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Tonight, I try a classic Jaguar on our track, | 0:00:12 | 0:00:16 | |
Hammond has a blast in Mazda's new MX5... | 0:00:16 | 0:00:20 | |
and James says, "Ow, ow, ow, ow, ow." | 0:00:20 | 0:00:24 | |
Ow, ow, ow, ow, ow! | 0:00:24 | 0:00:26 | |
APPLAUSE AND CHEERING | 0:00:31 | 0:00:33 | |
Thank you, everybody, thank you so much, thank you! | 0:00:33 | 0:00:37 | |
Hello, good evening. | 0:00:37 | 0:00:39 | |
Thanks, everyone. | 0:00:39 | 0:00:41 | |
Now, a couple of years ago, Jaguar gave us the F-Type convertible | 0:00:41 | 0:00:45 | |
and now there's the F-Type coupe. | 0:00:45 | 0:00:49 | |
You can have it with a choice of two V6 engines | 0:00:49 | 0:00:51 | |
or, for £85,000, a thumping great V8. | 0:00:51 | 0:00:56 | |
So guess which one I've been driving? | 0:00:56 | 0:00:59 | |
Beautiful, isn't it? | 0:01:14 | 0:01:16 | |
Beautiful enough to cause dribbling. | 0:01:18 | 0:01:21 | |
And aggressive as well. | 0:01:26 | 0:01:29 | |
Snarly. | 0:01:29 | 0:01:31 | |
Angry. | 0:01:31 | 0:01:32 | |
And unlike the soft-top F-Type, | 0:01:37 | 0:01:39 | |
it comes with a boot, into which you can put many things. | 0:01:39 | 0:01:43 | |
All you could get in the boot of a convertible is a peaked cap. | 0:01:45 | 0:01:48 | |
But in here, there's room for every conceivable type of hat, | 0:01:48 | 0:01:52 | |
all at the same time. | 0:01:52 | 0:01:53 | |
A boater, a fez, a pith helmet, a trilby, | 0:01:53 | 0:01:56 | |
one of James's special hats, | 0:01:56 | 0:01:59 | |
and there's still room leftover for a Busby. | 0:01:59 | 0:02:03 | |
There you go. | 0:02:03 | 0:02:04 | |
And the good news keeps on coming. | 0:02:09 | 0:02:12 | |
Because Jaguar has fiddled around with the supercharged V8 | 0:02:12 | 0:02:16 | |
so it now produces 542 horsepower. | 0:02:16 | 0:02:21 | |
That is 54 more than you get in the convertible, | 0:02:30 | 0:02:34 | |
which means this has a top speed of a million. | 0:02:34 | 0:02:38 | |
It is outrageously fast. | 0:02:38 | 0:02:41 | |
I mean, that is 160mph. | 0:02:41 | 0:02:45 | |
And I've got 17 hats in the boot. | 0:02:47 | 0:02:49 | |
But even more impressive than the speed is the way this car is made. | 0:02:52 | 0:02:57 | |
They haven't simply bolted on a roof - the whole side is new. | 0:02:59 | 0:03:03 | |
And this is it. | 0:03:03 | 0:03:04 | |
It's one piece of aluminium and it only weighs... | 0:03:04 | 0:03:08 | |
three and a bit kilograms. | 0:03:08 | 0:03:10 | |
And because it's one piece, there's more strength, | 0:03:10 | 0:03:13 | |
more safety and less flex. | 0:03:13 | 0:03:17 | |
And less flex means better handling. | 0:03:17 | 0:03:21 | |
I thought the convertible was good, but this... | 0:03:33 | 0:03:36 | |
this is even better. | 0:03:36 | 0:03:38 | |
It's actually got tougher springs than the convertible | 0:03:40 | 0:03:43 | |
which doesn't do much for the ride but... | 0:03:43 | 0:03:46 | |
God, it makes it fun to drive out here. | 0:03:46 | 0:03:48 | |
It is like driving around in some poetry. | 0:03:57 | 0:04:01 | |
Ted Hughes poetry, but poetry nevertheless. | 0:04:01 | 0:04:04 | |
This actually has an electronic differential, which can overheat | 0:04:07 | 0:04:11 | |
if you go too mad. But... | 0:04:11 | 0:04:14 | |
providing you stay within the parameters | 0:04:14 | 0:04:16 | |
of reasonable common sense, it's fabulous. | 0:04:16 | 0:04:20 | |
I just don't know of another car quite like this. | 0:04:21 | 0:04:25 | |
And that's half throttle. | 0:04:28 | 0:04:31 | |
Yes, you're good! | 0:04:32 | 0:04:34 | |
So, it's pretty and violent and fast | 0:04:37 | 0:04:42 | |
and more practical than you might imagine. | 0:04:42 | 0:04:45 | |
Inevitably, however, there are a few niggles. | 0:04:48 | 0:04:52 | |
Number one, at oblique junctions, it's really hard to see | 0:04:52 | 0:04:56 | |
if anything is coming. | 0:04:56 | 0:04:58 | |
So pull up here at the edge of our runway and look. | 0:04:58 | 0:05:02 | |
The only way I can pull out safely is by crossing my fingers | 0:05:04 | 0:05:08 | |
and hoping for the best. | 0:05:08 | 0:05:10 | |
-CAR HONKS HORN -Ah! | 0:05:10 | 0:05:12 | |
Stupid idiot! | 0:05:14 | 0:05:16 | |
There are other issues too. | 0:05:17 | 0:05:19 | |
If you push the seat all the way back, | 0:05:20 | 0:05:22 | |
and if you're tall, you'll want to, | 0:05:22 | 0:05:24 | |
the leather squeaks on the bulkhead - can you hear that? | 0:05:24 | 0:05:27 | |
LEATHER SQUEAKS | 0:05:27 | 0:05:30 | |
Really irritating. | 0:05:30 | 0:05:31 | |
And then there's the control system, which is touch screen. | 0:05:34 | 0:05:37 | |
Now that sounds fine | 0:05:37 | 0:05:39 | |
but it's so bumpy in here, at low speeds particularly, | 0:05:39 | 0:05:43 | |
that it's very difficult to get your finger | 0:05:43 | 0:05:45 | |
to go in the right place. | 0:05:45 | 0:05:47 | |
If you're not very careful when you try to change the radio station, | 0:05:47 | 0:05:51 | |
you can end up altering the colour of the interior lighting | 0:05:51 | 0:05:54 | |
or engaging Mad Mode on the dynamic driving system. | 0:05:54 | 0:05:59 | |
Aah! I wanted Classic FM! | 0:06:00 | 0:06:03 | |
But the biggest problem with this car is that it never stops shouting. | 0:06:06 | 0:06:11 | |
ENGINE ROARS | 0:06:11 | 0:06:13 | |
You can push this button here to quieten the exhaust system | 0:06:13 | 0:06:17 | |
but every time you go near the throttle, | 0:06:17 | 0:06:19 | |
it all bursts back into life again. | 0:06:19 | 0:06:21 | |
ENGINE ROARS | 0:06:21 | 0:06:24 | |
This car's a little bit like a child that can play the violin. | 0:06:25 | 0:06:28 | |
For five minutes, it's fine. | 0:06:28 | 0:06:30 | |
But after a month, you might start to suggest that if it doesn't stop, | 0:06:30 | 0:06:35 | |
you will shove the sound box right up its... | 0:06:35 | 0:06:38 | |
CAR ACCELERATES | 0:06:38 | 0:06:40 | |
Peace and quiet? | 0:06:45 | 0:06:46 | |
That's not something this car can ever do. | 0:06:46 | 0:06:49 | |
Happily, however, there's another new Jaguar which is a bit less... | 0:06:54 | 0:06:59 | |
louty. | 0:06:59 | 0:07:00 | |
A few years ago, we tested this, the Eagle Speedster. | 0:07:05 | 0:07:10 | |
And now the company that created it has come up with something else. | 0:07:10 | 0:07:15 | |
It's called the Low Drag GT | 0:07:19 | 0:07:22 | |
and it's a re-creation of a one-off racing E-Type prototype | 0:07:22 | 0:07:26 | |
that Jaguar made in 1960. | 0:07:26 | 0:07:29 | |
Except re-creation is the wrong word, | 0:07:41 | 0:07:43 | |
because what Eagle has actually done is taken the basic design | 0:07:43 | 0:07:47 | |
and the spirit of the original and then brought them up to date. | 0:07:47 | 0:07:52 | |
Think of it, then, as a Georgian house with Wi-Fi. | 0:07:52 | 0:07:56 | |
And perhaps one of those Georgian Clooney coffee machines. | 0:07:56 | 0:08:00 | |
Let's start with the engine. | 0:08:04 | 0:08:06 | |
Like the original, it's a twin cam straight six. | 0:08:06 | 0:08:09 | |
But unlike the original, it has fuel injection rather than carburettors. | 0:08:09 | 0:08:14 | |
So it works. | 0:08:14 | 0:08:16 | |
It's made from aluminium rather than cast iron, so it's light. | 0:08:17 | 0:08:22 | |
It also has cooling so it doesn't overheat. | 0:08:23 | 0:08:26 | |
And it's bigger than the original... | 0:08:27 | 0:08:29 | |
ENGINE REVS | 0:08:29 | 0:08:31 | |
..which means it's more powerful. | 0:08:31 | 0:08:33 | |
The original car had 3.8 litres and produced 265 horsepower. | 0:08:37 | 0:08:44 | |
This has 4.7 litres | 0:08:44 | 0:08:47 | |
and produces 345 horsepower! | 0:08:47 | 0:08:52 | |
So it's faster... | 0:08:52 | 0:08:54 | |
MUCH faster! | 0:08:54 | 0:08:56 | |
To give you an idea of what a rocket ship this car is, | 0:09:00 | 0:09:03 | |
I'm going to have a drag race | 0:09:03 | 0:09:05 | |
with Toyota's idea of a modern-day sports car - | 0:09:05 | 0:09:09 | |
the GT-86. | 0:09:09 | 0:09:11 | |
Right, so a child of the '60s versus the 21st century. | 0:09:14 | 0:09:18 | |
HE CLEARS HIS THROAT | 0:09:18 | 0:09:20 | |
CAR ENGINES REV | 0:09:20 | 0:09:23 | |
Three, two, one, go! | 0:09:24 | 0:09:28 | |
It's a smoking start. | 0:09:31 | 0:09:33 | |
And we are away. | 0:09:33 | 0:09:35 | |
That's incredible. | 0:09:35 | 0:09:37 | |
Janis Joplin is punching Justin Bieber in the face. | 0:09:37 | 0:09:41 | |
And there's the finishing line. | 0:09:44 | 0:09:47 | |
Yeah, it's an easy victory. | 0:09:47 | 0:09:49 | |
I've always said things were better in my day, | 0:09:51 | 0:09:54 | |
apart from the rickets. | 0:09:54 | 0:09:56 | |
And the diphtheria. And this proves it. | 0:09:56 | 0:09:59 | |
It's even pretty good in the corners. | 0:09:59 | 0:10:02 | |
I'm not going to say this feels modern because it doesn't. | 0:10:15 | 0:10:19 | |
The F-Type would run rings around it. | 0:10:23 | 0:10:26 | |
But crucially... | 0:10:26 | 0:10:27 | |
..it doesn't feel as old as me, | 0:10:28 | 0:10:31 | |
which is what it is. | 0:10:31 | 0:10:33 | |
But it's not the handling or the power | 0:10:37 | 0:10:39 | |
or the 170-mile-an-hour top speed that impresses most. | 0:10:39 | 0:10:45 | |
It's the attention to detail. | 0:10:45 | 0:10:47 | |
