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This is where it gets serious. It is not just the judges we have to | :00:26. | :00:34. | |
impress now. I don't want to go home. I just want to make it to that | :00:35. | :00:36. | |
final. Please welcome your host, | :00:37. | :00:55. | |
Alex Jones! What a start from our pros | :00:56. | :00:58. | |
and Commonwealth rhythmic gymnasts It's the semifinal, we're | :00:59. | :01:58. | |
live, and tonight our celebrities And it's not just the judges they're | :01:59. | :02:11. | |
trying to impress, it's you at home, too, as we're opening the voting | :02:12. | :02:17. | |
lines for the very first time. All our semifinalists will perform | :02:18. | :02:22. | |
a floor routine tonight, and after that they'll be going it | :02:23. | :02:25. | |
alone on either the beam or And of course everyone will be | :02:26. | :02:42. | |
hoping to avoid this. The vault. He is a beast! | :02:43. | :02:46. | |
Passing judgement, causing mayhem and, if last week's anything to go | :02:47. | :02:49. | |
by, maybe doing some somersaults, it's our fab four, Seb, Louis, | :02:50. | :02:51. | |
And later in the show, there is a performance that has to be seen to | :02:52. | :03:06. | |
be believed from a very high-flying Sebastien Stella! It is amazing. So, | :03:07. | :03:12. | |
it is time to get the semifinal under way. And leading the charge | :03:13. | :03:16. | |
this week, it is showman Peter Duncan! | :03:17. | :03:26. | |
All I can say is, you delivered. That was bang on the money. How do | :03:27. | :03:35. | |
you feel about this weekend being on the floor? It is exciting. You are | :03:36. | :03:41. | |
going to have to up your game from an element point of view. We thought | :03:42. | :03:49. | |
we would do the circus showman, the ringmaster and the showgirl. Maybe | :03:50. | :03:52. | |
we can find some of your little-known talents. This time, the | :03:53. | :03:58. | |
routine has to be bigger, better and more spectacular. It is hotting up. | :03:59. | :04:04. | |
The new routine we are doing is a sequence of very fast tricks. | :04:05. | :04:14. | |
Please, tuck your head in! As soon see grip, pull her in hard. We have | :04:15. | :04:19. | |
been working on a twin cartwheel where they cartwheel on top of each | :04:20. | :04:23. | |
other. It is an immensely difficult trick. They are not actually putting | :04:24. | :04:29. | |
their hands on the floor. They are groping each other. So they have to | :04:30. | :04:36. | |
YouTube -- they are gripping each other so they have to use each | :04:37. | :04:42. | |
other's weight. As he puts me down, he has to be putting me into the | :04:43. | :04:50. | |
next bit. The vote is split between the judges and the public, so I am | :04:51. | :04:54. | |
rather excited by it and hopefully I will get a bit of love through the | :04:55. | :04:57. | |
screen. CHEERING AND APPLAUSE | :04:58. | :05:29. | |
What a great opener with that sense of lunacy we have come to expect | :05:30. | :06:38. | |
from Peter! Confident, well supported. He just lost his balance | :06:39. | :06:43. | |
there. Very ambitious. But well done, Peter. Great performance. | :06:44. | :06:49. | |
A stunning performance! What is that? I got attacked by a ping-pong! | :06:50. | :06:57. | |
Don't be so rough with her costume, Peter! Honestly! It is life telly. | :06:58. | :07:04. | |
Right, we will start with you, Nadia. What did you make of it? I | :07:05. | :07:08. | |
really like your performance and I like the fact that every week you do | :07:09. | :07:12. | |
something different, and I like the fact you went on a tightrope and | :07:13. | :07:16. | |
tried that. You were a little off but I would like to see you in a | :07:17. | :07:20. | |
finale with the Peter Duncan signature move! Gazzaniga! Can we | :07:21. | :07:29. | |
make that happen, Kate? Definitely. Every week you bring something, | :07:30. | :07:36. | |
originality. Peter, you're absolutely bonkers! | :07:37. | :07:43. | |
A really colourful performance. You deliver always what we want from you | :07:44. | :07:50. | |
as a performance. Now, if you come to me with a circus theme, I am | :07:51. | :07:55. | |
going to wait for a circus trick like your twin cartwheel, which | :07:56. | :08:00. | |
needed to be really in control, to throw her and be high and fast. And | :08:01. | :08:05. | |
the walking on the wire should be something pretty unique. But overall | :08:06. | :08:12. | |
it was a great moment. It was. Louis? This is the semifinals. And | :08:13. | :08:17. | |
the show has given you another opportunity on the floor to wow us | :08:18. | :08:21. | |
and impress us from the first time you have done it, and for me, I | :08:22. | :08:26. | |
really did not get that at all. You should spend less time on the props | :08:27. | :08:32. | |
and more time doing the acrobatics on the floor. There was some | :08:33. | :08:35. | |
improvement but for me it wasn't up there. Louis! Ah! Anything to say to | :08:36. | :08:45. | |
Louis? I kind of agree with you, really. I was going to do... I was | :08:46. | :08:50. | |
going to do a backward flip and then I hurt my knee and my arm. It sounds | :08:51. | :08:58. | |
like an excuse! It was fantastic. Time to -- for you to go back to | :08:59. | :09:06. | |
your coach. A mixed reception from the judges. He will need to continue | :09:07. | :09:11. | |
the good form if he wants to get into that final. Now, tonight as | :09:12. | :09:16. | |
always, the judges will give their scores out of ten, but for the first | :09:17. | :09:20. | |
time, you get your say when we open the voting lines later in the show. | :09:21. | :09:26. | |
Here is how it works. The judges' scores will be converted into points | :09:27. | :09:29. | |
and then combined with your votes to decide who goes through to the final | :09:30. | :09:34. | |
next week and who will face the dreaded vault. So, judges, we need | :09:35. | :09:37. | |
your scores for the first performance. | :09:38. | :09:42. | |
So, a total of 26 out of 40, then, for Peter and Kate. So, to vote for | :09:43. | :10:00. | |
them, you can save them when the lines open later. You will need to | :10:01. | :10:07. | |
call this number from your mobile or this number from your landline. You | :10:08. | :10:14. | |
can also vote online for free. To find out how to register and for | :10:15. | :10:19. | |
more information, go to the BBC website. Calls will cost 15p from a | :10:20. | :10:24. | |
mobile or landline. Voting lines don't open to all of our couples | :10:25. | :10:29. | |
have performed, so please don't call now. If you do, your vote will not | :10:30. | :10:32. | |
count and you might be charged. Phew! | :10:33. | :10:38. | |
Next up, Sarah Harding. And this week, she has been having an | :10:39. | :10:41. | |
absolute scream. It apply at the ready! -- earplugs. | :10:42. | :10:52. | |
This week they have to show dramatic change from the previous routine so | :10:53. | :11:02. | |
that people go, wow! Deep down there is more in there. There is a ten on | :11:03. | :11:09. | |
the floor. I am excited! When you coach a gymnast, they need to be | :11:10. | :11:13. | |
composed and stay focused. I have forgotten what I am doing! And most | :11:14. | :11:16. | |
of all, they need to stay quiet! I guess I am screening more this | :11:17. | :11:29. | |
week because we are doing more than I have done before. Last time the | :11:30. | :11:36. | |
routine was more floor -based but this time we are taking a lot more | :11:37. | :11:42. | |
risks. He has to lift me up into the air with one arm and it is a show | :11:43. | :11:47. | |
stopper if we get it right. The seat lift is very tricky. It requires a | :11:48. | :11:52. | |
