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University Challenge. | 0:00:20 | 0:00:22 | |
Asking the questions, Jeremy Paxman. | 0:00:23 | 0:00:26 | |
APPLAUSE | 0:00:26 | 0:00:28 | |
Hello. By the end of tonight's match, | 0:00:28 | 0:00:30 | |
we'll know the first of the four teams | 0:00:30 | 0:00:32 | |
who'll be competing in the semifinals of this competition. | 0:00:32 | 0:00:36 | |
Both teams playing for that place already have one quarterfinal | 0:00:36 | 0:00:40 | |
victory behind them so whoever wins tonight will go through, | 0:00:40 | 0:00:43 | |
while the losers will get one last chance to stay in the contest. | 0:00:43 | 0:00:47 | |
The team from St John's College, Oxford | 0:00:47 | 0:00:49 | |
came out of round one with 255 points to Bristol's 125. | 0:00:49 | 0:00:55 | |
And then in the second round they defeated Queens, Belfast | 0:00:55 | 0:00:57 | |
by 180 points to 100. | 0:00:57 | 0:00:59 | |
Things were going swimmingly in their first quarterfinal against | 0:00:59 | 0:01:02 | |
St Catharine's College, Cambridge | 0:01:02 | 0:01:04 | |
until around the halfway mark but then they seemed to doze off a bit | 0:01:04 | 0:01:07 | |
and secured victory by only a five-point margin | 0:01:07 | 0:01:10 | |
with 175 points to 170. | 0:01:10 | 0:01:13 | |
With an accumulated score of 610, let's meet them for the fourth time. | 0:01:13 | 0:01:18 | |
Hi, my name is Alex Harries. | 0:01:19 | 0:01:21 | |
I come from South Wales and I'm reading history. | 0:01:21 | 0:01:24 | |
Hello, my name is Charlie Clegg. | 0:01:25 | 0:01:26 | |
I'm from Glasgow and I'm reading theology. | 0:01:26 | 0:01:29 | |
And this is their captain. | 0:01:29 | 0:01:30 | |
Hi, my name's Angus Russell. | 0:01:30 | 0:01:32 | |
I'm from Mill Hill in North London and I study history and Russian. | 0:01:32 | 0:01:35 | |
Hi, I'm Dan Sowood. | 0:01:35 | 0:01:37 | |
I'm from Uxbridge in Middlesex and I'm reading chemistry. | 0:01:37 | 0:01:40 | |
APPLAUSE | 0:01:40 | 0:01:42 | |
Now, the team from Peterhouse, Cambridge | 0:01:44 | 0:01:46 | |
beat Glasgow University by 185 points to 155 in round one, | 0:01:46 | 0:01:51 | |
and the medics of St George's, London in the second round | 0:01:51 | 0:01:54 | |
by a stronger margin of 195 to 90. | 0:01:54 | 0:01:57 | |
They met the University of York in their first quarterfinal match | 0:01:57 | 0:02:00 | |
and were trailing for the first ten minutes | 0:02:00 | 0:02:02 | |
but then managed to take the lead | 0:02:02 | 0:02:04 | |
and were ahead at the gong by 185 points to 165. | 0:02:04 | 0:02:08 | |
So, with an accumulated score of 565 points, | 0:02:08 | 0:02:12 | |
let's meet the Peterhouse team for the fourth time. | 0:02:12 | 0:02:15 | |
Hello, I'm Thomas Langley. | 0:02:15 | 0:02:16 | |
I'm from Newcastle upon Tyne and I'm reading history. | 0:02:16 | 0:02:20 | |
Hello, I'm Oscar Powell. | 0:02:20 | 0:02:21 | |
I'm from York and I'm reading geological sciences. | 0:02:21 | 0:02:23 | |
-And this is their captain. -Hello, I'm Hannah Woods. | 0:02:23 | 0:02:26 | |
I'm originally from Manchester and I'm studying for a PhD in history. | 0:02:26 | 0:02:30 | |
Hello, my name's Julian Sutcliffe. | 0:02:30 | 0:02:32 | |
I'm from Reading in Berkshire and I'm also reading history. | 0:02:32 | 0:02:35 | |
APPLAUSE | 0:02:35 | 0:02:37 | |
So, you all know the rules. Fingers on the buzzers. | 0:02:39 | 0:02:41 | |
Here's your first starter for ten. | 0:02:41 | 0:02:44 | |
Meanings of what five-letter word include a commemorative coin with | 0:02:44 | 0:02:48 | |
values since 1990 of £5, | 0:02:48 | 0:02:51 | |
an artificial replacement for the external part of a... | 0:02:51 | 0:02:54 | |
Crown. | 0:02:55 | 0:02:56 | |
Correct. | 0:02:56 | 0:02:57 | |
So, you get the first set of bonuses, St John's. | 0:02:59 | 0:03:01 | |
They're on the opening lines of three essays. | 0:03:01 | 0:03:05 | |
Name the author in each case, please. | 0:03:05 | 0:03:07 | |
Firstly for five, | 0:03:07 | 0:03:08 | |
"I was often, when a boy, wonderfully concerned to see | 0:03:08 | 0:03:11 | |
"in the Italian farces, | 0:03:11 | 0:03:12 | |
"a pedant always brought in for the fool of the play." | 0:03:12 | 0:03:16 | |
This line in translation opens an essay in which writer's collection | 0:03:16 | 0:03:20 | |
of the late 16th century? | 0:03:20 | 0:03:22 | |
Ooh, what's the French guy? | 0:03:24 | 0:03:25 | |
-Mont... -Not Montague... | 0:03:25 | 0:03:27 | |
-Montaigne. Montaigne. -Montaigne. | 0:03:27 | 0:03:30 | |
Montaigne. | 0:03:30 | 0:03:31 | |
Correct. His essay, Of Pedantry. | 0:03:31 | 0:03:33 | |
From a long work of 1689, secondly. | 0:03:33 | 0:03:36 | |
"Since it is the understanding that sets man above the rest | 0:03:36 | 0:03:39 | |
"of sensible beings, and gives him all the advantage and dominion | 0:03:39 | 0:03:42 | |
"which he has over them." | 0:03:42 | 0:03:43 | |
Possibly Montesquieu but I'm not sure. | 0:03:43 | 0:03:45 | |
