Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Tonight, the stupidest car in the world. | 0:00:10 | 0:00:15 | |
A Vauxhall you might actually like. | 0:00:15 | 0:00:18 | |
And who has won what in the Top Gear awards ceremony? | 0:00:18 | 0:00:21 | |
CHEERING AND APPLAUSE | 0:00:27 | 0:00:30 | |
Hello everybody! Welcome, and a happy new year. | 0:00:30 | 0:00:34 | |
Happy new year to everybody. | 0:00:34 | 0:00:36 | |
Now, like many of you here, I suffer from insomnia. I've tried everything over the years. | 0:00:36 | 0:00:41 | |
I've tried eating lettuce, counting sheep, I even resorted last night | 0:00:41 | 0:00:46 | |
-to James May's new talking book. -LAUGHTER | 0:00:46 | 0:00:48 | |
That didn't work either. Now, Richard Hammond seems to have | 0:00:48 | 0:00:52 | |
accidentally uncovered what might be a cure. | 0:00:52 | 0:00:56 | |
This is a Lexus. | 0:01:01 | 0:01:03 | |
It's called the RX 450h, and it's everything you'd expect | 0:01:05 | 0:01:07 | |
from what Alan Partridge called the Japanese Mercedes. | 0:01:07 | 0:01:12 | |
It's quiet, it's well-made, it's got a hybrid engine, all very clever. | 0:01:15 | 0:01:21 | |
All things you'd expect from a car company that has won many awards over the years. | 0:01:21 | 0:01:26 | |
Neatest panel gap consistency in the executive saloon sector award. | 0:01:26 | 0:01:31 | |
And the coveted, that's a nice paint finish award. Three years running. | 0:01:31 | 0:01:36 | |
I think you're getting the picture. All Lexuses are beautifully made | 0:01:37 | 0:01:42 | |
and impeccably engineered to achieve unmatched levels of dullness. | 0:01:42 | 0:01:49 | |
So when they announced recently, | 0:01:50 | 0:01:52 | |
"We've made a sports car," oh, how we laughed in the office! | 0:01:52 | 0:01:55 | |
Right up until the moment we saw it. | 0:01:57 | 0:02:00 | |
Yeah... Egg on face. | 0:02:09 | 0:02:12 | |
Foot in mouth. Humble pie, for breakfast, lunch and dinner. | 0:02:13 | 0:02:20 | |
It's called the LFA. | 0:02:28 | 0:02:30 | |
Despite being a Lexus, it doesn't have many Lexussy features. | 0:02:30 | 0:02:36 | |
There's no eat your greens hybrid hiding under the bonnet. | 0:02:36 | 0:02:39 | |
There's no golf clubs hiding in the boot. It's even got a spoiler. | 0:02:39 | 0:02:44 | |
It's the real deal. | 0:02:44 | 0:02:46 | |
And if you're still not convinced that this thing is a supercar, | 0:02:48 | 0:02:52 | |
then let me give you some nerdy-licious numbers. | 0:02:52 | 0:02:55 | |
552 horse power. | 0:02:56 | 0:03:00 | |
Same as the Gallardo. 0 to 60, 3.7 seconds. | 0:03:00 | 0:03:04 | |
Same as a Ferrari 599. | 0:03:04 | 0:03:07 | |
Top speed, 202 mph. That's faster than an Aston Martin DBS. | 0:03:07 | 0:03:13 | |
OK, I think what I need to do here is just find out how that works. | 0:03:14 | 0:03:20 | |
Stop. | 0:03:20 | 0:03:22 | |
Sport. | 0:03:22 | 0:03:24 | |
Ooh, yeah! | 0:03:24 | 0:03:26 | |
That I like. | 0:03:26 | 0:03:27 | |
ENGINE REVS | 0:03:27 | 0:03:30 | |
And go! | 0:03:30 | 0:03:32 | |
Woah...that's...explosive! | 0:03:38 | 0:03:42 | |
It's immediate. | 0:03:43 | 0:03:45 | |
There's no waiting for a second. It is just stop, wham, going! | 0:03:47 | 0:03:52 | |
150. | 0:03:55 | 0:03:56 | |
170. | 0:03:58 | 0:04:00 | |
That's really quite a fast car. | 0:04:04 | 0:04:07 | |
Now, this being a Lexus, you might expected to be not just a supercar, | 0:04:09 | 0:04:13 | |
but a supercar full of immense attention to detail. | 0:04:13 | 0:04:18 | |
You'd be right. | 0:04:18 | 0:04:20 | |
4.8 litre V10, and yet somehow the Lexus boffins have managed to make it | 0:04:20 | 0:04:25 | |
only the size of a V8, and as light as a V6. | 0:04:25 | 0:04:29 | |
But that's not the most amazing thing about it. | 0:04:29 | 0:04:32 | |
No, the most amazing thing is the way it revs. | 0:04:32 | 0:04:35 | |
The engine is so lively, | 0:04:38 | 0:04:40 | |
they've had to fit this computer game style virtual rev counter. | 0:04:40 | 0:04:44 | |
Because a normal analogue rev counter can't keep pace | 0:04:47 | 0:04:50 | |
with how quickly this thing gains and loses revs. | 0:04:50 | 0:04:53 | |
And then there's the beautifully nerdy flappy paddle gear change. | 0:04:57 | 0:05:01 | |
The paddle to change up is lighter to use than the paddle to change down. | 0:05:01 | 0:05:07 | |
Just so you know you're going in the right direction. | 0:05:07 | 0:05:10 | |
HE LAUGHS | 0:05:10 | 0:05:11 | |
Amazing stuff from a company that has never built a supercar before. | 0:05:11 | 0:05:16 | |
Which is why they took their sweet time over this one. | 0:05:21 | 0:05:24 | |
Nine years in fact. | 0:05:24 | 0:05:26 | |
At first, the body was made of aluminium. | 0:05:26 | 0:05:29 | |
Then, after years of work, it was deemed too heavy, | 0:05:29 | 0:05:32 | |
so it was scrapped and they began all over again, using carbon fibre. | 0:05:32 | 0:05:38 | |
Lightness was an obsession. | 0:05:38 | 0:05:41 | |
The steering wheel, for example, is also made of carbon fibre. | 0:05:41 | 0:05:47 | |
The pedals are milled from a single piece of aluminium. | 0:05:47 | 0:05:51 | |
And even the complex Lexus stereo has been a on the Atkins. | 0:05:51 | 0:05:56 | |
Geekiness is everywhere here. | 0:05:59 | 0:06:02 | |
These mirrors are specially shaped so they | 0:06:02 | 0:06:05 | |
funnel air into these air intakes. | 0:06:05 | 0:06:06 | |
The designers were so obsessed with good handling, | 0:06:06 | 0:06:09 | |
that even the water bottle for the windscreen washers | 0:06:09 | 0:06:12 | |
is buried somewhere deep down there, next to the petrol tank, to try and | 0:06:12 | 0:06:15 | |
keep as much of the weight as low as possible and inside the wheelbase. | 0:06:15 | 0:06:19 | |
Just like an F1 car. | 0:06:19 | 0:06:21 | |
Don't be fooled by this gap. | 0:06:21 | 0:06:23 | |
That's not shoddy build quality, that's a specially designed intake. | 0:06:23 | 0:06:27 | |
So, it's definitely a Lexus, and it definitely looks like a supercar. | 0:06:29 | 0:06:34 | |
The question is, does it feel like one? | 0:06:34 | 0:06:38 | |
It's lively... | 0:06:41 | 0:06:43 | |
TYRES SCREECH | 0:06:43 | 0:06:44 | |
The brakes are ferocious. After caning it around this track, no sign of getting tired. | 0:06:45 | 0:06:50 | |
There's an initial lead from the front end. It's quite a soft feeling. | 0:06:55 | 0:06:59 | |
The thing just wallows in, | 0:07:00 | 0:07:02 | |
and you can give it a boot-full with the rear end. | 0:07:02 | 0:07:04 | |
In! | 0:07:06 | 0:07:07 | |
HE LAUGHS | 0:07:10 | 0:07:11 | |
TYRES SCREECH | 0:07:11 | 0:07:13 | |
Oh, no. | 0:07:13 | 0:07:14 | |
TYRES SCREECH | 0:07:14 | 0:07:15 | |
Oh, God. | 0:07:16 | 0:07:17 | |
Get it wrong and it takes absolutely no prisoners. It just spits you out. | 0:07:20 | 0:07:25 | |
Get it right though, and you'll be laughing. | 0:07:26 | 0:07:29 | |
Oh, yes! There you go! | 0:07:33 | 0:07:35 | |
HE LAUGHS | 0:07:49 | 0:07:50 | |
There we are. What a turn-up from the librarian of the car world. | 0:07:58 | 0:08:03 | |
Which brings me to the obvious question... | 0:08:03 | 0:08:06 | |
Would one buy one? | 0:08:06 | 0:08:09 | |
That all depends how much it costs. | 0:08:11 | 0:08:14 | |
£50,000, oh, yes! | 0:08:14 | 0:08:17 | |
£100,000, yeah. £150,000? Well, it's expensive, but it'll be exclusive. | 0:08:17 | 0:08:23 | |
As it happens, the LFA doesn't cost £150,000. No. | 0:08:23 | 0:08:29 | |
The LFA costs £340,000. | 0:08:29 | 0:08:33 | |
That's 130,000 more than a Ferrari 599. | 0:08:37 | 0:08:43 | |
For a car that's no faster than a 599. | 0:08:43 | 0:08:48 | |
And you know what? Even at that price, | 0:08:48 | 0:08:51 | |
Lexus won't make any money on each one they sell. | 0:08:51 | 0:08:54 | |
What this car is, is an engineer's wet dream. | 0:09:00 | 0:09:03 | |
It's a brilliant creation, and praise the Lord it exists. | 0:09:03 | 0:09:07 | |
But price wise, it's on a different planet. | 0:09:07 | 0:09:12 | |
And there's another slight issue. | 0:09:12 | 0:09:15 | |