lot of strength from my behalf so if I don't hold her properly or I lose | :11:53. | :11:55. | |
my balance, it can go horribly wrong. This week, I would really | :11:56. | :12:01. | |
like to pass my own expectations. I have the strength so now I just have | :12:02. | :12:02. | |
to get the mind strong. Well, she was looking for the wow | :12:03. | :13:33. | |
factor. Confidence is growing week on week. Look at this! Straight back | :13:34. | :13:41. | |
somersault, and this well balanced, well co-ordinated, the long arm | :13:42. | :13:48. | |
hold. And the finish was super. Half turn into the splits. Their finish | :13:49. | :13:56. | |
was absolutely superb. Smiling is with a good sign! Craig, what did | :13:57. | :14:01. | |
you make of that? It was very energetic? It was. Sarah, some weeks | :14:02. | :14:06. | |
I find it very difficult to judge or a team because I am expecting that | :14:07. | :14:09. | |
little bit more but it was ready nice to see you start to introduce a | :14:10. | :14:15. | |
few acrobatic skills to the routine. -- difficult to judge your routine. | :14:16. | :14:19. | |
I just hope it is not too little too late. Don't say that! Seb? I don't | :14:20. | :14:35. | |
agree! One thing I appreciate is it is important in the number that you | :14:36. | :14:39. | |
match your partner in the performance and don't let Leon do | :14:40. | :14:44. | |
everything. And I really liked the supported backflip you did. I really | :14:45. | :14:48. | |
like the reverse split at the end going into a full split on the | :14:49. | :14:53. | |
floor. Those tricks proved to me that you are able to go to that | :14:54. | :14:59. | |
high-level zone. Great job. Good! Louis? For me, that's the left shows | :15:00. | :15:07. | |
how strong you are all getting. The court to hold yourself up there, | :15:08. | :15:15. | |
that is great. -- the core. My only thing is, if you are going to go | :15:16. | :15:21. | |
into a seated position, try not to crash land! Try to get your foot | :15:22. | :15:25. | |
down early. But fair play, because you are trying to show us some | :15:26. | :15:33. | |
tumbling now. I like the fact that you go overboard and try to show us | :15:34. | :15:39. | |
some difficult moves because you can do it. I was pleasantly surprised | :15:40. | :15:45. | |
that you made it! The question is, if you do get through to next week, | :15:46. | :15:51. | |
can you, Leon, take another week of screaming? I don't know. I think she | :15:52. | :15:55. | |
has to tone it down a bit, or at least she said that to me. If she | :15:56. | :16:00. | |
doesn't scream, I am sure we can get through. I will buy him some | :16:01. | :16:11. | |
earplugs! Louis love the variety, but try to avoid those crash | :16:12. | :16:12. | |
landings. Mix comments, but we do need your | :16:13. | :16:28. | |
scores. Seb? 7. Louis 7.5. Nadia? 7.5. Craig? 7.5. The total 29.5 out | :16:29. | :16:36. | |
of a possible 40 for Sarah and Leon. Not bad at all. To vote for Sarah | :16:37. | :16:41. | |
and Leon the numbers you will need are: | :16:42. | :16:50. | |
You can vote for free at: Address. The voting lines aren't open yet. | :16:51. | :17:00. | |
Don't vote until I give you the nod. If you thought Doctor Who was the | :17:01. | :17:04. | |
only place you would see aliens tonight, think again. Here's H. | :17:05. | :17:17. | |
Somersault with a prop on Saturday night television show, well done. I | :17:18. | :17:25. | |
would like to think of him as a dark horse and take him by surprise. I | :17:26. | :17:28. | |
want advance moves in there this week. Really special Your concept | :17:29. | :17:36. | |
for moves. Your second acro routine will be alien abduction. What? ! | :17:37. | :17:43. | |
You're having a laugh? No. With jazz hands! Let us get on and do it | :17:44. | :17:50. | |
because we needed to know our alien stuff. Of course. There is pressure | :17:51. | :17:58. | |
now. We raised the bar high on our first acro routine. We haven't | :17:59. | :18:02. | |
touched it on since then. I feel like I'm back at square one. This is | :18:03. | :18:08. | |
our second floor routine. The intensity of this competition is | :18:09. | :18:11. | |
getting to H. There is not a lot of time. I'm beginning to sense the | :18:12. | :18:15. | |
panic is setting in. I don't think I have seen him this stressed. I know | :18:16. | :18:20. | |
the judges will expect bigger and better skills. I'm worried about | :18:21. | :18:25. | |
this routine. It's fine to be worried. We have a new trick. It's | :18:26. | :18:31. | |
difficult. It's finding the balance between us both and me trusting H. | :18:32. | :18:36. | |
Don't forget to catch her, please. I'm starting to feel for him. He is | :18:37. | :18:40. | |
going through a lot of injuries. If he gets through it this week I will | :18:41. | :18:45. | |
be happy. What do you feel I'm exhausted. No pressure. We will do | :18:46. | :18:48. | |
forward rolls. MUSIC: Can You Feel It? By It | :18:49. | :19:07. | |
Jacksons: CHEERING AND APPLAUSE | :19:08. | :20:30. | |
COMMENTATOR: H was looking for something special this week. He | :20:31. | :20:37. | |
served up a great roundoff tuck back somersault. He was confident and | :20:38. | :20:43. | |
secure. Look at this, strong neck muscles, great concentration. Yes, | :20:44. | :20:49. | |
another pretty flawless performance from you two. You didn't look | :20:50. | :20:52. | |
impressed though when you were presented with the idea of aliens? | :20:53. | :20:56. | |
No. It was a little bit weird. We grew to love it and embraced it. You | :20:57. | :21:02. | |
definitely embraced it. Seb, was it you have in to get H and Holly | :21:03. | :21:06. | |
through to the final, do you reckon? I think you just get your pass to | :21:07. | :21:11. | |
the final. APPLAUSE. | :21:12. | :21:17. | |
Not yet, not yet. On my part, yes. That is what I have to say. Louis, | :21:18. | :21:23. | |
do you agree? # You knocked me off my feet now | :21:24. | :21:28. | |
baby... # The best all round acro performance | :21:29. | :21:32. | |
we have seen in this competition so far. Ironically, Nadia, the Welsh | :21:33. | :21:39. | |
boy had a move called the "delie ya" to deal with? I wanted to say | :21:40. | :21:44. | |
#, why, why, why... # Is it turning into a different show? | :21:45. | :21:47. | |
For the first time it was difficult for me to see which one was the | :21:48. | :21:52. | |
celebrity and which one was the professional. That is good. Wow! | :21:53. | :22:00. | |
Thank you. Craig. Close encounters of a gymnastic kind. Very, very | :22:01. | :22:08. | |
good. What impressed me was in week one when you performed the back | :22:09. | :22:18. | |
somersault you were weak on the acro moves. You had it all. Great job. | :22:19. | :22:25. | |
While the going is good, off you go. Holly and H. Did | :22:26. | :22:30. | |
COMMENTATOR: Two of the judges sang their praises. Wasn't it worth it. | :22:31. | :22:35. | |
Alex looks delighted too. Scores then please. Seb? 8. 5. Louis? 8. | :22:36. | :22:49. | |
8.5. Oh. Nadia? 8. 5. Wow! Craig? 8. OK. So the total then. 33.5 out of | :22:50. | :22:56. | |
40 for Holly and H. A brilliant score. To vote for that pair, when | :22:57. | :22:59. | |
lines open, call: Next up it's Bobby Lockwood who got | :23:00. | :23:14. | |
the highest scores from our judges again last week. It urns turns out | :23:15. | :23:16. | |
though it's tough at the top. You are no longer a celebrity, you | :23:17. | :23:33. | |
are a gymnast to me now. 9! YES. First 9 of the series. It felt | :23:34. | :23:39. | |
amazing. We have won two weeks in a row. Every week we start from skach. | :23:40. | :23:44. | |
