Abbey. One of the oldest tricks in | :11:36. | :11:42. | |
the book, cornflour, to create the sound of slow. And dishwasher salt. | :11:43. | :11:47. | |
Sounds like Christmas! To recreate horses. An old belt. I understand, | :11:48. | :12:02. | |
you kiss your hand quite a lot? If people on screen are kissing, we | :12:03. | :12:06. | |
generally need to cover that. You generally get a bit of nasal work in | :12:07. | :12:11. | |
there as well. I think I have got it! Did you bring those things? Of | :12:12. | :12:20. | |
course I did! Fantastic. Pasta is great for making squelching noises. | :12:21. | :12:31. | |
And then, if you want to break some bones... Can I have a go at writing | :12:32. | :12:40. | |
some actual sounds on some real footage? Yes, I have got a couple of | :12:41. | :12:46. | |
clips up my sleeve. This is simply a pail of laundry? It is a couple of | :12:47. | :12:54. | |
elephants floundering around in a watering hole. We have a microwave, | :12:55. | :13:07. | |
a car door, and a heater. It is exciting. It is, yes. Can you bring | :13:08. | :13:14. | |
that suitcase over? And the bit of plastic? I can do this... | :13:15. | :13:28. | |
Nailed it. Can I trust you not to make any funny noises as I walk | :13:29. | :13:33. | |
away? You would be Foley-ish to carry on. | :13:34. | :14:01. | |
He nearly did a joke! I have been working on that all day. Are you | :14:02. | :14:07. | |
going to dance with me this week? No, I will leave that to you. It is | :14:08. | :14:16. | |
time for Windback Wednesday! Today, we are winding back the clock to | :14:17. | :14:22. | |
this very date 28 years ago, back to Wednesday the 23rd of March 1988. On | :14:23. | :14:32. | |
this day, Kylie Minogue was at number one for the first time. I was | :14:33. | :14:38. | |
17 with a face full of spots and I had already released many albums | :14:39. | :14:43. | |
worldwide. I was 14 and wearing a regrettable perm. You would have | :14:44. | :14:51. | |
enjoyed the long-running game show Going For Gold on that date. I loved | :14:52. | :14:56. | |
Let's welcome your host, Henry Kelly. | :14:57. | :15:13. | |
APPLAUSE Thank you very much. | :15:14. | :15:25. | |
The greatest game show ever, it is up there. I like the thing. He | :15:26. | :15:36. | |
hosted it for over 700 episodes. If you enjoyed the theme tune it might | :15:37. | :15:41. | |
be because it was written by an Oscar-winning composer who also | :15:42. | :15:48. | |
scored The Lion King. All the contestants were from different | :15:49. | :15:51. | |
European countries and they had four rounds. This is where they walk off. | :15:52. | :15:59. | |
Denmark is. This is the second round where Henry Kelly used to say, who | :16:00. | :16:04. | |
am I? There used to say, Henry Kelly. There is Peter, I liked him. | :16:05. | :16:10. | |
This was round three. He looks very serious. It looks like a job | :16:11. | :16:18. | |
interview. I loved the head to head. I love Peter, I am slightly absurd | :16:19. | :16:24. | |
comic he looks like a baddie. I loved Henry with his tiny question | :16:25. | :16:30. | |
cards as well. Is that because of a great paper shortage in 1988? It is | :16:31. | :16:38. | |
because he has big hands. Later on at 7:35pm there is The Clothes Show. | :16:39. | :16:55. | |
Skateboard moment. That is you arriving at work. It ran from 1986 | :16:56. | :17:03. | |
until 2000 and was hosted by Selina Scott, Jeff Banks, but we all know | :17:04. | :17:09. | |
Caryn Franklin was the true queen of the show. If it was hot right now, | :17:10. | :17:17. | |
it was on The Clothes Show. Here is Jeff Banks to explain. This may look | :17:18. | :17:22. | |
like an ordinary house in an ordinary street, but something very | :17:23. | :17:28. | |
strange is going on here. This is where the machinists are. Don't tell | :17:29. | :17:35. | |
me they are called Bill and Ben! I don't know. Hello, girls. How many | :17:36. | :17:45. | |
garments a week do you do? It depends, some weeks it is 60 and | :17:46. | :17:54. | |
other weeks it is 30. Hello, there is not enough highly flammable peach | :17:55. | :17:59. | |
polyester in the shops. I love the 80s, you could lock three women in | :18:00. | :18:02. | |
your shed to so with out questions asked. The TV show was so popular | :18:03. | :18:12. | |
and I used to go every year to the Birmingham NEC with my mother. I | :18:13. | :18:17. | |
always want to be spotted and be a top model. Did it happen? No. | :18:18. | :18:25. | |
Straight after that at eight o'clock it was Dallas. Here is a clip from | :18:26. | :18:32. | |
this date 28 years ago. Are you telling me she works for you? She | :18:33. | :18:38. | |
works for me? That is what you are saying. No, I am not. That is what | :18:39. | :18:46. | |
