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Christmas University Challenge. | 0:00:19 | 0:00:22 | |
Asking the questions, Jeremy Paxman. | 0:00:22 | 0:00:25 | |
APPLAUSE | 0:00:25 | 0:00:28 | |
Hello, 14 teams of graduates gamely accepted our invitation to | 0:00:28 | 0:00:32 | |
give up their cosy evenings of Kerplunk | 0:00:32 | 0:00:35 | |
and mulled wine around the fire and to entertain us instead | 0:00:35 | 0:00:39 | |
by competing on behalf of the institutions which have them | 0:00:39 | 0:00:41 | |
on their collective consciences. | 0:00:41 | 0:00:44 | |
Now only the four highest-scoring teams remain to compete | 0:00:44 | 0:00:47 | |
in two semifinals, the first of which is tonight. | 0:00:47 | 0:00:50 | |
In the usual way of things, | 0:00:50 | 0:00:52 | |
there's a place in the final for tonight's winners. | 0:00:52 | 0:00:54 | |
Last time, the team from Emmanuel College, Cambridge, | 0:00:54 | 0:00:56 | |
proved they knew what was on television in 1967, | 0:00:56 | 0:00:59 | |
when the Clash released their first single, | 0:00:59 | 0:01:02 | |
and what David Attenborough thinks about the song thrush. | 0:01:02 | 0:01:05 | |
Such wide and deep learning earned them 185 points, | 0:01:05 | 0:01:08 | |
which was 100 ahead of their opponents from Reading University. | 0:01:08 | 0:01:12 | |
Hoping to be similarly impressive tonight, their team again comprises | 0:01:12 | 0:01:15 | |
a broadsheet journalist, | 0:01:15 | 0:01:17 | |
a TV broadcaster, an author of books on science and a man who finished a | 0:01:17 | 0:01:21 | |
disappointing seventh in this year's Rory McGrath lookalike contest. | 0:01:21 | 0:01:25 | |
Let's meet them again. | 0:01:25 | 0:01:27 | |
I'm Hugo Rifkind and I studied Philosophy at Emmanuel in the | 0:01:27 | 0:01:30 | |
late 1990s, and now I'm a columnist and a leader writer for the Times. | 0:01:30 | 0:01:34 | |
I'm Mary Ann Ochota, I studied Archaeology | 0:01:34 | 0:01:37 | |
and Anthropology from '99 to 2002, | 0:01:37 | 0:01:39 | |
and now I present programmes about archaeology and anthropology. | 0:01:39 | 0:01:43 | |
And this is their captain. | 0:01:43 | 0:01:44 | |
I'm Simon Singh, I completed a PhD in Particle Physics in 1991, | 0:01:44 | 0:01:48 | |
and I now write books about science. | 0:01:48 | 0:01:51 | |
Hello, I'm Rory McGrath, I graduated in 1977 in Modern Languages, | 0:01:51 | 0:01:55 | |
and currently I'm not appearing in pantomime. | 0:01:55 | 0:01:57 | |
APPLAUSE | 0:01:57 | 0:01:59 | |
Now, the team from Southampton University also ended | 0:02:03 | 0:02:06 | |
on a score of 185 at the expense of King's College, London with 105. | 0:02:06 | 0:02:11 | |
So tonight's match could be close, | 0:02:11 | 0:02:13 | |
or on the other hand, it might not be. | 0:02:13 | 0:02:14 | |
What they don't know about British lizards isn't worth knowing, | 0:02:14 | 0:02:17 | |
and again tonight they're fielding a journalist and editor, | 0:02:17 | 0:02:20 | |
a campaigner who sits in the House of Lords, a horticulturalist | 0:02:20 | 0:02:23 | |
and broadcaster, and a former policy pointy-head for New Labour. | 0:02:23 | 0:02:28 | |
Let's meet them again. | 0:02:28 | 0:02:29 | |
Hello, I'm Jason Cowley, I graduated in English and Philosophy in 1989, | 0:02:30 | 0:02:35 | |
and now I'm a journalist, author and editor of the New Statesman magazine. | 0:02:35 | 0:02:39 | |
Hello, I'm Claire Tyler, I graduated in Law and Politics in 1978. | 0:02:40 | 0:02:43 | |
I'm now a Member of the House of Lords | 0:02:43 | 0:02:45 | |
and Chair of the Children and Families Court Advisory Service. | 0:02:45 | 0:02:49 | |
And here's their captain. | 0:02:49 | 0:02:50 | |
Hello, I'm Stefan Buczacki, I graduated in Botany at Southampton | 0:02:50 | 0:02:53 | |
in 1968, and I now work as a writer, broadcaster and expert witness. | 0:02:53 | 0:02:59 | |
Hello, I'm Matthew Taylor, I graduated in Sociology in 1983 | 0:02:59 | 0:03:02 | |
and I'm now Chief Executive of the Royal Society of Arts. | 0:03:02 | 0:03:05 | |
APPLAUSE | 0:03:05 | 0:03:07 | |
OK, you all know the rules, | 0:03:10 | 0:03:12 | |
so let's just get on with it. Fingers on the buzzers. | 0:03:12 | 0:03:14 | |
Sylvia Plath's The Bell Jar, | 0:03:14 | 0:03:16 | |
