Browse content similar to Episode 32. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:17 | 0:00:20 | |
Asking the questions, Jeremy Paxman. | 0:00:22 | 0:00:25 | |
Hello. So far, we've seen St John's College, Cambridge, | 0:00:28 | 0:00:31 | |
and Merton College, Oxford take the first two places | 0:00:31 | 0:00:35 | |
in the semifinals of this competition. | 0:00:35 | 0:00:37 | |
Both teams playing the Cambridge derby tonight | 0:00:37 | 0:00:40 | |
lost their first quarterfinal matches, which means the winners | 0:00:40 | 0:00:44 | |
will earn themselves one last chance to qualify, | 0:00:44 | 0:00:47 | |
while the losers will clamber into their canoe | 0:00:47 | 0:00:50 | |
to paddle across the Slough Of Despond | 0:00:50 | 0:00:52 | |
and we shall see them no more. LAUGHTER | 0:00:52 | 0:00:54 | |
Now, the team from Fitzwilliam College, Cambridge, | 0:00:54 | 0:00:56 | |
notched up two solid wins earlier | 0:00:56 | 0:00:58 | |
against Leicester University, with 200 points to 105, | 0:00:58 | 0:01:02 | |
and Magdalen College, Oxford, with 200 points - again - to 155. | 0:01:02 | 0:01:07 | |
The wheel came off, though, during their first quarterfinal match | 0:01:07 | 0:01:10 | |
against Merton College, Oxford, | 0:01:10 | 0:01:13 | |
which left them trailing 270 points to 125 points. | 0:01:13 | 0:01:17 | |
With a timely opportunity to recover their earlier form, | 0:01:17 | 0:01:20 | |
an accumulated score of 525 and an average age of 20, | 0:01:20 | 0:01:24 | |
let's meet the Fitzwilliam team for the fourth time. | 0:01:24 | 0:01:28 | |
Hi, I'm Theo Tindall, I'm from Backwell near Bristol, | 0:01:28 | 0:01:31 | |
and I'm studying Russian and Arabic. | 0:01:31 | 0:01:33 | |
Hi, I'm Theo Howe, I'm from Forest Hill in Oxfordshire | 0:01:33 | 0:01:36 | |
and I'm reading Japanese studies. | 0:01:36 | 0:01:38 | |
This is their captain. | 0:01:38 | 0:01:40 | |
Hello, I'm Hugh Oxlade, I'm from South Woodford in north-east London | 0:01:40 | 0:01:43 | |
and I'm reading history. | 0:01:43 | 0:01:44 | |
Hello, I'm Jack Maloney, I'm from Harpenden in Hertfordshire | 0:01:45 | 0:01:49 | |
and I'm reading medicine. | 0:01:49 | 0:01:50 | |
APPLAUSE | 0:01:50 | 0:01:53 | |
Now, Emmanuel College, Cambridge lost their first quarterfinal match | 0:01:54 | 0:01:58 | |
by 110 points to the 125 of the University of Edinburgh. | 0:01:58 | 0:02:02 | |
But their earlier wins were against Saint Hugh's College, Oxford, | 0:02:02 | 0:02:06 | |
in Round One by 170 to 155, | 0:02:06 | 0:02:09 | |
and Strathclyde University by 170 to 105 in Round Two. | 0:02:09 | 0:02:14 | |
With an accumulated score of 450 and an average age of 19, | 0:02:14 | 0:02:19 | |
let's meet the Emmanuel team again. | 0:02:19 | 0:02:21 | |
Hi, I'm Ed Derby, I'm from Manchester | 0:02:21 | 0:02:23 | |
and I study physics. | 0:02:23 | 0:02:25 | |
Hello, I'm Kitty Chevallier, | 0:02:25 | 0:02:26 | |
I'm from Hampshire and I'm studying Arabic and Hindi. | 0:02:26 | 0:02:29 | |
This is their captain. | 0:02:29 | 0:02:31 | |
Hi, I'm Alex Mistlin, I'm from Islington in north London | 0:02:31 | 0:02:34 | |
and I'm studying politics and international relations. | 0:02:34 | 0:02:37 | |
Hi, I'm James Fraser, I'm from Bristol and I'm reading medicine. | 0:02:37 | 0:02:41 | |
APPLAUSE | 0:02:41 | 0:02:44 | |
OK. Straight into the first starter question. | 0:02:46 | 0:02:48 | |
Fingers on the buzzers, please. Give both answers promptly. | 0:02:48 | 0:02:52 | |
On August 30th 1889, which two authors | 0:02:52 | 0:02:56 | |
did the US publisher Joseph Marshall Stoddart invite | 0:02:56 | 0:03:00 | |
to dinner at the Langham Hotel? | 0:03:00 | 0:03:02 | |
The meeting resulted in the commission of two books | 0:03:02 | 0:03:04 | |
for Lippincott's magazine - | 0:03:04 | 0:03:06 | |
The Sign Of Four and The Picture Of Dorian Gray. | 0:03:06 | 0:03:10 | |
Arthur Conan Doyle and Oscar Wilde. | 0:03:11 | 0:03:13 | |
Correct. | 0:03:13 | 0:03:15 | |
APPLAUSE | 0:03:15 | 0:03:16 | |
Your bonuses are on specific works that have been cited | 0:03:18 | 0:03:21 | |
in support of the award of the Nobel Prize in Literature. | 0:03:21 | 0:03:24 | |
In each case, give the author and the decade of the award. | 0:03:24 | 0:03:27 | |
For example, The Forsyte Saga would give John Galsworthy, the 1930s. | 0:03:27 | 0:03:32 | |
Firstly, Buddenbrooks, described by the Nobel committee | 0:03:32 | 0:03:36 | |
as "one of the classic works of contemporary literature." | 0:03:36 | 0:03:39 | |
-Thomas Mann. -Yeah. | 0:03:39 | 0:03:41 | |
It's Thomas Mann, I think might have been '40s or '50s. | 0:03:41 | 0:03:45 | |
-1940s? -Or was it earlier than that? -I think earlier. | 0:03:45 | 0:03:47 | |
-So '40s? -1940s? | 0:03:47 | 0:03:49 | |