I think that's a little early for Montesquieu. | 0:03:45 | 0:03:47 | |
It might be Locke's second Treatises On Government. | 0:03:47 | 0:03:50 | |
-It could be Locke. -Locke. | 0:03:50 | 0:03:52 | |
It is Locke, correct. Well done, yes. | 0:03:52 | 0:03:54 | |
And thirdly, from an essay of 1941. | 0:03:54 | 0:03:57 | |
"As I write, highly civilised human beings are flying overhead, | 0:03:57 | 0:04:00 | |
"trying to kill me." | 0:04:00 | 0:04:02 | |
-Ooh. Might be JB Priestley. -Priestley? | 0:04:03 | 0:04:05 | |
Possibly Priestley, possibly HG Wells. | 0:04:05 | 0:04:08 | |
-Possibly even Orwell. -Yeah. -I thought it might be Orwell. | 0:04:08 | 0:04:10 | |
-Do you want to go for Orwell? He wrote a lot of essays. -Orwell. | 0:04:10 | 0:04:13 | |
Orwell. | 0:04:13 | 0:04:15 | |
It is George Orwell. He did indeed write a lot of essays. | 0:04:15 | 0:04:18 | |
APPLAUSE | 0:04:18 | 0:04:20 | |
Ten points for this. | 0:04:20 | 0:04:21 | |
What was Rossini's last operatic composition? | 0:04:21 | 0:04:23 | |
Although rarely performed on stage, its overtures gained worldwide... | 0:04:23 | 0:04:27 | |
William Tell. | 0:04:29 | 0:04:30 | |
Well done, yes. | 0:04:30 | 0:04:32 | |
APPLAUSE | 0:04:32 | 0:04:34 | |
Right, a set of bonuses on physics. | 0:04:34 | 0:04:36 | |
Named after a German physicist, | 0:04:36 | 0:04:38 | |
which law is a special case of Planck's law of radiation | 0:04:38 | 0:04:41 | |
and states that for a black body, | 0:04:41 | 0:04:42 | |
the wavelength corresponding to maximum radiation of energy | 0:04:42 | 0:04:46 | |
is inversely proportional to the temperature of the body? | 0:04:46 | 0:04:49 | |
Oh, right... So... | 0:04:49 | 0:04:52 | |
-Black body radiation. I can't think. -It's not, it's not... | 0:04:52 | 0:04:55 | |
Is it something like Helmholt, maybe? Or Humboldt. | 0:04:56 | 0:05:00 | |
-It's not Boltzmann. -It's not Boltzmann? | 0:05:00 | 0:05:01 | |
I don't know if there is a physicist called Humb... | 0:05:01 | 0:05:04 | |
-Is it definitely not Boltzmann? -I don't think it is. | 0:05:04 | 0:05:06 | |
I'd go for Helmholt. I don't know but... | 0:05:06 | 0:05:09 | |
Helmholt. | 0:05:09 | 0:05:11 | |
-What? Wien's law. -No idea. | 0:05:11 | 0:05:14 | |
Secondly, whose law states that the energy per unit surface area | 0:05:14 | 0:05:17 | |
radiated by a black body per unit of time | 0:05:17 | 0:05:20 | |
is directly proportional to the fourth power of its temperature? | 0:05:20 | 0:05:23 | |
I've used that to calculate insulation in exams | 0:05:23 | 0:05:26 | |
but I don't know what it's called. | 0:05:26 | 0:05:28 | |
You don't learn what they're called. | 0:05:28 | 0:05:30 | |
I have no idea. Go for... | 0:05:30 | 0:05:32 | |
-Helmholtz does exist. -Helmholtz. | 0:05:32 | 0:05:34 | |
-CHUCKLING -Does Helmholtz definitely exist? | 0:05:34 | 0:05:37 | |
Humboldt also exists but I think he's a zoologist, | 0:05:37 | 0:05:39 | |
so go for Helmholtz. | 0:05:39 | 0:05:40 | |
We're going to go for Helmholtz again. | 0:05:40 | 0:05:42 | |
No, it's... Have you thought of a career in stand-up, Oscar? | 0:05:42 | 0:05:46 | |
-It's Stefan-Boltzmann law. -Oh! -Stefan's law. | 0:05:46 | 0:05:49 | |
The intensity, finally, or power per unit area | 0:05:51 | 0:05:54 | |
arriving at a given location from a black body is proportional | 0:05:54 | 0:05:57 | |
to the distance from the location to the source raised to what exponent? | 0:05:57 | 0:06:01 | |
Oh, deary me. OK, let's go squared. Or is it cubed, though? | 0:06:01 | 0:06:06 | |
It sounds like one of those inverse-squared laws. | 0:06:06 | 0:06:08 | |
-I have no... -Squared? -Just go squared. -Power of two. | 0:06:08 | 0:06:10 | |
Power of two. | 0:06:10 | 0:06:12 | |
-No, it's minus 2. The inverse square. -Oh, it's an inverse square. | 0:06:12 | 0:06:14 | |
Right, ten points for this. | 0:06:14 | 0:06:16 | |
What is the common name of members of the family Petromyzontidae? | 0:06:16 | 0:06:19 | |
They are jawless vertebrates with bodies resembling eels... | 0:06:19 | 0:06:23 | |
Lampreys. | 0:06:23 | 0:06:24 | |
Correct, yes. APPLAUSE | 0:06:24 | 0:06:26 | |
Right, these bonuses are on Katherine Chidley, | 0:06:28 | 0:06:32 | |
the 17th-century agitator and religious controversialist. | 0:06:32 | 0:06:36 | |
Firstly, in a tract of 1641, | 0:06:36 | 0:06:38 | |
Chidley compared officeholders in which national organisation to, | 0:06:38 | 0:06:42 | |
quote, "Those locusts which ascended out of the bottomless pit"? | 0:06:42 | 0:06:45 | |
Might be Houses of Parliament. Or Church of England maybe. | 0:06:47 | 0:06:52 | |
-Oh, yeah. -Church of England? -Yes. | 0:06:52 | 0:06:55 | |
Church of England. | 0:06:55 | 0:06:56 | |
Correct. | 0:06:56 | 0:06:57 | |
Chidley is generally identified as a leading member | 0:06:57 | 0:07:00 | |
of which reformist grouping? | 0:07:00 | 0:07:02 | |
Active from the 1640s, | 0:07:02 | 0:07:03 | |
