
Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Somersaults. Flips. Lifts. . Flicks. That is Tumble. | :00:10. | :00:19. | |
She really is in control. She does it so well. So impressive. I want to | :00:20. | :00:25. | |
do it again! I think I love you, man. It's brilliant. What a finish! | :00:26. | :00:35. | |
Nailed it. Tonight, someone will be eliminated and it all comes down to | :00:36. | :00:41. | |
the vault. Run fast, run hard, or go home. No-one wants to be in that | :00:42. | :00:49. | |
vault-off, least of all me. Only a few days left. Ignore the pain. Time | :00:50. | :00:55. | |
to go for it. I want to smash it. If it doesn't go right, it will be | :00:56. | :01:01. | |
disastrous. I'm not leaving this competition without a fight. | :01:02. | :01:22. | |
Please welcome our Tumble professionals. | :01:23. | :01:35. | |
Your host, Alex Jones! It's Saturday night, and this is | :01:36. | :01:39. | |
Tumble! CHEERING AND APPLAUSE | :01:40. | :02:08. | |
Good evening and welcome to Tumble. Now, last week, our ten daring | :02:09. | :02:14. | |
celebrities tumbles and twirled live for the very first time. Tonight, | :02:15. | :02:18. | |
they face added pressure. At the end of the show, somebody will leave the | :02:19. | :02:23. | |
contest for good. So please welcome our stars with | :02:24. | :02:30. | |
their professional partners. East Ender and West End star, John | :02:31. | :02:48. | |
Partridge, with Kat Would. Loose Women's Andrea McLean with | :02:49. | :02:55. | |
Alex Uttley. H from Steps with Holly Johnston. Girls Aloud's Sarah | :02:56. | :03:09. | |
Harding with Leon Fagbemi. Of the blood actor Bobby Lockwood with | :03:10. | :03:25. | |
Kristin Allen. Sugababe. Blue Peter's Peter Duncan with Kate | :03:26. | :03:28. | |
McWilliam. Towel Which? Star, Lucy Mecklenburgh | :03:29. | :03:38. | |
with Billy George. Actress and dynasty icon, Emma Samms with | :03:39. | :03:48. | |
Pastore. And four-time world champion Super Middleweight boxer, | :03:49. | :03:53. | |
Carl Froch. With Sita Bhuller. | :03:54. | :04:00. | |
They love even fitter than last week if that's possible -- look even | :04:01. | :04:03. | |
fitter. Their fate lies in the hands of this lot, one again. | :04:04. | :04:10. | |
In gymnastics, you only have one chance. You do it today and that's | :04:11. | :04:16. | |
it. If they're not giving 100% on the night, we are going to know | :04:17. | :04:20. | |
about it. We want them to cushion their body to what they can do, | :04:21. | :04:24. | |
doing the daredevil stunts, we want to be wowed and amazed. It's not | :04:25. | :04:28. | |
just about the demonstration of gymnastic movement. The technique is | :04:29. | :04:32. | |
50% and the charisma and the acting of it is another 50%. If they don't | :04:33. | :04:38. | |
have that perfect combination, it's not going to work. I give all the | :04:39. | :04:42. | |
celebs massive respect for having a go at everything on the show. It's | :04:43. | :04:53. | |
something really difficult. You can't learn it in one day. It will | :04:54. | :04:56. | |
take time. It's difficult. I want to see who's going to do it. | :04:57. | :05:06. | |
The Tumble judges, everyone! Now, play nicely, you lot, this | :05:07. | :05:13. | |
week. So, tonight, our stars will be performing on the floor and on the | :05:14. | :05:18. | |
aeriel hoop. If that wasn't enough, two celebrities will come | :05:19. | :05:25. | |
face-to-face with this. The vault. There it is! The dreaded vault. And | :05:26. | :05:31. | |
somebody will be heading home. Time now though for our first performer | :05:32. | :05:36. | |
of the night. It's eastender, John Partridge. Last week, he hit the top | :05:37. | :05:42. | |
spot on the score board. But this week, he's hoping to two even | :05:43. | :05:47. | |
higher. Well, 15 feet higher, to be precise. | :05:48. | :06:03. | |
Somersaults, flips, flicks, flexibility, tick, unMI5able. That | :06:04. | :06:09. | |
hard work paid off. I hope we can be as dynamic in the air, let's not go | :06:10. | :06:19. | |
from hero to zero in one week. -- People think it's really easy. I | :06:20. | :06:24. | |
want people to know it's really hard. Argh... It's really tricky. | :06:25. | :06:28. | |
You are suspended five metres in the air trying to keep it steady. | :06:29. | :06:35. | |
Obviously I've seen a couple of the hoop routines. Knowledge is power! | :06:36. | :06:41. | |
So, we really want to spin. I think you can really get a good spin, if | :06:42. | :06:48. | |
you can, it looks impressive. The audience will respond to it. We are | :06:49. | :06:52. | |
going to spin like a disco ball. I want to look like a Vegas-style | :06:53. | :06:59. | |
performance. I want to put on a show with this routine. To really impress | :07:00. | :07:11. | |
the judges, John needs to master the things like the toe hang. Hanging | :07:12. | :07:18. | |
from the bottom of the hoop your ankles like that, suspending your | :07:19. | :07:21. | |
body weight. It's difficult and painful. I'm going to suffer. I must | :07:22. | :07:30. | |
be mad! At the end of the day, this is a competition, I want to do well. | :07:31. | :07:34. | |
Last week, I impressed the judges. I'm hoping I can do the same with | :07:35. | :07:36. | |
this routine. CHEERING AND APPLAUSE | :07:37. | :09:06. | |
Just listen to that reaction. No need to worry about going from hero | :09:07. | :09:11. | |
to zero, John. Still looking good. You were indeed spinning like a | :09:12. | :09:14. | |
ball. Just look at this, hanging from your toes, meet, off the | :09:15. | :09:29. | |
ground. Flexibility in this. Massively impressive that. | :09:30. | :09:33. | |
Thank you so much. What a great start to the show. Well done, | :09:34. | :09:37. | |
congratulations to you both. You were on the floor last week, on the | :09:38. | :09:41. | |
hoop this week, is everybody swapping round now and how was it | :09:42. | :09:44. | |
opening the show? Fantastic. Every week is a challenge. I'm here to | :09:45. | :09:48. | |
rise to the challenges. Thanks for being a great audience so far. | :09:49. | :09:53. | |
Unbelievable. We are going to start tonight with | :09:54. | :09:57. | |
our head judge, Nadia, Comaneci, what did you make of it? I was | :09:58. | :10:01. | |
impressed by all the skills you have done. Very difficult. Flexibility is | :10:02. | :10:05. | |
amazing. I just wanted to point out that toe hang is so hard and painful | :10:06. | :10:12. | |
because you have to hang your entire body on your ankles and it's against | :10:13. | :10:16. | |
the gymnastic rules what you have to do, pointing your toes. This is very | :10:17. | :10:21. | |
difficult. I appreciated that a lot. Thank you. Toe hang was superb. | :10:22. | :10:29. | |
Craig, what did you think of John? Well, you are a big guy. 6 Flatt? | :10:30. | :10:39. | |
6'1". I was thinking, when they said they were going to put you on a | :10:40. | :10:50. | |
hoop. It reminded me of my friend's being locked out. I had to go | :10:51. | :10:57. | |
through the cat flap and I thought I would see the feet hangs and I | :10:58. | :11:01. | |
thought that tonight too, but I didn't. It was amazing. I think that | :11:02. | :11:07. | |
was good. Not massive revants to the cat flap story but good. Craig, you | :11:08. | :11:11. | |
had stick last week because of scoring low. Anything you want to | :11:12. | :11:16. | |
say? I guess people think I was low, but for me, from starting from zero, | :11:17. | :11:21. | |
I thought you guys would be useless and I thought you would be one of | :11:22. | :11:34. | |
two, rights. However, I was pleasantly surprised. I think a five | :11:35. | :11:37. | |
is a really good score, half way to ten and I think with the training | :11:38. | :11:41. | |
you put in, as the weeks go on, you are going to get to a ten. | :11:42. | :11:46. | |
OK. All right. Sebastien Stella, what did you make of it? | :11:47. | :11:54. | |
Are you done? OK, my turn! It was amazing because the routine was | :11:55. | :12:04. | |
really hard. It's true, you the toe hang is hard. I say you don't need | :12:05. | :12:09. | |