-Not really sure. Go '40s. -1940s? | 0:03:49 | 0:03:51 | |
Thomas Mann, 1940s? | 0:03:51 | 0:03:53 | |
No, it's Thomas Mann in the 1920s. | 0:03:53 | 0:03:55 | |
Secondly, The History Of Rome, described as "the monumental work | 0:03:55 | 0:03:59 | |
"of the greatest living master of the art of historical writing." | 0:03:59 | 0:04:03 | |
Don't know. | 0:04:05 | 0:04:06 | |
-It's not, like, one of the classic historians? -So, like, Gibbon? | 0:04:07 | 0:04:11 | |
No, but this is the Nobel Prize, so Taylor or...? | 0:04:11 | 0:04:14 | |
-Taylor, like 1950s? -Sure. | 0:04:14 | 0:04:16 | |
Taylor, 1950s? | 0:04:16 | 0:04:18 | |
No, it was Theodor Mommsen in the 1900s. | 0:04:18 | 0:04:21 | |
And, finally, cited for its mastery of the art of narrative, | 0:04:21 | 0:04:25 | |
The Old Man And The Sea. | 0:04:25 | 0:04:26 | |
-So it's Hemingway. -Hemingway, 19... Think it was '50s. | 0:04:26 | 0:04:30 | |
Hemingway, 1950s. | 0:04:30 | 0:04:31 | |
Correct. | 0:04:31 | 0:04:32 | |
APPLAUSE Ten points for this. | 0:04:32 | 0:04:35 | |
In physics, what seven-letter term is used of collisions | 0:04:35 | 0:04:38 | |
in which the total kinetic energy is conserved? | 0:04:38 | 0:04:41 | |
-Elastic. -Elastic is correct. | 0:04:41 | 0:04:43 | |
APPLAUSE | 0:04:43 | 0:04:46 | |
These bonuses are on US presidents | 0:04:46 | 0:04:48 | |
and England international footballers. | 0:04:48 | 0:04:50 | |
LAUGHTER | 0:04:50 | 0:04:52 | |
Firstly, what surname links the 28th US President, | 0:04:52 | 0:04:55 | |
inaugurated in the early 20th century, | 0:04:55 | 0:04:57 | |
with England's left back in the 1966 World Cup final? | 0:04:57 | 0:05:01 | |
THEY CONFER QUIETLY | 0:05:01 | 0:05:04 | |
Yeah, it could be, actually. Or it could be... | 0:05:04 | 0:05:07 | |
Taft, possibly? | 0:05:07 | 0:05:09 | |
Wilson's more plausible, isn't it? | 0:05:09 | 0:05:11 | |
-Wilson? -Wilson is correct. | 0:05:11 | 0:05:13 | |
Woodrow Wilson and Ray Wilson. | 0:05:13 | 0:05:15 | |
Secondly, the second given name of a post-war president, | 0:05:15 | 0:05:18 | |
what is the surname of the England left back | 0:05:18 | 0:05:21 | |
who played in two matches during the 2014 World Cup finals? | 0:05:21 | 0:05:25 | |
So it's Shaw, isn't it? | 0:05:26 | 0:05:29 | |
The second given name, so is that like a middle name or something? | 0:05:29 | 0:05:32 | |
I don't... Shaw, possibly. Or... No. | 0:05:32 | 0:05:34 | |
Baines? | 0:05:34 | 0:05:35 | |
Baines is correct, yes. Lyndon Baines Johnson and Leighton Baines. | 0:05:35 | 0:05:38 | |
And, finally, a more recent president | 0:05:38 | 0:05:40 | |
has what second given name, which is also the surname | 0:05:40 | 0:05:43 | |
of an England right back, who played three times | 0:05:43 | 0:05:46 | |
at the European Championships in 2016? | 0:05:46 | 0:05:49 | |
-Walker. -Walker is correct. | 0:05:49 | 0:05:50 | |
APPLAUSE Kyle and George Walker Bush. | 0:05:50 | 0:05:53 | |
Ten points for this. | 0:05:53 | 0:05:54 | |
Geoffrey Chaucer wrote his early poem The Book Of The Duchess | 0:05:54 | 0:05:58 | |
in memory of the wife of which royal figure | 0:05:58 | 0:06:01 | |
whose patronage Chaucer enjoyed? | 0:06:01 | 0:06:04 | |
The father of King Henry IV, he's often known by an epithet | 0:06:04 | 0:06:07 | |
denoting the Flemish city of his birth. | 0:06:07 | 0:06:10 | |
John of Gaunt. | 0:06:11 | 0:06:12 | |
Correct. | 0:06:12 | 0:06:14 | |
APPLAUSE | 0:06:14 | 0:06:17 | |
Your bonuses are on geneticists, Fitzwilliam. | 0:06:17 | 0:06:20 | |
The work of which two US scientists in the Neurospora crassa mould | 0:06:20 | 0:06:27 | |
led to the "one gene, one enzyme" hypothesis? | 0:06:27 | 0:06:30 | |
They shared the 1958 Nobel Prize for Physiology or Medicine. | 0:06:30 | 0:06:34 | |
-Have you got anything on geneticists at all? -Absolutely nothing. | 0:06:34 | 0:06:37 | |
LAUGHTER | 0:06:37 | 0:06:39 | |
Let's not waste time, then. We don't know. | 0:06:39 | 0:06:41 | |
It's Beadle and Tatum. | 0:06:41 | 0:06:43 | |
Secondly, which US geneticist publicly derided chromosome theory | 0:06:43 | 0:06:47 | |
for the lack of experimental evidence, and subsequently | 0:06:47 | 0:06:50 | |
discovered sex-linked inheritance in fruit flies? | 0:06:50 | 0:06:54 | |
He won the Nobel Prize for Physiology or Medicine in 1933. | 0:06:54 | 0:06:58 | |
You might know. He's big. | 0:06:58 | 0:07:01 | |
-God, no, nothing. -No, sorry again. | 0:07:01 | 0:07:04 | |
That's Morgan. Thomas Hunt Morgan. | 0:07:04 | 0:07:06 | |
And, finally, which US geneticist pointed out in 1902 | 0:07:06 | 0:07:09 | |
that chromosomes obey Mendel's rules? | 0:07:09 | 0:07:12 | |
He thus provided the basis for the chromosome theory of heredity, | 0:07:12 | 0:07:15 | |