At the end of the day, and here it is, the actual end of the day, | 0:09:15 | 0:09:19 | |
yes, I'm in the Lexus. Oh, God. | 0:09:19 | 0:09:22 | |
I can never get away from that. | 0:09:22 | 0:09:24 | |
"Will the owner of a £340,000 LEXUS move it?" | 0:09:24 | 0:09:29 | |
That's me. Sorry. | 0:09:29 | 0:09:32 | |
It just doesn't... | 0:09:32 | 0:09:33 | |
It's a Lexus. It just is. | 0:09:33 | 0:09:36 | |
APPLAUSE | 0:09:41 | 0:09:44 | |
I'm baffled. I'm more baffled than I've ever been. | 0:09:44 | 0:09:49 | |
Hammond, does this car, does it do 1158 mph? | 0:09:49 | 0:09:54 | |
-Yes. -Really? -No. -So, it isn't six times faster than a Nissan GTR? | 0:09:54 | 0:10:00 | |
-No. -But it costs six times more? | 0:10:00 | 0:10:02 | |
-Yeah, it does. -Why? -Well, it's made of exotic materials. | 0:10:02 | 0:10:05 | |
It needs to be! It needs to be made out of myrrh! | 0:10:05 | 0:10:07 | |
-Is this windscreen wiper made out of saffron? -No. | 0:10:07 | 0:10:10 | |
-But there's a lot of carbon fibre. -Hammond, my bog seat at home is made out of carbon fibre. | 0:10:10 | 0:10:15 | |
It didn't cost 340,000 quid. | 0:10:15 | 0:10:18 | |
Honestly, I just don't understand this car. | 0:10:18 | 0:10:21 | |
Hopefully, our tame racing driver will be able to make sense of it. | 0:10:21 | 0:10:25 | |
Some say | 0:10:25 | 0:10:27 | |
that he has to take his shoes off with an Allen key. | 0:10:27 | 0:10:31 | |
And that his new year's resolution is to eat fewer mice. | 0:10:33 | 0:10:38 | |
All we know is, he's called The Stig. | 0:10:39 | 0:10:43 | |
And he's off! It's wet out there, yet again. | 0:10:43 | 0:10:46 | |
Thank you, Copenhagen! | 0:10:46 | 0:10:48 | |
Let's see how the confusing and expensive Lexus copes in these conditions. | 0:10:48 | 0:10:53 | |
Here he comes... | 0:10:53 | 0:10:54 | |
Look at that, through the first corner. Rocking up a bit there. | 0:10:54 | 0:10:58 | |
A little bit of over steer on the way out. | 0:10:58 | 0:11:00 | |
CHAS AND DAVE SONG PLAYS | 0:11:00 | 0:11:03 | |
Stig, still enjoying a cockney knees-up, | 0:11:05 | 0:11:07 | |
which is strange because his knees are on his face. | 0:11:07 | 0:11:11 | |
There's Chicago, a little bit more over steer. | 0:11:11 | 0:11:14 | |
How is it going to cope on a moist hammerhead? | 0:11:14 | 0:11:16 | |
Will that clever weight distribution help? | 0:11:16 | 0:11:19 | |
Running a bit wide, a bit slithery. | 0:11:19 | 0:11:22 | |
You can hear he's having to use the throttle very gingerly as he gets out of there. | 0:11:22 | 0:11:27 | |
Right, now he can really mash his paw down. | 0:11:33 | 0:11:38 | |
This thing sounds like an old F1 car. | 0:11:39 | 0:11:42 | |
Let's hope it's not using know-how from the Toyota team, or it'll be rubbish. | 0:11:42 | 0:11:46 | |
Two corners left, spearing into the second to last one. | 0:11:46 | 0:11:51 | |
Just a flash of corrective lock. Gambon, that's clean. | 0:11:51 | 0:11:54 | |
And across the line. | 0:11:54 | 0:11:56 | |
-Do you have the time? -I do. | 0:12:01 | 0:12:03 | |
It did it in 1:22.8, which puts it there. | 0:12:03 | 0:12:06 | |
But critically, I've got to write on there that it's wet, very wet. | 0:12:06 | 0:12:10 | |
-That's the fastest wet lap we've ever had. -By a long way. | 0:12:10 | 0:12:13 | |
-That next one is Lambo Gallardo. -The Gallardo, there. Look at that! | 0:12:13 | 0:12:18 | |
Three seconds a lap faster for three times the price! | 0:12:18 | 0:12:22 | |
It's a bargain! | 0:12:22 | 0:12:24 | |
At the beginning of every year, the BBC gives us a big lump of money | 0:12:24 | 0:12:27 | |
and tells us to go away and make 14 programmes. | 0:12:27 | 0:12:30 | |
What we do is we divide that lump of money by 14, | 0:12:30 | 0:12:34 | |
and that gives us the budget for every show. | 0:12:34 | 0:12:37 | |
It's simple! Unfortunately, and I don't | 0:12:37 | 0:12:39 | |
know how this happened, we've made a complete Horlicks of it. | 0:12:39 | 0:12:42 | |
Which meant that when we got to make this show, we had, | 0:12:42 | 0:12:45 | |
and I'm not joking, I'm not making this up, almost no money at all. | 0:12:45 | 0:12:49 | |
-No. And you didn't actually the help with your Lexus film? -Why? | 0:12:49 | 0:12:53 | |
-It had a space ship in it. -It wasn't actually there when I filmed it. Was it? | 0:12:53 | 0:12:57 | |
-So, it was added? -Yeah. -And that's cheaper than just using | 0:12:57 | 0:13:00 | |
a real space ship. I don't think it is. | 0:13:00 | 0:13:02 | |
That stuff costs a bloody fortune. | 0:13:02 | 0:13:04 | |
We know that now the bill has come in. I'm sorry, I got carried away. | 0:13:04 | 0:13:07 | |
Listen, stop bickering you two. | 0:13:07 | 0:13:08 | |
We now have to do the news and that's impossible, because it's not the week you think it is. | 0:13:08 | 0:13:14 | |
-It's actually December, December 9th. -It really is. We had the studio booked for today, | 0:13:14 | 0:13:20 | |
and we've had to use it even though we know you're in 2010. | 0:13:20 | 0:13:24 | |
This fly flying around here has actually died by the time you watch this. | 0:13:24 | 0:13:28 | |
The real problem is obviously, between now and when you're watching this, anything could have happened. | 0:13:28 | 0:13:34 | |
Somebody could have invented a car that I don't know, runs on jelly. | 0:13:34 | 0:13:38 | |
We might have declared war with France... | 0:13:38 | 0:13:40 | |
HE LAUGHS | 0:13:40 | 0:13:41 | |
Instead of the news, what we're going to do, we're going to take | 0:13:41 | 0:13:45 | |
a look ahead to some cars that are coming out | 0:13:45 | 0:13:48 | |
-this year. -This year. This year. -Yes! | 0:13:48 | 0:13:50 | |
A car I'm really looking forward to is the new Saab 95, here it is. | 0:13:50 | 0:13:55 | |
-Unless of course Saab went bust in the last two weeks... -Which is a real possibility! | 0:13:55 | 0:14:01 | |
Seriously, James, really... | 0:14:01 | 0:14:03 | |
-Do this two ways, we will edit it. -Yeah. -Cover yourself. | 0:14:03 | 0:14:06 | |
A car I'm really looking forward to is the new Saab 95. There it is. | 0:14:06 | 0:14:10 | |
A car I was looking forward to was the new Saab 95. | 0:14:10 | 0:14:14 | |
LAUGHTER | 0:14:14 | 0:14:15 | |
-That's what it was going to look like. -They said.... -They say... | 0:14:15 | 0:14:18 | |
-What? -They said. -Oh, yes. They say, | 0:14:18 | 0:14:21 | |
or said, that it's based on a jet fighter, | 0:14:21 | 0:14:25 | |
or was, but it isn't wasn't. | 0:14:25 | 0:14:27 | |
-LAUGHTER -It's actually based on a Vauxhall. | 0:14:27 | 0:14:30 | |
You can or could get three engines, maybe you could get three engines. | 0:14:30 | 0:14:34 | |
The best of which was or is a 2.8 litre V6. | 0:14:34 | 0:14:37 | |
That will start at about £25,000. | 0:14:37 | 0:14:38 | |
-It looks great. -James, why haven't you got a Saab? -Because they've gone bust. | 0:14:38 | 0:14:43 | |
But if they haven't, then it is a very good question because I do actually quite like a Saab. | 0:14:43 | 0:14:50 | |
They are a little bit alternative and tend to be driven by quite | 0:14:50 | 0:14:54 | |
-interesting people. -That's why he hasn't got one then! | 0:14:54 | 0:14:56 | |
HE LAUGHS | 0:14:56 | 0:14:58 | |
Here's a car I'm looking forward to. 911 Turbo Cabriolet. | 0:14:58 | 0:15:03 | |
What?! Hammond, sorry! | 0:15:03 | 0:15:06 | |
It's twin turbos, seven speed double clutch gearbox, flappy paddles. | 0:15:06 | 0:15:10 | |
I want one. | 0:15:10 | 0:15:12 | |
How old are you? | 0:15:12 | 0:15:14 | |
-39. -And 361 days. | 0:15:14 | 0:15:18 | |
-Technically, yeah. -You know what that means, don't you? | 0:15:18 | 0:15:21 | |
The mid-life crisis is arriving. | 0:15:21 | 0:15:25 | |
Soon you'll be growing your hair, whitening your teeth... | 0:15:25 | 0:15:29 | |
Have you bought a Harley-Davidson recently? | 0:15:29 | 0:15:32 | |
-Yes. -Have you? -All right, it's happening! I agree! | 0:15:32 | 0:15:38 | |
I quite like the look of this. This is the Citroen DS3. | 0:15:39 | 0:15:42 | |