to rush that much. It was an amazing act. Good job. Thank you. Lewis? The | :12:10. | :12:19. | |
start felt scrappy and awkward, you settled in great, the toe hang was | :12:20. | :12:23. | |
great, hand stand roll was brilliant. You had a great | :12:24. | :12:27. | |
performance presence and you were loving it. I thought it was great. | :12:28. | :12:31. | |
Don't listen to Craig and his cat flap story, it was really good. You | :12:32. | :12:36. | |
should be very pleased with yourselves. Back to the coach. John | :12:37. | :12:44. | |
and Kat, everyone. They stopped the score board last | :12:45. | :12:48. | |
week. Can they hold on to pole position tonight? All celebrities | :12:49. | :12:56. | |
will be scored tonight again. However, only the highest score from | :12:57. | :13:00. | |
across both weeks will count at the end of the show. Remember, the two | :13:01. | :13:04. | |
celebrities who finish at the bottom of the score board will face each | :13:05. | :13:08. | |
other in the vault. So, last week, John and Kat scored | :13:09. | :13:16. | |
27.5. How will they fare tonight? Let's get your scores please, | :13:17. | :13:17. | |
judges? Starting with Seb? A total of 28.5 out of 40 for John | :13:18. | :13:44. | |
and Kat. They have beaten, unbelievably, last week's total. | :13:45. | :13:51. | |
They must be very pleased with that. Now then, later tonight, we have a | :13:52. | :13:55. | |
very special performance from the Queen of British gymnastics, Beth | :13:56. | :13:59. | |
Tweddle, with some stars of the future too, you don't want to miss | :14:00. | :14:02. | |
that, it's ever so cute. Right, on we go and the next | :14:03. | :14:07. | |
celebrity is Wolfblood actor Bobby Lockwood. Now, last week, team Bobby | :14:08. | :14:13. | |
were feeling the love. This week though, they are really feeling the | :14:14. | :14:15. | |
pressure. First show done, guys. Had to | :14:16. | :14:33. | |
swallow a lump in my throat. Amazing. It's great to have an | :14:34. | :14:37. | |
emotional response from the audience. I did feel the love. Team | :14:38. | :14:45. | |
Bobby! This week we are doing the floor. It's fun but hard. It uses | :14:46. | :14:52. | |
your whole Booed yrks tumbling, flipping. He's like a little puppy, | :14:53. | :14:58. | |
if one thing goes really well, he gets soup erexcited and if one thing | :14:59. | :15:04. | |
goes wrong, he gets sad. A Naturally if anyone gets frustrated if they | :15:05. | :15:07. | |
can't do something as well as they want to... Don't feel the pressure. | :15:08. | :15:12. | |
I want to nail the lifts. What worries me is that it's dangerous. | :15:13. | :15:16. | |
When he gets frustrated in the middled, he loses focus. It isn't | :15:17. | :15:22. | |
safe for me or him. Hey, I'm up there, if you do that thing, you | :15:23. | :15:28. | |
just scare me. I'm sorry. Don't do that. OK. Never, ever again. | :15:29. | :15:43. | |
and arms, everything, in order to be like a statue and make this move | :15:44. | :15:49. | |
work. Elbows have to be in the write position, strong. Make sure you | :15:50. | :15:55. | |
don't drop Kristin. That would not be fun. | :15:56. | :16:09. | |
APPLAUSE AND CHEERING All the fun of the fair and Kristin | :16:10. | :17:25. | |
got her wish. Bobby kept his focus, and how! Look at this. Every | :17:26. | :17:32. | |
aspiring gymnast would like to do a back flip like this one. Look at the | :17:33. | :17:35. | |
focus. That's a short arm balance. You need to be strong and you need | :17:36. | :17:40. | |
to concentrate. He did a great job. And just look at this. Teddy got in | :17:41. | :17:47. | |
on the act, as well. That's the wine glass. Brilliant stuff. Adorable, so | :17:48. | :17:51. | |
lovely. Now we saw you give Bobby a bit of a | :17:52. | :17:59. | |
row. What did you think tonight, did he do his job? My gosh, yes, I am so | :18:00. | :18:05. | |
proud of him. This isn't an easy routine and he did everything he | :18:06. | :18:11. | |
needed to. It was great. So, let's see then what Craig the cat flap | :18:12. | :18:18. | |
thought of this one. Well, unlike Louis, I think you have a real | :18:19. | :18:22. | |
chance of becoming an all-round gymnast. Technically on the | :18:23. | :18:31. | |
gymnastics, the round-off was around the side. But I was impressed by the | :18:32. | :18:35. | |
stuff you put together Anton finish on a difficult balance and to | :18:36. | :18:41. | |
control the negotiates -- and to finish on a difficult balance and to | :18:42. | :18:45. | |
control the nerves. You looked like you were having fun. You look sweet | :18:46. | :18:49. | |
together. Seb, what did you make of it? The element of tricks and you | :18:50. | :18:53. | |
understand a lot about being the base, being the one holding the | :18:54. | :18:57. | |
flyer. I did that for a long time and I know what it takes. Your | :18:58. | :19:01. | |
responsibility is to keep her safe and make her beautiful. You did. Now | :19:02. | :19:10. | |
to keep working in that manner you need to keep working and unblock | :19:11. | :19:15. | |
those muscles, when you hold her you need to get stronger and lock, don't | :19:16. | :19:19. | |
move. Not even a small shaking. You are on the right way. It's good. | :19:20. | :19:25. | |
Louis, what did you make of it? I thought it was really good. It was | :19:26. | :19:28. | |
very fun, which was great to be judging it. I thought it was brave | :19:29. | :19:34. | |
to do that hold at the end. You were shaking a little bit but you have | :19:35. | :19:39. | |
done it. I can see the veins showing out. The round-off back flip, you | :19:40. | :19:46. | |
finished a little short. Snap in on the round-off. It's hard! I it is | :19:47. | :19:54. | |
hard, gymnastics is hard. Having said that it was good, well done. | :19:55. | :19:57. | |
Nadia. I agree with them, the balance, the skills were great. You | :19:58. | :20:02. | |
are very strong. You were a little shaky there, but you need to do a | :20:03. | :20:10. | |
little more. You can do a back - those people will have less to say | :20:11. | :20:13. | |
about your technique. Brilliant. You should be proud of yourselves. Bobby | :20:14. | :20:19. | |
and Kristin everyone. Positive comments from the judges. It's the | :20:20. | :20:24. | |
scores that really count. They make the difference. We will have to wait | :20:25. | :20:28. | |
and see what they've scored. It is indeed. As Mitch said, the scores | :20:29. | :20:34. | |
that count. Last week they scored 26. How will they fare this week? | :20:35. | :20:53. | |
So a total of 28 out of 40. Another couple who have gone up the score | :20:54. | :21:02. | |
board. Congratulations guys. For all the back stage gossip and exclusives | :21:03. | :21:05. | |
we have plenty of social media for you on the website. You will be able | :21:06. | :21:11. | |
to hear the latest and what all our celebrities make of the judges' | :21:12. | :21:14. | |
comments and as soon as our show finishes you can chat live with our | :21:15. | :21:22. | |
very own Louis Smith. But it's our singer from Steps now. This week | :21:23. | :21:25. | |
does H stand for happy or hurty? Second on the leader board, how do | :21:26. | :21:46. | |
you feel? Feels like a good place. I am chuffed with the comments. Every | :21:47. | :21:50. | |
move is right, how it is in the book. Self wet the bar. -- -- you | :21:51. | :21:58. | |
have set the bar. You have set the bar right here. Hello! I was a bit | :21:59. | :22:03. | |
apprehensive today about the aerial hoop. Knees together. The best way | :22:04. | :22:09. | |
is to go for it. Flex your feet. The girls are going to find this a lot | :22:10. | :22:14. | |
easier than the boys. I mean, it's obvious. It's hurting my bits! I am | :22:15. | :22:20. | |
constantly hungry to learn. Is that right? Yeah, that's good. H has so | :22:21. | :22:25. | |
much potential and he is so keen to push himself that we have given him | :22:26. | :22:30. | |
a tough routine. Today, H tried a new skill. He is starting to push | :22:31. | :22:38. | |
himself. It's super technical and hard the first time. | :22:39. | :22:46. | |
