Browse content similar to 25/03/2016. Check below for episodes and series from the same categories and more!
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It's Good Friday, which traditionally means it is all about | :00:08. | :00:12. | |
the choccy eggs and the little bunnies, but not in our studio. We | :00:13. | :00:16. | |
mean business as we talk intrigue in the Night Manager and Line of Duty. | :00:17. | :00:20. | |
Scrap the hot cross buns, step away from the chocolate, tonight it is | :00:21. | :00:22. | |
all about the drama. APPLAUSE | :00:23. | :00:36. | |
Very dramatic. Hello and welcome. It is not just Good Friday, it is great | :00:37. | :00:41. | |
Friday if you love drama. Certainly it. The start of Line of Duty, Will | :00:42. | :00:46. | |
Mellor bright in the studio. We will be talking monsters, skins and fake | :00:47. | :00:53. | |
chins with one of the world's best prosthetic experts. Neill Gorton is | :00:54. | :00:58. | |
today's Show Pro. Emma Bunton tells us which American sitcom she wants | :00:59. | :01:05. | |
to bring back. Here is a clue. We are used to tough guys on the show, | :01:06. | :01:11. | |
what with Jones here giving it the big one. Tonight, we are about to | :01:12. | :01:16. | |
get Frisky in the studio as we met Richard Roper -- meet Richard | :01:17. | :01:19. | |
Roper's bodyguard in the Night Manager. What's going on? We're | :01:20. | :01:26. | |
clearing out. What happened here? Some local issue had to be dealt | :01:27. | :01:31. | |
with. Doesn't like to leave traces. What do you mean, dealt with? A | :01:32. | :01:37. | |
souvenir for you? I think it is vintage. Tell you what, I am a bit | :01:38. | :01:45. | |
too scared for a handshake, so let's say hello to Michael Nardone. How | :01:46. | :01:50. | |
you? What a phenomenal show, you must be thrilled. Of course, I am | :01:51. | :01:55. | |
grateful to be involved. It is fantastical top understatement of | :01:56. | :01:57. | |
the year. We are completely addicted. It was a fantastic job to | :01:58. | :02:06. | |
work on. Because of who was appearing in the show, we thought it | :02:07. | :02:10. | |
would be successful, but actually, the story itself is enough. It has | :02:11. | :02:14. | |
really gripped the nation, I suppose. We are obsessed by it, but | :02:15. | :02:19. | |
for those who haven't seen it, where are we up to at the moment? Jonathan | :02:20. | :02:29. | |
Pine, also known as Tom Hiddleston, has infiltrated Richard Roper's | :02:30. | :02:31. | |
organisation, and he is beginning to bring it down from the inside. He | :02:32. | :02:38. | |
has already disposed of Corky, Tom Hollander, and he thought that he | :02:39. | :02:46. | |
was about to hit the jackpot... With the roadblock. Yes. We put one over | :02:47. | :02:52. | |
on him and it is all very embarrassing. So brilliant. Tell us | :02:53. | :02:57. | |
about Frisky. He is completely loyal to Roper, or a C? All could be | :02:58. | :03:08. | |
revealed. -- or is he? He is this sort of hard man. Can you teach us | :03:09. | :03:13. | |
how to stare like a henchman? He's doing it now. Oh, my God! Does it | :03:14. | :03:23. | |
work if you do it to your kids? No, they laugh at me. If my wife uses it | :03:24. | :03:28. | |
on the kids, a different story. And uses it on you. Frisky, the name, we | :03:29. | :03:34. | |
thought, what does it mean, where does it come from? In the book, in | :03:35. | :03:42. | |
the John le Carre book, it is there. It is, but his name is Frank or | :03:43. | :03:47. | |
Francis. There is a sort of seven dwarfs vie. Frisky, Corky, Sandy. | :03:48. | :03:56. | |
And don't forget Tabby. You are never out of work, Crimson Fields, | :03:57. | :04:01. | |
Line of Duty. But you are always playing the hard man. I don't know | :04:02. | :04:10. | |
what that's all about but I have spent my career murdering or being | :04:11. | :04:15. | |
modelled. I am really a big jelly baby. -- murdered. Do you think it | :04:16. | :04:25. | |
helps with being a tough guy? Probably. It is just the way things | :04:26. | :04:31. | |
have worked out. I was never a romantic hero, sadly. Don't say | :04:32. | :04:36. | |
never. We have a very exciting look at Sunday's final episode. Jonathan | :04:37. | :04:45. | |
