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Tonight, I drive around a field, | 0:00:11 | 0:00:15 | |
James measures a runway, | 0:00:15 | 0:00:18 | |
and Richard lays a cable. | 0:00:18 | 0:00:21 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:28 | |
Thank you. Hello, everybody! | 0:00:28 | 0:00:31 | |
Hello and good evening. Thank you so much. Thank you. Thank you. | 0:00:31 | 0:00:35 | |
Now, as we know, James May lives in 1956. | 0:00:35 | 0:00:42 | |
So he maintains that you can have more fun in a small, simple car | 0:00:42 | 0:00:47 | |
like an Austin A35 or a Wolseley Hornet, than you | 0:00:47 | 0:00:50 | |
can in the big, fire-spitting supercars | 0:00:50 | 0:00:53 | |
that Hammond and I thump round the track every week. | 0:00:53 | 0:00:56 | |
Yes, so we said to him, "All right, as a special treat this week, | 0:00:56 | 0:00:59 | |
"why don't you do the power test? | 0:00:59 | 0:01:01 | |
"Get yourself down to the track because we have found a car | 0:01:01 | 0:01:04 | |
"that could have been made specifically with you in mind." | 0:01:04 | 0:01:08 | |
JEREMY CACKLES | 0:01:08 | 0:01:09 | |
When I arrived at the track, everything looked promising. | 0:01:12 | 0:01:17 | |
That is... | 0:01:17 | 0:01:19 | |
a Vauxhall Corsa. | 0:01:19 | 0:01:21 | |
Ah, there's a note. | 0:01:23 | 0:01:25 | |
It's from Pinky and Perky. | 0:01:26 | 0:01:28 | |
"Dear James, hope you enjoy taking this to the max. | 0:01:28 | 0:01:31 | |
"PS, it was developed at your most favourite place | 0:01:31 | 0:01:34 | |
"in the whole wide world." | 0:01:34 | 0:01:36 | |
Oh, God. | 0:01:44 | 0:01:46 | |
This wasn't what I had in mind. | 0:01:47 | 0:01:50 | |
But since I was here and the camera crew were paid for, | 0:01:50 | 0:01:54 | |
I had no choice but to get on with it. | 0:01:54 | 0:01:55 | |
Well, it's certainly quick. 0 to 60 in 6.5 seconds. | 0:01:58 | 0:02:02 | |
And a top speed of 145 miles an hour. | 0:02:04 | 0:02:07 | |
Hell, this is a Vauxhall Corsa! | 0:02:07 | 0:02:10 | |
The engine is a beefed-up version of the standard 1.6-litre turbo. | 0:02:12 | 0:02:17 | |
And it's now been coupled with a new sports exhaust, | 0:02:17 | 0:02:21 | |
as a result of which, it produces 202 horsepower. | 0:02:21 | 0:02:26 | |
202 horsepower is a huge amount put through the front wheels | 0:02:27 | 0:02:31 | |
of a small car like this. | 0:02:31 | 0:02:33 | |
And the results ought to be pretty dramatic. | 0:02:33 | 0:02:37 | |
And by dramatic, I mean, of course, appalling in the bends. | 0:02:37 | 0:02:41 | |
So let's see if that's true with the aid of our senior | 0:02:41 | 0:02:45 | |
cornering solutions consultant. | 0:02:45 | 0:02:47 | |
TYRES SQUEAL | 0:02:47 | 0:02:50 | |
Now, on paper, this really ought not to work, | 0:02:57 | 0:03:00 | |
all that power in the front wheels should just make it | 0:03:00 | 0:03:03 | |
plough straight on in the corners and consume its own tyres. | 0:03:03 | 0:03:07 | |
But actually, it doesn't. | 0:03:07 | 0:03:08 | |
The reason for that is they've given this car a bespoke suspension, | 0:03:09 | 0:03:14 | |
especially set-up for this and they've developed a clever diff, | 0:03:14 | 0:03:18 | |
which manages the way the power is fed to the wheels. | 0:03:18 | 0:03:22 | |
It's good, isn't it? | 0:03:27 | 0:03:28 | |
It's actually better than good. | 0:03:32 | 0:03:34 | |
And I have to admit, that its time on the Nurburgring has made this | 0:03:34 | 0:03:37 | |
one of the best-handling hot hatchbacks you can buy. | 0:03:37 | 0:03:40 | |
So it was developed on a track. And it's brilliant on a track. | 0:03:43 | 0:03:48 | |
But on the road... | 0:03:48 | 0:03:50 | |
Bloody hell. | 0:03:50 | 0:03:52 | |
Well, I'm very pleased to be able to report that my prejudices | 0:03:52 | 0:03:55 | |
remain completely intact. | 0:03:55 | 0:03:56 | |
When you add the word Nurburgring to the name of a car, | 0:03:56 | 0:04:00 | |
it's really just code for "ruined", | 0:04:00 | 0:04:02 | |
because the ride is absolutely rock hard. | 0:04:02 | 0:04:05 | |
Ooh! It's ridiculous. | 0:04:05 | 0:04:08 | |
Ooh! | 0:04:08 | 0:04:09 | |
Car makers become obsessed with making their cars | 0:04:09 | 0:04:12 | |
go around this irrelevant historic... | 0:04:12 | 0:04:15 | |
German racetrack as fast as possible, | 0:04:15 | 0:04:18 | |
without realising that they're ruining the car | 0:04:18 | 0:04:21 | |
for those of us who live in the real world. | 0:04:21 | 0:04:23 | |
Ow! It's utterly hopeless. | 0:04:23 | 0:04:26 | |
It's not just ruined, it's expensively ruined, | 0:04:30 | 0:04:34 | |
because this car costs £22,000. | 0:04:34 | 0:04:37 | |
With a few options, like leather seats and sat nav, | 0:04:37 | 0:04:39 | |
it's over £24,000. | 0:04:39 | 0:04:42 | |
This isn't what I meant when I said small cars can be fun. | 0:04:43 | 0:04:47 | |
What I meant was this - the new Fiat Panda. | 0:04:50 | 0:04:55 | |
It doesn't have a yobbo body kit or a map of a track on the dash | 0:04:55 | 0:05:00 | |
and although its engine IS turbocharged, | 0:05:00 | 0:05:03 | |
it's only a 0.8-litre two-cylinder that makes a modest 84 horsepower. | 0:05:03 | 0:05:10 | |
Yet, I believe this car is more fun than the Corsa. | 0:05:10 | 0:05:15 | |
TYRES SQUEAL | 0:05:20 | 0:05:22 | |
It's not actually about how much power you have, | 0:05:22 | 0:05:25 | |
it's about how much power you can use. | 0:05:25 | 0:05:28 | |
And in this, you can use pretty much all of it, all of the time. | 0:05:28 | 0:05:33 | |
Ahh! | 0:05:36 | 0:05:37 | |
HE LAUGHS | 0:05:37 | 0:05:40 | |
'Look, I like sitting 5mm above the road in a 500 horsepower supercar | 0:05:40 | 0:05:45 | |
'as much as anybody else.' | 0:05:45 | 0:05:46 | |
Whee! | 0:05:46 | 0:05:48 | |
'But skinny tyres and a roly-poly body, that's fun.' | 0:05:48 | 0:05:51 | |
The lack of grip means that, more of the time, | 0:05:51 | 0:05:55 | |
you are driving this car at the edge, even at quite normal speeds | 0:05:55 | 0:05:58 | |
and it's at the edge where things become absolutely tremendous. | 0:05:58 | 0:06:02 | |
Oh, bit of squirrelling. | 0:06:05 | 0:06:07 | |
And as for that engine, well, it may be tiny but it packs a punch. | 0:06:07 | 0:06:11 | |
And it sounds just brilliant. | 0:06:12 | 0:06:16 | |
I love that thrumming noise! Rrrrrr! | 0:06:16 | 0:06:20 | |
It's such a happy sound. | 0:06:20 | 0:06:23 | |
It's a bit like a dog running round with a frisbee in its mouth going | 0:06:23 | 0:06:26 | |
"Come on, come on, throw the frisbee." | 0:06:26 | 0:06:28 | |
And the cost of this bundle of fun? | 0:06:30 | 0:06:33 | |
Around £11,000. | 0:06:33 | 0:06:35 | |
Half the price of the Corsa. | 0:06:35 | 0:06:38 | |
However, there is a potential problem with a small-engined car. | 0:06:39 | 0:06:45 | |
Here's the Stig, taking the Panda from 0... | 0:06:46 | 0:06:49 | |
..to 70 and back to nought again. | 0:06:53 | 0:06:55 | |
He did that, according to the wheel o'distance, | 0:06:59 | 0:07:05 | |
in 305 metres. | 0:07:05 | 0:07:07 | |
But the big question is, how does a small-engined car like this cope | 0:07:07 | 0:07:12 | |
when it's weighed down with people? | 0:07:12 | 0:07:14 | |
Now, if it's just the Stig, then it makes no odds, | 0:07:16 | 0:07:19 | |
as you can see quite clearly. | 0:07:19 | 0:07:20 | |
But if it's normal members of the public, | 0:07:20 | 0:07:23 | |
then I think we may have a problem. | 0:07:23 | 0:07:25 | |
You see, according to the newspapers, | 0:07:26 | 0:07:29 | |
more than a quarter of adults are now obese. | 0:07:29 | 0:07:32 | |
And in just a few years' time, | 0:07:32 | 0:07:35 | |
over 50% of the population will be absolutely enormous. | 0:07:35 | 0:07:39 | |
So, what could a typical family of the future | 0:07:39 | 0:07:42 | |
do to this car's performance? | 0:07:42 | 0:07:45 | |
BEEP | 0:08:06 | 0:08:07 | |
TYRES SQUEAL | 0:08:07 | 0:08:09 | |
320... | 0:08:14 | 0:08:15 | |
325... | 0:08:17 | 0:08:19 | |
Right, so with just the Stig, it was 305 metres. | 0:08:19 | 0:08:24 | |
With our family on board, it took an extra 177 metres, | 0:08:24 | 0:08:30 | |
more than half as much again. | 0:08:30 | 0:08:32 | |
So, if you buy this car, | 0:08:35 | 0:08:37 | |
you might want to think about going easy on the pasties. | 0:08:37 | 0:08:39 | |
But trust me, it's worth it. | 0:08:42 | 0:08:45 | |
James Hunt was once famously asked, | 0:08:48 | 0:08:51 | |
what was the best car he'd ever driven and the answer was not | 0:08:51 | 0:08:54 | |
a Ferrari or a Porsche or any supercar, | 0:08:54 | 0:08:57 | |
it was his old Austin A35 van, | 0:08:57 | 0:09:00 | |