I felt like I was nailing some hard tricks and I ripped my hand apart. I | :22:47. | :22:55. | |
am trying to think like an athlete, instead of a performer. I taped up | :22:56. | :23:00. | |
and tried to get back on. He is really determined not to let this | :23:01. | :23:06. | |
defeat him. If something goes wrong he wants to get back up and do it | :23:07. | :23:09. | |
again which is a good attitude to have. I was proud of him for that. | :23:10. | :23:18. | |
Grin and bear. I am digging deep and ignoring the pain. On the live show | :23:19. | :23:19. | |
I am going to nail it. MUSIC: I Believe In A Thing Called | :23:20. | :23:27. | |
Love APPLAUSE AND CHEERING | :23:28. | :24:46. | |
Just look at his reaction and their reaction, loving every minute. Way | :24:47. | :24:53. | |
up into the clouds. Look at this. Torn hand and blisters all | :24:54. | :24:57. | |
forgotten. The courage is back. Look at this. This is skill. This is | :24:58. | :25:05. | |
control. And what a finish! How on earth does he know where he is? So | :25:06. | :25:10. | |
impress himself, H. H stands for hoop. He did it. And did it so well, | :25:11. | :25:15. | |
both of you. I know it's been a tough week for you. How are the | :25:16. | :25:19. | |
hands now? They're healing. They're taped up. They're sore. All right, | :25:20. | :25:28. | |
let's go to Seb first. OK. Two catch release, one dismount. Perfect | :25:29. | :25:30. | |
control from the beginning to the end. You play like a pro. Pro. Thank | :25:31. | :25:39. | |
you. Louis. I mean, you smashed it last week. You smashed it this week. | :25:40. | :25:44. | |
That circle was unbelievable. I think you are going to go really far | :25:45. | :25:49. | |
in this competition, it was unbelievable. That sounds | :25:50. | :25:56. | |
complicated but impressive. Nadia. I was waiting for more. It was very | :25:57. | :26:03. | |
dynamic and I remember I used to do that dismount. I was impressed. | :26:04. | :26:08. | |
Congratulations. Thank you. What about you, Craig? Well, when you | :26:09. | :26:12. | |
started running up there I was unsure thinking where is this going? | :26:13. | :26:17. | |
Actually, it's cool to be different. I love that performance. I love the | :26:18. | :26:22. | |
spin at the end. I am surprised you walked over in a straight line. | :26:23. | :26:26. | |
Brilliant. Well done. You must be happy with those comments, right? I | :26:27. | :26:30. | |
just want to be pushed to my limits and I want to learn and grow and I | :26:31. | :26:37. | |
want to enjoy this. OK. Over to your coach. Last week he got to second | :26:38. | :26:44. | |
place. Did the judges like what he dished up tonight? We will have to | :26:45. | :26:50. | |
wait and see. 26. 5 was the score for holy and H last week. -- Holly | :26:51. | :26:54. | |
and H last week. Can we top it? A total for H and Holly is an | :26:55. | :27:17. | |
amazing 31 out of 40. Now then, so far we have given our celebrities | :27:18. | :27:20. | |
aerial hoop and floor routines. They seem to be getting the hang of it. | :27:21. | :27:24. | |
Next week we thought we would throw a spanner in the works, well a | :27:25. | :27:30. | |
spanner, some drum sticks, whatever takes our fancy really. It's | :27:31. | :27:36. | |
rhythmic props. Rhythmic. Beautiful disaster. As if it wasn't hard | :27:37. | :27:44. | |
enough, we have props, as well. Normally I am good with props, but | :27:45. | :27:52. | |
really? No thanks. You can't drop it. It doesn't seem as fun any more. | :27:53. | :28:02. | |
We can only hope they'll be a bit better next week. Now after ten | :28:03. | :28:06. | |
years in one of Britain's biggest girl bands you would think Sarah | :28:07. | :28:10. | |
Harding would take chory like a duck to water -- choreography like a duck | :28:11. | :28:17. | |
to water, but not so much. OK. Number four on the leader board. | :28:18. | :28:22. | |
Something to be proud of. Respectful. Everybody above you are | :28:23. | :28:27. | |
male competitors. You are the top girl. Get in there woman! I loved | :28:28. | :28:35. | |
that. It was action-packed. Great choreography and chemistry. Smile a | :28:36. | :28:39. | |
bit more, but well done. Last week I conquered the hoop. Now I have to up | :28:40. | :28:45. | |
my game. We have given Sarah some really hard choreography. As if | :28:46. | :28:48. | |
dancing isn't hard enough we are going to ask her to do it upside | :28:49. | :28:53. | |
down and smiling. It's lift. After lift. After lift. And into a | :28:54. | :29:00. | |
cartwheel. Moving into choreography. And then running dive roll. And then | :29:01. | :29:02. | |
another lift. Even back in the band chory was | :29:03. | :29:14. | |
never my strongest point. I con-- choreography was never my strongest | :29:15. | :29:18. | |
point. I concentrated more on my vocal. It was a shame because I | :29:19. | :29:25. | |
would be better now otherwise. The choreography Sarah is struggling | :29:26. | :29:30. | |
with is the dive forward roll. It's always very tricky. They've got to | :29:31. | :29:35. | |
get the timing absolutely perfect. Otherwise, we are going to have a | :29:36. | :29:41. | |
problem. Inside my heart's going to be beating. My palms are going to be | :29:42. | :29:46. | |
sweaty. Hopefully on the day I will have a show-face. I am not going to | :29:47. | :29:52. | |
lie, it's pretty scary. This has to be my Everest! I hope we can do it. | :29:53. | :30:05. | |
MUSIC: Rather Be... | :30:06. | :31:16. | |
CHEERING AND APPLAUSE She said this routine was her | :31:17. | :31:27. | |
Everest and boy did she climb it! Great performance from her. I | :31:28. | :31:34. | |
couldn't see a problem, her choreography and skills on top. Over | :31:35. | :31:41. | |
and under, timing has to be spot on. And that takes courage and | :31:42. | :31:45. | |
precision. Well done, Sarah. Great performance. | :31:46. | :31:49. | |
Again, a very solid performance from Sarah and Leon. How are you feeling? | :31:50. | :31:54. | |
You seem to be overwhelmed by the whole thing? A bit of a technical | :31:55. | :31:59. | |
fault before we started. Shh, what happened? I'm short circuiting now. | :32:00. | :32:06. | |
Small thing, don't worry about it. Apart from that, yes, we managed it. | :32:07. | :32:11. | |
Looked great. Lewis, what did you make of it? I thought it was | :32:12. | :32:15. | |
brilliant. Good fun. I loved the passion, you danced around the floor | :32:16. | :32:20. | |
great. We got a cracking view when you dived over Leon. It was really | :32:21. | :32:25. | |
funky, loved the leg split, the flexibility. We sure loved it. It | :32:26. | :32:29. | |
was good. What did you make of it? I liked the | :32:30. | :32:35. | |
complexity of the skills, I like that you have flexibility and power | :32:36. | :32:41. | |
and I think you have a little place to improve your gymnastic skills and | :32:42. | :32:48. | |
then you will be able to do that. I love the gymnastics, it's really | :32:49. | :32:51. | |
good. Deep down, I think there's more in there. This is in the a | :32:52. | :32:59. | |
criticism. I think you could do a ten on the floor. It's only week | :33:00. | :33:04. | |
two. I want to be a hand stand down there. They executed that forward | :33:05. | :33:09. | |
role thing really good. It was good. Seb? What did you make of it? Tubb | :33:10. | :33:14. | |
obvious that you are an amazing great performer and you know what | :33:15. | :33:18. | |
you are doing as a performer because you are a singer -- it's obvious. | :33:19. | :33:24. | |
This is entertaining, amazing, I want you to have confidence, even | :33:25. | :33:35. | |
more. If you go a bit further, you will get a ten. They always want | :33:36. | :33:40. | |
more. You did a great job, Sarah and Leon, everyone. | :33:41. | :33:46. | |
It was funky, it was complex, it was a great performance and Craig, he | :33:47. | :33:50. | |
never seemed satisfied. Maybe he will next week. | :33:51. | :33:55. | |
So, they scored 25 last week, very respectable. We'll see how we can do | :33:56. | :33:57. | |
this week. Seb? Very good. Total then for Sarah and | :33:58. | :34:18. | |
