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University Challenge. | 0:00:19 | 0:00:22 | |
Asking the questions - Jeremy Paxman. | 0:00:23 | 0:00:26 | |
Hello, only one place remains in the second round. | 0:00:27 | 0:00:31 | |
It'll go to whichever team wins tonight. | 0:00:31 | 0:00:34 | |
Now, both of tonight's contestants lost their first-round matches | 0:00:34 | 0:00:37 | |
but did so with scores creditable enough | 0:00:37 | 0:00:40 | |
to earn them this final chance to qualify. | 0:00:40 | 0:00:43 | |
The team from the University of Southampton | 0:00:43 | 0:00:45 | |
took an early lead in their first-round match | 0:00:45 | 0:00:47 | |
against St Catharine's College, Cambridge | 0:00:47 | 0:00:49 | |
who obliged them by digging themselves into the minuses | 0:00:49 | 0:00:52 | |
and looking quite happy there by the halfway mark. | 0:00:52 | 0:00:54 | |
Though, they lost the lead and fell to regain it | 0:00:54 | 0:00:57 | |
and were 30 points behind at the gong. | 0:00:57 | 0:00:59 | |
Still, it would have been much worse without Southampton's knowledge | 0:00:59 | 0:01:02 | |
of meerkats, wolverines and raccoons | 0:01:02 | 0:01:05 | |
and their familiarity with the Horrible Histories books. | 0:01:05 | 0:01:08 | |
With an average age of 26, let's meet the Southampton team again. | 0:01:08 | 0:01:13 | |
Hello, I'm Will Cable. | 0:01:13 | 0:01:15 | |
I'm from Swindon and I'm studying for a Masters in history. | 0:01:15 | 0:01:18 | |
Hi, I'm Sarah Stock. | 0:01:18 | 0:01:19 | |
I'm originally from Cardiff and I'm reading chemistry. | 0:01:19 | 0:01:22 | |
And this is their captain. | 0:01:22 | 0:01:23 | |
Hello, my name is Tricia Goggin. | 0:01:23 | 0:01:25 | |
I'm originally from New Ross in Ireland | 0:01:25 | 0:01:27 | |
and I'm doing a PhD in biomedical engineering. | 0:01:27 | 0:01:30 | |
Hi, I'm Roland Sadler, I'm from London and I'm doing biology. | 0:01:30 | 0:01:33 | |
APPLAUSE | 0:01:33 | 0:01:35 | |
The team from Queen Mary University of London | 0:01:38 | 0:01:40 | |
had a similar experience to Southampton's | 0:01:40 | 0:01:43 | |
in their first-round match | 0:01:43 | 0:01:44 | |
with an early lead against Nuffield College, Oxford | 0:01:44 | 0:01:46 | |
dwindling down to a losing score of 130 to 165 at the gong. | 0:01:46 | 0:01:51 | |
They were strong on the events of the noughties, | 0:01:51 | 0:01:53 | |
the history of the Smithsonian and the plays of Bertolt Brecht | 0:01:53 | 0:01:56 | |
despite the fact that some of them are pursuing areas of study | 0:01:56 | 0:01:59 | |
that might be regarded as somewhat niche. | 0:01:59 | 0:02:02 | |
Let's remind ourselves of those as we meet again the team from Queen Mary. | 0:02:02 | 0:02:07 | |
Hi, I'm Kate Lynes. | 0:02:07 | 0:02:08 | |
I'm originally from Nottingham and I'm studying for an MD | 0:02:08 | 0:02:11 | |
in sphincter preservation. | 0:02:11 | 0:02:13 | |
Hi, I'm Stephanie Howard-Smith. | 0:02:13 | 0:02:14 | |
I'm from Bishop's Stortford in Hertfordshire | 0:02:14 | 0:02:16 | |
and I'm a PhD student working on the cultural history of the lapdog | 0:02:16 | 0:02:19 | |
in the long 18th century. | 0:02:19 | 0:02:20 | |
And this is their captain. | 0:02:20 | 0:02:21 | |
Hi, my name is Verity Williams. | 0:02:21 | 0:02:23 | |
I'm from Eastbourne and I'm studying medicine. | 0:02:23 | 0:02:25 | |
Hi, I'm Yolanda Lovelady. | 0:02:25 | 0:02:27 | |
I'm from Formby near Liverpool and I'm studying medical genetics. | 0:02:27 | 0:02:30 | |
Well, you all know the rules, | 0:02:35 | 0:02:36 | |
let's just get on with it. | 0:02:36 | 0:02:37 | |
Ten points for this. | 0:02:37 | 0:02:38 | |
Fingers on the buzzers. | 0:02:38 | 0:02:40 | |
Meanings of what four-letter word include a person who stands firm, | 0:02:40 | 0:02:43 | |
the solid mineral material that forms the surface of the earth, | 0:02:43 | 0:02:47 | |
the flesh of a dogfish, cubed ice in a drink... | 0:02:47 | 0:02:50 | |
BELL RINGS | 0:02:50 | 0:02:51 | |
Rock. | 0:02:51 | 0:02:52 | |
Correct. | 0:02:52 | 0:02:53 | |
Your bonuses, the first set of bonuses, Southampton, | 0:02:56 | 0:02:58 | |
are on swallows. Quote. | 0:02:58 | 0:03:00 | |
"For as it is not one swallow or one fine day that makes the spring, | 0:03:00 | 0:03:04 | |
"so it is not one day or a short time that makes a man blessed and happy." | 0:03:04 | 0:03:09 | |
This statement appears in the Nicomachean Ethics, | 0:03:09 | 0:03:12 | |
a work by which Greek philosopher? | 0:03:12 | 0:03:15 | |
It's Aristotle. | 0:03:16 | 0:03:17 | |
-Aristotle. -Correct. | 0:03:17 | 0:03:19 | |
"True hope is swift and flies with swallow's wings. | 0:03:19 | 0:03:22 | |
"Kings it makes gods and meaner creatures kings." | 0:03:22 | 0:03:26 | |
Richmond says these words on the eve of battle | 0:03:26 | 0:03:29 | |
