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Twist and half a somersault, unbelievable. He did not hold back. | :00:18. | :00:25. | |
Coordination, acrobatics, you guys are ready for Las Vegas. Done with | :00:26. | :00:30. | |
such confidence. There is a gymnast in you. It was a huge somersault and | :00:31. | :00:40. | |
I loved it. Going head to head is Amelle and Emma. I am saving Amelle. | :00:41. | :00:49. | |
Gymnastics needs to be extraordinary. It is all about the | :00:50. | :00:57. | |
technique. You want to be amazed by a seamless performance. We want to | :00:58. | :01:02. | |
be moved. This week, we will have to hammer it. Fight to stay out of the | :01:03. | :01:08. | |
bottom two. I have been in the bottom two before. There is no way I | :01:09. | :01:10. | |
want to do that before. -- again. Please welcome our Tumble | :01:11. | :01:33. | |
professionals, with your host, Alex Jones! There it is Saturday night | :01:34. | :01:35. | |
and this is Tumble! Good evening and welcome to Tumble, | :01:36. | :02:34. | |
the show that gives your Saturday night a lift and then a backflip and | :02:35. | :02:40. | |
hopefully a perfect landing. Tonight I'm our celebrities take on | :02:41. | :02:42. | |
trampolining or rhythmic gymnastics for a | :02:43. | :02:43. | |
I'm our celebrities take on trampolining or rhythmic place in | :02:44. | :02:46. | |
next week's semifinal. No pressure. Please welcome our stars with their | :02:47. | :03:03. | |
gymnastic partners. H and Holly Johnstone! Sarah Harding and Leon | :03:04. | :03:20. | |
Fagbemi! Bobby Lockwood and Kristin Allen! Peter Duncan and Kate | :03:21. | :03:33. | |
McWilliam! Lucy Mecklenburgh and Billy George! And Carl Froch, with | :03:34. | :03:51. | |
Sita Bhuller! There they are, fighting fit and ready to go. But of | :03:52. | :03:56. | |
course, at the end of the show, two of our stars will have to throw | :03:57. | :04:02. | |
themselves straight of this. The vault. I am sure I can feel it | :04:03. | :04:10. | |
looking at me. And facing the vault will be the two celebrities who get | :04:11. | :04:15. | |
the lowest scores from this lot, our fantastic four, the Tumble judges! | :04:16. | :04:23. | |
First up, it is John Partridge, whose relationship with the | :04:24. | :04:25. | |
trampoline has literally had its ups and downs. | :04:26. | :04:36. | |
How do we think we did at the weekend? I think we got away with | :04:37. | :04:47. | |
it. There were minor mistakes, but you carried on with it. Should I | :04:48. | :04:51. | |
stay or should I go? You should definitely stay. We managed to come | :04:52. | :04:58. | |
second on the leaderboard. We have consistently developed, so if we can | :04:59. | :05:01. | |
keep doing that this week, I will be happy. I am going to put it out | :05:02. | :05:07. | |
there. I hate the trampoline! I can't bear it. I am terrible on the | :05:08. | :05:12. | |
trampoline, really bad. I don't feel in control. I don't like some of the | :05:13. | :05:20. | |
positions on the trampoline. I am awful at doing anything backwards. | :05:21. | :05:29. | |
No flexibility. Me and trampoline are not friends. John has got a | :05:30. | :05:34. | |
background in ballet, where he is used to pushing hard with his legs | :05:35. | :05:38. | |
against a firm for. With the trampoline, it is different. You | :05:39. | :05:43. | |
have to let the trampoline do the work, and at the moment, he is | :05:44. | :05:46. | |
trying to push. I hated the trampoline because it makes me feel | :05:47. | :05:51. | |
out of control. But as you become in control, the whole thing becomes | :05:52. | :06:00. | |
more enjoyable. We have made him friends with the trampoline. He has | :06:01. | :06:05. | |
got more confident. That is the best you have done. It was a big step in | :06:06. | :06:12. | |
him starting to enjoy doing it. I like the trampoline now. After all I | :06:13. | :06:17. | |
have to been through with the trampoline, I am going to enjoy it. | :06:18. | :06:21. | |
I want the judges to enjoy it and I will enjoy it when it is all over. | :06:22. | :06:29. | |
Good night, children, sweet dreams and put your toys away. | :06:30. | :07:46. | |
What a start! John, looks as if you finally made friends with the | :07:47. | :08:01. | |
trampoline. Very confident start. This is not easy, changing shape, | :08:02. | :08:08. | |
the full turn in the straddled jump. Confidently done. He is in charge of | :08:09. | :08:19. | |
the trampoline. His heart is going like the clappers, but that was | :08:20. | :08:23. | |
perfect from where we were sitting. It is going to come out of your | :08:24. | :08:29. | |
chest. You started, you hated the trampoline, then you loved it. How | :08:30. | :08:35. | |
was it this evening? I loved it! That is what we love to hear. Head | :08:36. | :08:39. | |
judge Nadia Comaneci, did Don start the show on a high? First of all, | :08:40. | :08:44. | |
you are a great performer and you do the best splits I have ever seen. | :08:45. | :08:52. | |
Beautiful form. New overrotates on the second somersault. That is where | :08:53. | :08:57. | |
you can upgrade your skills, by packing the second one. We did try | :08:58. | :09:03. | |
to do that the second week, but it did not work this time. It will work | :09:04. | :09:14. | |
next time. What about you? I saw from the V2 that you were scared of | :09:15. | :09:18. | |
the trampoline and in your routine, I could see that. The competition is | :09:19. | :09:22. | |
hotting up for me, there was not enough difficulty in that routine, | :09:23. | :09:34. | |
sorry. Seb, you don't agree, do you? I agree that you are great | :09:35. | :09:39. | |
performer. The problem with that is that now we expect you to do amazing | :09:40. | :09:44. | |
things, especially now, because we have had half of the competition | :09:45. | :09:48. | |
already. I can definitely say that the trampoline is a big challenge | :09:49. | :09:52. | |
for you and this week, compared to what we saw last time, it is a weak | :09:53. | :10:06. | |