That's going to be about £12,000. It's sort of the size of a Mini. | 0:15:42 | 0:15:47 | |
Can I tell you the biggest problem with this car? | 0:15:47 | 0:15:49 | |
When we buy cars - and we all do this whether we like it or not - | 0:15:49 | 0:15:52 | |
we tend to think most of all about what it will be worth | 0:15:52 | 0:15:54 | |
when we come to sell it, which is perfectly reasonable. | 0:15:54 | 0:15:57 | |
The reason why we don't buy orange and lime green cars is you think, | 0:15:57 | 0:16:01 | |
I won't be able to sell it in a couple of years, | 0:16:01 | 0:16:03 | |
I'll get the grey one. I think that's what will happen with this | 0:16:03 | 0:16:06 | |
because you will look at it and go, I really like this, but what if | 0:16:06 | 0:16:09 | |
nobody else does and I won't be able to sell it. | 0:16:09 | 0:16:12 | |
Or what if it's as out of date as Roger Moore's safari suit | 0:16:12 | 0:16:14 | |
-when he was James Bond? -That's a shame because right now it looks great. | 0:16:14 | 0:16:19 | |
It looks fantastic. I think that's one of the best-looking cars that will be coming out next year. | 0:16:19 | 0:16:24 | |
-No, you got it... -No, this year. | 0:16:24 | 0:16:28 | |
-This BLEEP year! -Right, stop! -Oh, God! | 0:16:28 | 0:16:32 | |
-LAUGHTER AND APPLAUSE -Oh, God! | 0:16:32 | 0:16:36 | |
Let's move, on because this is another car I'm really looking forward to. It's this - 911 GT3RS. | 0:16:37 | 0:16:43 | |
Are you only looking forward to 911s? | 0:16:43 | 0:16:46 | |
At least I'm looking forward to something this year. | 0:16:46 | 0:16:49 | |
You're just saying everything is going to be terrible. | 0:16:49 | 0:16:52 | |
Not everything. | 0:16:52 | 0:16:54 | |
One car has caught my eye. | 0:16:54 | 0:16:57 | |
Ferrari 458. | 0:16:57 | 0:17:00 | |
This is the replacement for the 430. | 0:17:00 | 0:17:04 | |
-Hmmm. -What do you mean - hmmm? | 0:17:04 | 0:17:06 | |
I already think the Ferrari F430 is the best car in the world. | 0:17:06 | 0:17:11 | |
It makes my little fizzy... My rude thing... | 0:17:11 | 0:17:15 | |
I guarantee this is going to be a lot better than a 430. | 0:17:17 | 0:17:21 | |
If that's true it could explode. | 0:17:21 | 0:17:25 | |
Does anybody else suddenly feel sick? | 0:17:25 | 0:17:27 | |
Yes. I don't want to see your fizzy rude penis blowing up... | 0:17:27 | 0:17:30 | |
No, no, arrrgh! Let's just move on! I don't want to know! | 0:17:30 | 0:17:34 | |
The fact of the matter is this. This has got a lot more tech than a 430. It's a lot lighter than a 430. | 0:17:34 | 0:17:40 | |
I think the 430 has about 480 horsepower. | 0:17:40 | 0:17:44 | |
This has 562. | 0:17:44 | 0:17:46 | |
The thing I love about it most of all is that it's the first Ferrari | 0:17:46 | 0:17:50 | |
since 1975 that actually looks properly pretty. I'm just | 0:17:50 | 0:17:54 | |
completely bowled over by it. | 0:17:54 | 0:17:56 | |
Actually, we probably won't be allowed to drive Ferraris because | 0:17:56 | 0:18:02 | |
a couple of weeks ago, before Christmas... | 0:18:02 | 0:18:06 | |
-Nice one. -A big meeting in Copenhagen and many, many things were resolved there. | 0:18:06 | 0:18:12 | |
One of them - I'm pretty certain - will be that we have to get out of our cars more often. | 0:18:12 | 0:18:17 | |
And that brings us on to something we have over here. | 0:18:17 | 0:18:21 | |
In this plastic suitcase | 0:18:21 | 0:18:23 | |
is a folding the allegedly assisted bicycle. It's called the Gocycle. | 0:18:23 | 0:18:27 | |
I think you'll find it's called the Go Cycle. | 0:18:27 | 0:18:31 | |
-Not the Gocycle, you idiot. -That says Gocycle. | 0:18:31 | 0:18:35 | |
Never mind. It costs £1200 and, as you can see, it is... | 0:18:35 | 0:18:43 | |
Oh. | 0:18:45 | 0:18:46 | |
I thought it was a folding bicycle. It's a bloody bag full of bicycle components. | 0:18:47 | 0:18:52 | |
-Have I got to build it? -Would you like me to give you a hand with it? | 0:18:52 | 0:18:56 | |
That's the most terrifying thing Jeremy Clarkson can say to anyone. | 0:18:56 | 0:18:59 | |
I wonder if maybe you two should go away. | 0:18:59 | 0:19:02 | |
Good idea, because this is not the only post Copenhagen solution. | 0:19:02 | 0:19:07 | |
-Hammond, what have you got here? -I have this. | 0:19:07 | 0:19:09 | |
What it is is a skateboard for people who can't be bothered to skateboard. | 0:19:09 | 0:19:13 | |
I'll get it all started up because | 0:19:13 | 0:19:15 | |
it is electrically powered. This device controls your speed. | 0:19:15 | 0:19:18 | |
Why don't you give that to me and I'll control it. | 0:19:18 | 0:19:21 | |
No, that's the most terrifying thing you can possibly say. | 0:19:21 | 0:19:24 | |
-Are you really going to ride that? -Yes, I am. | 0:19:24 | 0:19:26 | |
Apparently this has a curve system. | 0:19:26 | 0:19:28 | |
Though how something can have regenerative braking | 0:19:28 | 0:19:31 | |
when I can't see how the brakes work I don't know - but it works! | 0:19:31 | 0:19:37 | |
This is much better. | 0:19:37 | 0:19:39 | |
It was designed by a man who wanted something that would combine his love of cross-country skiing | 0:19:39 | 0:19:44 | |
and his love of cycling, and then converted to run on batteries, | 0:19:44 | 0:19:48 | |
by someone who didn't like either of those things. | 0:19:48 | 0:19:51 | |
It is quite pricey, £1,600, around about the same as in 1999 5 Series BMW, but it is quite fast. | 0:19:51 | 0:19:59 | |
Top speed is 15mph. | 0:19:59 | 0:20:02 | |
-Yeah, mine is faster. -I promise you this is quicker. | 0:20:03 | 0:20:07 | |
-Race. -Race?! -Come on. -Anyone want to see a race? -Yeah! | 0:20:07 | 0:20:12 | |
Back to here, lap of the studio. | 0:20:14 | 0:20:17 | |
3, 2, 1 - go. I've got wheelspin, a lot of wheelspin. | 0:20:17 | 0:20:20 | |
-Come on, you stupid thing! -I'm a 40-year-old man taking up skateboarding. | 0:20:23 | 0:20:29 | |
I've got grip, I've got grip! | 0:20:29 | 0:20:30 | |
BLEEP. I've hit the wall! | 0:20:33 | 0:20:35 | |
-James, are you still working on that thing? -Yes. -Want to go on this? | 0:20:38 | 0:20:41 | |
-No. -It's great once you've got the hang of it. -No. | 0:20:41 | 0:20:44 | |
-Suit yourself. -I'm a bit bored with this. | 0:20:44 | 0:20:46 | |
I'm going to go and introduced Jeremy's film on the BMW X6. | 0:20:46 | 0:20:50 | |
Normally he would go and drive it in a sewer or blow it up or something like that. | 0:20:50 | 0:20:55 | |
Unfortunately, Richard Hammond spent most of what we had left | 0:20:55 | 0:21:00 | |
-on his stupid... -ARGH! | 0:21:00 | 0:21:03 | |
LAUGHTER | 0:21:03 | 0:21:05 | |
I broke the tree a bit... Sorry. | 0:21:05 | 0:21:09 | |
Unfortunately, Richard Hammond, who has just broken our Christmas tree, | 0:21:12 | 0:21:18 | |
spent most of what we had left on his stupid Lexus film. | 0:21:18 | 0:21:22 | |
Our instructions to Jeremy were very specific. Keep it cheap and simple. | 0:21:22 | 0:21:26 | |
Right. One simple film coming up. | 0:21:26 | 0:21:31 | |
The X6 is BMW's attempt | 0:21:34 | 0:21:37 | |
to make a car which looks, and goes, like a coupe, | 0:21:37 | 0:21:40 | |
but has a tall driving position and a bit of off-road ability. | 0:21:40 | 0:21:45 | |
They call it a Sports Activity Vehicle. | 0:21:45 | 0:21:50 | |
It's available with a choice of two petrol engines, both of which | 0:21:50 | 0:21:57 | |
will attract the new £950 showroom tax... | 0:21:57 | 0:22:00 | |
And two diesels which won't. | 0:22:00 | 0:22:02 | |
In the cabin, there is space for four. | 0:22:02 | 0:22:05 | |
But those in the back will be awfully cramped due to the sloping roof line. | 0:22:05 | 0:22:12 | |
Inside it's all typical BMW, | 0:22:12 | 0:22:15 | |
except for this rather clever split opening glove box lid. | 0:22:15 | 0:22:19 | |
It works well here. | 0:22:19 | 0:22:22 | |
But what if you're the wrong way up? | 0:22:22 | 0:22:25 | |
To find out I went to Sydney, which is in Australia. | 0:22:29 | 0:22:36 | |
Obviously everything here is upside-down and yet it still works beautifully. That is impressive. | 0:22:36 | 0:22:43 | |