Pine can't trust anyone. Look at you, quite the Roper acolyte. | :04:46. | :04:50. | |
Nothing's changed. -- how things change. They do, don't because mac I | :04:51. | :04:57. | |
am the wife brought to heel? Brought to you by what? Roper made me an | :04:58. | :05:06. | |
offer, let bygones be bygones. Or maybe he just wanted someone to spy | :05:07. | :05:15. | |
on his girlfriend. Oh! I can't work out if he likes -- if she likes | :05:16. | :05:20. | |
Roper, Sandy's white. It is such good acting. If you have seen one of | :05:21. | :05:23. | |
the earlier episodes, she wasn't all that pleased with him. There is a | :05:24. | :05:29. | |
bit of pressure there. The weapons display we saw was equally | :05:30. | :05:34. | |
terrifying, like bonfire night on steroids. How was it filming that? | :05:35. | :05:39. | |
We didn't see any explosions. We sat at the top of a hill in the desert | :05:40. | :05:50. | |
in the middle of the night. We had an assistant director barking | :05:51. | :05:53. | |
orders, there is a drone coming this way, the tank will explode down | :05:54. | :05:57. | |
there. Even the car that got bombed, all that CGI... Certainly, the night | :05:58. | :06:05. | |
we were there, nothing to see. I don't know how we will get on after | :06:06. | :06:09. | |
Sunday, we're devastated it is finished. Any chance of a second | :06:10. | :06:14. | |
series? Do you have the inside line? You probably know as much as me. | :06:15. | :06:20. | |
Apparently, the BBC has said they are in top with John le Carre's | :06:21. | :06:24. | |
people to see if they can carry on. I would love it. John le Carre, of | :06:25. | :06:28. | |
course, the king of the spy thriller. We saw George Smiley come | :06:29. | :06:34. | |
to life in Tinker, Tailor, Soldier, Spy. It starred the great Alec | :06:35. | :06:40. | |
Guinness as Smiley. He was trying to uncover a Soviet mole in the British | :06:41. | :06:45. | |
intelligence. This clip is so good. Do I understand correctly that no | :06:46. | :06:48. | |
one at the circus knows you are in England? Only Mr Palumbo. You are | :06:49. | :07:01. | |
officially absent without leave? On the wanted list? What an actor. And | :07:02. | :07:12. | |
Aled factory. John le Carre introduced Sir Alec Guinness to a | :07:13. | :07:15. | |
real-life spy to get into the role. Any real-life spies onset? John le | :07:16. | :07:22. | |
Carre was therefore a couple of days, and he did... Their fears. | :07:23. | :07:31. | |
Quite nerve wracking. -- there he is. Should Tom Hiddleston be the | :07:32. | :07:37. | |
next James Bond, everyone is asking? I think he definitely should. Let's | :07:38. | :07:42. | |
have a look at the audition tape. My name is hiding, Jonathan Pine. -- | :07:43. | :07:48. | |
Pine. Everyone's attracted to you. You can | :07:49. | :08:22. | |
sleep when you're dead. Who are you? Come on, he would be brilliant as | :08:23. | :08:28. | |
Bond. He certainly would. Superb. Tom Hollander as a Bond bad guy. | :08:29. | :08:34. | |
Hello! Thank you so much. Whatever you're doing on Sunday night, do not | :08:35. | :08:40. | |
miss the epic Night Manager. Before you go, we have an Easter gift. That | :08:41. | :08:48. | |
is just for you to take home and enjoy. A little Frisky egg. Thank | :08:49. | :08:56. | |
you very much. When we asked Emma Bunton what TV | :08:57. | :08:58. | |
show she would like to bring back, she said, look, I want to be honest, | :08:59. | :09:05. | |
is it too much to tell you what I really, really want? Oh, please! OK, | :09:06. | :09:09. | |
here she is. I'm Emma Bunton, and I want to bring | :09:10. | :09:32. | |
back Friends. Anyone who doesn't know what Friends | :09:33. | :09:37. | |
is, I would first this day, where have you been? -- firstly say. It is | :09:38. | :09:48. | |
about friends who live together and share everything. I first started | :09:49. | :09:56. | |
watching Friends back in 1995, and I watched every episode. Monica is | :09:57. | :10:02. | |
going to make you pack. She has Chaucer everyone. It's too late for | :10:03. | :10:10. | |
me but save yourselves. -- she has jobs for everyone. My friends were | :10:11. | :10:15. | |
like, not again, we are watching Friends! My brother was a fan, we | :10:16. | :10:21. | |