you are saying. I just want to help you. What are you doing? | :18:47. | :18:59. | |
More feuds than Celebrity Big Brother. You saw Larry Hagman and | :19:00. | :19:08. | |
Patrick Duffy slugging it out. It won four Emmy awards and gave us the | :19:09. | :19:14. | |
best cliffhanger of all time, who shot JR? Don't tell me. It was the | :19:15. | :19:24. | |
sister. After Dallas there was Points Of View and the news and then | :19:25. | :19:28. | |
it was off to bed to dream about brass. It was probably only me! Next | :19:29. | :19:35. | |
Wednesday we will wind back again to another date in TV history. Do we | :19:36. | :19:43. | |
have to? Jason Mohammad presents all kinds of programmes, rugby, | :19:44. | :19:47. | |
athletics, snooker, but he recently joined Crimewatch and he is here to | :19:48. | :19:48. | |
tell us all about it. Please welcome Jason Mohammad. | :19:49. | :20:04. | |
Crimewatch has been going for 30 years and it is a TV institution. It | :20:05. | :20:10. | |
is amazing. How did it feel when you join? It was a weird moment because | :20:11. | :20:16. | |
it is made in Cardiff and I do a radio show on radio Wales and I had | :20:17. | :20:20. | |
a phone call from the editors saying, I need somebody to read the | :20:21. | :20:26. | |
news on Crimewatch. I started off in the newsroom, and I have never | :20:27. | :20:30. | |
really lost that news edge and interest in crime. I said I would | :20:31. | :20:39. | |
love to. Are you about next week, will you pop down? It was a massive. | :20:40. | :20:48. | |
It makes a difference. I cannot remember another TV programme when | :20:49. | :20:53. | |
you are on edge and we are talking about serious crimes. Sometimes you | :20:54. | :20:57. | |
are standing in front of a camera and you may be doing a link and you | :20:58. | :21:01. | |
can hear the detectives behind you and they are getting calls from the | :21:02. | :21:05. | |
member of the public who have just seen a reconstruction and they are | :21:06. | :21:09. | |
dialling in at that moment. They are real detectives. Loads of people ask | :21:10. | :21:17. | |
the same question. They say when those people are on television, I | :21:18. | :21:23. | |
had a detectives? Is it quite nerve wracking being beside one of those | :21:24. | :21:28. | |
roles Royce 's? You haven't got a card disk. No, what is strange about | :21:29. | :21:36. | |
this is, see where Sophie is standing, I have to make sure I do | :21:37. | :21:40. | |
not walk behind her because it is a circular studio. You are given | :21:41. | :21:45. | |
positions and they are called offices and you have to make sure | :21:46. | :21:48. | |
that when she is doing her reading to the camera, or maybe doing an | :21:49. | :21:52. | |
interview, you do not walk behind her. With a cup of tea. 4000 cases | :21:53. | :21:58. | |
have been solved, who decides what goes on? I do not get involved in | :21:59. | :22:04. | |
that, it it is the production team and the editor. They talk to all the | :22:05. | :22:08. | |
detectives around the country and they work on maybe I'm solved crimes | :22:09. | :22:13. | |
or ones that have fallen out of the public domain. They almost rectify | :22:14. | :22:21. | |
what they have known beforehand. Cold cases. They really rely on the | :22:22. | :22:25. | |
public. Without the public Crimewatch would not work. | :22:26. | :22:29. | |
Absolutely and when we do the update show that is the really important | :22:30. | :22:35. | |
part of the show. That is where I may be doing an interview with a | :22:36. | :22:38. | |
superintendent leader and investigation and at the start of | :22:39. | :22:41. | |
the night they have nothing and by the end of the evening they are | :22:42. | :22:45. | |
talking about following things up the next morning. I have been | :22:46. | :22:49. | |
talking to a police officer and he has told me, they are finding that | :22:50. | :22:54. | |
person that very evening. Reconstructions have changed over | :22:55. | :23:00. | |
the years. The reconstruction as much an amazing. There was a | :23:01. | :23:03. | |
stabbing recently and I was sitting in the edit suite and I had tears | :23:04. | :23:08. | |
streaming down my face, I was heartbroken. The production team | :23:09. | :23:13. | |
talk to the families and these are families who have been devastated. | :23:14. | :23:18. | |
You have got to get that across. You almost have to detach yourself from | :23:19. | :23:23. | |
what you have broadcast. The idea is to solve the crime. When I was | :23:24. | :23:28. | |
watching it when I was little I was obsessed by Aladdin's cave. You | :23:29. | :23:34. | |
would say all sorts of golden goblets. That is how the show has | :23:35. | :23:41. | |