week. You are who you are, but for me, the artistry did not match the | :10:07. | :10:15. | |
technique. Louis? John, you are very animated and you have got the | :10:16. | :10:18. | |
performance side, but I agree with Craig. The difficulty was not there. | :10:19. | :10:24. | |
What you did you took away from the momentum of the routine. I did not | :10:25. | :10:32. | |
enjoy it this week, sorry. John, I'm disappointed for you. We all loved | :10:33. | :10:42. | |
it. Warren will be happy with it. John and Kat, everyone. He was | :10:43. | :10:48. | |
second last week. We know John will not be happy. It is going to be one | :10:49. | :10:56. | |
of those weeks, is it? Scores for John and Kat? Six. Louis? Six. | :10:57. | :11:12. | |
Nadia? Seven. And Craig? Seven. So a total of 26 out of 44 John and Kat. | :11:13. | :11:19. | |
Now, after facing the vault last week, Amelle was at two proof that | :11:20. | :11:25. | |
when the going gets tough, the tough get bouncing. Saturday did not go | :11:26. | :11:39. | |
completely to plan. It started off shaky, but you got back into it. We | :11:40. | :11:45. | |
need to forget that, bury it, put it in a box and throw it in the bin. I | :11:46. | :11:50. | |
enjoy trampoline, but it is scary if you make one mistake. The last | :11:51. | :11:54. | |
couple of sessions have been the worst I have seen. She is making a | :11:55. | :11:58. | |
sick mistakes. Today I did get frustrated with the back | :11:59. | :12:01. | |
somersault. I was not thrown myself into it like I normally do and | :12:02. | :12:06. | |
enjoying it as much. My confidence had seeped away. This week, we can | :12:07. | :12:15. | |
already see the nerves kicking in. I don't know what it is. I think | :12:16. | :12:19. | |
Saturday rocked everything. You can do it. Everyone falls. But let's get | :12:20. | :12:25. | |
up and get going. I would like to keep that back somersault in there. | :12:26. | :12:29. | |
I would like to show the judges I can do some difficult moves. On show | :12:30. | :12:35. | |
day, show what you are doing in training. Exactly. The rehearsal | :12:36. | :12:44. | |
went all right today. I had a bit of a fall again, to be honest. I was | :12:45. | :12:49. | |
going for a backward somersault. Halfway in the air, I was like, I | :12:50. | :12:52. | |
should take another jump and nearly landed on my head. But I kept myself | :12:53. | :12:57. | |
strong, because I am used to falling now. When I think about the routine | :12:58. | :13:03. | |
tomorrow, I am a bit nervous. I don't want the same thing to happen | :13:04. | :13:08. | |
like last week. It is in the back of my mind, but I am trying not to | :13:09. | :13:13. | |
think about it. I am trying to get on with it. I know this routine. I | :13:14. | :13:18. | |
am a fighter, so I am going to fight for this. | :13:19. | :14:54. | |
A performance to Diamonds, to come straight from the Crown Jewels. | :14:55. | :15:01. | |
Conquering the back somersault. Tiny adjustment there but brings it under | :15:02. | :15:06. | |
control. Star lift superbly performed. | :15:07. | :15:10. | |
Front somersault. She got away with that one as well. Nice little jump | :15:11. | :15:19. | |
to bring it all under control. You had a huge crisis of confidence | :15:20. | :15:24. | |
last week. Just tell us how hard it is to come out this week to get that | :15:25. | :15:28. | |
routine right? How nervous were you sitting on that box earlier? Really, | :15:29. | :15:33. | |
really nervous, it's something that creeps up in my head and I can't get | :15:34. | :15:39. | |
rid of it, even though you're having a great time. It whispers in my | :15:40. | :15:45. | |
head. I'm really proud of myself. You did well! | :15:46. | :15:49. | |
So, OK then, Seb? What did you make of it? You have got to be proud | :15:50. | :15:55. | |
because it's true that trampolining, it's a big challenge that makes you | :15:56. | :15:58. | |
very nervous and that's how we see the difference from a performance to | :15:59. | :16:03. | |
another one. I was missing the touch when you come on stage and go, yes, | :16:04. | :16:07. | |
this is my land, you know, but although because of all the tricks | :16:08. | :16:13. | |
you did a good job. Thank you. Louis, one of the hardest things of | :16:14. | :16:17. | |
that routine was the back somersault. Did she do it well and | :16:18. | :16:22. | |
land it well? After watching the training video, I think you had some | :16:23. | :16:25. | |
serious guts going for the back somersault again. Most people would | :16:26. | :16:28. | |
say, do you know what, I'm not going to do it and you took a serious | :16:29. | :16:33. | |
tumble, no pun intended, but seriously, that was unbelievable, | :16:34. | :16:37. | |
great hip rotation, you spotted the landing. I was impressed. There's a | :16:38. | :16:43. | |
lot more to come from you. Nadia? You went backwards and | :16:44. | :16:50. | |
forwards, a good complexity of skills. This is huge for you. I | :16:51. | :16:55. | |
would pay attention to your legs. I thought you were going to say that, | :16:56. | :17:00. | |
you know, I really did. I just look at details. That's important and I | :17:01. | :17:04. | |
know you can do it. Thank you. I'll take that. | :17:05. | :17:10. | |
What did you make of it, Craig? I'll forget about the details, you were | :17:11. | :17:14. | |
an absolute diamond on that trampoline. Thank you so much. I was | :17:15. | :17:17. | |
so impressed. You nearly wiped yourself out in the VT, I nearly | :17:18. | :17:22. | |
fell off the chair, it takes so much guts when you do something to scary | :17:23. | :17:26. | |
and terrifying, to gets back up and do it in a performance. You were | :17:27. | :17:29. | |
magnificent well done. Thank you so much. The nicest thing Craig's ever | :17:30. | :17:35. | |
said! Mel and Doug, you should be very proud of yourselves. Well done | :17:36. | :17:42. | |
-- Ammelle and Doug. She'll be happy to make her mark on | :17:43. | :17:44. | |
the score board. The scores: So, a total then of 29.5 out of 40 | :17:45. | :18:08. | |