So... | 0:22:43 | 0:22:46 | |
How does the X6 drive? | 0:22:47 | 0:22:48 | |
In many ways, it's quite annoying. | 0:22:48 | 0:22:51 | |
You can't see out of the back very well and it's got the iDrive system | 0:22:51 | 0:22:55 | |
which can only be operated if you are 14. | 0:22:55 | 0:22:57 | |
No. | 0:23:00 | 0:23:01 | |
I don't know what any of that means. | 0:23:01 | 0:23:04 | |
Satellite navigation. You are coming up to a complicated junction, trying to see which way it is. | 0:23:04 | 0:23:09 | |
You think it's a bit chilly, I'll just ease the temperature up and the screen has gone! | 0:23:09 | 0:23:14 | |
I don't know which way to go because... | 0:23:14 | 0:23:17 | |
Why are you telling me that?! | 0:23:17 | 0:23:19 | |
Then there's the gear lever. | 0:23:20 | 0:23:23 | |
It's on back-to-front cos if you want to change down you push it away. | 0:23:23 | 0:23:29 | |
If you want to change up you pull it towards you. | 0:23:29 | 0:23:31 | |
There's no point resorting to the paddles on the steering wheel as unlike in a normal car, | 0:23:31 | 0:23:35 | |
where one change is down and one change is up, in this they both do the same thing. | 0:23:35 | 0:23:40 | |
And what was the boss of BMW doing when all the clowns in the laptop department | 0:23:40 | 0:23:46 | |
were coming up with this rubbish? | 0:23:46 | 0:23:49 | |
I can only assume she was in a motel with a Swiss spy. | 0:23:49 | 0:23:53 | |
That would be preposterous! | 0:23:53 | 0:23:55 | |
Still, for a big, tall car it's not bad in bends. | 0:23:57 | 0:24:02 | |
Unfortunately, to make it not bad, | 0:24:02 | 0:24:05 | |
they have had to put quite a lot | 0:24:05 | 0:24:09 | |
of beef and granite in the suspension. | 0:24:09 | 0:24:13 | |
In Britain that makes it really quite uncomfortable. | 0:24:13 | 0:24:17 | |
But what about countries where the roads are smooth? | 0:24:17 | 0:24:22 | |
To find out, I went to Spain. | 0:24:22 | 0:24:24 | |
No, it's uncomfortable here as well. | 0:24:35 | 0:24:39 | |
The fact is this - it would be more comfortable if it weren't so tall. | 0:24:45 | 0:24:51 | |
There's a similar problem with the performance. | 0:24:51 | 0:24:55 | |
Yes, the twin-turbo three litre diesel that I've got in this | 0:24:55 | 0:24:58 | |
particular model will get me from 0 - 60 in seven seconds, and that's not bad. | 0:24:58 | 0:25:03 | |
But how much faster and how much more economical would it have been | 0:25:03 | 0:25:08 | |
if the body wasn't so enormous? | 0:25:08 | 0:25:11 | |
You'd imagine that the advantages | 0:25:13 | 0:25:16 | |
of that big, high riding body would become clear in the countryside. | 0:25:16 | 0:25:22 | |
But there's no low-range gearbox, | 0:25:22 | 0:25:25 | |
there's no ride-high control and there's no locking differentials. | 0:25:25 | 0:25:32 | |
It doesn't take long for those omissions to have an effect. | 0:25:35 | 0:25:40 | |
You see, | 0:25:49 | 0:25:52 | |
that really says a lot, doesn't it? | 0:25:52 | 0:25:54 | |
The only way round this | 0:25:54 | 0:25:56 | |
is to get out and complete your journey on foot. | 0:25:56 | 0:26:01 | |
That's the handbrake on and in park. | 0:26:03 | 0:26:07 | |
Help! | 0:26:10 | 0:26:12 | |
I'm still going down the hill. | 0:26:12 | 0:26:16 | |
Maybe it can handle snow a bit better. | 0:26:18 | 0:26:22 | |
To find out I went to the highest ski resort in the Alps. | 0:26:22 | 0:26:28 | |
No. | 0:26:44 | 0:26:47 | |
It can't. | 0:26:47 | 0:26:49 | |
So it's too focused on being a road car to be any good off-road. | 0:26:49 | 0:26:55 | |
And it's too focused on being tall and heavy | 0:26:55 | 0:26:58 | |
to be any good on the road either. | 0:26:58 | 0:27:02 | |
And that, I'm afraid, is far from the end of the story. | 0:27:02 | 0:27:05 | |
You see, the X6 was conceived at a time when we all thought the banks knew what they were doing. | 0:27:05 | 0:27:11 | |
But it went on sale moments after we discovered they didn't. | 0:27:11 | 0:27:16 | |
And, I'm sorry, but in a recession a car like this just looks ridiculous. | 0:27:18 | 0:27:23 | |
To explain what I'm on about I went in search of a metaphor. | 0:27:27 | 0:27:31 | |
And, inevitably, that led me to Hong Kong. | 0:27:31 | 0:27:33 | |
You see that skyscraper, the one Batman jumped off? | 0:27:45 | 0:27:50 | |
It's not particularly beautiful, it's not particularly useful. | 0:27:50 | 0:27:54 | |
It was built by a world for a world | 0:27:54 | 0:27:58 | |
that doesn't really exist any more. | 0:27:58 | 0:28:01 | |
Remind you of anything? | 0:28:01 | 0:28:03 | |
To sum up, the Range Rover is a much better all-rounder. | 0:28:05 | 0:28:10 | |
Which is why we use them as camera tracking cars. | 0:28:10 | 0:28:15 | |
The X6 is too cramped, too complicated and, with prices starting at £42,000, | 0:28:15 | 0:28:23 | |
too expensive as well! | 0:28:23 | 0:28:25 | |
Then you're going to need at least £1,500 a year to run it, not including depreciation. | 0:28:25 | 0:28:33 | |
And I think I'd rather spend that sort of money on a Caribbean holiday. | 0:28:33 | 0:28:38 | |
To find out, I went to Barbados. | 0:28:42 | 0:28:45 | |
I think a bit more research. | 0:28:50 | 0:28:54 | |
No. This is definitely better - definitely. | 0:29:08 | 0:29:12 | |
-APPLAUSE -Thank you very much. | 0:29:16 | 0:29:18 | |
I pride myself on my thoroughness. | 0:29:18 | 0:29:22 | |
-What? -Excuse me. | 0:29:22 | 0:29:25 | |
-What? -You are an apocalyptic dingleberry. | 0:29:25 | 0:29:28 | |
-Why? -You went to the Alps. -Yes. -You went to Spain. -Yes. | 0:29:28 | 0:29:32 | |
-You went to Australia to see if the glove box works. -Yes. | 0:29:32 | 0:29:35 | |
-You went to Barbados. -Yes. -You went to... | 0:29:35 | 0:29:38 | |
-Hong Kong. -That was just for a stupid metaphor. -Yes, I did do that. | 0:29:38 | 0:29:42 | |
You're a bigger idiot than Richard Hammond. | 0:29:42 | 0:29:44 | |
-You know what it means? -What? -What it meant was there was virtually | 0:29:44 | 0:29:48 | |
no money left for my film, which you can see later. | 0:29:48 | 0:29:52 | |
-I promise I didn't do it deliberately. -Really?! -(..much!) | 0:29:52 | 0:29:54 | |
It's now time to put a star in our reasonably priced car. | 0:29:54 | 0:29:58 | |
Now, because of the budget issues this week, we did have a bit of a problem. | 0:29:58 | 0:30:03 | |
Tom Cruise, for example, was going to charge us £150. | 0:30:03 | 0:30:08 | |
Bonio out of U2 wanted 175 quid to come over here. | 0:30:08 | 0:30:13 | |
So, would you please welcome a former tramp? Seasick Steve. | 0:30:13 | 0:30:18 | |
APPLAUSE | 0:30:18 | 0:30:21 | |
Sorry about this. How are you? Have a seat. We have an accident every year and there it is. | 0:30:23 | 0:30:31 | |
I should explain to those of you who are thinking and the tramp is who? | 0:30:31 | 0:30:37 | |
This guy is a musical sensation. I mean Brit nominee, when was it, last year? Glastonbury. | 0:30:37 | 0:30:43 | |
-My wife queued up for five days to come and see that show you did. -I'm sorry. | 0:30:43 | 0:30:49 | |
You have become this amazing sensation. | 0:30:49 | 0:30:52 | |
The instruments you play aren't exactly conventional instruments. | 0:30:52 | 0:30:56 | |
I mean, your guitar, for example. | 0:30:56 | 0:30:59 | |
I don't play the guitar but I know they have six strings. Yours doesn't. | 0:30:59 | 0:31:03 | |
I've got some that have got one string but that's just a plank of wood with a string nailed on it. | 0:31:03 | 0:31:09 | |
That's called a diddlybo. | 0:31:09 | 0:31:11 | |
I've got this other guitar that's got three strings that I got from a friend of mine in Mississippi. | 0:31:11 | 0:31:17 | |
He found it at a junk store. | 0:31:17 | 0:31:18 | |
I brought it home and my wife looked at that guitar and goes, "That's going to make you famous." | 0:31:18 | 0:31:23 | |
And it has! Because, one day, a little known broadcasting organisation called the BBC | 0:31:23 | 0:31:29 | |
called up and said, "Could you come on the Jools Holland Show?" | 0:31:29 | 0:31:32 | |