in which of Shakespeare's histories? | 0:03:29 | 0:03:30 | |
(Richard III.) | 0:03:30 | 0:03:31 | |
Richard III. | 0:03:31 | 0:03:32 | |
Correct. | 0:03:32 | 0:03:33 | |
"Now with treble soft | 0:03:33 | 0:03:35 | |
"The red-breast whistles from a garden-croft | 0:03:35 | 0:03:37 | |
"And gathering swallows twitter in the skies." | 0:03:37 | 0:03:40 | |
These are the last lines of an ode by John Keats. | 0:03:40 | 0:03:43 | |
To whom or what is it addressed? | 0:03:43 | 0:03:45 | |
Nightingale? | 0:03:45 | 0:03:47 | |
THEY MUMBLE | 0:03:47 | 0:03:48 | |
-SADLER: -Nightingale. | 0:03:48 | 0:03:50 | |
-Nightingale. -No, it's to autumn. | 0:03:50 | 0:03:52 | |
Ten points for this. | 0:03:52 | 0:03:54 | |
Which novel in 1910 contains | 0:03:54 | 0:03:55 | |
the following lines in its introduction? | 0:03:55 | 0:03:57 | |
"When I began to ransack the archives of the National Academy of Music, | 0:03:57 | 0:04:01 | |
"I was at once struck by the surprising coincidences | 0:04:01 | 0:04:04 | |
"between the phenomena ascribed to the 'ghost' | 0:04:04 | 0:04:07 | |
"and the most extraordinary and fantastic tragedy | 0:04:07 | 0:04:10 | |
"that ever excited the minds of the Paris upper classes." | 0:04:10 | 0:04:13 | |
BELL RINGS | 0:04:13 | 0:04:15 | |
Phantom Of The Opera. | 0:04:16 | 0:04:18 | |
Correct. | 0:04:18 | 0:04:19 | |
These bonuses, Southampton, are on 19th-century legislation. | 0:04:22 | 0:04:26 | |
Which decade saw the passing of The Infant Custody Act | 0:04:26 | 0:04:29 | |
after a campaign led by the novelist Caroline Norton? | 0:04:29 | 0:04:32 | |
Her estranged husband had refused her access to her children | 0:04:32 | 0:04:35 | |
and unsuccessfully cited the Prime Minister, Lord Melbourne, | 0:04:35 | 0:04:38 | |
in a claim of adultery. | 0:04:38 | 0:04:40 | |
1830s, I think. | 0:04:40 | 0:04:42 | |
-1830s. -Correct. | 0:04:42 | 0:04:44 | |
Some of Norton's later proposals | 0:04:44 | 0:04:45 | |
were included in the Matrimonial Causes Act | 0:04:45 | 0:04:48 | |
which permitted women to sue for divorce in a civil court. | 0:04:48 | 0:04:51 | |
During which decade was this act passed? | 0:04:51 | 0:04:54 | |
Lord Palmerston was Prime Minister at the time. | 0:04:54 | 0:04:56 | |
It's either '50s or '60s. | 0:04:58 | 0:05:00 | |
I think it was in the 1850s. | 0:05:02 | 0:05:04 | |
1850s. | 0:05:04 | 0:05:06 | |
Correct. | 0:05:06 | 0:05:07 | |
The Married Women's Property Act of 1882 | 0:05:07 | 0:05:09 | |
ensured that married women had the same rights | 0:05:09 | 0:05:11 | |
over their property as unmarried women. | 0:05:11 | 0:05:14 | |
Who was Prime Minister at the time? | 0:05:14 | 0:05:16 | |
Gladstone. | 0:05:16 | 0:05:18 | |
-Gladstone. -Correct. | 0:05:18 | 0:05:19 | |
Ten points for this. | 0:05:19 | 0:05:20 | |
Give the four-letter name of the plant cultivated | 0:05:22 | 0:05:24 | |
since ancient times for both yarn and oil | 0:05:24 | 0:05:28 | |
and which has featured several times on pound coins as a floral emblem | 0:05:28 | 0:05:32 | |
of Northern Ireland. | 0:05:32 | 0:05:33 | |
BELL RINGS | 0:05:33 | 0:05:35 | |
Flax. | 0:05:35 | 0:05:36 | |
Correct. | 0:05:36 | 0:05:37 | |
Southampton, these bonuses are on microbiology. | 0:05:39 | 0:05:42 | |
Firstly, what infectious agents are classified by the Baltimore system? | 0:05:42 | 0:05:47 | |
Viruses. | 0:05:49 | 0:05:50 | |
Correct. | 0:05:50 | 0:05:51 | |
In this system, Group II are those viruses | 0:05:51 | 0:05:54 | |
with a genome designated as ssDNA. | 0:05:54 | 0:05:57 | |
For what does the double S in this expression stand? | 0:05:57 | 0:06:00 | |
Single-strand. | 0:06:00 | 0:06:02 | |
Single-strand, it is correct. | 0:06:02 | 0:06:03 | |
In the same system, Group V includes the Orthomyxoviruses genera | 0:06:03 | 0:06:07 | |
of which cause what broad group of diseases in vertebrates, | 0:06:07 | 0:06:12 | |
including pandemic outbreaks affecting humans? | 0:06:12 | 0:06:15 | |
-SHE MUMBLES -Myxovirus... | 0:06:15 | 0:06:18 | |
It's definitely not the flu virus. | 0:06:18 | 0:06:21 | |
CABLE WHISPERS | 0:06:21 | 0:06:23 | |
Give me a type of disease. Type of disease? | 0:06:24 | 0:06:27 | |
THEY WHISPER | 0:06:27 | 0:06:30 | |
Is it just plagues? | 0:06:30 | 0:06:33 | |
-GOGGIN SIGHS -I don't know. | 0:06:33 | 0:06:36 | |
Skin diseases. | 0:06:36 | 0:06:37 | |
No, it's flu, influenza. | 0:06:37 | 0:06:39 | |
Ten points for this. | 0:06:39 | 0:06:41 | |
Which pear-shaped organ | 0:06:41 | 0:06:42 | |
is located in the upper abdomen | 0:06:42 | 0:06:44 | |
with its head adjacent to the duodenum | 0:06:44 | 0:06:46 | |
and its tail extending across the midline almost to the spleen? | 0:06:46 | 0:06:50 | |
BUZZER | 0:06:50 | 0:06:52 | |
Pancreas. | 0:06:52 | 0:06:53 | |
Pancreas is correct, yes. | 0:06:53 | 0:06:54 | |