I mean, because this car has a five-speed gearbox | 0:10:49 | 0:10:52 | |
rather than the four-speeder you got in the original, | 0:10:52 | 0:10:55 | |
Eagle has even made a special gear knob to reflect that | 0:10:55 | 0:10:58 | |
with a five on it. | 0:10:58 | 0:11:01 | |
I'd have just used Tipp-Ex. | 0:11:01 | 0:11:03 | |
And look at these sun visors. | 0:11:03 | 0:11:07 | |
They're fabulous and somebody had to make them and the bracket | 0:11:07 | 0:11:11 | |
and the bolts that hold it together and the hinge. | 0:11:11 | 0:11:13 | |
That's, that's just... | 0:11:16 | 0:11:17 | |
It's all just too incredible for words. | 0:11:17 | 0:11:20 | |
And there's more. | 0:11:22 | 0:11:23 | |
The wheels - they look like they're made out of steel | 0:11:25 | 0:11:28 | |
and they came from a motorist discount store, | 0:11:28 | 0:11:30 | |
but actually they were specially made by hand out of magnesium. | 0:11:30 | 0:11:35 | |
And because the body is Eagle's own design, | 0:11:35 | 0:11:38 | |
this windscreen had to be specially made. | 0:11:38 | 0:11:40 | |
Now that meant going to a glassmaker | 0:11:40 | 0:11:43 | |
and saying can you make ONE windscreen? | 0:11:43 | 0:11:47 | |
One! | 0:11:47 | 0:11:49 | |
It cost £15,000. | 0:11:49 | 0:11:51 | |
And the back window? | 0:11:51 | 0:11:53 | |
That was £15,000 as well. | 0:11:53 | 0:11:56 | |
As a result of all this, | 0:11:58 | 0:12:00 | |
the Low Drag GT is quite a lot more expensive than the F-Type | 0:12:00 | 0:12:04 | |
and it's less nimble and it's more slow. | 0:12:04 | 0:12:09 | |
But I know which I'd rather have. | 0:12:09 | 0:12:11 | |
CHEERING | 0:12:20 | 0:12:22 | |
Thing is, though... | 0:12:24 | 0:12:26 | |
..the tragedy is that the only people who know | 0:12:28 | 0:12:31 | |
how to make a windscreen like this, | 0:12:31 | 0:12:33 | |
a one-off, are all now in their 70s and 80s | 0:12:33 | 0:12:36 | |
and when they retire, they will take their skills with them. | 0:12:36 | 0:12:40 | |
Which means that in the very near future, | 0:12:40 | 0:12:41 | |
it just won't be possible to make a car like this. | 0:12:41 | 0:12:44 | |
No, I know and that'll be a real shame, it really will. | 0:12:44 | 0:12:47 | |
One thing I've been trying to work out, | 0:12:47 | 0:12:49 | |
cos you didn't actually say it in the film, | 0:12:49 | 0:12:51 | |
if that windscreen cost £15,000, | 0:12:51 | 0:12:54 | |
how much is it for the whole car? | 0:12:54 | 0:12:56 | |
-A lot. -LAUGHTER | 0:12:56 | 0:12:58 | |
How much a lot? | 0:12:58 | 0:13:00 | |
£840,000. | 0:13:00 | 0:13:01 | |
Ooh, that is a lot. | 0:13:01 | 0:13:02 | |
-No, but that does include VAT, I should be clear on that. -Yeah. | 0:13:02 | 0:13:06 | |
Nevertheless, you'll have to agree the F-Type does represent | 0:13:06 | 0:13:09 | |
better value for money. | 0:13:09 | 0:13:10 | |
It does - especially the V6, which is the one I'd buy. | 0:13:10 | 0:13:13 | |
Because the V8, I mean as I said in the film, | 0:13:13 | 0:13:16 | |
it just never shuts up - it would drive you mad. | 0:13:16 | 0:13:19 | |
Yeah, it would, something never shuts up, | 0:13:19 | 0:13:22 | |
shouting constantly all day long(!) | 0:13:22 | 0:13:25 | |
Rah, rah! With opinions and noise. | 0:13:25 | 0:13:28 | |
Well, I'm just saying, I mean it'll drive you mad. | 0:13:29 | 0:13:31 | |
I can be quiet. | 0:13:31 | 0:13:33 | |
Yeah, but only when you're asleep | 0:13:33 | 0:13:34 | |
and thankfully I'm not there for that so... | 0:13:34 | 0:13:38 | |
Listen, I have just decided that I don't want to talk to you any more. | 0:13:38 | 0:13:43 | |
But what I do want to do is find out how fast that F-Type | 0:13:43 | 0:13:47 | |
goes round our track. | 0:13:47 | 0:13:48 | |
And that of course means handing it over to our tame racing driver. | 0:13:48 | 0:13:53 | |
Some say that he wishes there was someone he could talk to | 0:13:53 | 0:13:58 | |
about his mis-sold PPI. | 0:13:58 | 0:14:00 | |
And that he spent all week making a stairlift for Madonna. | 0:14:02 | 0:14:06 | |
All we know is he's called The Stig! | 0:14:07 | 0:14:09 | |
CHEERING | 0:14:09 | 0:14:11 | |
And he's off, an un-smoky start, which is a surprise, | 0:14:11 | 0:14:15 | |
but very shouty, which isn't. | 0:14:15 | 0:14:17 | |
Up to the first corner, lots of squealing from the Pirelli tyres | 0:14:17 | 0:14:21 | |
but he's keeping it all in check nicely. | 0:14:21 | 0:14:24 | |
That is neat. | 0:14:25 | 0:14:27 | |
# Not a cloud in the sky | 0:14:27 | 0:14:30 | |
# Got the sun in my eyes... # | 0:14:30 | 0:14:33 | |
An appropriate slice of The Carpenters there | 0:14:33 | 0:14:36 | |
on this crisp, dry day. | 0:14:36 | 0:14:38 | |
Very together through Chicago. | 0:14:38 | 0:14:40 | |
Let's see if there are any tail-happy antics | 0:14:40 | 0:14:43 | |
round the Hammerhead. | 0:14:43 | 0:14:45 | |
Into the second part... No, nothing so far. | 0:14:45 | 0:14:48 | |
No, that is incredibly neat again. | 0:14:49 | 0:14:52 | |
# I'm on the top of the world looking down on creation... # | 0:14:52 | 0:14:58 | |
Now a chance to unleash noisy, supercharged fury, | 0:14:58 | 0:15:02 | |
through the Follow Through, he's right on the edge there, | 0:15:02 | 0:15:05 | |
that won't raise the pulse of either of The Stig's hearts. | 0:15:05 | 0:15:09 | |
Hard on the optional carbon ceramic brakes | 0:15:11 | 0:15:13 | |
for the second-to-last corner, through Gambon | 0:15:13 | 0:15:16 | |
and across the line! | 0:15:16 | 0:15:18 | |
APPLAUSE AND CHEERING | 0:15:18 | 0:15:20 | |
Right, then. | 0:15:20 | 0:15:23 | |
What did it do? | 0:15:23 | 0:15:24 | |
1.21.6 - which is as fast as a Audi R8 V10 | 0:15:26 | 0:15:30 | |
and a Cayman GTS and... What are you doing? | 0:15:30 | 0:15:34 | |
-I'm being quiet. -What? -I'm being quiet. | 0:15:34 | 0:15:38 | |
-This is... -I'm letting you know what it's like to sleep with me. | 0:15:38 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:42 | |
Oh! | 0:15:42 | 0:15:45 | |
Oh... | 0:15:45 | 0:15:46 | |
And now the news. | 0:15:46 | 0:15:47 | |
And a couple of weeks ago, we reported that Ferrari were | 0:15:47 | 0:15:50 | |
warming to the idea of a test to see which is the fastest - | 0:15:50 | 0:15:53 | |
the Ferrari "The Ferrari", the McLaren P1 or the Porsche 918. | 0:15:53 | 0:15:58 | |
And the good news is... | 0:15:58 | 0:16:00 | |
Ferrari have warmed. | 0:16:00 | 0:16:02 | |
They have indeed. There are a few stipulations - | 0:16:02 | 0:16:04 | |
they've said that the test must happen on neutral ground, | 0:16:04 | 0:16:08 | |
which is fine, it's what McLaren wanted as well. | 0:16:08 | 0:16:10 | |
They've also said it must be a factory-prepared car | 0:16:10 | 0:16:12 | |
which was a sticking point with McLaren, | 0:16:12 | 0:16:14 | |
but McLaren are now saying, "That's OK, that's fine." | 0:16:14 | 0:16:17 | |
And that means, ladies and gentlemen, this... | 0:16:17 | 0:16:19 | |
I think the most important test this century is now going to happen. | 0:16:19 | 0:16:24 | |
CHEERING | 0:16:24 | 0:16:26 | |
-Oh, that is good. -I'm telling you honestly, | 0:16:27 | 0:16:31 | |
we should go and sort out Ukraine, | 0:16:31 | 0:16:32 | |
cos after this, it'd be a walk in the park. | 0:16:32 | 0:16:35 | |
So when are we going to do it? | 0:16:35 | 0:16:37 | |
-What, sort out Ukraine? -No. The race. | 0:16:37 | 0:16:39 | |
Oh, the race, well, as soon as Porsche can find us a car. | 0:16:39 | 0:16:42 | |
-Find us a car? -Mm. | 0:16:42 | 0:16:44 | |
Well, they made 918. | 0:16:44 | 0:16:46 | |
-I know, they've obviously lost them. -Have they? -Yes, they're now saying, | 0:16:46 | 0:16:49 | |
"We haven't actually got one at the moment, | 0:16:49 | 0:16:51 | |
"but as soon as we do have one, we'll let you have it." | 0:16:51 | 0:16:53 | |
Then we can go ahead and see which of those three incredible cars | 0:16:53 | 0:16:56 | |
is the fastest. I cannot wait, I really cannot wait. | 0:16:56 | 0:16:59 | |
That's excellent, looking forward to that. | 0:16:59 | 0:17:01 | |
So that is good news. Er, now, not such good news. | 0:17:01 | 0:17:04 | |
You may have heard in the news last week that Top Gear | 0:17:04 | 0:17:07 | |
was attacked by Labour's transport spokesman, a Mr Dugher. | 0:17:07 | 0:17:11 | |
He says that Top Gear is not representative | 0:17:11 | 0:17:15 | |
-of the motoring public in Britain. -No! -I know! | 0:17:15 | 0:17:19 | |
-We're not representative? -I know cos only this series, we have, | 0:17:19 | 0:17:22 | |
if you think about it, we've raced a hovercraft across St Petersburg. | 0:17:22 | 0:17:27 | |
-How representative is that? -Very. | 0:17:27 | 0:17:29 | |
We've turned a Porsche into an ambulance, | 0:17:29 | 0:17:31 | |
-we've driven a Bentley up the side of an iron-ore mine... -Exactly. | 0:17:31 | 0:17:34 | |
-..in Australia. -Exactly. Did he not enjoy these features? | 0:17:34 | 0:17:37 | |
Difficult to say because he says he doesn't watch Top Gear. | 0:17:37 | 0:17:41 | |
Well, hang on, how does he know if we're representative or not | 0:17:42 | 0:17:45 | |
if he doesn't watch it? | 0:17:45 | 0:17:46 | |
-It's a good question. He may have special powers. -OK. | 0:17:46 | 0:17:49 | |
He could be a witch. | 0:17:49 | 0:17:51 | |
