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APPLAUSE | 0:00:17 | 0:00:20 | |
Asking the questions, Jeremy Paxman. | 0:00:21 | 0:00:24 | |
Hello. Tonight is the penultimate match in this year's competition, | 0:00:26 | 0:00:31 | |
because last time, we saw Manchester University | 0:00:31 | 0:00:34 | |
beat Worcester College, Oxford to take their place in the final. | 0:00:34 | 0:00:37 | |
Tonight, we'll find out who they will be playing. | 0:00:37 | 0:00:40 | |
Pembroke College, Cambridge have been on consistently strong form | 0:00:40 | 0:00:44 | |
throughout this contest and are the only team among the semifinalists to have made it this far | 0:00:44 | 0:00:48 | |
without losing a match. They've beaten St Anne's College, Oxford, Nottingham University, | 0:00:48 | 0:00:53 | |
Balliol College, Oxford and Clare College, Cambridge so far. | 0:00:53 | 0:00:56 | |
Let's see if they can maintain their form | 0:00:56 | 0:00:59 | |
as we meet them now for the fifth time. | 0:00:59 | 0:01:01 | |
Hello, my name's Edward Bankes, I'm from Sevenoaks in Kent | 0:01:01 | 0:01:04 | |
-and I'm reading English. -Hi, I'm Ben Pugh, | 0:01:04 | 0:01:06 | |
I'm from North London and I'm reading German and Russian. | 0:01:06 | 0:01:09 | |
-And their captain. -Hello, I'm Bibek Mukherjee, | 0:01:09 | 0:01:11 | |
I'm from Canterbury in Kent and I'm reading economics. | 0:01:11 | 0:01:14 | |
Hi, I'm Imogen Gold, I'm from London and I'm reading engineering. | 0:01:14 | 0:01:17 | |
CHEERING AND APPLAUSE | 0:01:17 | 0:01:19 | |
University College, London are here having beaten the universities of York, Warwick and Manchester, | 0:01:21 | 0:01:26 | |
but a defeat against Worcester College, Oxford | 0:01:26 | 0:01:29 | |
in their second quarterfinal meant they had to play a third | 0:01:29 | 0:01:32 | |
against Balliol College, Oxford to secure their place here tonight. | 0:01:32 | 0:01:36 | |
They tend to alternate unerring accuracy | 0:01:36 | 0:01:38 | |
with completely random outbursts like booby or Uranus. | 0:01:38 | 0:01:42 | |
Still, it works for them. Let's meet them again. | 0:01:42 | 0:01:44 | |
Hi, I'm Hywel Carver from East Devon, | 0:01:44 | 0:01:46 | |
and I'm doing a PhD in the modelling of blood flow. | 0:01:46 | 0:01:49 | |
Hi, I'm Patrick Cook from the Texas Hill Country and I'm reading history. | 0:01:49 | 0:01:53 | |
-And their captain. -Hello, I'm Jamie Karran from London, | 0:01:53 | 0:01:55 | |
and I'm working towards a degree in medicine. | 0:01:55 | 0:01:58 | |
Hi, I'm Tom Andrews, I'm from North Somerset and I'm studying genetics. | 0:01:58 | 0:02:02 | |
APPLAUSE | 0:02:02 | 0:02:05 | |
OK, you all know the rules. Fingers on the buzzers. Here's your first starter for 10. | 0:02:05 | 0:02:09 | |
Quote, "You may not doubt that this object, | 0:02:09 | 0:02:11 | |
"unwanted even in commercial America, is the deflowering of our capital." | 0:02:11 | 0:02:16 | |
This statement concluded a protest by notable figures, | 0:02:16 | 0:02:20 | |
including Zola, Gounod and Dumas... | 0:02:20 | 0:02:22 | |
-The Eiffel Tower. -Correct. | 0:02:22 | 0:02:25 | |
APPLAUSE | 0:02:25 | 0:02:27 | |
Your first set of bonuses, UCL, are on red hair. | 0:02:27 | 0:02:31 | |
"You'd find it easier to be bad than good if you had red hair. | 0:02:31 | 0:02:35 | |
"People who haven't red hair don't know what trouble is." | 0:02:35 | 0:02:39 | |
In which novel of 1908 do those words appear? | 0:02:39 | 0:02:41 | |
-Er... Gone With The Wind? -Gone With The Wind. | 0:02:41 | 0:02:46 | |
No, it's Anne Of Green Gables. | 0:02:46 | 0:02:48 | |
"Ethiopians say their gods are snub-nosed and black, | 0:02:48 | 0:02:51 | |
"Thracians that theirs are pale and red haired." | 0:02:51 | 0:02:54 | |
These words are attributed to which pre-Socratic philosopher, | 0:02:54 | 0:02:57 | |
a native of Colophon in Ionia? | 0:02:57 | 0:02:59 | |
I don't... | 0:03:02 | 0:03:04 | |
Heraclitus? It could be Heraclitus. | 0:03:04 | 0:03:07 | |
-Heraclitus. -No, it's Xenophanes. | 0:03:07 | 0:03:10 | |
"Out of the ash, I rise with my red hair and I eat men like air." | 0:03:10 | 0:03:14 | |
These are the final words of Lady Lazarus, | 0:03:14 | 0:03:17 | |
a work by which poet who died in 1963? | 0:03:17 | 0:03:19 | |
-Sylvia Plath. -Sylvia Plath. | 0:03:19 | 0:03:22 | |
-Correct. Another starter question. -APPLAUSE | 0:03:22 | 0:03:24 | |
Used since the eighth century to refer to jesting or entertainment, | 0:03:24 | 0:03:28 | |
