Episode 3 Tumble


Episode 3

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Massively impressive. You smash today last week. You smashed it this

:00:17.:00:22.

week. It was unbelievable. Just look at this. That is so, so difficult.

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Brilliant stuff. The most amazing performance I've seen. This is very

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entertaining. Great effort. It's a tough call. The celebrity I'm saving

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is... Peter. It's butt-kick time. Oh, yeah. This

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is a competition now. No-one 's really safe. I'm back in the game. I

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deserve to be at the top of the leaderboard. It's impossible. I

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better start learning to roll. Your host Alex Jones! It's Saturday

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night and this is Tumble. CHEERING AND APPLAUSE

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Good evening and welcome to Tumble, the show that will have you head

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over heels about gymnastics. Now, it's really hard work! This week,

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our celebrities face two brand-new challenges, trampolining or rhythmic

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gymnastics and without a doubt, this is their toughest test yet. They're

:02:26.:02:30.

all performing live, so anything could happen and probably will.

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Please welcome our stars for the gymnastic partners.

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APPLAUSE They're all smiles now. Once they've

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performed the two celebrities with the lowest scores face this. The

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vault. So, whatever you do, don't make it angry, otherwise it'll have

:03:57.:04:00.

you. But who will face the vault? That depends on this lot. From as

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far afield as France, Romania and Burnley, it's the Tumble judges!

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APPLAUSE Dinning-dinning, round -- ding-ding

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round one. It's boxing champ Carl Froch.

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It was a tough routine. There's a lot of moves in there that could

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have gone wrong. And did. A couple did go wrong. You're a fighter and

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had you to fight in that performance. Got a taster of being

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in the vault was a bit scary. The person who will face the vault is...

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Peter. A wake-up call, I think. This week has a new discipline, the

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trampoline. I thought I could do it really well, because I used to spend

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a lot of times on them as a kid. It's hard. It's scary, bouncing out

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of control. Not enjoying it. I still find it scary. For somebody who

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doesn't have any experience, it must be terrifying. It's important to try

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and stay in the middle of the trampoline, where it's at its

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bounciest, and the clungs will look for good synchronisation and height

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and posture through the routine It's difficult to get it into sync. Carl

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and I are completely different sizes. When he's on the trampoline

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he's on there for a longer period of time. Trying to match our height and

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make sure we're doing the skill at the same time is quite difficult.

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When it's out, it looks awful. That's one of the most important

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elements, the tiling, then -- timing, then the moves. There's a

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front and back somersault. That is the biggest move of the whole

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routine. Although the roundoff from one trampoline to the other is quite

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impressive, I do that quite It's a easy. Lot of somersaults. A lot are

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blind landings, so you can't necessarily see why you're going. If

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you panic, it can go really wrong. All the professionals make the

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trampoline look easy. Ive make boxing look easy, if you want to go

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a few rounds with me, let's glove up. I'll give you 30 seconds.

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CHEERING AND APPLAUSE Just listen to that reaction,

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synchronisation, special awareness and a fearless approach, that was

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the challenge and Carl met it pretty well. That pullover, no problem.

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Mata tore lift, well, he is in the bull ring -- matador. The

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somersault, beautifully done. A front somersault from Carl, great

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stuff. He certainly woke up. Thanks Mitch. What a great start. A new

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week, a brand new skill to learn and even you, a boxer said that the

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trampoline was scary. What is so disconcerting then? The lack of

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control. The high bouncing, I've been in world title fights but the

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trampoline peterifies me. He's auous. You -- a wuss. What did you

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make of Carl's routine then? The number really suits you very well.

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It was a great performance. You stumbled a bit there, but it was not

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important to me. What was important was that you added the back

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somersault, which was an improvement from the first show. I loved that.

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Brilliant. Craig? Front somersault, back somersault, amazing. What I

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love about that performance is you really stepped out of your comfort

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zone. You're learning to become a performer. I mean by standing up

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there like this and going, yeah, I own this, that was fantastic. Great

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job, well done. Good advice, thank you. What about

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you Mr Stella? In trampoline you need three important things, high

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rotation and timing, because if you don't have that, nothing is going to

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happen. But a lot happened including the somersaults, front and back. I

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was really pleased to see that. That's a great job. And Louis? It is

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such a difference to last week. Last week was very shaky. Today, it

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started off a bit iffy, but you got into it, it was great. Back and

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front somersault and the blind landing which is difficult. You

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could see after the last front somersault, you completely changed,

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you thought, I've done the routine. You saw a bit of personality. Your

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face was like this. It was good to see you progress and nice to see you

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settle in, well done. You've got to be happy with that. Very happy.

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Thanks for the comments. Great. Good somersaults. Back to your coach

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being Robert. Carl and Sita! Catch was at the bottom of -- Carl was at

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the bottom of the score board last week, narrowly avoiding the Judges,

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can vault. We have your scores out of ten for Carl and Sita.

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What a good start. A total of 29. 5 out of 40 for Carl and Sita. Last

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Saturday, H was riding high at the top of the scored board. But this

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week, he's come crashing back down to earth with a bump. Will he bounce

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back up again? Top of the leaderboard, how do you

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feel? Feels good. That's pressure now. The total for H and Holly an

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amazing 31. I'm a bit scared. We have to maintain it. The only way is

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down. Big week, trampoline. You have a lot to put in to stay at the top.

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We are going to hopefully nail it. H has thon himself into it. I'm

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learning to enjoy the trampoline. I don't like the height. To stay in

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front of the competition we have to raise the bar. We are doing a crash

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dive. That's quite an advanced move. Good, that's the one. Arms out to

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the side, heels, chest, tuck. Good. Ouch. I've hurt my neck really

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badly. If it hurts too much, we stop. We're doing the show in three

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days. That will set us back. Don't throw your head back. We have had to

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adjust the routine, but at the end of the day, his health comes first.

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Oh, my neck! It goes to show how difficult this competition is and

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how hard gymnastics can be. I'm so annoyed because I'm going to have to

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compromise my routine now. We have had to take our double back

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somersault out of the routine. I'm hoping that my crash dive will

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impress the judges. CHEERING AND APPLAUSE

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H said he didn't like heights. There was no sign this afternoon in that

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performance. The synchronisation was superb. Crash dive overcooked a bit,

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but he covered it well. Look at this somersault in perfect time, super

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height, super performance. You're on song again, H.