would sit around and do quizzes on Friends. It makes me sound weird. | :10:22. | :10:28. | |
There is Phoebe - eccentric, crazy chick. There is Ross, who is a | :10:29. | :10:37. | |
little bit of a dweeb. There is Chandler, the Joker. There is | :10:38. | :10:43. | |
Rachel, probably the prettiest one. Did I want a Rachel hairdo? | :10:44. | :10:50. | |
Probably. I was in pigtails, so I couldn't have layers. Monica tidies | :10:51. | :10:54. | |
up while people are partying. And jelly! How you doing? I definitely | :10:55. | :11:05. | |
wanted to be in that gang. I always thought I would want to hang out in | :11:06. | :11:12. | |
a New York apartment, go to Central Perk. I have got nice friends, but | :11:13. | :11:20. | |
they are not as funny. I think the first ever episode of Friends, you | :11:21. | :11:26. | |
look at it now, and you go, my goodness! The fashion was so | :11:27. | :11:29. | |
different, and you could see they were working on their characters. | :11:30. | :11:34. | |
Hey, everybody, this is Rachel. Remember my brother Ross? I think at | :11:35. | :11:41. | |
the friends was a monster hit because it was funny and | :11:42. | :11:44. | |
heart-warming, I would cry and it inspired me. I think it had | :11:45. | :11:53. | |
everything. I also remember the very last episode. I cried the whole way | :11:54. | :11:57. | |
through it. This is harder than I thought it would be. I felt it was | :11:58. | :12:02. | |
the end of an air after me. I was losing someone in my life. -- the | :12:03. | :12:05. | |
end of an error. # I'll be there for you #. | :12:06. | :12:21. | |
The main reason I would bring it back is for selfish reasons. I want | :12:22. | :12:26. | |
to laugh again, to see a whole new storyline. I want to see the twins | :12:27. | :12:31. | |
grown up, to see if Joey has actually met someone and settle | :12:32. | :12:35. | |
down. I want to see Ross and Rachel get married. There are so many | :12:36. | :12:37. | |
things. I want it to happen. How you doing? I'm all right. He has | :12:38. | :12:52. | |
done all sorts without -- and without knowing it, you have | :12:53. | :12:58. | |
probably seen his work on TV, from Ant Dec to the aliens on | :12:59. | :13:03. | |
Torchwood. It is prosthetics expert Neill Gorton. Lovely to see you. Are | :13:04. | :13:08. | |
people who are not sure, what is your job exactly? Making strange | :13:09. | :13:13. | |
things seems to be mostly what I do. Old age make up, robots, anything | :13:14. | :13:17. | |
that people ask me to build. So you stick stuff on people, you make | :13:18. | :13:21. | |
these incredible models from scratch? All that kind of thing. | :13:22. | :13:33. | |
Brilliant. Is this an Ood? It is. This is incredible. Tell us, how | :13:34. | :13:37. | |
long does it take to make was Mike start to finish, about three weeks. | :13:38. | :13:42. | |
You make moulds, cast them. I think we made 12. Is it heavy? It is quite | :13:43. | :13:50. | |
lightweight. It feels like sponge. Does the producers say, it is this | :13:51. | :13:57. | |
type of creature and you build it? There will usually be a description | :13:58. | :14:01. | |
in the script. This one, it said it was an albino, bold creature. -- | :14:02. | :14:11. | |
bold creature. What a great job you have. Everyone must be at your door | :14:12. | :14:19. | |
at Halloween. Yes, I am everybody's best Naples you have made loads of | :14:20. | :14:23. | |
monsters in Doctor Who over the years, haven't you? Yes, we have | :14:24. | :14:33. | |
been doing it all that time. All of this looks uncomfortable. It makes | :14:34. | :14:38. | |
my face H just looking. Does it take a long time? It varies. Something | :14:39. | :14:50. | |
like an Ood is quite long. Take us through these. We do a lot of | :14:51. | :14:54. | |
animals. Of course, you can't film easily with a real gorilla or a real | :14:55. | :15:06. | |
bear. Are you going to have a go? My hand is inside. That is amazing. Oh, | :15:07. | :15:14. | |
hello! I can feel it moving inside. That is incredible. This would go on | :15:15. | :15:21. | |
someone's head. They are looking through the Camara in the nose in | :15:22. | :15:26. | |
order to see. The hair, the detail is incredible. It is like that | :15:27. | :15:31. | |
famous drumming advert for chocolate. It was not this one. That | :15:32. | :15:40. | |