which had virtually no power and very, very skinny tyres. | 0:09:00 | 0:09:05 | |
In other words, exactly the same qualities you get with the Panda. | 0:09:05 | 0:09:09 | |
And if that's good enough for James Hunt, I rest my case. | 0:09:10 | 0:09:14 | |
Thank you. | 0:09:14 | 0:09:16 | |
And goodbye. | 0:09:16 | 0:09:18 | |
CHEERING AND APPLAUSE | 0:09:22 | 0:09:25 | |
I'm... | 0:09:28 | 0:09:29 | |
I'm glad you brought James Hunt into it, James - | 0:09:31 | 0:09:34 | |
I'm always getting you two muddled up. | 0:09:34 | 0:09:36 | |
Well, we do have quite a lot in common. I mean, same name. | 0:09:36 | 0:09:39 | |
-Same hair. -I wish you had the same pulse rate. | 0:09:39 | 0:09:42 | |
Because I have never heard so much drivel. | 0:09:42 | 0:09:46 | |
Let me make it absolutely plain. | 0:09:46 | 0:09:49 | |
A car becomes interesting at the limit of grip of its tyres, OK? | 0:09:49 | 0:09:52 | |
And in things like a big Lambo or a big Aston, those things you like, | 0:09:52 | 0:09:55 | |
that happens at really colossal speed. | 0:09:55 | 0:09:57 | |
-So you have to drive them on the track to have fun in them. -Yes. | 0:09:57 | 0:10:02 | |
On a car like this, that stuff happens at normal speeds, | 0:10:02 | 0:10:04 | |
so you don't need to go to the track. | 0:10:04 | 0:10:06 | |
You enjoy them on a normal road at normal speeds. | 0:10:06 | 0:10:09 | |
That's rubbish. A normal hatchback, you drive it round a city centre, | 0:10:09 | 0:10:12 | |
-it's not skidding about all over the place. -But this is. | 0:10:12 | 0:10:16 | |
This is on those eco fuel-saving tyres. I went straight off... | 0:10:16 | 0:10:19 | |
So you're saying, the Fiat Panda's good because it crashes more easily? | 0:10:19 | 0:10:23 | |
LAUGHTER | 0:10:23 | 0:10:25 | |
Yes. | 0:10:25 | 0:10:26 | |
And, it's now time to find out how fast it goes around our track. | 0:10:26 | 0:10:30 | |
No, no, no. The programme isn't long enough to put a Panda round. | 0:10:30 | 0:10:33 | |
-Oh, go on! -It isn't, it isn't. | 0:10:33 | 0:10:35 | |
We're going to see how fast the Vauxhall goes and that means, | 0:10:35 | 0:10:38 | |
of course, handing it over to our tame racing driver. | 0:10:38 | 0:10:41 | |
Some say that he has 50,000 photographs of his own camera. | 0:10:41 | 0:10:47 | |
LAUGHTER | 0:10:47 | 0:10:49 | |
And that 60 years ago this week, he, too, became a queen. | 0:10:49 | 0:10:53 | |
LAUGHTER | 0:10:53 | 0:10:54 | |
All we know is he's called the Stig! | 0:10:54 | 0:10:57 | |
And he's away. Lots of wheel spin off the line. | 0:10:59 | 0:11:01 | |
It's a cold day out there. | 0:11:01 | 0:11:03 | |
The air's dense and small turbocharged engines like that. | 0:11:03 | 0:11:07 | |
Look at it flying into the first corner. | 0:11:07 | 0:11:09 | |
Sticky tyres howling in pain. | 0:11:09 | 0:11:12 | |
"THE ARCHERS" THEME TUNE | 0:11:12 | 0:11:15 | |
Oh, dear, the Stig continues his obsession with The Archers, | 0:11:15 | 0:11:19 | |
tracking tidily around Chicago. | 0:11:19 | 0:11:22 | |
Clever limited slip diff doing its job. | 0:11:22 | 0:11:25 | |
Hard on the brakes for Hammerhead. Will it understeer? | 0:11:25 | 0:11:28 | |
No. Getting a bit squirrelly, though. | 0:11:28 | 0:11:30 | |
Looks like the back end wants to step out. | 0:11:30 | 0:11:32 | |
Certainly more exciting to watch than May's Panda. | 0:11:32 | 0:11:35 | |
'I'm not very hungry. I've been nibbling all morning making stuff for the freezer for Thursday.' | 0:11:35 | 0:11:40 | |
Midlands mimsy there. | 0:11:40 | 0:11:42 | |
Right, unleashing all its got. Chucking snow on to the follow-through. | 0:11:42 | 0:11:46 | |
There's no doubt, cars developed at the Nurburgring are useless on the road. | 0:11:46 | 0:11:50 | |
James is right about that but this isn't a road and it's doing well. | 0:11:50 | 0:11:53 | |
A little blob of phlegm. Coming up now to Gambon. | 0:11:53 | 0:11:56 | |
Round it like it terrier and across the line! | 0:11:56 | 0:11:59 | |
APPLAUSE | 0:11:59 | 0:12:03 | |
And it did it in one minute... | 0:12:03 | 0:12:07 | |
19.2. | 0:12:07 | 0:12:10 | |
No, it didn't. | 0:12:10 | 0:12:12 | |
One minute 31 seconds is where it did it. | 0:12:12 | 0:12:15 | |
So, James, can we now stop doing small, simple hatchbacks | 0:12:15 | 0:12:18 | |
-in the power tests? -You can, yes. -Good, thank you. | 0:12:18 | 0:12:21 | |
You are sacked. | 0:12:21 | 0:12:23 | |
LAUGHTER | 0:12:23 | 0:12:24 | |
Well, that's good news. And speaking of which, it is time to do the news. | 0:12:24 | 0:12:28 | |
I start off with something very exciting. Because there is | 0:12:28 | 0:12:31 | |
a new Morgan and after an absence of ten years, | 0:12:31 | 0:12:33 | |
they have revived their legendary Plus 8 name. | 0:12:33 | 0:12:35 | |
They've made a new one. I have a picture. Here it is. Oh, yeah. | 0:12:35 | 0:12:39 | |
Oh, God. Morgan don't have a styling department, do they? | 0:12:39 | 0:12:41 | |
They've just got a photocopier. | 0:12:41 | 0:12:44 | |
It's not like a normal photocopier. Normally, you select the size. | 0:12:44 | 0:12:48 | |
On Morgans, you select the year. Anything from 1931 to 1935. | 0:12:48 | 0:12:52 | |
Shut up. It's an all-new car. It's got the classic body shape, yes. | 0:12:52 | 0:12:55 | |
But it's got a 4.8-litre BMW V8 in there. | 0:12:55 | 0:12:59 | |
It'll be good for 60, probably under four seconds. | 0:12:59 | 0:13:01 | |
It's going to be the fastest-accelerating Morgan they've made ever. | 0:13:01 | 0:13:05 | |
-Wow(!) -It's exciting! | 0:13:05 | 0:13:08 | |
-Do you have to buy the petrol with those ration coupons? -No, shut up. | 0:13:08 | 0:13:11 | |
It's actually very modern. | 0:13:11 | 0:13:13 | |
It's got a bonded aluminium chassis and the aluminium body | 0:13:13 | 0:13:16 | |
-is super formed, it's very hi tech. What? -How many guineas is it? | 0:13:16 | 0:13:19 | |
LAUGHTER | 0:13:19 | 0:13:21 | |
Its 85,000 POUNDS. | 0:13:21 | 0:13:23 | |
It's very modern and hi-tech and I want one of those very much indeed. It's fantastic. | 0:13:23 | 0:13:28 | |
-You can't have one, there's a war on. -LAUGHTER | 0:13:28 | 0:13:31 | |
-They'll have to melt it down to make Spitfires. -Shut up, it's exciting and I want one. | 0:13:31 | 0:13:36 | |
-Good news, chaps. -No, what? -There's a new Dacia. | 0:13:36 | 0:13:39 | |
-CHEERING -Thank you. | 0:13:39 | 0:13:40 | |
-And I've got a picture of it. -That's a looker, isn't it?! | 0:13:40 | 0:13:45 | |
Anyway, moving on. | 0:13:45 | 0:13:46 | |
Whiplash is a charter for fraudsters. | 0:13:48 | 0:13:51 | |
We all know this. You have a car accident | 0:13:51 | 0:13:53 | |
and you go, "Oh, I've got whiplash," | 0:13:53 | 0:13:54 | |
and you rape the other motorist's insurance policy | 0:13:54 | 0:13:57 | |
and you get benefits for the rest of your life. | 0:13:57 | 0:14:00 | |
The Government has said this has to stop. | 0:14:00 | 0:14:02 | |
So they have announced, the Government, all right, | 0:14:02 | 0:14:05 | |
that if the impact speed is less than 6.25 miles an hour, | 0:14:05 | 0:14:10 | |
you can't have whiplash. | 0:14:10 | 0:14:12 | |
-6.25? -6.25. | 0:14:12 | 0:14:15 | |
But they're also saying that if it is 6.5, you could get whiplash at that speed. | 0:14:15 | 0:14:19 | |
You can do that speed sitting down quickly. | 0:14:19 | 0:14:21 | |
Look, I'm doing 6.25, I've got whiplash. | 0:14:21 | 0:14:24 | |
It should be 63. That would be a reasonable speed. | 0:14:24 | 0:14:28 | |
The question should be, he is your car absolutely and entirely wrecked? | 0:14:28 | 0:14:32 | |
Is it crumpled like a discarded crisp bag, in which case, you might have a point. | 0:14:32 | 0:14:36 | |
Has the boot lid badge been a stencilled on to your own spine? | 0:14:36 | 0:14:40 | |
Well, then you've got whiplash. | 0:14:40 | 0:14:43 | |
No, it's can you actually look up your own arse now? | 0:14:43 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:47 | |
-Then you've possibly got some whiplash. -Could be. | 0:14:47 | 0:14:51 | |
I do genuinely believe that people who've got whiplash when they haven't, | 0:14:51 | 0:14:54 | |
I don't believe in capital punishment, but they should be shot. | 0:14:54 | 0:14:58 | |
-Where would you shoot them? -In the head. | 0:14:58 | 0:15:01 | |
-I meant more sort of geographically. -Yeah. | 0:15:01 | 0:15:05 | |
Oh, God. | 0:15:05 | 0:15:06 | |
On their own or in front of anyone, Do you want to say that? Sort it out. | 0:15:06 | 0:15:09 | |
Goes well when you do. Maybe on a different show. | 0:15:09 | 0:15:12 | |
Let's just get it so we can straighten out your belief. | 0:15:12 | 0:15:15 | |