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See, a true pro, a little fall there, you were straight back up

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into it. Very good. Your neck's been playing up a bit this week. Yeah,

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we've been playing around with double back somersaults and I've got

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whiplash, a sprand ankle and yeah. But we soldiered on and I loved it.

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You'd never tell. I only did 45 minutes of trampolining last week

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and I had casual whiplash. It happens. What did you make of H and

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Holly? That was a difficult start to do the crash dive. It's about fear.

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Have you to stay out as long as you can, and then tuck under. But

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without that rotation and slow it down. You got a little bit carried

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away. Your feet came over the top. But you did carry on well,

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regardless. It was a shaky start, probably not your best performance.

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But the effort was there. It's definitely you're a natural.

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You understand a lot about acrobatics. You were super clean in

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your moves. Now that you have so many good results on the past two

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weeks, you should really be careful and not losing your acting. You get

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nervous and we can see it. You can cover it very well. Don't lose that.

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But a brilliant job. H, it wasn't the same level as

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yesterday or the week before. Having said that, you did some good work.

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Your back somersault went through the roof. It was massive. Something

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was missing for me. Obviously, you're injured. We can only judge

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what's in front of us. Really? Oh. Yes you made a mistake on the front

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somersault, but you did the biggest, huge back somersault and this is

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hard to do. I actually appreciate the routine.

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Tell you what, just focus on the huge back somersault, it was

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brilliant. H and Holly! APPLAUSE.

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Has he done enough for our top spot again? They were good. All right,

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scores then: So, a total of 26. 5 out of 40 for H

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and Holly. A good score. So, still to bounce then we have

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Peter and Sarah. That is only half the story. Now later, we'll give

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rhythmic gymnastics the Tumble treatment and it may not be pretty.

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Normally on a Saturday night, Lucy Mecklenburgh would be getting ready

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for a night out in Essex. This week, we've brought Essex to her.

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How do you feel about the weekend? It was wicked. What you did was very

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difficult, but you made it look easy. You are back in the

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competition. If you want to be up that leaderboard, what do we have to

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do this week? We should probably get on that trampoline and start

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working. So trampolining, we decided that you're going out on a fun,

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glamorous night out in Essex. On a trampoline? How does that work?

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We're drinking champagne, taking selfilies and nailing the tricks. I

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am from Essex. It's my birthday this week. So an Essex night out is

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probably what I would do. You can take the Lucy out of Essex, but not

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the Essex out of you. The thing I'm finding hardest is the

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fear. Do you think you're going to hurt yourself at the end? You have

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to chuck yourself into things. Lucy has a front somersault. It's nice,

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you're just high that's all. If it wasn't hard enough doing a front

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somersault on my own, now I have to do a back one too. Half a hand stand

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on Billy's shoulders and then I go back. Her fear holds her back. I

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can't be there to spot her on Saturday night. Spotting is to give

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extra support so they can learn the skills confidently. She's not there

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on the night and it's only a couple of days away. I'm starting to panic.

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She needs to believe me and Katie. I know she can do it.

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CHEERING AND APPLAUSE Wonderful reaction. A taste of

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champagne, Essex style. On the way to operate yip pressive skills.

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Donkey kick from hand stand into back flip, done with such confidence

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and look at the quality, the line and the style in the pike straddle

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jump. And the synchro was great. Look at this fly spring, such a

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good, confident performance from Lucy.

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They are delighted and so they should be. Your little face when you

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did the back somersault was a picture. Happy birthday as well.

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It's tomorrow, yes. Be nice. Seb? It's always like the French one, "Be

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nice." I'm going to be nice. Remember on the first week I told

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you that I was missing, because it's an acrobatic competition, I was

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missing from tricks, you answered my question right away. You're like,

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you want flipping? Bam, you put almost all the tricks in the book

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when you start trampoline. You did it with ease and it was very

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interesting because you kept the theme all along. Awesome job. What

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due make of it? It was brilliant. I think when you look at week one, out

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of everyone you have shown the most improvement going through the

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competition. The back flip I think you could do a back somersault. You

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had that much energy. Great job. I enjoyed it. Excellent. Nadia? I like

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that you're progressing as my colleagues said. I like the fact

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that you're using gymnastics as a base. I can see you're now doing

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tricks, which I didn't see in the first show. That's very impressive

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to me. Going well. Wait for it. Craig from Burnley, what do you have

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to say? To be honest, I really did love that performance. Just like the

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other guys have said, you've really grown in this competition. I believe

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now there is a gymnast inside you waiting to get out. Well done.

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Brilliant news! Happy birthday again. Billy and Lucy everyone! The

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only way is up and she's headed that way. She was delighted with the

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performance and scores last week. She's surely hoping it will continue

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tonight. Very happy there. Let's get those

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scores then. Brilliant. They'll be so happy with

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that. If you want to hear Lucy's instant reaction to the judges'

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comments, check out the Tumble social media sights, on the screen

:23:57.:23:59.

now. The word on the street is that lots of you children at home and

:24:00.:24:04.

some big kids too having dog all manner of roly polys and cart wheels

:24:05.:24:07.

around the living rooms, even though I told you not to. If you fancy

:24:08.:24:15.

having a go found out more on the BBC's get inspired website. Next

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Peter Duncan and this week, he has a whole new challenge to grapple with.

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The celebrity I'm saving tonight is... Peter. I feel as though I have

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to make an apology for putting you through such trauma. The comments

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both weeks have been about your scruffiness and lines. We have to

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try to rectify some of those faults. For your trampoline routine, you are

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going to be wrestlers. I'm a wrestler. Katie's a wrestler. Girl

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against man and she beats me up basically. Let's get you on the

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trampoline. The comedy you have in abundance. The content has to be

:25:15.:25:19.

perfect. Otherwise they will just go for the jugular. I don't want that.

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I'll fight back. Can you fall off a trampoline and make it look bad? I

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find it takes a while to get into it, to build your confidence up. You

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go and Kate will stay with you. It's unpredictable. It's a big spring.

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Hold. You all right. Toes or anding until Toes. The judges' comments

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have made Peter realise he has to knuckle down. He has really

:25:50.:25:53.

difficult elements, back drop into front drop. Back somersault. And

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he's got a front somersault to finish. I'm going to prove to the

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judge that's I'm not just a goofive boy, I will put in difficult moves.