Right, these bonuses are on the operas of Verdi, Queen Mary. | 0:06:57 | 0:07:01 | |
Rewritten after Francesco Maria Piave's original libretto was banned | 0:07:01 | 0:07:04 | |
for what its Venetian censors called its "obscene triviality", | 0:07:04 | 0:07:08 | |
which of Verdi's operas was based on Victor Hugo's play | 0:07:08 | 0:07:11 | |
Le Roi S'Amuse? | 0:07:11 | 0:07:13 | |
-HOWARD-SMITH WHISPERS -I don't know. | 0:07:19 | 0:07:23 | |
We don't know. | 0:07:23 | 0:07:24 | |
That's Rigoletto. | 0:07:24 | 0:07:25 | |
Secondly, unusual among Verdi's operas | 0:07:25 | 0:07:28 | |
in that it has an abstract concept as its title, | 0:07:28 | 0:07:31 | |
which work features the family of the Marquis of Calatrava | 0:07:31 | 0:07:34 | |
and premiered in St Petersburg in 1862? | 0:07:34 | 0:07:37 | |
THEY WHISPER | 0:07:42 | 0:07:43 | |
-Trovatore. -Trovatore. | 0:07:43 | 0:07:46 | |
-HOWARD-SMITH WHISPERS -Don't know. | 0:07:46 | 0:07:50 | |
Trovatore. | 0:07:51 | 0:07:52 | |
No, it's the Force Of Destiny, La Forza Del Destino. | 0:07:52 | 0:07:55 | |
And, finally, based on a Shakespearean theme | 0:07:55 | 0:07:57 | |
and featuring characters named Bardolfo, Pistola | 0:07:57 | 0:08:00 | |
and Mistress Quickly, | 0:08:00 | 0:08:02 | |
what was the last opera to be written by Verdi? | 0:08:02 | 0:08:05 | |
Falstaff. | 0:08:05 | 0:08:06 | |
Correct. | 0:08:06 | 0:08:07 | |
We're going to take | 0:08:07 | 0:08:08 | |
a picture round now. | 0:08:08 | 0:08:09 | |
For your picture starter, you're going to see a map | 0:08:09 | 0:08:12 | |
showing a European city. | 0:08:12 | 0:08:13 | |
Ten points if you can identify the city. | 0:08:13 | 0:08:16 | |
BUZZER | 0:08:18 | 0:08:20 | |
Bologna. | 0:08:20 | 0:08:21 | |
Bologna is correct, yes. | 0:08:21 | 0:08:22 | |
Bologna, as you know, is home to what's usually held | 0:08:25 | 0:08:27 | |
to be the oldest university in the Western world. | 0:08:27 | 0:08:30 | |
Your picture bonuses show the locations of three more | 0:08:30 | 0:08:32 | |
of Europe's oldest universities, | 0:08:32 | 0:08:34 | |
all founded before 1300 and remaining in operation today. | 0:08:34 | 0:08:38 | |
In each case, I simply want the name of the city marked. | 0:08:38 | 0:08:41 | |
Firstly, for five... | 0:08:41 | 0:08:42 | |
Salamanca. | 0:08:49 | 0:08:50 | |
Correct. | 0:08:50 | 0:08:51 | |
Secondly... | 0:08:51 | 0:08:52 | |
Is that Lisbon? | 0:08:54 | 0:08:56 | |
No, that's almost on the coast. | 0:08:56 | 0:08:58 | |
I don't know. | 0:08:58 | 0:09:00 | |
-Shall we go for Lisbon? -Yeah. | 0:09:01 | 0:09:03 | |
-Lisbon. -No, it's Coimbra. And, finally... | 0:09:03 | 0:09:06 | |
Siena? Oh, no, wait, Pisa. | 0:09:09 | 0:09:12 | |
Is that not Pisa? | 0:09:12 | 0:09:13 | |
It's got a really old university, hasn't it? | 0:09:13 | 0:09:16 | |
Pisa. | 0:09:16 | 0:09:17 | |
No, it's Siena. Bad luck. | 0:09:17 | 0:09:18 | |
Ten points for this. | 0:09:18 | 0:09:20 | |
"Instrumentation is to music | 0:09:20 | 0:09:21 | |
"precisely what colour is to painting." | 0:09:21 | 0:09:24 | |
Which French composer made that statement? | 0:09:24 | 0:09:27 | |
Born in 1803, his works include Harold In Italy, | 0:09:27 | 0:09:30 | |
The Damnation Of Faust and the Symphonie Fantastique. | 0:09:30 | 0:09:33 | |
BELL RINGS | 0:09:33 | 0:09:35 | |
Oh, it's wrong, I was going to say Saint-Saens | 0:09:35 | 0:09:37 | |
but the actual name's gone out of my head. | 0:09:37 | 0:09:39 | |
You're right, it is wrong. Right, | 0:09:39 | 0:09:41 | |
anyone like to buzz from Queen Mary? BUZZER | 0:09:41 | 0:09:43 | |
-Berlioz. -Berlioz is correct, yes. | 0:09:43 | 0:09:46 | |
Right, these bonuses, Queen Mary, are on gambling. | 0:09:48 | 0:09:52 | |
Used in Ancient Greece as an early form of dice in games of chance, | 0:09:52 | 0:09:55 | |
the astragalus is a bone in which joint of the human body? | 0:09:55 | 0:09:59 | |
THEY WHISPER | 0:09:59 | 0:10:01 | |
They definitely used knuckle bones for gambling. | 0:10:03 | 0:10:06 | |
Knuckle. | 0:10:07 | 0:10:08 | |
No, it's the ank... How many of you are doctors or medics over there? | 0:10:08 | 0:10:12 | |
It's in the ankle. | 0:10:12 | 0:10:13 | |
In the 1650s, which French mathematician conducted | 0:10:13 | 0:10:16 | |
a frequent correspondence with Blaise Pascal | 0:10:16 | 0:10:19 | |
about the solution to a gambling game | 0:10:19 | 0:10:21 | |
and in doing so laid the foundations | 0:10:21 | 0:10:23 | |
of a mathematical theory of probability? | 0:10:23 | 0:10:25 | |
-Galois. -No, it's Fermat. | 0:10:30 | 0:10:32 | |
And, finally, set in the fictional town of Roulettenburg, | 0:10:32 | 0:10:35 | |
The Gambler is a short novel by which Russian writer? | 0:10:35 | 0:10:38 | |
-Pushkin, maybe. -THEY WHISPER | 0:10:43 | 0:10:46 | |
Pushkin? Pushkin? | 0:10:49 | 0:10:51 | |
Dostoyevsky. | 0:10:53 | 0:10:55 | |