Who do you think should be shot, where and in front of whom? | 0:15:15 | 0:15:19 | |
Oh, now, moving it on... | 0:15:19 | 0:15:21 | |
LAUGHTER | 0:15:21 | 0:15:23 | |
-I've got some actual news. -Don't be daft. -In our news section? | 0:15:23 | 0:15:27 | |
In the news section. It's not just rubbish. | 0:15:27 | 0:15:30 | |
-Careful, we're in uncharted waters here. -OK. | 0:15:30 | 0:15:33 | |
I have it on good authority that Land Rover is currently working | 0:15:33 | 0:15:37 | |
on a 300-horsepower convertible version of the new Evoke. | 0:15:37 | 0:15:42 | |
The Evoke? Have you got a picture? | 0:15:42 | 0:15:44 | |
I've got a picture here of the hard-top one. It's so secret, this. | 0:15:44 | 0:15:47 | |
Only I... Well, everybody now knows about it. So I thought... | 0:15:47 | 0:15:51 | |
Stand back, he's got scissors! | 0:15:51 | 0:15:54 | |
Oh ho! Look at him concentrate, look at him now! | 0:15:55 | 0:15:58 | |
LAUGHTER | 0:15:58 | 0:16:01 | |
It's the Top Gear orang-utan, look at his happy little face. | 0:16:01 | 0:16:04 | |
Completely absorbed in his own world. | 0:16:04 | 0:16:07 | |
And if you watch very carefully, | 0:16:07 | 0:16:09 | |
you can see Jeremy's mouth moving in time. | 0:16:09 | 0:16:11 | |
It's quite tricky going down the wing mirror. | 0:16:13 | 0:16:15 | |
-A tricky bit now, isn't it? -Ready? | 0:16:15 | 0:16:18 | |
And across the line! | 0:16:18 | 0:16:19 | |
-Actually, it looks quite good, doesn't it! -Am I right in saying, | 0:16:21 | 0:16:25 | |
that would be the first ever convertible off-road car? | 0:16:25 | 0:16:28 | |
Yeah, well, apart from the original Willys Jeep, | 0:16:28 | 0:16:31 | |
the first Toyota Land Cruiser and the original Land Rover. Apart from that... | 0:16:31 | 0:16:35 | |
Apart from the very origins, Genesis, the whole foundation, if you will, | 0:16:35 | 0:16:39 | |
of the entire concept of the off-roader | 0:16:39 | 0:16:40 | |
is founded upon a convertible. | 0:16:40 | 0:16:44 | |
-Did I say that out loud? -You did and we all heard it. | 0:16:44 | 0:16:47 | |
-That's a bit like saying they should make a song called Blue Suede Shoes. -Yes, they should do. | 0:16:47 | 0:16:52 | |
There's a new car I want to tell you about. | 0:16:52 | 0:16:54 | |
I'll flash it up on the screen for one second and I want you to tell me what it is. | 0:16:54 | 0:16:58 | |
Are you ready? Here we go. And, on. | 0:16:58 | 0:17:00 | |
And off. What was that? | 0:17:00 | 0:17:03 | |
-Aston Martin. -You see, it wasn't. | 0:17:03 | 0:17:06 | |
That, in fact, let's get it up again, that is the new Mondeo. | 0:17:06 | 0:17:10 | |
-Is it? -Was it done by a Chinese person? | 0:17:10 | 0:17:14 | |
LAUGHTER | 0:17:14 | 0:17:16 | |
Let me explain because this is quite complicated. | 0:17:16 | 0:17:19 | |
That's been launched in America already as the Ford Fusion. | 0:17:19 | 0:17:22 | |
It's not coming to Britain until next year. | 0:17:22 | 0:17:25 | |
So Ford in Britain, they're not admitting that is the new Mondeo | 0:17:25 | 0:17:28 | |
because they think people won't continue to buy the current one for a year, | 0:17:28 | 0:17:32 | |
but it is the new Mondeo and it's coming next year, so there. | 0:17:32 | 0:17:35 | |
Now, if you're under 40, you may not remember | 0:17:35 | 0:17:39 | |
a television show called The Sweeney. | 0:17:39 | 0:17:41 | |
So, to fill you in, every week, it was a cop show in essence. | 0:17:41 | 0:17:44 | |
Every week, the hero would have some casual sex with a lady. | 0:17:44 | 0:17:48 | |
Then he'd punch a baddie in the middle of his face and then drive | 0:17:48 | 0:17:51 | |
a Ford Granada very briskly across some waste ground in Saaf London. | 0:17:51 | 0:17:55 | |
Now, the reason we bring this up is we heard | 0:17:55 | 0:17:58 | |
the other day that they were making a film of this TV series | 0:17:58 | 0:18:01 | |
starring Ray Winstone and Plan B. | 0:18:01 | 0:18:04 | |
And this gave us an idea. | 0:18:04 | 0:18:06 | |
For ages, we have wanted to make a proper movie car chase. | 0:18:06 | 0:18:10 | |
We reckon we'd be pretty good at it. | 0:18:10 | 0:18:12 | |
So we got in touch with the film's producers and we said, | 0:18:12 | 0:18:15 | |
"There's bound to be a car chase in it so can Hammond and I | 0:18:15 | 0:18:18 | |
"make it for you?" | 0:18:18 | 0:18:19 | |
And they said yes! | 0:18:19 | 0:18:22 | |
This being The Sweeney, the location was in the Saaf of England. | 0:18:25 | 0:18:31 | |
And while the main crew were hard at work shooting shoot-outs... | 0:18:31 | 0:18:36 | |
And people jumping off boats, | 0:18:36 | 0:18:39 | |
Hammond and I were trying to decide what sort of car chase | 0:18:39 | 0:18:42 | |
we wanted to make. | 0:18:42 | 0:18:43 | |
And then there was the Bond film in Vietnam and it was just | 0:18:43 | 0:18:46 | |
stupid stunt, after stupid stunt, all shot from a helicopter. | 0:18:46 | 0:18:49 | |
So you never had a sense of speed. | 0:18:49 | 0:18:51 | |
So you want to be close, so if a car does like a jump and a roll, | 0:18:51 | 0:18:55 | |
you want to be up close and maybe see the driver's face, | 0:18:55 | 0:18:58 | |
as if you were in the car? | 0:18:58 | 0:19:00 | |
-No, there is no jump and roll. -There would be stunts, it is a car chase. | 0:19:00 | 0:19:05 | |
No, no. | 0:19:05 | 0:19:07 | |
Here is an idea. So, say, helicopter here. Car comes out. | 0:19:07 | 0:19:11 | |
barrel roll happens. Bam! Boom! | 0:19:11 | 0:19:13 | |
You want be back wide so you can see the helicopter. | 0:19:13 | 0:19:16 | |
-We are not having any cars crashing into helicopters. -But... | 0:19:16 | 0:19:19 | |
-No, we're not. -Why? -Because that's just stupid. This is the Sweeney. | 0:19:19 | 0:19:24 | |
It's a real police chase. Honestly, just think. Ronin, Bullitt. | 0:19:24 | 0:19:29 | |
The Italian Job, the original one. | 0:19:29 | 0:19:31 | |
Good, gritty car chases because they're real. | 0:19:31 | 0:19:34 | |
How many jumps where the car went "Whee!" were there in Ronin? | 0:19:34 | 0:19:38 | |
But we need to drag The Sweeney into this century | 0:19:38 | 0:19:40 | |
so we need cars going into helicopters. | 0:19:40 | 0:19:42 | |
What are those drawings? What are those drawings? | 0:19:42 | 0:19:46 | |
-Car going into helicopter. -We haven't got... What's that?! | 0:19:46 | 0:19:50 | |
That is very clever. | 0:19:50 | 0:19:52 | |
Right. Train going along. There isn't a carriage. | 0:19:52 | 0:19:55 | |
-It's one of those flat ones. And he times his jump... -No, no, no. | 0:19:55 | 0:19:59 | |
-No. -There's a chance... | 0:19:59 | 0:20:01 | |
-'Since we weren't getting anywhere...' -No! | 0:20:01 | 0:20:03 | |
'..I went off to meet our actors.' | 0:20:03 | 0:20:06 | |
-I want to shoot 'em. -No, you've shot four already. | 0:20:08 | 0:20:11 | |
-Shoot them together. -Hello. | 0:20:11 | 0:20:13 | |
Actors, hi. My name's Richard. I'm, I'm, the director, I suppose. | 0:20:13 | 0:20:19 | |
-And, um, so, you're Plan B? -I'm Plan B, nice to meet you. | 0:20:19 | 0:20:22 | |
-Can I call you Plan? -Yeah, if you want. | 0:20:22 | 0:20:24 | |
And, over here, of course, morning. Delighted to meet you. | 0:20:24 | 0:20:29 | |
Hello, mate. | 0:20:29 | 0:20:31 | |
It's an honour to work with you, really. | 0:20:31 | 0:20:33 | |
When are you working with us? | 0:20:33 | 0:20:35 | |
Later on today we are going to be doing some stunt work. | 0:20:35 | 0:20:37 | |
You'll be able to handle it, the variety of stuff you've done. | 0:20:37 | 0:20:41 | |
We're a bit busy in here at the minute. | 0:20:41 | 0:20:43 | |
-Can you go and rabbit somewhere else? -I know you are busy, that's great. It'll be mega! | 0:20:43 | 0:20:47 | |
And you're going to handle all of it so well. | 0:20:47 | 0:20:50 | |
What am I going to handle well? What are you talking about? | 0:20:50 | 0:20:54 | |
The Long Good Friday. Grit, anger in there. The Long Good Friday. Anger. | 0:20:54 | 0:20:59 | |
-And the same career, Who Framed Roger Rabbit? -No, that's not him. | 0:20:59 | 0:21:03 | |
No, I'm not Bob Hoskins, mate. | 0:21:03 | 0:21:06 | |
Whilst Hammond was making friends with the stars, | 0:21:08 | 0:21:12 | |
I was making the cars that the film's producers had chosen. | 0:21:12 | 0:21:16 | |
The baddies would be using a Jaguar XFR. | 0:21:17 | 0:21:20 | |
And the goodies, a Ford Focus ST. | 0:21:21 | 0:21:24 | |
And straight away, there's a problem. | 0:21:27 | 0:21:29 | |
Because anyone who knows anything about cars will watch this film | 0:21:29 | 0:21:33 | |
and say, "There's no way that a Ford Focus | 0:21:33 | 0:21:36 | |