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CHEERING AND APPLAUSE We all know and love his talent for

:26:18.:27:44.

comedy. But tonight, he had a new challenge - to impress the judges

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with his difficulty. There's not a lot more difficult than this.

:27:48.:27:52.

Helicopters, high above his head. He needs to be in the right spot and

:27:53.:27:56.

give the right support. On a personal note, look at this, a back

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somme. He does it. And the front one too. He's on his feet and that

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doesn't happen too often, well Peter, a done. Ka, Big Daddy. I tell

:28:11.:28:15.

you what, your coach was like this over there. Was it all right for

:28:16.:28:20.

you? It was aerobically challenging, but I have the hair cut. I like it.

:28:21.:28:25.

All right then. We are coming to Craig first. I absolutely loved that

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performance. I know you're trying time press the judges. You've even

:28:31.:28:36.

adopted Louis's hair cut. You've carried off much better and it's

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about progress. In week one, Kate was doing all the somersaults, in

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week three you're doing them. You're the man. All right, Sebastien?

:28:44.:28:54.

You're very versatile. We know that already. I really like everything

:28:55.:28:58.

about it except one thing, it's like you get so comfortable that you lose

:28:59.:29:04.

your concentration and some places. BOO. He's right. That's why in

:29:05.:29:12.

trampoline it pays like with a mistake.ment great entertaining.

:29:13.:29:18.

What due make TV? -- What did you make of it? Do you know what it was

:29:19.:29:24.

good fun. I said last week, it was a bit of goofing around. It wasn't

:29:25.:29:28.

tidy, but it was brilliant. I enjoyed it. I don't foe if this was

:29:29.:29:33.

an excellent, but the last somersault at the end, you did a

:29:34.:29:40.

quarter turn out of it. It was the angle of the hair cut, it turned me.

:29:41.:29:45.

That's brilliant. That is advanced. Twisting out of a somersault, I

:29:46.:29:49.

don't think anyone else is probably going to do that on the show, Nadia,

:29:50.:29:53.

were unbelievable. You as impressed? You are an amazing performer because

:29:54.:29:58.

you cover up so well that you did a little mistake and it was excellent

:29:59.:30:03.

how you covered it up. You went for the difficulty and the last

:30:04.:30:06.

dismount, the front somersault, for safety, you didn't do it and you did

:30:07.:30:12.

an excellent job. Brilliant comments, we love everything about

:30:13.:30:15.

it, including the coat. Peter and Kate! Last week his vault set Andrea

:30:16.:30:23.

packing. I'm sure Peter would rather not be in that position again. It

:30:24.:30:27.

all depends on the scores. Let's get the scores:

:30:28.:30:51.

Fantastic score. Well done. The first rhythmic performance is but a

:30:52.:30:59.

ribbon twirl away. I will now demonstrate traditional rhythmic. I

:31:00.:31:03.

give you the figure of eight. This is the snake. The snake on a turn,

:31:04.:31:09.

you can do all sorts. Before that, it's our final trampoline routine of

:31:10.:31:10.

the night. It's Sarah. On Saturday I was OK. I haven't

:31:11.:31:26.

smiled once during my routines. I must look like the ice maiden. I

:31:27.:31:32.

want you to have confidence, extend more, give us even more. Deep down I

:31:33.:31:36.

think there's more in there. You could do a ten on the floor. I know

:31:37.:31:40.

I can do better. But it just wasn't as good as I wanted it to be. We're

:31:41.:31:45.

in a position where we haven't budged. That isn't bad. But it's not

:31:46.:31:50.

good either. If we want to do well, we need to get going. This week

:31:51.:31:55.

she's going to kick my Come on butt. Babe, you can do this. Trampolining

:31:56.:32:01.

is really hard. Smile. You have to maintain your decorum while bouncing

:32:02.:32:05.

in the air and painting on that Try to smile. Relax your face and smile.

:32:06.:32:10.

One of the moves that Sarah is struggling with is the back

:32:11.:32:15.

somersault U I think you need to be mentally prepared when you step onto

:32:16.:32:20.

the trampoline. You need to be in good control of your nerves. I think

:32:21.:32:25.

Sarah is still learning how to come to terms with that. Shoulders up. My

:32:26.:32:33.

emotions have probably gotten the better of me this week. I'm sick of

:32:34.:32:39.

not getting it. What are you talking about? Competition is hotting up.

:32:40.:32:42.

I'm starting to wonder what the others are getting up to. I want to

:32:43.:32:46.

do it. Because you know that people like H are trying to do doubles.

:32:47.:32:51.

It's getting so tough now. It really is. Survival of the fittest. I do

:32:52.:32:56.

not want to come last. If you don't want to come last, you need to do

:32:57.:33:01.

that back tuck. I'm scared. I'm not going to lie. I'm really scared. I

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better start learning to vault. CHEERING AND APPLAUSE

:33:06.:34:41.

The big challenge for Sarah was to keep her nerve, and emotions under

:34:42.:34:46.

control and to smile away through this very difficult routine. She did

:34:47.:34:53.

a great job. Look at this. Synchronised back somersaults. And

:34:54.:35:01.

that three quarter front somersault into safe cradle and what a way to

:35:02.:35:07.

finish, that pose sums up martial arts. Great stuff. You did so well.

:35:08.:35:12.

There's even a smile on Sarah Harding's face, lovely to see. Not

:35:13.:35:17.

when you nearly landed on her head. What was that about? I trust him!

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Nadia? I like the fact that you went for the back somersault. This is a

:35:22.:35:27.

huge thing for you. I would like to see also, in the future, that when

:35:28.:35:33.

you do simple jumps and straddle jumps that easy jumps up control a

:35:34.:35:37.

little more your legs and everything else, because you were all over a

:35:38.:35:43.

little bit. They didn't like that. What about Craig? There were times

:35:44.:35:50.

during that routine I was edging to the close edge of my seat, nervous

:35:51.:35:54.

for you with that back somersault. When you did it, you instantly went

:35:55.:36:03.

binning. -- bing. If I give you one tip, do not worry about any other

:36:04.:36:08.

competitor in this competition, you need to run your own race. Good tip.

:36:09.:36:17.