its publicists included Richard Overton and William Walwyn. | 0:07:03 | 0:07:07 | |
-Levellers. -Is it the Levellers? -Yes. -The Levellers. | 0:07:07 | 0:07:09 | |
Correct. In 1653, Chidley organised a petition to Parliament that | 0:07:09 | 0:07:14 | |
reportedly garnered over 6,000 female signatures but was refused, | 0:07:14 | 0:07:19 | |
quote, "For they being women and many of them wives, so that the law | 0:07:19 | 0:07:23 | |
"took no notice of them." | 0:07:23 | 0:07:24 | |
The petition was in defence of which leading Leveller? | 0:07:24 | 0:07:28 | |
-I've no idea. -I can't think of any. It's not Walwyn. Can you...? | 0:07:29 | 0:07:33 | |
My 17th century is poor. | 0:07:33 | 0:07:36 | |
-Maybe it is Walwyn. -I've no idea. -Walwyn. -Walwyn? | 0:07:36 | 0:07:40 | |
Walwyn. | 0:07:40 | 0:07:42 | |
-No, it's John Lilburne. -Oh. | 0:07:42 | 0:07:45 | |
Time for a picture round. | 0:07:45 | 0:07:46 | |
For your picture starter, you're going to see | 0:07:46 | 0:07:48 | |
an example of a particular form | 0:07:48 | 0:07:50 | |
of poetic stanza annotated to show | 0:07:50 | 0:07:52 | |
the paradigmatic rhyme scheme | 0:07:52 | 0:07:54 | |
and meter. | 0:07:54 | 0:07:55 | |
For ten points I want you to give me | 0:07:55 | 0:07:57 | |
the name of this type of stanza. | 0:07:57 | 0:07:59 | |
Epic hexameter but... | 0:08:02 | 0:08:04 | |
Would any of you like to buzz from St John's? | 0:08:04 | 0:08:07 | |
Iambic pentameter. | 0:08:09 | 0:08:10 | |
No, that's rhyme royal. | 0:08:10 | 0:08:12 | |
The first of Chaucer's Troilus And Criseyde. | 0:08:12 | 0:08:15 | |
We'll take the picture bonuses in a moment or two, | 0:08:15 | 0:08:17 | |
a starter question in the meantime. | 0:08:17 | 0:08:19 | |
Give the nine-letter name of the trigonometric function, | 0:08:19 | 0:08:22 | |
the abbreviation of which begins | 0:08:22 | 0:08:23 | |
the name of one of the highest active volcanoes in the world, | 0:08:23 | 0:08:27 | |
the French name for the country between Ghana and Liberia... | 0:08:27 | 0:08:31 | |
Cotangent. | 0:08:33 | 0:08:34 | |
Correct. | 0:08:34 | 0:08:35 | |
Both teams failed to identify rhyme royal for the picture starter | 0:08:38 | 0:08:41 | |
which was introduced into English poetry by Chaucer. | 0:08:41 | 0:08:45 | |
Nonetheless, you, Peterhouse, have got the picture bonuses | 0:08:45 | 0:08:47 | |
because you got a starter right. | 0:08:47 | 0:08:49 | |
Three more stanzaic forms, again, annotated with the paradigmatic | 0:08:49 | 0:08:52 | |
rhyme scheme and/or meter. | 0:08:52 | 0:08:54 | |
In each case, I want the name of the form you see. | 0:08:54 | 0:08:57 | |
Firstly for five... | 0:08:57 | 0:08:58 | |
That is Italian. Is it something | 0:08:59 | 0:09:01 | |
to do with Petrarch maybe? | 0:09:01 | 0:09:03 | |
-What's Italian? -Petrarchan sonnet. | 0:09:03 | 0:09:05 | |
That's the only thing I can think. | 0:09:05 | 0:09:07 | |
But is it a sonnet though? | 0:09:07 | 0:09:08 | |
there's, like, six lines? | 0:09:08 | 0:09:10 | |
Do we have anything we can guess | 0:09:10 | 0:09:11 | |
-that's sensible? -No. | 0:09:11 | 0:09:13 | |
Shall we just go for Petrarch? | 0:09:13 | 0:09:14 | |
We're going to guess Petrarchan sonnet. | 0:09:14 | 0:09:16 | |
No, it's terza rima, invented by Dante for the Divine Comedy. | 0:09:16 | 0:09:20 | |
Those are the first lines of it. | 0:09:20 | 0:09:21 | |
Secondly... | 0:09:21 | 0:09:22 | |
So, that's, "St Agnes' Eve | 0:09:24 | 0:09:25 | |
"Ah, bitter chill it was!" | 0:09:25 | 0:09:27 | |
Da-da-da-da-da-da... | 0:09:27 | 0:09:28 | |
-Is that pentameter? -Maybe. | 0:09:28 | 0:09:30 | |
There are five feet. | 0:09:30 | 0:09:31 | |
So what's the foot then? | 0:09:31 | 0:09:32 | |
-Da-da, da-da... -Iambic pentameter. | 0:09:32 | 0:09:34 | |
-No... -It's the rhyme scheme. -No. | 0:09:34 | 0:09:36 | |
-It's about the rhyme scheme. -Yeah, I know but what's... | 0:09:36 | 0:09:38 | |
-I don't know rhyme schemes. -OK, sorry, yes. | 0:09:38 | 0:09:40 | |
Heroic couplets, that's a thing. | 0:09:40 | 0:09:42 | |
-OK. -They're not couplets though. | 0:09:42 | 0:09:44 | |
-I don't know. -We don't know! | 0:09:44 | 0:09:46 | |
That's a Spenserian stanza, invented for The Faerie Queene, | 0:09:46 | 0:09:49 | |
adopted there by Keats for The Eve Of St Agnes. | 0:09:49 | 0:09:52 | |
Finally... | 0:09:52 | 0:09:53 | |
So, OK. Coleridge. | 0:09:53 | 0:09:57 | |
"It is an ancient Mariner..." | 0:09:57 | 0:09:58 | |
They've all been named after them. | 0:09:58 | 0:10:00 | |
RHYTHMIC TAPPING | 0:10:00 | 0:10:02 | |
Coleridgian quatrain? | 0:10:03 | 0:10:05 | |
OK, let's guess that! Coleridgian quatrain. | 0:10:05 | 0:10:10 | |
Well, of course it is Coleridge, yes. | 0:10:10 | 0:10:11 | |
It's the start of The Ancient Mariner, isn't it? | 0:10:11 | 0:10:14 | |
But it's a ballad stanza, that form. | 0:10:14 | 0:10:16 | |
Right, ten points for this. | 0:10:16 | 0:10:17 | |