We have to focus week-by-week and get you through to the final. Come | :23:45. | :23:51. | |
on! We are trying to really up the ante this week. I really loved doing | :23:52. | :23:58. | |
our acro routine last time, this is difficult. The skill level has to go | :23:59. | :24:07. | |
even higher in the semi-final. With Bobby it was already high. There is | :24:08. | :24:12. | |
so much to learn. Bobby is definitely feeling the pressure. We | :24:13. | :24:16. | |
are trying harder moves. It's the semi-final. You have to do more to | :24:17. | :24:20. | |
stay in. I'm getting very frustrated. That is fine. Bobby got | :24:21. | :24:26. | |
down in the session. It's too much. He is trying so hard, it accumulates | :24:27. | :24:30. | |
to him having a bit of a frustration break down. When I first started | :24:31. | :24:34. | |
Tumble I didn't think I would be close to tears in front of the | :24:35. | :24:38. | |
cameras and stuff. I have never seen him this emotional and this upset. | :24:39. | :24:42. | |
It doesn't feel good. It is good. Even when you think it's not good. | :24:43. | :24:47. | |
It's still good. I don't know why I'm getting emotional. I feel like | :24:48. | :24:49. | |
I've got nothing left. MUSI clovp: Let It Go, Idina Menzel. | :24:50. | :24:59. | |
-- MUSIC: Let It Go, Idina Menzel. CHEERING AND | :25:00. | :26:18. | |
APPLAUSE COMMENTATOR: What a great finish to | :26:19. | :26:22. | |
that routine. Bobby said he was feeling the pressure. You'd never | :26:23. | :26:24. | |
know it from that performance. Look at him, straight arms. Great | :26:25. | :26:37. | |
support. A front semi, done with ease. The pitch, high, strong. The | :26:38. | :26:43. | |
catch, great stuff. Bobby, just waved to his mum, | :26:44. | :26:49. | |
lovely. I tell you what though, that was the perfect end to a really | :26:50. | :26:53. | |
tough week. Everybody's heart melted when we saw you really hit a wall | :26:54. | :26:56. | |
this week. While you get your breath back. Louis explain how hard it is | :26:57. | :27:01. | |
then, at this point in the competition, having come to the | :27:02. | :27:04. | |
semi-finals, and training every day as much as these guys do? It is a | :27:05. | :27:08. | |
hard job that we're putting the celebrities through. I think the | :27:09. | :27:11. | |
hard part is learning it. The hardest part is being able to | :27:12. | :27:15. | |
perform it convincingly and pull it off looking good. Let me tell you | :27:16. | :27:21. | |
guys, that was unbelievable. Let me tell you why, everyone at home. | :27:22. | :27:24. | |
There was lift after lift, after lift, after lift a tumble and then | :27:25. | :27:29. | |
more lifts. When you are doing a routine and lifting a human being | :27:30. | :27:33. | |
above your head, constantly, that is such hard work. It was done | :27:34. | :27:37. | |
spotless. What about you, Nadia? To me, it was a very moving and | :27:38. | :27:43. | |
flawless performance. Great actriesy and the technique was very good. | :27:44. | :27:49. | |
APPLAUSE Craig? Right, every week you excelled. It | :27:50. | :27:53. | |
was beautiful. No. I was a little bit disappointed. Ah... . Here's | :27:54. | :28:01. | |
why. BOOS On the trampoline you showed me a | :28:02. | :28:08. | |
back somersault, I wanted to see that combined, round off flick, | :28:09. | :28:12. | |
somersault on the floor. Apart from that, it was absolutely amazing. I | :28:13. | :28:18. | |
just wanted that, sorry. I tell you what, Bobby's mum is gunning for | :28:19. | :28:22. | |
you. He is over there. Seb, what did you make of it? I don't agree with | :28:23. | :28:31. | |
you. That was beautiful work. I think you would do good for a main | :28:32. | :28:41. | |
character. I will take you on my one of my creations. That's great. Bobby | :28:42. | :28:51. | |
and Kristin. Another great job. COMMENTATOR: Bobby sets himself high | :28:52. | :28:54. | |
standards. From the sound of things, the judges are right up there with | :28:55. | :29:00. | |
him. Your score had better be good, Craig. The scores. Seb? 9. Louis? 9. | :29:01. | :29:11. | |
Nadia? 9. YES! And Craig? It's got to be a 9. Fantastic. A total of 36. | :29:12. | :29:18. | |
Their highest score to date for Bobby and Kristin. Highest score of | :29:19. | :29:23. | |
the series, even. To keep Bobby out of the Vault the number you need, | :29:24. | :29:25. | |
when lines open later is: Now, our stars have learnt lots on | :29:26. | :29:43. | |
Tumble this week Lucy learnt her most valuable lesson yet - don't | :29:44. | :29:44. | |
knee yourself in the face! The celebrity I am saving tonight | :29:45. | :29:59. | |
is... Did you see my face when they said "Lucy"? Irony want to get into | :30:00. | :30:05. | |
the final so I am happy. This week our floor routine, I want to get | :30:06. | :30:11. | |
some really good skills in there. This is probably the most testing | :30:12. | :30:15. | |
routine they have had. I hope the judges can see I am improving. Now I | :30:16. | :30:19. | |
have said I will get the skill I really need to! Ow! I don't want a | :30:20. | :30:30. | |
black eye! I have not done anything that has shocked me but it has made | :30:31. | :30:35. | |
me quite scared to do it again. It is just doing one. Just go. I'm | :30:36. | :30:42. | |
sorry. I'm not doing this on purpose. If you don't go in the next | :30:43. | :30:48. | |
two minutes, we are changing the skill. I'm going to count down from | :30:49. | :30:53. | |
three and I want you to see yourself doing it and then do it. Three, two, | :30:54. | :31:02. | |
one, go. Run at us. I don't know what's wrong with me. I want to do | :31:03. | :31:08. | |
it. I am ready disappointed for her. She really wanted to get her front | :31:09. | :31:12. | |
somersault in but she is too scared. Everything is scary. It is | :31:13. | :31:19. | |
just a fear. But, Lucy, you are doing a fantastic job. We have ten | :31:20. | :31:24. | |
minutes left. That's do a couple of cart wheels, a couple of dismounts | :31:25. | :31:28. | |
and then we are done. Stop worrying about next Saturday. | :31:29. | :31:34. | |
COMMENTATOR: Lucy has worked so hard to step up those skills, and, boy, | :31:35. | :33:09. | |
does it show. The handspring. Look at that, high up on her feet. | :33:10. | :33:14. | |
Shoulders high. And the backflip. Hold on, Lucy! Royalty! | :33:15. | :33:22. | |
It is a great routine. As far as we were concerned, wasn't it, audience? | :33:23. | :33:29. | |
You would beating yourself up about that little tumble. What would you | :33:30. | :33:34. | |
say, Nadia? I like the fact that you are pushing yourself and you are | :33:35. | :33:41. | |
trying very difficult sills delete -- difficult skills very quickly. | :33:42. | :33:47. | |
For me that was much better this week. You took some of the skills | :33:48. | :33:53. | |
from the trampoline, the hand flips. OK, it didn't work this week as well | :33:54. | :33:56. | |
as it could have done but it is nice to see you trying. Well done. Seb, | :33:57. | :34:03. | |
was there enough content in terms of gymnastics for you? Absolutely. This | :34:04. | :34:14. | |
is Lucy 2.0 for me! You are stronger and faster and those are important | :34:15. | :34:18. | |
ingredient is overall to perform well. Louis? Irony enjoyed it. When | :34:19. | :34:26. | |
we look back to week one, it was not the greatest routine. -- I really | :34:27. | :34:32. | |
enjoyed it. You were a bit upright when you took off with the backflip | :34:33. | :34:36. | |
but like Craig said, transferring from trampoline to the floor, well | :34:37. | :34:46. | |
done. Thank you. We love you! Billy and Lucy, everybody. | :34:47. | :34:51. | |
COMMENTATOR: She will be very keen to stay out of the bottom two | :34:52. | :34:55. | |