Seb? Well, you're such a great performer. I can tell you did a lot

:36:18.:36:22.

of stage before. That's good but in another side, also it's kind of bad

:36:23.:36:26.

because Leon is taking all over the act now. You need to match as much

:36:27.:36:33.

talent or work he puts in He's had a lot more years on me, come on. I get

:36:34.:36:37.

that. You tell him Sarah. I get that, but you also have more

:36:38.:36:41.

experience than him for stage as a performer. You get to use that, like

:36:42.:36:45.

we all say, you have this in you, just let it explode now. I have to

:36:46.:36:51.

agree with Craig and Seb, I think he's more talking about an energy

:36:52.:36:55.

that you get from the performance. I think that comes from training.

:36:56.:36:58.

There is a lot of pressure involved. You're trying to perform for your

:36:59.:37:02.

partner, parents and family. It is stressful. That will come across. I

:37:03.:37:06.

think that one thing you need to do is just enjoy it. Enjoy your

:37:07.:37:09.

training. Enjoy competing and just give us a show. That will come

:37:10.:37:13.

across. Thank you judges. You look so pretty when you smile. Sarah and

:37:14.:37:18.

Leon. Nadia wants a little more control. Craig loved it but reckons

:37:19.:37:26.

she should ran her own race. It was a pretty good race tonight. Well

:37:27.:37:28.

done, Sarah. Let's get the scores: So, remember now that the two lowest

:37:29.:37:53.

scoring celebrities will face the vault tonight. One of them will be

:37:54.:37:58.

going home. So, let's see the score board as it stands:

:37:59.:38:24.

Oh, it's very close. 29. 5 for three of you. They say behind every great

:38:25.:38:33.

tumbling celebrity is a great coach. Who are the people who have whipped

:38:34.:38:37.

our stars into lean, mean, gymnastic machines?

:38:38.:38:46.

Our coaches are amazing. They're the back bone of our team. I can't do

:38:47.:38:56.

it. It's too jiggly. Every week they try to teach you new skills. I

:38:57.:39:00.

really couldn't do this without them. I've got you. Stand up, and

:39:01.:39:07.

go. One and two. She cracks the whip. I don't blame her because

:39:08.:39:14.

she's a world champion gymnast. Boy, does it hurt. Be quiet now,

:39:15.:39:21.

focus on the shape. Let's go. Andy doesn't look like a physical man

:39:22.:39:24.

because he has a little rotund belly. But he can jump on the cam

:39:25.:39:29.

pleen and he can certainly touch his toes. Katie gives stickers when we

:39:30.:39:34.

do well. We are like children sometimes. A unicorn, nice job. I

:39:35.:39:46.

have the most golden stars. Our coaches are the best. It's a ten

:39:47.:39:53.

from me. Beautiful. That was really good! Oh, my God.

:39:54.:39:59.

I'm sure you'll all agree that our coaches are doing an absolutely

:40:00.:40:05.

phenomenal job. Well done, guys. So, we are about to kick off then with

:40:06.:40:08.

rhythmic gymnastics and Dave, first up, it's your girl Amelle.

:40:09.:40:21.

Saturday was a great performance. Scores were really good. 29 and

:40:22.:40:27.

third on the leaderboard. That was great. I like the back breaker, but

:40:28.:40:31.

the competition is hard. If you want to be better, next time that cart

:40:32.:40:35.

wheel you should be a cart wheel on the hands. I love a challenge, but

:40:36.:40:40.

it's pressure creeping into my mind. Use the pressure and concentrate on

:40:41.:40:43.

your technique, it's going to be fine. I'd love to shock them where

:40:44.:40:50.

they're like whoa. Exactly. Team Amelle. Exactly. Holer! We have

:40:51.:40:58.

rhythmic this week. It's an Olympic sport. It combined gymnastics with

:40:59.:41:07.

equipment. The rope is difficult you have to keep it moving otherwise it

:41:08.:41:11.

tangles up. It can look so impressive if you get it right and

:41:12.:41:15.

you can look so rubbish if you get it wrong. Judges comments,

:41:16.:41:22.

particularly from Nadia was about the free cart wheel. So I thought a

:41:23.:41:29.

challenge, let's get it in there I would love that. Normally you use

:41:30.:41:37.

your hands to support yourself. You need to push your legs and get the

:41:38.:41:42.

legs over quick. If you don't get -- don't get the take-off perfect, you

:41:43.:41:47.

don't have enough lift therefore you land on your face. The fact that

:41:48.:41:54.

Nadia says she wants to see it has added to the pressure that I already

:41:55.:41:58.

put on myself. I just want to make her proud and hopefully everyone to

:41:59.:42:01.

enjoy it. MUSIC: These Boots are Made for

:42:02.:42:07.

Walking by The Supremes Amelle was out to shock the judges

:42:08.:43:35.

and she wanted to make Nadia proud by stepping up the difficulty. It

:43:36.:43:40.

doesn't always work. This was an aerial cart wheel she performed so

:43:41.:43:45.

beautifully in rehearsal and it didn't come off. Great attempt.

:43:46.:43:52.

Table lift with rope rotations, really well here. She was in control

:43:53.:43:58.

with the apparatus. A rotating release and catch on one leg, what a

:43:59.:44:04.

pity. See, Doug is telling her, once you were into the lift you were

:44:05.:44:09.

fine. To come back from a stumble like that is amazing on live telly.

:44:10.:44:13.

Didn't she do well? APPLAUSE

:44:14.:44:15.

really well. You've got nothing to be embarrassed about. Yeah, I mean,

:44:16.:44:21.

the number of times I've been in that situation where I've geared

:44:22.:44:24.

myself up for this big performance and a big trick, and you could see

:44:25.:44:27.

how much you wanted it and it didn't come off. You know what, I hit the

:44:28.:44:31.

floor, it was like right, I'm getting on with this, you knocked

:44:32.:44:35.

out an amazing performance after. You give it your all. Well done for

:44:36.:44:38.

that, unfortunately, there was mistakes. Thank you. I appreciate

:44:39.:44:43.

that. Well, everybody has to know that when you add a prop to a

:44:44.:44:47.

routine, gymnastic routine, it's adding another person to the

:44:48.:44:52.

routine. It's really hard. It takes a lot of time. It's an amazing

:44:53.:44:57.

challenge to do it in one week. That's a routine I'm sure you guys

:44:58.:45:02.

can do like very well in rehearsal. Unfortunately, it was right now. I

:45:03.:45:06.

can tell you worked hard on it. But working also with a shape that

:45:07.:45:10.

change all the time, changes form all the time, it's another

:45:11.:45:14.

challenge. So great job just for taking those challenges. Thank you.