Now commonly referring to the Acme paragon or peak of perfection, | 0:10:17 | 0:10:21 | |
which three-word Latin phrase was the supposed inscription | 0:10:21 | 0:10:25 | |
on the Pillars of Hercules... | 0:10:25 | 0:10:26 | |
Ne plus ultra. | 0:10:28 | 0:10:29 | |
Correct. APPLAUSE | 0:10:29 | 0:10:32 | |
These bonuses could give you the lead again. | 0:10:34 | 0:10:36 | |
For them, you will hear a clue to the three-letter abbreviation | 0:10:36 | 0:10:39 | |
of the name of a constellation | 0:10:39 | 0:10:41 | |
but the answer is going to be its full name. | 0:10:41 | 0:10:44 | |
So, if the clue were a river that flows through Cambridge, | 0:10:44 | 0:10:47 | |
from CAM you would get the answer Camelopardalis. Perhaps. | 0:10:47 | 0:10:53 | |
First, an abbreviation of the physical quantity that has | 0:10:53 | 0:10:56 | |
dimensions of length cubed. | 0:10:56 | 0:10:59 | |
-That's volume so it would be VOL. -Vol, vol... | 0:10:59 | 0:11:02 | |
Vol. Constellations? | 0:11:06 | 0:11:08 | |
Um... | 0:11:10 | 0:11:12 | |
Don't know vol. No idea. Voltipex. | 0:11:14 | 0:11:17 | |
No, you've got VOL correctly but it's Volans, | 0:11:17 | 0:11:20 | |
the flying fish in the southern sky. | 0:11:20 | 0:11:22 | |
Next, a defunct electron positron an particle accelerator | 0:11:22 | 0:11:25 | |
whose 27km tunnel is now occupied by the Large Hadron Collider. | 0:11:25 | 0:11:30 | |
-Oh, that's... -Is that not just LH...? | 0:11:31 | 0:11:35 | |
No, it's the one that went before it. | 0:11:35 | 0:11:36 | |
-But is it CMS? -Possibly. | 0:11:36 | 0:11:40 | |
-That's... -Something with CMS. | 0:11:41 | 0:11:43 | |
-Cassiopeia? -OK, let's try. | 0:11:43 | 0:11:45 | |
Cassiopeia. | 0:11:45 | 0:11:47 | |
No, it's Lepus, from LEP for hare. | 0:11:47 | 0:11:49 | |
And finally, the Greek character that represents optical depth | 0:11:49 | 0:11:53 | |
and proper time and names the heaviest lepton. | 0:11:53 | 0:11:56 | |
-Is it... -Heaviest lepton. That's the tau neutrino. -TAU. | 0:11:58 | 0:12:01 | |
-TAU, Taurus. -Oh, yes. -Taurus. | 0:12:01 | 0:12:04 | |
Taurus is correct from TAU. Yes, well done. | 0:12:04 | 0:12:07 | |
Right, ten points for this. | 0:12:07 | 0:12:08 | |
"By his cruelty and lack of character | 0:12:08 | 0:12:10 | |
"he has shown himself incorrigible without hope of amendment." | 0:12:10 | 0:12:14 | |
These words are from Parliament's Articles Of Accusation | 0:12:14 | 0:12:17 | |
against which English king? | 0:12:17 | 0:12:19 | |
He was forced to abdicate... | 0:12:19 | 0:12:20 | |
Charles I. | 0:12:21 | 0:12:23 | |
No. You lose five points. | 0:12:23 | 0:12:24 | |
He was forced to abdicate in favour of his 14-year-old son. | 0:12:24 | 0:12:27 | |
James II. | 0:12:29 | 0:12:30 | |
Neither of you got it then. It's Edward II. | 0:12:30 | 0:12:32 | |
Right, we're going to take another starter question. | 0:12:32 | 0:12:35 | |
Ten points for this. | 0:12:35 | 0:12:36 | |
What single-word term is defined as | 0:12:36 | 0:12:38 | |
the angular distance in degrees of an astronomical body | 0:12:38 | 0:12:42 | |
from the celestial equator measured positively northwards | 0:12:42 | 0:12:45 | |
along the hour circle, passing through the body? | 0:12:45 | 0:12:48 | |
Declination. | 0:12:51 | 0:12:52 | |
Declination is correct. APPLAUSE | 0:12:52 | 0:12:56 | |
These bonuses are on an Italian family, Peterhouse. | 0:12:56 | 0:12:59 | |
The Popes Callixtus III and Alexander VI were members | 0:12:59 | 0:13:03 | |
of which family that was prominent in political and church affairs | 0:13:03 | 0:13:06 | |
in Italy during the Renaissance? | 0:13:06 | 0:13:07 | |
The Borgias. | 0:13:07 | 0:13:09 | |
Correct. Which son of Alexander VI attempted to establish his own | 0:13:09 | 0:13:12 | |
principality in Central Italy? | 0:13:12 | 0:13:14 | |
Machiavelli cited him as an example of the new prince. | 0:13:14 | 0:13:18 | |
-Um, nominate Langley. -Cesare Borgia. | 0:13:18 | 0:13:21 | |
Correct. Cesare's sister Lucrezia | 0:13:21 | 0:13:23 | |
married into three prominent Italian families. | 0:13:23 | 0:13:26 | |
Her first husband, Giovanni, | 0:13:26 | 0:13:28 | |
belonged to which family that ruled Milan for almost a century? | 0:13:28 | 0:13:32 | |
-It's... -It's Sforza or Visconti.... | 0:13:32 | 0:13:35 | |
I think it's Sforza by now, by Machiavelli. | 0:13:35 | 0:13:38 | |
I mean, Gian Galeazzo Visconti's family... Yeah, that's Sforzas. | 0:13:38 | 0:13:40 | |
Sforza? Sforza. | 0:13:40 | 0:13:43 | |
Sforza, yes, correct. Ten points for this. | 0:13:43 | 0:13:45 | |
For what do the letters T-E-L stand | 0:13:45 | 0:13:48 | |
when representing a chemical compound that for much of | 0:13:48 | 0:13:50 | |
the 20th century was the chief anti-knock agent for petrol? | 0:13:50 | 0:13:53 | |
Tetraethyl lead. | 0:13:55 | 0:13:57 | |
Correct. | 0:13:57 | 0:13:58 | |
APPLAUSE | 0:13:58 | 0:14:01 | |
Your bonuses are on mythology, St John's. | 0:14:01 | 0:14:04 | |