for Ammelle and Doug. They are thrilled with that. | :18:09. | :18:11. | |
Great. So, next, our first rhythmic | :18:12. | :18:15. | |
performance and it's Peter Duncan. Now, we are one week from the | :18:16. | :18:19. | |
semi-finals and he knows he needs to get serious. Not easy when you are a | :18:20. | :18:21. | |
grown man with a ribbon! I was a bit surprised by the leap | :18:22. | :18:39. | |
there. It was my face, like "oh, oh! " Week one Kate the Ied the | :18:40. | :18:44. | |
somersaults, week three you're doing them. As the show progresses, you | :18:45. | :18:49. | |
have to be seen to be getting better and brave. I need to knock 20 years | :18:50. | :18:54. | |
off and go for it! So today, you two are going to be businessmen. What | :18:55. | :18:59. | |
does every businessman get out of their case? A ribbon. Ribbon, yeah! | :19:00. | :19:06. | |
Ribbons! I was desperate to get ribbons. Two I hope. I was like a | :19:07. | :19:13. | |
ballet dancer. I watch the swimming Olympics and the Commonwealth Games, | :19:14. | :19:19. | |
I'm if ribbon heaven. They are very beautiful to look at. The first | :19:20. | :19:25. | |
session was a bit of free form, you are experimenting. I invented the | :19:26. | :19:34. | |
Duncan fairy. I may have invented a lot more. That actually looks really | :19:35. | :19:38. | |
nice. Gymnastics is really strict and there are certain things you | :19:39. | :19:42. | |
have to do, but this is much more free. Peter is thrilled to have the | :19:43. | :19:47. | |
rhythm and he's a natural with it. Until he starts putting it into a | :19:48. | :19:52. | |
routine. And then he's found out that it's not quite as easy as he | :19:53. | :19:57. | |
thought it would be. It's not going straight. It's not like silk any | :19:58. | :20:03. | |
more. Argh! Sit on that one. Clear it. Breathe. Argh... There have been | :20:04. | :20:12. | |
times when Peter's got really frustrated which I don't think any | :20:13. | :20:15. | |
of us saw coming. It's hard and you have to be angry with it to make it | :20:16. | :20:20. | |
work better. It's not me, it's the ribbon! | :20:21. | :20:36. | |
APPLAUSE Our city gent doing the business | :20:37. | :21:59. | |
with his ribbons! What a performance from Peter! | :22:00. | :22:04. | |
Look at this! Multitasking holding the balance and coiling the ribbon | :22:05. | :22:10. | |
and the syncho was there as well. Great stuff. Look at this, accurate | :22:11. | :22:15. | |
in the exchange. Great spot on catches. | :22:16. | :22:21. | |
And a little bit of Duncan original. Here with the fairy, this is his | :22:22. | :22:26. | |
very own move. Great routine Peter once again. You can't bribe the | :22:27. | :22:32. | |
judges but you can bribe me, however. I'll just keep that for | :22:33. | :22:35. | |
later. I loved your face when you first got hold of the ribbon, you | :22:36. | :22:39. | |
were like yes, this is amazing dancing around. Were you happy with | :22:40. | :22:44. | |
that? Yes, I missed the big one at the end but it was all right. | :22:45. | :22:49. | |
Don't point out your mistakes, Peter. Sorry. | :22:50. | :22:55. | |
Seb, what does it take to do a good rhythmic performance? Rhythmic when | :22:56. | :23:02. | |
you use a prop, that prop has to be part of you too, so it's like you | :23:03. | :23:06. | |
bring in another person. It has to be a movement all the time and you | :23:07. | :23:10. | |
have to be moving around it and in control of it and it moves with you. | :23:11. | :23:12. | |
So you did it. The thing with you, you were doing | :23:13. | :23:24. | |
something unexpected, so great job. Basically it's really difficult. | :23:25. | :23:30. | |
Louis? I'll be honest, right, when I found out you got the ribbon, like | :23:31. | :23:34. | |
everyone else, I didn't really know what to expect. And I was thoroughly | :23:35. | :23:39. | |
impressed. It was a good laugh. It was very difficult. And I'm actually | :23:40. | :23:44. | |
feeling a lot better. I've been ill for a few days and I'm in a good | :23:45. | :23:48. | |
mood now so thank you. You have really done it! Nadia? The dream of | :23:49. | :23:53. | |
every gymnast is to do something nobody did before and they named it | :23:54. | :24:02. | |
after you. No, it's good. The fact that you did that coil like not | :24:03. | :24:08. | |
before, it's something that Tumble will remember. You did something | :24:09. | :24:11. | |
nobody did before and you should remember that. | :24:12. | :24:14. | |
Last but not least, Craig, what did you think? I guess out of all the | :24:15. | :24:18. | |
performances every week, I really look forward to seeing what weird | :24:19. | :24:21. | |
and whacky thing you are going to do. All I can say is, you delivered, | :24:22. | :24:27. | |
that was bang on the money! Very good, Craig. | :24:28. | :24:37. | |
Peter and Paige, well done! Always so much fun when Peter is involved. | :24:38. | :24:46. | |
Obviously not paying Louis and Craig enough, because they have collected | :24:47. | :24:50. | |
all the money off the floor. Scores, enough of the money. Seb? | :24:51. | :25:05. | |
Wow. That's the total, 31 out of 40 for Peter and Kate. They are | :25:06. | :25:14. | |
absolutely over the moon. Brilliant, well done. To hear what Peter and | :25:15. | :25:19. | |
all the stars really think of the judges here and for more of what is | :25:20. | :25:23. | |
happening behind-the-scenes, drop in on the Tumble social media site: | :25:24. | :25:35. | |
So, he was on top of the score board last week. Let us see how he fares | :25:36. | :25:42. | |
on top of a tramp lean this week. It's Bobby Lockwood. | :25:43. | :25:46. | |
-- trampoline this week. Trying to figure out what is the | :25:47. | :25:57. | |
product you are lacking. And you're not. | :25:58. | :26:01. | |
That was the highest score so sort. We were absolutely over the moon. We | :26:02. | :26:06. | |
are now at the top of the leaderboard. We have stay this | :26:07. | :26:10. | |
because there's only one way to go. I'm really excited for next week. We | :26:11. | :26:14. | |
