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University Challenge. | 0:00:19 | 0:00:21 | |
Asking the questions, Jeremy Paxman. | 0:00:23 | 0:00:26 | |
APPLAUSE | 0:00:26 | 0:00:28 | |
Hello. | 0:00:29 | 0:00:30 | |
Welcome to the penultimate match in this year's University Challenge. | 0:00:30 | 0:00:34 | |
Last time, we saw Trinity College, Cambridge, | 0:00:34 | 0:00:36 | |
win the first place in next week's final. | 0:00:36 | 0:00:39 | |
Tonight, we'll discover who they'll be playing. | 0:00:39 | 0:00:42 | |
If one discounts the disdain with which they greeted a bonus set | 0:00:42 | 0:00:45 | |
on Keynesian economics, | 0:00:45 | 0:00:47 | |
which was clearly way too easy for them, the team | 0:00:47 | 0:00:49 | |
from Somerville College, Oxford, have an unblemished record so far, | 0:00:49 | 0:00:52 | |
with victories against Pembroke College, Cambridge, | 0:00:52 | 0:00:55 | |
and York University in rounds one and two and then | 0:00:55 | 0:00:58 | |
Clare College, Cambridge, and | 0:00:58 | 0:00:59 | |
Southampton University in the quarterfinals. | 0:00:59 | 0:01:02 | |
Let's meet them for the fifth time. | 0:01:02 | 0:01:04 | |
Hello. I'm Sam Walker from Stafford and I'm studying physics. | 0:01:04 | 0:01:09 | |
Hello. I'm Zack Vermeer from Sydney, Australia, and I study law. | 0:01:09 | 0:01:13 | |
-And their captain. -Hi. I'm Michael Davies. | 0:01:13 | 0:01:15 | |
I'm from Blackburn in Lancashire | 0:01:15 | 0:01:17 | |
and I'm studying politics, philosophy and economics. | 0:01:17 | 0:01:20 | |
Hi. I'm Chris Beer. | 0:01:20 | 0:01:21 | |
I'm from Blyborough, Lincolnshire, and I study English literature. | 0:01:21 | 0:01:24 | |
APPLAUSE | 0:01:24 | 0:01:27 | |
The team from the London School Of Oriental And African Studies | 0:01:29 | 0:01:33 | |
have proved that being a specialist institution isn't necessarily | 0:01:33 | 0:01:36 | |
a handicap in this contest, | 0:01:36 | 0:01:37 | |
having beaten the universities of Southampton and Reading | 0:01:37 | 0:01:41 | |
in rounds and two | 0:01:41 | 0:01:42 | |
and Cardiff University in their first quarterfinal. | 0:01:42 | 0:01:45 | |
After a defeat against Trinity College, Cambridge, | 0:01:45 | 0:01:48 | |
they redeemed themselves with another win | 0:01:48 | 0:01:50 | |
over Queens University, Belfast, to secure their place here tonight. | 0:01:50 | 0:01:54 | |
Let's meet them for the sixth time. | 0:01:54 | 0:01:57 | |
Hello. My name's Maeve Weber. I'm from Knebworth in Hertfordshire | 0:01:57 | 0:02:00 | |
and I'm reading for a BA in Ancient Near East Studies. | 0:02:00 | 0:02:04 | |
Hi. I'm Luke Vivian-Neal from Lusaka in Zambia and I study Chinese. | 0:02:04 | 0:02:08 | |
This is their captain. | 0:02:08 | 0:02:09 | |
Hi. I'm Peter McKean. I'm from Wallington in south London | 0:02:09 | 0:02:12 | |
and I'm reading for an MA in African History. | 0:02:12 | 0:02:15 | |
Hi. I'm James Figueroa from Surrey and I'm reading African Studies | 0:02:15 | 0:02:19 | |
and Development Studies. | 0:02:19 | 0:02:21 | |
APPLAUSE | 0:02:21 | 0:02:23 | |
Shall we just do it and not recite the rules? | 0:02:27 | 0:02:29 | |
Fingers on buzzers, then. Here's your first starter for ten. | 0:02:29 | 0:02:32 | |
Originally signed by 12 countries, a treaty in force since 1961 | 0:02:32 | 0:02:36 | |
guarantees the continuation of peaceful research and the banning... | 0:02:36 | 0:02:40 | |
CERN. | 0:02:41 | 0:02:42 | |
I'm afraid you lose five points. ..and the banning of military | 0:02:42 | 0:02:45 | |
and nuclear activity in which large area of the globe? | 0:02:45 | 0:02:48 | |
-Antarctica. -Correct. | 0:02:49 | 0:02:51 | |
Antarctic Treaty. | 0:02:53 | 0:02:54 | |
The first set of bonuses are on an economist, SOAS. | 0:02:54 | 0:02:58 | |
Essay On Population is an influential work by which | 0:02:58 | 0:03:01 | |
political economist, born in Surrey in 1766? | 0:03:01 | 0:03:06 | |
-Malthus. -Correct. | 0:03:06 | 0:03:07 | |
Malthus's views on population increase were used as | 0:03:07 | 0:03:10 | |
a justification for the harshness of the reforms of 1834 to which law? | 0:03:10 | 0:03:15 | |
THEY CONFER | 0:03:18 | 0:03:20 | |
Corn Laws. | 0:03:29 | 0:03:30 | |
No, it was the Poor Law. | 0:03:30 | 0:03:32 | |