In Greek mythology, what collective name is given to the giant offspring | 0:14:04 | 0:14:07 | |
of Gaia and Uranus, | 0:14:07 | 0:14:09 | |
a group that includes Hyperion and Iapetus? | 0:14:09 | 0:14:12 | |
Titans. | 0:14:12 | 0:14:13 | |
Correct. | 0:14:13 | 0:14:15 | |
The title character of a play by Aeschylus. | 0:14:15 | 0:14:17 | |
Which son of Iapetus is associated with a myth in which Zeus punishes | 0:14:17 | 0:14:21 | |
him by removing fire from the earth? | 0:14:21 | 0:14:24 | |
Prometheus. No. | 0:14:24 | 0:14:27 | |
Prometheus stole the fire. | 0:14:27 | 0:14:29 | |
Oh, is it the guy who's the equivalent of Loki | 0:14:35 | 0:14:37 | |
in Norse mythology? Like the... | 0:14:37 | 0:14:40 | |
-Trickster god. -Trickster god, yeah. | 0:14:40 | 0:14:42 | |
-Try Hermes. -Hermes. | 0:14:43 | 0:14:46 | |
No, it's Prometheus. | 0:14:46 | 0:14:47 | |
Another son of Iapetus appears | 0:14:47 | 0:14:49 | |
in the title of which 1957 work by Ayn Rand? | 0:14:49 | 0:14:54 | |
Described by one critic as, | 0:14:54 | 0:14:55 | |
"Longer than life and twice as preposterous." | 0:14:55 | 0:14:58 | |
-Is it Atlas Shrugged? -Atlas Shrugged. | 0:14:59 | 0:15:01 | |
Oh, Atlas Shrugged. | 0:15:01 | 0:15:02 | |
Atlas Shrugged is correct. Ten points for this. | 0:15:02 | 0:15:06 | |
What two-word name denotes | 0:15:06 | 0:15:07 | |
the upland region of south-central France, | 0:15:07 | 0:15:09 | |
bounded by the lowlands of Aquitaine... | 0:15:09 | 0:15:12 | |
Massif Central. | 0:15:12 | 0:15:13 | |
Correct. APPLAUSE | 0:15:13 | 0:15:17 | |
You get a set of bonuses on the Baltic Sea, Peterhouse. | 0:15:17 | 0:15:20 | |
Slightly larger than the total area of the Outer Hebrides, | 0:15:20 | 0:15:23 | |
what is the largest island in the Baltic Sea? | 0:15:23 | 0:15:26 | |
Around 80km east of mainland Sweden, | 0:15:26 | 0:15:28 | |
it has its administrative centre at Visby. | 0:15:28 | 0:15:32 | |
Gotland. | 0:15:32 | 0:15:33 | |
Gotland is correct. | 0:15:33 | 0:15:35 | |
Secondly, the town of Bergen and the port of Sassnitz | 0:15:35 | 0:15:38 | |
are situated on which island in the southern Baltic, | 0:15:38 | 0:15:41 | |
the largest island of Germany? | 0:15:41 | 0:15:42 | |
Where did the Goths come from? | 0:15:43 | 0:15:46 | |
-Um... -I don't know. -I can't remember. I'll know it, no doubt. | 0:15:46 | 0:15:50 | |
Pass. | 0:15:50 | 0:15:52 | |
It's Rugen or Rugia. | 0:15:52 | 0:15:54 | |
Part of the Muhu Archipelago, the island of Saaremaa | 0:15:54 | 0:15:58 | |
is the largest in the territory of which country? | 0:15:58 | 0:16:01 | |
I think it is the one at the very top. What's at the very top? | 0:16:02 | 0:16:04 | |
-Is it Latvia? -Estonia. -Estonia. | 0:16:04 | 0:16:07 | |
-Is it Estonia? -Is a Estonia on the top? I think it's Estonia. | 0:16:07 | 0:16:10 | |
-Yeah. -Estonia. | 0:16:10 | 0:16:12 | |
Estonia is correct. | 0:16:12 | 0:16:13 | |
We're going to take a music round now. | 0:16:13 | 0:16:15 | |
For your music starter question you're going to hear | 0:16:15 | 0:16:17 | |
a piece of classical music by a German-born composer. | 0:16:17 | 0:16:20 | |
Ten points if you can identify the composer. | 0:16:20 | 0:16:23 | |
FEMALE OPERATIC SINGING | 0:16:23 | 0:16:26 | |
Offenbach. | 0:16:28 | 0:16:29 | |
Correct. APPLAUSE | 0:16:29 | 0:16:33 | |
That piece from Offenbach's Tales Of Hoffmann is a barcarole - | 0:16:33 | 0:16:36 | |
a form based on the songs of Venetian gondoliers. | 0:16:36 | 0:16:38 | |
Your music bonuses are three more examples of classical barcaroles. | 0:16:38 | 0:16:42 | |
I simply want you to identify the composer of each. | 0:16:42 | 0:16:45 | |
Firstly, for five, this German composer. | 0:16:45 | 0:16:47 | |
CLASSICAL PIANO MUSIC PLAYS | 0:16:47 | 0:16:52 | |
Schumann possibly. It's a piano piece. | 0:16:54 | 0:16:58 | |
-Schumann? -Let's go with Schumann. -Schumann. | 0:16:58 | 0:17:01 | |
No, that's by Mendelssohn, the Gondolier's Song. | 0:17:01 | 0:17:04 | |
Secondly, this French composer. | 0:17:04 | 0:17:06 | |
CLASSICAL PIANO MUSIC PLAYS | 0:17:06 | 0:17:12 | |
-Possibly Faure. -Faure. -It's not Chopin. | 0:17:17 | 0:17:20 | |
-Is it definitely not Chopin? -I don't think so. | 0:17:20 | 0:17:23 | |
-It doesn't sound... Faure? -Faure. | 0:17:23 | 0:17:26 | |
Faure. | 0:17:26 | 0:17:27 | |
It is Faure, yes. His Barcarole No.4 In A Flat Major. | 0:17:27 | 0:17:30 | |
And finally, this Central European composer. | 0:17:30 | 0:17:33 | |
PIANO MUSIC PLAYS | 0:17:33 | 0:17:37 | |
Dvorak? | 0:17:41 | 0:17:43 | |
Yeah, it's possible. | 0:17:43 | 0:17:46 | |
Yeah, probably Dvorak. | 0:17:46 | 0:17:49 | |
Dvorak. | 0:17:49 | 0:17:50 | |
No, it's Chopin. | 0:17:50 | 0:17:52 | |
Right, ten points for this. | 0:17:52 | 0:17:53 | |
Which novel of 1886 includes Michael Henchard and Donald Farfrae | 0:17:53 | 0:17:57 | |
among its characters? | 0:17:57 | 0:17:59 | |
The Mayor of Casterbridge. | 0:17:59 | 0:18:00 | |