what short word became associated with a state of joy or delight | 0:03:28 | 0:03:31 | |
but was revived with its original meaning in the 18th century | 0:03:31 | 0:03:35 | |
in the names of clubs formed for the practice...? | 0:03:35 | 0:03:38 | |
-Glee. -Glee is right, yes. | 0:03:38 | 0:03:40 | |
APPLAUSE | 0:03:40 | 0:03:43 | |
Your bonuses this time, UCL, are on fact recall. | 0:03:43 | 0:03:46 | |
Which German terrorist group gives its name to an Internet meme | 0:03:46 | 0:03:50 | |
and phenomenon in which, having heard an obscure fact for the first time, | 0:03:50 | 0:03:54 | |
one encounters it repeatedly in other contexts? | 0:03:54 | 0:03:57 | |
-Baader-Meinhof. -Baader-Meinhof. | 0:03:57 | 0:04:00 | |
-Who's ever heard of that on the internet? Trolling is a thing. -No! | 0:04:00 | 0:04:04 | |
-Baader-Meinhof complex is the only thing... -OK, Baader-Meinhof. -Baader-Meinhof is right. | 0:04:04 | 0:04:09 | |
Named by the US psychologists Roger Brown and David McNeill, | 0:04:09 | 0:04:12 | |
what phenomenon involves the recall of certain attributes of a fact, such as the first letter of a name, | 0:04:12 | 0:04:18 | |
without being able to recall the fact itself? | 0:04:18 | 0:04:20 | |
it's on the tip of my tongue. | 0:04:20 | 0:04:23 | |
Association? Selectivisation? | 0:04:23 | 0:04:26 | |
Selective memory is the best I've got, but I don't think it's right. | 0:04:26 | 0:04:30 | |
-Selective memory? -No, it is tip-of-the-tongue phenomenon. | 0:04:30 | 0:04:33 | |
LAUGHTER | 0:04:33 | 0:04:35 | |
It's on the tip of your tongue! There we are. | 0:04:35 | 0:04:37 | |
Five points for this one. From the story of Cinderella, what name denotes | 0:04:37 | 0:04:40 | |
a common tip-of-the-tongue experience in which one becomes aware of an unrelated fact | 0:04:40 | 0:04:45 | |
which impedes access to the required memory and is hard to dislodge? | 0:04:45 | 0:04:49 | |
THEY MURMUR | 0:04:49 | 0:04:51 | |
-Glass slipper? -Glass slipper? I'm thinking pumpkin, | 0:04:51 | 0:04:53 | |
something to do with pumpkins. | 0:04:53 | 0:04:56 | |
Um... Glass slipper sounds more realistic than pumpkin. Glass slipper. | 0:04:56 | 0:05:00 | |
No, it's the ugly sister effect. | 0:05:00 | 0:05:02 | |
10 points for this. | 0:05:02 | 0:05:03 | |
The cities of Dushanbe in Tajikistan, Katowice in Poland, | 0:05:03 | 0:05:07 | |
Donetsk in Ukraine and Volgograd in Russia | 0:05:07 | 0:05:10 | |
were all formerly known by names derived from that adopted... | 0:05:10 | 0:05:14 | |
-Stalin. -Correct. | 0:05:14 | 0:05:16 | |
-APPLAUSE -Right, Pembroke, you're off the mark. | 0:05:16 | 0:05:20 | |
Your bonuses are on astronomy and Shakespeare. | 0:05:20 | 0:05:24 | |
"But I am constant as the Northern Star." | 0:05:24 | 0:05:26 | |
Which of Shakespeare's title characters describes himself | 0:05:26 | 0:05:29 | |
-with those words? -Othello. | 0:05:29 | 0:05:32 | |
-Othello. -No, it wasn't, it was Julius Caesar. In Act I of Hamlet, | 0:05:32 | 0:05:35 | |
the soldier Bernardo points out, "Yond same star that's westwards from the pole," | 0:05:35 | 0:05:40 | |
thought by some to be a reference to what phenomenon | 0:05:40 | 0:05:44 | |
occurring in the constellation of Cassiopeia observed in 1572? | 0:05:44 | 0:05:47 | |
-Halley's Comet? -No. | 0:05:47 | 0:05:49 | |
-Supernova? -It could be. -We might as well guess. | 0:05:49 | 0:05:54 | |
-Go for it. -Supernova? -Supernova? -Correct. | 0:05:54 | 0:05:56 | |
"But like a comet I was wondered at. | 0:05:56 | 0:05:58 | |
"That men would tell their children, 'This is he.' | 0:05:58 | 0:06:01 | |
"Others would say, 'Where? Which is Bolingbroke?'" | 0:06:01 | 0:06:03 | |
Which title character says those words? | 0:06:03 | 0:06:06 | |
-Well, Bolingbroke is Henry IV. -It's not Oswald, is it? | 0:06:06 | 0:06:10 | |
He's not a title character. | 0:06:10 | 0:06:11 | |
-Henry IV. -I'd go Richard II. | 0:06:11 | 0:06:15 | |
-Richard II. -No, it was Henry IV. | 0:06:15 | 0:06:17 | |
10 points for this. From the Greek for a mast or web, | 0:06:17 | 0:06:20 | |
what name is given to a graph consisting of continuous rectangles, | 0:06:20 | 0:06:24 | |
each having a width proportional to the size of a range of numbers...? | 0:06:24 | 0:06:28 | |
-Histogram. -Histogram is correct. | 0:06:28 | 0:06:30 | |
APPLAUSE | 0:06:30 | 0:06:32 | |
Your bonuses are on signal processing. | 0:06:32 | 0:06:35 | |
Firstly, for five, what term can mean both varying an electromagnetic wave | 0:06:35 | 0:06:39 | |