Leon is 28.5 out of 40. A very good score! | :34:19. | :34:21. | |
Brilliant. Now, still waiting nervously bag | :34:22. | :34:27. | |
stage, we have Loose Women's Andrea McLean, Lucy Mecklenburgh from towel | :34:28. | :34:30. | |
Which? And Peter Duncan of Blue Peter. Next on the floor is someone | :34:31. | :34:33. | |
I was particularly impressed with last week. Mainly when he took his | :34:34. | :34:37. | |
top off, to be fair! It's Carl Froch! | :34:38. | :34:48. | |
Last Saturday I felt great, confident, happy. I enjoyed it. A | :34:49. | :34:59. | |
very good score. 26 out of 40. Ready to improve on that. Can't rest on | :35:00. | :35:04. | |
our laurels. I know I'm going to be nervous. Let's make you confident | :35:05. | :35:10. | |
for this Saturday then. Carl's training's been going great. We have | :35:11. | :35:15. | |
to up the stakes on his gymnastics skills. We thought we'd throw in a | :35:16. | :35:20. | |
front somersault. I knead to be more consistent. I'm probably landing | :35:21. | :35:24. | |
five out of ten. On a springy floor with a crash mat, really I should be | :35:25. | :35:29. | |
landing every one. A lot of the times he ends up on his butt. He's | :35:30. | :35:35. | |
only hit the deck twice in his whole boxing career. I've seen him hitting | :35:36. | :35:41. | |
that floor so much lately. If he falls doing the front somersault in | :35:42. | :35:45. | |
the show, it's difficult to regain your focus and continue the routine. | :35:46. | :35:48. | |
I don't want to think about that. I want to be optimistic. We have got | :35:49. | :35:52. | |
to get it right on the live show. The lifts are hard, the somersaults | :35:53. | :35:56. | |
are hard, I'm not designed for this this. Is more difficult for me than | :35:57. | :36:02. | |
boxing and I'm a world-class boxer. Having said that, I'm enjoying it, | :36:03. | :36:05. | |
getting stuck in. I think I'll put on a good show for you. | :36:06. | :36:13. | |
MUSIC: Viva La Vida... | :36:14. | :37:27. | |
CHEERING AND APPLAUSE Carl Froch from window cleaner to | :37:28. | :37:39. | |
boxer, he says he's not designed for this, but I beg to differ. Not | :37:40. | :37:45. | |
supporting the world on this occasion but doing a great job | :37:46. | :37:49. | |
supporting his partner. This front somersault, look at the shape and | :37:50. | :37:52. | |
confidence and just look at this landing! That's nailing it! | :37:53. | :37:58. | |
And he really got this under control to finish off an impressive routine. | :37:59. | :38:07. | |
Well, even for a world champ, that looked like hard work. How was it | :38:08. | :38:11. | |
for you, Carl? It was good. I made really hard work of that but I'm | :38:12. | :38:15. | |
happy I got through it. I did the front tuck. I'm happy with that. | :38:16. | :38:19. | |
That's what you were worried about? Yes. Nadia, the somersault? You did | :38:20. | :38:27. | |
the best somersault because you landed here and not low and I | :38:28. | :38:32. | |
appreciate that a lot. I think you were thinking about the front | :38:33. | :38:35. | |
somersault and messed up a bit at the beginning. It's hard to perform | :38:36. | :38:40. | |
on the floor, but if you put on top of the floor at stage, that makes it | :38:41. | :38:45. | |
more difficult and I can see why you wobble a bit at the beginning, but | :38:46. | :38:49. | |
it was good. Come on Craig, hit us with it? Carl, | :38:50. | :38:53. | |
you are a fighter and you really had to fight in that performance. | :38:54. | :38:57. | |
Anybody else would have given up. Without a doubt at the start. The | :38:58. | :39:02. | |
first time I saw that shoulder balance was in Las Vegas, that is | :39:03. | :39:13. | |
so, so difficult, yes. That was in Cirque de Soleil. You know you made | :39:14. | :39:18. | |
mistakes but that was a great performance. What did you make of | :39:19. | :39:23. | |
it? It was a very hard routine. Started out with power. You have to | :39:24. | :39:27. | |
stay many the same position and try to hold like that, then there's | :39:28. | :39:30. | |
tumbling, then going back to power. It's very hard to get back in the | :39:31. | :39:34. | |
same technique because you are shaking. We saw a lot of shaking. | :39:35. | :39:40. | |
What you need to do, when something goes wrong, you know something is | :39:41. | :39:43. | |
going to be great like the front tuck, act it out. Show it off to the | :39:44. | :39:49. | |
audience, show it to her, like "I'm in control" because this is really | :39:50. | :39:53. | |
hard what you did and bravo for that. Yes, very much so. And very | :39:54. | :39:57. | |
quickly then, Lewis, what did you make of it? I agree with the judges, | :39:58. | :40:06. | |
a bit wobble wobbly. Some ports you looked very nervous and rushed but | :40:07. | :40:10. | |
it was a good effort. I wanted a bit more, it was a bit shaky for me. We | :40:11. | :40:14. | |
didn't think it was wobbly, we thought it was amazing, Carl and | :40:15. | :40:21. | |
Seeta, everyone. The judges concede there's a lot | :40:22. | :40:24. | |
more to come from Carl yet. Craig said he won the battle and Lewis, | :40:25. | :40:29. | |
well, he sees a great promising future for it. | :40:30. | :40:34. | |
26 then for Carl and Seeta last week. Can we better it? | :40:35. | :40:49. | |
The total for Carl and Seeta, 24.5. Still a very respectable score, well | :40:50. | :41:02. | |
done, guys. Now, remember, it's the highest | :41:03. | :41:08. | |
score from this week, and last week that counts. We are at the half way | :41:09. | :41:12. | |
point. Let us see the score board as it stands. | :41:13. | :41:16. | |
We are half way through. It's the highest score from either last week | :41:17. | :41:19. | |
or this week that counts. What a feast of fun and difficulties we | :41:20. | :41:22. | |
have had already so far. Thank you so much. | :41:23. | :41:44. | |
So that means, H, you are definitely not in the vault-off tonight. Now | :41:45. | :41:49. | |
then, how much were you dreading that earlier? I actually loved it. I | :41:50. | :41:54. | |
did. I wanted it to do it again. I mean the vault, if you had to do it | :41:55. | :42:00. | |
how scared would you be? No, I wouldn't want to do that at all! | :42:01. | :42:04. | |
What have you got up your sleeve next Saturday? Trampoline. It's not | :42:05. | :42:09. | |
like bouncing around in back garden, this is Olympic style, hard core. | :42:10. | :42:12. | |
Looking forward to seeing that. Thanks, guys. Well done to you two | :42:13. | :42:16. | |
near the top. Very good. Now, last week, the dramatic opening | :42:17. | :42:23. | |
to Emma Sam's performances were of the dynasty storyline. This week | :42:24. | :42:26. | |
she's showing her softer side. I still have to pinch myself though. | :42:27. | :42:33. | |
She's from Dynasty and she's on a hoop. Amazing! | :42:34. | :42:42. | |
We have got the hardest routine over and done with. You can come back and | :42:43. | :42:52. | |
knock us away. I'm hoping she'll knock herself out on top of the | :42:53. | :42:55. | |
score boards. Whatever happens, if we can say we done our best, we | :42:56. | :42:59. | |
could never be upset with it. How can we not be positive with this | :43:00. | :43:05. | |
gorgeous sweet, lovely thing. A little birdie told us Emma used to | :43:06. | :43:09. | |
do ballet, so we are going to incorporate that into her routine. | :43:10. | :43:13. | |
It's wonderful that I get to do a bit of ballet. Ever since I was two | :43:14. | :43:19. | |
years old, I wanted to be a ballet dancer. I was lucky enough to get | :43:20. | :43:24. | |
into the ballet school and I was 16 and got injured and had to stop. I | :43:25. | :43:27. | |
never thought about doing anything else. I had to leave ballet school, | :43:28. | :43:34. | |
my whole identity was gone. I'm thinking it might be tricky | :43:35. | :43:39. | |
doing the routine in ballet shoes because I have a great block of | :43:40. | :43:46. | |
solidness at the end of my feet. The thought is it will look pretty. | :43:47. | :43:50. | |