is the sound of a researcher being fired. You're also responsible for | :15:41. | :15:48. | |
making Timothy Spall Fattest Man In Britain. When he stands up, he looks | :15:49. | :15:54. | |
like he is 30 stone plus, but how heavy is the costume? The suit is | :15:55. | :15:58. | |
quite cumbersome, but it is reasonably light. It is all | :15:59. | :16:02. | |
performance then. If you made it really heavy, he would not last. I | :16:03. | :16:07. | |
think we can see what actually goes inside. We have a clip. With the | :16:08. | :16:12. | |
Harry Potter film is, he is used to being in prosthetics, do some actors | :16:13. | :16:17. | |
handle it better than others? Yes, some really get into it and enjoy | :16:18. | :16:21. | |
it, others can't stand it. Do you have to give yourself over to four | :16:22. | :16:29. | |
hours? Yes. I switched it on. I thought it was your hip! One of the | :16:30. | :16:35. | |
other things that Neal can do with prosthetics is to age people. He is | :16:36. | :16:40. | |
the man behind Catherine Tate's Nan. Daisy drew the short straw and | :16:41. | :16:47. | |
volunteered. She didn't volunteer! She didn't. This is her at the start | :16:48. | :16:54. | |
of this morning, very freshfaced stop and then this is after Neal | :16:55. | :16:58. | |
worked his magic. Who are you working with? Assistance? Yes, they | :16:59. | :17:05. | |
are glueing on medical adhesives. How long did it take? An hour and a | :17:06. | :17:11. | |
quarter. To go from that... Today is a Right now. -- to Daisy Wright now. | :17:12. | :17:22. | |
The detail of the spots, and the next... Yes, it is a sculpture, and | :17:23. | :17:30. | |
we make it. It is the same prosthetics piece, obviously not | :17:31. | :17:36. | |
apply. You can feel it is silicone, soft and squishy. You actually went | :17:37. | :17:42. | |
out with all of this on? We asked people how old they thought I was, | :17:43. | :17:50. | |
we got 73, 60 eight. It's amazing, the attention to detail. Can you | :17:51. | :17:56. | |
move? It's quite tight, actually. How excited are you about getting it | :17:57. | :18:00. | |
off your face? She is going out with it on tonight! | :18:01. | :18:09. | |
Have you told her it is ten hours to get it off? I'm not sure how to get | :18:10. | :18:20. | |
it off. You are a genius, the wonderful Neill Gordon. APPLAUSE | :18:21. | :18:27. | |
Annex guest is a man of many talents with an arm as long. Today he is | :18:28. | :18:36. | |
flashing his serious side, Will Mellor in last night's completely | :18:37. | :18:38. | |
thrilling Line of Duty. Thank you. Operation Damson is an | :18:39. | :18:52. | |
ongoing initiative aimed at detection- prevention of gangland | :18:53. | :19:01. | |
murders. Intelligence sources indicate a significant believe the | :19:02. | :19:05. | |
suspect is preparing to commit a gangland execution. The suspect is a | :19:06. | :19:10. | |
known criminal with a history of violence, is expected to be armed | :19:11. | :19:14. | |
and is designated extremely dangerous. Welcome, Will Mellor | :19:15. | :19:23. | |
everybody! Go wild. I got to work today and I've not | :19:24. | :19:29. | |
seen last night's show. This is the first of the third series and I | :19:30. | :19:32. | |
watched earlier. It's just fantastic. It's kind of infuriating | :19:33. | :19:36. | |
because I will have to stick with it and watch it all. How was it joining | :19:37. | :19:43. | |
such a big show, being the new boy? I was over the moon, I had even seen | :19:44. | :19:48. | |
the first two series myself. I got the script. You know when you have a | :19:49. | :19:52. | |
good script. Then you have the process of really wanting the job on | :19:53. | :19:55. | |
the part. I was grateful when the phone rang and they said, you are | :19:56. | :19:59. | |
going to be in it. When I found out who else was in it, some of the | :20:00. | :20:05. | |
special arm straining... You put that deer on. The first two series | :20:06. | :20:10. | |
were so successful, did it put pressure on you? Once you want the | :20:11. | :20:16. | |
job, the pressure is just to make sure you do your job. If everyone | :20:17. | :20:21. | |
does their job... The scripts are so good you just want to be a part of | :20:22. | :20:25. | |