And often incorrectly thought to refer to Mathus's | 0:03:32 | 0:03:35 | |
contributions to the thinking on population, the expression | 0:03:35 | 0:03:38 | |
"dismal science" was coined in 1849 by which Scottish-born historian? | 0:03:38 | 0:03:43 | |
Macaulay? Thomas Babington Macaulay? | 0:03:45 | 0:03:47 | |
-Macaulay. -No, it's Carlyle. | 0:03:51 | 0:03:52 | |
Ten points for this. | 0:03:52 | 0:03:54 | |
A Danish play, withdrawn two months before it was due to open | 0:03:54 | 0:03:56 | |
in Copenhagen in January 2013, and a painting by the South African | 0:03:56 | 0:04:00 | |
artist Marlene Dumas, bought by the National Portrait Gallery | 0:04:00 | 0:04:04 | |
in London and displayed in November 2012, | 0:04:04 | 0:04:06 | |
both have as their subject which British singer who died aged 27...? | 0:04:06 | 0:04:12 | |
Amy Winehouse. | 0:04:13 | 0:04:14 | |
Correct. | 0:04:14 | 0:04:15 | |
These bonuses, SOAS, | 0:04:18 | 0:04:19 | |
are on much-quoted instances of the word "famous". | 0:04:19 | 0:04:24 | |
Firstly, for five points, | 0:04:24 | 0:04:25 | |
"Let us now praise famous men and our fathers that begat us." | 0:04:25 | 0:04:29 | |
These words appear in which book of the apocrypha, | 0:04:29 | 0:04:31 | |
also known as The Wisdom Of Sirach? | 0:04:31 | 0:04:34 | |
Ecclesiasticus? | 0:04:34 | 0:04:35 | |
Ecclesiasticus. | 0:04:37 | 0:04:39 | |
Correct. "Famous men have the whole earth as their memorial." | 0:04:39 | 0:04:42 | |
Which statesman says those words in | 0:04:42 | 0:04:45 | |
Thucydides' History of the Peloponnesian War? | 0:04:45 | 0:04:48 | |
-Pericles. -You think Pericles? | 0:04:52 | 0:04:54 | |
-Pericles. -Correct. | 0:04:54 | 0:04:56 | |
"In the future, everybody will be world-famous for 15 minutes." | 0:04:56 | 0:04:59 | |
These are the words of which US artist, born in 1927? | 0:04:59 | 0:05:03 | |
-Andy Warhol. -Correct. Ten points for this. | 0:05:03 | 0:05:05 | |
With the atomic number 24, which element is a hard, lustrous | 0:05:06 | 0:05:10 | |
metal that forms a tough oxide coat on...? | 0:05:10 | 0:05:12 | |
Sodium. | 0:05:14 | 0:05:15 | |
No. I'm afraid you lose five points. | 0:05:15 | 0:05:17 | |
It derives its name from the Greek for "colour", | 0:05:17 | 0:05:20 | |
because of the brilliant appearance of its compounds. | 0:05:20 | 0:05:23 | |
Chromium. | 0:05:25 | 0:05:26 | |
Chromium is correct, yes. | 0:05:26 | 0:05:28 | |
Right, your bonuses are on astronomy, SOAS. | 0:05:31 | 0:05:34 | |
The Helix Nebula, Saturn Nebula and the yellow supergiant Sadalmelik | 0:05:34 | 0:05:38 | |
are all found in which constellation of the zodiac? | 0:05:38 | 0:05:41 | |
Taurus? | 0:05:51 | 0:05:53 | |
Taurus. | 0:05:53 | 0:05:55 | |
No, it's Aquarius. | 0:05:55 | 0:05:56 | |
Serpentarius, meaning "snake holder", | 0:05:56 | 0:05:58 | |
is a former name of which constellation | 0:05:58 | 0:06:01 | |
that straddles the celestial equator? | 0:06:01 | 0:06:03 | |
It's the location of Barnard's Star. | 0:06:03 | 0:06:05 | |
You think what? | 0:06:09 | 0:06:10 | |
Sirius? | 0:06:10 | 0:06:13 | |
He said "constellation". | 0:06:13 | 0:06:15 | |
Yeah, but it's on the equator. That's how you work out dog days. | 0:06:15 | 0:06:18 | |
So it would be Cano Major or one of those ones? | 0:06:20 | 0:06:24 | |
Nominate you? | 0:06:24 | 0:06:26 | |
Sirius. | 0:06:26 | 0:06:27 | |
No. It's Ophiuchus. | 0:06:27 | 0:06:29 | |
And finally, Sagittarius A* is an astronomical radio source | 0:06:29 | 0:06:32 | |
in the centre of our galaxy | 0:06:32 | 0:06:34 | |
and is believed to be the location of what kind of object, | 0:06:34 | 0:06:37 | |
which, in this case, has a mass of between | 0:06:37 | 0:06:39 | |
two and five million times that of the sun? | 0:06:39 | 0:06:42 | |
Supermassive black hole. | 0:06:42 | 0:06:45 | |
Supermassive black hole. | 0:06:45 | 0:06:46 | |
Yes, it's a black hole - it's BELIEVED to be supermassive. | 0:06:46 | 0:06:48 | |
Ten points at stake for this starter question. | 0:06:48 | 0:06:51 | |
An example being the tiresome assertion that the word "posh" | 0:06:51 | 0:06:54 | |
is an acronym for "port out, starboard home" | 0:06:54 | 0:06:57 | |
on ships between Britain and India, | 0:06:57 | 0:06:59 | |
what two-word term is used in linguistics to denote | 0:06:59 | 0:07:02 | |