independently of the German cytologist Theodor Boveri. | 0:07:15 | 0:07:19 | |
THEY CONFER QUIETLY | 0:07:20 | 0:07:22 | |
I don't know. | 0:07:22 | 0:07:24 | |
No, we don't know that either. | 0:07:24 | 0:07:25 | |
That's Walter Sutton. Right, we're going to take a picture round. | 0:07:25 | 0:07:28 | |
For your picture starter, | 0:07:28 | 0:07:29 | |
you'll see an outline map of Europe | 0:07:29 | 0:07:31 | |
with a number of cities marked. | 0:07:31 | 0:07:32 | |
Ten points if you can give me the final letter | 0:07:32 | 0:07:35 | |
that all their names share. | 0:07:35 | 0:07:37 | |
-Z. -Z is correct, yes. | 0:07:41 | 0:07:43 | |
Cadiz, Biarritz, Koblenz, Graz and Lodz. | 0:07:43 | 0:07:46 | |
Right, your picture bonuses. Three more maps of Europe. | 0:07:46 | 0:07:49 | |
Again, in each case, simply tell me the final letter | 0:07:49 | 0:07:52 | |
common to the English names of all the cities marked. | 0:07:52 | 0:07:55 | |
Firstly, for five. | 0:07:55 | 0:07:57 | |
So that's Bordeaux. | 0:07:58 | 0:08:00 | |
-X? -Yeah, Halifax, Bordeaux. | 0:08:00 | 0:08:02 | |
-X? -X is correct. | 0:08:02 | 0:08:04 | |
Halifax, Bordeaux, Montreux and Chamonix. Secondly... | 0:08:04 | 0:08:07 | |
-Oh, V. -V, V ,V. -Kiev. | 0:08:10 | 0:08:12 | |
-V. -V is correct. | 0:08:12 | 0:08:14 | |
Kiev, Lviv and Kharkiv. And finally... | 0:08:14 | 0:08:17 | |
-Er...W? -W? -Yeah, cos Moscow... -Yeah. | 0:08:19 | 0:08:22 | |
-W? -W. | 0:08:22 | 0:08:24 | |
Glasgow, Warsaw, and so on. | 0:08:24 | 0:08:26 | |
APPLAUSE Right, ten points for this. | 0:08:26 | 0:08:27 | |
Which three successive letters of the alphabet follow the letters AL, | 0:08:27 | 0:08:33 | |
the first in a word meaning | 0:08:33 | 0:08:35 | |
the height of an aircraft above sea-level, | 0:08:35 | 0:08:37 | |
the second naming a metal... | 0:08:37 | 0:08:39 | |
T-U-V? | 0:08:40 | 0:08:42 | |
T-U-V is correct, yes. | 0:08:42 | 0:08:43 | |
APPLAUSE | 0:08:43 | 0:08:45 | |
Right, you get a set of bonuses on figures of speech, | 0:08:45 | 0:08:47 | |
with reference to the Monty Python Dead Parrot Sketch. | 0:08:47 | 0:08:50 | |
LAUGHTER Firstly, for five points. | 0:08:50 | 0:08:52 | |
Which expression in the Dead Parrot Sketch | 0:08:52 | 0:08:55 | |
includes an alternative common name of the aster | 0:08:55 | 0:08:58 | |
or composite family of plants? | 0:08:58 | 0:09:00 | |
-Pine? -Pining for the fjords. -Oh, pining...? | 0:09:02 | 0:09:05 | |
Pining for the fjords? | 0:09:05 | 0:09:07 | |
-No, it's pushing up the daisies. -Oh. | 0:09:07 | 0:09:09 | |
LAUGHTER | 0:09:09 | 0:09:11 | |
Secondly, the expression "join the choir invisible" | 0:09:11 | 0:09:14 | |
appears in the title of an 1867 poem by which author? | 0:09:14 | 0:09:17 | |
Her novels include Daniel Deronda and Felix Holt, The Radical. | 0:09:17 | 0:09:22 | |
-George Eliot. -Correct. | 0:09:22 | 0:09:24 | |
The expression "shuffle off this mortal coil" | 0:09:24 | 0:09:27 | |
appears in Act Three of which of Shakespeare's tragedies? | 0:09:27 | 0:09:30 | |
-Hamlet. -Correct. | 0:09:30 | 0:09:32 | |
Ten points for this. APPLAUSE | 0:09:32 | 0:09:34 | |
The orthography of which Romance language | 0:09:34 | 0:09:35 | |
includes a dot known as a punt volat, or flown point? | 0:09:35 | 0:09:40 | |
Similar in form to a decimal point, | 0:09:40 | 0:09:42 | |
it occurs between two letter Ls to indicate a specific pronunciation. | 0:09:42 | 0:09:47 | |
The language is the sole official language of Andorra. | 0:09:47 | 0:09:50 | |
-Catalan. -Catalan is correct. | 0:09:52 | 0:09:54 | |
APPLAUSE | 0:09:54 | 0:09:57 | |
These bonuses are on Angevin queens of England. | 0:09:57 | 0:10:00 | |
Firstly, in 1191, Berengaria of Navarre married which king? | 0:10:00 | 0:10:05 | |
After their wedding in Cyprus, | 0:10:05 | 0:10:06 | |
she accompanied him to Palestine during the Third Crusade. | 0:10:06 | 0:10:10 | |
Richard Coeur de Lion. | 0:10:10 | 0:10:11 | |
Correct. | 0:10:11 | 0:10:13 | |
Married to King John when she was 12 years old, | 0:10:13 | 0:10:15 | |
which Angevin queen effectively abandoned her children | 0:10:15 | 0:10:18 | |
on her husband's death, to take up her inheritance in France? | 0:10:18 | 0:10:22 | |
-Isabella of Angouleme. -Correct. | 0:10:22 | 0:10:24 | |
Which Queen of France and later England was the mother-in-law | 0:10:24 | 0:10:27 | |
of both Berengaria of Navarre and Isabella of Angouleme? | 0:10:27 | 0:10:31 | |
Oh, is this going to be Eleanor of Aquitaine? | 0:10:31 | 0:10:33 | |
-Possibly? -I have no idea. | 0:10:33 | 0:10:35 | |
Eleanor of Aquitaine? | 0:10:35 | 0:10:37 | |
Correct. Ten points for this. APPLAUSE | 0:10:37 | 0:10:40 | |
In medicine, what term denotes an inadequate blood supply | 0:10:40 | 0:10:44 | |