Correct. | 0:18:00 | 0:18:01 | |
APPLAUSE | 0:18:01 | 0:18:04 | |
These bonuses are on artistic techniques, St John's. | 0:18:04 | 0:18:07 | |
What term of French origin is used for the technique of inlaying | 0:18:07 | 0:18:11 | |
individual pieces of enamel or other decorative material | 0:18:11 | 0:18:13 | |
in a pattern separated by fine metal wires or strips? | 0:18:13 | 0:18:18 | |
-Veneer could be French origin. -Yeah. | 0:18:20 | 0:18:23 | |
Veneer. | 0:18:23 | 0:18:24 | |
No, it's cloisonne. | 0:18:24 | 0:18:25 | |
Name after an Anglo-Saxon king of the ninth century, | 0:18:25 | 0:18:28 | |
which item of jewellery in Oxford's Ashmolean Museum | 0:18:28 | 0:18:31 | |
is one of the earliest examples of intricate cloisonne work, | 0:18:31 | 0:18:35 | |
consisting of enamel and quartz secured in a gold frame? | 0:18:35 | 0:18:38 | |
Alfred. | 0:18:38 | 0:18:39 | |
The Alfred Jewel is right. | 0:18:39 | 0:18:41 | |
Cloisonnism - | 0:18:41 | 0:18:42 | |
a style of painting based on the appearance of cloisonne - | 0:18:42 | 0:18:45 | |
is particularly associated with which French artist | 0:18:45 | 0:18:49 | |
in works of the 1880s, such as | 0:18:49 | 0:18:50 | |
The Vision After The Sermon and Yellow Christ? | 0:18:50 | 0:18:53 | |
-Gauguin. -Yes. -Gauguin. | 0:18:53 | 0:18:56 | |
Correct. That gives you the lead. | 0:18:56 | 0:18:59 | |
With another ten points at stake, all of you on this starter question. | 0:18:59 | 0:19:02 | |
In mathematics, Apery's theorem | 0:19:02 | 0:19:04 | |
has searched the irrationality of the Riemann zeta function | 0:19:04 | 0:19:07 | |
when evaluated at which integer argument? | 0:19:07 | 0:19:11 | |
One. | 0:19:15 | 0:19:16 | |
Anyone like to buzz? | 0:19:16 | 0:19:18 | |
Pi. | 0:19:18 | 0:19:19 | |
No, it's three. Ten points for this. Listen carefully, | 0:19:19 | 0:19:21 | |
giving two answers in French or English. | 0:19:21 | 0:19:25 | |
From 1364 to 1793, Charles and Louis were two of the four regnal names | 0:19:25 | 0:19:31 | |
born by French kings. | 0:19:31 | 0:19:33 | |
What were the other two? | 0:19:33 | 0:19:35 | |
Francis and Henry. | 0:19:36 | 0:19:37 | |
Correct, yes. | 0:19:37 | 0:19:39 | |
APPLAUSE | 0:19:39 | 0:19:41 | |
You retake the lead and the bonuses | 0:19:41 | 0:19:42 | |
this time are on biology, Peterhouse. | 0:19:42 | 0:19:45 | |
All three answers begin with the same Greek prefix. | 0:19:45 | 0:19:48 | |
Firstly, what name is given to the final period of mitosis, | 0:19:48 | 0:19:51 | |
the reconstruction of the nuclei which follows the anaphase? | 0:19:51 | 0:19:54 | |
-Telophase. -Telo? -Yes, telophase. -Telophase. | 0:19:54 | 0:19:57 | |
Correct. | 0:19:57 | 0:19:59 | |
Meaning end germ or bud, what term denotes a large cell | 0:19:59 | 0:20:03 | |
that produces lines of smaller cells at the growing end of embryos | 0:20:03 | 0:20:06 | |
in segmented animals? | 0:20:06 | 0:20:07 | |
It's not cholemia. What was...? | 0:20:07 | 0:20:10 | |
-Telo something. -I don't know any other telo words. -Telosome? | 0:20:10 | 0:20:14 | |
Yeah, or telocyte. | 0:20:14 | 0:20:16 | |
Telosome might be better if you think you've heard of it. | 0:20:16 | 0:20:19 | |
-Shall I try it? -I think telocyte | 0:20:19 | 0:20:21 | |
might be a bit simple just because... Cyte just means cell. | 0:20:21 | 0:20:24 | |
Telosome. | 0:20:24 | 0:20:25 | |
No, it's teloblast. | 0:20:25 | 0:20:26 | |
And finally, what name is given to the compound structure | 0:20:26 | 0:20:29 | |
found at the end of a chromosome in eukaryotes? | 0:20:29 | 0:20:31 | |
Telomere. | 0:20:31 | 0:20:32 | |
Correct. Another starter question now and it's going to be | 0:20:32 | 0:20:35 | |
a picture one. | 0:20:35 | 0:20:37 | |
For your picture starter you're going to see a painting. | 0:20:37 | 0:20:39 | |
For ten points, I want the name of | 0:20:39 | 0:20:40 | |
the artist and the subject depicted. | 0:20:40 | 0:20:42 | |
The Martyrdom Of Saint Sebastian and El Greco. | 0:20:45 | 0:20:48 | |
That is correct, yes. | 0:20:48 | 0:20:49 | |
Your picture bonuses are three more depictions | 0:20:52 | 0:20:54 | |
of the martyrdom of Saint Sebastian, all by Italian artists. | 0:20:54 | 0:20:57 | |
For five points each, I want the name of the artist. | 0:20:57 | 0:21:00 | |
-Firstly, whose this by? -Hmm. | 0:21:00 | 0:21:02 | |
It's High Renaissance so possibly Raphael. | 0:21:04 | 0:21:08 | |
-Yeah. -Yeah? -Go Raphael. | 0:21:08 | 0:21:10 | |
Raphael. | 0:21:10 | 0:21:11 | |
No, that's by Titian. Secondly. | 0:21:11 | 0:21:13 | |
-It looks like Caravaggio. -Yeah. | 0:21:15 | 0:21:17 | |
-It may not be but, yeah. -Caravaggio. | 0:21:17 | 0:21:20 | |
No, that's by Guido Reni. And finally... | 0:21:20 | 0:21:23 | |
I'd go for Botticelli. | 0:21:26 | 0:21:27 | |
It's certainly... | 0:21:27 | 0:21:28 | |
It's Botticelli or Leonardo. | 0:21:28 | 0:21:30 | |
No, I think it's Botticelli. | 0:21:30 | 0:21:31 | |