a pervasive belief in false word and phrase origins? | 0:07:02 | 0:07:06 | |
Urban myth. | 0:07:10 | 0:07:12 | |
No. Somerville, one of you buzz? | 0:07:12 | 0:07:14 | |
Fermi. | 0:07:15 | 0:07:16 | |
No. It's folk etymology. | 0:07:16 | 0:07:18 | |
Ten points for this. | 0:07:18 | 0:07:19 | |
"Memorable as the most characteristic incarnation | 0:07:19 | 0:07:22 | |
"of the secular spirit of the papacy of the 15th century." | 0:07:22 | 0:07:25 | |
These words from the 1902 Encyclopaedia Britannica | 0:07:25 | 0:07:28 | |
refer to which figure, born in 1431? | 0:07:28 | 0:07:31 | |
I'll accept his given name and surname, | 0:07:31 | 0:07:33 | |
or his regnal name and number as pontiff. | 0:07:33 | 0:07:36 | |
Alexander VI. | 0:07:37 | 0:07:39 | |
Correct. Rodrigo Borgia. | 0:07:39 | 0:07:41 | |
APPLAUSE | 0:07:41 | 0:07:43 | |
Your bonuses, Somerville, are on a London churchyard. | 0:07:43 | 0:07:46 | |
Buried in St Pancras Old Churchyard, | 0:07:46 | 0:07:48 | |
what is the surname of the composer with the forenames Johann Christian, | 0:07:48 | 0:07:51 | |
known as the London member of his family? | 0:07:51 | 0:07:53 | |
He died in 1782. | 0:07:53 | 0:07:55 | |
-Bach. -Bach. | 0:07:55 | 0:07:57 | |
Correct. The family tomb of which neoclassical | 0:07:57 | 0:07:59 | |
architect in St Pancras Old Churchyard is thought to have been | 0:07:59 | 0:08:02 | |
an influence on Giles Gilbert Scott's design | 0:08:02 | 0:08:04 | |
for the red telephone box? | 0:08:04 | 0:08:06 | |
Born 1753, he gives his name to a museum in Lincoln's Inn Fields. | 0:08:06 | 0:08:10 | |
It's a bit too late for Nash, I think. | 0:08:15 | 0:08:17 | |
-Just try Nash. -Nash. | 0:08:19 | 0:08:21 | |
No. It's Sir John Soane. | 0:08:21 | 0:08:22 | |
Buried in the same churchyard, the sculptor John Flaxman was, | 0:08:22 | 0:08:25 | |
from 1775, a noted designer of jasperware for which English potter? | 0:08:25 | 0:08:31 | |
-Try Wedgwood. -Wedgwood. | 0:08:33 | 0:08:35 | |
Wedgwood is correct. We're going to take a picture round. | 0:08:35 | 0:08:38 | |
For your picture starter, you'll see a hemicycle depicting the seats won | 0:08:38 | 0:08:42 | |
by the political parties at a recent European general election. | 0:08:42 | 0:08:46 | |
Ten points if you can name the country. | 0:08:46 | 0:08:48 | |
Spain. | 0:08:55 | 0:08:56 | |
Spain is right, yes. | 0:08:56 | 0:08:57 | |
That was the outcome of the 2012 Spanish general election. | 0:09:00 | 0:09:03 | |
Your bonuses are three more hemicycles showing the seats won | 0:09:03 | 0:09:06 | |
by political parties in recent European elections. | 0:09:06 | 0:09:09 | |
In each case, name the country. | 0:09:09 | 0:09:11 | |
Firstly, for five, from an election held in 2011. | 0:09:11 | 0:09:14 | |
Denmark? | 0:09:18 | 0:09:21 | |
Germany, maybe, with the Ds? | 0:09:22 | 0:09:23 | |
No. It's not Germany. | 0:09:23 | 0:09:25 | |
You think Denmark? I think Italy. | 0:09:26 | 0:09:29 | |
Zack, are you thinking Italy as well? | 0:09:29 | 0:09:32 | |
I really am not sure. | 0:09:33 | 0:09:35 | |
It's too small... | 0:09:38 | 0:09:39 | |
-Denmark. -Denmark's correct. | 0:09:40 | 0:09:42 | |
Secondly, from an election in 2010. | 0:09:42 | 0:09:44 | |
THEY CONFER | 0:09:45 | 0:09:48 | |
The Netherlands? I don't know. I'm just guessing. Or Belgium? | 0:09:49 | 0:09:52 | |
There are lots of Vs - that sounds Dutch to me. | 0:09:56 | 0:09:59 | |
I'm thinking "E/G" is like Ecologists/Green. | 0:10:03 | 0:10:06 | |
Dutch. The Netherlands. | 0:10:07 | 0:10:09 | |
No. It's Belgium. | 0:10:09 | 0:10:10 | |
And finally, from an election held, again, in 2011. | 0:10:10 | 0:10:13 | |
Oh, this has got to be Ireland. | 0:10:19 | 0:10:20 | |
Yeah. | 0:10:20 | 0:10:21 | |
Yes. Ireland. | 0:10:23 | 0:10:24 | |
Yes, of course. Ten points for this. | 0:10:24 | 0:10:26 | |
Born 1878, which French chemist gives his name to a reaction | 0:10:26 | 0:10:30 | |
between protein and carbohydrate | 0:10:30 | 0:10:32 | |
that results in non-enzymic browning, | 0:10:32 | 0:10:34 | |
for example, in toasting bread? | 0:10:34 | 0:10:37 | |
Guingard. | 0:10:39 | 0:10:40 | |
Nope. | 0:10:40 | 0:10:42 | |
Maillard. | 0:10:42 | 0:10:43 | |
Maillard is right, yes. | 0:10:43 | 0:10:45 | |
Somerville, these bonuses are on a designer. | 0:10:48 | 0:10:53 | |