Dostoyevsky. | 0:10:55 | 0:10:56 | |
Correct. Ten points for this. | 0:10:56 | 0:10:58 | |
Give the four-letter abbreviation | 0:10:58 | 0:11:00 | |
of the international organisation | 0:11:00 | 0:11:02 | |
that produces the Red List of Threatened Species, | 0:11:02 | 0:11:04 | |
a comprehensive... | 0:11:04 | 0:11:06 | |
IUCN. | 0:11:06 | 0:11:07 | |
Correct. Yes. | 0:11:07 | 0:11:08 | |
Right, your bonuses are on food. | 0:11:11 | 0:11:13 | |
Specifically, dishes that, according to the You.Gov website, | 0:11:13 | 0:11:18 | |
are among the ten listed as particular favourites | 0:11:18 | 0:11:20 | |
of viewers of this programme. | 0:11:20 | 0:11:22 | |
In each case, name the dish from the description. | 0:11:22 | 0:11:24 | |
Firstly, a meat dish named after the composer of the 1816 opera | 0:11:24 | 0:11:29 | |
The Barber Of Seville. | 0:11:29 | 0:11:30 | |
It consists of fillet steak with foie gras truffles | 0:11:30 | 0:11:33 | |
and a Madeira sauce. | 0:11:33 | 0:11:34 | |
-Tournedos Rossini or beef Rossini. -Beef Rossini. | 0:11:34 | 0:11:38 | |
Beef Rossini. | 0:11:38 | 0:11:39 | |
No, it's tournedos Rossini. | 0:11:39 | 0:11:41 | |
An Indonesian dish of chicken stewed in coconut milk and spices | 0:11:41 | 0:11:45 | |
in a style sometimes known as caramelised curry. | 0:11:45 | 0:11:48 | |
Beef rendang? | 0:11:51 | 0:11:54 | |
Beef rendang. | 0:11:54 | 0:11:55 | |
Well, I said specifically it was chicken. | 0:11:55 | 0:11:57 | |
-Oh. -Chicken rendang. | 0:11:57 | 0:11:59 | |
I'll accept, that is rendang, yes, I'll accept that. | 0:11:59 | 0:12:02 | |
Credited to Constance Spry and Rosemary Hume | 0:12:02 | 0:12:04 | |
at the London Cordon Bleu cookery school, | 0:12:04 | 0:12:06 | |
a dish devised to mark an event of 1953. | 0:12:06 | 0:12:09 | |
-Coronation chicken. -Oh, yeah. -Coronation chicken. | 0:12:10 | 0:12:13 | |
Correct. Ten points for this. | 0:12:13 | 0:12:14 | |
Listen carefully. | 0:12:14 | 0:12:15 | |
Abbreviated forms of words | 0:12:15 | 0:12:16 | |
meaning the queen of the sciences | 0:12:16 | 0:12:18 | |
according to Gauss | 0:12:18 | 0:12:19 | |
and alcohol impregnated with methanol | 0:12:19 | 0:12:21 | |
may both be made using letters of the name of which British River? | 0:12:21 | 0:12:26 | |
BELL RINGS | 0:12:28 | 0:12:30 | |
The Thames. | 0:12:31 | 0:12:32 | |
Correct. | 0:12:32 | 0:12:34 | |
Maths and meths, for example. | 0:12:36 | 0:12:37 | |
Right, a set of bonuses for you this time | 0:12:37 | 0:12:39 | |
on historical climatology, Southampton. | 0:12:39 | 0:12:41 | |
For what do the letters LIA stand | 0:12:41 | 0:12:45 | |
when referring to a period from the 14th to the 19th centuries, | 0:12:45 | 0:12:48 | |
marked in general terms by colder winters in Europe? | 0:12:48 | 0:12:52 | |
Little Ice Age. | 0:12:52 | 0:12:53 | |
Correct. The Little Ice Age coincided | 0:12:53 | 0:12:55 | |
with a Sporer minimum and a Maunder minimum - | 0:12:55 | 0:12:58 | |
periods of unusually low activity of what solar phenomenon? | 0:12:58 | 0:13:02 | |
-Solar... -Sunspots. -Sunspots. | 0:13:02 | 0:13:04 | |
-Sunspots are sort of... -Sunspots. | 0:13:04 | 0:13:06 | |
Sunspots. | 0:13:06 | 0:13:07 | |
Correct. One theory holds that the Little Ice Age in Europe | 0:13:07 | 0:13:10 | |
resulted from the reversal of an atmospheric circulation pattern | 0:13:10 | 0:13:13 | |
over the North Atlantic abbreviated to NAO. | 0:13:13 | 0:13:16 | |
For what does the letter O stand? | 0:13:16 | 0:13:19 | |
-Oscillation. -Oscillation. | 0:13:19 | 0:13:21 | |
Correct. Ten points | 0:13:21 | 0:13:22 | |
for this starter question. | 0:13:22 | 0:13:23 | |
The Conservative politician | 0:13:23 | 0:13:24 | |
Iain Macleod is credited with coining what portmanteau term in 1965 | 0:13:24 | 0:13:29 | |
to describe a situation of high unemployment combined with high... | 0:13:29 | 0:13:34 | |
BUZZER | 0:13:34 | 0:13:35 | |
-Stagflation. -Stagflation is right, yes. | 0:13:35 | 0:13:38 | |
Right, your bonuses are on the words of Oscar Wilde. | 0:13:40 | 0:13:43 | |
In each case, give the precise single word that completes the following. | 0:13:43 | 0:13:47 | |
Firstly, from The Importance Of Being Earnest. | 0:13:47 | 0:13:50 | |
"The truth is rarely pure and never..." | 0:13:50 | 0:13:53 | |
Is it simple? | 0:13:54 | 0:13:56 | |
Simple. | 0:13:58 | 0:13:59 | |
Correct. Secondly, from Lady Windermere's Fan. | 0:13:59 | 0:14:02 | |
"Experience is the name everyone gives to their..." | 0:14:02 | 0:14:05 | |
Mistakes. | 0:14:05 | 0:14:06 | |
Mistakes. | 0:14:06 | 0:14:07 | |
Correct. And, finally, from The Picture Of Dorian Gray. | 0:14:07 | 0:14:11 | |
"A man cannot be too careful in his choice of..." | 0:14:11 | 0:14:13 | |
-Enemies? -Yeah, sounds good. | 0:14:13 | 0:14:16 | |
-Enemies. -Correct. | 0:14:16 | 0:14:17 | |