Beautiful. Because of her background in ballet, it means she has good | :43:51. | :43:55. | |
lines. She knows how to straighten her leg, point her toes and hold her | :43:56. | :43:59. | |
body in a beautiful position. Bearing in mind how broken hearted I | :44:00. | :44:04. | |
was to have to stop dancing, it's really pleasing to me that I get to | :44:05. | :44:11. | |
do a bit of ballet. It would be very embarrassing to be talking about my | :44:12. | :44:14. | |
ballet back ground and then be rubbish. So pressure's on. | :44:15. | :44:25. | |
MUSIC: No More I Love Yous... | :44:26. | :45:45. | |
It's back to her roots for Emma. The crowd rose to it. They loved it. | :45:46. | :45:52. | |
That balletic background shines through. High up on her toes. | :45:53. | :45:57. | |
Beautiful poise. What a start. Look at this. Lovely shape. Perfectly | :45:58. | :46:03. | |
controlled. A great double act to finish. Emma staying on top, and | :46:04. | :46:11. | |
Ivan underneath. Great finish. Thank you, Mitch. It was a great finish. I | :46:12. | :46:14. | |
think every little girl out there will want to be you right now. You | :46:15. | :46:18. | |
look beautiful on that hoop. Was it OK? It was OK. Nice to be back doing | :46:19. | :46:23. | |
ballet? It feels very different to ballet because in ballet you don't | :46:24. | :46:27. | |
go that high! There is that. Craig, what did you make of it? I really | :46:28. | :46:32. | |
wanted a good performance and you delivered. That was just absolutely | :46:33. | :46:36. | |
stunning and it goes to prove that this show's not all about fancy | :46:37. | :46:41. | |
tricks. It was beautiful. You have got the best legs and feet in this | :46:42. | :46:52. | |
competition. Seb? I am going to say one thing, just a reminder that show | :46:53. | :46:58. | |
is about - it's not about gymnastic demonstration. It's about making a | :46:59. | :47:05. | |
show and creating acts with music and costume and learning about an | :47:06. | :47:10. | |
art. You really, really gave a great show right now. You really did. | :47:11. | :47:16. | |
Louis, you say you want more from these contestants. Emma just | :47:17. | :47:20. | |
executed a brilliant performance there. What's the one tip you would | :47:21. | :47:24. | |
give Emma and the rest of the contestants in order to get better | :47:25. | :47:28. | |
for next week? Well, I think, we said last week we wanted you to give | :47:29. | :47:32. | |
us a little more and I think you have done that. That was so | :47:33. | :47:37. | |
beautiful and it proves that big isn't always better. Wow isn't | :47:38. | :47:41. | |
always - it was unbelievable. You were so beautiful and so confident | :47:42. | :47:46. | |
at such a height, as well. Nadia, I don't know much about it but the | :47:47. | :47:49. | |
lines seem lovely. The most amazing performance I have seen. I don't | :47:50. | :47:53. | |
know if anybody else has lines like you. The fluidity of the performance | :47:54. | :47:58. | |
was going on and on and only way you stop was at the end. If I have to | :47:59. | :48:03. | |
look at the replay it will be really hard to find some mistakes. Phil is | :48:04. | :48:10. | |
going to be thrilled with you two. Emma and Ivan everybody. Well, she | :48:11. | :48:14. | |
was in a vulnerable position hovering around the bottom of the | :48:15. | :48:18. | |
score board last week. But hovering confidently high above the ground in | :48:19. | :48:21. | |
the hoop this week. She could pull off a surprise here. So last week | :48:22. | :48:26. | |
Emma was near the bottom of the leader board with 21. Now this is | :48:27. | :48:31. | |
going to be interesting. Can we make it any better? | :48:32. | :48:44. | |
Wow! The total for Emma and Ivan is a brilliant 30 out of 40. What an | :48:45. | :48:57. | |
improvement. So it's only week two of Tumble. Already our pairs are | :48:58. | :49:01. | |
getting to know each other really well. Gymnastics can be pretty | :49:02. | :49:10. | |
intimate. Just ask Amelle and Doug. Saturday how do we feel it went? I | :49:11. | :49:16. | |
feel good. I don't think the results kind of showed that to be completely | :49:17. | :49:21. | |
honest with you. That's a total of 24 out of 40. You can look back and | :49:22. | :49:30. | |
think that's the best I could do. I saw you in perfect control. Saw | :49:31. | :49:33. | |
perfect transition. You have beautiful lines. We got our floor | :49:34. | :49:38. | |
routine now. Just needs that same focus for this week. She's picking | :49:39. | :49:45. | |
things up so fast and that's through her dedication and commitment to | :49:46. | :49:48. | |
working hard. Bend your knees. That's it. I would say hard work | :49:49. | :49:54. | |
doesn't even cover it. She goes and goes and is determined to get it. | :49:55. | :49:59. | |
She's either incredibly brave or stupid. She never says no. They say | :50:00. | :50:05. | |
OK cool, now you will do a handstand on him. Like really? She will do | :50:06. | :50:13. | |
anything. We threw in a slinkie. We like to call it a back-breaker. | :50:14. | :50:18. | |
She's taking his weight and bending back and lifting him. It's | :50:19. | :50:22. | |
impressive. Keep going from there. Sorry, I didn't mean to toch you | :50:23. | :50:27. | |
there! It's one way to spend a Saturday night. The first time I | :50:28. | :50:32. | |
have seen you blush! Go on! It's definitely the most undignifying | :50:33. | :50:34. | |
thing I have ever done. Are you OK? Yeah, are you? After | :50:35. | :50:46. | |
everything I have gone through I think I deserve to do all right on | :50:47. | :50:48. | |
the night. Please! APPLAUSE AND CHEERING | :50:49. | :52:16. | |
They finish and all that hard work and determination wasn't wasted. She | :52:17. | :52:22. | |
looked as if she belonged to it tonight. Fabulous performance. Look | :52:23. | :52:26. | |
at this. The back-breaker. It does exactly what it says on the tin. She | :52:27. | :52:33. | |
managed a cartwheel out of it. Counterbalance extraordinary here. | :52:34. | :52:37. | |
And these two working together to create this magnificent balance. | :52:38. | :52:42. | |
Working together in harmony. Look at that! Now you worked really | :52:43. | :52:47. | |
hard this week. Gosh, did it pay off! Thank God. That's all I can say | :52:48. | :52:52. | |
after that. We got through. Very happy. Very good. Seb, what did you | :52:53. | :52:59. | |
make of it? A great performance. Your face is fun to watch when you | :53:00. | :53:02. | |
perform. The partnership is great. Now I want to see you tumble. You | :53:03. | :53:06. | |
got everything to do it, please tumble. It's never enough, is it! | :53:07. | :53:11. | |
Louis? I thought what you guys did was great. I don't think people | :53:12. | :53:14. | |
realise how hard those counterbalances are. Well done for | :53:15. | :53:21. | |
that. I agree, we want to see somersaults and tumbles. Let's talk | :53:22. | :53:25. | |
about the back-breaker. Flexibility is great. Balance is great. | :53:26. | :53:28. | |
Competition is hard. If you want to be better next time, like, for | :53:29. | :53:33. | |
example, that cartwheel, it should be on the hands. OK. She knows. OK. | :53:34. | :53:39. | |
Next time. And Craig? I think you guys really stepped it up from last | :53:40. | :53:43. | |
week. You look like a girl that likes a challenge. My challenge is | :53:44. | :53:46. | |
to you, you are going to be the first girl to show us a somersault | :53:47. | :53:52. | |
in this competition. OK. She can do it definitely. Amelle and Doug | :53:53. | :53:58. | |
everyone. Well done. Seb reckons it was a great | :53:59. | :54:00. | |
partnership. So it was. The rest of the judges want to see a little bit | :54:01. | :54:06. | |
more tumbling and more somersaults: I am sure Amelle can produce it. | :54:07. | :54:13. | |
Last week they scored 24. Let's see what they've got this week. | :54:14. | :54:26. | |
Wow. 29 out of 40. Better than last week. I am sure they'll be pleased | :54:27. | :54:36. | |
with that score. Now next week our stars will be facing two brand-new | :54:37. | :54:40. | |