tonight. The judges were very encouraging. | :34:56. | :35:07. | |
OK, your schools. 7.5. Louis? 7.5. Nadia? Seven. Craig? 6.5. | :35:08. | :35:23. | |
To vote for Lucy and Billy, call this number from your mobile and | :35:24. | :35:28. | |
this from a landline. You can vote online and vote for free. | :35:29. | :35:35. | |
So, next it is everything you would expect in a carnival-themed routine. | :35:36. | :35:41. | |
Lights, music, a terrifying somersault that makes you feel sick! | :35:42. | :35:42. | |
The usual! I'm really happy with the score I | :35:43. | :35:51. | |
got but the only way is up for me from where I was last week so I'm | :35:52. | :35:55. | |
excited again and I'm just looking forward to this week. This week's | :35:56. | :36:02. | |
FTSE law routine is a Brazilian carnival. The routine is so fast. -- | :36:03. | :36:10. | |
this week's gymnastics floor routine. If we go wrong... ! You | :36:11. | :36:18. | |
look like a girl who likes a challenge, so my challenge to you is | :36:19. | :36:22. | |
that you will be the first girl to show us a somersault in this | :36:23. | :36:26. | |
competition. I like that challenge but it does add a bit of notice and | :36:27. | :36:30. | |
challenge and pressure. If you are going to do a somersault, you have | :36:31. | :36:35. | |
to do it properly. I haven't hurt myself from it. I always land, well, | :36:36. | :36:44. | |
on my, to be fair! Amelle seems to have got back into the game so I am | :36:45. | :36:48. | |
confident she will nail the somersault on the night. You have to | :36:49. | :36:53. | |
nail every single move, every left. You can't afford to make tiny | :36:54. | :36:56. | |
mistakes any more so we really have to go for it and give it our all. | :36:57. | :37:07. | |
MUSIC: "Bang Bang" by Jessie J, Ariana Grande Nicki Minaj. | :37:08. | :38:24. | |
COMMENTATOR: Craig issued the somersault challenge a couple of | :38:25. | :38:37. | |
weeks ago and she did it! Well done! Around the world done | :38:38. | :38:43. | |
smoothly and easily. And look at this, a brave attempt. A difficult | :38:44. | :38:48. | |
balance but she covered it well. A fantastic routine but we must say, | :38:49. | :38:53. | |
don't try that last move at home because Doug here is a professional | :38:54. | :38:56. | |
with years of training. Very dangerous. You looked much happier | :38:57. | :39:01. | |
this week. A lot more confident. I love this routine and I had so much | :39:02. | :39:07. | |
fun doing it. You are just beaming, I love it. Craig, you challenged her | :39:08. | :39:14. | |
to do the somersault. Did she do it? I'm getting up and I'm going to give | :39:15. | :39:19. | |
you a high five! You know what? It wasn't just the fireworks that was | :39:20. | :39:23. | |
smoking tonight. You wear. That was brilliant! And was she a carnival | :39:24. | :39:32. | |
queen? Yeah! I want to be your king! You know, the way you feel right | :39:33. | :39:37. | |
now, exactly it is what we are looking for. You need to not stress | :39:38. | :39:42. | |
and let it go and have fun because when you do that, this happens and | :39:43. | :39:47. | |
it is very good for us. Very good for us! Louis? How was it for you? | :39:48. | :39:54. | |
It was brilliant. It took a while to get into it and I thought, she is | :39:55. | :39:58. | |
just run to fill the gaps and waste time, but it was brilliant. You did | :39:59. | :40:03. | |
the first somersault. We have talked about having so much potential and | :40:04. | :40:08. | |
wanting to see it, and for me, this was it. Well done. Nadia, very | :40:09. | :40:16. | |
quickly? I loved it! Huge improvement in the difficulties and | :40:17. | :40:21. | |
that front somersault... I'm happy you went for it. Great! You can be | :40:22. | :40:27. | |
very proud of yourself. Amelle and Doug. | :40:28. | :40:34. | |
COMMENTATOR: Doug got the fireworks he was waiting for. And as they | :40:35. | :40:38. | |
said, just let it go! We need some schools, please. -- | :40:39. | :40:44. | |
scores. Yes! So, a total of 32.5 out of 40 | :40:45. | :41:00. | |
for Doug and Amelle, and her highest score, which is wheelie good news. | :41:01. | :41:05. | |
So to vote for them, these are the numbers to call. -- really good | :41:06. | :41:06. | |
news. But step away from the phones | :41:07. | :41:18. | |
because the lines aren't open yet. OK? Next it is Carl Froch, who is | :41:19. | :41:24. | |
about to prove he is a massive softy. Don't tell him that to his | :41:25. | :41:25. | |
face, though! So, how do you think Saturday went? | :41:26. | :41:41. | |
I think it went really well. When I think motorbike tire and rhythmic | :41:42. | :41:45. | |
gymnastics, they don't go, but that did. Well done! | :41:46. | :41:50. | |
I was happy with the score. If I can nail a good routine on the floor, I | :41:51. | :41:57. | |
will put you at the top of the board. | :41:58. | :42:02. | |
You know the whole iconic look of An Officer And A Gentleman, with the | :42:03. | :42:13. | |
lift. Yeah! The theme should work well for us. It is Willie different | :42:14. | :42:18. | |
from what we have done before. We have seen your Brookside and now we | :42:19. | :42:23. | |
need to see your softer side. It is hard to be all the VW when doing | :42:24. | :42:27. | |
these lists. This week is the semifinal and it is important we | :42:28. | :42:32. | |
impress the judges. -- it is hard to be all right mantic when doing the | :42:33. | :42:36. | |
lifts. If we don't get it, we will be going home. The judges have seen | :42:37. | :42:42. | |
my front somersault. It is looking good and strong so I want to add an | :42:43. | :42:49. | |
extra element. I will have my legs straight out in front of me instead | :42:50. | :42:53. | |
of tucked into my chest. If I camp all that off on Saturday, it will | :42:54. | :42:57. | |
definitely have the wow factor. I have a very strong routine and I'm | :42:58. | :43:02. | |
confident to say I may even be in the top two. | :43:03. | :43:09. | |
MUSIC: "Up Where We Belong" by Joe Cocker Jennifer Warnes. | :43:10. | :44:29. | |
CHEERING AND APPLAUSE COMMENTATOR: And Officer, a | :44:30. | :44:39. | |
gentleman and a gymnast, too! We thought he carried off the | :44:40. | :44:42. | |
romantic bit brilliantly. Look at this. Half twist, three quarters | :44:43. | :44:51. | |
somersault. He was made for it! And that Pike semi, well, that would do | :44:52. | :44:56. | |
credit to any gymnast. The balance and the strength of the one armed | :44:57. | :45:01. | |
split Delilah just matched it all off. Great stuff! | :45:02. | :45:08. | |
Ah, well, now, here's a boxer but he has a sensitive side. You know what | :45:09. | :45:14. | |
I love about you? The gymnastics I'd is fantastic but the acting is what | :45:15. | :45:17. | |
I really love about your performance. -- the gymnastics is | :45:18. | :45:24. | |
fantastic. I'm glad you credited me for my gymnastics. Carl said he | :45:25. | :45:30. | |
thinks he could be in the top two this week. Would you agree? Yeah, of | :45:31. | :45:36. | |
course I would agree. Based on that, yeah! You understand the number that | :45:37. | :45:43. | |
will work, especially in week five. That means that today, you were | :45:44. | :45:47. | |
supporting her and nurturing and starring in your own tricks and that | :45:48. | :45:52. | |
requires a lot of talent to do that. So, overall, very good, very good. | :45:53. | :46:00. | |
Louis? Carl, you have improved so much and when you first performed | :46:01. | :46:04. | |
the floor, you were shaking like a leaf. You were so nervous. And what | :46:05. | :46:09. | |
I really enjoyed is, like Alex said, you performed. You are a boxer | :46:10. | :46:13. | |