We'll take a music round now. | 0:14:17 | 0:14:19 | |
For your music starter, | 0:14:19 | 0:14:20 | |
you'll hear a piece | 0:14:20 | 0:14:22 | |
of orchestral music | 0:14:22 | 0:14:23 | |
by an American composer. | 0:14:23 | 0:14:24 | |
Ten points if you can give me his name, please. | 0:14:24 | 0:14:27 | |
ORCHESTRAL MUSIC PLAYS | 0:14:27 | 0:14:29 | |
BUZZER | 0:14:29 | 0:14:31 | |
-Copland. -Correct. Barley Wagons from Of Mice And Men. | 0:14:31 | 0:14:35 | |
That was part of the film score, of course, of the film of that name. | 0:14:37 | 0:14:40 | |
Your bonuses are pieces for film by three more classical composers | 0:14:40 | 0:14:44 | |
who, like Copland, produced a significant body of music | 0:14:44 | 0:14:47 | |
for film in addition to their concert works. | 0:14:47 | 0:14:49 | |
In each case I simply want you to identify the composer, please. | 0:14:49 | 0:14:53 | |
Firstly, for five. | 0:14:53 | 0:14:54 | |
ORCHESTRAL MUSIC PLAYS | 0:14:54 | 0:14:57 | |
THEY CONFER | 0:15:14 | 0:15:17 | |
I don't recognise that. | 0:15:25 | 0:15:27 | |
-LOVELADY: -Williams. -Yeah, why not? | 0:15:29 | 0:15:31 | |
-LYNES: -Just go with John. | 0:15:31 | 0:15:33 | |
John Williams. | 0:15:33 | 0:15:34 | |
No, that's Ralph Vaughan Williams' Scott On The Glacier | 0:15:34 | 0:15:37 | |
from Scott Of The Antarctic. Secondly... | 0:15:37 | 0:15:39 | |
ORCHESTRAL MUSIC PLAYS | 0:15:39 | 0:15:41 | |
Oh, my God. | 0:15:45 | 0:15:47 | |
I know it's...it's from Robin Hood. | 0:15:53 | 0:15:56 | |
-THEY CONFER -Was it from Robin Hood? | 0:15:56 | 0:15:58 | |
Adventures... | 0:15:58 | 0:16:01 | |
THEY CONFER | 0:16:01 | 0:16:04 | |
Oh, my God. | 0:16:09 | 0:16:10 | |
TEAM LAUGH | 0:16:10 | 0:16:13 | |
Come on, I think we'd better have an answer. | 0:16:13 | 0:16:15 | |
-Robin Hood. -Menken?. -No. | 0:16:15 | 0:16:16 | |
Um... | 0:16:16 | 0:16:19 | |
Willi... | 0:16:21 | 0:16:23 | |
-Come on, I need an answer. -I don't know. | 0:16:23 | 0:16:25 | |
What a shame cos you did have the right film, | 0:16:25 | 0:16:27 | |
it was from The Adventures Of Robin Hood. | 0:16:27 | 0:16:29 | |
It was by Erich Wolfgang Korngold. And, finally... | 0:16:29 | 0:16:33 | |
ORCHESTRAL MUSIC PLAYS | 0:16:33 | 0:16:35 | |
Oh, it's from Mary Poppins, isn't it? | 0:16:35 | 0:16:38 | |
No, it's not. It's not at all. | 0:16:38 | 0:16:40 | |
THEY CONFER | 0:16:49 | 0:16:51 | |
I don't know. | 0:17:01 | 0:17:03 | |
Come on, let's have it, please. | 0:17:03 | 0:17:05 | |
I don't know. | 0:17:06 | 0:17:07 | |
That's Shostakovich. | 0:17:07 | 0:17:08 | |
We're going to take another | 0:17:08 | 0:17:09 | |
starter question now. | 0:17:09 | 0:17:11 | |
Fingers on the buzzers. | 0:17:11 | 0:17:12 | |
Their name derived from the Old French for throat | 0:17:12 | 0:17:14 | |
and specifically associated with the Gothic period, | 0:17:14 | 0:17:17 | |
which often grotesque architectural features... | 0:17:17 | 0:17:20 | |
BELL RINGS | 0:17:20 | 0:17:22 | |
Gargoyles. | 0:17:22 | 0:17:23 | |
Gargoyles is right, yes. | 0:17:23 | 0:17:24 | |
Right, these bonuses, Southampton, | 0:17:27 | 0:17:29 | |
which will give you the lead if you get them, | 0:17:29 | 0:17:30 | |
are on ballerinas. | 0:17:30 | 0:17:32 | |
Having performed in Nureyev's Swan Lake in 1984, | 0:17:32 | 0:17:35 | |
which French ballerina became at the age of 19 the youngest person | 0:17:35 | 0:17:39 | |
in the history of the Paris Opera Ballet | 0:17:39 | 0:17:41 | |
to hold the rank of star? | 0:17:41 | 0:17:44 | |
A French ballerina. Fonteyn, she's too old. | 0:17:44 | 0:17:47 | |
Anybody, French ballerina? | 0:17:47 | 0:17:49 | |
No. | 0:17:49 | 0:17:51 | |
Margot Fonteyn. | 0:17:52 | 0:17:54 | |
No, it's Sylvie Guillem. | 0:17:54 | 0:17:55 | |
Which Spanish ballerina left the Royal Ballet in 2012 | 0:17:55 | 0:17:58 | |
to take up the artistic directorship of the English National Ballet? | 0:17:58 | 0:18:02 | |
-Sophie...Sophie... -I don't know her surname. | 0:18:02 | 0:18:06 | |
Sofia... Is it Mona? | 0:18:06 | 0:18:09 | |
I was thinking an R word, like... | 0:18:09 | 0:18:11 | |
-Ramonez. -No, it's Tamara Rojo. | 0:18:14 | 0:18:17 | |
And, finally, born in St Petersburg in 1881, which prima ballerina | 0:18:17 | 0:18:21 | |
was particularly noted for her performance of the dying swan? | 0:18:21 | 0:18:25 | |
GOGGIN WHISPERS | 0:18:26 | 0:18:28 | |
No, much older. | 0:18:28 | 0:18:30 | |
Maybe that is Fonteyn. | 0:18:30 | 0:18:32 | |
Russian? | 0:18:32 | 0:18:34 | |
-Oh, not Russian. -Russian ballerina. | 0:18:34 | 0:18:36 | |
Oh, Margot Fonteyn again. | 0:18:36 | 0:18:37 | |
No, it's Anna Pavlova. | 0:18:37 | 0:18:39 | |
Right, another starter question. | 0:18:39 | 0:18:40 | |
In the first words of Jesus | 0:18:40 | 0:18:42 | |
in St Mark's Gospel | 0:18:42 | 0:18:43 | |
in the New International Version | 0:18:43 | 0:18:44 | |