:45:15.:45:19.

Really, it's hit or miss this really. It was tough. I mean, it

:45:20.:45:24.

started off very shaky with the stumble. Like Craig said, you got

:45:25.:45:27.

back into it. You finished off, which is what we want to see. It is

:45:28.:45:31.

very hard and what you did just didn't happen on the night. Of She

:45:32.:45:36.

tried the hand-free cart wheel, it didn't work out. I know it's

:45:37.:45:39.

something there that you wanted to show me. I hope you're going to show

:45:40.:45:45.

that to me quickly. You are the person that when somebody throws a

:45:46.:45:49.

challenge at you, you go into it and you're positive. I know you're

:45:50.:45:52.

disappointed. Really disappointed. I've done it over and over back

:45:53.:45:56.

stage. I know you can do it because then you will have to challenge me

:45:57.:45:59.

to do it. That will be difficult. I will do it. I'm disappointed about

:46:00.:46:03.

tonight. Buff I will do it next That's the time. Spirit! We just

:46:04.:46:07.

have to say quickly, don't try anything with the rope at home.

:46:08.:46:10.

There was a malfunction and it went around the neck, don't do that at

:46:11.:46:14.

home. Amelle and Doug, brilliant effort. Well done guys. Nadia said

:46:15.:46:22.

you do it and I'll do it. Craig had sympathy and understanding. Louis

:46:23.:46:26.

admired the way she kept going after problem at the A bit start.

:46:27.:46:30.

Disappointed there. Let's have your scores.

:46:31.:46:47.

24 there, not too bad. In week one, Emma Samms was the belle of the

:46:48.:46:55.

ball. Last week she was having a ball. This week we've given her a

:46:56.:46:57.

ball! Second on the leaderboard, how do

:46:58.:47:13.

you feel? Surprised! We wanted to you give us a bit more and you've

:47:14.:47:17.

done that. You were so beautiful and so confident. It I was really

:47:18.:47:22.

pleased that the judges addressed the artistry. I don't know if

:47:23.:47:26.

anybody else has lines like you. It was a psychological boost but it

:47:27.:47:30.

doesn't mean it has elevated us anywhere. We all start from square

:47:31.:47:34.

one again. Your prop is going to be... The ball. The concept is going

:47:35.:47:40.

to be all under water. You are going to be in a shell and you open up and

:47:41.:47:48.

the ball is the pearl. I think I'd be fine with the rhythmic stuff, if

:47:49.:47:54.

I didn't have the prop. I have no hand-eye coordination. I'm hating

:47:55.:47:59.

the ball. I never did netball or basketball or anything with balls at

:48:00.:48:03.

schools because I was only allowed to do ballet. It's no good if she's

:48:04.:48:08.

hitting a beautiful line and the ball goes rolling off somewhere It

:48:09.:48:12.

really frustrates me when I drop the ball because I drop the routine. I

:48:13.:48:16.

drop my sense of humour. It's just impossible to keep going with the

:48:17.:48:21.

routine because I'm always chasing the blinking ball. Those two bits

:48:22.:48:26.

are really hard. The angel lift into a walkover, holding a ball, I have

:48:27.:48:30.

to release the ball at the right time and then do the walkover. Then

:48:31.:48:33.

there's the throw, turn and catch the thing. It's meant to look

:48:34.:48:39.

effortless. If you're rolling it, it's meant to roll smoothly. It

:48:40.:48:43.

can't bounce. It's a matter of practice. That's why the people who

:48:44.:48:47.

are skilled at it, do it from the age of five.

:48:48.:48:51.

CHEERING AND APPLAUSE Rbgs well it may have been ballet

:48:52.:50:20.

and not ball games at school, but I tell you, it wasn't only one pearl

:50:21.:50:24.

that emerged from that shell. A delightful performance. Look at

:50:25.:50:30.

that, bounce and catch. This back angel lift into back walkover, to

:50:31.:50:34.

put the ball in a position where it can be rolled forwards, ready to be

:50:35.:50:40.

picked up once again and look at that technique, not gripping the

:50:41.:50:44.

ball, balancing it, handling it really great rhythmic gymnastics

:50:45.:50:48.

from Emma. Well, you were dreading the ball,

:50:49.:50:53.

weren't you? You were dreading this all together, how was it? It's been

:50:54.:51:00.

worse. Yeah, it didn't go flying, so that's This was good. A good one,

:51:01.:51:06.

wasn't it? Yeah, good. Seb? Emma, I really appreciated that you kept

:51:07.:51:10.

contact with the billion all along. -- with the ball all along. I really

:51:11.:51:14.

missed what you gave us last week. Last week was magical. It was like a

:51:15.:51:20.

fairy moment. I don't have that today. I miss what you were able to

:51:21.:51:27.

do. Don't worry, it may get better now. It doesn't get much better, I'm

:51:28.:51:34.

afraid. I mean, last week, you were beautiful. It was stunning and

:51:35.:51:37.

moving. This week was nice. But it was just nice. There wasn't much pen

:51:38.:51:47.

ash. -- panache. It was very dancy and polite I'm afraid. It was a

:51:48.:51:51.

beautiful rue teeb and you showed that you can do the -- routine and

:51:52.:51:56.

you showed that you could do the best execution in everything that

:51:57.:51:59.

you do. I'm missing that thing that says Emma and something that will

:52:00.:52:03.

impress me, like you did last show and the first show. You set the bar

:52:04.:52:07.

so high, this is the problem. Craig? I'm going to try to say what these

:52:08.:52:11.

guys are thinking. What we want you to do is throw the ball, do a full

:52:12.:52:15.

turn and catch it, don't let it bounce on the floor, you have to

:52:16.:52:19.

catch it or do a forward roll catch the ball, we want to see a little

:52:20.:52:24.

bit more wow, but it's beautiful around the edges, but it needs a bit

:52:25.:52:29.

more meat. Anything to say to Craig on that point? I would have loved to

:52:30.:52:32.

have done that. A couple more weeks, I would have got there.

:52:33.:52:39.

Good effort. Your coach looks ecstatic. Emma and Ivan everybody!