-The Tories aren't much better, are they? -Nice balancing work. | 0:17:51 | 0:17:55 | |
-Good work, thank you. -Thank you. | 0:17:55 | 0:17:56 | |
This is excellent - BBC even playing field. | 0:17:56 | 0:18:00 | |
The Tory transport bloke, he said that he didn't support the idea | 0:18:00 | 0:18:02 | |
of an 80mph speed limit on the motorway | 0:18:02 | 0:18:05 | |
-because of the road casualties on one road in his constituency. -Mm. | 0:18:05 | 0:18:09 | |
-Which is the Derbyshire dales... -Yeah. | 0:18:09 | 0:18:11 | |
..which doesn't have any motorways in it. | 0:18:11 | 0:18:14 | |
That's cos he's not a witch, | 0:18:14 | 0:18:16 | |
-he's an idiot. -All right, OK. -That's the difference. | 0:18:16 | 0:18:19 | |
The annoying thing is, though, that actually if you look behind | 0:18:19 | 0:18:22 | |
the anti-Top Gear prejudice, | 0:18:22 | 0:18:24 | |
Dugher is actually talking a deal of sense. | 0:18:24 | 0:18:27 | |
Because he says that when they're deciding on transport policy, | 0:18:27 | 0:18:30 | |
every government, Labour and Tory, they talk to anti-car lobby, | 0:18:30 | 0:18:34 | |
the... You know the cyclists and the ramblers | 0:18:34 | 0:18:36 | |
-and the bus drivers and so on and so forth. -Yeah, and he's right. | 0:18:36 | 0:18:39 | |
He is right which is ridiculous. | 0:18:39 | 0:18:41 | |
He also says that all the people who make the decisions | 0:18:41 | 0:18:43 | |
are in central London and have no idea what it's like | 0:18:43 | 0:18:46 | |
-for people trying to get around in the regions. -And he's right on that. | 0:18:46 | 0:18:49 | |
I know, and the tragedy is we're telling him he's right | 0:18:49 | 0:18:51 | |
and he's not watching cos he's tuned into the Midwife thing | 0:18:51 | 0:18:54 | |
-on the other side. -Almost certainly, yeah. | 0:18:54 | 0:18:57 | |
Which, incidentally, is not representative of midwifery. | 0:18:57 | 0:19:01 | |
-Have you watched it? -No, never. | 0:19:02 | 0:19:04 | |
I'm a witch as well. I know these things. | 0:19:05 | 0:19:08 | |
Ooh, now you may remember a little while back | 0:19:08 | 0:19:10 | |
we made some ambulances, OK? And James turned up | 0:19:10 | 0:19:13 | |
to make his ambulance out of a Cosworth-powered hearse, yes? | 0:19:13 | 0:19:16 | |
-Do you remember that? -CROWD: -Yes. | 0:19:16 | 0:19:18 | |
Somebody else, it turns out, is also using a Cosworth-powered hearse | 0:19:18 | 0:19:21 | |
as a hearse - got a picture. | 0:19:21 | 0:19:22 | |
The same thing happened to you. It's a design fault. | 0:19:25 | 0:19:27 | |
-I could have warned them. -Yes, exactly. | 0:19:27 | 0:19:29 | |
-I have news! -What news? | 0:19:29 | 0:19:31 | |
-Vauxhall has a new car! -No! -Wow. | 0:19:31 | 0:19:34 | |
Yes! And here it is... | 0:19:34 | 0:19:36 | |
Wow! | 0:19:36 | 0:19:38 | |
They have called it the Viva. | 0:19:38 | 0:19:40 | |
-Viva?! -They've brought the name back, yeah, Viva. | 0:19:40 | 0:19:42 | |
-Does anybody remember the original Viva? -Oh, yeah. | 0:19:42 | 0:19:45 | |
Anyone...? You're probably too young. Let me remind you, OK? | 0:19:45 | 0:19:48 | |
-There's a picture of it here, the original one. -Oh, God. | 0:19:48 | 0:19:51 | |
-Look at it! -Look at its silly little wheels. | 0:19:51 | 0:19:54 | |
-A style-free car. -It is ridiculous. | 0:19:54 | 0:19:56 | |
Interesting, though - if they were going to revive a name | 0:19:56 | 0:19:59 | |
from Vauxhall's heritage and all that, why would they choose Viva? | 0:19:59 | 0:20:02 | |
I know, cos they had some great names. They had Cresta, | 0:20:02 | 0:20:05 | |
-they had Victor. -Viceroy. | 0:20:05 | 0:20:07 | |
They did a car called the Prince Albert. | 0:20:07 | 0:20:09 | |
No. | 0:20:09 | 0:20:11 | |
-No, it was the Prince Henry. -No, it's Prince Albert. | 0:20:11 | 0:20:14 | |
No, Prince Albert, that's... It's a ring they put through your chap. | 0:20:14 | 0:20:19 | |
-What, Vauxhall put it through your...? -No, no! | 0:20:19 | 0:20:22 | |
People who for, I don't know why, | 0:20:22 | 0:20:23 | |
but they do, it's a ring they put through their chap. | 0:20:23 | 0:20:26 | |
I thought it was a rod. | 0:20:26 | 0:20:27 | |
Look, whatever it was, it's not a Vauxhall. | 0:20:28 | 0:20:31 | |
-It wasn't a Vauxhall, they didn't... -Right, that's cleared that up, | 0:20:31 | 0:20:34 | |
there was no Vauxhall Prince Albert. | 0:20:34 | 0:20:37 | |
Oh, now it's the Geneva Motor Show is currently on actually, | 0:20:37 | 0:20:41 | |
which is an opportunity for all the carmakers | 0:20:41 | 0:20:43 | |
to demonstrate new concepts, | 0:20:43 | 0:20:45 | |
all of which have ridiculously large wheels | 0:20:45 | 0:20:48 | |
that will never see the light of day in production. | 0:20:48 | 0:20:51 | |
Got some of them here for you. | 0:20:51 | 0:20:52 | |
We have the Infinity Q60. Look at the wheels on that, | 0:20:52 | 0:20:56 | |
-that's never going to happen in real life. -No. | 0:20:56 | 0:20:58 | |
-Nissan Sway. Again, no. -No. | 0:20:58 | 0:21:01 | |
-Look at the Audi Prologue. -God. -No. | 0:21:01 | 0:21:03 | |
The idea is we look at that, we go, "Wow, that's fantastic." | 0:21:03 | 0:21:06 | |
Then of course the accountants step into the mix | 0:21:06 | 0:21:08 | |
and the accountants say you can't have 46" rims. | 0:21:08 | 0:21:11 | |
And you end up with a car that actually looks like this. | 0:21:11 | 0:21:14 | |
Supercar news from Geneva - a couple I want to talk about. | 0:21:15 | 0:21:19 | |
There's this, it's called the EXP10 Speed 6. | 0:21:19 | 0:21:23 | |
Oh, so EXP won against Speed. | 0:21:23 | 0:21:26 | |
Oh, it's like football results, EXP - 10... | 0:21:26 | 0:21:29 | |
-Speed - 6. -Yeah. -Yeah. | 0:21:29 | 0:21:32 | |
That's actually well spotted. Two-seater sports coupe. | 0:21:32 | 0:21:35 | |
And they say, and I'm quoting now, that "It is..." | 0:21:35 | 0:21:38 | |
Er, make sure I get the quote right. | 0:21:38 | 0:21:40 | |
"..unmistakably a Bentley." | 0:21:40 | 0:21:42 | |
But if you look at it from the side, | 0:21:42 | 0:21:45 | |
I think you'll agree that is unmistakably an Aston Martin. | 0:21:45 | 0:21:48 | |
-Er, it is. -Yes. -That's an Aston Martin. -Exactly. -Yes, it is. | 0:21:48 | 0:21:52 | |
Well, meanwhile, actually, the real Aston Martin have come up with this, | 0:21:52 | 0:21:55 | |
which is an 800 horsepower, it's a track day car, | 0:21:55 | 0:21:59 | |
but they've called it the Vulcan. | 0:21:59 | 0:22:01 | |
-The Vulcan? -The Vulcan. | 0:22:01 | 0:22:02 | |
So it only takes off from RAF Waddington | 0:22:02 | 0:22:05 | |
and then it refuels in the Ascension Islands and then carries on... | 0:22:05 | 0:22:08 | |
-Um... -No, let's not go there. | 0:22:08 | 0:22:11 | |
I don't think... Leave that. | 0:22:11 | 0:22:13 | |
Have you seen this? | 0:22:13 | 0:22:15 | |
It's a Fiat 500, it's a limited edition thing they're doing. | 0:22:15 | 0:22:19 | |
But what puzzles me is they've chosen to put an image | 0:22:19 | 0:22:22 | |
of the original 500 on the side of it, that's the original. | 0:22:22 | 0:22:25 | |
That's just idiotic cos that's like saying "Look how fat I've become!" | 0:22:25 | 0:22:28 | |
Well, yeah. It's... | 0:22:28 | 0:22:30 | |
You don't see Eamonn Holmes sunbathing with a diagram | 0:22:30 | 0:22:32 | |
on his belly of what he used to look like as a teenager, do you? | 0:22:32 | 0:22:35 | |
"Look at me! I used to be only this thin and now I'm enormous." | 0:22:35 | 0:22:38 | |
Which is what they've done. I don't know what that's for. | 0:22:38 | 0:22:41 | |
Now, let's move on and it is time now to talk about the Mazda MX5. | 0:22:41 | 0:22:47 | |
When this, the original model, came out 25 years ago, | 0:22:47 | 0:22:52 | |
it immediately saved the small roadster from extinction | 0:22:52 | 0:22:56 | |
and went on to become THE most successful two-seater sports car | 0:22:56 | 0:23:00 | |
of all time. | 0:23:00 | 0:23:02 | |
But now there's a new MX5 and I went to Humberside to drive it. | 0:23:02 | 0:23:07 | |
Before I do that, though, time for a quick refresher with the original. | 0:23:11 | 0:23:17 | |
The reason this car was so brilliant is that it's light, | 0:23:19 | 0:23:23 | |
it's small and it's simple. | 0:23:23 | 0:23:25 | |
Mazda were perfectly open about | 0:23:27 | 0:23:29 | |
cribbing all the best bits from '60s MGs and Lotus Elans | 0:23:29 | 0:23:34 | |
and leaving out all the worst bits. | 0:23:34 | 0:23:37 | |
The recipe wasn't complicated - small engine at the front, | 0:23:37 | 0:23:42 | |
rear wheel drive | 0:23:42 | 0:23:43 | |
and a perfect 50/50 weight distribution. | 0:23:43 | 0:23:47 | |
They were so obsessed with that last point, | 0:23:47 | 0:23:50 | |
they even moved the battery to the boot. | 0:23:50 | 0:23:53 | |
There isn't a lot on this car but everything that is | 0:23:53 | 0:23:56 | |
is done well. The gear change - short snappy throws from gear to gear | 0:23:56 | 0:24:01 | |
and a little click as it goes in. | 0:24:01 | 0:24:03 | |
25 years on | 0:24:04 | 0:24:07 | |
and this is still in the top five all-time great gear changes... | 0:24:07 | 0:24:12 | |
if there is such a thing. | 0:24:12 | 0:24:14 | |
God, these things were good | 0:24:17 | 0:24:20 | |