Born in Paris in 1949, which designer came to prominence | 0:10:53 | 0:10:56 | |
when he was commissioned in 1982 | 0:10:56 | 0:10:57 | |
to refurbish the Elysee Palace apartments | 0:10:57 | 0:11:00 | |
of President Francois Mitterrand? | 0:11:00 | 0:11:02 | |
What you thinking? | 0:11:03 | 0:11:04 | |
-You've got to know designers. -Why do I know designers? | 0:11:04 | 0:11:09 | |
You'd be round the right age. Saint Laurent? | 0:11:09 | 0:11:12 | |
We can try it. Yves Saint Laurent. | 0:11:12 | 0:11:14 | |
No. It's Philippe Starck. | 0:11:14 | 0:11:16 | |
Both designed by Starck, the Asahi Beer Hall, | 0:11:16 | 0:11:19 | |
topped with a 360-ton structure resembling a golden flame, | 0:11:19 | 0:11:23 | |
and the Nani Nani Building, | 0:11:23 | 0:11:24 | |
described by him as "a monster" are in which Asian capital? | 0:11:24 | 0:11:28 | |
Tokyo? Asahi's Japanese beer. | 0:11:28 | 0:11:30 | |
-Tokyo. -Correct. | 0:11:30 | 0:11:32 | |
Starck designed the Hot Bertaa kettle | 0:11:32 | 0:11:34 | |
and the Max Le Chinois colander for which Italian kitchenware company, | 0:11:34 | 0:11:38 | |
noted for its use of pressed stainless steel? | 0:11:38 | 0:11:41 | |
-Alessi. -Alessi? | 0:11:41 | 0:11:42 | |
-Alessi, yes. -Alessi. | 0:11:42 | 0:11:44 | |
Alessi is correct. | 0:11:44 | 0:11:45 | |
Ten points for this. | 0:11:45 | 0:11:47 | |
What links words with the following meanings? | 0:11:47 | 0:11:49 | |
Closed, plain curve, | 0:11:49 | 0:11:51 | |
every point of which is equidistant from a given fixed point. | 0:11:51 | 0:11:54 | |
Mother of Edward VII. | 0:11:54 | 0:11:56 | |
Location of the Royal Academy. | 0:11:56 | 0:11:59 | |
Tube lines. | 0:12:00 | 0:12:02 | |
Yes. | 0:12:02 | 0:12:03 | |
London Underground lines. Yes. | 0:12:03 | 0:12:05 | |
Somerville, these bonuses are on the artist Ford Madox Brown. | 0:12:08 | 0:12:13 | |
Which English city commissioned Brown to paint murals | 0:12:13 | 0:12:15 | |
for the interior of its town hall? | 0:12:15 | 0:12:17 | |
Their titles include Crabtree Watching The Transit Of Venus, | 0:12:17 | 0:12:21 | |
and The Opening Of The Bridgewater Canal. | 0:12:21 | 0:12:23 | |
-I think this might be Manchester. -Manchester. | 0:12:23 | 0:12:25 | |
Correct. The historian Thomas Carlyle | 0:12:25 | 0:12:27 | |
appears as an observer in which painting by Ford Madox Brown, | 0:12:27 | 0:12:30 | |
begun in 1852? Its central figures are muscular labourers, | 0:12:30 | 0:12:33 | |
digging a hole in a Hampstead street. | 0:12:33 | 0:12:35 | |
-Work. -Work. | 0:12:35 | 0:12:37 | |
Correct. A closet drama by which Romantic poet inspired | 0:12:37 | 0:12:40 | |
Brown's Manfred On The Jungfrau, | 0:12:40 | 0:12:42 | |
in the collection of the Manchester City Art Gallery? | 0:12:42 | 0:12:45 | |
Its title character is depicted along with a chamois hunter | 0:12:45 | 0:12:48 | |
on a snowy Alpine peak. | 0:12:48 | 0:12:50 | |
It's inspired by Byron I think. | 0:12:50 | 0:12:52 | |
They want the poet, don't they? | 0:12:53 | 0:12:54 | |
-Yeah. -Yeah, go for that. -Byron? | 0:12:54 | 0:12:57 | |
Byron. | 0:12:57 | 0:12:58 | |
Byron is correct. Ten points for this. Listen carefully - | 0:12:58 | 0:13:01 | |
given a circle of diameter R, | 0:13:01 | 0:13:03 | |
inscribed a square of side length R, | 0:13:03 | 0:13:06 | |
what is the probability that a randomly chosen point in the square | 0:13:06 | 0:13:10 | |
will be contained inside the circle? | 0:13:10 | 0:13:12 | |
Two thirds. | 0:13:16 | 0:13:18 | |
Anyone like to buzz from Somerville? | 0:13:18 | 0:13:20 | |
Two thirds pi. | 0:13:22 | 0:13:24 | |
Pi over four. Ten points for this. | 0:13:24 | 0:13:26 | |
"Make 'em laugh, make 'em cry, make 'em wait." | 0:13:26 | 0:13:28 | |
This advice on writing fiction is often attributed | 0:13:28 | 0:13:30 | |
to which prolific author? | 0:13:30 | 0:13:32 | |
A frequent collaborator with Charles Dickens, he's best known... | 0:13:32 | 0:13:36 | |
Bulwer-Lytton. | 0:13:36 | 0:13:38 | |
No, I'm afraid you lose five points. | 0:13:38 | 0:13:40 | |
A frequent collaborator with Charles Dickens, | 0:13:40 | 0:13:42 | |
he's best known for novels of sensation | 0:13:42 | 0:13:44 | |
that include Armadale, No Name... | 0:13:44 | 0:13:46 | |
Wilkie... Wilkie Collins. | 0:13:47 | 0:13:49 | |