"can keep up with a supercharged 500-horsepower V8 Jag." | 0:21:36 | 0:21:40 | |
The speed difference, | 0:21:40 | 0:21:42 | |
as I shall now demonstrate on our closed piece of road, is... | 0:21:42 | 0:21:47 | |
immense. | 0:21:47 | 0:21:48 | |
ENGINE ROARS | 0:21:50 | 0:21:52 | |
To make matters worse, this isn't an ST. | 0:22:02 | 0:22:05 | |
It's a 1.6-litre eco boost with ST badges, | 0:22:09 | 0:22:14 | |
ST wheels and look, fake dials on the dashboard. | 0:22:14 | 0:22:18 | |
I decided to put these concerns to the film's director, Nick Love. | 0:22:25 | 0:22:29 | |
The problem you've got is a Ford Focus cannot keep up with a Jag. | 0:22:29 | 0:22:33 | |
-It's about the skill of the driver, not the car. -It's a story being told. | 0:22:33 | 0:22:37 | |
-No. -If Regan is a good driver, he can keep up with anybody. -You can't. | 0:22:37 | 0:22:42 | |
-You can in my film. -You can't, because we are directing this. | 0:22:42 | 0:22:46 | |
You're going to have to get faster cars than the Focus. | 0:22:46 | 0:22:49 | |
We have a very restricted amount of money and we can't... | 0:22:49 | 0:22:52 | |
-What are we going to do, buy Ferraris? -What's the budget? | 0:22:52 | 0:22:56 | |
-Of the film? -Yes. -Three million quid. -Whoa! | 0:22:56 | 0:22:58 | |
-What, for just this film? Three million. -That's nothing. | 0:22:58 | 0:23:02 | |
Let's put them in Veyrons, Bugatti. You could get two for that. | 0:23:02 | 0:23:07 | |
Could you also explain to him, we're trying to keep it real. | 0:23:07 | 0:23:10 | |
-He wants to do this thing where it jumps over a train. -The idea is, get this... -That's bollocks. | 0:23:10 | 0:23:16 | |
A train comes along and when it comes through, | 0:23:16 | 0:23:18 | |
your man's there in his car and he times it... | 0:23:18 | 0:23:21 | |
-jumps through the gap. That's real. -Brilliant. | 0:23:21 | 0:23:25 | |
We're going to need something faster than the Focus. | 0:23:25 | 0:23:27 | |
No, we're just going to think big in terms of action. This is a motorway bridge. | 0:23:27 | 0:23:32 | |
You know, where they haven't finished building, but look, | 0:23:32 | 0:23:35 | |
-it's beginning to twist and that's a helicopter. -I'm getting a migraine. | 0:23:35 | 0:23:39 | |
-You are talking -BLEEP, -the pair of you. | 0:23:39 | 0:23:41 | |
You want to do a commercial and you want a film that no-one will believe. | 0:23:41 | 0:23:44 | |
If you're going to do it, do it properly, that's all I'm saying. | 0:23:44 | 0:23:48 | |
Having got the distinct impression that I couldn't change the cars, | 0:23:49 | 0:23:53 | |
I had to get creative. | 0:23:53 | 0:23:55 | |
Sorry about this, mate. We have the baddie. | 0:23:55 | 0:24:00 | |
So, the front-wheel drive Ford would be driven by former rally champion Mark Higgins, | 0:24:00 | 0:24:06 | |
and the rear-drive Jag by drifting world champion Mauro Calo. | 0:24:06 | 0:24:11 | |
OK. Three, two, one, to catch up, go. | 0:24:11 | 0:24:14 | |
And to get round the speed difference, | 0:24:16 | 0:24:18 | |
I'd created a scene in which the Jag is held up by traffic. | 0:24:18 | 0:24:22 | |
HORN BLARES | 0:24:24 | 0:24:26 | |
And three, two, one, hit. | 0:24:26 | 0:24:30 | |
Try again, try again, try again. | 0:24:32 | 0:24:34 | |
Whoa! | 0:24:36 | 0:24:38 | |
Yes! | 0:24:38 | 0:24:39 | |
Man alive, are we getting some shots here! | 0:24:41 | 0:24:43 | |
Whilst Jeremy was lost in the land of reality, | 0:24:47 | 0:24:50 | |
I was at the location for the climax of the chase, | 0:24:50 | 0:24:53 | |
a deserted caravan park, where I was setting up a dramatic jump. | 0:24:53 | 0:24:58 | |
You're all right, you're all right. | 0:24:58 | 0:25:01 | |
Oh, yeah. And hold it there, that's perfect. | 0:25:01 | 0:25:05 | |
I come racing up that field. Between those two posts | 0:25:05 | 0:25:08 | |
there'll be a barrier and I smash through it. That's some drama. | 0:25:08 | 0:25:11 | |
Up the ramp, I get air. | 0:25:11 | 0:25:12 | |
There, past the caravans and land on the grass. | 0:25:12 | 0:25:16 | |
With the ramp hidden from the cameras, | 0:25:16 | 0:25:18 | |
I nicked one of the back-up Focuses and was ready to go. | 0:25:18 | 0:25:21 | |
I'd love it if they use the actual shot with me doing it. | 0:25:21 | 0:25:24 | |
That would be brilliant. I'd be in the film. | 0:25:24 | 0:25:26 | |
First off, drive through the gate post. | 0:25:26 | 0:25:30 | |
And now, get me some air! | 0:25:32 | 0:25:34 | |
Yeah! That felt good, that felt like we had air and everything. | 0:25:37 | 0:25:41 | |
However, when I watched it back on the monitor... | 0:25:41 | 0:25:44 | |
Play it again. | 0:25:46 | 0:25:48 | |
This is rubbish. | 0:25:50 | 0:25:51 | |
Meanwhile, I was now filming the cars from the front, | 0:25:54 | 0:25:58 | |
which meant my drivers had to be made to look exactly like the main actors. | 0:25:58 | 0:26:02 | |
What's going to happen is your alongside him. | 0:26:02 | 0:26:05 | |
You're going exactly the same speed. When he's ready to make this turn, | 0:26:05 | 0:26:08 | |
you're not ready to make this turn, you think he's going on down there. | 0:26:08 | 0:26:12 | |
He's going to lock up, which causes your handbrake turn | 0:26:12 | 0:26:15 | |
but we'll get that in a minute. | 0:26:15 | 0:26:16 | |
I then disconnected the Jag's anti-lock brakes so it would lock up | 0:26:18 | 0:26:21 | |
in a cloud of tyre smoke and then we went for a take. | 0:26:21 | 0:26:25 | |
OK, we're ready. | 0:26:25 | 0:26:27 | |
Mark, less moving around, less moving. | 0:26:28 | 0:26:31 | |
Yes, that's good. | 0:26:31 | 0:26:33 | |
Oh! | 0:26:37 | 0:26:38 | |
TYRES SQUEAL | 0:26:40 | 0:26:42 | |
Ooh! | 0:26:43 | 0:26:45 | |
I may have to go to the lavatory for a little while. | 0:26:45 | 0:26:48 | |
CHEERING AND APPLAUSE | 0:26:48 | 0:26:51 | |
-What? -Hold on a minute. | 0:26:53 | 0:26:56 | |
How the hell could you not know who Ray Winstone is? | 0:26:56 | 0:27:00 | |
Think that it - middle-aged, Cockney actor, it's just Bob Hoskins, isn't it? It just is. | 0:27:00 | 0:27:05 | |
And that bit with the car when you drove them together, | 0:27:05 | 0:27:08 | |
-that was just wanton destruction? -No, it wasn't. | 0:27:08 | 0:27:11 | |
We had three Jags. And five Ford Focuses. | 0:27:11 | 0:27:14 | |
And remember, we had £3 million to play with. | 0:27:14 | 0:27:18 | |
No, we didn't have three million quid | 0:27:18 | 0:27:19 | |
but we were allowed to do light damage. We really were. | 0:27:19 | 0:27:22 | |
Anyway, we'll pick that up later on. | 0:27:22 | 0:27:24 | |
Now, it is time to put a star in our reasonably priced car. | 0:27:24 | 0:27:29 | |
Over the years, we've had many guests on this programme. | 0:27:29 | 0:27:31 | |
All different sorts. Men, women, | 0:27:31 | 0:27:34 | |
Americans, Germans. | 0:27:34 | 0:27:36 | |
A lesbian. | 0:27:36 | 0:27:37 | |
LAUGHTER | 0:27:37 | 0:27:39 | |
We've never had a Canadian, though. | 0:27:39 | 0:27:41 | |
That, however, is ABOOT to change. | 0:27:41 | 0:27:44 | |
Ladies and gentlemen, please welcome Ryan Reynolds! | 0:27:44 | 0:27:47 | |
CHEERING AND APPLAUSE | 0:27:47 | 0:27:50 | |
-How are you? -I'm very well, how are you? | 0:27:52 | 0:27:54 | |
I'm very well, thank you. | 0:27:54 | 0:27:55 | |
Hi, everybody. Hello, hello. | 0:27:55 | 0:27:57 | |
-Hello! -Have a seat. | 0:27:59 | 0:28:01 | |
-I'd love to. -Have a seat. | 0:28:01 | 0:28:04 | |
-It's like looking in a mirror! -It really is! | 0:28:04 | 0:28:07 | |
-It really is! -Not for you! | 0:28:07 | 0:28:09 | |
So, 2010, you were voted the sexiest man alive. | 0:28:09 | 0:28:13 | |
AUDIENCE: Woo! | 0:28:13 | 0:28:16 | |
That was 2010, though! | 0:28:16 | 0:28:17 | |
I'm on the lecture circuit now! | 0:28:17 | 0:28:20 | |
I was just thinking, your schooldays, | 0:28:20 | 0:28:22 | |
were they just a blizzard of snogging and smooth moves? | 0:28:22 | 0:28:26 | |
No, it wasn't that. I was a bit of a little pariah at school. | 0:28:26 | 0:28:31 | |
I have three older brothers, | 0:28:31 | 0:28:33 | |
all of whom were kicked out of this very same school, | 0:28:33 | 0:28:35 | |
so from the moment I got there, I was a marked man. | 0:28:35 | 0:28:38 | |
What were they kicked out for? | 0:28:38 | 0:28:39 | |
Just random things. Just mostly drugs and violence. | 0:28:39 | 0:28:42 | |
OK! | 0:28:42 | 0:28:44 | |
And I was kicked out for something I think you'd appreciate. | 0:28:44 | 0:28:48 | |
I was kicked out for stealing a car. | 0:28:48 | 0:28:50 | |
-Stealing a car? -But wait, I didn't actually steal a vehicle. | 0:28:50 | 0:28:54 | |