in order to impress a signal on it and a change of key in a piece of music? | 0:06:39 | 0:06:43 | |
-Modulation. -Correct. From the Greek for "different power", | 0:06:43 | 0:06:46 | |
what term refers to the generation of beat frequencies by the combination of two waveforms? | 0:06:46 | 0:06:52 | |
THEY MURMUR | 0:06:53 | 0:06:57 | |
Hetero...mixing? | 0:06:57 | 0:07:00 | |
I thought that was different. | 0:07:00 | 0:07:02 | |
-Hetero mixing? -No, it's heterodyning. | 0:07:02 | 0:07:05 | |
Including Hannibal Lecter among its devotees, | 0:07:05 | 0:07:07 | |
and notably used in the theme music for Midsomer Murders, | 0:07:07 | 0:07:10 | |
what instrument, named after its Russian inventor, uses the heterodyne principle | 0:07:10 | 0:07:14 | |
to generate tones based on the movement of the musician's hands near the two antennas? | 0:07:14 | 0:07:20 | |
-Theremin. -Correct. | 0:07:20 | 0:07:22 | |
-We'll take a picture round. -For your starter, | 0:07:22 | 0:07:24 | |
you'll see a diagram of a chessboard. | 0:07:24 | 0:07:26 | |
10 points if you can | 0:07:26 | 0:07:28 | |
give me the two-word term | 0:07:28 | 0:07:29 | |
which denotes the particular form of | 0:07:29 | 0:07:31 | |
checkmate by which white has lost. | 0:07:31 | 0:07:34 | |
-Fool's mate. -Fool's mate is right, yes. | 0:07:36 | 0:07:38 | |
APPLAUSE | 0:07:38 | 0:07:40 | |
Picture bonuses. Three more chess boards, this time | 0:07:40 | 0:07:43 | |
showing the state of play before the final move in three famous matches. | 0:07:43 | 0:07:47 | |
For five points, I want you to tell me what the winning move was. | 0:07:47 | 0:07:51 | |
For example, white queen from D1 to A1. | 0:07:51 | 0:07:54 | |
Firstly, the winning move | 0:07:54 | 0:07:55 | |
for white from this 1858 game. | 0:07:55 | 0:07:59 | |
-Umm... So castle down to E1. -No. | 0:08:06 | 0:08:10 | |
-Yeah, castle down. -Down to E1. | 0:08:10 | 0:08:13 | |
No, no, no, no! | 0:08:15 | 0:08:17 | |
LAUGHTER | 0:08:17 | 0:08:18 | |
-E3, I think, maybe. -No... -Go. | 0:08:18 | 0:08:22 | |
No, wait... | 0:08:22 | 0:08:23 | |
Rook down to E1. | 0:08:23 | 0:08:25 | |
-From? -Er... -Wherever it is now? | 0:08:25 | 0:08:28 | |
-From E8. -Correct, yes. | 0:08:28 | 0:08:30 | |
The winning move for black from this 1948 game. | 0:08:30 | 0:08:33 | |
Is that the queen? | 0:08:40 | 0:08:41 | |
Wait. We want the king. | 0:08:41 | 0:08:44 | |
Oh, no, is that the king? | 0:08:44 | 0:08:46 | |
OK, no, I think it's... | 0:08:46 | 0:08:49 | |
It's knight from G4 to E2. | 0:08:49 | 0:08:51 | |
Knight from G4 to E2. | 0:08:53 | 0:08:54 | |
No, it's black knight from G4 to H2. | 0:08:54 | 0:08:57 | |
-H2, OK. -Bad luck. | 0:08:57 | 0:08:58 | |
Lastly, for five, | 0:08:58 | 0:09:00 | |
either of the winning moves | 0:09:00 | 0:09:02 | |
for black from this 1956 game. | 0:09:02 | 0:09:03 | |
-We've lost the king. -Is the top one | 0:09:07 | 0:09:09 | |
-the king? -King's the crown. | 0:09:09 | 0:09:11 | |
-Not that one. -Which one? | 0:09:11 | 0:09:13 | |
-It's this one. -The top one. | 0:09:13 | 0:09:16 | |
-Knight to D5? -From where? | 0:09:16 | 0:09:18 | |
-Wait. From where? -C3. | 0:09:22 | 0:09:25 | |
Knight from C3 to D5. | 0:09:25 | 0:09:27 | |
No. It's black rook from A2 to C2 | 0:09:27 | 0:09:30 | |
or black bishop from B4 to A3. | 0:09:30 | 0:09:33 | |
Right, 10 points for this. | 0:09:33 | 0:09:34 | |
The English counties of Cheshire, Durham and Lancashire, | 0:09:34 | 0:09:37 | |
whose lords had royal privileges, the medieval rulers of Hungary | 0:09:37 | 0:09:41 | |
and several counts of Germany and Burgundy all shared what name | 0:09:41 | 0:09:44 | |
with that of the hill on which the original city of Romulus was built? | 0:09:44 | 0:09:50 | |
-Palatine. -Palatine is right. | 0:09:50 | 0:09:52 | |
APPLAUSE | 0:09:52 | 0:09:54 | |
Your bonuses, UCL, this time are on women in the ancient world. | 0:09:54 | 0:09:57 | |
In the words of the author Charlotte Higgins, in each case | 0:09:57 | 0:10:00 | |
identify the mythological figure from her description. | 0:10:00 | 0:10:03 | |
In Sophocles' play, she gives her brother, who died a traitor, | 0:10:03 | 0:10:06 | |
his proper funeral rites. A standard bearer for courage | 0:10:06 | 0:10:09 | |
in the face of brutish male authority. | 0:10:09 | 0:10:12 | |
-Antigone. -Correct. | 0:10:12 | 0:10:13 | |
When her husband leaves her for a younger model, | 0:10:13 | 0:10:16 | |