have to come up with some great tricks if we are to impress the | :26:15. | :26:18. | |
judges. Come on! Trampolining may look like a lot of fun but actually | :26:19. | :26:23. | |
it takes a lot of skill. Knees have to be nice and tight, staying in | :26:24. | :26:28. | |
line whilst keeping straight. Bobby is attempting a lot of difficult | :26:29. | :26:34. | |
moves. The somersault is tricky. If the rotation goes wrong, you can | :26:35. | :26:38. | |
land on your face. On top of that, he has to do the front somersault. | :26:39. | :26:47. | |
It takes a lot of technique. It's hard to stay in the centre of the | :26:48. | :26:53. | |
tramp. If you go to one side or the other, you can get thrown off, you | :26:54. | :27:00. | |
can blow out your ankle or knees. Alex and Kristin do it lovely and | :27:01. | :27:05. | |
graceful and elegant and I'm like fluffing my arms like a chicken. Do | :27:06. | :27:09. | |
you feel like you don't know what to do with your arms? No, I'm | :27:10. | :27:14. | |
panicking, I still worry. It's so frustrating. Bobby wants to stay at | :27:15. | :27:19. | |
the top of the ledder board, he's trying moves even an experienced | :27:20. | :27:24. | |
gymnast would find tricky. Fingers crossed we can do it. -- the | :27:25. | :27:27. | |
leaderboard. APPLAUSE. | :27:28. | :29:02. | |
Last week over the moon, this week on the moon and look at the quality | :29:03. | :29:06. | |
of this performance. That was a challenge and boy, did he meet it! A | :29:07. | :29:11. | |
little extra twist as well. And lack at the synchro here in the | :29:12. | :29:17. | |
straight back semi. Bobby is in space! | :29:18. | :29:19. | |
Out of this world with that performance. | :29:20. | :29:24. | |
Brilliant stuff. Look guys, the first standing | :29:25. | :29:28. | |
ovation of the series, they are all just sat down, honestly, they were | :29:29. | :29:32. | |
on their feet! It's really hard for an audience to tell who is the pro, | :29:33. | :29:34. | |
really good. an audience to tell who is the pro, | :29:35. | :29:38. | |
So, Louis, the idea for this routine was to pack it full of content, | :29:39. | :29:42. | |
wasn't it, so what did you make of it? One small step for man, one | :29:43. | :29:49. | |
giant leap for Bobby and Kristin. That was unbelievable and I'm now | :29:50. | :29:52. | |
going to go as far as saying, you are no longer a celebrity, you are a | :29:53. | :30:04. | |
gymnast to me now! VAT You did much more than I expected. And everything | :30:05. | :30:11. | |
you did from the beginning to the end was the best form and execution. | :30:12. | :30:21. | |
It was excellent. I agree totally with that, but I would give you one | :30:22. | :30:26. | |
bit of advice. When you build up to the big trick in the routine, you | :30:27. | :30:29. | |
need to keep your concentration right to the finish. Just focus to | :30:30. | :30:34. | |
the end, but that was magnificent. Well done. Awesome routine. That | :30:35. | :30:43. | |
straight backflip that you did is a reflection of the work you put into | :30:44. | :30:51. | |
in training, so it is brilliant. Group hug! Bobby and Kristin. Great | :30:52. | :31:06. | |
quote from Louis. Nadia said it was not only a good performance, but | :31:07. | :31:08. | |
also the execution. Your scores? So, the highest total so far for | :31:09. | :31:40. | |
Bobby and Kristin. All our celebrities are desperate for a | :31:41. | :31:43. | |
place in the semifinal, but the two with the lowest scores will face the | :31:44. | :31:48. | |
vault tonight. Let's see how the scoreboard stands at the halfway | :31:49. | :31:53. | |
point. What a gymnastics journey we have had so far. | :31:54. | :32:11. | |
So, our tumbling celebrities have worked incredibly hard to achieve | :32:12. | :32:16. | |
the poise and elegance of actual gymnasts. On the whole, they have | :32:17. | :32:21. | |
pulled it off. Sometimes, things go a bit more like this. Gymnastics is | :32:22. | :32:28. | |
definitely not for the faint-hearted. If there was an | :32:29. | :32:37. | |
Olympic event for falling over, I think I would have won a gold by | :32:38. | :32:45. | |
now. This is a whole new level of pain. You can't see the bruises | :32:46. | :32:50. | |
because I have got so much fake tan on. Gymnastics is painful, period. | :32:51. | :33:08. | |
It is impossible to look good when you are that high up in the air. I | :33:09. | :33:16. | |
have hit the deck more in this show than in my whole back -- boxing | :33:17. | :33:24. | |
career. It is the most undignified thing I have ever done. At the end | :33:25. | :33:31. | |
of the day, you are either laughing or crying, so you might as well | :33:32. | :33:43. | |
embrace it. What can I say? We have a good make-up department that | :33:44. | :33:45. | |
covers the bruises. Next, Sarah Harding. | :33:46. | :34:00. | |
We live to fight another day. You need to just enjoy it, give us a | :34:01. | :34:11. | |
show. Do not worry about any other competitor. You need to run your own | :34:12. | :34:16. | |
race. This week, we have slipped down and I am starting to get the | :34:17. | :34:22. | |
fear. Positive mental attitude. No more tears. Just do it. Just as soon | :34:23. | :34:29. | |
as I have managed to get my head around one thing, they throw in | :34:30. | :34:33. | |
something else, the ball. I cannot tell you how hard the ball is if you | :34:34. | :34:38. | |
don't throw it in exactly the right place. You can't reach it. If you | :34:39. | :34:43. | |
drop it, there is no way back. It rolls and roles, and we have given | :34:44. | :34:50. | |
it to Sarah and Leon. I hate this already. It is flipping difficult. | :34:51. | :34:57. | |
What are you doing? I don't want this any more! We are slightly in | :34:58. | :35:03. | |
Groundhog Day with Sarah. I am not a trained dancer or a gymnast, why am | :35:04. | :35:08. | |
I doing this? Even when she gets something brilliantly, she still | :35:09. | :35:12. | |
thinks it is not good enough. There has to be some point when she starts | :35:13. | :35:17. | |