to a part of the body, for example the heart? | 0:10:44 | 0:10:46 | |
An adjectival form of the term appears in the abbreviation TIA. | 0:10:46 | 0:10:51 | |
Ischaemia. | 0:10:52 | 0:10:53 | |
Ischaemia is correct, yes. APPLAUSE | 0:10:53 | 0:10:58 | |
You get a set of bonuses on Icarus, | 0:10:58 | 0:11:00 | |
the son of Daedalus in Greek mythology. | 0:11:00 | 0:11:03 | |
Firstly, portraying the death of Icarus only as an incidental detail, | 0:11:03 | 0:11:06 | |
the 16th-century painting Landscape With The Fall Of Icarus | 0:11:06 | 0:11:10 | |
has generally been attributed to which Flemish artist? | 0:11:10 | 0:11:13 | |
Bruegel the Elder. | 0:11:13 | 0:11:15 | |
-Pieter Bruegel the Elder? -Correct. | 0:11:15 | 0:11:17 | |
In his 1947 book, Jazz, which French artist portrayed Icarus | 0:11:17 | 0:11:22 | |
as a simple black form against a royal blue background? | 0:11:22 | 0:11:25 | |
-Matisse, isn't it? -Royal blue and all that. -Yeah. | 0:11:25 | 0:11:29 | |
-Matisse? -Matisse is right. | 0:11:29 | 0:11:31 | |
"I'm not the first or last | 0:11:31 | 0:11:33 | |
"To stand on a hillock | 0:11:33 | 0:11:34 | |
"Watching the man she married | 0:11:34 | 0:11:36 | |
"Prove to the world | 0:11:36 | 0:11:37 | |
"He's a total, utter, absolute Grade A pillock." | 0:11:37 | 0:11:41 | |
Which poet wrote those lines reflecting on the myth of Icarus? | 0:11:41 | 0:11:44 | |
-Carol Ann Duffy. -Correct. | 0:11:44 | 0:11:45 | |
In The World's Wife. APPLAUSE | 0:11:45 | 0:11:48 | |
Right, ten points for this. | 0:11:48 | 0:11:49 | |
Treatise On Instrumentation And Orchestration | 0:11:49 | 0:11:52 | |
was an influential work of 1844 by which French composer? | 0:11:52 | 0:11:56 | |
His works include the comic opera Beatrice And Benedict, | 0:11:56 | 0:12:00 | |
Grande Messe Des Morts, | 0:12:00 | 0:12:02 | |
and the symphony Harold In Italy. | 0:12:02 | 0:12:04 | |
-Berlioz. -Berlioz is correct. | 0:12:06 | 0:12:08 | |
APPLAUSE | 0:12:08 | 0:12:10 | |
You get a set of bonuses on astrophysics, Emmanuel. | 0:12:11 | 0:12:14 | |
Which German physicist solved | 0:12:14 | 0:12:16 | |
Einstein's equations of general relativity | 0:12:16 | 0:12:18 | |
for a spherically symmetric mass distribution? | 0:12:18 | 0:12:21 | |
In doing so, he predicted the existence of black holes. | 0:12:21 | 0:12:24 | |
No idea. | 0:12:26 | 0:12:27 | |
Schrodinger or something. | 0:12:29 | 0:12:30 | |
It might be Schwarzschild. | 0:12:30 | 0:12:32 | |
Nominate Derby. | 0:12:32 | 0:12:33 | |
Schwarzschild. | 0:12:33 | 0:12:35 | |
Yes, Karl Schwarzschild. | 0:12:35 | 0:12:37 | |
The Schwarzschild radius | 0:12:37 | 0:12:38 | |
measures the size of the event horizon of a nonrotating black hole. | 0:12:38 | 0:12:43 | |
It's given what formula in terms of the gravitational constant, G, | 0:12:43 | 0:12:46 | |
the mass of the hole, M, and the speed of light, c? | 0:12:46 | 0:12:50 | |
No idea. | 0:12:53 | 0:12:55 | |
Do you have any idea? | 0:12:55 | 0:12:56 | |
Anything I can say? | 0:12:56 | 0:12:58 | |
-(G ¸ (M x M)) x c. -Just say a number! | 0:12:59 | 0:13:03 | |
-Nominate Derby. -(G ¸ (M x M)) x c. | 0:13:03 | 0:13:06 | |
No, it's (2 x G x M) ¸ (c x c). | 0:13:06 | 0:13:09 | |
And, finally, therefore, how does the density of a black hole change | 0:13:09 | 0:13:13 | |
if its mass increases by a factor of ten? | 0:13:13 | 0:13:16 | |
I'm going to need a precise answer. | 0:13:16 | 0:13:18 | |
It...multiplies by 100. | 0:13:18 | 0:13:21 | |
-Does it increase or decrease the mass? -Increase. | 0:13:21 | 0:13:25 | |
So it increases by a factor of 100. | 0:13:25 | 0:13:26 | |
It increases by a factor of 100. | 0:13:26 | 0:13:28 | |
No, it falls by a factor of 100. GROANING | 0:13:28 | 0:13:30 | |
Right, ten points for this. Listen carefully. | 0:13:30 | 0:13:32 | |
I need two answers here. | 0:13:32 | 0:13:34 | |
In the mnemonic "Karl Marx gave the proletariat eleven zeppelins, yo," | 0:13:34 | 0:13:39 | |
if the words "Karl Marx" stand for kilo and mega, | 0:13:39 | 0:13:42 | |
for what do the words "elevens zeppelins" stand? | 0:13:42 | 0:13:46 | |
Zepta and eota? | 0:13:48 | 0:13:50 | |
No. Anyone want to buzz from Emmanuel? | 0:13:50 | 0:13:53 | |
Exa and zepta? | 0:13:56 | 0:13:57 | |
I can't accept that. It's exa and zetta. | 0:13:57 | 0:14:00 | |
Right, ten points for this. | 0:14:00 | 0:14:01 | |
Which novel by Charles Dickens begins with the death | 0:14:01 | 0:14:04 | |
of a wealthy shipping merchant's wife | 0:14:04 | 0:14:06 | |
after giving birth to their second...? | 0:14:06 | 0:14:08 | |
-Is it Dombey And Son? -It is Dombey And Son, yes. | 0:14:08 | 0:14:10 | |
APPLAUSE | 0:14:10 | 0:14:12 | |
These bonuses are on literary bad feeling, Fitzwilliam. | 0:14:13 | 0:14:17 | |