challenges. We have already had a glimpse of the rhythmic gymnastics. | :54:41. | :54:44. | |
The other is trampolining, they'll be either jumping for joy or coming | :54:45. | :54:50. | |
back down to earth with a bump. And back up again and so on. Bouncing up | :54:51. | :54:56. | |
and down on the trampoline is like being a kid again. Me and the | :54:57. | :55:05. | |
trampoline are not friends. You will not be my new nemesis. I am in the | :55:06. | :55:11. | |
one of those mums who joins in on the bouncy Castle. It's | :55:12. | :55:15. | |
unpredictable. Not enjoying it. When it's finished I am glad it's over. | :55:16. | :55:19. | |
That's my job done for the day, knight, see you later! | :55:20. | :55:24. | |
-- night, see you later! That's next week. Next is Peter Duncan, a man | :55:25. | :55:29. | |
who proves that age ain't nothing but a number. Starts in 6, ends in a | :55:30. | :55:43. | |
0! Yeah, I thought it was good. The comments were fantastic. The | :55:44. | :55:47. | |
comments were really good. You did five tricks, I was amazed. | :55:48. | :55:51. | |
Congratulations. They were impressive tricks. I think that's | :55:52. | :55:57. | |
why she gave you the seven. Trending, now that's exciting. Have | :55:58. | :56:03. | |
you ever trended? No. It's exciting. I don't know exactly what it means. | :56:04. | :56:12. | |
Sounds like it's important. Good morning, Peter. My first hard core | :56:13. | :56:18. | |
day here, doing the hoop. It's a little bit of a shock. I have a body | :56:19. | :56:28. | |
image of a 25-year-old. God, I have no strength left! The reality is | :56:29. | :56:32. | |
obviously not that. I have to stop now. It's a challenge for an older | :56:33. | :56:37. | |
body to actually try and do these things. Good, good. Keep rolling. He | :56:38. | :56:43. | |
uses things like his age and lack of flexibility as an excuse. It's | :56:44. | :56:46. | |
worrying that you haven't been the whole routine yet. I am an old man, | :56:47. | :56:50. | |
sorry. I think I have a hernia in the back of my leg. I don't think | :56:51. | :56:55. | |
you do. When he is in pain he blames his age. But in reality, the hoop | :56:56. | :57:01. | |
hurts. You can't put padding on? No. It's fine, it's a scrape. It's like | :57:02. | :57:10. | |
dentistry without painkillers. He has the skills for a great routine. | :57:11. | :57:14. | |
Why does that hurt so much? Because it's the hoop and it's brutal. You | :57:15. | :57:23. | |
want to run away! He can give the others a run for their money. A | :57:24. | :57:26. | |
five-minute break? APPLAUSE AND CHEERING | :57:27. | :58:51. | |
Listen to that reaction! Another challenge met and conquered for our | :58:52. | :58:57. | |
action man. Feeling pressure now, but great job, Peter. Strong man | :58:58. | :59:05. | |
indeed. Look at this. Hooking his legs and ankles around. Upside down. | :59:06. | :59:12. | |
Terrific work. Hanging and loving it. There is the front balance. He | :59:13. | :59:19. | |
is swimming, as well. That can't be easy, Peter. Now, you should have | :59:20. | :59:23. | |
seen Peter trying to make it from the mat over here, it was quite | :59:24. | :59:29. | |
funny. Are you all right? Stand still! Three of you! All right. | :59:30. | :59:33. | |
Louis, coming to you first. It was good. I got it. It was fun. It was - | :59:34. | :59:41. | |
don't try to mask mistakes with acting the goofy one. It was good | :59:42. | :59:48. | |
but we want to see technically good. With transitions, they weren't | :59:49. | :59:51. | |
smooth. Good tricks but I want to see good transitions, as well. | :59:52. | :59:55. | |
Nadia, Louis said that. Any specific tips that will help Peter next week? | :59:56. | :00:01. | |
I like the clean Peter, you know presence on the floor last week was | :00:02. | :00:05. | |
like you. I can see the tricks are clean. But there was something there | :00:06. | :00:10. | |
sloppy with your legs that I didn't quite get. I wasn't sure exactly | :00:11. | :00:18. | |
what you wanted to do. It was Footloose. Craig? I thought it was | :00:19. | :00:27. | |
really fun. I enjoyed it. If you want to go a bit further in this | :00:28. | :00:31. | |
competition, like the guys saying, you need to work on your | :00:32. | :00:35. | |
flexibility. You are 60, so well done. | :00:36. | :00:45. | |
APPLAUSE Well said. In circus, you don't have | :00:46. | :00:53. | |
to be dramatic or romantic. Comedy is successful also. It's amazing | :00:54. | :00:57. | |
entertainment. It was a blast. I really had a blast. You did almost | :00:58. | :01:02. | |
you will the tricks in the book, but you did it your way in a comedy way. | :01:03. | :01:07. | |
Great job. So, your coach is waiting for you. | :01:08. | :01:14. | |
Try and walk in a straight line. Peter and Kate, everyone. | :01:15. | :01:18. | |
Some of the judges' comments were a little harsh perhaps. It's the | :01:19. | :01:23. | |
scores that count. Peter will be on tenterhooks now, as he awaits his | :01:24. | :01:27. | |
fate. Good job again. 23.5 last week. So can we have your scores nor | :01:28. | :01:30. | |
week, please? The total is 26 out of 40, which is | :01:31. | :01:50. | |
higher than last week. Brilliant. Well done, Peter and Kate. | :01:51. | :01:54. | |
Now, for all of you sat on the sofa enjoying your take away and | :01:55. | :01:58. | |
thinking, this gymnastics lark looks a bit easy. Well, Andrea McLean | :01:59. | :02:08. | |
might beg to differ. I love Saturday night. Everyone was | :02:09. | :02:13. | |
commenting on how big my smile was. The fact you smiled throughout the | :02:14. | :02:17. | |
routine, even though you wanted to projectile vomit was great. I wanted | :02:18. | :02:21. | |
to see more and I'm sure you can do a bit more next week. Well done. I'm | :02:22. | :02:25. | |
in the bottom three, it gives me the opportunity to prove to everyone how | :02:26. | :02:31. | |
good I can be. Now we are doing something very | :02:32. | :02:38. | |
different from last week. The worst part is, I can't stop injuring | :02:39. | :02:46. | |
myself. Oh, that was my buttock. I sprained my ankle. I heard it go | :02:47. | :02:51. | |
clunk. How annoying. But something's turned into a tiger in my head and | :02:52. | :02:56. | |
I'm going, no, I'm not stopping, sort yourself out and crack on, | :02:57. | :02:59. | |
Grrr! Are you all right? That's my other | :03:00. | :03:10. | |
one. Oh, no. This is possibly the worst time that something like this | :03:11. | :03:17. | |
could happen. My other one. That's so annoying. Both. It's so | :03:18. | :03:23. | |
frustrating when you've worked so hard for something you want really | :03:24. | :03:27. | |
badly. We need to be ready for Saturday night and I don't know | :03:28. | :03:29. | |
whether we are going to be. We've only got a few days to go. I know. | :03:30. | :03:36. | |
I'm having to force myself to keep going through the pain. Went over a | :03:37. | :03:45. | |
little bit but it's OK. I'm absolutely not giving up. That felt | :03:46. | :03:55. | |
better. My biggest worry - will my body hold it together? | :03:56. | :04:01. | |
MUSIC: Pure Shores... | :04:02. | :05:20. | |
She's come through pain and injury to give it her very best shot. | :05:21. | :05:30. | |
Confident drop to cradle. Back walk over. It was all going so well. | :05:31. | :05:39. | |
And here was a little problem. Just lost balance at that point. Brave as | :05:40. | :05:47. | |
she is, she carried on. We have to stress, it's been a | :05:48. | :05:51. | |
really tough and emotional week for you, hasn't it? I stood on his knee | :05:52. | :05:55. | |
and my ankle just went and I didn't have the strength to pull it back up | :05:56. | :05:59. | |
again, I'm really sorry. Don't worry. Don't apologise. It's like | :06:00. | :06:06. | |
television, you did so well, Andrea. What did you make of it? I like your | :06:07. | :06:11. | |
beautiful lines and everything you do gymnastic-wise. You made a | :06:12. | :06:15. | |
mistake, but I appreciate you went on and did the harder trick after. | :06:16. | :06:18. | |
So I appreciate that. Craig, any tips on even controlling | :06:19. | :06:22. | |