What we did was, a teacher that we had was just 100% awful, | 0:28:54 | 0:28:59 | |
he had this little car, one of those little Volkswagens, | 0:28:59 | 0:29:02 | |
and so my friends and I just played an April Fools' prank on him. | 0:29:02 | 0:29:06 | |
We picked it up, we lifted it up and carried it down the block, | 0:29:06 | 0:29:09 | |
about eight of us. | 0:29:09 | 0:29:10 | |
We talked about this last week. The best fun you can have with a little car is pick it up | 0:29:10 | 0:29:14 | |
-and turn it round so it's facing the other way... -Fun practical joke. | 0:29:14 | 0:29:18 | |
That's a better idea, | 0:29:18 | 0:29:19 | |
because in Canada, if you move it more than ten feet, it's a felony. | 0:29:19 | 0:29:23 | |
I didn't know that. | 0:29:23 | 0:29:25 | |
So you moved a car more than ten feet | 0:29:25 | 0:29:27 | |
and then that was grand theft auto? | 0:29:27 | 0:29:29 | |
Yeah, one city block was, yeah, 100% grand theft. | 0:29:29 | 0:29:31 | |
Now, obviously, sexiest man alive, 2010, | 0:29:31 | 0:29:35 | |
but reading through your notes, also clumsiest man alive. | 0:29:35 | 0:29:38 | |
Mmm. Oh, definitely, yeah. | 0:29:38 | 0:29:41 | |
There's a thing... Zurich, Switzerland - | 0:29:41 | 0:29:44 | |
it is impossible to hurt yourself in Zurich. | 0:29:44 | 0:29:46 | |
You go there, you eat cheese and then you come home. | 0:29:46 | 0:29:49 | |
-So, how did you manage to hurt yourself? -I jumped off a bridge. | 0:29:49 | 0:29:53 | |
But there was water below. | 0:29:53 | 0:29:55 | |
And I dove in and I broke a vertebrae by diving in. | 0:29:55 | 0:29:58 | |
AUDIENC GROANS | 0:29:58 | 0:30:00 | |
-You've also been run over? -I have been run over, yeah. | 0:30:00 | 0:30:03 | |
I was 19 years old, I was in Vancouver and I was at a bar, | 0:30:03 | 0:30:06 | |
I had a few drinks, I'd left my car and I decided to walk home. | 0:30:06 | 0:30:10 | |
-Being responsible. -Exactly. | 0:30:10 | 0:30:11 | |
And I was crossing the street, it was about two in the morning | 0:30:11 | 0:30:15 | |
and I was hit by a drunk driver. | 0:30:15 | 0:30:17 | |
LAUGHTER | 0:30:18 | 0:30:20 | |
I always wondered if he tells people that he got hit by a drunk pedestrian. | 0:30:20 | 0:30:24 | |
LAUGHTER | 0:30:24 | 0:30:25 | |
-I would. -So did that hurt? | 0:30:25 | 0:30:26 | |
Yeah, that was bad. I broke a lot of bones. | 0:30:26 | 0:30:28 | |
That was all the left side of my body I broke. | 0:30:28 | 0:30:31 | |
But I was 19, so at that point, you're just made of rubber and magic. | 0:30:31 | 0:30:34 | |
LAUGHTER | 0:30:34 | 0:30:36 | |
-You healed? -Yeah. -Bearing in mind you can't jump off a bridge without breaking your back, | 0:30:36 | 0:30:40 | |
was skydiving the perfect hobby to take up? | 0:30:40 | 0:30:44 | |
God, you're like my mother! | 0:30:44 | 0:30:46 | |
-LAUGHTER -Old enough! -Just killing me! | 0:30:46 | 0:30:49 | |
My friends were trying to get their licence, | 0:30:49 | 0:30:52 | |
so I decided I would get my licence, skydiving, | 0:30:52 | 0:30:55 | |
and I did 12 jumps, which were all highly successful! | 0:30:55 | 0:31:01 | |
And then it was 13! | 0:31:01 | 0:31:03 | |
And the 13th one, I had a problem, where the chute didn't open, | 0:31:03 | 0:31:07 | |
and I had to pull the reserve. | 0:31:07 | 0:31:09 | |
But the weird thing is, when you're in a situation like that, | 0:31:09 | 0:31:12 | |
you're flying down at 120 miles per hour, | 0:31:12 | 0:31:15 | |
and when your chute doesn't open, | 0:31:15 | 0:31:16 | |
you seriously have to think about pulling the other one. | 0:31:16 | 0:31:19 | |
That's the weird thing. Time slows down and you're thinking, | 0:31:19 | 0:31:22 | |
"If I pull the other one, then I'll have none left." | 0:31:22 | 0:31:25 | |
LAUGHTER | 0:31:25 | 0:31:26 | |
"So, I'm just going to wait to see if something happens." | 0:31:28 | 0:31:31 | |
And sure enough, at the last minute, I pulled the reserve chute, | 0:31:31 | 0:31:35 | |
which you can't steer, and I ended up landing in a field | 0:31:35 | 0:31:37 | |
which contained only a dead horse. I don't know what omen that is. | 0:31:37 | 0:31:41 | |
Usually, it's a black crow that tells you you're going to die, | 0:31:41 | 0:31:44 | |
but I just landed next to a dead horse. | 0:31:44 | 0:31:47 | |
-You have a new film out, Safe House. -I do, yeah. | 0:31:47 | 0:31:50 | |
-So when's the movie out? -The film is out February 24th here in the UK. | 0:31:50 | 0:31:53 | |
We have a clip of that, which we're going to show for you now. | 0:31:53 | 0:31:56 | |
Let's have a look. | 0:31:56 | 0:31:58 | |
TYRES SQUEAL | 0:32:01 | 0:32:03 | |
APPLAUSE | 0:32:28 | 0:32:29 | |
That's a good crash! | 0:32:29 | 0:32:32 | |
It was a good crash! | 0:32:32 | 0:32:34 | |
-That's Denzel Washington. -Yes, backseat driving right there! | 0:32:37 | 0:32:40 | |
-Elbowing you in the face! -Yeah. | 0:32:40 | 0:32:42 | |
So what is it about? Give us the plot, give us the story. | 0:32:42 | 0:32:46 | |
I play a guy who's what's called a safe house operator, a housekeeper. | 0:32:46 | 0:32:50 | |
There are CIA-owned apartments and flats all around the world, | 0:32:50 | 0:32:54 | |
and they're run by usually a low-level CIA guy. | 0:32:54 | 0:32:57 | |
And then, one day, in walks Denzel Washington's character, | 0:32:57 | 0:33:00 | |
who's probably one of the world's worst murdering, | 0:33:00 | 0:33:03 | |
sociopathic Hannibal Lecter types. | 0:33:03 | 0:33:06 | |
And I'm left to deal with this guy, | 0:33:06 | 0:33:08 | |
who I'm deeply ill-equipped to deal with. | 0:33:08 | 0:33:11 | |
-So it's not like The Devil Wears Prada, then? -No! | 0:33:11 | 0:33:16 | |
It's not The Proposal II. | 0:33:16 | 0:33:17 | |
-It's not a romcom. -No, that's good. | 0:33:17 | 0:33:20 | |
-Can I just say that God is normally quite fair... -Yeah. | 0:33:20 | 0:33:24 | |
..with his dishing-out of talents. For instance, David Beckham, | 0:33:24 | 0:33:27 | |
he's said, "He's going to be very good-looking, | 0:33:27 | 0:33:29 | |
"talented footballer, | 0:33:29 | 0:33:31 | |
"and to balance that up, I'll give him a squeaky voice." | 0:33:31 | 0:33:35 | |
You're funny and good-looking and not fat... | 0:33:35 | 0:33:38 | |
..where's your squeaky voice? | 0:33:40 | 0:33:42 | |
-What's my...? -Have you got BO? | 0:33:42 | 0:33:44 | |
-Have I got 41 nipples? -Have you got very tiny testes? | 0:33:44 | 0:33:48 | |
It's like Braille down there, Jeremy. | 0:33:48 | 0:33:51 | |
LAUGHTER | 0:33:51 | 0:33:53 | |
-A very short novel. -That's what it is - Braille. | 0:33:55 | 0:33:58 | |
Yeah, the whole system. | 0:33:58 | 0:33:59 | |
Everybody has... I have a lot of things wrong. | 0:34:00 | 0:34:03 | |
I'm blind, I'm deaf, | 0:34:03 | 0:34:05 | |
I've got no sense of smell cos I have a cold, | 0:34:05 | 0:34:08 | |
which I haven't mentioned. | 0:34:08 | 0:34:10 | |
Thank you for the tongue kiss earlier. | 0:34:10 | 0:34:13 | |
LAUGHTER | 0:34:13 | 0:34:15 | |
Just went deep with it, too! | 0:34:15 | 0:34:18 | |
No, we all have crazy faults. | 0:34:19 | 0:34:22 | |
My fault isn't something horrendous, like, | 0:34:22 | 0:34:25 | |
"I can't stop murdering children." | 0:34:25 | 0:34:27 | |
-LAUGHTER -I just can't stop. | 0:34:27 | 0:34:30 | |
I like to think I'm a horrible driver... | 0:34:30 | 0:34:33 | |
Horrible or bad? | 0:34:33 | 0:34:35 | |
I ride motorcycles everywhere, so you can race up through traffic, | 0:34:35 | 0:34:38 | |
it's bumper to bumper, and when your oncoming traffic is stopped, you just go right up the middle. | 0:34:38 | 0:34:43 | |
But I have this tendency when I am in a vehicle to think | 0:34:43 | 0:34:46 | |
I can slip that entire vehicle right up the middle. | 0:34:46 | 0:34:49 | |
And it's only at the last second when I'm hitting the brakes, coming to a halt. | 0:34:49 | 0:34:52 | |
-You remember you're in a car. You like bikes? -I like bikes a lot, yeah. | 0:34:52 | 0:34:56 | |
What sort of bikes? | 0:34:56 | 0:34:57 | |
I have an old Paul Smart Ducati, which is a nice little bike. | 0:34:57 | 0:35:02 | |
I know what a Ducati is! | 0:35:02 | 0:35:03 | |
-Yeah, Ducati. I have a Deus. -Is it "Deuce" or "Day-us"? | 0:35:03 | 0:35:07 | |
-"Day-us", yeah. -It's D-E-U-S? | 0:35:07 | 0:35:08 | |
That's how we pronounce it, | 0:35:08 | 0:35:10 | |
but you guys say "Niss-un", so I have no idea what's happening. | 0:35:10 | 0:35:14 | |
Every car's pronounced differently in America. | 0:35:14 | 0:35:16 | |
The Hyundai's a "Hundee". "Nee-sun, Vee-dub-ya, Jag-war. | 0:35:16 | 0:35:20 | |
"Bee-em-dub-ya." | 0:35:20 | 0:35:21 | |