:52:40.:52:45.

Emma scored an impressive 30 points last week, but the judges aren't

:52:46.:52:48.

that impressed this time. Has sho done enough? All right then,

:52:49.:52:53.

so let's have the judges' scores. Some disappointment there.

:52:54.:53:19.

Right, we're about to find out what happens when you give an actor from

:53:20.:53:28.

EastEnders drum sticks. Here's John Partridge.

:53:29.:53:38.

How do we think the weekend went? My weekend went great, I'm not so sure

:53:39.:53:46.

about the routine. Don't rush that much. You don't need to. But really

:53:47.:53:51.

it was an amazing act, good job. We did the best we could do. We hung

:53:52.:53:57.

from our toes. Job done I say. Rhythmic week, how do you feel about

:53:58.:54:04.

that? Lots of rhythm. Oh, yeah. It's been decided that we're going to

:54:05.:54:09.

make you a hard core rock God with a drum kit. A drum kit? And your prop

:54:10.:54:17.

is going to be drum sticks. Happy with the concept, hany with the

:54:18.:54:25.

props. We're doing really well. The rhythmic you need to have great

:54:26.:54:29.

hand-eye coordination, which isn't always there. The clubs are quite

:54:30.:54:34.

difficult. There are two of them, so you have to get two pieces of

:54:35.:54:38.

apparatus moving with both hands all the Team work time. Is vital in

:54:39.:54:43.

rhythmic. We've come up with a move where Kat puts the clubs on her foot

:54:44.:54:49.

and flicks them over the back of her head and I catch them - in theory.

:54:50.:54:55.

Kick up not backwards. If I get it wrong he gets a club in the face.

:54:56.:55:02.

The routine would be rubd. When I get nervous my palms get sweaty. Not

:55:03.:55:05.

the best thing when you have to throw and catch clubs. I really hope

:55:06.:55:08.

we manage to pull this off this week.

:55:09.:55:17.

MUSIC: Should I Stay or Should I Go Now by The Clash

:55:18.:56:36.

CHEERING AND APPLAUSE Wow! A difficult routine with

:56:37.:56:45.

difficult apparatus, he did not hold back.

:56:46.:56:52.

Look at that, throwing the clubs and catching from the foot to hand. This

:56:53.:56:57.

shows you just how difficult this apparatus is. Turning split neck

:56:58.:57:06.

hold was done really beautifully. Just look at this - he hit the drums

:57:07.:57:12.

so hard, they exploded, terrific. Well, these props, I mean they're a

:57:13.:57:16.

nightmare, aren't they? Do you want to have a go? Go on. Oh, right. You

:57:17.:57:25.

hold that then. Flick it. You're being kind. Yeah, it's tough.

:57:26.:57:31.

It's a good job you're not taking part. Isn't it just. It was great

:57:32.:57:35.

energy. I loved it. I loved the fact this there were minor mistakes, but

:57:36.:57:40.

your energy, you carried on with it, I'm sure at one point Kat's toe went

:57:41.:57:45.

in your mouth, it was great. Good split, leg change, almost had

:57:46.:57:48.

control of the clubs all the way through. It was good. Thank you.

:57:49.:57:54.

You're very kind. It was good. I like all of those. What I was more

:57:55.:57:59.

impressed is that in gymnastics we have a favoured side, I was a lefty.

:58:00.:58:04.

But the fact that you were juggling two clubs on two different hands

:58:05.:58:07.

that tells me that you have coordination and that's very

:58:08.:58:13.

important. Thank you. OK, should I stay or should I go? John, you

:58:14.:58:19.

should definitely stay. Brilliant. Nice! That was good. John, you rock.

:58:20.:58:31.

Seriously, it was technique, artistic, dynamic, it was the kind

:58:32.:58:34.

of act I would pay to go see on stage. That's great. Good comments.

:58:35.:58:40.

I appreciate it. There were some mistakes, though. I appreciate all

:58:41.:58:44.

your comments. Warren is waiting over there. John

:58:45.:58:49.

and Kat everyone. Will he stay or will he go? What do you think? More

:58:50.:58:54.

importantly, what do the judges think? What have they scored it at?

:58:55.:59:17.

That's the highest score of the night. Coming up, the Saturdays are

:59:18.:59:26.

here or rather up there. Plus the vault is looming. First, Bobby

:59:27.:59:32.

Lockwood. Since he's been on Tumble. He's been a cheerful, happy-go-lucky

:59:33.:59:42.

sort, then we gave him a basketball. How are we feeling after Saturday?

:59:43.:59:47.

Good. I mean, I was pleased. We got two points higher than last week but

:59:48.:59:53.

I came seventh. It was fun, but the only thing was the round-off back

:59:54.:00:00.

flip. You were short. It's hard. It is hard. Gymnastics is hard. : You

:00:01.:00:05.

need to get stronger. Don't move even like a small shaking. After

:00:06.:00:09.

hearing the comments we were like hold on a minute, but they're giving

:00:10.:00:13.

you comments to go further. We need to up our game. We have the

:00:14.:00:16.

performance down. Let's get the skill level higher. Let's put them

:00:17.:00:19.

together. Hopefully the judges will recognise how much hard work you're

:00:20.:00:25.

putting in. Another week, another discipline.

:00:26.:00:30.

This time rhythmic. It's fun, but it's really frustrating. The

:00:31.:00:34.

coordination part of this is really hard. For him to be able to throw...

:00:35.:00:45.

Sorry. Spin Oh. Catch. OH. It's really tough.

:00:46.:00:51.

Give me a couple of minutes. Something's happening today. You're

:00:52.:00:55.

letting yourself get angry. I told you straight away. I know. I can see

:00:56.:01:04.

your face already. You're going into a deep hole. Cool, thanks.

:01:05.:01:11.

I feel like being calmer helps me. I need to take a minute just to have

:01:12.:01:20.

it. This routine could be fantastic or balls flying all over the place.

:01:21.:01:24.

I really want to enjoy the routine on Saturday. Know one dropped ball

:01:25.:01:29.

will change everything. I hope I don't balls it up.

:01:30.:01:38.