the nerves because it's a hard thing to do to get back into it. I'm | :06:23. | :06:27. | |
surprised that we haven't had mistakes before now, because it's so | :06:28. | :06:30. | |
difficult. Don't forget, this is Saturday night, it's live, there's | :06:31. | :06:34. | |
people watching at homepeople in the audience and my heart really went | :06:35. | :06:37. | |
out to you there. If I could count the number of times I've fallen off | :06:38. | :06:42. | |
the apparatus, I'd have a good memory but I really did like that, | :06:43. | :06:47. | |
you showed real guts there, so sorry it didn't work out. Seb? Andrea, you | :06:48. | :06:54. | |
were very nervous and let that go over your performance. Don't, don't. | :06:55. | :06:59. | |
Take to the stage like it's yours OK, control everyone in the | :07:00. | :07:02. | |
audience, be angry, you got everything to do it but you are too | :07:03. | :07:08. | |
shy about it like you do a mistake and it doesn't matter. You are very | :07:09. | :07:13. | |
close to get way more than you think you can. | :07:14. | :07:19. | |
APPLAUSE I was so upset that you made the | :07:20. | :07:22. | |
mistake. We wanted the celebrities to step it up and you are no | :07:23. | :07:26. | |
exception, you did that. Brilliant, finished off with the somersault. It | :07:27. | :07:30. | |
was great. It was just a shame that you made the mistake. We have to | :07:31. | :07:34. | |
judge what we see so... You made a mistake but the rest was brilliant. | :07:35. | :07:39. | |
Andrea and Alex, everybody. Andrea was in the danger zone last | :07:40. | :07:44. | |
week and just how risky and how much damage has that unfortunate mistake | :07:45. | :07:49. | |
done? The scores will tell us soon. Standing ovation from the others. | :07:50. | :07:53. | |
That's nice. Last week, Andrea scored 21, we need it to be a lot | :07:54. | :07:56. | |
higher this week. The total then for Andrea and Alex | :07:57. | :08:10. | |
is 22 out of 40. So, last up, it's Lucy Mecklenburgh. | :08:11. | :08:23. | |
Now, her performance last week left her at the bottom of the score | :08:24. | :08:28. | |
board. It's been a really tough seven days, but can she turn things | :08:29. | :08:35. | |
around and avoid the vault. ? Good luck, Lucy. | :08:36. | :08:40. | |
Morning. How are you feeling today? A bit better today, yes. Probably | :08:41. | :08:48. | |
the most nervous I've ever been in my whole entire life. I was shaking | :08:49. | :08:51. | |
so much. The nerves definitely got the better | :08:52. | :08:59. | |
of me tonight. First show, never been on stage before. I feel all the | :09:00. | :09:06. | |
hard work's not paid off, so disappointing. I don't want to in | :09:07. | :09:10. | |
the vault-off. I don't want to leave. I need to change my attitude, | :09:11. | :09:14. | |
work my hardest and I'm not leaving the competition without a fight. | :09:15. | :09:18. | |
Hello, hello, hello. You're really scary stood there. How do you get on | :09:19. | :09:25. | |
it? What do I do with my legs? I do feel a little like on the back foot | :09:26. | :09:29. | |
because a lot of the other celebrities are performers, that's | :09:30. | :09:33. | |
what they've done their whole life. I've never stepped foot on a stage | :09:34. | :09:38. | |
before. Lucy's worried but she needn't be, she's a natural on the | :09:39. | :09:43. | |
hoop. Wow! You are the first celeb that's been able to get to do that | :09:44. | :09:51. | |
free. No way! Really? That's great. Tears. I'm so proud of her. Crying | :09:52. | :09:57. | |
happy tears, it's wicket. It was so sweet when Lucy cried when I gave | :09:58. | :10:01. | |
her a compliment. It's given her a new-found confidence on the hoop. | :10:02. | :10:06. | |
From the first session that Lucy did, the progression is phenomenal. | :10:07. | :10:11. | |
She hops up on there and gives everything a food go... She's come | :10:12. | :10:16. | |
on leaps and bounds. It's amazing what she's managed to achieve. With | :10:17. | :10:20. | |
aeriel, I feel really confident, like this might be my strongest | :10:21. | :10:26. | |
discipline. I think. God, I shouldn't have said that. | :10:27. | :10:35. | |
MUSIC: Somewhere Only We Know... | :10:36. | :11:47. | |
Lucy was so disappointed last week. You heard what she said "I'm not | :11:48. | :11:53. | |
leaving without a fight". This performance really showed her spirit | :11:54. | :12:10. | |
and her determination. This is strong. Difficult. She put it all | :12:11. | :12:16. | |
into that performance. Thank you. It was 100% worth it. You | :12:17. | :12:22. | |
must be thrilled? I absolutely loved that routine. I enjoyed every minute | :12:23. | :12:26. | |
of it and I hope the judges did as well. You could really tell, | :12:27. | :12:34. | |
honestly. Last week you were really upset. | :12:35. | :12:38. | |
Most kids have cried at the end of the competition because it hasn't | :12:39. | :12:41. | |
gone the way they wanted. You have come back and showed an amazing | :12:42. | :12:45. | |
routine. Lucy, you are back in the competition. | :12:46. | :12:52. | |
Seb? Now I know who you are as a performer, you took that routine, | :12:53. | :12:57. | |
you made it your own. You turned it into a fairy tale. That's how I | :12:58. | :13:03. | |
feel, I just watched a fairy tale. It was like that. Lewis? This is a | :13:04. | :13:08. | |
different Lucy this week. It was very good. I think what's | :13:09. | :13:12. | |
frustrating is what you did was actually very difficult but you made | :13:13. | :13:16. | |
it look easy. That's going to be the annoying thing, so I was very | :13:17. | :13:22. | |
impressed. Nadia? Your entire performance changed since last week. | :13:23. | :13:27. | |
You have the best front balance I've seen from anyone. | :13:28. | :13:31. | |
The transformation has been unbelievable. You should be very | :13:32. | :13:35. | |
proud of yourselves. Billy and Lucy, everyone. | :13:36. | :13:40. | |
Job done from Lucy. Seb says it was a fairytale and | :13:41. | :13:45. | |
Lewis says wow, she made it, she made an impression. | :13:46. | :13:51. | |
It all comes down to this # Duecy and Billy, we need the | :13:52. | :13:53. | |
scores, so Seb? They have absolutely smashed last | :13:54. | :14:16. | |
week's score. Lucy, you would be delighted to know, you are not in | :14:17. | :14:19. | |
the vault-off! So, let's go over to the judges' | :14:20. | :14:23. | |
score board and see who will be taking on the vault tonight. | :14:24. | :14:49. | |
We have a tie between Peter and Carl. Bobby and Lucy are safe. Alex, | :14:50. | :15:00. | |
what do we do about the tie? So, Andrea is already facing the | :15:01. | :15:04. | |
vault. But who will she be up against? Well, we do have a tie. | :15:05. | :15:10. | |
Now, in this scenario, the rules of Tumble state that we combine the | :15:11. | :15:15. | |
total scores from this week and last week, so the person who'll face the | :15:16. | :15:21. | |
vault is... It's Peter. | :15:22. | :15:26. | |
So sorry. You're safe, you can go back. Peter, is that a surprise? I'd | :15:27. | :15:33. | |
rather fight... No, I felt it in my bones that this was going to happen | :15:34. | :15:38. | |
so I'm quite excited. All right. OK. While they prepare to vault, we have | :15:39. | :15:42. | |
something very special from you from an Olympian and triple world | :15:43. | :15:45. | |
champion who just happens to be Britain's most successful female | :15:46. | :15:47. | |
gymnast of all-time. challenge it was and what a gymnast | :15:48. | :16:07. | |
Beth Tweddle is. Please welcome the gymnastic legend that is Beth | :16:08. | :16:10. | |
Tweddle and her stars of the future. Absolutely adorable. Beth and her | :16:11. | :18:53. | |
girls. So we can't put it off any longer. Two celebrities jumping over | :18:54. | :18:58. | |
something that is as tall as a skip and as wide as your washing machine. | :18:59. | :19:03. | |
Here's a certain head judge with five Olympic gold medals to tell us | :19:04. | :19:08. | |
what she's looking for in the vault. Tonight someone will be eliminated. | :19:09. | :19:13. | |