that. Especially playing an armed response unit. You look forward as | :20:26. | :20:32. | |
an actor to put on that deer and learn all the training. -- all that | :20:33. | :20:40. | |
gear. And when you put all that on it does change your demeanour, you | :20:41. | :20:45. | |
feel powerful? Yes, when I played Merlin, when I put it on I walked | :20:46. | :20:50. | |
differently. With this, it's just... It is a dream to be able to play... | :20:51. | :20:57. | |
For a man, a real masculine role. When you put the stuff on, we had to | :20:58. | :21:02. | |
do running scenes where we were chasing the suspect. Danny Waldron | :21:03. | :21:05. | |
was chasing and we didn't have the metal plates in that they would have | :21:06. | :21:11. | |
had. We were absolutely shattered! When we went past the camera 's | :21:12. | :21:16. | |
wheel collapsed. We had a couple of people working with us who were part | :21:17. | :21:21. | |
of the armed response unit team and they were not out of breath at all. | :21:22. | :21:24. | |
That was a difference between the actors and those who do it as a | :21:25. | :21:31. | |
living. You are so fit, physically fit! LAUGHTER | :21:32. | :21:36. | |
I thought I would clarify. Line of Duty is very different to your | :21:37. | :21:41. | |
regular cop show, police within the police. Yes, AC-12 are investigating | :21:42. | :21:47. | |
police who have committed crimes themselves. One of the characters in | :21:48. | :21:52. | |
last night's episode, said the easiest way to get away with killing | :21:53. | :21:55. | |
someone is to be a police officer. This is what it is about, Danny | :21:56. | :22:00. | |
Waldron's character. I don't want to spoil it because some people might | :22:01. | :22:04. | |
watch it on catch up. Investigating what has happened. He is an | :22:05. | :22:09. | |
incredible actor. I thought he smashed it, I sent him a message to | :22:10. | :22:13. | |
say he nailed it. He showed a lot of different dimensions. We watched | :22:14. | :22:18. | |
last night really proud. You have been on our TV screens since you | :22:19. | :22:23. | |
were 12. There is no doubt you would follow this career, because | :22:24. | :22:26. | |
apparently you were always a show off! I grew up with four older | :22:27. | :22:30. | |
sisters and I was the youngest and the only boy. If I member rightly | :22:31. | :22:35. | |
you use to be Michael Jackson impersonator? It was only at | :22:36. | :22:40. | |
weddings, I didn't go down the street moonwalking! I think we have | :22:41. | :22:46. | |
the music now. Do you remember the steps? LAUGHTER | :22:47. | :22:52. | |
Of course I remember the steps, I am a massive Michael Jackson fan. Come | :22:53. | :22:58. | |
on, we want to see it! Here we go, the traditional start. CHEERING | :22:59. | :23:09. | |
Beautiful. I am a very serious actor, don't you know! Not any more. | :23:10. | :23:16. | |
I must have known you for going on 20 years and I am so chuffed to see | :23:17. | :23:22. | |
you blossom as an actor. Thank you. Those roles you get, brilliant. I | :23:23. | :23:27. | |
mean this hand on heart, it still means the world to make on any job I | :23:28. | :23:31. | |
get. It is such a difficult industry to be in, there are so many great | :23:32. | :23:35. | |
actors who are out of work and it could be anybody. I'm grateful for | :23:36. | :23:39. | |
the parts I am getting. Because I did a lot of comedy, people are now | :23:40. | :23:43. | |
seeing me doing drama. I'm grateful for the fact people can see me in | :23:44. | :23:51. | |
those roles and show what I can do. Two Pints of Lager and a Packet of | :23:52. | :23:53. | |
Crisps, everyone talks about it to you still. Ten years. It was like a | :23:54. | :24:03. | |
cult following. Yes, working class people talking about what working | :24:04. | :24:08. | |
people talk about. Sheridan has done all right! Nearly as good as you. | :24:09. | :24:14. | |
Are you still in touch with the guys from Two Pints of Lager and a Packet | :24:15. | :24:17. | |
of Crisps? When you spend that amount of time with people, and I | :24:18. | :24:20. | |
have never laughed so much, we had the best time. It was like a family. | :24:21. | :24:25. | |