The US novelist and essayist Gore Vidal had a long-standing feud | 0:14:17 | 0:14:21 | |
with which fellow author? | 0:14:21 | 0:14:23 | |
In 1971, he head-butted Vidal backstage | 0:14:23 | 0:14:27 | |
during a recording of the Dick Cavett Show. | 0:14:27 | 0:14:29 | |
Think it's Truman Capote. | 0:14:29 | 0:14:31 | |
Truman Capote? | 0:14:31 | 0:14:32 | |
No, it was Norman Mailer, prompting Norman Mailer to say... | 0:14:32 | 0:14:35 | |
Prompting Vidal to say, "Once again, words failed Norman Mailer." | 0:14:35 | 0:14:38 | |
LAUGHTER | 0:14:38 | 0:14:39 | |
Vidal also had a long-standing feud with which author, | 0:14:39 | 0:14:42 | |
born in 1924 in New Orleans, whom Vidal called | 0:14:42 | 0:14:46 | |
"a full-fledged housewife from Kansas with all the prejudices"? | 0:14:46 | 0:14:50 | |
Presumably this is Truman Capote, is it? Is that too late for him? | 0:14:50 | 0:14:54 | |
-'24? Was that Harper? -But who did you think it was, though? | 0:14:54 | 0:14:57 | |
I was just saying Harper, but Truman Capote, why not? | 0:14:57 | 0:14:59 | |
Let's try Truman Capote again. | 0:14:59 | 0:15:01 | |
That was Truman Capote, yes. | 0:15:01 | 0:15:03 | |
Capote, in turn, condemned the jazz-influenced work | 0:15:03 | 0:15:06 | |
of which US author and poet, | 0:15:06 | 0:15:08 | |
saying of it, "That's not writing, that's typing?" | 0:15:08 | 0:15:11 | |
-Kerouac. -Jack Kerouac? | 0:15:11 | 0:15:13 | |
Correct. | 0:15:13 | 0:15:14 | |
Right, we're going to take a music round now. | 0:15:14 | 0:15:17 | |
For your music starter, you'll hear a piece of popular music. | 0:15:17 | 0:15:20 | |
Ten points if you can give me the name of the band, please. | 0:15:20 | 0:15:23 | |
'80s MUSIC PLAYS | 0:15:23 | 0:15:26 | |
U2? | 0:15:36 | 0:15:37 | |
U2 is correct. | 0:15:37 | 0:15:38 | |
APPLAUSE | 0:15:38 | 0:15:40 | |
They were named by the music critic Kelefa Sanneh | 0:15:40 | 0:15:43 | |
as a band "often liked by adherents to 'rockism', | 0:15:43 | 0:15:48 | |
"which is defined as the belief that white macho guitar music | 0:15:48 | 0:15:52 | |
"is superior to all other forms of popular music." | 0:15:52 | 0:15:55 | |
Your music bonuses are three guitar solos of a similar ilk. | 0:15:55 | 0:15:59 | |
Firstly, name this band, described in Rolling Stone magazine | 0:15:59 | 0:16:02 | |
as "hammering out one herculean riff after another." | 0:16:02 | 0:16:05 | |
ROCK MUSIC PLAYS | 0:16:05 | 0:16:07 | |
MUSIC DROWNS SPEECH | 0:16:10 | 0:16:12 | |
Is it...AC/DC or...? | 0:16:21 | 0:16:24 | |
AC/DC? | 0:16:24 | 0:16:25 | |
Correct. Secondly, identify this artist. | 0:16:25 | 0:16:28 | |
The music critic Dave Marsh claimed his music | 0:16:28 | 0:16:31 | |
should "shake men's souls | 0:16:31 | 0:16:32 | |
"and make them question the direction of their lives." | 0:16:32 | 0:16:36 | |
NEW ROCK SONG PLAYS | 0:16:36 | 0:16:38 | |
TEAM MEMBER LAUGHS | 0:16:41 | 0:16:43 | |
MUSIC DROWNS SPEECH | 0:16:43 | 0:16:45 | |
Solo artist? | 0:16:47 | 0:16:48 | |
MUSIC DROWNS SPEECH | 0:16:51 | 0:16:53 | |
Geoff Burch? | 0:16:55 | 0:16:56 | |
No, that's Bruce Springsteen. And, finally, who's this? | 0:16:56 | 0:16:59 | |
A Telegraph article claimed that they "weren't the greatest band | 0:16:59 | 0:17:02 | |
"of all time, they were even better than that"! | 0:17:02 | 0:17:05 | |
NEW ROCK SONG PLAYS | 0:17:07 | 0:17:09 | |
MUSIC DROWNS SPEECH | 0:17:11 | 0:17:13 | |
MUSIC DROWNS SPEECH | 0:17:16 | 0:17:19 | |
Oasis? | 0:17:26 | 0:17:28 | |
Good heavens, no! That's Led Zeppelin. LAUGHTER | 0:17:28 | 0:17:30 | |
The immortal Stairway To Heaven. So, ten points for this. | 0:17:30 | 0:17:33 | |
Listen carefully, answer promptly. | 0:17:33 | 0:17:35 | |
If the eight major planets of the solar system | 0:17:35 | 0:17:37 | |
and the first eight elements of the periodic table are both arranged | 0:17:37 | 0:17:41 | |
in ascending order of mass, | 0:17:41 | 0:17:43 | |
which planet is matched with lithium? | 0:17:43 | 0:17:45 | |
Earth. | 0:17:47 | 0:17:49 | |
No. Anyone want to buzz from Emmanuel? | 0:17:49 | 0:17:52 | |
Venus. | 0:17:52 | 0:17:53 | |
Venus is correct, yes. | 0:17:53 | 0:17:54 | |
APPLAUSE | 0:17:54 | 0:17:56 | |
So, you retake the lead thereon. | 0:17:57 | 0:17:59 | |
Anthropologists, your bonuses. | 0:17:59 | 0:18:02 | |
Born in Scotland in 1854, which anthropologist was | 0:18:02 | 0:18:05 | |
a prominent scholar of mythology and comparative religion? | 0:18:05 | 0:18:08 | |
-His most notable work is The Golden Bough. -Fraser! | 0:18:08 | 0:18:12 | |
Nominate Fraser! | 0:18:12 | 0:18:14 | |
Sir James Frazer? | 0:18:14 | 0:18:16 | |
That's correct, yes. | 0:18:16 | 0:18:17 | |
LAUGHTER AND APPLAUSE | 0:18:17 | 0:18:19 | |
Secondly, born in Philadelphia in 1901, | 0:18:20 | 0:18:23 | |