and Tweedledee's recitation | 0:18:44 | 0:18:46 | |
in Lewis Carroll's Through The Looking Glass, | 0:18:46 | 0:18:48 | |
what four precise words precede, | 0:18:48 | 0:18:51 | |
"The kingdom of God is near" and "the Walrus said"? | 0:18:51 | 0:18:55 | |
BUZZER | 0:18:57 | 0:18:59 | |
"It's time to talk." | 0:18:59 | 0:19:01 | |
JEREMY CHUCKLES | 0:19:01 | 0:19:03 | |
Anyone like to buzz from Southampton? | 0:19:03 | 0:19:06 | |
It's, "The time has come." | 0:19:07 | 0:19:08 | |
Ten points for this. | 0:19:08 | 0:19:10 | |
18,000 light years away | 0:19:10 | 0:19:12 | |
and containing a microquasar, | 0:19:12 | 0:19:14 | |
the nebula previously known as W50 | 0:19:14 | 0:19:16 | |
was renamed in 2013 after what aquatic mammal | 0:19:16 | 0:19:21 | |
sometimes known as a sea cow whose shape... | 0:19:21 | 0:19:24 | |
BELL RINGS | 0:19:24 | 0:19:26 | |
A manatee. | 0:19:26 | 0:19:27 | |
Manatee is correct, yes. That puts you in the lead. | 0:19:27 | 0:19:30 | |
And your bonuses, Southampton, are on botany. | 0:19:31 | 0:19:34 | |
From the Latin for juice, what term denotes a plant | 0:19:34 | 0:19:36 | |
with fleshy, thick tissues, adapted to water storage such as cacti? | 0:19:36 | 0:19:41 | |
-Succulent. -Succulent? Yeah. -I think so. | 0:19:41 | 0:19:44 | |
Succulent. | 0:19:44 | 0:19:46 | |
Correct. Secondly, succulents employ a modified version | 0:19:46 | 0:19:49 | |
of carbon dioxide fixation and photosynthesis known as CAM. | 0:19:49 | 0:19:54 | |
For what do the letters CAM stand? | 0:19:54 | 0:19:56 | |
Modification? | 0:20:01 | 0:20:03 | |
Carbon activated modification... | 0:20:06 | 0:20:09 | |
Carbon activated modification. | 0:20:09 | 0:20:10 | |
No, it's crassulacean acid metabolism. | 0:20:10 | 0:20:13 | |
And, finally, a popular house plant - | 0:20:13 | 0:20:14 | |
which succulent has thick, serrated leaves | 0:20:14 | 0:20:17 | |
and produces a bitter medicinal sap used in cosmetics | 0:20:17 | 0:20:20 | |
and as a treatment for burns? | 0:20:20 | 0:20:22 | |
Aloe vera. | 0:20:22 | 0:20:23 | |
Correct. | 0:20:23 | 0:20:24 | |
Right, we're going to take | 0:20:24 | 0:20:25 | |
a second picture round now. | 0:20:25 | 0:20:27 | |
For your picture starter you're going to see a poster | 0:20:27 | 0:20:29 | |
for a film adaptation of a short story. | 0:20:29 | 0:20:31 | |
Ten points if you can tell me the title | 0:20:31 | 0:20:33 | |
and the author of the story. | 0:20:33 | 0:20:35 | |
Any helpful wording has, of course, been removed. | 0:20:35 | 0:20:38 | |
BELL RINGS | 0:20:40 | 0:20:42 | |
The Pit And The Pendulum. | 0:20:42 | 0:20:44 | |
-Yes, who's it by? -Edgar Allan Poe. | 0:20:44 | 0:20:46 | |
Correct, yes. We'll see the whole thing now. There it is. | 0:20:46 | 0:20:49 | |
Now, The Pit And The Pendulum was one of a series of adaptations | 0:20:49 | 0:20:52 | |
of Poe's Tales Of Terror by the film-maker Roger Corman. | 0:20:52 | 0:20:54 | |
Your picture bonuses are the posters of three more of them, | 0:20:54 | 0:20:57 | |
again with some text removed. | 0:20:57 | 0:20:59 | |
In each case, I want the title of the work by Poe | 0:20:59 | 0:21:02 | |
on which the film is based. | 0:21:02 | 0:21:04 | |
Firstly, for five. | 0:21:04 | 0:21:05 | |
Stories by Poe? | 0:21:06 | 0:21:08 | |
THEY WHISPER | 0:21:08 | 0:21:09 | |
It's not The Raven either. It doesn't look like The Raven. | 0:21:09 | 0:21:13 | |
-Um... -I haven't... -Come on, let's have it, please. | 0:21:13 | 0:21:16 | |
-The terrifying, red-faced man. -LAUGHTER | 0:21:16 | 0:21:20 | |
Well, close, but not close enough. | 0:21:20 | 0:21:22 | |
It's The Masque Of The Red Death. | 0:21:22 | 0:21:24 | |
-Oh. -Secondly... | 0:21:24 | 0:21:25 | |
Oh, goodness. | 0:21:25 | 0:21:29 | |
Night of the cat. | 0:21:29 | 0:21:31 | |
Anybody? Night Of The Cat. | 0:21:31 | 0:21:34 | |
No, that's Ligeia. | 0:21:34 | 0:21:35 | |
Let's see the whole thing. There it is. | 0:21:35 | 0:21:37 | |
And, finally... | 0:21:37 | 0:21:38 | |
Hmm. Goodness. What was the one you said? | 0:21:42 | 0:21:46 | |
The Tell-Tale Heart. I don't think it is. | 0:21:46 | 0:21:48 | |
One of them has to be a famous one. | 0:21:48 | 0:21:50 | |
Yeah, The Tell-Tale Heart. | 0:21:50 | 0:21:52 | |
No, that's The Fall Of The House Of Usher. | 0:21:52 | 0:21:55 | |
There it is. | 0:21:55 | 0:21:56 | |
Right, ten points for this. | 0:21:56 | 0:21:58 | |
Which Latin American country links a fungal disease | 0:21:58 | 0:22:00 | |
that can devastate banana crops with a type of headgear | 0:22:00 | 0:22:03 | |
made in Ecuador? | 0:22:03 | 0:22:04 | |
The latter has a wide... BELL RINGS | 0:22:04 | 0:22:06 | |
Panama. | 0:22:06 | 0:22:07 | |
Panama is correct, yes. | 0:22:07 | 0:22:09 | |
Right, your bonuses are on islands | 0:22:11 | 0:22:13 | |
named after the day of their discovery. | 0:22:13 | 0:22:15 | |