It wasn't my going to work. We laughed all day. It was in front of | :24:26. | :24:31. | |
a live audience. It is not everyone's cup of tea, you can't | :24:32. | :24:34. | |
take everyone's box, but the people who loved it got behind it. People | :24:35. | :24:40. | |
got behind it and followed it and I am really grateful. And you were in | :24:41. | :24:46. | |
Broadchurch, another huge drama. I know, really lucky. And very | :24:47. | :24:50. | |
difficult to any other character I have played, he was very understated | :24:51. | :24:55. | |
and withdrawn. You know me, I'm an extrovert. Sometimes it takes | :24:56. | :24:59. | |
someone to take a risk with you, to give you a part. I said, give me a | :25:00. | :25:05. | |
chance, I can do it. That can make a career. As actors, we do what we do, | :25:06. | :25:11. | |
but it is up to some deals to say yes, we'll take a chance. When I | :25:12. | :25:19. | |
played my first game role, we were fighting constantly, casting after | :25:20. | :25:24. | |
casting. But by director wanted me but the channel were unsure. It did | :25:25. | :25:30. | |
well and I went on to do good stuff. I'm very grateful for everything | :25:31. | :25:35. | |
going on. We are really chuffed, genuinely. Well done, great work. | :25:36. | :25:39. | |
And thank you for the Michael Jackson as well. Thank you very much | :25:40. | :25:45. | |
to Will. Make sure you watch Line of Duty. Catch up on last night. Before | :25:46. | :25:54. | |
you go, we have a little Easter egg for you. Look at this. Please don't | :25:55. | :26:05. | |
eat it, it has been under the lights for a long time! Will Mellor, | :26:06. | :26:12. | |
everybody! Jazz. Time for the biggest decision of the day, what | :26:13. | :26:14. | |
are we watching tonight? We are going to tell you about two | :26:15. | :26:29. | |
new series on over the weekend. Tonight, Channel 4, 8:30pm, Travel | :26:30. | :26:40. | |
Man, 48 hours in Sevilla. It looks very appealing! Sorry. Nothing from | :26:41. | :26:47. | |
the crew. I think they have left. The weather is supposed to be rotten | :26:48. | :26:53. | |
over the weekend so why not watch Richard Ayoade having fun in the | :26:54. | :26:57. | |
sun. Mini breaks are 50 shades of crazy. How can someone goes, new and | :26:58. | :27:04. | |
enjoy themselves without a decade to decompress? It's impossible to stop | :27:05. | :27:17. | |
the whole thing going crazy. Chaparro and buy a televised Kate | :27:18. | :27:24. | |
face I am going to drag you howling through a mini break. Tonight | :27:25. | :27:30. | |
Richard is joined by Rob Delaney. Just to recap, takes his mates | :27:31. | :27:34. | |
Majoli and get paid for it. What a gig. To be fair, Richard is | :27:35. | :27:39. | |
hilarious, I am a bit of a fan. Later we get to see him in Venice | :27:40. | :27:44. | |
with Jo Brand and in Dubai with Johnny Vegas. That is Phil. Channel | :27:45. | :27:47. | |
4, 830. -- that is film macro. Johnny Vegas. That is Phil. Channel | :27:48. | :27:51. | |
4, 'S Can't Touch This! Is you are | :27:52. | :28:04. | |
missing Ninja Warrior, this brand-new game show could be the | :28:05. | :28:08. | |
perfect replacement, hosted by ball and banjo. Contestants tackle a | :28:09. | :28:14. | |
giant obstacle course and it looks like anyone can take part. You have | :28:15. | :28:20. | |
been to 74 countries, how are you going to travel the course today? | :28:21. | :28:24. | |
With great difficulty I imagine. I will go down with all guns blazing. | :28:25. | :28:30. | |
Hang on, is that a walking stick? Nothing to see here, just | :28:31. | :28:35. | |
62-year-old man who uses a walking stick in a human catapult. Start the | :28:36. | :28:37. | |
clock. Looks great. That is Can't Touch | :28:38. | :28:52. | |
This on Saturday at 6:10pm. That is all we have time for tonight. Will | :28:53. | :29:00. | |
and Frisky are arguing over the remote. Honestly, boys! A huge thank | :29:01. | :29:09. | |
you to our guests this evening. Enjoy your weekend and enjoy | :29:10. | :29:18. | |
tonight's telly. You can check us out on the website. Also, James | :29:19. | :29:23. | |
Martin, Saturday Kitchen on BBC One, his last show. Have a great weekend. | :29:24. | :29:31. | |
This is the one opportunity that I have to show them something | :29:32. | :29:36. |