I didn't even know what Jools Holland was. | 0:31:32 | 0:31:35 | |
Just so that people can understand the noise that Steve can make out of | 0:31:35 | 0:31:39 | |
this three-string guitar, just have a listen to this. | 0:31:39 | 0:31:42 | |
# The dog house Dog house | 0:31:46 | 0:31:52 | |
# Sing the dog house | 0:31:52 | 0:31:55 | |
# Sing the dog house | 0:31:56 | 0:31:58 | |
# Sing the dog house... # | 0:31:58 | 0:32:01 | |
I had to just do that so you could just hear that this... Where does that voice come from? | 0:32:05 | 0:32:09 | |
Obviously your mouth. | 0:32:09 | 0:32:12 | |
-Drinking? -Drinking. | 0:32:12 | 0:32:15 | |
So your first hit album, I should say, it was called | 0:32:15 | 0:32:19 | |
I Started Out With Nothing And I've Still Got Most Of It Left. | 0:32:19 | 0:32:24 | |
-Yes. -Which I think is the best album title literally of all time. | 0:32:24 | 0:32:28 | |
-The new one's called...? -A Man From Another Time. | 0:32:28 | 0:32:31 | |
Again, pretty apt. We're going to get on to this name - Seasick Steve. | 0:32:31 | 0:32:34 | |
Forgive me for asking. You must have been asked a million times but why? | 0:32:34 | 0:32:39 | |
I just get sick on boats. | 0:32:39 | 0:32:43 | |
Like real sick. I don't go out on the boats too much. | 0:32:43 | 0:32:48 | |
I went on a ferry boat from Norway to Denmark and threw up all night long. | 0:32:48 | 0:32:53 | |
The next morning, someone thought it was funny. You're Seasick Steve! | 0:32:53 | 0:32:56 | |
-And that stuck? -Yeah, sort of. | 0:32:56 | 0:32:59 | |
You may be Seasick Steve but you can't be Carsick Steve because what you probably don't realise, | 0:32:59 | 0:33:03 | |
we haven't got to this bit, we've got a serious car man here. | 0:33:03 | 0:33:07 | |
-How many cars have you owned over the years? -I try to count. I know it's in the hundreds. | 0:33:07 | 0:33:14 | |
In America, cars are real cheap. | 0:33:14 | 0:33:16 | |
You can buy a late '30s, early '40s car for 50 bucks. | 0:33:16 | 0:33:22 | |
So I'd buy it for 50 and drive it for two or three weeks until it died | 0:33:22 | 0:33:25 | |
and leave it on the end of the road and then go and get another one. | 0:33:25 | 0:33:27 | |
They were all over. | 0:33:27 | 0:33:30 | |
What was the favourite from this list of hundreds? | 0:33:30 | 0:33:32 | |
My favourite truly is a car I have right now which I've had for a while. | 0:33:32 | 0:33:36 | |
It's a '51 Chevy station wagon. | 0:33:36 | 0:33:39 | |
-It's just a complete beat-up car but it runs good. -Where is that now? | 0:33:39 | 0:33:43 | |
-It's actually over here. I've got it over here now. -You keep it in the UK? -Yeah, I've got it over here. | 0:33:43 | 0:33:49 | |
-I've got that and a tractor. -You've got to do a bit of farming then? | 0:33:49 | 0:33:53 | |
I don't care about the farming part but I like ploughing. | 0:33:53 | 0:33:57 | |
So, presumably, I was listening to a comedian on the radio the other | 0:33:57 | 0:34:01 | |
day talking about the importance and reliability of getting to gigs. | 0:34:01 | 0:34:04 | |
-Yeah. -You don't use the Chevy. Because presumably it's, "I'm sorry, | 0:34:04 | 0:34:08 | |
"Seasick Steve can't appear tonight because his Chevy's broken down." | 0:34:08 | 0:34:11 | |
I've got one of those big Mercedes vans, like a big white one. | 0:34:11 | 0:34:15 | |
It's got like a wood burning stove and fishing gear. | 0:34:15 | 0:34:19 | |
It's got like a log cabin inside. It's real nice. | 0:34:19 | 0:34:23 | |
There's all these lines of those big tour buses and then my old beat-up van in the middle. | 0:34:23 | 0:34:27 | |
Seasick Steve's arrived. | 0:34:27 | 0:34:30 | |
They saw me coming a long way away. | 0:34:30 | 0:34:32 | |
-So, you've not called the eco-bug then? -What's that? | 0:34:32 | 0:34:36 | |
It was a thing in Copenhagen. | 0:34:36 | 0:34:39 | |
-You've got to have a Toyota Prius now - a hybrid. -No, thanks. | 0:34:39 | 0:34:42 | |
My boy told me I could drive my '51 Chevy the rest of my life, | 0:34:42 | 0:34:47 | |
and all the life I've had before, | 0:34:47 | 0:34:49 | |
and not make as much pollution as one of them new cars costs to make. | 0:34:49 | 0:34:52 | |
-I'll stick with the '51 Chevy, thank you. -Yes, good man. | 0:34:52 | 0:34:57 | |
That's the ticket. | 0:34:57 | 0:35:00 | |
So, OK, the car man. | 0:35:00 | 0:35:02 | |
You came down here and drove possibly the most modern car you've ever driven then. | 0:35:02 | 0:35:06 | |
-My biggest problem is the shifter's on the wrong side. -Correct side. | 0:35:06 | 0:35:11 | |
I kept rolling the window down. | 0:35:11 | 0:35:15 | |
But it is. I have to say that Lacetti is getting a bit knackered now. | 0:35:15 | 0:35:19 | |
-I didn't help at all. I apologise. -No, we're thinking of getting a new car for the next series. | 0:35:19 | 0:35:24 | |
You would be the last person ever to go on the board. | 0:35:24 | 0:35:26 | |
I'm probably be the last person on the board, too. | 0:35:26 | 0:35:30 | |
-Like a double whammy! -Who'd like to see Seasick's lap? | 0:35:30 | 0:35:35 | |
-AUDIENCE: Yes! -Let's have a look how it went. | 0:35:35 | 0:35:39 | |
I'm embarrassed now. | 0:35:39 | 0:35:43 | |
Now, I'm trying to remember all the things Stig told me. | 0:35:44 | 0:35:48 | |
I can hardly remember... | 0:35:48 | 0:35:50 | |
What day is it actually? | 0:35:50 | 0:35:52 | |
-I've no idea. -That is a beard in a car and that is tidy line cutting the corner. | 0:35:52 | 0:35:58 | |
That's OK. A bit damp. | 0:35:58 | 0:36:00 | |
A lot of under steer there. | 0:36:00 | 0:36:03 | |
You can make a lot of noise but you ain't going very fast when you make the noise. | 0:36:03 | 0:36:08 | |
That's true. We've got more understeer here. Yes. | 0:36:08 | 0:36:12 | |
Quite a lot through there. That's slowing you down a bit. | 0:36:12 | 0:36:15 | |
The radio came on. | 0:36:15 | 0:36:18 | |
I don't want to hear no radio. | 0:36:18 | 0:36:19 | |
I'm busy racing, dude. | 0:36:19 | 0:36:23 | |
Dipping nicely into Hammerhead. | 0:36:23 | 0:36:26 | |
This looks like a good line. Yes, looking very tidy on the way in. | 0:36:26 | 0:36:31 | |
And on the way out? | 0:36:31 | 0:36:33 | |
Very nice. | 0:36:33 | 0:36:35 | |
-This is embarrassing. -No, it isn't. This gear change was. | 0:36:35 | 0:36:37 | |
That's the worst. | 0:36:37 | 0:36:39 | |
This is the most fun I've probably ever had in my whole life and that's probably kind of pathetic. | 0:36:39 | 0:36:45 | |
Let's have a look through here. Let's see if you've got to any gentleman's... | 0:36:48 | 0:36:52 | |
This car... | 0:36:52 | 0:36:55 | |
is amazing. | 0:36:55 | 0:36:57 | |
Fast - that is quick. | 0:36:57 | 0:36:59 | |
Coming into the second to last corner. | 0:36:59 | 0:37:02 | |
Don't go on the grass, it's too wet. | 0:37:02 | 0:37:04 | |
-You're on the grass a bit there. -Go, go, go! -And around Gander. | 0:37:04 | 0:37:10 | |
A little bit slow on that one. | 0:37:10 | 0:37:13 | |
Across the line, everybody. | 0:37:13 | 0:37:15 | |
-Very well done! Very well done. -Oh, boy! | 0:37:15 | 0:37:21 | |
You care, don't you? | 0:37:26 | 0:37:28 | |
-I really care. I know I let down the side but you got to give it a shot. -You gave it a shot. | 0:37:28 | 0:37:33 | |
I tried to get points for being a little older but they didn't go for it. | 0:37:33 | 0:37:37 | |
I'd love to cheat here and give you a fast time but unfortunately it was a slow one. | 0:37:37 | 0:37:41 | |
-I know that. -It wasn't a slow one. What it was was, ready? | 0:37:41 | 0:37:45 | |
One minute and, bearing in mind it was moist, 51.8. | 0:37:45 | 0:37:50 | |
Which means you go there. | 0:37:50 | 0:37:52 | |
-You're faster than Tom Jones. -That's enough. I'll take that. | 0:37:58 | 0:38:03 | |
That's good enough for me. | 0:38:03 | 0:38:05 | |
And he was in the dry. You're faster than Helen Mirren... | 0:38:05 | 0:38:10 | |
Don't rub it in no more. | 0:38:10 | 0:38:12 | |
That's kind of it. Steve, this has been an absolute joy. | 0:38:12 | 0:38:16 | |