which means that the brand-new MX5 has got a lot to live up to, | 0:24:20 | 0:24:23 | |
a helluva lot. | 0:24:23 | 0:24:25 | |
Well, here it is. | 0:24:29 | 0:24:31 | |
And on paper, the signs are good. | 0:24:31 | 0:24:35 | |
It's still usefully small. | 0:24:35 | 0:24:37 | |
It's still got an engine at the front and drive to the rear. | 0:24:37 | 0:24:41 | |
And since prices start at around £19,000, | 0:24:41 | 0:24:45 | |
it's still more affordable than most sports cars. | 0:24:45 | 0:24:48 | |
Another encouraging sign is that they've resisted the temptation | 0:24:56 | 0:24:59 | |
to give it a bigger engine. | 0:24:59 | 0:25:01 | |
The biggest you can get is two litres | 0:25:01 | 0:25:04 | |
and the one I'm in is a 1.5. | 0:25:04 | 0:25:07 | |
That means nought to 60 in just under nine seconds, | 0:25:07 | 0:25:10 | |
about the same as the original, | 0:25:10 | 0:25:13 | |
and a top speed of 125, | 0:25:13 | 0:25:16 | |
which is absolutely fine. | 0:25:16 | 0:25:19 | |
In fact, it's good news. | 0:25:19 | 0:25:22 | |
An MX5 shouldn't be a snorting monster of a thing, | 0:25:22 | 0:25:26 | |
it's a car for driving into the countryside | 0:25:26 | 0:25:29 | |
on a nice sunny day to find a nice pub for lunch. | 0:25:29 | 0:25:31 | |
And it's great! | 0:25:33 | 0:25:35 | |
Squeezing every last drop out of this little 1.5 litre engine. | 0:25:35 | 0:25:38 | |
Use all the engine's got and... Come on! | 0:25:42 | 0:25:44 | |
Whip the pony a bit. | 0:25:46 | 0:25:48 | |
Then there's the handling. | 0:25:48 | 0:25:51 | |
The front suspension is still double wishbones, | 0:25:51 | 0:25:54 | |
the weight distribution is still balanced perfectly, | 0:25:54 | 0:25:57 | |
50/50 front to rear. | 0:25:57 | 0:25:58 | |
Immediately, you can just sense everything is in the right place, | 0:26:02 | 0:26:06 | |
the relationship between where it all sits in the car is correct. | 0:26:06 | 0:26:10 | |
This car isn't about wrestling a monster through turns | 0:26:12 | 0:26:16 | |
and being relieved when you survive. | 0:26:16 | 0:26:18 | |
I'm not trying to win a fight, | 0:26:19 | 0:26:21 | |
it's human being and machine working together. | 0:26:21 | 0:26:24 | |
That - the way it changes direction there, turn in... | 0:26:25 | 0:26:28 | |
..it feels so nimble. | 0:26:31 | 0:26:33 | |
The reason the new MX5 is so nimble is because | 0:26:37 | 0:26:42 | |
whilst most cars get fatter with every new generation, | 0:26:42 | 0:26:46 | |
this one is almost 100 kilos lighter than the car it replaces. | 0:26:46 | 0:26:51 | |
100kg, that's... | 0:26:53 | 0:26:55 | |
Well, it's nearly an entire Jeremy Clarkson. | 0:26:55 | 0:26:58 | |
That's a significant weight saving. | 0:26:58 | 0:27:01 | |
Mazda has achieved this feat by employing something called | 0:27:01 | 0:27:04 | |
the gram strategy. | 0:27:04 | 0:27:07 | |
Now this is not to be confused with the business plan from Scarface. | 0:27:08 | 0:27:13 | |
What it means in Mazda-land is shaving off a gram here and there. | 0:27:13 | 0:27:19 | |
For instance, in any car, there's bits of the glass that you can't see | 0:27:19 | 0:27:23 | |
hidden inside the body, hidden inside the doors. | 0:27:23 | 0:27:26 | |
Glass is heavy. | 0:27:26 | 0:27:28 | |
So Mazda have made holes and taken out pieces of that glass. | 0:27:28 | 0:27:32 | |
And if you just shave off a gram here and there, | 0:27:32 | 0:27:35 | |
those grams add up to become kilograms. | 0:27:35 | 0:27:38 | |
But despite the minimalism, | 0:27:38 | 0:27:41 | |
you don't feel like you're sitting in a prison cell. | 0:27:41 | 0:27:44 | |
It's a nice place to be. I've got, well, everything I need. | 0:27:44 | 0:27:47 | |
Touch screen, sat nav, it interfaces with my telephone, | 0:27:47 | 0:27:51 | |
all of that stuff... It's a car. | 0:27:51 | 0:27:54 | |
So far, then, all is well. | 0:27:54 | 0:27:57 | |
But before I get too carried away, | 0:27:57 | 0:27:59 | |
there are a couple of not-so-good things about this new MX5. | 0:27:59 | 0:28:03 | |
The first problem is not really the car's fault at all | 0:28:05 | 0:28:08 | |
but I should mention it. It's the image of the MX5. | 0:28:08 | 0:28:12 | |
Put it this way, if your business is called A Cut Above, | 0:28:12 | 0:28:16 | |
Fringe Benefits or Hair Apparent, | 0:28:16 | 0:28:18 | |
this has long been the choice of car for you. | 0:28:18 | 0:28:21 | |
But if you run a magazine called Belt-Fed Machine Gun Enthusiast, | 0:28:21 | 0:28:25 | |
you'd probably want to look elsewhere. | 0:28:25 | 0:28:27 | |
The second problem is the looks. | 0:28:27 | 0:28:30 | |
I can see what they've done - | 0:28:30 | 0:28:31 | |
they've given a cute little car a frown, | 0:28:31 | 0:28:33 | |
it's the whole angry puppy thing - | 0:28:33 | 0:28:35 | |
but I'm just not quite sure, yet. | 0:28:35 | 0:28:39 | |
But, you know what? | 0:28:42 | 0:28:44 | |
These are tiny ripples in what is otherwise an ocean of brilliance. | 0:28:44 | 0:28:50 | |
Oh, I love this thing - it's brilliant. | 0:28:51 | 0:28:53 | |
It's pure fun. | 0:28:55 | 0:28:57 | |
It's made of fun. | 0:28:57 | 0:28:59 | |
ENGINE ROARS | 0:29:01 | 0:29:02 | |
Listen to that! | 0:29:02 | 0:29:04 | |
I know when I get back to the studio, Jeremy's going to be standing there | 0:29:05 | 0:29:08 | |
pointing at an Alfa Romeo 4C | 0:29:08 | 0:29:10 | |
saying, "This is the lightweight car to have." | 0:29:10 | 0:29:13 | |
But it's 50 grand! | 0:29:13 | 0:29:15 | |
And they make a fuss about it being light. | 0:29:15 | 0:29:17 | |
This is just simple. | 0:29:17 | 0:29:19 | |
I love this. I'm just made up with this. | 0:29:25 | 0:29:29 | |
APPLAUSE AND CHEERING | 0:29:36 | 0:29:38 | |
See? There you are. | 0:29:38 | 0:29:40 | |
I, I knew it. I knew you'd do that. | 0:29:40 | 0:29:43 | |
I said so in the film. | 0:29:43 | 0:29:45 | |
But, look, the fact is you could buy two MX5s - | 0:29:45 | 0:29:48 | |
no, two and a half - for the price of one Alfa. | 0:29:48 | 0:29:51 | |
Yes, but the Alfa Romeo is lighter. | 0:29:51 | 0:29:53 | |
How do you know? | 0:29:53 | 0:29:54 | |
Every time we ask Alfa how much it weighs, | 0:29:54 | 0:29:56 | |
they send us a different number. | 0:29:56 | 0:29:58 | |
They did, cos they're not troubled with specific details like that. | 0:29:58 | 0:30:01 | |
If you build a car that's as much fun as this | 0:30:01 | 0:30:04 | |
with a carbon-fibre tub chassis, | 0:30:04 | 0:30:06 | |
you take it for a drive, you don't weigh it. | 0:30:06 | 0:30:09 | |
When Leonardo da Vinci painted the Mona Lisa, | 0:30:09 | 0:30:12 | |
he didn't say, "I wonder how much that weighs..." | 0:30:12 | 0:30:14 | |
The whole point of the Alfa, we're told, is its lack of weight, | 0:30:14 | 0:30:18 | |
that's why they tell us it feels a bit flimsy and a bit brittle | 0:30:18 | 0:30:21 | |
and it hasn't got power steering because it's so light. | 0:30:21 | 0:30:24 | |
But then they won't tell us how light it actually is. | 0:30:24 | 0:30:26 | |
Because they're too busy having fun. | 0:30:26 | 0:30:28 | |
Mazda made that and then went, "I wonder how many horsepower | 0:30:28 | 0:30:30 | |
"it produces? Let's put it on a rolling road and weigh it." | 0:30:30 | 0:30:33 | |
Why don't they just make the figures up? | 0:30:33 | 0:30:35 | |
That's what the Italians always do. | 0:30:35 | 0:30:36 | |
-LAUGHTER -They do! | 0:30:36 | 0:30:38 | |
Right, once Alfa finally give us the convertible version of this, | 0:30:38 | 0:30:41 | |
let's get it together with the Mazda and we'll sort out which is best. | 0:30:41 | 0:30:44 | |
Good idea, but now we must put a Star in our Reasonably Priced Car. | 0:30:44 | 0:30:49 | |
Now, my guest tonight came to fame as a boy, | 0:30:49 | 0:30:52 | |
and then he was a sort of blue monster, and then he was a zombie - | 0:30:52 | 0:30:56 | |
all of which means I don't know what he looks like in real life. | 0:30:56 | 0:31:00 | |
So, ladies and gentlemen, somewhere over there is Nicholas Hoult! | 0:31:00 | 0:31:05 | |
APPLAUSE AND CHEERING | 0:31:05 | 0:31:06 | |
You! It's you. | 0:31:06 | 0:31:08 | |
It is you. | 0:31:09 | 0:31:11 | |
How are you and your...? | 0:31:11 | 0:31:12 | |
Very well, very well. | 0:31:12 | 0:31:14 | |
-That's actually you? -This is it. | 0:31:15 | 0:31:17 | |
Your ears, your nose... Excellent, have a seat. | 0:31:18 | 0:31:20 | |
Yes, yes, yes. Thank you. | 0:31:20 | 0:31:21 | |
No, cos you very rarely see you as you. | 0:31:21 | 0:31:25 | |
Yeah, I have a habit of wearing a lot of make-up. | 0:31:25 | 0:31:28 | |
-LAUGHTER -In films, not in real life. Generally. | 0:31:28 | 0:31:31 | |
To remind you, this was you in About A Boy, obviously, when you were... | 0:31:31 | 0:31:35 | |
-AUDIENCE: Aww! -Yeah. | 0:31:35 | 0:31:36 | |
-Sweet is the word I'm looking for. -Thank you. | 0:31:36 | 0:31:39 | |
-And then you were blue. -Oh, yeah, yeah. | 0:31:39 | 0:31:41 | |
Again, hard to recognise you now from... | 0:31:41 | 0:31:44 | |
Is this a good thing? Does the anonymity...? | 0:31:44 | 0:31:47 | |
Well, I did sneak around. | 0:31:47 | 0:31:49 | |
I did get off on the streets in that costume a little bit. | 0:31:49 | 0:31:52 | |
Um, I ran across a golf course at one point. | 0:31:52 | 0:31:55 | |