thinking she can do this. You are doing really good. We are giving you | :35:18. | :35:23. | |
space to remember. But I am not remembering it. There is not | :35:24. | :35:27. | |
enjoying this rhythmic routine. How many times have you practise? We | :35:28. | :35:31. | |
will just have to deal with it. I looked like a duck. I know me and | :35:32. | :35:39. | |
the ball have not been the best of buddies in the last week, but this | :35:40. | :35:45. | |
week, we are going to fight to try and not get into that bottom two. | :35:46. | :35:48. | |
Yes! Hard on herself. Tonight, Sarah | :35:49. | :37:22. | |
found the performance side of her personality. This did not go quite | :37:23. | :37:28. | |
to plan, but she caught up very quickly. And with the cartwheel, | :37:29. | :37:34. | |
again, she improvised, a sign that she is confident. And this was | :37:35. | :37:41. | |
great, she was under control, back in control of the ball. Sarah is | :37:42. | :37:49. | |
desperate to chuck the ball. Go on, just do it. It is gone. End of your | :37:50. | :37:58. | |
relationship. It is over. Nadia, what did you make of it? I like that | :37:59. | :38:02. | |
you kept the ball moving from the beginning to the end. I like that | :38:03. | :38:05. | |
you enjoyed the performance and did not worry about, what if I do | :38:06. | :38:10. | |
something wrong? Even though you did something and almost forgot your | :38:11. | :38:17. | |
routine, you enjoyed it. It is about positive mental attitude, and it is | :38:18. | :38:23. | |
working. Previously, you have not looked like you were enjoying it. I | :38:24. | :38:28. | |
had fun with this one. I could see it on your face. When you enjoy your | :38:29. | :38:37. | |
performance, so will we. Well done. Yes, great connection with the ball | :38:38. | :38:39. | |
and the music. That was very entertaining. I loved it. And Louis? | :38:40. | :38:46. | |
It is tricky to handle these two balls. It is tricky. And I like the | :38:47. | :38:55. | |
fact that you did not stop moving. There was a lot of choreography to | :38:56. | :38:59. | |
remember, and you nailed the forward roll catch at the end. It was a | :39:00. | :39:06. | |
success. Natalia is waiting for you. Well done. The judges are impressed. | :39:07. | :39:13. | |
They noticed that the enjoyment is shining through at last, and it | :39:14. | :39:17. | |
helped. The few mistakes did not really matter. A smile releases | :39:18. | :39:21. | |
Sarah Harding. Your scores? Congratulations to them. Now, if you | :39:22. | :39:45. | |
are craving something macho, how do you fancy a bit of Carl Froch | :39:46. | :39:49. | |
walking out of the big motorbike tire? Thought so. You're welcome. He | :39:50. | :40:05. | |
will have his top off, won't he? The start of the routine did not go | :40:06. | :40:12. | |
well. From then on, you managed to rescue the routine. Started off a | :40:13. | :40:17. | |
bit iffy, but as soon as you got into it, it was great. Nice to see | :40:18. | :40:24. | |
you settle in. Joint third on the leaderboard. Feels good to be back | :40:25. | :40:28. | |
on top. I am the champion, I don't want to be at the bottom of the | :40:29. | :40:34. | |
squad. So, today you discover what your rhythmic is going to be. Do you | :40:35. | :40:38. | |
ride a bike? Mm-hmm. Good, because we decided that your prop would be a | :40:39. | :40:51. | |
bike tire. Sounds heavy. We felt a group would not really highlight his | :40:52. | :40:57. | |
strength, so we gave him a tyre. He can do so much more with that. The | :40:58. | :41:05. | |
tyre is an unusual prop, but this is Tumble. Try and put some sort of | :41:06. | :41:14. | |
spin on it to make it fancy. When it gets thrown at you, it is awkward to | :41:15. | :41:18. | |
catch because it is heavy and it is being mobbed at my face. If it hits | :41:19. | :41:24. | |
me, it is going to hurt. We are going to do a move where she stands | :41:25. | :41:29. | |
on my hand and I lifted her, and while this is going on, I have the | :41:30. | :41:33. | |
tyre balancing around my knees. I love motorbikes. I have had one | :41:34. | :41:37. | |
since I was a kid. I just hope that on Saturday, our routine does not | :41:38. | :41:38. | |
crash and burn. Performing rhythmic the macho way, | :41:39. | :43:21. | |
what else would we expect from our very own world champion boxer? | :43:22. | :43:32. | |
Strength and timing is the key here. Look at that front somersault. | :43:33. | :43:39. | |
Accurate and confident, as always. Big zero. Ambitious. He just | :43:40. | :43:46. | |
overcooked it, but did well to keep the rhythm. What is going on here? | :43:47. | :43:54. | |
Nadia has got the tyre. Is it heavy? Yes, it is. If somebody throws that | :43:55. | :43:58. | |
at me, I don't know what I'm going to do with it. It is heavy. Now, | :43:59. | :44:07. | |
Carl thought he might crash and burn during that routine. It didn't look | :44:08. | :44:13. | |
like it. I was expecting maybe attract a tyre for a man of your | :44:14. | :44:17. | |
strength. But it was amazing. You were kicking it off your feet. I was | :44:18. | :44:21. | |
impressed. It will be a now, but well done. From a circus point of | :44:22. | :44:33. | |
view, I don't know any act with tyres and juggling in the same | :44:34. | :44:37. | |
routine, so I think you guys invented something. That means it is | :44:38. | :44:45. | |
awesome. Louis, was up your street? When I think of a motorbike tyre and | :44:46. | :44:50. | |
rhythmic gymnastics, they don't go, but that did. I was impressed. I | :44:51. | :44:54. | |
have been nagging you for three weeks to show me some style, and I | :44:55. | :44:58. | |
saw some style. I saw the handstand, mixed together. You have done a good | :44:59. | :45:08. | |
bob with him. Well done. And Nadia? You remember when I gave you a hard | :45:09. | :45:12. | |
time about the aerial that you have a great upper body and forget about | :45:13. | :45:16. | |
your legs? You really improved on that. Congratulations. So good | :45:17. | :45:24. | |