Here, what is it, "Jag-yur"? | 0:35:21 | 0:35:23 | |
-"Jag-yoo-ar." How it's spelt. -Yeah. | 0:35:23 | 0:35:26 | |
LAUGHTER AND APPLAUSE | 0:35:26 | 0:35:28 | |
No, I'm sorry, that was mean of me! | 0:35:30 | 0:35:32 | |
Now, you came down here to obviously | 0:35:35 | 0:35:37 | |
try your hand in the Kia Cee-apostrophe-d. | 0:35:37 | 0:35:40 | |
What was your goal? | 0:35:40 | 0:35:41 | |
My goal was just to see if I could drive a manual car. | 0:35:41 | 0:35:45 | |
I haven't done that since high school, so that was interesting. | 0:35:45 | 0:35:48 | |
-Really? -Yeah. | 0:35:48 | 0:35:50 | |
-Who'd like to see Ryan's lap? -Oh, boy. -AUDIENCE: Yeah! | 0:35:50 | 0:35:53 | |
Play the tape! | 0:35:53 | 0:35:54 | |
'Aggressive start. Crisp day.' | 0:35:57 | 0:35:59 | |
That smells exactly like clutch. | 0:35:59 | 0:36:02 | |
'Smells like clutch? | 0:36:02 | 0:36:04 | |
-'Clutch does smell like clutch.' -'Does smell bad, yeah.' | 0:36:04 | 0:36:06 | |
'Annoying thing. The wide Formula 1 line in there.' | 0:36:06 | 0:36:09 | |
'I'm a big guy, I make that whole car look like a children's toy.' | 0:36:09 | 0:36:12 | |
-'You should see me in it.' -'Looks like a sweater, made of metal.' | 0:36:12 | 0:36:16 | |
LAUGHTER | 0:36:16 | 0:36:19 | |
'Every time I shift, I make a dumb face.' | 0:36:19 | 0:36:21 | |
-'That's wide, that's really wide.' -'Terrible.' | 0:36:22 | 0:36:24 | |
'No, it could give you a fast... Where are you going?' | 0:36:24 | 0:36:27 | |
-BLEEP! BLEEP -manual! -BLEEP! | 0:36:27 | 0:36:29 | |
'Yeah! There! Right?' | 0:36:29 | 0:36:31 | |
'The beep machine has obviously blown up... | 0:36:32 | 0:36:35 | |
'Now, keeping it tidy through the lines there. Yes, pretty good. | 0:36:35 | 0:36:39 | |
'Very good, actually.' | 0:36:39 | 0:36:41 | |
Very good. | 0:36:41 | 0:36:42 | |
'Are we going to be able to find fourth?' | 0:36:42 | 0:36:46 | |
Turn from hell coming up. | 0:36:46 | 0:36:50 | |
'Oh, yeah, this turn, not fun every time.' | 0:36:50 | 0:36:52 | |
-'That's almost beautiful.' -'Yeah. | 0:36:52 | 0:36:54 | |
'That's what I call the adult diaper.' | 0:36:54 | 0:36:56 | |
'Whoa, that's cutting that one! | 0:36:56 | 0:36:58 | |
-'That's quite uncomfortable at that speed.' -'Yeah.' | 0:36:58 | 0:37:01 | |
'Look at it gripping. That's nicely done. Not too cheaty on the cutting. | 0:37:01 | 0:37:06 | |
'And around Gambon.' | 0:37:06 | 0:37:08 | |
-There we are, ladies and gentlemen, across the line! -There we go! | 0:37:08 | 0:37:11 | |
CHEERING AND APPLAUSE | 0:37:11 | 0:37:13 | |
Wow! | 0:37:13 | 0:37:15 | |
So... | 0:37:15 | 0:37:17 | |
Where would you like to appear on the board? | 0:37:17 | 0:37:21 | |
I'm going to say somewhere in the middle. | 0:37:21 | 0:37:23 | |
Didn't you... Actually, I know you did, cos you told our researchers, | 0:37:23 | 0:37:27 | |
you were desperate, cos you went back out... | 0:37:27 | 0:37:30 | |
-"Do you mind if I have another go?" -"Give me another shot." | 0:37:30 | 0:37:32 | |
Cos you wanted to beat Tom Cruise. | 0:37:32 | 0:37:35 | |
Yeah, I did want to beat Tom Cruise. I wasn't talking about the driving, though. | 0:37:35 | 0:37:40 | |
LAUGHTER | 0:37:40 | 0:37:41 | |
Yes, I'm going to guess that I have 1:45. | 0:37:43 | 0:37:46 | |
-1:45? -And that's being really generous. | 0:37:46 | 0:37:49 | |
-You did a one... -Ugh! | 0:37:49 | 0:37:52 | |
-This is terrible. -..forty... | 0:37:53 | 0:37:55 | |
OK, there's a four. | 0:37:55 | 0:37:57 | |
-..three... -Oh! | 0:37:57 | 0:37:59 | |
AUDIENCE: Ooh! | 0:37:59 | 0:38:01 | |
..point seven. You beat Tom Cruise! | 0:38:01 | 0:38:03 | |
You're a faster driver! | 0:38:03 | 0:38:05 | |
Wow! | 0:38:05 | 0:38:08 | |
CHEERING AND APPLAUSE | 0:38:08 | 0:38:10 | |
Wow! All right! | 0:38:10 | 0:38:11 | |
-Congratulations. -Give me that cold! | 0:38:12 | 0:38:16 | |
Take that back! | 0:38:17 | 0:38:18 | |
This is... | 0:38:21 | 0:38:22 | |
Wow, that's worth getting your pneumonia for! | 0:38:24 | 0:38:28 | |
I love that! | 0:38:28 | 0:38:29 | |
Life just gets worse. | 0:38:29 | 0:38:32 | |
You look like that and you're funny and you're a film star | 0:38:33 | 0:38:37 | |
and you can drive. | 0:38:37 | 0:38:39 | |
Yeah, but I break every bone in my body | 0:38:40 | 0:38:42 | |
almost with the cycle of each moon, so don't worry. | 0:38:42 | 0:38:46 | |
I'll hurt myself on the way out. | 0:38:46 | 0:38:48 | |
Well, it's been a pleasure to meet you, | 0:38:48 | 0:38:50 | |
-and a pleasure for those girls to stand so close to you. -Thank you! | 0:38:50 | 0:38:54 | |
Ladies and gentlemen, Ryan Reynolds! | 0:38:54 | 0:38:56 | |
CHEERING AND APPLAUSE | 0:38:56 | 0:38:59 | |
Now, tonight, Jeremy and I are having a go at making a car chase | 0:39:05 | 0:39:09 | |
for the new Sweeney movie, | 0:39:09 | 0:39:10 | |
and so far, well, there have been a few disagreements. | 0:39:10 | 0:39:14 | |
Jeremy wants the action to be "realistic", which means "boring". | 0:39:14 | 0:39:18 | |
I want it to be exciting, full of stunts and massive explosions. | 0:39:18 | 0:39:22 | |
It's a film! | 0:39:22 | 0:39:23 | |
What we've done now is we've reconnected the ABS, | 0:39:25 | 0:39:29 | |
the electronic differential is now working, | 0:39:29 | 0:39:31 | |
so he should be able to do a power slide through there. | 0:39:31 | 0:39:35 | |
Yeah. Okey doke, here we go. Three, two, one, hit it. | 0:39:35 | 0:39:38 | |
Yes, yes! | 0:39:44 | 0:39:46 | |
'Whilst Jeremy was faffing around with his anti-lock brakes, | 0:39:46 | 0:39:49 | |
'I'd raided The Sweeney's budget | 0:39:49 | 0:39:51 | |
'and come up with a way of getting the car to jump properly.' | 0:39:51 | 0:39:54 | |
It's an air cannon. | 0:39:54 | 0:39:56 | |
What it does is, car mounted up on the cannon there, | 0:39:56 | 0:39:58 | |
it charges with a huge compressor there - it's actually nitrogen - | 0:39:58 | 0:40:02 | |
and it fires the car out over that way, so you get big air. | 0:40:02 | 0:40:06 | |
Jeremy said about keeping it real - well, check this out. | 0:40:06 | 0:40:09 | |
Up there. So often when you see a car jump in a film, you realise the engine's gone. | 0:40:09 | 0:40:14 | |
Not this time - I've left it in. | 0:40:14 | 0:40:16 | |
Three million quid - what's an engine? | 0:40:16 | 0:40:18 | |
'With the cannon primed, we were ready for lift-off.' | 0:40:18 | 0:40:22 | |
OK, three, two, one! | 0:40:22 | 0:40:24 | |
That's the jump! | 0:40:34 | 0:40:36 | |
Yes! | 0:40:36 | 0:40:37 | |
'Mr Picky, however, wasn't so impressed.' | 0:40:37 | 0:40:41 | |
-Have you ever heard the word "continuity"? -Yes. | 0:40:41 | 0:40:44 | |
Here is your car. | 0:40:44 | 0:40:46 | |
-Yes. -Right, the next shot is what? | 0:40:47 | 0:40:50 | |
The next shot is... | 0:40:50 | 0:40:51 | |
Ah, no, this is where there'll be another car driving away. | 0:40:51 | 0:40:56 | |
No, we see it land on its roof... | 0:40:56 | 0:40:59 | |
..and then we're expected to believe that somehow it's still driveable? | 0:41:00 | 0:41:05 | |
This is the movies, that's what happens. | 0:41:05 | 0:41:07 | |
Did you never watch...CHiPs? Remember that? | 0:41:07 | 0:41:11 | |
They'd ride along, one minute you've got a man on a Harley | 0:41:11 | 0:41:14 | |
approaching the back of a lorry with its tailgate down, | 0:41:14 | 0:41:17 | |
then he's done a massive jump, briefly he's on a dirt bike, | 0:41:17 | 0:41:19 | |
then he lands, he's back on the Harley again. | 0:41:19 | 0:41:22 | |
-That's rubbish. -That's the movies! We all expect that! | 0:41:22 | 0:41:24 | |
This car will never work! It's not plausible! | 0:41:24 | 0:41:28 | |
You can't edit your way out of that! | 0:41:28 | 0:41:31 | |
Just let me get in the edit suite and work some magic. | 0:41:31 | 0:41:35 | |
You won't believe it. | 0:41:35 | 0:41:37 | |
'First, though, I needed some close-up shots of the actors, | 0:41:40 | 0:41:43 | |
'which I would then cut into the scene | 0:41:43 | 0:41:45 | |
'where the car flies through the air.' | 0:41:45 | 0:41:48 | |
-Does Nick know about this? -Yeah, yeah, bang on. -Are you sure? -Yeah. | 0:41:48 | 0:41:51 | |
'Because we'd got off to a bad start, I was keen to demonstrate they were in good hands.' | 0:41:51 | 0:41:57 | |
You're going to be in the air, and at that point, | 0:41:57 | 0:42:00 | |
if you'd both give me excitement - you're in a chase - elation - | 0:42:00 | 0:42:05 | |
you're in the air - but I want to see determination as well. | 0:42:05 | 0:42:08 | |
You're in a chase, mixed with vengeful, righteous fury. | 0:42:08 | 0:42:13 | |
So there's so many emotions going on in this split second, | 0:42:13 | 0:42:15 | |