which cultural anthropologist is noted for her work | 0:18:23 | 0:18:26 | |
on adolescents in Southeast Asia and the South Pacific? | 0:18:26 | 0:18:30 | |
Her publications include the much-debated | 0:18:30 | 0:18:32 | |
Coming Of Age In Samoa. | 0:18:32 | 0:18:33 | |
-Um...Margaret Mead? -Yeah, I'm not sure... | 0:18:33 | 0:18:35 | |
-There's another one that I can't remember. -Shall we just say it? | 0:18:35 | 0:18:38 | |
Margaret Mead? | 0:18:38 | 0:18:39 | |
Correct. Born in 1908, which French anthropologist | 0:18:39 | 0:18:42 | |
is noted for his development of the theory of structuralism? | 0:18:42 | 0:18:46 | |
-Is this Foucault? -Probably. Or... -Could be Derrida. | 0:18:46 | 0:18:49 | |
-Shall we say Foucault? -Yeah. -Foucault? | 0:18:49 | 0:18:51 | |
That's Claude Levi-Strauss. Ten points for this. | 0:18:51 | 0:18:54 | |
Which decade saw the publication | 0:18:54 | 0:18:56 | |
of Blaise Pascal's Provincial Letters, | 0:18:56 | 0:18:58 | |
James Harrington's Commonwealth of Oceana | 0:18:58 | 0:19:01 | |
and Thomas Hobbes' Leviathan? | 0:19:01 | 0:19:04 | |
16...40s. | 0:19:04 | 0:19:07 | |
No, you lose five points. The last year of the decade saw | 0:19:07 | 0:19:10 | |
the resignation of Richard Cromwell as Lord Protector of England. | 0:19:10 | 0:19:15 | |
1650s? | 0:19:15 | 0:19:16 | |
Correct. | 0:19:16 | 0:19:17 | |
APPLAUSE | 0:19:17 | 0:19:20 | |
You get a set of bonuses, Fitzwilliam, on the periodic table. | 0:19:20 | 0:19:23 | |
The naming of element 106 caused controversy | 0:19:23 | 0:19:26 | |
because the team that discovered it suggested the name should | 0:19:26 | 0:19:29 | |
reflect that of which chemist, who was still alive at the time? | 0:19:29 | 0:19:34 | |
-Well, it is Seaborgium. Um... -OK, Seaborg, shall we say? | 0:19:34 | 0:19:38 | |
Wait, did he say it's not... They want the actual... | 0:19:38 | 0:19:40 | |
I think they succeeded, didn't they? | 0:19:40 | 0:19:42 | |
So, let's say...Seaborg. | 0:19:42 | 0:19:44 | |
Correct. Also named after a scientist alive at the time, | 0:19:44 | 0:19:48 | |
what are the names of elements numbers 99 and 100 | 0:19:48 | 0:19:50 | |
discovered at the location of the first thermonuclear explosion | 0:19:50 | 0:19:55 | |
in November, 1952? | 0:19:55 | 0:19:57 | |
-That's Einstein and Fermi. -Do we need to name the elements, though? | 0:19:58 | 0:20:02 | |
Oh, the elements, Einsteinium, Fermium. | 0:20:02 | 0:20:04 | |
Einsteinium and Fermium? | 0:20:04 | 0:20:05 | |
Correct. Give either the name of element 118 | 0:20:05 | 0:20:09 | |
or the surname of the living Russian nuclear physicist | 0:20:09 | 0:20:13 | |
of Armenian descent after whom it was named in 2016. | 0:20:13 | 0:20:17 | |
Yeah, so, the element is Oganesson. | 0:20:17 | 0:20:20 | |
Oganesson? | 0:20:20 | 0:20:21 | |
Correct. | 0:20:21 | 0:20:22 | |
APPLAUSE | 0:20:22 | 0:20:25 | |
Ten points for this. The Anvil Chorus | 0:20:25 | 0:20:27 | |
and the Soldiers' Chorus feature in which...? | 0:20:27 | 0:20:31 | |
-Um, Verdi operas, but... -HE SIGHS | 0:20:31 | 0:20:34 | |
I'm afraid you lose five points. | 0:20:34 | 0:20:35 | |
..feature in which opera first performed in Rome in 1853? | 0:20:35 | 0:20:40 | |
Il trovatore. | 0:20:40 | 0:20:41 | |
Correct. | 0:20:41 | 0:20:42 | |
APPLAUSE | 0:20:42 | 0:20:44 | |
You get a set of bonuses on extinct Indo-European languages, | 0:20:45 | 0:20:49 | |
Emmanuel College. | 0:20:49 | 0:20:50 | |
Lydian, Palaic and Hittite are extinct languages | 0:20:50 | 0:20:54 | |
given a collective name after which peninsula? | 0:20:54 | 0:20:57 | |
It comprises a large part of present-day Turkey. | 0:20:57 | 0:21:00 | |
WHISPERING | 0:21:00 | 0:21:02 | |
Um.... | 0:21:02 | 0:21:03 | |
Anatolia? I don't even know of a peninsula... | 0:21:03 | 0:21:06 | |
Shall we say... Anatoly? Anatolic languages? | 0:21:06 | 0:21:10 | |
I'll accept that, yes. | 0:21:10 | 0:21:11 | |
Anatolia is the name I was looking for for the peninsula. | 0:21:11 | 0:21:15 | |
Tocharian A and B are attested by Buddhist texts | 0:21:15 | 0:21:18 | |
from the first millennium of the common era. | 0:21:18 | 0:21:21 | |
They were spoken in the Tarim Basin in which present-day country? | 0:21:21 | 0:21:26 | |
Tarim Basin... | 0:21:26 | 0:21:27 | |
Buddhist, so it's going to be... | 0:21:27 | 0:21:29 | |
-India? -Could be. | 0:21:29 | 0:21:32 | |
India? | 0:21:32 | 0:21:33 | |
No, they were in China. | 0:21:33 | 0:21:35 | |
Sabine, Oscan and Volscian are extinct languages | 0:21:35 | 0:21:39 | |
of which present-day European country? | 0:21:39 | 0:21:42 | |
-Italy? -Do you reckon? -Mm, I don't know, I'm just going with Sabine. | 0:21:42 | 0:21:45 | |
-As in, Rape Of The Sabine Women? -Well, that's all I'm going with! | 0:21:45 | 0:21:48 | |