I went hooning it. Three people were playing, | 0:31:55 | 0:31:57 | |
and I went running across this golf course, | 0:31:57 | 0:31:59 | |
and they turned and saw that coming | 0:31:59 | 0:32:00 | |
and they were like, "Oh, Lord, it's happening." | 0:32:00 | 0:32:03 | |
LAUGHTER | 0:32:03 | 0:32:04 | |
And I pulled up and said, "Remember to swing through the ball, | 0:32:04 | 0:32:07 | |
"keep your eye on the back of it at all times," | 0:32:07 | 0:32:09 | |
then I turned around and ran off again. | 0:32:09 | 0:32:11 | |
And you could see them just so confused. | 0:32:11 | 0:32:12 | |
Was that while you were actually filming or is that something | 0:32:12 | 0:32:15 | |
you keep at home for fun? | 0:32:15 | 0:32:16 | |
-Well, I've got the feet from that at home. -Have you? | 0:32:16 | 0:32:19 | |
Yeah. Well, actually, no, I haven't, | 0:32:19 | 0:32:20 | |
my mum kept them, cos she likes to wear them as slippers. | 0:32:20 | 0:32:23 | |
LAUGHTER | 0:32:23 | 0:32:24 | |
Now, you've been, even from when you were a boy-boy, | 0:32:24 | 0:32:27 | |
you've been a petrolhead since you were that age? | 0:32:27 | 0:32:30 | |
I have, yeah. I grew up watching this show. | 0:32:30 | 0:32:32 | |
-So, you were watching this as a... When you were in About A Boy? -Yeah. | 0:32:32 | 0:32:35 | |
God, that makes me feel about a thousand. | 0:32:35 | 0:32:38 | |
Cos it's weird, I haven't changed... | 0:32:38 | 0:32:39 | |
I mean, you've changed a lot, but I'm exactly the same now | 0:32:39 | 0:32:43 | |
as I was when we first started. | 0:32:43 | 0:32:44 | |
So you must have been thrilled, then, | 0:32:44 | 0:32:46 | |
if you were a car enthusiast from a young age, | 0:32:46 | 0:32:49 | |
to have been offered a part in the new Mad Max movie, I presume, | 0:32:49 | 0:32:52 | |
which is - as we know from the early ones - | 0:32:52 | 0:32:54 | |
-a lot of cars. -Yeah, yeah, yeah. | 0:32:54 | 0:32:56 | |
That was supposed be an Australian accent - rubbish. | 0:32:56 | 0:32:59 | |
Yeah, cos I loved the original films. | 0:32:59 | 0:33:01 | |
And then, it's the weirdest thing, you'd be there on set, | 0:33:01 | 0:33:04 | |
and they'd have these armadas of all these vehicles | 0:33:04 | 0:33:06 | |
that they'd specially made for the shoot, | 0:33:06 | 0:33:08 | |
all these V8s, V12s, all roaring. | 0:33:08 | 0:33:10 | |
And you'd be sitting there in your car, and flames of all these other | 0:33:10 | 0:33:13 | |
cars would go flying past you, guys on bikes, and you just get chills. | 0:33:13 | 0:33:16 | |
But the only problem with it is you can't hear anything | 0:33:16 | 0:33:19 | |
cos the engines are all so loud. | 0:33:19 | 0:33:21 | |
You'd sit there, and then you'd see the camera | 0:33:21 | 0:33:23 | |
kind of come into your periphery, | 0:33:23 | 0:33:25 | |
and then you'd hear a bang on the roof, | 0:33:25 | 0:33:27 | |
and that was maybe someone saying their line. | 0:33:27 | 0:33:29 | |
So you're just kind of guessing when to act, essentially. | 0:33:29 | 0:33:31 | |
Just hoping for the best, | 0:33:31 | 0:33:32 | |
not knowing exactly where you were in the film. | 0:33:32 | 0:33:35 | |
We've actually got a clip. | 0:33:35 | 0:33:36 | |
Let's have a look at the new Mad Max movie. | 0:33:36 | 0:33:38 | |
My name is Max. | 0:33:38 | 0:33:39 | |
Oh, what a day! What a lovely day! | 0:33:54 | 0:33:56 | |
APPLAUSE AND CHEERING | 0:34:20 | 0:34:22 | |
That does look like my kind of film, I think all our kinds of films. | 0:34:26 | 0:34:29 | |
We would... Yeah, I'll be queuing up for that one. | 0:34:29 | 0:34:32 | |
But the car has survived, the Mad Max...? It's a Ford Falcon. | 0:34:32 | 0:34:35 | |
That's still there. It gets adapted a little bit in this one. | 0:34:35 | 0:34:37 | |
This was amazing, like, the attention to detail in all of these. | 0:34:37 | 0:34:40 | |
My car, they had four versions of it, because they had to flip | 0:34:40 | 0:34:43 | |
and roll and do all sorts of stuff, but each one had, like, | 0:34:43 | 0:34:46 | |
my character's name, Nux, engraved into the brake pad | 0:34:46 | 0:34:48 | |
and all these sorts of things. | 0:34:48 | 0:34:50 | |
When you got in there everything worked | 0:34:50 | 0:34:51 | |
and had a reason to be there, they'd had really thought about everything. | 0:34:51 | 0:34:55 | |
So there's no CGI in this, then? It really is roll a car over? | 0:34:55 | 0:34:58 | |
Yeah, they were really going for it, yeah. | 0:34:58 | 0:34:59 | |
Well, I mean, that just sounds like my idea of heaven. | 0:34:59 | 0:35:02 | |
It was... Yeah, you think it's your idea of heaven | 0:35:02 | 0:35:04 | |
until they're crashing trucks into the back of you. | 0:35:04 | 0:35:06 | |
And you do the first take and you're like, | 0:35:06 | 0:35:08 | |
"Yeah, I'm fine, don't worry about it, do it faster, go for it." | 0:35:08 | 0:35:11 | |
And then the next time you turn around mid-scene, | 0:35:11 | 0:35:13 | |
you look over your shoulder and there's this truck flying at you, | 0:35:13 | 0:35:16 | |
and you're like - "Boof!" - getting thrown around inside, trying to act. | 0:35:16 | 0:35:19 | |
You are quite accident prone on films, are you not? | 0:35:19 | 0:35:21 | |
Cos when you were on X-Men... Cos you've got Fassbender on...? | 0:35:21 | 0:35:24 | |
Yeah, Fassbender. | 0:35:24 | 0:35:25 | |
Cos he told some amazing stories of what you got... | 0:35:25 | 0:35:27 | |
Racing golf buggies when he was... | 0:35:27 | 0:35:29 | |
Oh, yeah, him and James crashed a golf buggy and caused | 0:35:29 | 0:35:31 | |
quite a lot of damage to themselves and one of the cars on set. | 0:35:31 | 0:35:34 | |
Yeah, he did mention that. | 0:35:34 | 0:35:35 | |
You didn't get involved in the golf buggy racing? | 0:35:35 | 0:35:38 | |
Well, they took them away after that. | 0:35:38 | 0:35:40 | |
We'd do a little bit of golf buggy racing. | 0:35:40 | 0:35:42 | |
So then, our next one, on the last film | 0:35:42 | 0:35:44 | |
me and James went and bought BB guns and we'd shoot each other. | 0:35:44 | 0:35:47 | |
So you'd be riding to set in the morning, | 0:35:47 | 0:35:49 | |
you'd put your goggles on, load your clip, | 0:35:49 | 0:35:51 | |
you'd get out of the car and then, before you knew it, | 0:35:51 | 0:35:53 | |
there were three people, like, chasing you to your trailer. | 0:35:53 | 0:35:55 | |
-Shooting you? -Yeah, but then we had to stop that | 0:35:55 | 0:35:58 | |
cos people got shot in the face. | 0:35:58 | 0:35:59 | |
-LAUGHTER -And you'd bleed. | 0:35:59 | 0:36:01 | |
I was going to say it would leave an ugly mark. | 0:36:01 | 0:36:03 | |
Yeah, it would welt or bleed, so we got told we weren't allowed | 0:36:03 | 0:36:06 | |
-to do that any more, either, so... -Aw! | 0:36:06 | 0:36:08 | |
Don't know what we're going to do on the next one. | 0:36:08 | 0:36:10 | |
Is that why you've now taken up knitting? | 0:36:10 | 0:36:13 | |
Yeah! | 0:36:13 | 0:36:14 | |
Oh, the knitting, yeah. | 0:36:14 | 0:36:15 | |
On Mad Max, there was a lot of hanging around, | 0:36:15 | 0:36:18 | |
so one of make-up artists was knitting one day | 0:36:18 | 0:36:20 | |
and I was like, "That seems like a good way to kill time." | 0:36:20 | 0:36:23 | |
So, I'd sit there, sit there knitting, | 0:36:23 | 0:36:24 | |
and then getting really frustrated with myself when I'd mess up, | 0:36:24 | 0:36:27 | |
like, storming around the set being like, | 0:36:27 | 0:36:29 | |
"Argh! Can someone fix my... | 0:36:29 | 0:36:31 | |
"knitting?" | 0:36:31 | 0:36:32 | |
-LAUGHTER -"Please." | 0:36:32 | 0:36:34 | |
And then they'd fix it up, I'd go, "Thank you," | 0:36:34 | 0:36:36 | |
and I'd go back off to my corner and sit there. | 0:36:36 | 0:36:38 | |
I started, like, taking orders from other people. | 0:36:38 | 0:36:41 | |
LAUGHTER | 0:36:41 | 0:36:42 | |
-And then... -Beast can knit. | 0:36:42 | 0:36:44 | |
Two of the girls on Mad Max asked for hats, | 0:36:44 | 0:36:46 | |
and I was like, "OK." | 0:36:46 | 0:36:47 | |
I had one day off and I was like, "I've got to make these hats." | 0:36:47 | 0:36:50 | |
So I knitted straight for ten hours that day | 0:36:50 | 0:36:52 | |
without really stopping. | 0:36:52 | 0:36:53 | |
And then I quit, I haven't knitted since, cos I was like, | 0:36:53 | 0:36:55 | |
this is too much, it's not fun any more. | 0:36:55 | 0:36:57 | |
Have you heard of Call Of Duty? That's brilliant for killing time. | 0:36:57 | 0:37:00 | |
I kill weeks with Call Of Duty. Knitting? Well, there we are. | 0:37:00 | 0:37:03 | |
Now, it's time to get on to your cars, | 0:37:03 | 0:37:04 | |
cos we've established you like a car, and you've driven many. | 0:37:04 | 0:37:07 | |
You've driven a Murcielago, haven't you? | 0:37:07 | 0:37:09 | |
Yeah, I got to drive one in Singapore. | 0:37:09 | 0:37:11 | |
I was shooting a film in Singapore last year. | 0:37:11 | 0:37:13 | |
That's a beast, it was proper Lambo beast days. | 0:37:13 | 0:37:15 | |
Yeah, it shifted. | 0:37:15 | 0:37:16 | |
But your first car wasn't any of those things. | 0:37:16 | 0:37:19 | |
It was similar. | 0:37:19 | 0:37:20 | |
It was a Fiat Grande Punto. | 0:37:20 | 0:37:21 | |
-Punto? -In red, yeah. | 0:37:21 | 0:37:23 | |
It's a mean car. | 0:37:23 | 0:37:24 | |
1.4 litres of mayhem. It was good, I enjoyed it. | 0:37:24 | 0:37:26 | |