there's so many emotions you're going to have to feel. | 0:42:15 | 0:42:18 | |
-Let's start with nothing, OK? -OK. | 0:42:18 | 0:42:20 | |
That's a blank canvas. As you hit the ramp... | 0:42:20 | 0:42:22 | |
Richard, I don't feel like you're giving me enough direction. | 0:42:22 | 0:42:26 | |
-You're giving it all to him. What about me? -Ben, blank again for me. | 0:42:26 | 0:42:29 | |
-Blank. -You're throwing a hissy now, ain't you? | 0:42:29 | 0:42:32 | |
Let's blank it and let's start... | 0:42:32 | 0:42:35 | |
OK, remember, elation, excitement, vengeful fury and fear. | 0:42:35 | 0:42:40 | |
So, vengeful fury comes before fear? | 0:42:40 | 0:42:42 | |
-At the same time. -What am I frightened of, though? | 0:42:42 | 0:42:45 | |
It's already happened, ain't it? | 0:42:45 | 0:42:46 | |
I wouldn't be frightened after the event. | 0:42:46 | 0:42:48 | |
-Wouldn't I be frightened when I'm in the air? -We're in the air. | 0:42:48 | 0:42:51 | |
-Oh, them four emotions take place in the air? -Yeah. | 0:42:51 | 0:42:56 | |
-You're in the air for a while. -It'll be a long while, won't it? | 0:42:56 | 0:43:00 | |
It's a big jump. | 0:43:00 | 0:43:01 | |
And just one last thing - we have to land. | 0:43:01 | 0:43:03 | |
I'm going to say, "Forwards," and you go forwards, I'm going say, | 0:43:03 | 0:43:07 | |
"Backwards..." Forwards, backwards, and away. | 0:43:07 | 0:43:09 | |
Forwards, backwards, forwards and away, | 0:43:09 | 0:43:12 | |
or backwards, forwards, backwards? | 0:43:12 | 0:43:15 | |
No, it's forwards, you land forwards, backwards, | 0:43:15 | 0:43:19 | |
forwards, backwards, then drive away. | 0:43:19 | 0:43:21 | |
I thought there had to be another backwards. | 0:43:21 | 0:43:23 | |
-Oh, I'm confused. -Don't forget, | 0:43:23 | 0:43:25 | |
I want to catch just a whispering trace of those emotions from the sky. | 0:43:25 | 0:43:30 | |
They're dissipating as you land... | 0:43:30 | 0:43:32 | |
-Oh, don't he go on! -BLEEP -sake. | 0:43:32 | 0:43:35 | |
'While Richard Ford Coppola was with the stars, | 0:43:36 | 0:43:39 | |
'I was trying to make the angry director | 0:43:39 | 0:43:42 | |
'understand the problems of driving a big Jag around a caravan park.' | 0:43:42 | 0:43:47 | |
I have to slide this car on grass, and the problem is, | 0:43:47 | 0:43:52 | |
the traction control is on, so it's not letting me slide. | 0:43:52 | 0:43:56 | |
Foot hard down. | 0:43:56 | 0:43:58 | |
Hard down, and it won't slide. | 0:43:58 | 0:44:00 | |
That is the traction control on. | 0:44:03 | 0:44:06 | |
-Can I just say, that was -BLEEP. | 0:44:06 | 0:44:08 | |
Do you want to see it with traction control off? | 0:44:08 | 0:44:10 | |
-Yeah. -OK. | 0:44:10 | 0:44:11 | |
-Now watch this. -OK. | 0:44:11 | 0:44:13 | |
Get the power on, feel the tail go. | 0:44:16 | 0:44:19 | |
Hold that slide. | 0:44:20 | 0:44:21 | |
That is what we need. | 0:44:25 | 0:44:27 | |
Which do you prefer, traction control on or off? | 0:44:27 | 0:44:31 | |
-Off. -Off? | 0:44:31 | 0:44:32 | |
-Yes. -That means you're going to have to have a line of dialogue | 0:44:32 | 0:44:35 | |
where one of them says, "Turn the traction control off." | 0:44:35 | 0:44:38 | |
-Not in my film, no. -You're going to have to. It's ten seconds to do it. | 0:44:40 | 0:44:43 | |
You have to hold it down for ten seconds. | 0:44:43 | 0:44:45 | |
Anyone who's got a Jag watching the film will go, "You can't do that." | 0:44:45 | 0:44:48 | |
-It doesn't matter. It's not a -BLEEP -film for Jag watchers. | 0:44:48 | 0:44:51 | |
It's a film for everyone to go to the cinema. | 0:44:51 | 0:44:53 | |
Why doesn't he say, "Why do they make it ten seconds?" | 0:44:53 | 0:44:56 | |
-He can say that. -No! Cos it kills the... | 0:44:56 | 0:44:58 | |
-WALKIE TALKIE BEEPS -Oh, -BLEEP -off. It kills the tension! | 0:44:58 | 0:45:01 | |
I want a film that connects to a wide audience. | 0:45:01 | 0:45:03 | |
-I know, but... -Can I finish? Can I just speak? | 0:45:03 | 0:45:06 | |
90 minutes into the film is the main car chase. | 0:45:06 | 0:45:10 | |
-You can't have someone pressing a -BLEEP -button. | 0:45:10 | 0:45:12 | |
-What are you going to do, a close-up of a button? -Yeah. | 0:45:12 | 0:45:16 | |
You're not putting that in my film. | 0:45:16 | 0:45:18 | |
I like the traction control off, I don't want all bollocks | 0:45:18 | 0:45:21 | |
about what it does and what it doesn't do. | 0:45:21 | 0:45:23 | |
You said you wanted me to do something real. | 0:45:23 | 0:45:26 | |
I'm doing something real. | 0:45:26 | 0:45:27 | |
-Actually, you know what you should do - -BLEEP -off. | 0:45:27 | 0:45:30 | |
'This altercation meant the director was not in the best of moods | 0:45:34 | 0:45:38 | |
'when he went to have a look at an edit of Richard's big jump.' | 0:45:38 | 0:45:41 | |
Right, look. This is still work in progress, | 0:45:41 | 0:45:43 | |
but I have begun the polishing process, | 0:45:43 | 0:45:45 | |
and I've worked on the sound. OK. | 0:45:45 | 0:45:48 | |
Enjoy. | 0:45:48 | 0:45:49 | |
TYRES SCREECH LOUDLY | 0:45:54 | 0:45:57 | |
ENGINE REVS LOUDLY | 0:45:57 | 0:46:01 | |
EXPLOSION | 0:46:03 | 0:46:04 | |
BLEEP! | 0:46:06 | 0:46:08 | |
TYRES SCREECH | 0:46:14 | 0:46:16 | |
It's all there, isn't it? | 0:46:19 | 0:46:21 | |
OK, what I've done here is I've set up a practice area | 0:46:27 | 0:46:30 | |
for the next stunt, | 0:46:30 | 0:46:31 | |
so I don't leave tyre marks in the grass at the actual location, | 0:46:31 | 0:46:36 | |
which is over there. | 0:46:36 | 0:46:37 | |
DISTANT SHOUTS | 0:46:37 | 0:46:39 | |
Well, I guess we were wondering how the world's angriest man | 0:46:41 | 0:46:46 | |
would respond to Hammond's car jump, and now we know. | 0:46:46 | 0:46:50 | |
-Come here, you -BLEEP! -Little -BLEEP! -I'll kill you! | 0:46:50 | 0:46:54 | |
'Because the director was busy hurting Richard | 0:46:57 | 0:47:00 | |
'for writing off one of the Fords, | 0:47:00 | 0:47:02 | |
'I seized the opportunity to give the baddies their new dialogue.' | 0:47:02 | 0:47:05 | |
-You're driving, aren't you? -Yes. | 0:47:05 | 0:47:08 | |
I need you to say, "Turn off the ABS." | 0:47:08 | 0:47:10 | |
You say, "How?" And you say, "Pull the rhythm." | 0:47:10 | 0:47:14 | |
-How do you say that in Serbian? -What? | 0:47:14 | 0:47:17 | |
How do you say it in Serbian? I'm Serbian. | 0:47:17 | 0:47:19 | |
-You're Serbian? -Yeah. | 0:47:19 | 0:47:21 | |
-Have a look. -I've written this all in rhyming slang. | 0:47:21 | 0:47:24 | |
Rhythm and blues - fuse. | 0:47:24 | 0:47:26 | |
-Or you could say "Rodney". -No, he's a Serb. | 0:47:26 | 0:47:29 | |
But he'll have learned his English, won't you, in London. | 0:47:29 | 0:47:32 | |
He's only been here a day. | 0:47:32 | 0:47:34 | |
-Rhythm. Do it with a Borat accent. -AS BORAT: -Pull the Rodney. | 0:47:34 | 0:47:37 | |
-AS BORAT: -Pull the Rodney. -Yes! | 0:47:37 | 0:47:39 | |
-AS BORAT: -Pull the Rodney. Rodney Bewes, fuse. | 0:47:39 | 0:47:42 | |
-Similarly... -Go on. | 0:47:42 | 0:47:43 | |
-You go, "How many horsepower has that Ford got?" -OK, right. | 0:47:43 | 0:47:47 | |
"250." It hasn't actually, really, but don't let that bother you. | 0:47:47 | 0:47:53 | |
"250." "God, Plod must be Robin." | 0:47:53 | 0:47:56 | |
Robin Hood. | 0:47:56 | 0:47:59 | |
"God, Plod must be Robin." Cos they're keeping up with you. | 0:47:59 | 0:48:02 | |
-God, Plod must be Robin. -Yeah? | 0:48:02 | 0:48:04 | |
"We've got 503." | 0:48:04 | 0:48:06 | |
Now, this is the critical bit. | 0:48:06 | 0:48:08 | |
When you're in the caravan site, you... | 0:48:08 | 0:48:10 | |
-AS BORAT: -Turn off the traction control! | 0:48:10 | 0:48:13 | |
-AS BORAT: -Turn off the traction control! -Love it. | 0:48:13 | 0:48:16 | |
"'Ow. 'Ow. 'Ow do I do that? Whatever you want." | 0:48:16 | 0:48:18 | |
-Oh, "'Ow," you mean? "'Ow." AS BORAT: -Push the Len. | 0:48:18 | 0:48:22 | |
-AS BORAT: -Push the Len. -Push the Len. It's Len Hutton. | 0:48:23 | 0:48:26 | |
-Was he a cricketer or a trade-union leader? -Trade-union leader. | 0:48:26 | 0:48:30 | |
-Was he? -No, he was a cricketer. | 0:48:30 | 0:48:31 | |
-Whatever he was, it's Len. -AS BORAT: -Push the Len. | 0:48:31 | 0:48:34 | |
And then, this is the complicated bit | 0:48:34 | 0:48:37 | |
that we really do need to get in. | 0:48:37 | 0:48:39 | |
-AS BORAT: -You have to hold it down for ten seconds. | 0:48:39 | 0:48:42 | |
-AS BORAT: -You have to hold it down for ten seconds. | 0:48:42 | 0:48:45 | |
-Yeah. -It ain't the most riveting dialogue. | 0:48:45 | 0:48:48 | |
It depends how you deliver it. | 0:48:48 | 0:48:50 | |