A 100% pleasure for me. 100%. | 0:38:16 | 0:38:19 | |
-Ladies and gentlemen, Seasick Steve. -Thank you very much. | 0:38:19 | 0:38:23 | |
Thank you so much. Great music. | 0:38:24 | 0:38:29 | |
Right. It is now time for me to present my film. | 0:38:32 | 0:38:37 | |
And, for reasons that I am sure by now are abundantly clear, | 0:38:37 | 0:38:41 | |
it's about a medium-sized Vauxhall and a nice old lady. | 0:38:41 | 0:38:45 | |
Right, here we go. A lengthy yet hopefully interesting | 0:38:47 | 0:38:50 | |
and value-for-money film about a Vauxhall. | 0:38:50 | 0:38:54 | |
If you're a proper car bore, you will know that anything wearing the VXR badge, | 0:38:54 | 0:38:59 | |
I have one here on the steering wheel, | 0:38:59 | 0:39:01 | |
is part of Vauxhall's Turbo Nutter ASBO range. | 0:39:01 | 0:39:05 | |
And so it turns out. | 0:39:05 | 0:39:07 | |
The engine, for example, is a turbo-charged 2.8 litre V6. | 0:39:11 | 0:39:16 | |
Which produces a meaty 321 horse power. | 0:39:16 | 0:39:20 | |
That's a few horse power short of our old track favourite, the VXR8, | 0:39:21 | 0:39:25 | |
but, nevertheless, this executive-style car is good for 60 in under 6 seconds. | 0:39:25 | 0:39:31 | |
If it didn't have the hand of nannying, | 0:39:31 | 0:39:35 | |
an electronic speed limiter, it would do 170 miles an hour. | 0:39:35 | 0:39:39 | |
It does shift, this thing. | 0:39:40 | 0:39:42 | |
And the performance modifications don't stop with the engine. | 0:39:43 | 0:39:47 | |
321 horse power is asking a lot of front-wheel drive. | 0:39:47 | 0:39:51 | |
This version has four-wheel drive | 0:39:51 | 0:39:53 | |
to keep everything nice and calm and civilised and under control. | 0:39:53 | 0:39:57 | |
It also has a very clever front suspension, | 0:39:57 | 0:39:59 | |
very similar to the one used on the Focus RS, | 0:39:59 | 0:40:03 | |
which, as we know, is very good. | 0:40:03 | 0:40:05 | |
Also, the suspension has been lowered by 10mm and you can choose from different driver settings. | 0:40:07 | 0:40:14 | |
At the moment I'm in normal mode, which is the one I like, | 0:40:14 | 0:40:17 | |
but if I press this button, "sport" - now the suspension is firmed up a little bit. | 0:40:17 | 0:40:22 | |
Can I feel that? Yes. | 0:40:22 | 0:40:25 | |
But lots of cars have a sport button. | 0:40:25 | 0:40:28 | |
The insignia, however, has another one that goes up to 11. | 0:40:28 | 0:40:32 | |
This one which is marked "VXR". | 0:40:32 | 0:40:36 | |
Press that and the suspension gets even harder. | 0:40:40 | 0:40:43 | |
The throttle response is sharpened up a bit but, most importantly, the instruments become red! | 0:40:43 | 0:40:49 | |
I mean, that's just fantastic. | 0:40:49 | 0:40:52 | |
It's a fire-breathing monster with a spine of iron. | 0:40:52 | 0:40:56 | |
And the prize for all this VXR-ishness? | 0:41:00 | 0:41:03 | |
Just over £30,000, which, in Top Gear maths, | 0:41:03 | 0:41:06 | |
where we tend to round things up a bit, makes it actually pretty good value. | 0:41:06 | 0:41:11 | |
Because the equivalent Audi S4 would be nearly £5,000 more. | 0:41:11 | 0:41:18 | |
And that's all you really need to know about it. | 0:41:18 | 0:41:21 | |
But, obviously, I have to keep going. | 0:41:21 | 0:41:23 | |
So I will, by explaining that the insignia VXR is surprisingly restrained, | 0:41:26 | 0:41:32 | |
both to look at and to sit in. | 0:41:32 | 0:41:34 | |
It is, therefore, the first de-chavved VXR. | 0:41:35 | 0:41:39 | |
The first fast Vauxhall that would know which way round a baseball cap goes. | 0:41:39 | 0:41:44 | |
This is actually a very civilised car. It's very quiet. | 0:41:47 | 0:41:50 | |
The ride is very good and yet, without the VXR button on, it still goes like stink. | 0:41:50 | 0:41:56 | |
It's also very spacious and it has a big boot - and much more equipment than a pricier Audi. | 0:41:57 | 0:42:03 | |
And now I really have run out of things to say. | 0:42:03 | 0:42:07 | |
But rather than go back to the studio, | 0:42:07 | 0:42:09 | |
I'm going to introduce you to someone I've always wanted to meet. | 0:42:09 | 0:42:14 | |
A lady called Margaret Calvert. | 0:42:14 | 0:42:17 | |
And here she is. Hello, Margaret. | 0:42:17 | 0:42:20 | |
Hello, James. | 0:42:20 | 0:42:21 | |
You may never have heard of Margaret but, believe me, | 0:42:21 | 0:42:24 | |
if you are a motorist in Britain, she's one of the most important people in your life. | 0:42:24 | 0:42:28 | |
If it hadn't been for Margaret and her mates, | 0:42:28 | 0:42:31 | |
I would now be going the wrong way or possibly even having a terrible crash. | 0:42:31 | 0:42:36 | |
You see, Margaret, along with her colleague Jock Kinneir, | 0:42:38 | 0:42:43 | |
is responsible for creating something special that we take for granted every single day. | 0:42:43 | 0:42:49 | |
The road signs of Britain. | 0:42:49 | 0:42:51 | |
I think you've perhaps made me more important than I really am. | 0:42:55 | 0:43:01 | |
Oh, I doubt it. | 0:43:01 | 0:43:03 | |
Margaret's work began in the 1950s, when car ownership was booming | 0:43:05 | 0:43:09 | |
and the Government, alarmed at the clogged-up roads, decided to build the first motorways. | 0:43:09 | 0:43:15 | |
However, existing road signs were totally inadequate for the new, high-speed highways. | 0:43:15 | 0:43:20 | |
-No one designed motorway signs before because we hadn't had a motorway. -Yes. | 0:43:21 | 0:43:25 | |
And the whole job of making that system of signs clear to the car, | 0:43:25 | 0:43:29 | |
-which was still a new thing for most people... -The driver, yes. | 0:43:29 | 0:43:32 | |
And at speeds that were still new... | 0:43:32 | 0:43:34 | |
That all fell to a man and his former student from an art college. | 0:43:34 | 0:43:37 | |
-They gave you the whole job. -Absolutely. | 0:43:37 | 0:43:40 | |
We were both on a crash-course learning curve | 0:43:40 | 0:43:45 | |
to come to grips with designing road signs. | 0:43:45 | 0:43:50 | |
It wasn't a fashion thing. We were designing for permanence. | 0:43:50 | 0:43:54 | |
We were designing for something that wouldn't look dated in 5 or 10 years' time. | 0:43:54 | 0:43:59 | |
Margaret explained how the colour system of our road signs | 0:43:59 | 0:44:03 | |
was carefully designed to make words and numbers as clear as possible | 0:44:03 | 0:44:07 | |
at the high speeds motorway-borne cars could then achieve. | 0:44:07 | 0:44:11 | |
And she and Jock horrified the signposting establishment | 0:44:11 | 0:44:14 | |
by using upper and lowercase letters, | 0:44:14 | 0:44:17 | |
instead of the accepted block capitals. | 0:44:17 | 0:44:20 | |
And that's to do with word recognition. | 0:44:20 | 0:44:23 | |
You read a shape, whereas if it's all in capitals, it takes you longer to read. | 0:44:23 | 0:44:27 | |
So you don't have to read it in upper and lower. You see the shape and you know what it says. | 0:44:27 | 0:44:31 | |
Exactly that. So your brain fills in, you know, the middle bits. | 0:44:31 | 0:44:35 | |
Most people wouldn't realise how involved this is. They'd think it's just lettering you stick on a sign. | 0:44:35 | 0:44:40 | |
-Absolutely, yes. -And it still works. It's basically the same system. | 0:44:40 | 0:44:43 | |
Margaret's work didn't stop at motorway signs | 0:44:45 | 0:44:48 | |
because she and Jock then went on to design just about every other road sign you see in the Highway Code. | 0:44:48 | 0:44:56 | |
-So you designed a new type-face... -Yes. | 0:44:56 | 0:44:58 | |
-..Which became known as Transport. -Yes. | 0:44:58 | 0:45:01 | |
-And then you had to design the actual pictures for your warning signs. -Yes. | 0:45:01 | 0:45:05 | |
-That's you, isn't it? -That was actually a very difficult one to do. | 0:45:05 | 0:45:09 | |
The important thing was to make it look like an action. | 0:45:09 | 0:45:13 | |
That it would really alert you to the possibility of two children walking across the road, | 0:45:13 | 0:45:18 | |