-1.4? -Yeah. | 0:37:26 | 0:37:27 | |
Whoa, that's a beast. | 0:37:27 | 0:37:29 | |
And then, presumably, in a Fiat Punto, | 0:37:29 | 0:37:32 | |
police interruptions in your driving...? | 0:37:32 | 0:37:35 | |
Yeah, yeah, one. | 0:37:35 | 0:37:36 | |
I've never got a speeding ticket on anything, | 0:37:36 | 0:37:38 | |
not on my bike, nothing, apart from in the Punto. | 0:37:38 | 0:37:41 | |
LAUGHTER | 0:37:41 | 0:37:43 | |
And the max speed on that thing is 103, | 0:37:43 | 0:37:45 | |
and I think I was doing under that. I'm pretty sure. | 0:37:45 | 0:37:48 | |
And I suddenly saw the blue lights and I was like, "Oh, no." | 0:37:48 | 0:37:51 | |
Pulled over, and he was like, | 0:37:51 | 0:37:52 | |
"I've been chasing you for a while now, | 0:37:52 | 0:37:54 | |
"and I had to do 120, maybe 130 to catch up with you, | 0:37:54 | 0:37:57 | |
"so you were definitely doing faster than that." | 0:37:57 | 0:37:59 | |
And I was like, "Well... | 0:37:59 | 0:38:00 | |
"the logic is off." | 0:38:00 | 0:38:02 | |
He said he was doing 120 to catch you up | 0:38:02 | 0:38:03 | |
so you must have been doing more than that? | 0:38:03 | 0:38:05 | |
Yeah, and I was like, "This doesn't make any sense. | 0:38:05 | 0:38:08 | |
"Of course you were going faster than me, you were chasing me." | 0:38:08 | 0:38:10 | |
Did you say you had a bike? | 0:38:10 | 0:38:12 | |
Yeah. Yeah, a Ducati 899. | 0:38:12 | 0:38:14 | |
Not interested in bikes. Anyone interested in bikes? | 0:38:15 | 0:38:18 | |
AUDIENCE: Yeah. | 0:38:18 | 0:38:19 | |
Oh, God! Um... | 0:38:19 | 0:38:20 | |
LAUGHTER | 0:38:20 | 0:38:22 | |
Erm...do you ride it? | 0:38:22 | 0:38:23 | |
Yeah, I ride it around, it's lovely. | 0:38:23 | 0:38:25 | |
Um... | 0:38:26 | 0:38:28 | |
Is it...? What colour is it? | 0:38:28 | 0:38:29 | |
It's white. | 0:38:29 | 0:38:31 | |
Yeah. | 0:38:31 | 0:38:33 | |
LAUGHTER | 0:38:33 | 0:38:34 | |
Can we stop talking about bikes now? I want to talk about his laps. | 0:38:34 | 0:38:37 | |
-Oh, no! -No, no. You know last week we had Gillian Anderson here? | 0:38:37 | 0:38:41 | |
And she did set a new record of 22 practice | 0:38:41 | 0:38:44 | |
or attempts at the fastest time. Do you know how many you did? | 0:38:44 | 0:38:47 | |
Uh, no, I wasn't... | 0:38:47 | 0:38:49 | |
-24! -Did I?! | 0:38:49 | 0:38:50 | |
LAUGHTER | 0:38:50 | 0:38:52 | |
No, but, you know, I had lots going on, so... | 0:38:52 | 0:38:55 | |
But it is... It's an awful thing to say, I know, | 0:38:55 | 0:38:59 | |
but it was a beautiful day today. | 0:38:59 | 0:39:01 | |
Well, yeah, it looked beautiful - | 0:39:01 | 0:39:02 | |
strong headwinds throughout the whole lap, so... | 0:39:02 | 0:39:05 | |
Not a breath of wind, just a crisp, cool, sunny, | 0:39:05 | 0:39:08 | |
beautiful, perfect day for a car to go... | 0:39:08 | 0:39:10 | |
Yeah, that's what everyone kept on saying. | 0:39:10 | 0:39:13 | |
And I was sitting there in the car and I was sweating, | 0:39:13 | 0:39:15 | |
and everyone's first thing out their mouths was, "Perfect day for it." | 0:39:15 | 0:39:19 | |
-Yeah. -And you're like, "Oh..." | 0:39:19 | 0:39:21 | |
Anyway, who would like to see Nicholas's lap? | 0:39:21 | 0:39:23 | |
AUDIENCE: Yes. | 0:39:23 | 0:39:24 | |
-Let us have a look. -HE GROANS | 0:39:24 | 0:39:26 | |
TYRES SQUEAL | 0:39:28 | 0:39:30 | |
-Loves it! -Vigorous. -Loves it! | 0:39:30 | 0:39:31 | |
Race mode engaged. | 0:39:32 | 0:39:35 | |
Idiot driving - perfect. | 0:39:35 | 0:39:37 | |
Well, we shall see. | 0:39:37 | 0:39:39 | |
Coming up to the first... | 0:39:39 | 0:39:40 | |
Oh, crikey! | 0:39:40 | 0:39:41 | |
Oh, God almighty, that is quick. | 0:39:42 | 0:39:44 | |
It looks quick but I don't know if it actually is. | 0:39:44 | 0:39:46 | |
-That does look quick through there. -It felt like I was going as fast as I could. | 0:39:46 | 0:39:49 | |
Up to third, hang it out, turn it in. | 0:39:49 | 0:39:52 | |
And, I have to say, sometimes we say | 0:39:55 | 0:39:57 | |
if you go slowly it looks quick but... | 0:39:57 | 0:39:59 | |
I saw Ricciardo bouncing up and down. | 0:39:59 | 0:40:02 | |
I don't know if that helps the speed. | 0:40:02 | 0:40:04 | |
No, cos normally when a car is apparently going slowly | 0:40:06 | 0:40:09 | |
it's sometimes quick, but this looks faster than normal. | 0:40:09 | 0:40:12 | |
And that's very nicely done. | 0:40:12 | 0:40:14 | |
That was a gear change. | 0:40:17 | 0:40:18 | |
Strong winds. | 0:40:18 | 0:40:20 | |
Not visible on screen. | 0:40:20 | 0:40:22 | |
Flat through there, obviously. | 0:40:24 | 0:40:26 | |
Oh, that is right to the edge! | 0:40:27 | 0:40:29 | |
And that's cutting it fine nicely. | 0:40:30 | 0:40:33 | |
And now just two corners left. | 0:40:33 | 0:40:35 | |
Coming in on a shallow angle, | 0:40:36 | 0:40:38 | |
but no real problems with the second to last, Gambon. | 0:40:38 | 0:40:43 | |
A lot of understeer there, but across the line! | 0:40:43 | 0:40:45 | |
APPLAUSE AND CHEERING | 0:40:45 | 0:40:47 | |
Ah-ha! | 0:40:47 | 0:40:49 | |
What do you think, then? | 0:40:52 | 0:40:53 | |
Where do you think you've come on the board? | 0:40:56 | 0:40:59 | |
Huh. | 0:41:00 | 0:41:01 | |
I'd, I'd, I mean... | 0:41:01 | 0:41:03 | |
Obviously, for X-Men bragging rights, I'd like to be somewhere | 0:41:03 | 0:41:07 | |
around Hugh Jackman, but that's really high up. | 0:41:07 | 0:41:09 | |
Where's Hugh? | 0:41:09 | 0:41:10 | |
He's 1:46.1. | 0:41:10 | 0:41:13 | |
I'd like to be in the late 1:40s somewhere. | 0:41:13 | 0:41:16 | |
Late 1:40s. Well, let's have a look. | 0:41:16 | 0:41:18 | |
I don't know. | 0:41:18 | 0:41:20 | |
Nicholas Hoult, you did it in 1... | 0:41:20 | 0:41:22 | |
Oh. | 0:41:22 | 0:41:23 | |
..40... | 0:41:24 | 0:41:25 | |
OK, that's all right. | 0:41:25 | 0:41:27 | |
..4... | 0:41:31 | 0:41:32 | |
-Ooh! -Oh, that's good. | 0:41:32 | 0:41:34 | |
Told you it looked quick. | 0:41:34 | 0:41:35 | |
Ah! | 0:41:41 | 0:41:42 | |
..7. | 0:41:42 | 0:41:43 | |
-AUDIENCE GROANS -Oh! | 0:41:43 | 0:41:45 | |
Tenth off, a tenth off. | 0:41:46 | 0:41:48 | |
APPLAUSE AND CHEERING | 0:41:48 | 0:41:50 | |
But there... | 0:41:50 | 0:41:51 | |
Come on. Come on. | 0:41:53 | 0:41:56 | |
That is a tenth... | 0:41:57 | 0:41:59 | |
Olly Murs is like... | 0:41:59 | 0:42:00 | |
But that is a very... | 0:42:01 | 0:42:03 | |
I mean, it looked quick. | 0:42:03 | 0:42:05 | |
It looked quick. | 0:42:06 | 0:42:07 | |
It's really difficult to get a lap where everything goes right. | 0:42:07 | 0:42:10 | |
No, that is... That's a time to be proud of, 1:44.7. | 0:42:10 | 0:42:13 | |
-Thank you so much for coming. -Thank you. | 0:42:13 | 0:42:15 | |
Absolute pleasure to have you here. | 0:42:15 | 0:42:16 | |
Ladies and gentlemen, Nicholas Hoult! | 0:42:16 | 0:42:19 | |
APPLAUSE AND CHEERING | 0:42:19 | 0:42:21 | |
Now, a few series ago, the three of us | 0:42:27 | 0:42:30 | |
tried our hand at amateur Rallycross, | 0:42:30 | 0:42:32 | |
and we decided that, pound for pound, | 0:42:32 | 0:42:35 | |
it is the most exciting sport in the world. | 0:42:35 | 0:42:37 | |
And, because we enjoyed the amateur event so much, | 0:42:37 | 0:42:41 | |
the logical next step was for one of us | 0:42:41 | 0:42:43 | |
to take it to a professional level. | 0:42:43 | 0:42:47 | |
Clearly, there was only one steely-eyed helmsman | 0:42:47 | 0:42:50 | |
to take on this challenging job. | 0:42:50 | 0:42:52 | |
Him. LAUGHTER | 0:42:53 | 0:42:55 | |
When we did our amateur Rallycrossing, | 0:43:01 | 0:43:04 | |
we raced here, at Lidden Hill in Kent, | 0:43:04 | 0:43:07 | |
and our cars were plucked from the pages of the classifieds | 0:43:07 | 0:43:11 | |
for just a few quid. | 0:43:11 | 0:43:12 | |
Well, the venue is the same. | 0:43:15 | 0:43:16 | |
This is where the event will be taking place tomorrow. | 0:43:16 | 0:43:19 | |
The car, though... | 0:43:19 | 0:43:21 | |
That's a bit of a step up. | 0:43:22 | 0:43:23 | |
It starts out as a VW Polo, | 0:43:25 | 0:43:27 | |
but then becomes this - | 0:43:27 | 0:43:30 | |
a 2-litre turbo-charged Tornado | 0:43:30 | 0:43:32 | |
with 600 horsepower and more torque than a Ferrari 458. | 0:43:32 | 0:43:37 | |
And, to keep the drivers on their toes, | 0:43:41 | 0:43:44 | |
helping hands such as traction control, ABS | 0:43:44 | 0:43:47 | |
and electronic differentials are banned. | 0:43:47 | 0:43:50 | |
Now, I know what you're thinking - | 0:43:52 | 0:43:53 | |
you're thinking, "That's not a racing car, | 0:43:53 | 0:43:55 | |
"it's merely a vehicle providing Top Gear viewers with hilarious | 0:43:55 | 0:43:58 | |
"Captain Slow cockups." But no, | 0:43:58 | 0:44:00 | |
I might actually be OK at this. | 0:44:00 | 0:44:02 | |
For starters, the circuits are small and easy to learn. | 0:44:05 | 0:44:09 | |
The cars do have four-wheel drive. | 0:44:09 | 0:44:12 | |
And then there's the calibre of the drivers. | 0:44:12 | 0:44:14 | |
One of them is the son of the bloke who owns this track, | 0:44:14 | 0:44:17 | |
and another is just a presenter on American Top Gear. | 0:44:17 | 0:44:21 | |
And it's the Top Gear chap - Tanner Foust - | 0:44:21 | 0:44:24 | |
who has kindly offered to train me for this event. | 0:44:24 | 0:44:27 | |