CHEERING AND APPLAUSE What a finish! It was a case of

:01:39.:03:06.

anger management for bobby, keeping calm under pressure. He had to. He

:03:07.:03:10.

needed to do it right on the ball with this performance. It does go

:03:11.:03:15.

wrong sometimes. That was the catch behind that was done so easily

:03:16.:03:20.

before. Here, the human ring, that was successful. Good balance. Just

:03:21.:03:27.

look at this, using the body with the apparatus, such dexterity and

:03:28.:03:31.

confidence. Look at him. Brilliant. Thanks, Mitch. A very energetic

:03:32.:03:35.

performance from our last couple. Brilliant. While you get your breath

:03:36.:03:42.

back, I found your pop-pop. -- pom-pom. I was trying to figure out

:03:43.:03:46.

what is the part that you are lacking and you're not. A little

:03:47.:03:54.

mistake over there, but that was not if a big deal. That was like the

:03:55.:03:58.

music started bang you were straight into it. The ball never stopped from

:03:59.:04:02.

the start to the finish. That was a brilliant performance. It was

:04:03.:04:14.

knock-out. Well done. Coordination, manipulation, acrobatics, I mean,

:04:15.:04:21.

you guys are ready for Las Vegas. Seb, will give you a job as well. It

:04:22.:04:27.

was brilliant. I've been giving low scores because we have high

:04:28.:04:32.

expectations and what do we expect from rhythmic gymnastics? That. It

:04:33.:04:36.

was brilliant. Thank you. Bobby, you've got to be pleased with

:04:37.:04:39.

those comments. I'm chuffed. It's been a hard week. Yeah, we had a lot

:04:40.:04:44.

of fun. It was good. I loved it. Brilliant. Yeah, he was! Your coach

:04:45.:04:50.

looks chuffed. Bobby and Kristin everyone!

:04:51.:04:53.

APPLAUSE Nadia could find nothing wrong with

:04:54.:04:57.

it. Craig said it was nonstop and knockout. And an offer to go to the

:04:58.:05:03.

Vegas from Seb. Doesn't get much better than that. All nine have

:05:04.:05:08.

performed and before we find out what Bobby's score is, I can reveal

:05:09.:05:11.

that the first person definitely facing the vault is... Emma. And

:05:12.:05:25.

also in danger at the moment is... Amelle. Bobby now needs to score

:05:26.:05:31.

more than 24 to avoid the vault. 8. 5! So a total of 32. 5 out of 40,

:05:32.:05:57.

the highest score of the series thus far. Bobby, it goes without saying,

:05:58.:06:08.

no vault for you. Amazing. Let's go to the judges' scored board and see

:06:09.:06:11.

how things are looking. What a thriller we've been treated

:06:12.:06:43.

to tonight. So going head to head then in the

:06:44.:06:47.

live vault tonight is Amelle and Emma. Emma, are you ready for this?

:06:48.:06:57.

Er... Yes. Am snel Yes. Come on girls, you've -- Amelle? Come on

:06:58.:07:04.

girls, you've practiced. Now a girl band with a name that's apt for

:07:05.:07:06.

tonight. Here hitting the high notes and

:07:07.:07:34.

possibly the roof with their greatest hits, please welcome The

:07:35.:07:37.

Saturdays. # It's time to step it up a notch

:07:38.:07:55.

# I'm ready to lose touch # Baby boy, go, go, go

:07:56.:08:01.

# This is a crossing at the main intersection

:08:02.:08:05.

# Life is better off the line # I, I I'm ready Nwofor the steady

:08:06.:08:16.

beat # If you lose it, you know, you're a

:08:17.:08:20.

bit too slow # I want to go.

:08:21.:08:32.

# This is my decision that you keep on messing up the words

:08:33.:08:40.

# So when I speak, listen # Because you keep on pushing like I

:08:41.:08:46.

need permission to be heard # Gonna lift it, lift it higher

:08:47.:08:53.

# I'm gonna lift it, lift it higher, so, when I speak, listen

:08:54.:08:58.

# This is my decision # And you keep on messing up the

:08:59.:09:01.

words # # Let's make this party super

:09:02.:09:16.

naughty # Dancing on the bar

:09:17.:09:20.

# I feel alive # All fired up, I feel alive, I feel

:09:21.:09:24.

alive # All fired up, I feel alive

:09:25.:09:37.

# I feel alive, I feel alive # Now you want to pretend that

:09:38.:09:41.

you're a superstar # Now you want to see what brought

:09:42.:09:46.

you this far # Don't tell me you've come as far

:09:47.:09:48.

as we go # You need to have a sit down with

:09:49.:09:53.

your ego # And everyone's going into a final

:09:54.:09:58.

step # You know that you can come to me

:09:59.:10:01.

for help # Don't tell me it's time for going

:10:02.:10:05.

sole low # You need to stop messing with your

:10:06.:10:11.

ego # Whatever the weather we're going

:10:12.:10:14.

to be better together, # So what about us

:10:15.:10:18.

# I've been watching and waiting, why don't you give or taking

:10:19.:10:22.

# What's up? What about us? # What you're doing to my face

:10:23.:10:35.

# What about us? # Let me take the lead

:10:36.:10:40.

# N Nah, nah, nah The Saturdays everybody! Brilliant.

:10:41.:11:27.

Frankie, big news this week, we have to talk about Strictly Come Dancing,

:11:28.:11:30.

we're excited. It's on straight after Tumble when this ends. How are

:11:31.:11:34.

you feeling? It's so excited. We're on tour in September and then I'm

:11:35.:11:39.

doing Strictly after. We have a busy couple of It will months. Be the

:11:40.:11:42.

best thing you've ever done ah, part from being in the Saturdays,

:11:43.:11:47.

obviously! We know that you were a little junior tumbler. When I was

:11:48.:11:52.

younger, yes. Nowhere near as good as these What do guys. You think?

:11:53.:11:56.

They're amazing! Thank you again, girls.

:11:57.:12:02.

Brilliant. Right, back to business. Now Nadia Comeneci has vaulted in

:12:03.:12:05.

European, world and Olympic competitions. But what is her idea

:12:06.:12:07.

of the perfect vault? In my career, I've done thousands of

:12:08.:12:24.

vaults. I knew I had to be focussed, really committed and really had to

:12:25.:12:28.

push myself. This is exactly what I'm looking for from the

:12:29.:12:29.

celebrities. The position in the air needs to be

:12:30.:12:42.

strong, controlled and I really love to see pointed toes.