Italy? | 0:21:48 | 0:21:49 | |
It is Italy, yes. We're going to take the second picture round now. | 0:21:49 | 0:21:52 | |
For your picture starter, you're going to see a still from a film. | 0:21:52 | 0:21:55 | |
For ten points, I want you to identify the name of the film | 0:21:55 | 0:21:58 | |
and the actor on the right who also directed it. | 0:21:58 | 0:22:01 | |
Unforgiven and Clint Eastwood. | 0:22:04 | 0:22:06 | |
Correct. | 0:22:06 | 0:22:07 | |
APPLAUSE | 0:22:07 | 0:22:08 | |
So, he directed and starred in Unforgiven. | 0:22:10 | 0:22:13 | |
Your bonuses are stills from three more films whose directors | 0:22:13 | 0:22:16 | |
also acted in them. | 0:22:16 | 0:22:17 | |
Each film is preserved in the National Film Registry | 0:22:17 | 0:22:20 | |
of the US Library Of Congress. | 0:22:20 | 0:22:22 | |
Firstly, I want the full four-word title of this film | 0:22:22 | 0:22:25 | |
and its director, seen here on the left. | 0:22:25 | 0:22:28 | |
This Is Spinal Tap and Rob Reiner. | 0:22:30 | 0:22:32 | |
This Is Spinal Tap, Rob Reiner? | 0:22:32 | 0:22:35 | |
Correct. Secondly, again, the title of the film | 0:22:35 | 0:22:38 | |
and the name of the actor and director. | 0:22:38 | 0:22:41 | |
Uh, is that Easy Rider? | 0:22:43 | 0:22:46 | |
-Dennis Hopper? -Did he direct that? | 0:22:46 | 0:22:48 | |
-Possibly. -OK. | 0:22:48 | 0:22:49 | |
Easy Rider and Dennis Hopper? | 0:22:49 | 0:22:52 | |
Correct. And, finally, title and actor-director again. | 0:22:52 | 0:22:56 | |
Modern Times and Charlie Chaplin. | 0:22:56 | 0:22:58 | |
Modern Times and Charlie Chaplin? | 0:22:58 | 0:23:00 | |
Correct. Ten points for this. | 0:23:00 | 0:23:02 | |
APPLAUSE | 0:23:02 | 0:23:04 | |
In English grammar, opinion, size, age, shape, colour, | 0:23:04 | 0:23:07 | |
origin and material | 0:23:07 | 0:23:09 | |
is the most usual order of what...? | 0:23:09 | 0:23:12 | |
Adjectives? | 0:23:12 | 0:23:13 | |
Adjectives is correct, yes. | 0:23:13 | 0:23:15 | |
APPLAUSE | 0:23:15 | 0:23:17 | |
Right, you get a set of bonuses | 0:23:17 | 0:23:19 | |
on the Messner version of the Seven Summits. | 0:23:19 | 0:23:22 | |
That is, the highest mountains on each continent. | 0:23:22 | 0:23:24 | |
In each case, name the peak from its geographical coordinates. | 0:23:24 | 0:23:28 | |
Firstly, 63.07 degrees north, | 0:23:28 | 0:23:32 | |
151 degrees west. | 0:23:32 | 0:23:35 | |
So, it's... Asia? In Asia? | 0:23:35 | 0:23:37 | |
Is that not Everest, then? | 0:23:37 | 0:23:39 | |
Everest? | 0:23:39 | 0:23:40 | |
No, that's Denali, McKinley in North America. | 0:23:40 | 0:23:44 | |
Secondly, 43.35 degrees north, | 0:23:44 | 0:23:47 | |
42.45 degrees east. | 0:23:47 | 0:23:50 | |
Would that be Europe or Asia? | 0:23:50 | 0:23:52 | |
God knows! | 0:23:52 | 0:23:54 | |
-Shall we try... -Everest, I mean... | 0:23:54 | 0:23:55 | |
-Is this... -Hmm? -Is this Europe? | 0:23:55 | 0:23:59 | |
-So, Mont Blanc? -No, no, no. -What am I saying? -Just...Everest? | 0:23:59 | 0:24:02 | |
Everest? | 0:24:02 | 0:24:03 | |
No, it's Elbrus, Europe. | 0:24:03 | 0:24:05 | |
And finally, 78.53 degrees south, | 0:24:05 | 0:24:09 | |
85.62 degrees west. | 0:24:09 | 0:24:11 | |
Is that Aconcagua? | 0:24:11 | 0:24:13 | |
..South America, so Aconcagua? | 0:24:13 | 0:24:15 | |
Aconcagua? | 0:24:15 | 0:24:17 | |
No, that's the Vinson Massif in Antarctica. | 0:24:17 | 0:24:19 | |
There are 3.5 minutes to go and there's ten points for this. | 0:24:19 | 0:24:22 | |
The history of King Richard III was written in the 1510s | 0:24:22 | 0:24:25 | |
by which statesman? | 0:24:25 | 0:24:27 | |
From 1518, he served on Henry VIII's Privy Council, | 0:24:27 | 0:24:30 | |
and later became Lord Chancellor. | 0:24:30 | 0:24:33 | |
Thomas Cromwell? | 0:24:35 | 0:24:37 | |
No, anyone like to buzz from Emmanuel? | 0:24:37 | 0:24:39 | |
Francis Bacon? | 0:24:41 | 0:24:42 | |
No, it was Sir Thomas More. | 0:24:42 | 0:24:44 | |
Ten points for this starter question. | 0:24:44 | 0:24:46 | |
Talas, Jalal, Abad, Osh and Batken | 0:24:46 | 0:24:49 | |
are among the oblast, or administrative regions, | 0:24:49 | 0:24:51 | |
of which central Asian country? | 0:24:51 | 0:24:54 | |
Kyrgyzstan? | 0:24:54 | 0:24:55 | |
Kyrgyzstan is correct. | 0:24:55 | 0:24:56 | |
APPLAUSE | 0:24:56 | 0:24:59 | |
You get three bonuses on helium. | 0:24:59 | 0:25:00 | |
"The helium capital of the world" is an epithet | 0:25:00 | 0:25:03 | |
of which city in the Texas Panhandle? | 0:25:03 | 0:25:05 | |
Its name is the Spanish word for the colour yellow. | 0:25:05 | 0:25:08 | |
-SEVERAL: -Amarillo. -Amarillo? | 0:25:08 | 0:25:10 | |
Amarillo is correct. | 0:25:10 | 0:25:11 | |