she delivers a speech on the lot of married women culminating in the line, | 0:10:16 | 0:10:20 | |
"I'd rather stand in the battle line three times than give birth once." | 0:10:20 | 0:10:25 | |
-Medea. -Correct. In the Odyssey, she turned visiting men into pigs. | 0:10:25 | 0:10:29 | |
-What more can I say? -Circe. -Circe is right. | 0:10:29 | 0:10:32 | |
"He is of no age nor of any religion or party or profession. | 0:10:35 | 0:10:40 | |
"The body and substance of his works came out of the unfathomable | 0:10:40 | 0:10:44 | |
"depths of his own oceanic mind." | 0:10:44 | 0:10:46 | |
These words of Coleridge described which figure? | 0:10:46 | 0:10:49 | |
-Shakespeare. -Shakespeare is right, yes. | 0:10:49 | 0:10:52 | |
A set of bonuses on the former East Germany. Firstly for five. | 0:10:54 | 0:10:57 | |
Subtitled Stories From Behind The Berlin Wall, | 0:10:57 | 0:11:01 | |
which 2003 book by Anna Funder recounts personal histories | 0:11:01 | 0:11:04 | |
-of some who lived under the threat of the GDR state security? -Stasiland. -Correct. | 0:11:04 | 0:11:09 | |
Which academic wrote about the dossier the Stasi | 0:11:09 | 0:11:11 | |
kept on him in his 1997 book The File? | 0:11:11 | 0:11:13 | |
His other works included, in 2009, | 0:11:13 | 0:11:15 | |
Facts Are Subversive, | 0:11:15 | 0:11:17 | |
Political Writing From A Decade Without A Name. | 0:11:17 | 0:11:21 | |
-Timothy Garton Ash. -Oh, yes. Nominate Pugh. -Timothy Garton Ash. -Correct. | 0:11:21 | 0:11:26 | |
A work of 2010 by Kai Schluter reveals the efforts | 0:11:26 | 0:11:29 | |
made by the Stasi to spy on which Nobel prize-winning author, | 0:11:29 | 0:11:33 | |
code naming him Bolzen, as in bolt? | 0:11:33 | 0:11:35 | |
THEY WHISPER | 0:11:35 | 0:11:38 | |
But he was West German. | 0:11:38 | 0:11:41 | |
Gunter Grass? | 0:11:41 | 0:11:43 | |
Who was the one in...? | 0:11:43 | 0:11:45 | |
-Can we have an answer, please? -Gunter Grass. -Correct. | 0:11:45 | 0:11:47 | |
Another starter question. | 0:11:47 | 0:11:50 | |
Popularised by the Hungarian Marxist Gyogy Lukacs as a means | 0:11:50 | 0:11:53 | |
of generalising Marx's Theory Of Commodity Fetishism, | 0:11:53 | 0:11:56 | |
what term refers to the process by which abstract concepts | 0:11:56 | 0:11:59 | |
are treated as if they had tangible, material objects? | 0:11:59 | 0:12:02 | |
It derives from the Latin for thing. | 0:12:02 | 0:12:05 | |
-Pragmatism. -No. | 0:12:05 | 0:12:07 | |
Anyone like to buzz from Pembroke? | 0:12:07 | 0:12:10 | |
-Rarification? -Rarification is right, yes. | 0:12:10 | 0:12:12 | |
Your bonuses are on economics, Pembroke College. | 0:12:14 | 0:12:17 | |
Frictional, structural and classical, the latter caused | 0:12:17 | 0:12:21 | |
by excessively high wages, are three distinct types of what economic problem? | 0:12:21 | 0:12:26 | |
-Unemployment. -Correct. | 0:12:26 | 0:12:27 | |
Which law takes its name from the US economist who discovered | 0:12:27 | 0:12:30 | |
that a 1% increase in the unemployment rate, when above 4%, | 0:12:30 | 0:12:33 | |
was associated with a 3% drop in the ratio of actual GNP | 0:12:33 | 0:12:38 | |
to potential GNP? | 0:12:38 | 0:12:39 | |
-Okun's law. -Correct. | 0:12:39 | 0:12:41 | |
Named after an economist born in 1883, what type of unemployment | 0:12:41 | 0:12:44 | |
results from insufficient aggregate demand in the economy | 0:12:44 | 0:12:47 | |
to support all those who want to work? | 0:12:47 | 0:12:49 | |
-Keynesian. -Correct. That gives you the lead. | 0:12:49 | 0:12:53 | |
A starter question. | 0:12:53 | 0:12:54 | |
What surname links an Australian poet born in 1833 | 0:12:54 | 0:12:58 | |
and honoured in Westminster Abbey, the 19th century | 0:12:58 | 0:13:01 | |
Prime Minister Lord Aberdeen and one of Lytton Strachey's eminent | 0:13:01 | 0:13:04 | |
Victorians who died in 1885 at the end of the siege of Khartoum? | 0:13:04 | 0:13:09 | |
-Gordon. -Gordon is right, yes. | 0:13:09 | 0:13:11 | |
You retake the lead and your bonuses are on square numbers. | 0:13:11 | 0:13:15 | |
The next year that is a perfect square will be 2025, 45 squared. | 0:13:15 | 0:13:20 | |
The last year that was a perfect square saw | 0:13:20 | 0:13:23 | |
three monarchs on the throne of Great Britain. What year was it? | 0:13:23 | 0:13:25 | |
What was the one with Edward VIII? When was Edward VIII? | 0:13:27 | 0:13:32 | |
-I thought it was like 36 or 37. -37, it's got to be. | 0:13:32 | 0:13:36 | |