Firstly, for five points. | 0:22:15 | 0:22:17 | |
Which volcanic island was named | 0:22:17 | 0:22:18 | |
by Columbus after the day of the week on which he first sighted it? | 0:22:18 | 0:22:21 | |
It was the birthplace of the novelist Jean Rhys in 1890 | 0:22:21 | 0:22:25 | |
and it became independent of Britain in 1978. | 0:22:25 | 0:22:28 | |
Dominican Republic was named after Sunday? | 0:22:29 | 0:22:31 | |
-Yeah. -Dominica? -Dominica. | 0:22:31 | 0:22:33 | |
-Dominica, named after Sunday? -Yes. | 0:22:33 | 0:22:36 | |
Dominica. | 0:22:36 | 0:22:38 | |
Dominica is correct. | 0:22:38 | 0:22:39 | |
Named by a Portuguese navigator in 1503, | 0:22:39 | 0:22:41 | |
which volcanic island was uninhabited until British marines | 0:22:41 | 0:22:44 | |
were stationed there in 1815 to forestall attempts | 0:22:44 | 0:22:47 | |
to help Napoleon escape from St Helena? | 0:22:47 | 0:22:50 | |
The one down the... | 0:22:50 | 0:22:51 | |
-Ascension Island. -Yeah. Ascension Island. | 0:22:51 | 0:22:54 | |
Correct. | 0:22:54 | 0:22:55 | |
And, finally, one of the most remote inhabited islands in the world, | 0:22:55 | 0:22:58 | |
which Chilean territory is also known as Rapa Nui | 0:22:58 | 0:23:02 | |
or Isla De Pascua? | 0:23:02 | 0:23:03 | |
Easter Island. | 0:23:03 | 0:23:04 | |
Correct. Ten points | 0:23:04 | 0:23:06 | |
for this starter question. | 0:23:06 | 0:23:07 | |
Sinis, the pine-bender, and Procrustes, the stretcher, | 0:23:07 | 0:23:10 | |
were among the bandits and outlaws overcome | 0:23:10 | 0:23:12 | |
by which legendary king of Athens? BELL RINGS | 0:23:12 | 0:23:15 | |
Theseus. | 0:23:15 | 0:23:16 | |
Correct. | 0:23:16 | 0:23:17 | |
Your bonuses, Southampton, are on colours. | 0:23:20 | 0:23:22 | |
In each case, tell me the shade of green named after the following. | 0:23:22 | 0:23:25 | |
Firstly, known by a four-letter common name, | 0:23:25 | 0:23:28 | |
any of more than 10,000 species | 0:23:28 | 0:23:30 | |
of small, flowerless, spore-bearing plants of the class Bryopsida. | 0:23:30 | 0:23:35 | |
Fern. | 0:23:35 | 0:23:36 | |
No, it's moss. | 0:23:36 | 0:23:37 | |
Secondly, a copper carbonate mineral used ornamentally and as a gemstone. | 0:23:37 | 0:23:42 | |
Jade? No. | 0:23:42 | 0:23:45 | |
-Green? -Amber? -Copper carbonate. -Amber's... -Amber's not green. | 0:23:45 | 0:23:49 | |
-Green. Ma... -Jade. | 0:23:49 | 0:23:51 | |
-No, it's malachite. -No, I was about to say malachite. | 0:23:51 | 0:23:54 | |
Oh, sorry. | 0:23:54 | 0:23:55 | |
And, finally, a small dabbling duck, for example, Anas crecca. | 0:23:55 | 0:23:58 | |
Teal. | 0:23:58 | 0:23:59 | |
Teal is right. | 0:23:59 | 0:24:00 | |
Another starter question now. | 0:24:00 | 0:24:02 | |
Often used with barnacles, | 0:24:02 | 0:24:04 | |
what term in zoology derives from the Latin for "to sit" | 0:24:04 | 0:24:07 | |
and means immobile in botany... BELL RINGS | 0:24:07 | 0:24:10 | |
Sessile. | 0:24:10 | 0:24:11 | |
Sessile is correct. | 0:24:11 | 0:24:13 | |
Your bonuses this time are on euro coins, Southampton, | 0:24:13 | 0:24:16 | |
using information from the website of the European Central Bank. | 0:24:16 | 0:24:20 | |
Which country's one and two euro coins depict its national emblem, | 0:24:20 | 0:24:24 | |
a two-barred cross on three hills? | 0:24:24 | 0:24:27 | |
-Slovakia, Slovakia. -Is it? OK. Slovakia. | 0:24:28 | 0:24:31 | |
Correct. | 0:24:31 | 0:24:32 | |
Which country's one and two euro coins | 0:24:32 | 0:24:34 | |
show a cruciform idol from around 3000BC? | 0:24:34 | 0:24:37 | |
It is said to reflect the country's place | 0:24:37 | 0:24:40 | |
at the heart of civilisation and antiquity. | 0:24:40 | 0:24:43 | |
-Greece? -Yeah. | 0:24:43 | 0:24:45 | |
Greece. | 0:24:45 | 0:24:46 | |
No, it's Cyprus. | 0:24:46 | 0:24:47 | |
And, finally, Raphael's portrait of which poet | 0:24:47 | 0:24:49 | |
appears on the two euro coin of Italy? | 0:24:49 | 0:24:52 | |
Italian poet. | 0:24:53 | 0:24:54 | |
-Dante? -It's the only one... -SADLER WHISPERS | 0:24:55 | 0:24:59 | |
-Let's go for Dante. -Dante would have been...in the 1400s. | 0:24:59 | 0:25:01 | |
-OK. -Dante. | 0:25:01 | 0:25:03 | |
Dante is correct. | 0:25:03 | 0:25:04 | |
Two and a half minutes to go. | 0:25:04 | 0:25:05 | |
Ten points for this. | 0:25:05 | 0:25:06 | |
What is the five-letter common name of epidemic parotitis? | 0:25:06 | 0:25:09 | |
So called because one of its symptoms is the swelling of the parotid | 0:25:09 | 0:25:12 | |
and other saliva... BUZZER | 0:25:12 | 0:25:14 | |
Mumps. | 0:25:14 | 0:25:15 | |
Mumps is right, yes. | 0:25:15 | 0:25:17 | |
Your bonuses this time are on publishing, Queen Mary. | 0:25:19 | 0:25:22 | |
In 1937, Penguin Books gave the name of which other bird | 0:25:22 | 0:25:25 | |
to a series of non-fiction publications | 0:25:25 | 0:25:27 | |