but you actually acted out that routine and it was brilliant. | :46:14. | :46:19. | |
Fantasy the variation of the front somersault Pike, nobody has done | :46:20. | :46:25. | |
that on the floor yet, so good job. -- and to see the variation. I like | :46:26. | :46:31. | |
that you went for it but your execution was much cleaner than I've | :46:32. | :46:34. | |
seen before and this is not because you lost your shirt again... ? We | :46:35. | :46:40. | |
did notice, and then he put it back on. Shame! What a softy you are | :46:41. | :46:50. | |
turning into! You are smart and you really listen to what you are being | :46:51. | :46:55. | |
told. Seb was on about, you wanted you to become more of an actor. You | :46:56. | :46:59. | |
have nailed that. Louis wanted more style, you have nailed that. And | :47:00. | :47:08. | |
Nadia wanted you to make us believe you are somebody else and you nailed | :47:09. | :47:10. | |
that. Knockout! Great effort! Let us get your scores then for Carl | :47:11. | :47:28. | |
and Sita. Seb? 8. Good. Louis? 8. Nadia? 8. 5. Oh. Craig? 8. 5. A | :47:29. | :47:39. | |
total of 33 out of 40 for Carl and Sita. To vote for Carl and Sita, | :47:40. | :47:43. | |
when lines open very, very shortly, the numbers to call are: | :47:44. | :47:53. | |
Still to come. You will see tumbles very own super man, Sebastien | :47:54. | :48:00. | |
Stella, take to the air, it's brilliant, to show what he is made | :48:01. | :48:03. | |
of. Let us see how the judges scoreboard is shaping up so far. | :48:04. | :48:08. | |
Mitch. COMMENTATOR: We had a great night so | :48:09. | :48:13. | |
far. We have been entertained from the circus, spiders way, alien | :48:14. | :48:19. | |
antics, a high school prom still a performance to come. That is | :48:20. | :48:39. | |
the key, "at the moment." The judges scores are combined with your you | :48:40. | :48:44. | |
votes. The two celebrities with the lowest overall scores will go | :48:45. | :48:49. | |
head-to-head in The Vault. You can vote for your favourite by phoning | :48:50. | :48:53. | |
and getting online as of right now because the voting lines are open! | :48:54. | :49:03. | |
Calls cost 15p from a mobile and BT landline. Other networks may vary. | :49:04. | :49:11. | |
You can also vote for free at bbc.co.uk/tumble where you can find | :49:12. | :49:16. | |
terms and conditions. If you need help to decide who to vote for, here | :49:17. | :49:24. | |
is a look back at their highest scoring performances of the series, | :49:25. | :49:25. | |
along with the numbers you need: Some amazing performances there. For | :49:26. | :51:49. | |
the past three months, our stars have been put through their | :51:50. | :51:52. | |
gymnastic paces. Just when they thought they couldn't take any more, | :51:53. | :51:57. | |
we decided to up the ante. Tonight, the boys will take on the parallel | :51:58. | :52:01. | |
bars and, for Sarah, Lucy and Amelle, their challenge is the beam. | :52:02. | :52:07. | |
Cue a surprise masterclass from our very own Queen of the Beam, Nadia | :52:08. | :52:14. | |
Comaneci. I'm going to see the girls for their big performance. They have | :52:15. | :52:18. | |
no idea I'm coming. Ta, da, surprise. It's an amazing privilege | :52:19. | :52:25. | |
to get a masterclass from an Olympian. Beam was one of my | :52:26. | :52:29. | |
specialalities. I felt, this is not good enough for Nadia to be watching | :52:30. | :52:33. | |
me right now. I wish you came yesterday, I was much better. You | :52:34. | :52:38. | |
have to be good every day. Worry about your toes. When I concentrate | :52:39. | :52:43. | |
I forget. Pointing toes are very important. Are you pointing. The | :52:44. | :52:51. | |
ankle stays up all the time. Good. You won't be forgetting from now on, | :52:52. | :52:58. | |
no? ! What is your best turning? Left. If you do left, you are not | :52:59. | :53:03. | |
supposed to have your left foot in front. Oh. You turned this way, why | :53:04. | :53:09. | |
would you complicate it like this? That makes sense. Definitely better. | :53:10. | :53:14. | |
No pressure at all, I have Nadia Comaneci watching me on the beam! | :53:15. | :53:20. | |
When you do the dismount, I will put legs together faster. Together! | :53:21. | :53:28. | |
Down.ful YES. That was good. Who better to give us advice than Nadia | :53:29. | :53:36. | |
Comaneci. It's just ridiculous. APPLAUSE | :53:37. | :53:39. | |
If that wassens intimidating enough, imagine having Nadia there, the | :53:40. | :53:42. | |
girls have 40 seconds each to showcase those skills live. They | :53:43. | :53:46. | |
will be marked by our judges. We won't reveal those scores until all | :53:47. | :53:51. | |
seven celebrities have performed. First up, bless her, it's Sarah. | :53:52. | :53:52. | |
Over to you Mitch. COMMENTATOR: The beam, the great | :53:53. | :54:03. | |
challenge for our celebrities, looking for balance, poise, elegance | :54:04. | :54:07. | |
and agility. Wait for the beeps. There they are. That is the start of | :54:08. | :54:15. | |
the routine. Nice squad mount. Now, needs to keep steady, shoulders | :54:16. | :54:19. | |
square, hips square. The cartwheel. Just missed it. Big challenge. | :54:20. | :54:23. | |
Has to regain her compose sure, which she does very well. | :54:24. | :54:31. | |
Nice shoulder roll. She saved that one. Well done. Lots of | :54:32. | :54:35. | |
determination. And the little touches. That buzzer | :54:36. | :54:45. | |
means she has 10 seconds to get off the beam. She's off it. There is the | :54:46. | :54:51. | |
roundoff. Well done, Sarah. CHEERING AND | :54:52. | :55:01. | |
APPLAUSE Very ambitious. Didn't get the second foot down square enough. | :55:02. | :55:05. | |
Well done, great effort. Here, you can just see, during the roll, she | :55:06. | :55:10. | |
had to think very, very quickly and she did it so well. She was | :55:11. | :55:14. | |
determined not to come off again. Well done, Sarah. | :55:15. | :55:16. | |
CHEERING AND APPLAUSE It's such a difficult thing, isn't it, to do on | :55:17. | :55:21. | |
live television. Next up, it's Lucy. COMMENTATOR: There is the buzzer. | :55:22. | :55:36. | |
Lucy is away. A nice little straddle half turn to mount the beam. That is | :55:37. | :55:45. | |
a lovely graceful pose there. Leap under control. | :55:46. | :55:49. | |
Showing that pace and elegance. Just a little bit short on the handstand. | :55:50. | :55:56. | |
Nice and secure, shoulder and hips, good and square. | :55:57. | :56:03. | |
Oh, nicely done. And the roundoff then. Right on the buzzer! | :56:04. | :56:12. | |
CHEERING AND APPLAUSE COMMENTATOR: Well done, Lucy. | :56:13. | :56:17. | |
Confident. Look at the focus here. Just a tiny bit short on the | :56:18. | :56:22. | |
handstand. She was determined to stay in the control. Beautifully and | :56:23. | :56:33. | |
gracefully done. Round off, wrapped it all up nicely indeed. Finally | :56:34. | :56:36. | |
then, it's Amelle's turn. COMMENTATOR: Amelle facing the beam | :56:37. | :56:51. | |
challenge. Using the springboard and nice, squat mount onto the beam. | :56:52. | :56:57. | |
She's come to grieve. Very difficult in the free forward roll. Half turn | :56:58. | :57:05. | |
and the jump. She has regained her compose sure very, very quickly. | :57:06. | :57:10. | |
The cartwheel. She makes sure of. Roar from the crowd. Now then. Keep | :57:11. | :57:24. | |
the compose sure. Just the dismount. The busker's gone. She's done the | :57:25. | :57:29. | |
aerial. It beat her a couple of weeks ago. It didn't beat her | :57:30. | :57:35. | |
tonight. Great stuff. Congratulations from the coaches. | :57:36. | :57:39. | |