But which would make sense in terms of squares? | 0:13:36 | 0:13:38 | |
THEY WHISPER | 0:13:38 | 0:13:42 | |
-37. -Bad luck, it was 1936, 44 squared. | 0:13:45 | 0:13:47 | |
Which year, a perfect square, saw the denunciation | 0:13:47 | 0:13:50 | |
of Martin Luther by the Diet Of Worms, | 0:13:50 | 0:13:52 | |
the death of Magellan and the fall of the Aztec capital to the Spanish? | 0:13:52 | 0:13:56 | |
It's got to be in the 1400s. | 0:13:56 | 0:13:59 | |
THEY WHISPER | 0:13:59 | 0:14:04 | |
Sorry. | 0:14:06 | 0:14:08 | |
-It's not easy. -1456? | 0:14:08 | 0:14:10 | |
No, it's got to be after 1492, when Columbus discovered America, | 0:14:10 | 0:14:13 | |
so it has to be 1500s. Try mid-1500s. | 0:14:13 | 0:14:17 | |
-Let's have an answer. -1550, I don't know. -1556. -1521, that's 39 squared. | 0:14:17 | 0:14:23 | |
Which year, also a perfect square, saw the deaths of Edgar Allen Poe, Frederic Chopin | 0:14:23 | 0:14:27 | |
and the suppression of the Hungarian uprising? | 0:14:27 | 0:14:29 | |
-1956? -Chopin died that late? No. Chopin did not die that late. | 0:14:29 | 0:14:34 | |
-The Hungarian uprising. -Different Hungarian uprising. | 0:14:34 | 0:14:38 | |
-OK, fair enough. -Sorry. -That's all right. | 0:14:38 | 0:14:41 | |
-1856 or something? -Come on, let's have it, please. -1844. | 0:14:41 | 0:14:46 | |
-1844. -No, it's 1849, 43 squared. | 0:14:46 | 0:14:50 | |
We're going to take a music round now. For your music starter, | 0:14:50 | 0:14:52 | |
you'll hear excerpts from two very different pieces of music. | 0:14:52 | 0:14:55 | |
10 points if you can tell me | 0:14:55 | 0:14:56 | |
the names of the composers of each piece. | 0:14:56 | 0:14:59 | |
So listen to both before you answer. | 0:14:59 | 0:15:01 | |
PIANO | 0:15:01 | 0:15:06 | |
SYMPHONY | 0:15:14 | 0:15:18 | |
# New York, New York! | 0:15:18 | 0:15:22 | |
# It's a hell of a time! # | 0:15:22 | 0:15:25 | |
-Debussy and Bernstein. -Yes! Well done. | 0:15:25 | 0:15:28 | |
OK, the connection was that Debussy died the year that | 0:15:31 | 0:15:35 | |
Bernstein was born, which was 1910. | 0:15:35 | 0:15:38 | |
For your bonuses, music by three more pairs of composers, | 0:15:38 | 0:15:41 | |
the first in each case died in the year the second was born. | 0:15:41 | 0:15:45 | |
So I want both names for each set of five points. | 0:15:45 | 0:15:48 | |
Firstly, the composers of these two pieces. | 0:15:48 | 0:15:51 | |
SYMPHONY | 0:15:51 | 0:15:54 | |
Where you think it's from? | 0:16:01 | 0:16:02 | |
-No, that's Bernstein. -Oh, that's Bernstein. | 0:16:05 | 0:16:08 | |
SYMPHONY | 0:16:08 | 0:16:11 | |
Stravinsky or something? No, that's... | 0:16:11 | 0:16:15 | |
-Are we guessing anything? -I really don't know. -OK. We have no idea. | 0:16:16 | 0:16:20 | |
-What are you saying? -I don't know. -Go Benjamin Britten and Bizet. | 0:16:20 | 0:16:23 | |
-Benjamin Britten and Bizet. -Bizet and Ravel. | 0:16:23 | 0:16:27 | |
Bizet was the first one. Ravel, the second. | 0:16:27 | 0:16:29 | |
Secondly, the composers of these two works. | 0:16:29 | 0:16:31 | |
La Donna E Mobile is by...Verdi! | 0:16:31 | 0:16:35 | |
Verdi and...OK. | 0:16:35 | 0:16:38 | |
# Muta d'accento e di pensiero | 0:16:38 | 0:16:42 | |
# Sempre un amabile...# | 0:16:42 | 0:16:44 | |
GUITAR | 0:16:44 | 0:16:48 | |
Umm...I think it's Rodrigo. But... | 0:16:48 | 0:16:53 | |
-Yeah, go. -OK. Verdi and Rodrigo. -Correct. | 0:16:53 | 0:16:57 | |
-The year of birth and death was 1901 in that case. -And finally... | 0:16:57 | 0:17:01 | |
ITALIAN OPERA | 0:17:01 | 0:17:04 | |
-Puccini. -Puccini and...? Wait for the next one. -So it'd be 1920 something. | 0:17:04 | 0:17:10 | |
In the 1920s. | 0:17:10 | 0:17:11 | |
-Bernstein? -No, we've already had that one. | 0:17:12 | 0:17:15 | |
SONG: The Pink Panther Theme | 0:17:15 | 0:17:16 | |
-Oh, Mancini, isn't it? -Mancini. OK. | 0:17:16 | 0:17:19 | |
-Mancini and Puccini. -OK. Puccini and Mancini. | 0:17:19 | 0:17:23 | |
Mancini. That's right. 1924. Right, 10 points for this. | 0:17:23 | 0:17:27 | |
What two words have in their English spelling the letter A | 0:17:27 | 0:17:29 | |
as every second letter with no other vowels? | 0:17:29 | 0:17:32 | |
One denoting a Greek dish of fish roe paste the other a Turkish...? | 0:17:32 | 0:17:37 | |
Taramasalata and Galata? | 0:17:37 | 0:17:41 | |
No, I'm afraid you lose five points. | 0:17:41 | 0:17:43 | |
The other, a Turkish football team based in Istanbul. | 0:17:43 | 0:17:46 | |