launched with George Bernard Shaw's | 0:25:27 | 0:25:29 | |
Intelligent Women's Guide To Socialism? | 0:25:29 | 0:25:32 | |
Pelican. | 0:25:32 | 0:25:33 | |
Correct. In 1940, Penguin began publishing books for children | 0:25:33 | 0:25:36 | |
under what imprint, also the name of a sea bird? | 0:25:36 | 0:25:38 | |
Puffin. | 0:25:38 | 0:25:39 | |
Correct. Appearing in 1946, | 0:25:39 | 0:25:40 | |
the first volume in the Penguin Classics series | 0:25:40 | 0:25:42 | |
was EV Rieu's translation of which epic poem? | 0:25:42 | 0:25:47 | |
Iliad. The Iliad. | 0:25:47 | 0:25:48 | |
No, it was The Odyssey. Ten points for this. | 0:25:48 | 0:25:50 | |
In which country is the Baikonur Cosmodrome? | 0:25:50 | 0:25:54 | |
BELL RINGS | 0:25:54 | 0:25:55 | |
Kazakhstan. | 0:25:55 | 0:25:56 | |
Kazakhstan is correct, yes. | 0:25:56 | 0:25:58 | |
Your bonuses this time are on Ancient Greece | 0:25:59 | 0:26:01 | |
and modern vocabulary. | 0:26:01 | 0:26:02 | |
Firstly, from the inhabitants of the Greek city | 0:26:02 | 0:26:05 | |
on the Gulf Of Taranto, | 0:26:05 | 0:26:06 | |
which adjective means devoted to luxury and indulgence? | 0:26:06 | 0:26:10 | |
-Hedonistic? -Yeah. -Hedonistic? | 0:26:11 | 0:26:13 | |
That's what it means, I don't know if that's a place in Greece. | 0:26:13 | 0:26:16 | |
-Hedonistic. -No, it's sybaritic, from Sybaris. | 0:26:16 | 0:26:20 | |
After the perceived corruption of the Attic dialect | 0:26:20 | 0:26:23 | |
by colonists of Soloi in Cilicia, | 0:26:23 | 0:26:25 | |
what term denotes a non-standard or improper use of grammar or syntax? | 0:26:25 | 0:26:29 | |
Anybody? No, we don't know. | 0:26:31 | 0:26:34 | |
That's a solecism. | 0:26:34 | 0:26:36 | |
And, finally, the region around ancient Sparta is the origin | 0:26:36 | 0:26:39 | |
of which adjective meaning concise or pithy in verbal expression? | 0:26:39 | 0:26:43 | |
Laconic. Laconic. | 0:26:43 | 0:26:44 | |
Laconic. | 0:26:44 | 0:26:46 | |
Correct. Ten points for this. | 0:26:46 | 0:26:47 | |
Born in around 1502, Atahualpa was the last ruler | 0:26:47 | 0:26:50 | |
of which empire? BELL RINGS | 0:26:50 | 0:26:52 | |
The Inca Empire. | 0:26:52 | 0:26:53 | |
Correct. | 0:26:53 | 0:26:54 | |
15 points for these bonuses, Southampton, they're on Russia. | 0:26:54 | 0:26:58 | |
In each case, give the present day name from the description. | 0:26:58 | 0:27:00 | |
All three begin with the same two letters. | 0:27:00 | 0:27:02 | |
Firstly, a Russian exclave on the Baltic Sea | 0:27:02 | 0:27:05 | |
-between Poland and Lithuania. -Kaliningrad. | 0:27:05 | 0:27:07 | |
Kaliningrad. | 0:27:07 | 0:27:08 | |
Correct. Secondly, an inlet of the Arctic Ocean into which major rivers | 0:27:08 | 0:27:12 | |
such as the Ob and the Yenisei flow. | 0:27:12 | 0:27:14 | |
-STOCK WHISPERS -No, it begins with K. -Oh, yeah. | 0:27:14 | 0:27:17 | |
-Ka...ka... -Ka... | 0:27:18 | 0:27:21 | |
-Pass. -That's the Kara Sea. | 0:27:21 | 0:27:23 | |
And, finally, a peninsula in the Russian far east - | 0:27:23 | 0:27:25 | |
the location of around 10% of the world's active volcanoes. | 0:27:25 | 0:27:28 | |
Kamchatka. | 0:27:28 | 0:27:30 | |
Correct. Ten points for this. | 0:27:30 | 0:27:31 | |
Which of Shakespeare's | 0:27:31 | 0:27:32 | |
title characters is the son of Volumnia | 0:27:32 | 0:27:34 | |
and the husband of Virgilia? BELL RINGS | 0:27:34 | 0:27:36 | |
Coriolanus. | 0:27:36 | 0:27:38 | |
Correct. | 0:27:38 | 0:27:39 | |
You get a set of bonuses this time | 0:27:39 | 0:27:40 | |
on Archbishops of Canterbury, Southampton. | 0:27:40 | 0:27:42 | |
What is the surname of the father and son who both died... | 0:27:42 | 0:27:45 | |
GONG | 0:27:45 | 0:27:47 | |
And at the gong, | 0:27:47 | 0:27:48 | |
Queen Mary - London have 120 | 0:27:48 | 0:27:49 | |
but Southampton have 235. | 0:27:49 | 0:27:52 | |
APPLAUSE | 0:27:52 | 0:27:54 | |
THEY WHISPER | 0:27:54 | 0:27:56 | |
Well, Queen Mary, we're going to have to say goodbye to you. | 0:27:57 | 0:28:00 | |
It's back to the lapdogs and sphincters for you. | 0:28:00 | 0:28:02 | |
But thank you very much for joining us. | 0:28:02 | 0:28:04 | |
You've been a real treat to have with us. | 0:28:04 | 0:28:06 | |
Southampton, 235. It's a wonderful performance. | 0:28:06 | 0:28:08 | |
We shall look forward to seeing you in the second round of the contest. | 0:28:08 | 0:28:11 | |
Thank you very much for joining us too. | 0:28:11 | 0:28:13 | |
I hope you'll join us next time | 0:28:13 | 0:28:14 | |
for the start of the second round matches | 0:28:14 | 0:28:16 | |
but until then, it's goodbye from Queen Mary - London. | 0:28:16 | 0:28:19 | |
-ALL: -Bye-bye. | 0:28:19 | 0:28:20 | |
It's goodbye from Southampton University. | 0:28:20 | 0:28:22 | |
-ALL: -Goodbye. -And it's goodbye from me. Goodbye. | 0:28:22 | 0:28:25 |