-Botticelli, OK. -One of those two. | 0:21:31 | 0:21:33 | |
-Shall we go...? -Botticelli. | 0:21:33 | 0:21:35 | |
It is Botticelli, yes. | 0:21:35 | 0:21:36 | |
Right, level pegging. Ten points for this. | 0:21:36 | 0:21:38 | |
Giving views across to Wales, Blackdown is the highest point | 0:21:38 | 0:21:41 | |
in which range of limestone hills? | 0:21:41 | 0:21:44 | |
They lie close to the cathedral city of Wells and include caves, | 0:21:44 | 0:21:47 | |
such as those at Wookey Hole. | 0:21:47 | 0:21:49 | |
Wenlock. Wenlock Hills. | 0:21:51 | 0:21:52 | |
Anyone like to buzz from St John's? Quickly. | 0:21:52 | 0:21:55 | |
The Cotswolds. | 0:21:57 | 0:21:58 | |
No, they're the Mendips. Ten points for this. | 0:21:58 | 0:22:00 | |
What mammal did Ted Hughes describe as, "Four-legged yet | 0:22:00 | 0:22:04 | |
"water-gifted to outfish fish, with webbed feet and long..." | 0:22:04 | 0:22:09 | |
Otter. | 0:22:09 | 0:22:10 | |
Correct. APPLAUSE | 0:22:10 | 0:22:13 | |
You retake the lead and your bonuses are on the 18th-century engineer | 0:22:13 | 0:22:17 | |
James Brindley. | 0:22:17 | 0:22:18 | |
Firstly for five, from the late 1750s, | 0:22:18 | 0:22:21 | |
Brindley played a prominent part in the construction of which canal? | 0:22:21 | 0:22:24 | |
It links coal mines at Worsley with Manchester and Salford | 0:22:24 | 0:22:27 | |
and its named after the duke who commissioned it. | 0:22:27 | 0:22:30 | |
The Bridgwater Canal. | 0:22:30 | 0:22:31 | |
Correct. Brindley designed the Harecastle Tunnel | 0:22:31 | 0:22:34 | |
at Kidsgrove in Staffordshire. | 0:22:34 | 0:22:36 | |
More than 1.5 miles long, | 0:22:36 | 0:22:37 | |
it forms part of which canal, named after two major rivers? | 0:22:37 | 0:22:41 | |
Can we make an educated guess? | 0:22:43 | 0:22:45 | |
-In Staffordshire. -Staffordshire, so... | 0:22:47 | 0:22:49 | |
I don't know any rivers in Staffordshire. | 0:22:49 | 0:22:51 | |
-The Tyne. -The Tyne? -I don't know where the Tyne is. | 0:22:52 | 0:22:56 | |
-I don't know, just pass. -Pass. | 0:22:56 | 0:22:58 | |
That's the Trent and Mersey Canal. | 0:22:58 | 0:23:01 | |
And finally, a museum dedicated to Brindley's life and work is in | 0:23:01 | 0:23:04 | |
which North Staffordshire town, where he worked as a millwright? | 0:23:04 | 0:23:07 | |
It's now sometimes known as the Queen of the Moorlands. | 0:23:07 | 0:23:10 | |
Places in Staffordshire. | 0:23:13 | 0:23:14 | |
-Bodmin? -I'll just guess something. | 0:23:16 | 0:23:18 | |
Leek. | 0:23:18 | 0:23:19 | |
Leek is correct. About four and a quarter minutes to go | 0:23:19 | 0:23:22 | |
and ten points at stake for this. | 0:23:22 | 0:23:23 | |
"Something went wrong in the lab today. Very wrong." | 0:23:23 | 0:23:27 | |
That is the tag line of which 1986 film by David... | 0:23:27 | 0:23:31 | |
The Fly. | 0:23:31 | 0:23:32 | |
The Fly is correct, yes. | 0:23:32 | 0:23:34 | |
APPLAUSE | 0:23:34 | 0:23:36 | |
You get a set of bonuses on British rodents, Peterhouse. | 0:23:36 | 0:23:39 | |
What short word follows common, field and bank | 0:23:39 | 0:23:42 | |
in the popular names of small rodents of the genera Microtus | 0:23:42 | 0:23:45 | |
and Myodes? | 0:23:45 | 0:23:47 | |
-I thing that is vole. -Vole. | 0:23:47 | 0:23:48 | |
Correct. | 0:23:48 | 0:23:49 | |
Often depicted with its prehensile tail wrapped around an ear of grain, | 0:23:49 | 0:23:54 | |
Britain's smallest rodent, Micromys minutus, | 0:23:54 | 0:23:57 | |
has what common two-word name? | 0:23:57 | 0:23:59 | |
Harvest mouse. I think so. Harvest mouse. | 0:23:59 | 0:24:03 | |
Correct. The common or hazel is the only British member | 0:24:03 | 0:24:06 | |
of the family Gliridae. | 0:24:06 | 0:24:08 | |
By what eight-letter name is it known? | 0:24:08 | 0:24:10 | |
Wait a minute, is it spelt...? | 0:24:11 | 0:24:13 | |
-Oh, yes, sorry, dormouse. -Dormouse. | 0:24:13 | 0:24:15 | |
Correct. Ten points for this. | 0:24:15 | 0:24:16 | |
"It is better that ten guilty persons escape, | 0:24:16 | 0:24:19 | |
"than one innocent suffer." | 0:24:19 | 0:24:21 | |
Who wrote those words in the 1765 work, | 0:24:21 | 0:24:25 | |
Commentaries On The Laws Of England? | 0:24:25 | 0:24:27 | |
Blackstone. | 0:24:28 | 0:24:30 | |
Correct. APPLAUSE | 0:24:30 | 0:24:32 | |
Your bonuses on European languages, St John's. | 0:24:32 | 0:24:35 | |
I need you to spell the answer in each case. | 0:24:35 | 0:24:37 | |
What is the past participle of the French verb boire, meaning to drink? | 0:24:37 | 0:24:42 | |
-BU. -B-U. | 0:24:42 | 0:24:43 | |
Correct. | 0:24:43 | 0:24:45 | |
What is the past participle | 0:24:45 | 0:24:46 | |
of the German verb essen, meaning to eat? | 0:24:46 | 0:24:49 | |
Gegessen. G-E-G-E-S-S-E-N. | 0:24:50 | 0:24:53 | |
Correct. | 0:24:53 | 0:24:54 | |
Finally, what is the past participle | 0:24:54 | 0:24:56 | |
of the Spanish verb dormir, meaning to sleep? | 0:24:56 | 0:24:59 | |
Dormo, I think. D-O-R-M-O, I think. | 0:25:01 | 0:25:04 | |