You're in a panic - turn off the traction control! | 0:48:50 | 0:48:53 | |
Where's the Len?! Where's the Len?! | 0:48:53 | 0:48:55 | |
-OK, all right, let's do it. -Good. Thanks very much. | 0:48:55 | 0:48:58 | |
'With the dialogue sorted, I went to see my rather bruised colleague, | 0:49:00 | 0:49:04 | |
'who was now setting up a stunt in which the Jag would clip a caravan.' | 0:49:04 | 0:49:09 | |
-What are you doing? -Filling the caravan with petrol. | 0:49:09 | 0:49:12 | |
-Why? -So it explodes when the car hits it. Boom! | 0:49:12 | 0:49:16 | |
Why would the caravan explode? | 0:49:16 | 0:49:18 | |
Because I've filled it with petrol. | 0:49:18 | 0:49:20 | |
But caravans are made from plywood, | 0:49:20 | 0:49:22 | |
and plywood does not blow up when you bang into it. | 0:49:22 | 0:49:24 | |
-It doesn't. -They have gas bottles in them. They would explode. | 0:49:26 | 0:49:29 | |
See, that's what I'm replicating. | 0:49:29 | 0:49:31 | |
-Car, "Boom!" -OK... | 0:49:33 | 0:49:35 | |
Just a "Boof", OK? Just a "Boof". | 0:49:36 | 0:49:40 | |
-Yeah. -But please don't go mad. | 0:49:40 | 0:49:43 | |
No. | 0:49:44 | 0:49:45 | |
'I then went to the other side of the caravan park, | 0:49:48 | 0:49:51 | |
'because a piece of equipment called a Russian arm, | 0:49:51 | 0:49:54 | |
'which costs £6,000 a day to rent, had just arrived | 0:49:54 | 0:49:58 | |
'from the set of Spielberg's War Horse.' | 0:49:58 | 0:50:01 | |
There it is. It's gyro stabilised, | 0:50:01 | 0:50:04 | |
so it's smooth even if the car's going over rough ground. | 0:50:04 | 0:50:07 | |
So even when the car's moving along, it can do that, | 0:50:07 | 0:50:10 | |
which gives you very, very dynamic shots. | 0:50:10 | 0:50:13 | |
This is what Hammond doesn't understand. | 0:50:13 | 0:50:15 | |
You can use the camera to make the chase, the real chase, exciting. | 0:50:15 | 0:50:22 | |
You don't need to have the car going through the air with two people | 0:50:22 | 0:50:26 | |
out of the sunroof with MAC-10s, shooting at the car behind. | 0:50:26 | 0:50:29 | |
'Eventually, Hammond called to say the caravan clip stunt was ready. | 0:50:29 | 0:50:33 | |
'But since my pro drivers were busy with the Russian arm, | 0:50:33 | 0:50:36 | |
'I fired up a back-up Jag | 0:50:36 | 0:50:38 | |
'and volunteered to do the driving myself.' | 0:50:38 | 0:50:41 | |
275, take one. | 0:50:41 | 0:50:43 | |
B camera. | 0:50:43 | 0:50:45 | |
Got my own airbag here, so if I do that, I'll be OK. | 0:50:45 | 0:50:49 | |
Perspex in case I hit the driver's door. Airbags are disconnected. | 0:50:49 | 0:50:54 | |
Traction control is off. | 0:50:54 | 0:50:56 | |
OK. | 0:50:59 | 0:51:00 | |
-DIRECTOR: -'Cameras recording, please.' | 0:51:00 | 0:51:03 | |
ENGINE REVS | 0:51:03 | 0:51:07 | |
'Action, Jeremy.' | 0:51:07 | 0:51:09 | |
KABOOM! | 0:51:16 | 0:51:18 | |
Whoa! What the hell?! | 0:51:18 | 0:51:20 | |
Hammond! | 0:51:25 | 0:51:27 | |
It was supposed to be a gas bottle. What the hell...? | 0:51:29 | 0:51:33 | |
-You blew the wrong caravan up! -You hit the wrong one! | 0:51:33 | 0:51:36 | |
-I didn't hit the wrong one, that was the one we were supposed to... -You should have labelled it! | 0:51:36 | 0:51:42 | |
Have you any idea...? | 0:51:43 | 0:51:44 | |
The angry man is going to see this, he's going to see that, | 0:51:44 | 0:51:48 | |
and then he's going to see his £50,000 Jaguar XFR. | 0:51:48 | 0:51:54 | |
Ooh, my lord. | 0:51:54 | 0:51:56 | |
-That wasn't supposed to happen. -He said, "Light bodywork damage..." | 0:51:56 | 0:52:00 | |
-You ripped its arse off. -"..because then Jaguar could repair it | 0:52:00 | 0:52:03 | |
"and I don't have to pay the full price." | 0:52:03 | 0:52:05 | |
He's going to see what's happened here, Hammond, wrong caravan... | 0:52:05 | 0:52:10 | |
..this... | 0:52:11 | 0:52:13 | |
the explosion was late... | 0:52:13 | 0:52:15 | |
-God almighty. -There's the edit. | 0:52:17 | 0:52:20 | |
How can you edit an explosion to happen earlier than it does? | 0:52:20 | 0:52:23 | |
You know Ray Winstone was watching that explosion from here, OK? | 0:52:31 | 0:52:37 | |
He's watching, and this is not a word of a lie, | 0:52:37 | 0:52:40 | |
that's a piece of glass from the caravan | 0:52:40 | 0:52:43 | |
that's penetrated this caravan. | 0:52:43 | 0:52:45 | |
If that had hit here, | 0:52:47 | 0:52:50 | |
would you like to know what Sophie Raworth would have said | 0:52:50 | 0:52:54 | |
on The Six O'Clock News tonight? | 0:52:54 | 0:52:56 | |
'Hammond and I decided to beat a retreat | 0:52:58 | 0:53:00 | |
'before the world's angriest man found out | 0:53:00 | 0:53:03 | |
'how much of his money had gone up in smoke. | 0:53:03 | 0:53:06 | |
'To try and cheer him up, we decided to demonstrate that, | 0:53:13 | 0:53:16 | |
'despite all the mishaps, we had ended up with a good car chase.' | 0:53:16 | 0:53:21 | |
On here? | 0:53:21 | 0:53:23 | |
HORN BLARES | 0:53:25 | 0:53:27 | |
How many horsepower has Plod got? | 0:53:29 | 0:53:32 | |
-AS BORAT: -250. | 0:53:32 | 0:53:34 | |
God, Plod must be Robin. This thing's got 503. | 0:53:34 | 0:53:38 | |
TYRES SCREECH | 0:53:38 | 0:53:39 | |
HORN BLARES | 0:53:39 | 0:53:41 | |
-AS BORAT: -Turn off the ABS. -'Ow do you do that? 'Ow? 'Ow? 'Ow? | 0:53:41 | 0:53:45 | |
-AS BORAT: -Pull the rhythm. | 0:53:45 | 0:53:47 | |
TYRES SCREECH | 0:53:47 | 0:53:49 | |
Gritty. | 0:53:53 | 0:53:55 | |
EXPLOSION | 0:53:55 | 0:53:56 | |
-AS BORAT: -Turn off the traction control. | 0:54:07 | 0:54:10 | |
'Ow? | 0:54:10 | 0:54:11 | |
-AS BORAT: -You have to hold it down for ten seconds. | 0:54:11 | 0:54:14 | |
Why didn't we get a BMW? | 0:54:16 | 0:54:18 | |
You only have to push the Len for five seconds. | 0:54:18 | 0:54:21 | |
TYRES SQUEAL | 0:54:32 | 0:54:35 | |
-Full ten? -Oh, yeah, ten seconds, and then the viewer's left in no doubt. | 0:54:35 | 0:54:40 | |
Go! | 0:54:40 | 0:54:42 | |
KABOOM! | 0:54:44 | 0:54:47 | |
CRASH | 0:54:51 | 0:54:53 | |
I think when the world's angriest man sees that, | 0:54:56 | 0:55:00 | |
he's going to be quite pleased. | 0:55:00 | 0:55:04 | |
-Is he? -I think so. | 0:55:04 | 0:55:06 | |
I know there are one or two rough edges in it, | 0:55:06 | 0:55:09 | |
but overall, it has a gritty reality. | 0:55:09 | 0:55:15 | |
He's very keen on hero shots - you've seen Ray, you've seen Plan. | 0:55:15 | 0:55:18 | |
This is Ray Winstone out of The Departed, Ray Winstone out of... | 0:55:18 | 0:55:23 | |
..Cold Mountain. | 0:55:24 | 0:55:26 | |
Out of bet364 adverts. | 0:55:26 | 0:55:28 | |
There he is, rocking about as the car lands, and I think... | 0:55:28 | 0:55:32 | |
I think we can pat ourselves on the back. I don't know where he is now, | 0:55:34 | 0:55:38 | |
but he's probably regretting his behaviour today. | 0:55:38 | 0:55:41 | |
-It was just a personality clash. -Really? | 0:55:41 | 0:55:44 | |
Oh... | 0:55:46 | 0:55:47 | |
Oh, not my car. | 0:55:48 | 0:55:50 | |
CHEERING AND APPLAUSE | 0:56:02 | 0:56:03 | |
This perfectly sane, rational, very professional man | 0:56:07 | 0:56:13 | |
was driven to an act of petty vandalism by your incompetence? | 0:56:13 | 0:56:17 | |
-He ruined my car. -You ruined his film! | 0:56:17 | 0:56:19 | |
Can I just say, actually, we got a call the other day, | 0:56:19 | 0:56:22 | |
and this is absolutely true, from a Hollywood producer | 0:56:22 | 0:56:26 | |
who asked if we could film a lorry chase through Moscow | 0:56:26 | 0:56:29 | |
for the new Die Hard film. Seriously. | 0:56:29 | 0:56:32 | |
But he'll change his mind when he sees that, won't he? | 0:56:32 | 0:56:34 | |
A-ha! You say that, but we brought back the rushes, the raw material, | 0:56:34 | 0:56:38 | |
from our shoot, and we gave that to the editors, OK? | 0:56:38 | 0:56:42 | |
It's still work in progress, | 0:56:42 | 0:56:44 | |
but who here would like to see what they've come up with? | 0:56:44 | 0:56:47 | |
-AUDIENCE: -Yeah. -OK, let's run the tape, let's have a look. | 0:56:47 | 0:56:50 | |
TYRES SQUEAL | 0:56:50 | 0:56:52 | |
HORNS BLARE | 0:56:53 | 0:56:55 | |
HORN BLARES | 0:57:09 | 0:57:11 | |
GUNSHOTS | 0:58:04 | 0:58:06 | |
GUNFIRE | 0:58:10 | 0:58:12 | |
APPLAUSE | 0:58:23 | 0:58:26 | |
Yeah! | 0:58:27 | 0:58:29 | |
Come on! Yeah! | 0:58:29 | 0:58:32 | |
-Actually, it's not bad. -It's not bad at all. | 0:58:32 | 0:58:35 | |
And on that bombshell, it is time to end. | 0:58:35 | 0:58:38 | |
Thank you very much for watching. See you next week, goodnight! | 0:58:38 | 0:58:41 | |
CHEERING AND APPLAUSE | 0:58:41 | 0:58:43 | |
Subtitles by Red Bee Media Ltd | 0:59:03 | 0:59:06 |