Is it really 600 horsepower, or is that bar talk? | 0:44:28 | 0:44:31 | |
It's a full-on six. | 0:44:31 | 0:44:33 | |
It's 300 horsepower per litre, | 0:44:33 | 0:44:35 | |
0-100 km in 1.9 seconds. | 0:44:35 | 0:44:38 | |
It's quicker than a Formula One car off the line. | 0:44:38 | 0:44:41 | |
-Wow. -Then the other things about it, you know, | 0:44:41 | 0:44:43 | |
you've got all-wheel drive, it's amazingly stable, | 0:44:43 | 0:44:47 | |
you'll see a jump and it just completely absorbs them, | 0:44:47 | 0:44:50 | |
it's like marshmallow. | 0:44:50 | 0:44:52 | |
It's mostly carbon fibre, Kevlar underneath. | 0:44:52 | 0:44:54 | |
There's a lot of contact. | 0:44:54 | 0:44:55 | |
I think it's the only sport in the FIA | 0:44:55 | 0:44:57 | |
where there's not a rule saying you can't hit other cars. | 0:44:57 | 0:45:00 | |
-So you can hit other cars? -It happens, yeah. | 0:45:00 | 0:45:02 | |
'Tanner then pointed out the most important thing on the dashboard.' | 0:45:02 | 0:45:07 | |
This switch here, this is the monster switch right here. | 0:45:07 | 0:45:11 | |
This is the one that is the ALS, for the anti-lag system. | 0:45:11 | 0:45:14 | |
-This is for the turbo chargers? -Yeah. -Yes. | 0:45:14 | 0:45:17 | |
Once you flip that switch, all hell breaks loose. | 0:45:17 | 0:45:20 | |
Now every time you lift off the throttle, it's shooting flame | 0:45:20 | 0:45:23 | |
through the turbo, keeping it spinning over 200,000 rpm. | 0:45:23 | 0:45:26 | |
Mm. | 0:45:26 | 0:45:28 | |
And it's a very violent thing, | 0:45:28 | 0:45:30 | |
and that's really what makes this car work. | 0:45:30 | 0:45:33 | |
-OK. -Once you cross the finish line, | 0:45:33 | 0:45:35 | |
you flip that off and then it's a normal car again. | 0:45:35 | 0:45:38 | |
So that, remember that... | 0:45:38 | 0:45:39 | |
It's really weird talking to someone who is a Top Gear presenter | 0:45:39 | 0:45:42 | |
but who is really helpful. | 0:45:42 | 0:45:44 | |
-Usually it's sarcasm and stupidity... -We're team-mates. | 0:45:44 | 0:45:47 | |
..but you're being informative, helpful, encouraging - | 0:45:47 | 0:45:50 | |
it's quite nice. | 0:45:50 | 0:45:52 | |
'Tanner then offered to take me for a demonstration run.' | 0:45:53 | 0:45:56 | |
I did mean to tell you, actually, I fell off a horse quite recently. | 0:45:58 | 0:46:01 | |
-OK. -And the bones are still a bit sore, | 0:46:01 | 0:46:04 | |
so try not to, you know, snap me in half or anything like that. | 0:46:04 | 0:46:06 | |
OK. | 0:46:06 | 0:46:08 | |
ENGINE STARTS | 0:46:09 | 0:46:11 | |
Hold the brakes, then lets it all off... | 0:46:13 | 0:46:15 | |
-Holy -BLEEP! | 0:46:18 | 0:46:19 | |
Ow, ow, ow, ow! | 0:46:22 | 0:46:23 | |
Aaaaaaaargh! | 0:46:27 | 0:46:29 | |
Ow, ow, ow! | 0:46:42 | 0:46:43 | |
'45 seconds later, my spin in the Rallycross tumble dryer | 0:46:47 | 0:46:50 | |
'came to a merciful end. | 0:46:50 | 0:46:52 | |
'And then it was my turn to drive.' | 0:46:55 | 0:46:57 | |
Full throttle, and release the clutch a little... | 0:46:59 | 0:47:02 | |
Faster, faster, faster, faster. | 0:47:06 | 0:47:08 | |
'For the next few hours...' | 0:47:08 | 0:47:09 | |
Brake and full throttle. | 0:47:09 | 0:47:10 | |
'..my new friend from American Top Gear | 0:47:10 | 0:47:12 | |
'gave me some excellent tuition.' | 0:47:12 | 0:47:14 | |
Second gear, second gear, brake. | 0:47:17 | 0:47:20 | |
No, wrong way. | 0:47:20 | 0:47:22 | |
Brake, brake, brake, brake, brake. | 0:47:22 | 0:47:23 | |
That way, that way. Brake, brake, brake, brake, brake. | 0:47:23 | 0:47:26 | |
Sorry about that, by the way. | 0:47:28 | 0:47:30 | |
Hey, no harm, no foul. | 0:47:30 | 0:47:31 | |
'He then took the time to explain | 0:47:32 | 0:47:34 | |
'the considerable complexities of the racing.' | 0:47:34 | 0:47:38 | |
So, there's 12 cars, and then there's 5 heats. | 0:47:38 | 0:47:41 | |
-Right. -But there's four laps in each heat. | 0:47:41 | 0:47:43 | |
You won't just drive once, you go twice. | 0:47:43 | 0:47:45 | |
Like, maybe two or three times. | 0:47:45 | 0:47:47 | |
So, it's 50 points for the guy in first, 45 and then 40. | 0:47:47 | 0:47:52 | |
Then there's two semifinals... | 0:47:52 | 0:47:55 | |
'Tanner said that, no matter how I did in the heat, | 0:47:55 | 0:47:58 | |
'I'd be in one of the semifinals. | 0:47:58 | 0:48:00 | |
'Then he explained the joker lap.' | 0:48:00 | 0:48:03 | |
But in every one of these you do the joker lap once, | 0:48:03 | 0:48:06 | |
which is the long outside, | 0:48:06 | 0:48:09 | |
outside of turn one, | 0:48:09 | 0:48:10 | |
with a bit of a jump on the way in there. | 0:48:10 | 0:48:12 | |
-OK, so I have to take the joker lap once per race? -Exactly. | 0:48:12 | 0:48:16 | |
Here's the thing with the jokers - at least three seconds slower. | 0:48:16 | 0:48:19 | |
Ideally, you would take the joker lap sometime | 0:48:19 | 0:48:21 | |
if you're behind somebody and you need to get free track. | 0:48:21 | 0:48:24 | |
And what if you forget? | 0:48:24 | 0:48:26 | |
That's why the spotter is critical. | 0:48:26 | 0:48:28 | |
What's a spotter? | 0:48:28 | 0:48:29 | |
So, on top of this building there'll be one spotter per car | 0:48:29 | 0:48:33 | |
that'll be on the radio, in your headset, | 0:48:33 | 0:48:36 | |
and they'll be able to talk to you while you're driving, | 0:48:36 | 0:48:38 | |
when to take the joker, who's behind you, | 0:48:38 | 0:48:40 | |
what position you're in, | 0:48:40 | 0:48:41 | |
give you information that you need while you're on the track. | 0:48:41 | 0:48:44 | |
It's quite a responsible job, the spotter, then. | 0:48:44 | 0:48:46 | |
-Yeah, they have to pay attention. -Yeah. | 0:48:46 | 0:48:48 | |
I think I've... Can you just go through that again, | 0:48:48 | 0:48:51 | |
to make sure I've got it? | 0:48:51 | 0:48:52 | |
12 cars total, we're all here to race 5 times, 4 laps each, | 0:48:52 | 0:48:55 | |
30-second penalty if you take the joker more than once... | 0:48:55 | 0:48:57 | |
The next morning, as all the other teams prepared for race day, | 0:49:01 | 0:49:05 | |
I was in Tanner's garage getting to know a bit more about my car. | 0:49:05 | 0:49:10 | |
Look at the size of this. | 0:49:11 | 0:49:13 | |
That's not a standard air filter, obviously. | 0:49:13 | 0:49:15 | |
-None of that is standard, this isn't standard... -May? | 0:49:15 | 0:49:18 | |
-Morning. -Morning. | 0:49:20 | 0:49:22 | |
What are you doing here? | 0:49:22 | 0:49:23 | |
Well, we're told you need spotters, apparently - we are your spotter. | 0:49:23 | 0:49:26 | |
No, no, no, no. No. | 0:49:26 | 0:49:28 | |
Spotting is a genuinely important job. | 0:49:28 | 0:49:31 | |
You have to say who's in front of you, who's behind you... | 0:49:31 | 0:49:33 | |
-Well, nobody's behind you, obviously. -Funny(!) | 0:49:33 | 0:49:35 | |
When to do the joker lap - do you know about the joker? | 0:49:35 | 0:49:37 | |
-Is there a jump? -There's a jump. -And we tell you when to do that? | 0:49:37 | 0:49:40 | |
-Yeah, so when do I do it? -Now! -I don't know. | 0:49:40 | 0:49:42 | |
-Which lap do I do the joker lap on? -I don't know. -Well, exactly. | 0:49:42 | 0:49:44 | |
-How many laps are there? -Four. | 0:49:44 | 0:49:46 | |
I mean, can I just...? | 0:49:46 | 0:49:47 | |
I got out of bed this morning at 5:15 to be here. | 0:49:47 | 0:49:50 | |
He stayed in a Ramada Inn last night with Lenny Henry. | 0:49:50 | 0:49:52 | |
And this is how ungrateful he is. | 0:49:52 | 0:49:55 | |
Seriously, I've done a minimal amount of practice yesterday, | 0:49:55 | 0:49:58 | |
and I don't want two Muppets helping me. | 0:49:58 | 0:49:59 | |
I'm sorry to be rude, but no. | 0:49:59 | 0:50:01 | |
James, James! Your door's not shut properly. | 0:50:01 | 0:50:03 | |
-Good spot, good spot, Hammond. -Yeah. | 0:50:03 | 0:50:05 | |
Since I seemed to be stuck with Pinky and Perky, | 0:50:05 | 0:50:09 | |
we went to watch some of the other drivers in the first race. | 0:50:09 | 0:50:12 | |
They don't half start off close together, don't they? | 0:50:14 | 0:50:16 | |
-You could crash by there! -Yeah. -This'll be you. | 0:50:16 | 0:50:19 | |
'Yesterday with Tanner, I thought maybe a podium was a possibility. | 0:50:41 | 0:50:45 | |
'But, now I was watching the real racing... | 0:50:45 | 0:50:47 | |
'..I decided to aim a bit lower.' | 0:50:49 | 0:50:51 | |
I think maybe a better personal ambition would be | 0:50:52 | 0:50:55 | |
not to be lapped. | 0:50:55 | 0:50:57 | |
-Does that happen a lot in this? -I don't think it's ever happened. | 0:50:57 | 0:50:59 | |
You can't be lapped in Rallycross, it's only four laps. | 0:50:59 | 0:51:02 | |
So, in four laps, if they're doing a 50-second lap, | 0:51:05 | 0:51:08 | |
if you're more than 12 seconds a lap slower than them, | 0:51:08 | 0:51:13 | |
you're in the Guinness Book of Records as the first person | 0:51:13 | 0:51:16 | |
EVER to be lapped in Rallycross. | 0:51:16 | 0:51:19 | |
'On that sobering thought, James lined up for his first heat, | 0:51:20 | 0:51:25 | |
'which featured drivers of a higher calibre than he'd been expecting.' | 0:51:25 | 0:51:29 | |
Petter Solberg is an extremely good, | 0:51:30 | 0:51:32 | |
former world champion rally driver, | 0:51:32 | 0:51:35 | |