comments, Carl, you must be happy with that, right? Yes, very happy. | :45:25. | :45:29. | |
I've been working very hard with Rob, he's taken a bit of praise | :45:30. | :45:33. | |
there and he deserves it. Just as well they didn't give you a ribbon | :45:34. | :45:39. | |
like Peter. Yes, he's getting a bit too much stick today, not happy with | :45:40. | :45:43. | |
that. Great job both of you, well done. | :45:44. | :45:52. | |
The judges scores - will they push him off his bike? We'll have to wait | :45:53. | :45:54. | |
and see. So, a total then of 31 out of 40 for | :45:55. | :46:15. | |
Carl and Sita. Robert particularly pleased with that score. | :46:16. | :46:18. | |
Up until now, the fate of our celebrities has been entirely down | :46:19. | :46:22. | |
to our judges here. But, from next week, we are opening the voting | :46:23. | :46:29. | |
lines that you at home can take part in by voting for your favourite. How | :46:30. | :46:34. | |
have things been in training for Lucy Mecklenburgh? She's been tying | :46:35. | :46:36. | |
herself up in knots really. How do you feel? I'm starting to | :46:37. | :46:51. | |
enjoy performing. I really did love that performance. I believe now | :46:52. | :46:54. | |
there is a gymnast inside you waiting to get out. Well done. I | :46:55. | :47:01. | |
wasn't expecting that to from Craig. Hoy does that A feck how you feel | :47:02. | :47:05. | |
about going into this week? We need to put some skills in the routine. | :47:06. | :47:10. | |
We'll work on that. Me and Billy are doing rhythmic which is gymnastics | :47:11. | :47:14. | |
with a prop. Your prop today is the ribbon. Yes. I'm so happy about | :47:15. | :47:23. | |
that. Let's grab your ribbons then. It just looks amazing. Snakes. Very | :47:24. | :47:30. | |
girlie. I'm happy that she's happy about it. It's a rhythmic gymnastics | :47:31. | :47:36. | |
piece of apparatus. Make sure the ribbon is really close. It's usually | :47:37. | :47:43. | |
six metres long. It's quite hard now I've realised. Doesn't always do as | :47:44. | :47:47. | |
it's told. This is a beast of a knot. If you are not careful it | :47:48. | :47:52. | |
knots and when it knots that's kind of it, there's not much you can do, | :47:53. | :47:55. | |
you have to stand there and unknot it. One minute... | :47:56. | :48:01. | |
Because the judges picked up on Lucy having this inner gymnast, they are | :48:02. | :48:05. | |
pushing this week to make sure we have some gymnastics within the | :48:06. | :48:13. | |
routine. Katie's put a move in it which I had no idea what it was. The | :48:14. | :48:20. | |
first foot down bends. It's a cart wheel into a walkover. It looks | :48:21. | :48:25. | |
really cool. I feel like I need to keep raising the bar now. If she | :48:26. | :48:28. | |
wants me to do a hard move, I'm going to do it, put my all into it. | :48:29. | :48:32. | |
I don't want to go back down that leaderboard. | :48:33. | :48:49. | |
APPLAUSE. Whatever stars she cast, it | :48:50. | :50:03. | |
certainly worked with the audience. Can she do the same with the judges? | :50:04. | :50:07. | |
She's really stepped up her skill level here. Such control there. | :50:08. | :50:15. | |
Controlling the ribbon as well. Bhily became part of the apparatus | :50:16. | :50:23. | |
-- Billy. And that move, she needn't have worried. Well done, Lucy. | :50:24. | :50:28. | |
A really good performance and it's been lovely to see you blossom in | :50:29. | :50:32. | |
this competition. How different did tonight feel compared to week one | :50:33. | :50:36. | |
then? Completely different. I loved that routine and felt confident and | :50:37. | :50:39. | |
I'm starting to enjoy the performance and get into character | :50:40. | :50:43. | |
and we didn't get a knot in the ribbon, yay! Billy, for you, you are | :50:44. | :50:50. | |
a great partnership, how does it feel for you seeing Lucy enjoying | :50:51. | :50:54. | |
it? For somebody who 11 weeks ago couldn't do a forward roll, to be | :50:55. | :50:58. | |
able to nail that tonight, I'm so overwhelmed. You did amazing. All | :50:59. | :51:02. | |
right. Let's see what the experts thought. Seb? The ribbon, it's not | :51:03. | :51:08. | |
easy because it changes shape all the time and, like you said, you | :51:09. | :51:14. | |
guys have knots and I haven't seen any trouble or knots. I saw you | :51:15. | :51:22. | |
moving and staying in the mode, it was great. Louis? It wasn't the most | :51:23. | :51:26. | |
difficult routine, was great. Louis? It wasn't the most | :51:27. | :51:27. | |
difficult but you showed good control of the ribbon throughout the | :51:28. | :51:33. | |
routine. You carried yourself well and the performance side, it was | :51:34. | :51:38. | |
very passionate, very see ductive also, very into it, I was, enjoyed | :51:39. | :51:41. | |
it. Very see ductive. | :51:42. | :51:46. | |
What did you make of it then, Nadia? I appreciate that you did that | :51:47. | :51:50. | |
difficult move there and it's important to do it correctly | :51:51. | :51:54. | |
otherwise your elbow can go out and that's not very pleasant. I think | :51:55. | :52:00. | |
when you caught the ribbon, it was sometimes not exactly at the place | :52:01. | :52:07. | |
where it was supposed to be caught, but, as Louis said, it could have | :52:08. | :52:17. | |
been a little better. Still two weeks to go. Craig. What did you | :52:18. | :52:23. | |
make of it? I'm sorry, I didn't get it at all. After last week, I was | :52:24. | :52:27. | |
expecting so much more of a performance. It was a bit | :52:28. | :52:31. | |
stop-start. It looked like you were concentrating to pick the ribbon up | :52:32. | :52:34. | |
on the floor and things like that. I mean, these guys have their | :52:35. | :52:39. | |
opinions, but it just wasn't for me this week, I'm sure. You didn't | :52:40. | :52:43. | |
watch it. I did. It wasn't for me. Craig, what do you have to say, | :52:44. | :52:49. | |
guys? I've got so many tricks I can work on, it was really hard that | :52:50. | :52:53. | |