Everybody's heart is in their throats. Ladies, come and join me. | :57:40. | :57:45. | |
Such a good effort, girls, honestly. That is a terrifying thing to do. | :57:46. | :57:49. | |
Now, Nadia, you have been working with these girls in training. What | :57:50. | :57:52. | |
were you looking for then in that routine? I'm looking for difficulty, | :57:53. | :57:59. | |
and execution. OK. So, let us go to Sarah's performance first. What did | :58:00. | :58:02. | |
you make of Sarah's routine, Nadia? Beautiful artistry. Not your day for | :58:03. | :58:15. | |
the cartwheel. OK. Lucy? Lucy, was beautiful routine. You looked like a | :58:16. | :58:21. | |
little gymnast. You could have gone higher on the handstand. That woos | :58:22. | :58:27. | |
good. And, Amelle? Amelle, thank you for doing the aerial. For me, the | :58:28. | :58:33. | |
dismount and thank you for doing the hardest beam routine in such a short | :58:34. | :58:37. | |
time. Thank you very much, I appreciate it. Thank you very much, | :58:38. | :58:42. | |
Nadia. Sarah, chin up, it's not over yet. It's so much pressure. We will | :58:43. | :58:46. | |
find out how all the judges have scored the beam in just a few | :58:47. | :58:51. | |
moments. Next up though is the parallel bars, the boys are on them. | :58:52. | :58:56. | |
I'm a mess. I'm a wreck! Big day today. Guys have parallel bars | :58:57. | :59:00. | |
training. Hopefully, I will slap them into shape. Guys! Look who it | :59:01. | :59:15. | |
is. It's great that Craig came along to our PB preparation. He had a go | :59:16. | :59:20. | |
at my routine. Grip the bars. Kick to keep the rotation going. Whack | :59:21. | :59:24. | |
those arms out. If he pull it is off on Saturday night I would be | :59:25. | :59:29. | |
impressed. Carl has a difficult skill in that routine, a droppup | :59:30. | :59:35. | |
stop. Feet up. Nice back fold, back to upper arm, swing. Moves on the | :59:36. | :59:39. | |
routine I can't do at the minute. It has given me something to work | :59:40. | :59:43. | |
towards. What would you give that as a score? At least a 7. You are | :59:44. | :59:50. | |
supposed to swing it by your arms not stand on top of the thing. Peter | :59:51. | :59:59. | |
being Peter cool dismount. I used to have a phobia about my cartwheel. | :00:00. | :00:07. | |
Having another coach in the session really helped. Parallel bars swing | :00:08. | :00:13. | |
is all about this, not this. H has a brilliant routine. Show me the | :00:14. | :00:17. | |
elbows. Nice. The real question will be - can he keep his elbows out and | :00:18. | :00:24. | |
support himself. Hopefully he won't go crashing through the bars. I'm | :00:25. | :00:27. | |
really chuffed. He had nice comments. I wish he would use them | :00:28. | :00:29. | |
more on the show. Carl was very brave to give him a 7 | :00:30. | :00:41. | |
there! We will see how that pans out! First on the bars is Peter. | :00:42. | :00:44. | |
Take it away. COMMENTATOR: Peter steps forward. As | :00:45. | :00:55. | |
for the women, this is a real challenge for the men. A nice little | :00:56. | :00:59. | |
sharp turn into upper arms. You need upper body strength here. Deliberate | :01:00. | :01:06. | |
placement of the hands. Keep the elbows out, Peter. And a nice roll. | :01:07. | :01:14. | |
Well done. And look at the abdominal strength. Now he is swinging well. | :01:15. | :01:23. | |
He is interpreting the rules in his own sweet way. Showing a bit of | :01:24. | :01:26. | |
tight rope skills. The dismount and he is on his feet. | :01:27. | :01:32. | |
Well done, Peter. He is strong in the stomach, though. | :01:33. | :01:58. | |
And there is the swing. Departing a bit from conventional bar work but | :01:59. | :02:02. | |
Peter is Peter! And there is the dismount. The half term done without | :02:03. | :02:09. | |
problem. Good job, Peter. Good effort, Peter Duncan, I say! | :02:10. | :02:18. | |
Next up is H. COMMENTATOR: Here is H. Very | :02:19. | :02:21. | |
confident presentation. Holds it well. The buzzer has gotten started | :02:22. | :02:27. | |
and you will hear it again. And look at that shoulder stand! He is under | :02:28. | :02:38. | |
control here. Swinging well. He is focused. Half term holding onto one | :02:39. | :02:48. | |
rail. This is a switch again. Oh, and a turn! He is really going for | :02:49. | :02:53. | |
it again. There is the swing. The buy that at deliberate -- the buzzer | :02:54. | :03:01. | |
has gone and he has to get off soon. Well done, H! | :03:02. | :03:11. | |
Look at the control here. Changing shape, making sure of the shoulder | :03:12. | :03:15. | |
stand. Lovely body shape. Nice little scissor kick and the turn... | :03:16. | :03:20. | |
Swings well. Upper body strength very, very clear, and there is the | :03:21. | :03:25. | |
back semi and drop. Well done. Good routine. | :03:26. | :03:29. | |
Next up, then, it is Bobby. COMMENTATOR: Bobby has set the bars | :03:30. | :03:40. | |
to his liking. He is ready to go. There of the beeps. A strong, | :03:41. | :03:51. | |
confident jump. Again, a lovely shape in the shoulder stand. And he | :03:52. | :03:55. | |
has done a back role to catch. That was very ambitious. -- back roll. | :03:56. | :04:05. | |
Another lovely balance. Excellent use of the apparatus here. Lovely | :04:06. | :04:13. | |
little roll-turn between the rails. And look at the straight body on the | :04:14. | :04:19. | |
swing. He really is in control. Good dismount. They are celebrating! | :04:20. | :04:31. | |
Look at this. Lifting under control and into the shoulder stand. This is | :04:32. | :04:37. | |
nice. He goes out onto one rail and another balance and a lovely shape. | :04:38. | :04:45. | |
Look at the nice body shape of the swing and the clear, high front | :04:46. | :04:49. | |
vault to dismount. That is good stuff. | :04:50. | :04:54. | |
Well, that looked pretty good, didn't it? Finally on the parallel | :04:55. | :04:56. | |
bars, it is Carl. COMMENTATOR: Well, you might notice | :04:57. | :05:05. | |
Carl has the bars a little wider than everyone else because of the | :05:06. | :05:13. | |
wide shoulders, and look at that. And the circle up. Very strong and | :05:14. | :05:18. | |
into the swallow. He is right into his performance. Then there is the | :05:19. | :05:28. | |
balance and he has done the drop up start, which is not easy. Swinging | :05:29. | :05:34. | |
away. Now, can he make the handstand? He has done it in | :05:35. | :05:38. | |
practice and he has done it again. Keeping the swing. And the shoulder | :05:39. | :05:48. | |
roll and here comes the dismount. A broad smile to go with it. Yes! | :05:49. | :05:56. | |
This is trademark now, the back arch. He does it so well. And he | :05:57. | :06:05. | |
followed that with the upward circle into swallow. Very nicely done | :06:06. | :06:10. | |
indeed. The handstand as well. Look at that. Under control, brave, | :06:11. | :06:21. | |
ambitious stuff from Carl. Well done, boys. Sterling effort | :06:22. | :06:26. | |
from you all. I couldn't believe what you actually managing to do! | :06:27. | :06:29. | |
Craig, you were training the guys. What were you looking for in that | :06:30. | :06:31. | |
routine? Well, parallel bars is about | :06:32. | :06:42. | |
strength and looking good on the bars. My coaching obviously helped. | :06:43. | :06:47. | |
Ireland what you said, Peter, -- you remembered what I said, Peter, about | :06:48. | :06:57. | |
keeping your legs straight, so well done. He executed some really good | :06:58. | :07:03. | |
gymnastics there, spot-on. Bobby? I'm glad to see you perform that | :07:04. | :07:07. | |
backward roll. That is a really difficult skill because I did it, | :07:08. | :07:13. | |