:12:43.:12:47.

The perfect landing is straight body, bent knees and feet together.

:12:48.:12:52.

Even if you stumble at the end of the vault, you have to land on your

:12:53.:12:58.

feet first. In gymnastics, you are scored on technique and you are

:12:59.:13:03.

scored on difficulty. It will take a lot to impress me, but I didn't say

:13:04.:13:11.

it would be easy. So, Nadia will score on technique

:13:12.:13:17.

and difficulty. I'm here now with Amelle and Emma's partners, Doug and

:13:18.:13:21.

Ivan. It's not a good time for up. Now we've asked the contestants to

:13:22.:13:25.

do their most impressive vault for this. So, what advice have you given

:13:26.:13:30.

Emma and what can we expect? The advice we've given Emma is to be

:13:31.:13:33.

calm and attack the run up, really spot where she wants to put her

:13:34.:13:38.

hands and reach forward on the vault. Keeping her legs straight and

:13:39.:13:42.

pointed. And do her best to stick the landing and to be confident. She

:13:43.:13:48.

has good pointy toes. Bit of a disappointing night for Amelle

:13:49.:13:51.

tonight, what advice have you given her before this vault? It is

:13:52.:13:54.

disappointing. There were a few mistakes in the routine. We've done

:13:55.:13:57.

it better. However that means that I believe Amelle is one of the

:13:58.:14:00.

strongest competitors in this competition. She has a good vault.

:14:01.:14:04.

She has to show everybody why she deserves to be here. We want to push

:14:05.:14:08.

for the final. We don't want to lose either one of you. Good luck, boys.

:14:09.:14:14.

Crossing our fingers for them. Amelle and Emma are just behind the

:14:15.:14:19.

corps r doors -- behind the doors, stretching, flexing, preparing. One

:14:20.:14:22.

of the girls will go home tonight. Right, this is it then. The vault.

:14:23.:14:34.

Both celebrities will now attempt their most impressive vault. Up

:14:35.:14:40.

first it's Amelle. ( We saw last week what pressure the vault can

:14:41.:14:44.

bring. It's a matter of conquering your nerves. It's over in seconds

:14:45.:14:51.

and so much depends on it. Amelle, please prepare to vault.

:14:52.:15:14.

APPLAUSE Good, confident approach. It's a

:15:15.:15:25.

round-off vault and she landed straight down the middle. Need to

:15:26.:15:35.

push, get the legs high overhead, make the half turn and make sure of

:15:36.:15:42.

that landing. That's the round-off. That's Amelle. Next to vault, it's

:15:43.:15:44.

Emma. Emma will not have seen Amelle's

:15:45.:15:56.

vault. Now it's about her own focus. It's about conquering her own

:15:57.:16:01.

nerves. Emma, would you please prepare to vault.

:16:02.:16:33.

P APPLAUSE

:16:34.:16:41.

This vault needs a big push and a confident landing. She did just

:16:42.:16:44.

that. Needs to straighten the legs, needs

:16:45.:16:47.

to get plenty of height, the landing was great. Phil standing by there,

:16:48.:16:53.

but he wasn't needed. This was a good, confident vault. Brilliant

:16:54.:17:00.

effort from both our girls. Well done. So the decision lies solely

:17:01.:17:07.

with head judge, Nadia. Based entirely on tonight's vault, which,

:17:08.:17:13.

what was your verdict on Amelle's vault? Amelle did a round-off which

:17:14.:17:19.

is a pretty difficult vault. She did a pretty good form. She had good

:17:20.:17:23.

form in the air and just a hop on the landing. All right. What was

:17:24.:17:28.

your verdict on Emma's vault? It was a straddle vault, it's a basic

:17:29.:17:33.

vault. It was a pretty vault. Not very impressive, but it was a good

:17:34.:17:40.

landing. Not very impressive, oh. It's decision time Nadia.

:17:41.:17:48.

Based entirely on the girls' vaults, which one of these celebrities,

:17:49.:17:53.

Amelle or Emma, would you like to save this evening? From my

:17:54.:18:00.

experience, I will have to go with the more difficult vault, so the

:18:01.:18:03.

celebrity that I'm saving tonight is... Amelle. Amelle, well done.

:18:04.:18:23.

Brilliant effort. You are safe. Back you go to Doug.

:18:24.:18:29.

Emma, Emma! Perfectly executed. I mean, how has your Tumble experience

:18:30.:18:34.

been? It's been fantastic. Meeting Phil and Ivan and working with them

:18:35.:18:38.

has been extraordinary. I'm in better shape, a few bruises, than I

:18:39.:18:42.

have been for ages. It's been fantastic. Well, here's Ivan and

:18:43.:18:47.

Phil. The boys have worked with you for the last nine or ten weeks.

:18:48.:18:53.

Ivan, can I just get you over here? Now then, how has Emma been as a

:18:54.:18:58.

partner? She's been a pleasure actually. She's worked really hard.

:18:59.:19:01.

She's been determined and focussed. Every day has been a pleasure to

:19:02.:19:06.

work with her. She just makes he smile. -- me smile. Behind every

:19:07.:19:10.

good couple is a brilliant coach, Phil, how have these two been for

:19:11.:19:16.

you, hard work or... ? Not hard work, a pleasure. It's been ten

:19:17.:19:19.

weeks of fun. It's been a joy meeting Emma. I'm sure we will

:19:20.:19:22.

remain Friends for Life. Ivan equally. A great journey. Thank you

:19:23.:19:28.

very much. We will certainly miss you, Emma. Any final messages to

:19:29.:19:31.

Ivan and Phil? Well, we'll keep in touch. I know their numbers. We'll

:19:32.:19:38.

be sorry to lose you. A final farewell then to your Tumble family.

:19:39.:19:41.

Well done. Emma, Ivan and Phil.

:19:42.:19:49.

APPLAUSE So, that is it for tonight. Thank

:19:50.:19:53.

you to all our couples and their coaches. Also to head judge Nadia,

:19:54.:20:00.

Seb, Louis and Craig and of course, to Mitch. Coming next on BBC One is

:20:01.:20:05.

the brand new Doctor Who. We'll see you next Saturday at the slightly

:20:06.:20:09.

earlier time of 6. 15pm. Have a great weekend. Thanks for watching.

:20:10.:20:10.

Good night!

:20:11.:20:16.

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