Correct. | 0:13:49 | 0:13:51 | |
APPLAUSE | 0:13:52 | 0:13:54 | |
You get a set of bonuses, SOAS, on information dispersal. | 0:13:54 | 0:13:58 | |
Now used almost entirely in a derogatory sense, | 0:13:58 | 0:14:01 | |
what word for the spreading of information comes from | 0:14:01 | 0:14:03 | |
the name for a committee of cardinals | 0:14:03 | 0:14:05 | |
founded in 1622 by Pope Gregory XV? | 0:14:05 | 0:14:08 | |
Propaganda. | 0:14:08 | 0:14:09 | |
Correct. Who pioneered the field of public relations | 0:14:09 | 0:14:12 | |
and the manipulation of public opinion, | 0:14:12 | 0:14:14 | |
calling it the engineering of consent? | 0:14:14 | 0:14:16 | |
A nephew of Sigmund Freud, | 0:14:16 | 0:14:18 | |
he was the author in 1928 of the work Propaganda. | 0:14:18 | 0:14:21 | |
THEY CONFER | 0:14:23 | 0:14:25 | |
He was Minister Of Information in the First World War. | 0:14:28 | 0:14:31 | |
And he was... | 0:14:31 | 0:14:32 | |
Max Beaverbrook. | 0:14:35 | 0:14:36 | |
No. It's Edward Bernays. | 0:14:36 | 0:14:38 | |
Which 2002 television documentary series by Adam Curtis | 0:14:38 | 0:14:41 | |
explained how Bernays repackaged Freud's ideas | 0:14:41 | 0:14:44 | |
for the purposes of public relations in the US? | 0:14:44 | 0:14:48 | |
Documentary or programme? | 0:14:48 | 0:14:50 | |
It's not going to be Mad Men, then, is it? | 0:14:52 | 0:14:54 | |
Don't know. | 0:14:58 | 0:14:59 | |
Selling Politics. | 0:14:59 | 0:15:00 | |
It's The Century Of The Self. | 0:15:00 | 0:15:02 | |
Time for a music round. | 0:15:02 | 0:15:03 | |
For your music starter, you're going to hear a piece of classical music. | 0:15:03 | 0:15:07 | |
All you have to do to get ten points is give me the name of the composer. | 0:15:07 | 0:15:10 | |
CLASSICAL MUSIC | 0:15:12 | 0:15:14 | |
-Saint-Saens. -It is Saint-Saens' Danse Macabre. | 0:15:19 | 0:15:22 | |
So that was based on a dance of death - | 0:15:25 | 0:15:27 | |
a dance led by skeletons or by Death himself. | 0:15:27 | 0:15:29 | |
For your bonuses, you'll hear three more pieces of classical music | 0:15:29 | 0:15:33 | |
intended to evoke the macabre, or which are associated with it. | 0:15:33 | 0:15:36 | |
For each one, I simply want the name of the composer. | 0:15:36 | 0:15:39 | |
Firstly, this composer. | 0:15:39 | 0:15:40 | |
CLASSICAL MUSIC | 0:15:40 | 0:15:42 | |
THEY CONFER | 0:15:49 | 0:15:51 | |
-Mussorgsky? -I can't think of anything else. | 0:15:55 | 0:15:59 | |
Mussorgsky. | 0:15:59 | 0:16:00 | |
No. It's Berlioz's Symphonie Fantastique. | 0:16:00 | 0:16:03 | |
Secondly, this composer. | 0:16:03 | 0:16:04 | |
CLASSICAL MUSIC | 0:16:05 | 0:16:08 | |
Is it Rachmaninoff? | 0:16:14 | 0:16:17 | |
Rachmaninoff? | 0:16:26 | 0:16:27 | |
Rachmaninoff. | 0:16:27 | 0:16:28 | |
No. It's Liszt. It's part of Totentanz. | 0:16:28 | 0:16:31 | |
And finally, this composer. | 0:16:31 | 0:16:34 | |
CLASSICAL MUSIC | 0:16:34 | 0:16:36 | |
JS Bach. | 0:16:39 | 0:16:41 | |
It is - part of the Toccata and Fugue. | 0:16:41 | 0:16:42 | |
Ten points for this. | 0:16:42 | 0:16:44 | |
"The state is an instrument in the hands of the ruling class, | 0:16:44 | 0:16:47 | |
"used to break the resistance of adversaries of that class." | 0:16:47 | 0:16:50 | |
Which political figure made that statement in the 1924 work | 0:16:50 | 0:16:55 | |
Foundations Of Leninism? | 0:16:55 | 0:16:57 | |
Trotsky. | 0:16:59 | 0:17:00 | |
No. Anyone? | 0:17:00 | 0:17:02 | |
Joseph Stalin. | 0:17:02 | 0:17:03 | |
It was Joseph Stalin. Yes. | 0:17:03 | 0:17:05 | |
Somerville, your bonuses are on ophthalmology. | 0:17:07 | 0:17:09 | |
What term describes the adjustment of the refractive | 0:17:09 | 0:17:12 | |
power of the lens of an eye, | 0:17:12 | 0:17:13 | |
enabling images of objects at different distances to be focused? | 0:17:13 | 0:17:17 | |
THEY CONFER | 0:17:22 | 0:17:24 | |
Gren. | 0:17:30 | 0:17:31 | |
Gren. | 0:17:31 | 0:17:32 | |
No. It's accommodation. | 0:17:32 | 0:17:34 | |
Secondly, what is the name of the ring of striated smooth muscle, | 0:17:34 | 0:17:38 | |
whose contraction and relaxation controls accommodation? | 0:17:38 | 0:17:41 | |
Parts of the eye. | 0:17:43 | 0:17:44 | |
Cornea. Eyelash. | 0:17:45 | 0:17:47 | |
Erm... | 0:17:47 | 0:17:49 | |
You got any ideas? | 0:17:49 | 0:17:50 | |