and it really kills your arms. Excellent! Carl? Sometimes I said to | :07:14. | :07:21. | |
you less is more, and you try to do so much at the beginning that you | :07:22. | :07:28. | |
ran out of steam a bit to come out of the roll. But well done. Thank | :07:29. | :07:34. | |
you for a much, boys. Back you go to your coaches. Well done. -- thank | :07:35. | :07:36. | |
you very much. So, we have heard what Nadia and | :07:37. | :07:47. | |
Craig thought of the routines. Our four judges have scored them out of | :07:48. | :07:52. | |
ten as usual. So let's reveal all of the parallel beam -- parallel bar | :07:53. | :07:57. | |
and beam schools. -- schools. But it is all still to play for. Our | :07:58. | :08:13. | |
stores have given the best performances they can under huge | :08:14. | :08:19. | |
pressure. -- our stars. There is nothing more they can do now. Two of | :08:20. | :08:25. | |
them will face the vault. So let's at those scores to the earlier floor | :08:26. | :08:29. | |
routines and see how it affects the scoreboard. | :08:30. | :08:46. | |
You at home can still make the difference. | :08:47. | :08:53. | |
So, that is the judges' schools, but, remember, your vote could | :08:54. | :09:02. | |
change everything. You can vote online at the website or by phone. | :09:03. | :09:08. | |
Calls cost 15p from a mobile and BT landlines. Other networks could | :09:09. | :09:13. | |
vary. You can find terms and conditions on the website. Here is | :09:14. | :09:17. | |
the reminder of tonight's floor performances, and those | :09:18. | :09:19. | |
all-important numbers that you will need. | :09:20. | :11:14. | |
And the lines close in a few minutes. Now, Bobby is currently top | :11:15. | :11:21. | |
of the leaderboard. A nice place to be, hey? I am chuffed, over the | :11:22. | :11:27. | |
moon. And it has been such a terrible week as well. Did you | :11:28. | :11:31. | |
expect to make it to the top again? No. We just worked as hard as we can | :11:32. | :11:35. | |
and to get those comments is awesome. And your mum is here to see | :11:36. | :11:42. | |
it all as well! That is nice! It could all change. Sarah, quite an | :11:43. | :11:47. | |
emotional night for you so far. How scary was that beam? I never want to | :11:48. | :11:53. | |
see one of those again! Or beyond one! The pressure, I can't tell you. | :11:54. | :12:04. | |
It is so nerve wracking. -- all -- or be on one. Peter, how upset would | :12:05. | :12:13. | |
you be if you had to leave Tumble at this point? I would be upset, yeah. | :12:14. | :12:18. | |
But I've loved every one's routines. I think I'm in the right place. | :12:19. | :12:23. | |
And, H, if you make it through to next week, what can we expect? We're | :12:24. | :12:28. | |
doing a mixture of the aerial trapeze and floor, which is | :12:29. | :12:34. | |
basically hang upside down with your partner hanging from your hands! But | :12:35. | :12:40. | |
there is a trapeze involved? Are you all doing that? Oh! Who has not | :12:41. | :12:46. | |
wanted to try a trapeze before? So excited! And to find out exactly | :12:47. | :12:49. | |
what we will be putting them through in the grand final, take a look at | :12:50. | :12:53. | |
this. Being a kid going to the circus, | :12:54. | :13:00. | |
what you want to see? The trapeze! Are they going to fall? The | :13:01. | :13:06. | |
excitement! It is not very big. It is two ropes, it is not very stable. | :13:07. | :13:10. | |
It is the teamwork between the performers that will make the | :13:11. | :13:15. | |
difference. The trapeze will be interesting. You have to figure out | :13:16. | :13:21. | |
a way to really impress me. I think trapeze will be harder than people | :13:22. | :13:25. | |
think. They will have to get it right and train hard. I'm looking | :13:26. | :13:28. | |
forward to see what they bring to the table. This is performing at the | :13:29. | :13:33. | |
highest level. This is what the competition will all be about. | :13:34. | :13:37. | |
CHEERING AND APPLAUSE Your face is a picture, Sarah! | :13:38. | :13:43. | |
Now, our stars are within reach of a place in the final but they could | :13:44. | :13:46. | |
not have made it this far without their partners, who have been with | :13:47. | :13:50. | |
them every painful step of the way will stop yes! | :13:51. | :13:56. | |
-- of the way. Yes! They are fantastically and | :13:57. | :14:04. | |
physically brilliant when they do the openers. I can't take my eyes | :14:05. | :14:09. | |
off her because I think she is fantastic. Kate can do almost | :14:10. | :14:13. | |
anything. She has a beautiful outgoing personality but she's also | :14:14. | :14:19. | |
quite formidable. What is this hand doing? Pushing you up? No! | :14:20. | :14:27. | |
Everything she does is out of this world, holly. -- Holly. He will | :14:28. | :14:35. | |
bring one of his other legs up, going to the splits. It is amazing | :14:36. | :14:43. | |
how good he is at everything. Where do I start with my pro Billy? All of | :14:44. | :14:47. | |
the acrobatics he has learned ourselves taught and I just think | :14:48. | :14:51. | |
that is incredible that he has been able to do that himself, and what he | :14:52. | :14:56. | |
does in the wheel, I could watch it for hours and hours. It is amazing. | :14:57. | :15:06. | |
She is a textbook-style gymnast. She brings a bit of flair to Tumble. She | :15:07. | :15:12. | |
can most fly! I just think what she does is absolutely amazing. Leon and | :15:13. | :15:17. | |
skills, I don't think there's anything he can't do. He is like a | :15:18. | :15:21. | |
machine and he is built like one! He is just Mac honestly, the muscles on | :15:22. | :15:27. | |
him! Key is amazing! -- he is just... Honestly. All of the boys | :15:28. | :15:37. | |
are like... Just won gold at the Games. Seeing Kristin and the rest | :15:38. | :15:44. | |
of the pros, they are just fine tuned machines. They all look | :15:45. | :15:50. | |
ridiculous. They are just fit. Quite frankly, this is the fittest cast on | :15:51. | :15:52. | |
Earth. A big round of applause for our | :15:53. | :16:02. | |
Pros. Fantastic. The voting lines have now closed. Please do not try | :16:03. | :16:08. | |
to call, as your vote won't count and you may still be charged. While | :16:09. | :16:12. | |
tonight's results are being verified, we have something very | :16:13. | :16:16. | |
special from someone with, how do you say it? ! A certain je ne sais | :16:17. | :16:22. | |
quoi. I have been performing in all fields of entertain am from the | :16:23. | :16:30. | |
first generation, flying, flipping, jumping, diving. Circus art is | :16:31. | :16:33. | |
playing with the impossible to make it possible. When you get that, you | :16:34. | :16:36. | |
get a super power. Now, I've seen this in rehearsal. | :16:37. | :16:46. | |
Stop whatever you're doing. You have got to watch this. Doing what he | :16:47. | :16:51. | |
does best, it's our Tumble judge, Sebastien Stella. | :16:52. | :18:11. | |
CHEERING AND APPLAUS E. | :18:12. | :19:38. | |
Have you ever seen anything like it? Sebastien Stella with our aerial | :19:39. | :19:47. | |
experts. Absolutely brilliant. As we know, our stars have gone through | :19:48. | :19:51. | |
blood, sweat and tears to get this far. What exactly would it mean to | :19:52. | :19:55. | |
them to reach the Tumble grand final? We are one week away from the | :19:56. | :20:02. | |
final. We are so close. I would love to get there. I think it would | :20:03. | :20:06. | |
complete the cycle, the progression of what we've done. I think it's | :20:07. | :20:13. | |
good for an older generation to see somebody in there representing them. | :20:14. | :20:17. | |
To make it there on that night, to walk out into the audience, would | :20:18. | :20:21. | |