-Taramasalata and Galatasaray. -Correct. | 0:17:46 | 0:17:50 | |
Sorry, it was just on the tip of your tongue, wasn't it? | 0:17:51 | 0:17:54 | |
But you get the bonuses, UCL. They are on exotic materials. | 0:17:54 | 0:17:57 | |
What term refers to artificially engineered materials | 0:17:57 | 0:17:59 | |
with optical or electromagnetic properties not found in nature? | 0:17:59 | 0:18:04 | |
-Semiconductors? -No. | 0:18:04 | 0:18:07 | |
-Paramagnetic. -Yeah? | 0:18:07 | 0:18:10 | |
-Paramagnetic. -No, they are meta-materials. | 0:18:12 | 0:18:15 | |
Referring to a Soviet scientist, what two-word term indicates the blue glow associated | 0:18:15 | 0:18:20 | |
with nuclear reactors caused by a charged particle moving through | 0:18:20 | 0:18:24 | |
a dielectric medium faster than the local speed of light? | 0:18:24 | 0:18:27 | |
This might be from Star Trek, | 0:18:27 | 0:18:29 | |
-but I think it might be the Cherenkov effect. -Go for it. | 0:18:29 | 0:18:32 | |
-The Cherenkov effect. -That's correct. Cherenkov radiation. | 0:18:32 | 0:18:35 | |
Occurring when Cherenkov radiation is emitted behind the particle travelling through the medium, | 0:18:35 | 0:18:39 | |
the reverse effect has been observed in meta-materials with which optical property? | 0:18:39 | 0:18:44 | |
THEY WHISPER | 0:18:45 | 0:18:47 | |
-Like polarized light? -Really? -I don't know. | 0:18:47 | 0:18:51 | |
-How does it bend? -What bends light? Like, I mean... | 0:18:51 | 0:18:55 | |
I don't know. | 0:18:55 | 0:18:56 | |
-Things that can polarize light. -No, it's the negative refractive index. | 0:18:56 | 0:19:00 | |
10 points for this. | 0:19:00 | 0:19:01 | |
It could be said that these two words had more influence | 0:19:01 | 0:19:04 | |
in shaping the emotional attitudes of the English governing class | 0:19:04 | 0:19:07 | |
between the two world wars than any other single phrase | 0:19:07 | 0:19:10 | |
in the English language. | 0:19:10 | 0:19:12 | |
-The working class' smell. -Uh, no. | 0:19:12 | 0:19:17 | |
It's Orwell. | 0:19:17 | 0:19:20 | |
-I'm afraid you lose five points. -Two words. | 0:19:21 | 0:19:24 | |
The question is here referring to which two-word literary epigraph? | 0:19:24 | 0:19:31 | |
No, none of you going to buzz? | 0:19:33 | 0:19:36 | |
-Semper fidelis. -No, it's "only connect." | 0:19:36 | 0:19:39 | |
EM Forster's remark. Right, 10 points for this. | 0:19:39 | 0:19:44 | |
The Greek-derived term ochlocracy indicates rule or domination by...? | 0:19:44 | 0:19:49 | |
-The mob. -The mob is right, yes. | 0:19:49 | 0:19:52 | |
You're in the lead. Your bonuses are on French cinema. | 0:19:55 | 0:19:58 | |
Which French director made Zero De Conduite | 0:19:58 | 0:20:01 | |
and L'Atalante before dying in 1934 at the age of 29? | 0:20:01 | 0:20:06 | |
Um... | 0:20:06 | 0:20:10 | |
-Cocteau? -Cocteau? -No, that was Jean Vigo. | 0:20:10 | 0:20:14 | |
Secondly, shot in Nice and Paris during the Nazi occupation, which film | 0:20:14 | 0:20:18 | |
by Marcel Carne is set in the world of 19th century Parisian theatre | 0:20:18 | 0:20:22 | |
and centres on the courtesan Garance and her lovers? | 0:20:22 | 0:20:25 | |
Courtesan? Um... Maybe Gigi? | 0:20:25 | 0:20:29 | |
Gigi? | 0:20:29 | 0:20:31 | |
No, that's a very different kind of film. Les Enfants Du Paradis. | 0:20:31 | 0:20:34 | |
Finally, the son of a noted artist who directed the 1939 film | 0:20:34 | 0:20:39 | |
La Regle Du Jeu, or The Rules Of The Game? | 0:20:39 | 0:20:41 | |
-Jean Cocteau? -Could be, I don't know. -Jean Cocteau? -No, that was Jean Renoir. | 0:20:41 | 0:20:45 | |
Another picture round now. For your picture starter, | 0:20:45 | 0:20:48 | |
you'll see a painting showing a scene from the New Testament. | 0:20:48 | 0:20:52 | |
10 points if you can tell me the specific event being depicted. | 0:20:52 | 0:20:57 | |
-The Last Supper? -No. UCL, one of you may buzz. | 0:20:57 | 0:21:02 | |
-Water into wine? -I'll accept that, yes. | 0:21:04 | 0:21:07 | |
It's more commonly known as the Wedding At Cana, | 0:21:07 | 0:21:10 | |
but that's where it happened, yes. | 0:21:10 | 0:21:12 | |
So, following on from that painting by Boscoli, three more paintings | 0:21:15 | 0:21:18 | |
depicting the wedding at Cana, all by artists | 0:21:18 | 0:21:21 | |
of the Italian Renaissance. | 0:21:21 | 0:21:22 | |
I want the artist's name in each case. Firstly, for five. | 0:21:22 | 0:21:25 | |
I'm thinking Caravaggio. | 0:21:25 | 0:21:27 | |