changed. It is an hour-long and we get through an awful lot. Somebody | :23:42. | :23:47. | |
next couple stuffed ducks. There is some fine china. Away from the | :23:48. | :23:53. | |
camera you do so much, so much sport. Is football the main dog? | :23:54. | :24:00. | |
That is my main job, my Saturday afternoon job went all the scores | :24:01. | :24:04. | |
come in. As a football fan it is a dream job. And your appearances on | :24:05. | :24:09. | |
Doctor who must have got you lots of fans. That is really strange. That | :24:10. | :24:16. | |
suits doesn't fit, it is an awful suit. That was when Russell T Davies | :24:17. | :24:20. | |
was writing the scripts and I was hosting a children in need dinner | :24:21. | :24:25. | |
for Doctor Who. I basically said if Russell T Davies is looking for a | :24:26. | :24:31. | |
new Doctor, I will happily do it. I sat back on the dinner table and | :24:32. | :24:35. | |
David Tennant was there with Billie Piper and the head of drama and he | :24:36. | :24:40. | |
said, do you want to be Doctor Who? This is why he is clever because | :24:41. | :24:46. | |
Doctor Who is done in Cardiff. Has there been a Welsh Doctor Who yet? | :24:47. | :24:54. | |
No, there has not. I became the cameo newsreader. I heard you would | :24:55. | :24:59. | |
not mind doing celebrity Masterchef in the future. I like cooking at | :25:00. | :25:07. | |
home. What is your top this? I make a phenomenal curry. It is not just | :25:08. | :25:13. | |
good, it is phenomenal. Thank you for coming in. Jason Mohammad. What? | :25:14. | :25:27. | |
You know what I am talking about. You cannot say that on national | :25:28. | :25:32. | |
television. It is time for the biggest decision of the day. What | :25:33. | :25:36. | |
are we watching tonight? Honestly. Sorry. Tonight on Channel | :25:37. | :25:59. | |
4... I was dismounting. It is like some kind of superhero whose special | :26:00. | :26:03. | |
power is pioneering prosthetics and he saves the lives of bully pets. I | :26:04. | :26:10. | |
love the show. Tonight it is or death situation for a great Dane | :26:11. | :26:20. | |
called Mr Jones. Mr Jones. He has got four in his neck that are | :26:21. | :26:29. | |
squashed. It is a big deal. The bottom line is we will lose him if | :26:30. | :26:33. | |
we do not do anything. It is make or break time. What is about to happen | :26:34. | :26:40. | |
in the next three hours means he will literally get out of pain and | :26:41. | :26:44. | |
live along and happy life, or will die. We are rooting for you. The | :26:45. | :26:50. | |
other pets featured include a three legged cat with a hip problem and a | :26:51. | :26:56. | |
dog who needs help with his elbows. Dogs have Albers. They don't, they | :26:57. | :27:06. | |
have got four legs. And they have funny bones. Also tonight on BBC Two | :27:07. | :27:15. | |
at nine o'clock is the brand new series which follows stories of job | :27:16. | :27:19. | |
seekers who have two rets or autism and who try to prove that it should | :27:20. | :27:26. | |
make them employable. In the world where the workplace is | :27:27. | :27:30. | |
set up for the non-it has been impossible for them to succeed at | :27:31. | :27:36. | |
work until now. Businesses are starting to realise that diverse | :27:37. | :27:40. | |
conditions like autism and two rets can bring creativity, innovation and | :27:41. | :27:45. | |
brilliance into the workplace. With the help of leading scientists they | :27:46. | :27:48. | |
were uncovered their unique abilities. The numbers kept coming | :27:49. | :27:53. | |
in the right order. How is she doing that? I did not see that coming. | :27:54. | :27:59. | |
That is impressive. It is such an inspiring programme. It is a 3-part | :28:00. | :28:04. | |
series. In that clip Brett has autism, but he is world class at | :28:05. | :28:09. | |
solving computer problems and after eight years out of work he gets the | :28:10. | :28:14. | |
recognition he deserves. It is brilliant. It is tug at the | :28:15. | :28:17. | |
heartstrings. It is on at nine o'clock. That is | :28:18. | :28:22. | |
all we have got time for tonight. We will be back tomorrow for a | :28:23. | :28:26. | |
springtime bonanza with Julia Bradbury who will be coming in doors | :28:27. | :28:31. | |
for five minutes. We have also got Carol Klein from Gardeners' World. | :28:32. | :28:40. | |
Jason, take it away, the theme June. I love this. Phenomenal. Thank you | :28:41. | :28:49. | |
to all our guests. Tell us what you think will stop. And remember... Be | :28:50. | :29:00. | |
careful out there. Oh, hello, Beth. | :29:01. | :29:01. | |
Hi, Christine! Hi, Cathy. | :29:02. | :29:08. | |
Hi, Eric! | :29:09. | :29:10. |