just mean the world. It would be amazing. All the hard work, to see | :20:22. | :20:27. | |
it pay off. I feel myself it would be a waste, getting so close, having | :20:28. | :20:31. | |
to go. All in all, I want to be here. I want to win. I just want to | :20:32. | :20:37. | |
do the best I physically can. I want to be in the final. One, because | :20:38. | :20:44. | |
everyone wants to make the final! Two, I'd feel extremely proud that | :20:45. | :20:48. | |
I'd accomplished so much in such a short pace of time. This is | :20:49. | :20:54. | |
competition. This is game on. I'm now feeling that competitive spirit. | :20:55. | :20:57. | |
I don't want to go home yet. I want to be in the final. What are you | :20:58. | :21:04. | |
doing? We just worked so hard, like all the bruising the drops, falls, | :21:05. | :21:08. | |
the screams, the cries and the laughter. I'm trying to grin and | :21:09. | :21:13. | |
hide the pain, like this... But I'm not kidding you, every part of my | :21:14. | :21:20. | |
body hurts. Blisters on my hands. Overstretched my right arm. Sore | :21:21. | :21:27. | |
neck. My traps are sore. Have you got a violin? Just to say that I got | :21:28. | :21:33. | |
to the final of Tumble would be amazing. Fingers crossed me and | :21:34. | :21:37. | |
Billy can pull it out of the bag and get there. It's been intense. Yeah, | :21:38. | :21:45. | |
of course I would love to win it. To get into the final. Even by chance | :21:46. | :21:49. | |
to get the Cup. Everyone would love to do that. It's just great to be | :21:50. | :21:53. | |
here. To have come this far is an achievement, but to make the final, | :21:54. | :21:57. | |
I will be getting the party poppers out. | :21:58. | :22:03. | |
So I will put you on-the-spot, judges. Louis, who do you think | :22:04. | :22:09. | |
deserves a place in next week's final? Ah, Carl and Lucy. Right, OK. | :22:10. | :22:20. | |
Craig, what about you? Amelle. Definitely, Amelle? Definitely, | :22:21. | :22:32. | |
Amelle. Seb. Bobby and H. And Nadia? Carl. Carl as well. Top on or off? ! | :22:33. | :22:44. | |
Now then, OK. Thank you judges very much. So our stars have given | :22:45. | :22:48. | |
everything they have got for a place in the final. We have combined the | :22:49. | :22:51. | |
points from the judges and the points from your votes and the two | :22:52. | :22:56. | |
stars with the lowest points, overall, will vault live. The | :22:57. | :23:05. | |
results are in. This is it then, in no particular order. The first | :23:06. | :23:10. | |
celebrity Saif Sareealy through to next week's final, and not vaulting | :23:11. | :23:22. | |
tonight is... Bobby. -- safely. Also safely through to next week's grand | :23:23. | :23:33. | |
final is. H. Next through to the final is... Amelle. Well done. Also | :23:34. | :23:48. | |
safely through it to the final is... It is's Lucy! -- it's Lucy! So Carl, | :23:49. | :23:58. | |
Peter and Sarah. Two of you will be facing the Vault tonight. One of you | :23:59. | :24:03. | |
is safe. Is I can reveal that the person who is safe, and through to | :24:04. | :24:05. | |
next week's final is... It's Sarah! | :24:06. | :24:35. | |
So, Carl and Peter... Look at them. You two are facing The Vault. A | :24:36. | :24:40. | |
place in next week's final is at stake. In just a few moments they | :24:41. | :24:45. | |
will have to perform their most imprif vault which will be judged by | :24:46. | :24:48. | |
Nadia Comaneci, our head judge. Here is how they have both been shaping | :24:49. | :24:49. | |
up in training. Good luck. The thing about The Vault is about | :24:50. | :24:59. | |
explosive power. Where you hit it with you your hands. You have to get | :25:00. | :25:02. | |
your body straight, then you'll land it. You get any of those factors | :25:03. | :25:09. | |
wrong, you mess up. I'm not scared of The Vault. The next time I do it, | :25:10. | :25:16. | |
I will nail it. You have to go onto The Vault, hard and fast. I think | :25:17. | :25:22. | |
speed, power and explosion. Then the panic starts. I don't think anyone | :25:23. | :25:28. | |
wants to be in the Vault Off, even if they have good vaults, they don't | :25:29. | :25:32. | |
want to be performing them on a live show. It's tense here. First to | :25:33. | :25:36. | |
vault, it's Peter. COMMENTATOR: So all that hard work. | :25:37. | :25:47. | |
All those weeks have come down to a few explosive seconds. Peter, please | :25:48. | :25:50. | |
prepare to vault. Choose the hand spring vault. Needs | :25:51. | :26:32. | |
a big push. Nice early push. Lots of energy. Here is the push. Now he | :26:33. | :26:36. | |
needs to bring his landing under control. He does it well. Just the | :26:37. | :26:43. | |
hop forward. Very strong effort. There's the hand spring. There's the | :26:44. | :26:47. | |
landing. Plenty of rotation. Well done. Brilliant effort from Peter. | :26:48. | :26:53. | |
Next to vault for a place in the grand final, it's Carl. | :26:54. | :26:59. | |
COMMENTATOR: Carl will not have seen Peter's effort much he needs to | :27:00. | :27:06. | |
focus now. He knows what it's like to be under pressure. | :27:07. | :27:16. | |
Carl, would you, please, prepare to Vault. | :27:17. | :27:31. | |
CHEERING AND APPLAUS | :27:32. | :27:37. | |
COMMENTATOR: Carl choose a half on, half off vault. A cartwheel base and | :27:38. | :27:43. | |
a handspring mixed into one. There is the turn on and there is the turn | :27:44. | :27:48. | |
off. He saw it, a mixture of a cartwheel, and a handspring. Needs a | :27:49. | :27:52. | |
push and needs awareness. Well done, Carl. Brought it under control. | :27:53. | :27:57. | |
So, the decision on who will be in the grand final lies solely with our | :27:58. | :28:04. | |
head judge, Nadia. Nadia, your verdict please. First of all on | :28:05. | :28:10. | |
Peter's vault. It was a big vault. A handspring, big flight. The second | :28:11. | :28:15. | |
flight was too. A little bending on the second flight and a little hop | :28:16. | :28:21. | |
on the landing. Pretty good. What about Carl's vault then? Is Carl's | :28:22. | :28:25. | |
vault was half in, half out. More difficult vault. He had basically a | :28:26. | :28:32. | |
perfect landing. OK. Nadia, it's decision time, based entirely on | :28:33. | :28:39. | |
tonight's vault. Who do you want to send through to the final, Nadia, | :28:40. | :28:49. | |
Peter or Carl? The celebrity I'm saving tonight is... | :28:50. | :28:57. | |
Well done, Carl. Well done. Nadia, can you just verify why you saved | :28:58. | :29:12. | |
Carl tonight? Well, the vault was more difficult and the fact that he | :29:13. | :29:20. | |
did a great execution and the landing made me decide he should go | :29:21. | :29:24. | |
on. Carl, you can go back to Sita. Well done, you are through to the | :29:25. | :29:25. | |
final. Peter, we are so sorry to see you | :29:26. | :29:34. | |
leave. Honestly. Sum up your Tumble experience so far? I have had a | :29:35. | :29:38. | |
great time. I never thought at this age I would be in this environmental | :29:39. | :29:42. | |
with all these fantastic young people doing stuff. I mean, I'm sad | :29:43. | :29:47. | |
for he Kate and Andy. Semi-final, that is pretty good for an old | :29:48. | :29:52. | |
geezer. You brought me flowers. We are sorry you are leaving us, Peter. | :29:53. | :29:55. | |
Peter, Kate and Andy everybody. Thank you very much. That is it for | :29:56. | :30:05. | |
semi-final Saturday. Thank you so much to our Tumble couples and their | :30:06. | :30:10. | |
coaches. Thanks to head judge is Nadia, Seb, Louis and Craig and of | :30:11. | :30:13. | |
course Mitch. | :30:14. | :30:16. |