OK, D-O-R-M-O. | 0:25:05 | 0:25:06 | |
No, it's D-O-R-M-I-D-O. Dormido. | 0:25:06 | 0:25:10 | |
Right, ten points for this. | 0:25:10 | 0:25:11 | |
What three-letter prefix begins | 0:25:11 | 0:25:13 | |
words meaning a clever, pithy saying, | 0:25:13 | 0:25:15 | |
an inscription on a tomb and a... | 0:25:15 | 0:25:18 | |
Epi. | 0:25:18 | 0:25:19 | |
Epi is correct. | 0:25:19 | 0:25:22 | |
These bonuses are on vector calculus, St John's. | 0:25:22 | 0:25:25 | |
Which vector operator is obtained | 0:25:25 | 0:25:26 | |
as the dot product of the del operator with a vector field? | 0:25:26 | 0:25:30 | |
-Any idea? -Um... | 0:25:30 | 0:25:32 | |
-Di...di...Divergence. -Nominate Sowood. -Divergence. | 0:25:34 | 0:25:37 | |
Divergence. | 0:25:37 | 0:25:38 | |
Correct. Which vector operator is obtained as the cross product of | 0:25:38 | 0:25:41 | |
the del operator with a vector field? | 0:25:41 | 0:25:43 | |
-That's curl. -Nominate Sowood. -Curl. | 0:25:43 | 0:25:45 | |
Correct. | 0:25:45 | 0:25:47 | |
Represented by the symbol del squared, which operator is... | 0:25:47 | 0:25:50 | |
-Laplacian. -Nominate Sowood. -Laplacian. | 0:25:50 | 0:25:53 | |
Correct. That gets us level pegging. Ten points for this. | 0:25:53 | 0:25:56 | |
A research institution serving the University of Wisconsin | 0:25:56 | 0:25:59 | |
gives its name to which anticoagulant drug, | 0:25:59 | 0:26:02 | |
originally introduced as a pesticide? | 0:26:02 | 0:26:05 | |
Warfarin. | 0:26:06 | 0:26:07 | |
Correct. Your bonuses this time are on a Christian sacrament. | 0:26:07 | 0:26:11 | |
From the Greek for thanksgiving, | 0:26:11 | 0:26:13 | |
what term denotes the Sacrament of the Lord's Supper, | 0:26:13 | 0:26:15 | |
-also known as the Communion? -Eucharist. | 0:26:15 | 0:26:17 | |
Correct. Meaning remembrance, | 0:26:17 | 0:26:19 | |
what literary term denotes the recollection of things past and also | 0:26:19 | 0:26:22 | |
refers to the part of the Eucharist that recalls Christ's sacrifice? | 0:26:22 | 0:26:27 | |
-I don't know. -It's not Communion. -Commemoration. | 0:26:27 | 0:26:29 | |
Come on, let's have it, please. | 0:26:29 | 0:26:31 | |
Commemoration. | 0:26:31 | 0:26:32 | |
No, it's anamnesis. | 0:26:32 | 0:26:33 | |
And finally, in Roman Catholic doctrine, what name is given | 0:26:33 | 0:26:36 | |
to the conversion of the bread and wine in the Eucharist | 0:26:36 | 0:26:39 | |
into Christ's body and blood? | 0:26:39 | 0:26:40 | |
Transubstantiation. | 0:26:40 | 0:26:41 | |
Correct. Ten points for this. | 0:26:41 | 0:26:43 | |
Emi Koussi in the Tibesti Mountains | 0:26:43 | 0:26:45 | |
is the highest point in which desert? | 0:26:45 | 0:26:48 | |
Its lowest point is in the | 0:26:48 | 0:26:49 | |
Qattara Depression in north-western Egypt. | 0:26:49 | 0:26:52 | |
Sahara. | 0:26:54 | 0:26:55 | |
Correct. You get a set of bonuses, this time on an historical figure. | 0:26:55 | 0:26:59 | |
Count Palatinate of the Rhine and the Duke of Cumberland | 0:26:59 | 0:27:01 | |
were two of the titles of a royalist commander during the Civil Wars. | 0:27:01 | 0:27:05 | |
-By what name is he better known? -Prince Rupert. | 0:27:05 | 0:27:07 | |
Correct. After the Restoration, Rupert became the first governor | 0:27:07 | 0:27:10 | |
of which North American commercial entity? | 0:27:10 | 0:27:12 | |
Still in existence, it's known by the initials HBC. | 0:27:12 | 0:27:15 | |
The Hudson's Bay Company. | 0:27:15 | 0:27:17 | |
Correct. 100km from the border with Alaska, Prince Rupert is a port | 0:27:17 | 0:27:21 | |
and railway terminus in which Canadian province? | 0:27:21 | 0:27:24 | |
-Alaska, so Columbia? -Come on. -British Columbia. | 0:27:24 | 0:27:27 | |
Correct. Ten points for this. | 0:27:27 | 0:27:29 | |
GONG Sometimes paranoia... | 0:27:29 | 0:27:31 | |
And at the gong, St John's College, Oxford have 150. | 0:27:31 | 0:27:34 | |
Peterhouse, though, have 195. | 0:27:34 | 0:27:36 | |
APPLAUSE | 0:27:36 | 0:27:38 | |
Well, St John's, you're going to have to go through all this again | 0:27:38 | 0:27:41 | |
if you're going to get to the semifinals. | 0:27:41 | 0:27:43 | |
You need to win, remember, two. You've won one, now you've lost one | 0:27:43 | 0:27:46 | |
but it was a very close match. | 0:27:46 | 0:27:47 | |
Thank you very much for playing. We look forward to seeing you again. | 0:27:47 | 0:27:50 | |
Peterhouse, many congratulations to you. | 0:27:50 | 0:27:53 | |
You like living a bit dangerously | 0:27:53 | 0:27:55 | |
but you're through to the semifinals. Congratulations to you. | 0:27:55 | 0:27:58 | |
I hope you can join us next time for another quarterfinal match, | 0:27:58 | 0:28:01 | |
but until then it's goodbye from St John's College, Oxford. | 0:28:01 | 0:28:03 | |
-ALL: -Goodbye. | 0:28:03 | 0:28:04 | |
-Goodbye from Peterhouse, Cambridge. ALL: -Goodbye. | 0:28:04 | 0:28:07 | |
It's goodbye from me. Goodbye. | 0:28:07 | 0:28:08 |