routine, it's so hard to use that rhythm, gets in a knot just like | :52:54. | :52:57. | |
that, I was focussing so much not to get a knot and performed as best I | :52:58. | :53:01. | |
could. I want to show you next week what more I can do. Back in your | :53:02. | :53:08. | |
box, Craig! Lucy and Billy, everyone. Controversy from the | :53:09. | :53:14. | |
judges. Craig and Seb at opposite ends of the spectrum. | :53:15. | :53:19. | |
Katie is obviously pleased. Let's get your scores. | :53:20. | :53:34. | |
So a total of 28 out of 40 for Billy and Lucy. Not bad at all. Now, our | :53:35. | :53:45. | |
stars have taken to their props with varying degrees of success, but our | :53:46. | :53:48. | |
last celebrity, H, is finding his a bit of a headache. | :53:49. | :53:55. | |
How do you feel about this week? We got through it. You are injured. | :53:56. | :54:03. | |
Notture best performance. Missing training and being injured. Rhythmic | :54:04. | :54:11. | |
this week. I'm excited about it. I want to do skills, tricks and | :54:12. | :54:18. | |
impress the judges. Because we are giving it full-on glamour, you are | :54:19. | :54:22. | |
going to be in top hat and tails and your prop will be... Yeah! A cane. | :54:23. | :54:36. | |
Even more exciting, your music will be | :54:37. | :54:43. | |
# Rain on my parade... We are doing it to, don't rain on my | :54:44. | :54:48. | |
parade. The cane because of the weight, it's not as easy as it | :54:49. | :54:55. | |
looks. I've never worked with a prop like that before. Obviously good | :54:56. | :55:04. | |
hand-eye coordination is needed. Argh... | :55:05. | :55:10. | |
# All that jazz... Argh... | :55:11. | :55:17. | |
Ice pack? Are you all right? As if throwing the cane isn't enough. Look | :55:18. | :55:21. | |
at my cane, it's nice and shiny. Hard moves in the routine as well. | :55:22. | :55:26. | |
Another one of the skills, it's a stand and tuck back. This is | :55:27. | :55:29. | |
something that I real hi want to do in front of the judges -- I want him | :55:30. | :55:34. | |
to do in front of the judges, so he can go, here I am, top hat, boom, | :55:35. | :55:40. | |
yes. I'm going to sleep with it tonight and make friends with it. | :55:41. | :55:53. | |
APPLAUSE Truly a glittering performance. He's | :55:54. | :57:10. | |
full of joy and celebration. Gym mass ticks or cob ray, take your | :57:11. | :57:14. | |
pick, he's brilliant at both. Look at this tuck back. Great technique. | :57:15. | :57:24. | |
Dexterity with the apparatus. He went on and on. Great use of the | :57:25. | :57:31. | |
apparatus. The cart wheel, super. Everything in his performance, great | :57:32. | :57:37. | |
stuff. He can't breathe but that routine seemed to suit you down to | :57:38. | :57:41. | |
the ground. Did you enjoy it as much as it looked like you did? It's been | :57:42. | :57:47. | |
a hard week but we've come back with avengeance, we loved it. It showed. | :57:48. | :57:51. | |
Louis good enough for you? I felt like I was at the West End. It was | :57:52. | :58:00. | |
brilliant, you know, the energy was great, somersault, I think I can see | :58:01. | :58:03. | |
how hard you've been working because you were so confident. To be like | :58:04. | :58:07. | |
that, with a prop, on a Saturday night live television show, well | :58:08. | :58:18. | |
done! Nadia, a lot of jazz, but was there enough gymnastic content in it | :58:19. | :58:22. | |
There was enough but I was watching this and I thought I find myself at | :58:23. | :58:29. | |
the Broadway Show, I was so entertained. I loved it. Your | :58:30. | :58:37. | |
routine was a cross between Fred Astaire and Louis Smith. Thank you! | :58:38. | :58:51. | |
Craig? What did you make of it? I was so impressed. What I liked about | :58:52. | :58:55. | |
the start, it was so dynamic, a Bam somersault, you need quick arms, | :58:56. | :58:59. | |
fast shins, knees, tug over, nail it, you did it! Didn't touch the | :59:00. | :59:03. | |
floor. Didn't touch the floor this week. Great performance, well done. | :59:04. | :59:12. | |
They all seemed to love it. Seb? It wasn't very good H, it was fantabla! | :59:13. | :59:24. | |
It's true, on live television to go with a standing backflip opening | :59:25. | :59:28. | |
like that, even those guys, I don't think they can still pull those kind | :59:29. | :59:32. | |
of tricks... What you talking about... . What you talking about. | :59:33. | :59:38. | |
We will challenge the three of you. You guys do it. Now? | :59:39. | :00:02. | |
quickly. Three, two, one! Go! Back to your seats. | :00:03. | :00:12. | |
So, after that little display, Holly and H, everybody! H plays on | :00:13. | :00:22. | |
Broadway in the West End, according to the judges. A cross between Fred | :00:23. | :00:26. | |
Astaire and Louis Smith. He certainly impressed everyone. Out of | :00:27. | :00:31. | |
interest, Nadia, which of the boys was the best? Putting you on the | :00:32. | :00:38. | |
spot. Come on. She won't do it, she is too professional. Anyway, now | :00:39. | :00:43. | |
that all eight have performed and before we find out H's score, we can | :00:44. | :00:48. | |
confirm that the celebrity definitely facing the vault is... | :00:49. | :01:02. | |
John. Whilst in danger is also Lucy. But it could all change now. H, you | :01:03. | :01:08. | |
need more than 28 points to avoid the vault. Judges, let's get H's | :01:09. | :01:12. | |
scores. So, H, you are safe. No vaulting for | :01:13. | :01:45. | |
you. Does go to the judges' scoreboard and see how it is | :01:46. | :01:51. | |
looking, Mitch. For the second week in a row, Bobby is on top of the | :01:52. | :01:53. | |
pile. We could never have predicted this. | :01:54. | :02:15. | |
It is John versus Lucy. Guys, good luck. Go and prepare, and we will | :02:16. | :02:21. | |
see you in the vault. Next week, it really will be Mission Gympossible, | :02:22. | :02:27. | |
as our stars have to matter not one, but two disciplines. And if that was | :02:28. | :02:31. | |
not enough, they will perform one of them on their own, without their | :02:32. | :02:38. | |