Er... | 0:17:51 | 0:17:53 | |
I think it's down to a guess. | 0:17:53 | 0:17:55 | |
Ocular sphincter? | 0:17:55 | 0:17:57 | |
Ocular sphincter? | 0:17:57 | 0:17:59 | |
Very interesting idea! No. It's the ciliary muscle or body. | 0:17:59 | 0:18:02 | |
And finally, the focusing power of the lens | 0:18:02 | 0:18:04 | |
is measured as the reciprocal of its focal length in metres. | 0:18:04 | 0:18:07 | |
What is the unit of optical power called? | 0:18:07 | 0:18:09 | |
It's not focal length... | 0:18:15 | 0:18:17 | |
Afraid I don't know. | 0:18:21 | 0:18:23 | |
Any ideas? | 0:18:23 | 0:18:24 | |
R-Refractive index. | 0:18:28 | 0:18:30 | |
No. It's dioptre. Ten points for this. | 0:18:30 | 0:18:32 | |
Which mountain range gives its name | 0:18:32 | 0:18:34 | |
to a language family that includes Hill Mari... | 0:18:34 | 0:18:36 | |
The Caucasuses. | 0:18:38 | 0:18:39 | |
No. | 0:18:39 | 0:18:40 | |
..Hill Mari, Meadow Mari, Tundra Nenets, Finnish and Hungarian? | 0:18:40 | 0:18:45 | |
The range is one of the conventional boundaries between Europe and Asia. | 0:18:45 | 0:18:49 | |
The Urals. | 0:18:51 | 0:18:52 | |
Urals is correct, yes. | 0:18:52 | 0:18:54 | |
These bonuses, Somerville, are on squirrels in literature. | 0:18:56 | 0:18:59 | |
In Romeo and Juliet, which supernatural figure is described as | 0:18:59 | 0:19:03 | |
the fairy's midwife whose chariot is an empty hazelnut | 0:19:03 | 0:19:07 | |
made by the joiner squirrel? | 0:19:07 | 0:19:09 | |
Queen Mab. | 0:19:12 | 0:19:13 | |
It is. | 0:19:13 | 0:19:14 | |
Which historical figure wrote an epigraph in 1772 | 0:19:14 | 0:19:17 | |
on the death of a pet squirrel, Mungo, given by him as a gift | 0:19:17 | 0:19:20 | |
to the young daughter of friends | 0:19:20 | 0:19:22 | |
while on a diplomatic journey from the colonies to Great Britain? | 0:19:22 | 0:19:25 | |
Thomas Gray wrote one about a cat. | 0:19:31 | 0:19:33 | |
I don't know. | 0:19:33 | 0:19:35 | |
Go for Thomas Gray. Gray. | 0:19:38 | 0:19:39 | |
No, Benjamin Franklin. | 0:19:39 | 0:19:41 | |
"Policemen, like red squirrels, must be protected." | 0:19:41 | 0:19:44 | |
These words appear in the 1967 play Loot | 0:19:44 | 0:19:47 | |
by which dramatist who died the same year? | 0:19:47 | 0:19:50 | |
-Joe Orton. -Joe Orton. | 0:19:50 | 0:19:52 | |
Correct. Ten points for this. | 0:19:52 | 0:19:54 | |
Which five-letter adverb links the first word of a statement | 0:19:54 | 0:19:57 | |
by Winston Churchill on the Battle of Britain | 0:19:57 | 0:20:00 | |
and Urban Fantasy by Neil Gaiman...? | 0:20:00 | 0:20:02 | |
Never. | 0:20:02 | 0:20:03 | |
Never is right. | 0:20:03 | 0:20:05 | |
Your bonuses are operas inspired by Shakespeare's plays. | 0:20:07 | 0:20:11 | |
The only extant opera setting of Measure For Measure | 0:20:11 | 0:20:14 | |
is Das Liebesverbot, first performed in 1836. | 0:20:14 | 0:20:17 | |
An early work by which composer? | 0:20:17 | 0:20:20 | |
Wagner. | 0:20:20 | 0:20:21 | |
Correct. Which British composer's adaptation of The Tempest | 0:20:21 | 0:20:24 | |
premiered at Covent Garden in 2004 and won the Olivier Award | 0:20:24 | 0:20:27 | |
for Outstanding Achievement in Opera the following year? | 0:20:27 | 0:20:30 | |
Modern British. | 0:20:30 | 0:20:31 | |
I don't know, sorry. | 0:20:32 | 0:20:34 | |
Tippit, but he's dead, I think. | 0:20:39 | 0:20:41 | |
Tippit. | 0:20:41 | 0:20:43 | |
No, Thomas Ades. | 0:20:43 | 0:20:45 | |
With a final fugue based very loosely | 0:20:45 | 0:20:47 | |
on the Seven Ages Of Man speech from As You Like It, | 0:20:47 | 0:20:50 | |
Falstaff is a work of 1893 by which composer? | 0:20:50 | 0:20:54 | |
-Is that Verdi? -Yeah. | 0:20:54 | 0:20:56 | |
Verdi. | 0:20:56 | 0:20:57 | |
It is, yes. Time for a second picture round. | 0:20:57 | 0:21:00 | |
For your picture starter, you're going to see a painting | 0:21:00 | 0:21:02 | |
by an Italian Renaissance artist. | 0:21:02 | 0:21:04 | |
Ten points if you can name the artist. | 0:21:04 | 0:21:06 | |
Raphael. | 0:21:10 | 0:21:12 | |
No, one of you buzz from Somerville. | 0:21:12 | 0:21:14 | |
Donatello. | 0:21:16 | 0:21:17 | |
No, it's by Botticelli, The Banquet In The Pine Woods. | 0:21:17 | 0:21:20 | |
So, picture bonuses shorty. Ten points for this starter question. | 0:21:20 | 0:21:24 | |