-It's Giotto. -Giotto. -Correct. Secondly. | 0:21:27 | 0:21:30 | |
-That's Carravagio. -No, it's... -It could be Titian. | 0:21:32 | 0:21:37 | |
-Not very colourful. -I thought Titian... Yeah. | 0:21:37 | 0:21:41 | |
-Go with Raphael then. -Let's have an answer please. -Raphael. | 0:21:41 | 0:21:44 | |
No, it's by Veronese. And finally... | 0:21:44 | 0:21:46 | |
-Is that Caravaggio? -No. It's early Renaissance, I think. | 0:21:48 | 0:21:53 | |
-No, it's not... -Bellini? | 0:21:53 | 0:21:56 | |
-Bellini is a person. -Yes, it's a person. He's a bit late, though. | 0:21:56 | 0:21:59 | |
-I guess it could be. -Bellini. | 0:21:59 | 0:22:02 | |
No, that's by Tintoretto. 10 points for this. | 0:22:02 | 0:22:05 | |
Recent holders of which cabinet office share surnames | 0:22:05 | 0:22:09 | |
with the authors of Treatise On The Law Privileges, Proceedings | 0:22:09 | 0:22:12 | |
And Usage Of Parliament, The History Of Rasselas, | 0:22:12 | 0:22:15 | |
Prince Of Abyssinia and Not Waving But Drowning? | 0:22:15 | 0:22:17 | |
-Home Secretary. -Correct. | 0:22:20 | 0:22:22 | |
You retake the lead there. | 0:22:23 | 0:22:25 | |
On science and mountains, Pembroke College, which mountain in | 0:22:25 | 0:22:29 | |
central Italy gives its name to the large particle physics laboratory | 0:22:29 | 0:22:32 | |
within it, which holds an experiment searching for dark matter? | 0:22:32 | 0:22:36 | |
Etna? | 0:22:36 | 0:22:39 | |
No, that's a mount. | 0:22:39 | 0:22:41 | |
-Mount Fernie? -No, it's Gran Sasso. | 0:22:41 | 0:22:44 | |
Which peak in the Harz mountains in Germany | 0:22:44 | 0:22:47 | |
gives its name to the phenomenon in which an elongated shadow of the observer, | 0:22:47 | 0:22:51 | |
often bearing a halo, is cast on a layer of cloud? | 0:22:51 | 0:22:54 | |
-Mountain. Um... Zugspitze. -I nominate Pugh. -Zugspitze. | 0:22:55 | 0:23:01 | |
No, it's the Brocken. On which mountain in California is the 100-inch | 0:23:01 | 0:23:05 | |
Hooker telescope used by Edwin Hubble to reveal the expansion | 0:23:05 | 0:23:09 | |
of the universe? | 0:23:09 | 0:23:10 | |
-I don't know about Hubble. -I don't know. -OK, pass. | 0:23:10 | 0:23:16 | |
It's Mount Wilson. 4.5 minutes, 10 points for this. | 0:23:16 | 0:23:19 | |
From the word mass and an old English word meaning loaf, | 0:23:19 | 0:23:22 | |
what name is sometimes given to...? | 0:23:22 | 0:23:24 | |
-Lammas Day. -Correct. | 0:23:24 | 0:23:26 | |
Your bonuses this time are on the Arab world. | 0:23:28 | 0:23:31 | |
Also that of a city in Saudi Arabia, what name is given to the ancient quarter | 0:23:31 | 0:23:35 | |
in various North African cities and derives from the Arabic for town? | 0:23:35 | 0:23:39 | |
-Medina. -Correct. From the Arabic for citadel, | 0:23:39 | 0:23:42 | |
what word is used for an area of the city of Algiers | 0:23:42 | 0:23:45 | |
and more generally for an old and often walled section of a city? | 0:23:45 | 0:23:49 | |
THEY WHISPER | 0:23:50 | 0:23:53 | |
-I nominate Bankes. -Metua? -No, it's Casbah. | 0:23:53 | 0:23:57 | |
What short Arabic term denotes an open air marketplace or bazaar, | 0:23:57 | 0:24:01 | |
for example, El-Hamidiyeh in Damascus? | 0:24:01 | 0:24:03 | |
-Souk. -Souk is right. 10 points for this. | 0:24:03 | 0:24:06 | |
Deriving from the Latin, | 0:24:06 | 0:24:07 | |
what term is used for air or other gases that have been thinned | 0:24:07 | 0:24:10 | |
or have had their density reduced and is used figuratively | 0:24:10 | 0:24:13 | |
for anything considered particularly fine or exalted? | 0:24:13 | 0:24:16 | |
-Rarified. -Correct. | 0:24:16 | 0:24:18 | |
These bonuses will put you on level pegging, they're on a French scientist. | 0:24:19 | 0:24:24 | |
The unit of optical frequency equal to 10 to the 12 hertz, | 0:24:24 | 0:24:26 | |
or one terahertz, is named after which French physicist? | 0:24:26 | 0:24:30 | |
-Becquerel? -No, Becquerel is radiation. Dioptre is like a thing. | 0:24:31 | 0:24:35 | |
-Yeah, but that's like... -Come on, let's have it. | 0:24:35 | 0:24:38 | |
-Dioptre. -No, it's Fresnel, Jean Fresnel. | 0:24:38 | 0:24:40 | |
Also named after Fresnel, what method is used | 0:24:40 | 0:24:43 | |
in crystal optics to represent the doubly refracting properties | 0:24:43 | 0:24:46 | |
of a crystal? | 0:24:46 | 0:24:48 | |
-Fresnography? It was named after him. -Fresnography. | 0:24:48 | 0:24:52 | |
No, it's a Fresnel ellipsoid. | 0:24:52 | 0:24:55 | |