-and a world champion at this. -Yes. | 0:51:35 | 0:51:36 | |
Timmy Hansen is 22. | 0:51:36 | 0:51:39 | |
He was third in European Rallycross last year. | 0:51:39 | 0:51:43 | |
-And James May. -James May, 52-year-old piano player! | 0:51:43 | 0:51:46 | |
Interested in lathes! | 0:51:47 | 0:51:49 | |
'As the drivers prepared for the off...' | 0:51:49 | 0:51:52 | |
ENGINE REVS | 0:51:52 | 0:51:53 | |
'..we were testing the comms.' | 0:51:53 | 0:51:56 | |
MUSIC: If You're Looking For A Way Out by Odyssey | 0:51:56 | 0:51:58 | |
-Put him in the mood. -Yeah. Yeah, I'd say that. | 0:51:58 | 0:52:01 | |
Turn the radio down, you're blowing my ears out. | 0:52:04 | 0:52:06 | |
Gosh, why did I agree to this? | 0:52:09 | 0:52:11 | |
I've got Petter Solberg next to me and a load of drivel in my ears. | 0:52:11 | 0:52:14 | |
-Oh, this is unbelievably exciting. -Is he going? | 0:52:17 | 0:52:20 | |
-He's going, he's going! -Oh, my God. James, it's about to start. | 0:52:20 | 0:52:23 | |
They've started, they've started. | 0:52:26 | 0:52:28 | |
They've started, James! They've started! | 0:52:28 | 0:52:30 | |
Quite muddy there, James, it is quite muddy. | 0:52:33 | 0:52:36 | |
Shut up! | 0:52:36 | 0:52:37 | |
James? James, so that you know, the car behind you is French. | 0:52:40 | 0:52:44 | |
-That was good spotting there, Jeremy. -Shut up, you two! | 0:52:46 | 0:52:50 | |
'Whilst James bumbled around at the back, | 0:52:50 | 0:52:53 | |
'the other four drivers were giving us a sensational show.' | 0:52:53 | 0:52:56 | |
Oh, big accident! | 0:53:17 | 0:53:19 | |
But how can he still be going? | 0:53:19 | 0:53:21 | |
'As the others entered their fourth and final lap, | 0:53:30 | 0:53:33 | |
'James was being caught.' | 0:53:33 | 0:53:34 | |
Gas! And brake! | 0:53:37 | 0:53:41 | |
Turn in. | 0:53:41 | 0:53:43 | |
Hang your arse out, James. Hang your arse out. | 0:53:43 | 0:53:46 | |
Seagull, James, I've spotted a seagull. | 0:53:46 | 0:53:48 | |
Shut up! | 0:53:48 | 0:53:49 | |
Inside line, inside line. | 0:53:49 | 0:53:51 | |
'Amazingly, though, he got away with it.' | 0:53:53 | 0:53:56 | |
Yes! You haven't been lapped. | 0:53:57 | 0:53:59 | |
Ha, ha! I wasn't lapped! | 0:53:59 | 0:54:02 | |
I'd like to see those other two Muppets do that! | 0:54:02 | 0:54:05 | |
I hope we weren't distracting to him. | 0:54:05 | 0:54:07 | |
No, I shouldn't think so, he knows we're there, we're with him. | 0:54:07 | 0:54:10 | |
-It was reassuring noises. -It's like racing in the car with him, | 0:54:10 | 0:54:12 | |
-it's like we're all three in the car, all with steering wheels. -Exactly. | 0:54:12 | 0:54:15 | |
'As the winner of the heat, Petter Solberg, celebrated, | 0:54:15 | 0:54:18 | |
'we went to check on James's times.' | 0:54:18 | 0:54:21 | |
-He was 32 seconds off Petter Solberg's time. -Yeah. | 0:54:23 | 0:54:27 | |
Eight seconds a lap slower. | 0:54:27 | 0:54:29 | |
Right. Should we give him a strong team talk, or should we support him? | 0:54:29 | 0:54:33 | |
He just needs to learn to drive faster... | 0:54:33 | 0:54:35 | |
-Faster than the other people. -Yeah. | 0:54:35 | 0:54:37 | |
Well, faster than himself would help. | 0:54:37 | 0:54:39 | |
'I was determined to do better in the next heat.' | 0:54:41 | 0:54:44 | |
'But my spotters were even more useless than in the first one.' | 0:54:49 | 0:54:53 | |
What time have you got to go tonight? | 0:54:53 | 0:54:55 | |
Uh, well, I just want to beat the traffic. | 0:54:55 | 0:54:56 | |
Which bit of the M4 do you go down? | 0:54:56 | 0:54:59 | |
Uh, off, at junction 15. | 0:54:59 | 0:55:01 | |
That is near the M5, isn't it? | 0:55:01 | 0:55:02 | |
-No, no, 17 is Chippenham. -It's Bristol. | 0:55:02 | 0:55:05 | |
Shut up, you two! | 0:55:05 | 0:55:07 | |
Now for the joker. | 0:55:10 | 0:55:12 | |
It's definitely 17, is Chippenham. | 0:55:13 | 0:55:15 | |
I can't believe you don't know, you do that... | 0:55:15 | 0:55:18 | |
Yeah, but I don't go to 17, I go to 15, so that's Marlborough... | 0:55:18 | 0:55:21 | |
Shut up! | 0:55:21 | 0:55:22 | |
-..and... -Argh! | 0:55:22 | 0:55:24 | |
'No thanks to my colleagues, I managed to finish | 0:55:24 | 0:55:27 | |
'another four-lap heat without being lapped.' | 0:55:27 | 0:55:30 | |
Ho-ho! Come on! | 0:55:30 | 0:55:33 | |
Fantastic. | 0:55:33 | 0:55:34 | |
'But then it was time for the semifinal, | 0:55:35 | 0:55:38 | |
'and I realised I had a bigger problem.' | 0:55:38 | 0:55:41 | |
-The semifinal is six laps. -Oh-ho! | 0:55:42 | 0:55:44 | |
So it's half as long again. | 0:55:44 | 0:55:45 | |
And I've worked out, my good laps - of which I've done maybe two - | 0:55:45 | 0:55:49 | |
were sort of four seconds off the pace. | 0:55:49 | 0:55:51 | |
But quite a few of my slightly cocked up ones | 0:55:51 | 0:55:53 | |
were sort of eight to nine seconds off. | 0:55:53 | 0:55:55 | |
So, in a six-lap race... | 0:55:55 | 0:55:57 | |
-Six-lap race... -Yeah. | 0:55:57 | 0:55:58 | |
..eight seconds, that's 48 seconds, | 0:55:58 | 0:56:00 | |
and it's a 50... it's a 50-second lap. | 0:56:00 | 0:56:03 | |
-Oh, ho-ho! You're in danger! -It'll be very, very close. | 0:56:03 | 0:56:06 | |
-This will be quite close. -This is the test. | 0:56:06 | 0:56:08 | |
'With this terrifying maths playing on my mind, | 0:56:10 | 0:56:13 | |
'I took my place on the grid.' | 0:56:13 | 0:56:15 | |
Do us proud, James, do us proud. | 0:56:15 | 0:56:17 | |
Don't let us down. | 0:56:17 | 0:56:19 | |
Right, here we go, semifinal, six laps. | 0:56:19 | 0:56:22 | |
So, if you'd like to place your bets... | 0:56:22 | 0:56:25 | |
'I decided to get my joker out of the way on lap one...' | 0:56:31 | 0:56:34 | |
'..which, obviously, my eagle-eyed spotters noticed.' | 0:56:39 | 0:56:42 | |
James, you were 11 seconds slower than the lead car on that lap. | 0:56:43 | 0:56:47 | |
But, wait, did he do the joker? | 0:56:47 | 0:56:50 | |
Oh, he might have done. | 0:56:50 | 0:56:51 | |
'Up front, Tanner was fighting for the lead, | 0:56:54 | 0:56:56 | |
'and the racing was intense.' | 0:56:56 | 0:56:58 | |
'Meanwhile, a bit further back, | 0:57:05 | 0:57:07 | |
'I was managing to stay out of danger.' | 0:57:07 | 0:57:09 | |
Right, down to second, keep the power, keep the inside line! | 0:57:12 | 0:57:15 | |
That's not bad, that's genuinely not bad. | 0:57:19 | 0:57:21 | |
'When James still had two laps to go, | 0:57:28 | 0:57:31 | |
'we realised he was about to be stabbed in the back | 0:57:31 | 0:57:34 | |
'by his new best friend.' | 0:57:34 | 0:57:36 | |
-That is Tanner. -Is that Tanner on his tail? | 0:57:39 | 0:57:42 | |
James, it's actually Tanner behind you. | 0:57:42 | 0:57:44 | |
I've got to hold him off! | 0:57:48 | 0:57:49 | |
James, do not let American Top Gear lap British Top Gear. | 0:57:57 | 0:58:02 | |
I'm getting that wrong! | 0:58:04 | 0:58:05 | |
Come on! | 0:58:07 | 0:58:08 | |
Well, he's right up behind you, James! | 0:58:10 | 0:58:12 | |
Make your car wide! | 0:58:12 | 0:58:14 | |
Make it as wide as I don't know what. | 0:58:14 | 0:58:16 | |
He's right there. Argh! | 0:58:19 | 0:58:21 | |
Aargh! | 0:58:21 | 0:58:22 | |
On the inside, stay on the inside, go on the inside! | 0:58:22 | 0:58:24 | |
Inside! | 0:58:24 | 0:58:26 | |
-Oh! -Oh, James he's going to...! | 0:58:29 | 0:58:31 | |
Aargh! Aargh! | 0:58:39 | 0:58:41 | |
Rubbish. | 0:58:45 | 0:58:46 | |
-Let's gloat at him there. -Studio, yeah. | 0:58:48 | 0:58:49 | |
-Studio. Back to the studio. -Back to the studio, | 0:58:49 | 0:58:52 | |
-we'll gloat at him there. -Yeah. | 0:58:52 | 0:58:53 | |
Cos I want to get home, frankly, I don't want to be around... | 0:58:53 | 0:58:56 | |
APPLAUSE AND CHEERING | 0:58:56 | 0:58:57 | |
So, he'll go here, first person ever to be lapped in Rallycross. | 0:58:57 | 0:59:01 | |
-Nice, though - name in print. -Yeah, exactly. | 0:59:01 | 0:59:04 | |
Anyway, we have to say, even with him in it, | 0:59:04 | 0:59:08 | |
Rallycross is brilliant. | 0:59:08 | 0:59:10 | |
It is fabulous to watch because, basically, | 0:59:10 | 0:59:13 | |
from the start line to the finish line, | 0:59:13 | 0:59:15 | |
all the drivers drive as fast as they can. | 0:59:15 | 0:59:17 | |
Yes, that's it. There's no conserving their tyres, | 0:59:17 | 0:59:20 | |
there's no looking after the fuel consumption, | 0:59:20 | 0:59:22 | |
there are no stewards with moustaches going... | 0:59:22 | 0:59:24 | |
-BRUMMIE ACCENT: -.."Oh, no, you've bumped into him, | 0:59:24 | 0:59:26 | |
"you've got to spend ten seconds on the naughty step." | 0:59:26 | 0:59:28 | |
I tell you what Formula One is - | 0:59:28 | 0:59:30 | |
Formula One is like having some money | 0:59:30 | 0:59:32 | |
and putting in an ISA so that it matures in a tax-free way. | 0:59:32 | 0:59:35 | |
Rallycross is like having some money and going to the pub with it. | 0:59:35 | 0:59:38 | |
-Yeah, just blow it on one big night out, all at once. -Exactly. | 0:59:38 | 0:59:41 | |
Can I just say...? | 0:59:41 | 0:59:42 | |
No, you'll make yourself look more ridiculous. | 0:59:42 | 0:59:44 | |
You will, he's right. | 0:59:44 | 0:59:45 | |
And, on that bombshell, it is time to end. | 0:59:45 | 0:59:47 | |
Thank you so much for watching - goodnight! | 0:59:47 | 0:59:50 |