Associated with the Restoration, which figure was both | 0:21:24 | 0:21:27 | |
a dramatist whose works include The Relapse and The Provoked Wife? | 0:21:27 | 0:21:31 | |
Vanbrugh. | 0:21:31 | 0:21:32 | |
Correct, yes. | 0:21:32 | 0:21:33 | |
We go back to the picture round for the bonuses. | 0:21:37 | 0:21:39 | |
Three more Renaissance paintings depicting banquets. | 0:21:39 | 0:21:42 | |
In each case I want the name of the artist. | 0:21:42 | 0:21:45 | |
Which Italian artist painted this? | 0:21:45 | 0:21:47 | |
THEY CONFER | 0:21:50 | 0:21:53 | |
-Let's have it, please. -Tintoretto. | 0:22:14 | 0:22:16 | |
No, it's Veronese. | 0:22:16 | 0:22:17 | |
Identify this Flemish artist. | 0:22:17 | 0:22:19 | |
Bruegel. | 0:22:24 | 0:22:25 | |
No, it's van Cleve. | 0:22:25 | 0:22:27 | |
And finally, another Italian artist. | 0:22:27 | 0:22:29 | |
THEY CONFER | 0:22:35 | 0:22:38 | |
Any ideas? | 0:22:42 | 0:22:44 | |
Tintoretto or Titian, I don't know. | 0:22:44 | 0:22:46 | |
-Tintoretto or Titian. -No, I don't think it's Tintoretto. | 0:22:46 | 0:22:50 | |
OK. Try Titian. | 0:22:50 | 0:22:53 | |
Titian. | 0:22:53 | 0:22:54 | |
No, it's Tintoretto, The Wedding Feast At Cana. | 0:22:54 | 0:22:57 | |
Right, ten points for this. | 0:22:57 | 0:22:59 | |
Chiefly used in philosophy, | 0:22:59 | 0:23:00 | |
the inherent nature or essence of a person or thing | 0:23:00 | 0:23:04 | |
is known by what term derived from the Latin for what? | 0:23:04 | 0:23:07 | |
Qualia. | 0:23:11 | 0:23:12 | |
No. Anyone like to buzz from SOAS? | 0:23:12 | 0:23:15 | |
Entelechy. | 0:23:19 | 0:23:20 | |
No, it's quiddity. Ten points for this. | 0:23:20 | 0:23:23 | |
Thought to be the subject of the only first-hand accounts | 0:23:23 | 0:23:25 | |
of the entry of a large meteoroid into the Earth's atmosphere, | 0:23:25 | 0:23:29 | |
what is the name of the event | 0:23:29 | 0:23:31 | |
that destroyed around 80 million trees over...? | 0:23:31 | 0:23:33 | |
Tunguska. | 0:23:33 | 0:23:35 | |
Correct. | 0:23:35 | 0:23:36 | |
SOAS, these bonuses are on a royal palace. | 0:23:40 | 0:23:42 | |
In Jerome K Jerome's Three Men In A Boat, | 0:23:42 | 0:23:45 | |
Harris proposes a visit to a tourist attraction | 0:23:45 | 0:23:47 | |
where the ill-founded words, | 0:23:47 | 0:23:48 | |
"We'll just walk round for ten minutes then go and get some lunch." | 0:23:48 | 0:23:51 | |
To which attraction at which royal palace was he referring? | 0:23:51 | 0:23:55 | |
The maze at Hampton Court Palace. | 0:23:55 | 0:23:57 | |
Correct. | 0:23:57 | 0:23:58 | |
In the Lower Orangery of Hampton Court, The Triumphs of Caesar | 0:23:58 | 0:24:02 | |
is a set of nine canvases by which Italian artist, | 0:24:02 | 0:24:05 | |
a court painter to Ludovico Gonzaga of Mantua? | 0:24:05 | 0:24:08 | |
Raphael. | 0:24:13 | 0:24:14 | |
No, it's Mantegna. | 0:24:14 | 0:24:15 | |
Which cardinal gives his name to a closet in the palace that carries | 0:24:15 | 0:24:18 | |
his motto, "Dominvs Michi Adjutor" - "the Lord is my helper"? | 0:24:18 | 0:24:21 | |
Wolsey. | 0:24:21 | 0:24:22 | |
Right. 3½ minutes to go. 10 points for this. | 0:24:22 | 0:24:25 | |
After the death in 1788 of Charles Edward Stuart, the Young Pretender, | 0:24:25 | 0:24:29 | |
what name and number did his Jacobite supporters give | 0:24:29 | 0:24:32 | |
to his brother...? | 0:24:32 | 0:24:34 | |
Henry IX. | 0:24:34 | 0:24:36 | |
Correct. | 0:24:36 | 0:24:37 | |
Your bonuses, Somerville, are on words that can be typed using | 0:24:39 | 0:24:42 | |
only the middle row of characters on a standard QWERTY keyboard. | 0:24:42 | 0:24:47 | |
In each case, give the word from the description. | 0:24:47 | 0:24:49 | |
Firstly, the pure knight of Arthurian legend. | 0:24:49 | 0:24:53 | |
In Malory's work, he's the son of Lancelot and Elaine. | 0:24:53 | 0:24:57 | |
THEY CONFER | 0:24:57 | 0:24:59 | |
Galahad. | 0:25:01 | 0:25:03 | |
Correct. A leguminous fodder crop with clover-like leaves. | 0:25:03 | 0:25:06 | |
It's known as lucerne. | 0:25:06 | 0:25:08 | |
A-S-D-F... | 0:25:14 | 0:25:16 | |
G-H... | 0:25:16 | 0:25:18 | |
Come on, let's have it, please. | 0:25:19 | 0:25:21 | |
We don't know. | 0:25:21 | 0:25:23 | |
It's alfalfa. | 0:25:23 | 0:25:24 | |
And finally, the US state whose settlements include Sitka, | 0:25:24 | 0:25:28 | |