Finally, a Fresnel lens used in lighthouses to concentrate | 0:24:55 | 0:24:58 | |
the light into a narrow beam | 0:24:58 | 0:24:59 | |
is characterised by a surface consisting of what? | 0:24:59 | 0:25:02 | |
Sort of concentric rings. | 0:25:02 | 0:25:05 | |
Sort of ridges making up concentric rings. | 0:25:06 | 0:25:10 | |
That's correct, yes. 10 points for this. | 0:25:10 | 0:25:12 | |
One of the most treacherous stretches of sea in the world, | 0:25:12 | 0:25:15 | |
attributed to Lord Nelson, these words describe which Strait | 0:25:15 | 0:25:18 | |
bridged by Thomas Telford in 1826 and Robert Stephenson in 1850? | 0:25:18 | 0:25:22 | |
-The Devon? -No. Anyone want to buzz from UCL? | 0:25:25 | 0:25:30 | |
Gibraltar? | 0:25:30 | 0:25:32 | |
No, it's the Menai Strait. 10 points for this. | 0:25:32 | 0:25:35 | |
The harbour of Port-en-Bessin, in the Calvados department, | 0:25:35 | 0:25:38 | |
and the island of La Grande Jatte on the outskirts of Paris... | 0:25:38 | 0:25:42 | |
-Seurat. -Seurat, correct, yes. | 0:25:42 | 0:25:44 | |
Your bonuses on surnames that begin with the letters ZA. | 0:25:47 | 0:25:50 | |
Name the person from the description. Firstly, | 0:25:50 | 0:25:53 | |
the Russian writer whose 1920 novel | 0:25:53 | 0:25:54 | |
We was an influence on George Orwell's 1984? | 0:25:54 | 0:25:57 | |
-I nominate Pugh. -Zamyatin. -Correct. | 0:25:57 | 0:25:59 | |
The Polish born philologist, who from 1870s devised | 0:25:59 | 0:26:02 | |
the constructed language Esperanto? | 0:26:02 | 0:26:04 | |
-Oh, God. Um... -You don't know, do you? | 0:26:04 | 0:26:09 | |
No, but... No, I can't think of it. | 0:26:09 | 0:26:11 | |
-Pass. -That's Zamenhof. Finally, | 0:26:11 | 0:26:13 | |
the US musician who noted that rock journalism is | 0:26:13 | 0:26:16 | |
people who can't write interviewing people who can't talk | 0:26:16 | 0:26:18 | |
-for people who can't read? -Zappa. -Correct. 10 points for this. | 0:26:18 | 0:26:22 | |
In astronomy, what term denotes a system of two stars | 0:26:22 | 0:26:26 | |
that revolve about their common centre of mass? | 0:26:26 | 0:26:29 | |
-Binary? -Binary star is correct, yes. | 0:26:29 | 0:26:32 | |
Your bonuses this time are on children's charities. | 0:26:34 | 0:26:37 | |
Which organisation was founded by the Austrian Hermann Gmeiner | 0:26:37 | 0:26:40 | |
in 1949 and is the world's largest charity | 0:26:40 | 0:26:43 | |
for orphaned and abandoned children? | 0:26:43 | 0:26:45 | |
Barnardo's? | 0:26:47 | 0:26:49 | |
-Let's have it, please. -Barnardo's? -It's SOS Children's Villages. | 0:26:49 | 0:26:53 | |
The plight of starving children after World War I prompted | 0:26:53 | 0:26:56 | |
the sisters Eglantyne and Dorothy Jebb to found which charity in 1919? | 0:26:56 | 0:27:01 | |
-Come on. -Save The Children? -Correct. | 0:27:03 | 0:27:06 | |
Which Irish doctor founded the East End Mission for destitute children in Stepney in 1867? | 0:27:06 | 0:27:11 | |
-Barnardo. -That was Barnardo. 10 points for this. | 0:27:11 | 0:27:14 | |
Familiar on UK high streets from the 1930s onward, | 0:27:14 | 0:27:17 | |
what word derived from the Greek meaning song | 0:27:17 | 0:27:20 | |
and originally meant a hole in which poets and musicians contended | 0:27:20 | 0:27:23 | |
for prizes in Ancient Greece and Rome? | 0:27:23 | 0:27:27 | |
-Odeon. -Yes, you're right. | 0:27:27 | 0:27:30 | |
Your bonuses are on the analysis of colour. | 0:27:31 | 0:27:34 | |
What component of HSI colour space is defined as the angle from red? | 0:27:34 | 0:27:38 | |
-Pass. -That's hue. What is the SI unit of luminous intensity? | 0:27:40 | 0:27:45 | |
-GONG -And that's the gong. | 0:27:45 | 0:27:47 | |
University College London, with 125, | 0:27:47 | 0:27:50 | |
and Pembroke College Cambridge, with 185. | 0:27:50 | 0:27:53 | |
There's no embarrassment losing in the semifinal, | 0:27:58 | 0:28:01 | |
and you've been a most entertaining team. | 0:28:01 | 0:28:04 | |
Thank you very much for joining us. | 0:28:04 | 0:28:05 | |
Pembroke, we look forward to seeing you. Another storming performance. | 0:28:05 | 0:28:09 | |
We look forward to seeing you again in the final, which takes place on the next occasion. | 0:28:09 | 0:28:14 | |
-I hope you join us. Until then, it's goodbye from University College London. -Bye. | 0:28:14 | 0:28:18 | |
-It's goodbye from Pembroke College Cambridge. -Bye. -And it's goodbye for me. Goodbye. | 0:28:18 | 0:28:24 | |
Subtitles by Red Bee Media Ltd | 0:28:28 | 0:28:30 |