so hopefully you would try to save lives by getting that right. | 0:45:18 | 0:45:22 | |
The previous sign had a grammar-school boy | 0:45:22 | 0:45:26 | |
with a satchel and the girl behind him. | 0:45:26 | 0:45:30 | |
And they weren't holding hands or anything like that. | 0:45:30 | 0:45:33 | |
And I just thought that this is a little bit more caring | 0:45:33 | 0:45:36 | |
and so I switched it round. | 0:45:36 | 0:45:37 | |
I based that, actually, on me. | 0:45:37 | 0:45:40 | |
I based it on what I wore as a child. | 0:45:40 | 0:45:42 | |
-So is that actually you? -It is, actually, yes. | 0:45:42 | 0:45:46 | |
At this point, I was starting to run out of intelligent questions. | 0:45:46 | 0:45:51 | |
What do you make of the car? Because I can't quite make my mind up but... | 0:45:51 | 0:45:54 | |
-They always have faces, don't they? -Yes. | 0:45:54 | 0:45:57 | |
And I think some kind of look very shark-like, some look very aggressive. | 0:45:57 | 0:46:01 | |
It looks like a car that's been designed by a committee. | 0:46:01 | 0:46:05 | |
And then I ran out of intelligent things to say. | 0:46:05 | 0:46:09 | |
But would you agree with me that it would look a bit sexier in glasses? | 0:46:09 | 0:46:13 | |
That's a very interesting... I think you're quite unusual. | 0:46:13 | 0:46:18 | |
Back on the road, we inevitably came across one of her most commonly-used signs. | 0:46:20 | 0:46:24 | |
The story I read about you was that you did that sign | 0:46:24 | 0:46:27 | |
and then the joke emerged it was a man struggling with an umbrella and that joke's been around for years. | 0:46:27 | 0:46:33 | |
And that annoyed you and you wished you'd done it slightly differently? | 0:46:33 | 0:46:36 | |
Well, I would have put a shoulder on it, just. And I'd... Huh? | 0:46:36 | 0:46:40 | |
Oh, what, you want me to draw it on? | 0:46:40 | 0:46:42 | |
-Yes. -No. -Come on. -I'm not doing it. -I'll do it. | 0:46:42 | 0:46:45 | |
-But I want you to direct me. -OK. | 0:46:45 | 0:46:48 | |
Right, think of drawing a spade. | 0:46:51 | 0:46:54 | |
As if you're drawing a spade, yeah? | 0:46:56 | 0:47:00 | |
What do you think? Well, I think from here, | 0:47:00 | 0:47:04 | |
it's sort of, it's wrong. | 0:47:04 | 0:47:06 | |
Not only did she not like my drawing, she didn't find my gear changes very good either. | 0:47:07 | 0:47:12 | |
-That was a bit of a... -Yes, sorry, that wasn't very good, was it? | 0:47:14 | 0:47:18 | |
-No, that wasn't a good gear. -Let's try that again. | 0:47:18 | 0:47:20 | |
-Yeah, do that. -I was trying to be clever. -Oh, right. | 0:47:20 | 0:47:23 | |
Skipping the cogs, so we're doubling down into second. | 0:47:23 | 0:47:26 | |
Oh, right, yes. Even then, it was a little bit juddery. Now... | 0:47:26 | 0:47:29 | |
-Yeah, a bit... -Is that better? -A bit better. Could be smoother. | 0:47:29 | 0:47:34 | |
Sorry. | 0:47:34 | 0:47:35 | |
I decided to speed up, | 0:47:35 | 0:47:38 | |
and that didn't work either. | 0:47:38 | 0:47:40 | |
Oh my gosh! | 0:47:40 | 0:47:41 | |
Margaret didn't like this sort of driving. | 0:47:41 | 0:47:45 | |
And as we headed for home, plainly, she decided to get her own back. | 0:47:45 | 0:47:49 | |
-Big road sign. -It is nice to think that your legacy is spread all over the country. -Well, it is a legacy. | 0:47:49 | 0:47:55 | |
I suppose. And that's why I end up sitting next to people like you. | 0:47:55 | 0:48:00 | |
Talking about road signs. | 0:48:00 | 0:48:01 | |
-Did you put my seat heater on for a joke? -No, I didn't. Is it on? | 0:48:04 | 0:48:08 | |
Well done, mate. Good work. Well done. | 0:48:18 | 0:48:22 | |
I have to say, when Margaret came on, it got better, OK? The thing is though, I have a question. | 0:48:22 | 0:48:26 | |
She really designed all of the road signs of Britain? Well, her and, what was it, four others? | 0:48:26 | 0:48:32 | |
Four or five people in total, yes. | 0:48:32 | 0:48:34 | |
Because I was thinking, if they decided to change all the road signs now, | 0:48:34 | 0:48:38 | |
how many people would this government employ? | 0:48:38 | 0:48:40 | |
-A million. -It would. | 0:48:40 | 0:48:42 | |
They'd want 5,000 people just to decide what the little girl on the school sign looked like. | 0:48:42 | 0:48:47 | |
Oh yes, should she have a burka, a turban? | 0:48:47 | 0:48:49 | |
-And then that man in the "men at work" sign is clearly a man... -Yes! | 0:48:49 | 0:48:54 | |
-And that's not right. -No. -They'd rectify that. | 0:48:54 | 0:48:56 | |
In the modern "men at work" sign there wouldn't be a man, just be a pile of unused gravel. | 0:48:56 | 0:49:00 | |
Just a queue of cars stopped for no reason. | 0:49:00 | 0:49:03 | |
-It's OK, we've filled the time now. -OK. -Er, so, let's move on | 0:49:03 | 0:49:08 | |
to the Top Gear award ceremony! | 0:49:08 | 0:49:11 | |
-Oh, yes. This is the biggie. -Oh, yes! | 0:49:11 | 0:49:15 | |
-It's a big day. -It is a biggie. -A big day in the calendar. | 0:49:15 | 0:49:18 | |
A big day for us all. | 0:49:18 | 0:49:21 | |
-What are you doing? -What... -What? -Just that. | 0:49:21 | 0:49:24 | |
It's an award ceremony, I'm wearing a gold lame jacket. It's appropriate. | 0:49:24 | 0:49:28 | |
It's quite sudden, isn't it? | 0:49:28 | 0:49:30 | |
Erm, anyway. First award is Injury of the Year. | 0:49:30 | 0:49:35 | |
And the nominations are - Richard in our Headhammer Thrust i-Eagle, Geoff. | 0:49:35 | 0:49:41 | |
We're going to crash. | 0:49:41 | 0:49:44 | |
Ow, my chest! | 0:49:44 | 0:49:47 | |
Jeremy making paint-ball art. | 0:49:47 | 0:49:49 | |
Ready! | 0:49:49 | 0:49:50 | |
Ah! | 0:49:53 | 0:49:55 | |
And James on a gangplank in Bolivia. | 0:50:00 | 0:50:04 | |
-It's like literally being with Livingstone... -Yeah. | 0:50:04 | 0:50:07 | |
And... | 0:50:07 | 0:50:08 | |
-Mm-mm! -It was a good one. A good moment there, mate. | 0:50:11 | 0:50:15 | |
-Well done. -Both of us did cough blood. | 0:50:15 | 0:50:18 | |
I have the winner here. Injury of the Year award and the winner is... | 0:50:20 | 0:50:26 | |
It's actually none of those. | 0:50:26 | 0:50:28 | |
Now, I should say before I announce this, | 0:50:28 | 0:50:30 | |
that when we film a car on Top Gear, there is always a light, OK, in the top corner of the windscreen. | 0:50:30 | 0:50:37 | |
Now, we've been doing this show for years, so it would be impossible to forget | 0:50:37 | 0:50:43 | |
that that light is there and that it's very sharp, unless, of course, you were a colossal anus. | 0:50:43 | 0:50:50 | |
-East Midlands airport. -You might have to... | 0:50:50 | 0:50:53 | |
-What? -The camera. | 0:50:53 | 0:50:55 | |
What have you done? | 0:50:55 | 0:50:57 | |
-Ow! -BLEEP -It really hurts. Agh! | 0:50:59 | 0:51:04 | |
Well done, chaps. | 0:51:07 | 0:51:09 | |
Gosh. It's an honour. It is an honour. | 0:51:09 | 0:51:14 | |
-Thank you. -Thank you. | 0:51:14 | 0:51:16 | |
Now, as always, we present an award | 0:51:16 | 0:51:19 | |
to the person who's driven around our track fastest of all in the course of the year. | 0:51:19 | 0:51:25 | |
The fastest man around the Top Gear track, the fastest celebrity in the reasonably-priced car, | 0:51:25 | 0:51:31 | |
from AC/DC, it's Brian Johnson! | 0:51:31 | 0:51:34 | |
Sadly, Brian is in Florida at the moment | 0:51:36 | 0:51:38 | |
and none of us could be bothered to go over there and give him his award. | 0:51:38 | 0:51:42 | |
But we did find a film crew who very kindly volunteered to do it for us. | 0:51:42 | 0:51:47 | |
Thanks very much for this wonderful honour and for this fabulous trophy. | 0:51:47 | 0:51:53 | |
You must have spent a fortune on this! | 0:51:53 | 0:51:55 | |
My name's Brian, not "Brain". | 0:51:55 | 0:51:57 | |
And that's an ice hockey player on top of there, look. Never mind. | 0:51:57 | 0:52:01 | |
This'll do me for now. | 0:52:01 | 0:52:02 | |
So have a great time at Christmas and I'll see you soon, guys. | 0:52:02 | 0:52:06 | |
Thanks, everybody. Bye-bye. | 0:52:06 | 0:52:09 | |