Ketchikan and Fairbanks. | 0:25:28 | 0:25:30 | |
Alaska. | 0:25:30 | 0:25:31 | |
Correct. Ten points for this. | 0:25:31 | 0:25:33 | |
Over 700km long, the Karun is a major river of which country? | 0:25:33 | 0:25:37 | |
It rises in the Zagros mountains west of Isfahan | 0:25:37 | 0:25:40 | |
and flows into the Shatt al-Arab. | 0:25:40 | 0:25:43 | |
Iran. | 0:25:43 | 0:25:44 | |
Correct. | 0:25:44 | 0:25:45 | |
This set of bonuses, SOAS, are on linear algebra. | 0:25:48 | 0:25:51 | |
In each case I want the name of the described scale or quantity | 0:25:51 | 0:25:54 | |
associated to the square matrix M. | 0:25:54 | 0:25:57 | |
A scala lambda for which there exists a non-zero vector V | 0:25:57 | 0:26:01 | |
such that M multiplied by V equals lambda times V. | 0:26:01 | 0:26:04 | |
Venezuela. | 0:26:10 | 0:26:12 | |
No, it's igon value. | 0:26:12 | 0:26:14 | |
The sum of the entries of the main diagonal of M. | 0:26:14 | 0:26:17 | |
-Come on, let's crack on. -Pass. | 0:26:21 | 0:26:23 | |
It's the trace. | 0:26:23 | 0:26:25 | |
An alternating sum of products of entries of M, | 0:26:25 | 0:26:27 | |
which in the case of the two by two matrix with top row AB | 0:26:27 | 0:26:31 | |
and bottom row CD, is equal to AD minus BC. | 0:26:31 | 0:26:35 | |
Inverse. | 0:26:36 | 0:26:38 | |
No, it's the determinant. Ten points for this. | 0:26:38 | 0:26:40 | |
Answer as soon as your name is called. | 0:26:40 | 0:26:42 | |
When written in hexadecimal, the decimal number 251 spells | 0:26:42 | 0:26:46 | |
the abbreviation of which popular website? | 0:26:46 | 0:26:50 | |
BBC. | 0:26:52 | 0:26:54 | |
Anyone want to buzz from Somerville? | 0:26:54 | 0:26:55 | |
Facebook. | 0:26:57 | 0:26:58 | |
Right, yes. | 0:26:58 | 0:27:00 | |
Bonuses this time on members of the United Nations, Somerville. | 0:27:02 | 0:27:05 | |
In addition to Egypt, | 0:27:05 | 0:27:06 | |
three other African countries were original members of the UN. | 0:27:06 | 0:27:09 | |
Ethiopia and South Africa were two - | 0:27:09 | 0:27:12 | |
which West African country was the third? | 0:27:12 | 0:27:14 | |
Liberia. | 0:27:15 | 0:27:17 | |
Correct. Which original member of the UN held joint membership with | 0:27:17 | 0:27:20 | |
Egypt between 1958 and '61 before resuming individual membership? | 0:27:20 | 0:27:24 | |
Syria. | 0:27:27 | 0:27:28 | |
Correct. Formerly part of Malaysia, which country achieved independence | 0:27:28 | 0:27:32 | |
and became a separate member of the UN in 1965? | 0:27:32 | 0:27:34 | |
Singapore. | 0:27:34 | 0:27:35 | |
Correct. Ten points for this. | 0:27:35 | 0:27:36 | |
What sequential link is shared by the novels | 0:27:36 | 0:27:38 | |
Mr Midshipman Hornblower by CS Forester, | 0:27:38 | 0:27:42 | |
The Magician's Nephew...? | 0:27:42 | 0:27:44 | |
They were written after... They were first novels, | 0:27:44 | 0:27:46 | |
but they were written after... They weren't written first. | 0:27:46 | 0:27:49 | |
They're prequels. You get bonuses on the words of Franklin D Roosevelt. | 0:27:49 | 0:27:52 | |
In each case, give the three words that complete the following quotations. | 0:27:52 | 0:27:55 | |
-Firstly, from a speech of... -GONG RINGS | 0:27:55 | 0:27:58 | |
The School of Oriental and African Studies have 105. | 0:27:58 | 0:28:02 | |
Somerville College, Oxford, have 190. | 0:28:02 | 0:28:04 | |
Well, there is absolutely no shame in going out in the semifinal. | 0:28:09 | 0:28:12 | |
Many congratulations to you, SOAS. We have to say goodbye to you. | 0:28:12 | 0:28:15 | |
Somebody had to win. | 0:28:15 | 0:28:16 | |
Somerville College, 190 - another pretty convincing | 0:28:16 | 0:28:19 | |
and entertaining performance from you. | 0:28:19 | 0:28:20 | |
We shall look forward to seeing you in the final. | 0:28:20 | 0:28:22 | |
Thank you, both of you, very much for joining us. | 0:28:22 | 0:28:25 | |
I hope you can join us next time for the long-awaited final. | 0:28:25 | 0:28:28 | |
Until then, it's goodbye from the School of Oriental and African studies. | 0:28:28 | 0:28:31 | |
ALL: Goodbye. | 0:28:31 | 0:28:33 | |
It's goodbye from Somerville College, Oxford. | 0:28:33 | 0:28:35 | |
-ALL: Goodbye. -And it's goodbye from me. Goodbye. | 0:28:35 | 0:28:37 | |
APPLAUSE | 0:28:37 | 0:28:40 |