partner. When the beam comes up, we will all have an opinion. Nadia? The | :02:39. | :02:50. | |
beam, that is so scary. Men call it the Nutcracker. That is why we don't | :02:51. | :02:53. | |
go on it. The beam is very difficult. Stay away from going | :02:54. | :02:59. | |
down, because you can't cover it up, and then just go for it. The key | :03:00. | :03:06. | |
thing about the parallel bars is to keep the movement flowing. The | :03:07. | :03:12. | |
performers will have to demonstrate moves above the bars, under the bars | :03:13. | :03:19. | |
and then somersault and do a controlled dismount. I definitely | :03:20. | :03:24. | |
think it will be one of the hardest ones for the celebrities to pull off | :03:25. | :03:31. | |
and make it look good. No, no, no! Yes, yes, yes! Now, if you have been | :03:32. | :03:37. | |
enjoying the circus skills on Tumble, you will love what is coming | :03:38. | :03:41. | |
next. An incredible performance from a very modern British circus | :03:42. | :03:46. | |
troupe. Welcome to the wonderful world of Circulus. | :03:47. | :06:33. | |
Circulus, everyone! So, two stars, one vault and a place in the | :06:34. | :06:43. | |
semifinals up for grabs. Let's see how they have been getting on in | :06:44. | :06:50. | |
training. I think it is daunting, whatever way you look at it. It just | :06:51. | :06:56. | |
looks like, I am here, you will not pass! You are going to be so | :06:57. | :07:01. | |
nervous. You will be sweating. Immense pressure, and I am not sure | :07:02. | :07:05. | |
how I will cope. It is fight or flight. I don't like the vault, | :07:06. | :07:15. | |
because it means you are in the bottom two. I was in week one and I | :07:16. | :07:19. | |
don't want to feel like that again. I worry that I will not have enough | :07:20. | :07:23. | |
power because of how nervous I am going to be. I'm sure it will not be | :07:24. | :07:27. | |
very nice for up you just get one shot, and that is it. So, with me | :07:28. | :07:36. | |
here are Kat and delete, Lucy and John's partners. Kat, I saw you | :07:37. | :07:40. | |
giving John some advice. What did you say? I just told him to go for | :07:41. | :07:44. | |
it and make sure he keeps his shoulders back so he can get a good | :07:45. | :07:47. | |
flight. We don't want to lose anybody from the competition. How | :07:48. | :07:54. | |
will you feel if this is the end of your Tumble journey? It will be | :07:55. | :07:57. | |
disappointing, but I have had such a great time. It has been brilliant | :07:58. | :08:02. | |
meeting you all. It is not over yet! Here we go. This is it. It is | :08:03. | :08:14. | |
time for... The vault. So, both celebrities will now attempt their | :08:15. | :08:20. | |
most impressive vault. First up, it is John. Well, we almost by now that | :08:21. | :08:27. | |
vaulting is a really tough call. It is over in seconds. You have just | :08:28. | :08:33. | |
got one chance to get it right. John, please prepare to vault. | :08:34. | :08:58. | |
It was a difficult handspring from John. Did the coach touching? Very | :08:59. | :09:09. | |
close. I don't think he touched. If he makes contact, he removes marks | :09:10. | :09:17. | |
for it. It is a difficult fault. You are upside down, hard to know where | :09:18. | :09:24. | |
you are. I can't bear it. Next to vault, it is Lucy. Lucy only has to | :09:25. | :09:38. | |
focus on her own performance full of Lucy, please prepare to vault. | :09:39. | :10:03. | |
It is a difficult vault. Bravely, she kept with it. The coach did not | :10:04. | :10:19. | |
have to touch her. Well done, Lucy. Upside down, it is very hard to know | :10:20. | :10:23. | |
where you are to keep the shape and focus. Great effort. A really good | :10:24. | :10:30. | |
vault from both of you, but the decision lies only with our head | :10:31. | :10:34. | |
judge, Nadia Comaneci. What was your verdict on John's vault? John did | :10:35. | :10:42. | |
the handspring. You had a good flight. A little jump on the | :10:43. | :10:55. | |
landing. Lucy, you did a good vault may he handspring. It was clean. The | :10:56. | :11:00. | |
first flight was good. The second was a little short, close to the | :11:01. | :11:07. | |
vaulting table. Well, it is decision time. So, based entirely on | :11:08. | :11:15. | |
tonight's vault, who would you lie to save, John or Lucy? | :11:16. | :11:22. | |
The celebrity I am saving tonight is... Lucy! Lucy, congratulations. | :11:23. | :11:50. | |
You are still in the contest. Back you go to see Billy. Well done. | :11:51. | :11:55. | |
John, I actually can't believe this is happening. I'm so sorry. Your | :11:56. | :12:01. | |
Tumble Jenny ends here. Are you as shocked as I am? That is showbiz, | :12:02. | :12:08. | |
baby. Here comes Kat. How has he been as a partner? He has come on so | :12:09. | :12:13. | |
much. He really has, he is amazing. He is the hardest worker I have ever | :12:14. | :12:18. | |
worked with, and he has helped me as well. I am sad he has not made it to | :12:19. | :12:25. | |
the final. I love you. And Warren, as a coach, these two have come a | :12:26. | :12:33. | |
long way. How proud are you of them? Massively proud. I have never seen | :12:34. | :12:38. | |
anybody trained that hard. They have worked well as a team and performed | :12:39. | :12:42. | |
so well every week. You have all been awesome. Go and say goodbye to | :12:43. | :12:49. | |
your Tumble family. Warren, Kat and John, everybody. So, that is it for | :12:50. | :12:59. | |
tonight. Thank you to our Tumble couples and coaches. Thank you also | :13:00. | :13:03. | |
to head judge Nadia, Seb, Louis and Mitch. Join aspect we, when voting | :13:04. | :13:08. | |
lines will be open for the first time and you will get the chance to | :13:09. | :13:12. | |
vote for your favourite celebrity. Thanks for watching. See you next | :13:13. | :13:16. | |
Saturday at the slightly earlier time of six o'clock. Until then, | :13:17. | :13:17. | |
good evening and good night. | :13:18. | :13:26. |