-Brain Johnson! -Well, I'm sorry. -That's the worst thing we've ever done. -It was cheap. It was cheap. | 0:52:09 | 0:52:15 | |
And now it's time to get serious, because it's time for our Car of the Year award, OK. | 0:52:15 | 0:52:20 | |
This, of course, is an extremely coveted award. | 0:52:20 | 0:52:22 | |
Manufacturers all over the world will be watching with bated breath. | 0:52:22 | 0:52:25 | |
OK, the nominations are the new Volkswagen Polo. | 0:52:25 | 0:52:29 | |
It's already won the slightly less coveted European Car of the Year award. | 0:52:29 | 0:52:34 | |
And the Kia Ceed, for its pleasing equipment levels and ground-breaking seven-year comprehensive warranty. | 0:52:34 | 0:52:41 | |
And the Suzuki Alto, for its willing engine and its attractive price tag of just £7,495. | 0:52:41 | 0:52:50 | |
And the winner for being much, much better than all of those, | 0:52:50 | 0:52:54 | |
is the Lamborghini Gallardo Balboni! | 0:52:54 | 0:52:57 | |
-Yes. -Oh, yeah. | 0:52:57 | 0:52:59 | |
-Oh, yeah. -What a winner. | 0:52:59 | 0:53:01 | |
That's as it should be. | 0:53:01 | 0:53:03 | |
We were impressed with its stripe, it's V10 engine, | 0:53:04 | 0:53:09 | |
its rear-wheel drive, the savagery of its exhaust, | 0:53:09 | 0:53:12 | |
and its stripe. | 0:53:12 | 0:53:15 | |
No, seriously, we think the Polo is tremendous, OK? | 0:53:15 | 0:53:18 | |
Beautifully made and so on. | 0:53:18 | 0:53:20 | |
And that's OK if you're an accountant, but we're not. | 0:53:20 | 0:53:23 | |
What we look for in a car is, and I'm loathe to use the word, it's an X factor. | 0:53:23 | 0:53:27 | |
Something you can't really put your finger on. | 0:53:27 | 0:53:30 | |
And that's what we look for. | 0:53:30 | 0:53:32 | |
Yes. And the Lamborghini has something you can put your finger on - a stripe. | 0:53:32 | 0:53:36 | |
We're moving on. There's a lot of people tune in for this moment every year. | 0:53:38 | 0:53:42 | |
Which is clever because we've never done it before. | 0:53:42 | 0:53:44 | |
It's the Forklift Truck Driver of the Year award. | 0:53:44 | 0:53:49 | |
The nominations are... | 0:53:49 | 0:53:51 | |
This chap. | 0:53:51 | 0:53:52 | |
Here he is, look. You're all right, back up, you're all right. Oh, no. Wait a minute, hang on. Ooh! | 0:53:52 | 0:53:58 | |
But the winner without a question or shadow of doubt is this chap. | 0:53:59 | 0:54:04 | |
Yep, back up, careful, careful... | 0:54:04 | 0:54:07 | |
Ooh, bit quick. No, ooh, that's not gone well. | 0:54:07 | 0:54:10 | |
Wow! I mean... | 0:54:17 | 0:54:18 | |
-Unbelievable... -Credit where it's due. A fine effort. | 0:54:18 | 0:54:22 | |
Well, it's appropriate we should now move on to the Golden Cock award. | 0:54:24 | 0:54:29 | |
This of course, is awarded... Here it is, Richard demonstrating for you now. | 0:54:31 | 0:54:36 | |
It's awarded to the member of the Top Gear team who has, | 0:54:36 | 0:54:38 | |
in the course of making the programme over the year, | 0:54:38 | 0:54:41 | |
been a complete clattering buttock. | 0:54:41 | 0:54:43 | |
Now, there were several cases behind the scenes this year that we had to consider. | 0:54:43 | 0:54:47 | |
There was the time when James May, whilst following the Range Rover camera car, | 0:54:47 | 0:54:52 | |
somehow managed to lose sight of it for a moment | 0:54:52 | 0:54:54 | |
and then start following an entirely different Range Rover. | 0:54:54 | 0:54:58 | |
And he failed to notice for an hour | 0:54:58 | 0:55:00 | |
that it didn't have a camera crew in it and was in fact nothing to do with Top Gear at all. | 0:55:00 | 0:55:07 | |
Just to give you an idea of the degree of James's idiocy there, | 0:55:07 | 0:55:11 | |
here's a picture of a normal Range Rover. There it is, look. | 0:55:11 | 0:55:14 | |
And now here's a picture of one of our filming Range Rovers. | 0:55:14 | 0:55:17 | |
There is a giveaway there. | 0:55:17 | 0:55:19 | |
But in the end, there really could only be one winner. | 0:55:19 | 0:55:22 | |
You may remember the steam train race we had earlier on in the year. | 0:55:22 | 0:55:25 | |
Well, four minutes before the train was due to leave, that's four minutes before the race was due to begin, | 0:55:25 | 0:55:31 | |
we were presented with a Jaguar XK with the keys in the ignition, engine running... | 0:55:31 | 0:55:37 | |
and the doors locked. | 0:55:37 | 0:55:40 | |
So, the Golden Cock has to go to that man who was trusted to deliver that priceless car on that crucial day, | 0:55:40 | 0:55:47 | |
and left it with us in that condition. | 0:55:47 | 0:55:49 | |
And that man was... | 0:55:49 | 0:55:52 | |
The Stig! | 0:55:52 | 0:55:54 | |
-Yes. -Where is he? | 0:55:54 | 0:55:55 | |
He's here. | 0:55:55 | 0:55:57 | |
Stig, the Golden Cock. Yes. | 0:56:03 | 0:56:05 | |
-Oh, it's great. -He's touched. -He's touched, | 0:56:07 | 0:56:09 | |
I can tell. I should point out, Stig, that is a rolling award. | 0:56:09 | 0:56:12 | |
We have to have it back now to give it to next year's winner. | 0:56:12 | 0:56:15 | |
So if I can have that... Ah! | 0:56:15 | 0:56:17 | |
No, you have to give it back so it sits in our trophy cupboard. | 0:56:17 | 0:56:20 | |
Stig, give me the Golden Cock. Just... Stig, give me the Gol... Give me the Gol... I need... | 0:56:20 | 0:56:25 | |
Stig, I need the, give me the Gol... | 0:56:25 | 0:56:27 | |
-No, not that. -Stig, give me the Golden Cock. Stig, give me the Cock. | 0:56:27 | 0:56:31 | |
We've lost both Cocks. | 0:56:31 | 0:56:35 | |
Have you got his Cock? | 0:56:35 | 0:56:36 | |
-Some of it. Yes. It's amazing. -You're joking, is that all we have left of the Golden... | 0:56:36 | 0:56:41 | |
Oh, mate, it's weird. He fights like a choirboy | 0:56:41 | 0:56:43 | |
but you can hear his jaws just snapping shut in his helmet all the time. It's terrifying. | 0:56:43 | 0:56:48 | |
I've got some of it back anyway. | 0:56:48 | 0:56:50 | |
Well, well done, Hammond. Anyway, that was the Golden Cock. | 0:56:50 | 0:56:53 | |
-What I'm doing is I'm blathering. -Yeah. -You are. | 0:56:53 | 0:56:57 | |
-How short can you make an hour-long programme? -I don't know. | 0:56:57 | 0:57:00 | |
OK, seriously, honestly, because James's film was so short, | 0:57:00 | 0:57:05 | |
-we do actually have time for one more award. -Yes, we do. | 0:57:05 | 0:57:10 | |
And since this is 2010, we can give an award to the car of the decade. | 0:57:10 | 0:57:15 | |
Now we are taking this quite seriously. There are a lot of worthy contenders. | 0:57:15 | 0:57:20 | |
And we considered everything from the Rolls-Royce Phantom to the new Mini. | 0:57:20 | 0:57:24 | |
Another car that makes our list of those being considered, Pagani for the Zonda. | 0:57:24 | 0:57:28 | |
Yeah, we also considered, did we not, the Range Rover TDV8, | 0:57:28 | 0:57:31 | |
simply for being all the car you could ever possibly need. | 0:57:31 | 0:57:35 | |
And then the light bulb went on, | 0:57:35 | 0:57:37 | |
because we realised there could actually only be one car | 0:57:37 | 0:57:41 | |
of what the Daily Mail will undoubtedly call "the noughties". | 0:57:41 | 0:57:45 | |
It was a car that just rewrote the rule book, really. | 0:57:45 | 0:57:49 | |
An amazing piece of engineering. A genuine Concorde moment. | 0:57:49 | 0:57:54 | |
So, ladies and gentlemen, the Top Gear car of the decade | 0:57:54 | 0:57:57 | |
is the Bugatti Veyron. | 0:57:57 | 0:57:59 | |
APPLAUSE | 0:57:59 | 0:58:02 | |
Keep going, keep going. | 0:58:11 | 0:58:14 | |
Yes. More applause. More than that. | 0:58:14 | 0:58:16 | |
Yeah! What about that? | 0:58:19 | 0:58:21 | |
Ha ha! | 0:58:21 | 0:58:24 | |
CHEERING AND APPLAUSE | 0:58:24 | 0:58:27 | |
We're there! We've made it to the end of the hour. We've done it. | 0:58:34 | 0:58:37 | |
Thank you so much for watching. | 0:58:37 | 0:58:40 | |
We'll see you again later in the year. Have a happy new year. | 0:58:40 | 0:58:43 | |
Take care, everyone. Good night. | 0:58:43 | 0:58:45 | |
Subtitles by Red Bee Media Ltd | 0:59:05 | 0:59:08 | |
E-mail [email protected] | 0:59:08 | 0:59:11 |