The United States produces a large proportion of the world's helium, | 0:25:11 | 0:25:15 | |
recovering it from what other specific product? | 0:25:15 | 0:25:18 | |
And I need a two-word answer. | 0:25:18 | 0:25:20 | |
HE GROANS | 0:25:20 | 0:25:21 | |
It's a by-product of | 0:25:21 | 0:25:23 | |
radioactive decay. | 0:25:23 | 0:25:25 | |
Some sort of ore. | 0:25:25 | 0:25:27 | |
Iron ore? | 0:25:27 | 0:25:28 | |
Iron ore? | 0:25:28 | 0:25:29 | |
-No, it's natural gas. ALL: -Ah! | 0:25:29 | 0:25:31 | |
The helium in natural gas comes from radioactive decay. | 0:25:31 | 0:25:35 | |
What term denotes particles | 0:25:35 | 0:25:37 | |
that are the nucleus of a Helium-4 atom? | 0:25:37 | 0:25:39 | |
Alpha particle. | 0:25:39 | 0:25:41 | |
Alpha particle? | 0:25:41 | 0:25:42 | |
Correct. Ten points for this. APPLAUSE | 0:25:42 | 0:25:44 | |
I need a precise answer here. | 0:25:44 | 0:25:46 | |
In the opening scene of Shakespeare's Twelfth Night, | 0:25:46 | 0:25:49 | |
what seven words precede, "Play on, give me excess of it..." | 0:25:49 | 0:25:52 | |
"If music be the food of love"? | 0:25:55 | 0:25:56 | |
"If music be the food of love" is correct, yes. | 0:25:56 | 0:25:58 | |
APPLAUSE | 0:25:58 | 0:26:01 | |
These bonuses are on excursions. | 0:26:01 | 0:26:03 | |
Who wrote the 1863 anthology Excursions, a series of essays | 0:26:03 | 0:26:07 | |
that includes A Walk To Wachusett | 0:26:07 | 0:26:09 | |
and Natural History Of Massachusetts? | 0:26:09 | 0:26:11 | |
Mark Twain? | 0:26:13 | 0:26:14 | |
No, it's Henry David Thoreau. | 0:26:14 | 0:26:16 | |
The Steam Excursions is a short story by Charles Dickens | 0:26:16 | 0:26:19 | |
that forms one of the so-called Tales | 0:26:19 | 0:26:21 | |
in which collection known by a three-word name? | 0:26:21 | 0:26:25 | |
Pass. | 0:26:25 | 0:26:26 | |
They're Sketches By Boz. | 0:26:26 | 0:26:27 | |
Which 1974 novel by Beryl Bainbridge describes a series of | 0:26:27 | 0:26:31 | |
darkly comic events that occur during the annual excursion | 0:26:31 | 0:26:34 | |
of a glass manufacturing company? | 0:26:34 | 0:26:37 | |
Pass. | 0:26:37 | 0:26:38 | |
That's The Bottle Factory Outing. Ten points for this. | 0:26:38 | 0:26:41 | |
Curicta is the Latin name for which island off the coast of Croatia, | 0:26:41 | 0:26:45 | |
noted for the discovery of the stone slab known as the Baska Tablet? | 0:26:45 | 0:26:49 | |
It has a three-letter name that contains no vowels. | 0:26:49 | 0:26:53 | |
Tyr? | 0:26:57 | 0:26:59 | |
No, anyone want to buzz from Emmanuel? | 0:26:59 | 0:27:02 | |
-Lys? -No, its Krk. Ten points for this. | 0:27:03 | 0:27:05 | |
Lan Xang, or kingdom of the million elephants, | 0:27:05 | 0:27:08 | |
was an early polity in which present-day country? | 0:27:08 | 0:27:11 | |
It flourished from the 14th century until the 18th, | 0:27:11 | 0:27:14 | |
and later became part of French Indochina. | 0:27:14 | 0:27:18 | |
Thailand. | 0:27:18 | 0:27:20 | |
No, anyone like to buzz from Fitzwilliam? | 0:27:20 | 0:27:23 | |
Vietnam? | 0:27:23 | 0:27:24 | |
No, it's Laos. Ten points for this. | 0:27:24 | 0:27:26 | |
Rearranging the letters of the chemical formula for | 0:27:26 | 0:27:29 | |
table salt gives what word, meaning a large...? | 0:27:29 | 0:27:32 | |
Clan. | 0:27:33 | 0:27:34 | |
Clan is correct. | 0:27:34 | 0:27:35 | |
APPLAUSE | 0:27:35 | 0:27:36 | |
Your bonuses now are on perpendicular Gothic architecture. | 0:27:36 | 0:27:39 | |
In each case, name the county in which the following churches | 0:27:39 | 0:27:42 | |
are located. Firstly, Tattersall, Thirlby and Louth. | 0:27:42 | 0:27:46 | |
Uh, Lancashire? | 0:27:46 | 0:27:47 | |
GONG BOOMS | 0:27:47 | 0:27:48 | |
APPLAUSE | 0:27:48 | 0:27:49 | |
At the gong, Emmanuel College, Cambridge have 150. | 0:27:49 | 0:27:52 | |
Fitzwilliam College, Cambridge have 175. | 0:27:52 | 0:27:55 | |
APPLAUSE | 0:27:55 | 0:27:57 | |
Well, that was a great game, and it was very, very close. | 0:27:57 | 0:28:01 | |
And you very nearly took it, Emmanuel. | 0:28:01 | 0:28:03 | |
Who knows what would have happened if we'd gone on another few minutes. | 0:28:03 | 0:28:06 | |
Who can say? But thank you very much for joining us. | 0:28:06 | 0:28:08 | |
We're going to have to say goodbye to you. | 0:28:08 | 0:28:10 | |
Fitzwilliam, congratulations, you get another chance to | 0:28:10 | 0:28:12 | |
stay in the competition, so many congratulations to you. | 0:28:12 | 0:28:15 | |
I hope you can join us next time for another quarterfinal. | 0:28:15 | 0:28:18 | |
But until then, it's goodbye from Emmanuel College, Cambridge. | 0:28:18 | 0:28:21 | |
-ALL: -Goodbye. -And it's goodbye from Fitzwilliam College, Cambridge. | 0:28:21 | 0:28:24 | |
-ALL: -Goodbye. -And it's goodbye from me - goodbye. | 0:28:24 | 0:28:27 |