It all comes down to the vault. Terror. The whole thing is pretty | :19:14. | :19:19. | |
scary. Horror. You are big, you are ugly and I don't get on with you! My | :19:20. | :19:29. | |
advice tonight for the two celebrities facing the vault is: | :19:30. | :19:35. | |
Confidence. Indecision is the enemy. Once you go, just go all the way. I | :19:36. | :20:04. | |
don't want to go! It's as much to do your mind | :20:05. | :20:37. | |
take on the vault. What advice do you have for them? A nice strong | :20:38. | :21:11. | |
run. Stay calm. Just concentrate on what you need to do and listen to | :21:12. | :21:16. | |
the coaches. OK. What do you think of the performances so far this | :21:17. | :21:20. | |
evening? We are all surprised really that Peter and Andrea are in the | :21:21. | :21:25. | |
bottom. Somebody had to be but it's been | :21:26. | :21:25. | |
bottom. Somebody had to be but it's a high standard. Definitely, they've | :21:26. | :21:28. | |
performed to the best of their ability and I have really enjoyed | :21:29. | :21:33. | |
it. How scary is tumble in general, would you say from a gymnast point | :21:34. | :21:37. | |
of view? It's very scary. Takes loads of practice to get up there. I | :21:38. | :21:41. | |
have been training for ten years and all the girls have been training for | :21:42. | :21:42. | |
more. all the girls have been training | :21:43. | :21:46. | |
It's very scary and for them to perform that good is incredible. I | :21:47. | :21:51. | |
know, it puts it in perspective. Thank you very much girls. | :21:52. | :21:53. | |
Congratulations again. Brilliant. Thank you. | :21:54. | :22:03. | |
Now over here are two unhappy pro partners. Kate and Alex. Now, you | :22:04. | :22:10. | |
have spoken to Andrea, I am assuming, what advice have you given | :22:11. | :22:24. | |
her I have told her to focus about what she's going to do. See it in | :22:25. | :22:35. | |
her head, to focus and before she goes for the vault really see | :22:36. | :22:40. | |
herself doing the vault, landing the vault and hopefully she will take | :22:41. | :22:54. | |
that on board and keep nice and calm. Let's hope so. Of course if | :22:55. | :23:05. | |
Peter doesn't perform well it means that your journey on Tumble is also | :23:06. | :23:12. | |
over. How will that make you feel? Gutted. Peter has worked so hard and | :23:13. | :23:20. | |
we are not ready to leave. He has a more to give. How proud are you of | :23:21. | :23:26. | |
Andrea so far? There was a stumble tonight but she's been fantastic the | :23:27. | :23:29. | |
last two weeks. She's been brilliant. We have done nine weeks | :23:30. | :23:30. | |
of training. Come over a lot of obstacles. And I am really proud at | :23:31. | :23:33. | |
how hard she has pushed through and is here tonight. | :23:34. | :23:35. | |
Well, good luck to them both. We will cross everything for them. So, | :23:36. | :23:38. | |
Andrea and Peter are right behind those doors over there. One of them | :23:39. | :23:42. | |
will be leaving this evening. This is it. The vault. | :23:43. | :23:44. | |
more to give. How proud are you of Andrea It is the moment they've been | :23:45. | :23:48. | |
dreading. Our head judge will decide who stays in the contest based | :23:49. | :23:50. | |
entirely on the vault. The celebrities will be performing their | :23:51. | :23:52. | |
best vaults. Up first it's Peter. APPLAUSE | :23:53. | :24:29. | |
Brave and courageous attempt from Peter. Fought that landing, but in | :24:30. | :24:34. | |
the end it got the better of him. Here is the push. His legs got the | :24:35. | :24:51. | |
better of him. Just a little bit out of control. He just didn't have | :24:52. | :25:00. | |
enough rotation to survive the landing. Tough luck, Peter. Great | :25:01. | :25:11. | |
effort. So next to face the vault it's Andrea. | :25:12. | :25:32. | |
It's a tough call. To push and straddle the legs to get enough | :25:33. | :25:53. | |
height and width to clear the table and she does it so well. That's a | :25:54. | :25:58. | |
good vault, Andrea. And she landed like the stuff of. | :25:59. | :26:09. | |
Absolutely terrifying. So, Andrea, how was that? The face said it all! | :26:10. | :26:15. | |
You landed. You were like this. It was brilliant. Yeah! I was pleased I | :26:16. | :26:19. | |
didn't fall over. That was the main thing. Peter. Yeah, I did fall over. | :26:20. | :26:27. | |
You went for a hand spring. I did, yes. Five out of six the other day I | :26:28. | :26:34. | |
did. So I am disappointed. It's the pressure, it's live. So, Nadia, | :26:35. | :26:41. | |
first of all, what did you think of Peter's vault? Peter did a handstand | :26:42. | :26:47. | |
which is a difficult vault. He had a good push. And a little | :26:48. | :26:58. | |
underrotated. OK. Andrea, this is a straddle. It's a basic vault. You | :26:59. | :27:06. | |
had a little leg bent on the first flight but overall a better vault | :27:07. | :27:16. | |
and a better landing. OK. Nadia, based entirely on tonight's vault, | :27:17. | :27:21. | |
forget the performance, which one of these lovely contestants do you want | :27:22. | :27:26. | |
to save this evening? Is it Peter or is it Andrea? | :27:27. | :27:41. | |
The celebrity I am saving tonight is... Peter. Congratulations, Peter. | :27:42. | :28:08. | |
We were saying what would happen if we were both in the vault and here | :28:09. | :28:12. | |
we are. You both did fantastic. Peter, you are through to next week. | :28:13. | :28:16. | |
What have you got up your sleeve then? Ha-ha! Trampolining I am doing | :28:17. | :28:23. | |
next week. Yeah, I can't tell you what I am doing next week. It's a | :28:24. | :28:27. | |
secret! All right. I will be bouncing up and down, I know that. | :28:28. | :28:31. | |
Kate will be thrilled. Off you go back to the dugout. Well done, | :28:32. | :28:37. | |
Peter. Andrea, here comes your partner, Alex. This is where your | :28:38. | :28:41. | |
journey on Tumble ends, unfortunately. How has it been? I | :28:42. | :28:49. | |
have loved every minute. Every sprain, every rip, every bump and | :28:50. | :28:53. | |
scrape. Because of this lovely man and Sarah. I have had the most | :28:54. | :28:57. | |
fabulous team. It's been a great experience. I have loved it. We are | :28:58. | :29:04. | |
so disappointed to lose you. Alex, you must be equally disappointed to | :29:05. | :29:06. | |
leave the competition. Definitely. I think it's unfortunate we made that | :29:07. | :29:10. | |
mistake tonight because we have done that routine spot on. That's the | :29:11. | :29:13. | |
nature of competition. I want to say how great you have been as a | :29:14. | :29:17. | |
partner. I am really proud of you. Thank you. We will miss you both, | :29:18. | :29:23. | |
honestly. So then, for our remaining contestants this is what is still to | :29:24. | :29:29. | |
come. It's all about technique and momentum and strength. I have | :29:30. | :29:33. | |
learned how to do things on the floor. Now I have to do them on a | :29:34. | :29:37. | |
little tiny beam. The challenge with the trampoline is making it look | :29:38. | :29:42. | |
dynamic. Just want to get my head around one discipline. They throw | :29:43. | :29:48. | |
another one at me. Another week, another discipline. Bring it on. And | :29:49. | :29:57. | |
that is it for tonight. Thank you to our Tumble couples and to the | :29:58. | :30:01. | |
coaches. Thanks to Nadia, Seb, Louis and Craig and of course to Mitch. | :30:02. | :30:07. | |
Now join us live next week when you will see the Saturdays like you have | :30:08. | :30:11. | |
never seen them before and our remaining celebrities take on | :30:12. | :30:14. | |
trampolining and rhythmic gymnastics. It could be carnage | :30:15. | :30:19. | |
here. Sadly, Andrea and Alex, this is where you leave us. Please go | :30:20. | :30:24. | |
over and greet your Tumble family. Thank you for watching. There is a | :30:25. | :30:27. | |
live chat on social media with Louis straight after the show. We will see | :30:28. | :30:32. | |
you next Saturday at 6. 30. Good night! | :30:33. | :30:38. |