George Orwell's Nineteen Eighty-Four, | 0:03:16 | 0:03:18 | |
Charles Dickens' A Tale of Two Cities, | 0:03:18 | 0:03:21 | |
Joseph Heller's Catch-22 | 0:03:21 | 0:03:22 | |
and Ray Bradbury's Fahrenheit 451 | 0:03:22 | 0:03:27 | |
all begin with which two words? | 0:03:27 | 0:03:30 | |
BELL RINGS | 0:03:32 | 0:03:33 | |
"It was." Correct. | 0:03:34 | 0:03:35 | |
APPLAUSE | 0:03:37 | 0:03:39 | |
Right, these bonuses are on literary figures | 0:03:39 | 0:03:42 | |
born on New Year's Day, Emmanuel College. | 0:03:42 | 0:03:44 | |
Matthew Arnold's poem Thyrsis commemorates the death | 0:03:44 | 0:03:47 | |
at the age of 42 of which poet, born on New Year's Day 1819? | 0:03:47 | 0:03:52 | |
His works include Dipsychus and | 0:03:52 | 0:03:54 | |
Say Not the Struggle Naught Availeth. | 0:03:54 | 0:03:56 | |
Thomas Chatterton, was it? Thomas Chatterton? | 0:03:59 | 0:04:02 | |
Er, Thomas Chatterton? | 0:04:02 | 0:04:04 | |
No, it's Arthur Hugh Clough. | 0:04:04 | 0:04:06 | |
Secondly, Aspects of the Novel | 0:04:06 | 0:04:08 | |
and Two Cheers for Democracy are among the non-fiction works of | 0:04:08 | 0:04:11 | |
which literary figure, born on New Year's Day, 1879? | 0:04:11 | 0:04:15 | |
His last novel was published in 1971, the year after his death. | 0:04:15 | 0:04:19 | |
THEY WHISPER | 0:04:20 | 0:04:22 | |
I've no idea, I'm afraid. Somerset Maugham, was it? | 0:04:28 | 0:04:31 | |
Somerset Maugham? No, it's EM Forster. | 0:04:31 | 0:04:34 | |
And finally, born on New Year's Day 1919, | 0:04:34 | 0:04:37 | |
which writer was described in his obituary in the New York Times | 0:04:37 | 0:04:40 | |
in 2010 as "either a crackpot or the American Tolstoy who had | 0:04:40 | 0:04:44 | |
"turned silence itself into his most eloquent work of art?" | 0:04:44 | 0:04:48 | |
THEY CONFER | 0:04:49 | 0:04:51 | |
Harold Pinter? Harold Pinter? Harold Pinter? | 0:04:52 | 0:04:55 | |
No, it's JD Salinger. | 0:04:55 | 0:04:56 | |
10 points for this, fingers on the buzzers. | 0:04:56 | 0:04:59 | |
"She's older than the rocks among which she sits. | 0:04:59 | 0:05:01 | |
"Like the vampire, she has been dead many times | 0:05:01 | 0:05:04 | |
"and learned the secrets of the grave." | 0:05:04 | 0:05:06 | |
These words of the art critic Walter Pater refer to which | 0:05:06 | 0:05:09 | |
Renaissance painting in the collection of the Louvre in Paris? | 0:05:09 | 0:05:12 | |
BELL RINGS | 0:05:12 | 0:05:14 | |
Is it the Mona Lisa? It is, yes. | 0:05:14 | 0:05:16 | |
APPLAUSE | 0:05:16 | 0:05:18 | |
Right, Emmanuel, these bonuses are on linked expressions. | 0:05:20 | 0:05:23 | |
Firstly, for five, what alternative name | 0:05:23 | 0:05:25 | |
for the poisonous plant wolf's bane is derived from | 0:05:25 | 0:05:28 | |
the apparent resemblance of its sepals | 0:05:28 | 0:05:30 | |
to an item of ecclesiastical clothing? | 0:05:30 | 0:05:32 | |
Monkshood. Monkshood. Yeah? | 0:05:32 | 0:05:34 | |
Monkshood. Correct. | 0:05:34 | 0:05:36 | |
What term for an object that is not entirely wholesome or | 0:05:36 | 0:05:38 | |
satisfactory dates from a 19th century cartoon in Punch that | 0:05:38 | 0:05:42 | |
depicts a clergyman eating breakfast? | 0:05:42 | 0:05:45 | |
ALL: Curate's egg. Curate's egg. | 0:05:45 | 0:05:47 | |
Exactly, and finally, what two-word term is associated with | 0:05:47 | 0:05:50 | |
an unflattering carving on a 15th-century misericord | 0:05:50 | 0:05:53 | |
in St Mary's Church in Nantwich, in which the carpenter supposedly took | 0:05:53 | 0:05:57 | |
his revenge on the vicar who was slow to pay for his work | 0:05:57 | 0:06:00 | |
by applying the clergyman's features to the rear end of a fowl? | 0:06:00 | 0:06:04 | |
Duck's arse? | 0:06:04 | 0:06:05 | |
Duck's arse, yeah. Duck's arse? | 0:06:05 | 0:06:07 | |
Duck's arse? | 0:06:07 | 0:06:08 | |
No, it's a parson's nose. LAUGHTER | 0:06:08 | 0:06:11 | |
You're a very crude man. | 0:06:11 | 0:06:13 | |
You laid a trap for me there. | 0:06:13 | 0:06:14 | |
10 points for this. | 0:06:14 | 0:06:16 | |
Originally meaning "to submit an animal for a medical examination," | 0:06:16 | 0:06:19 | |
what short verb is used in more general speech to mean | 0:06:19 | 0:06:23 | |
"investigate the credentials of a candidate, | 0:06:23 | 0:06:25 | |
"particularly one for a post where trustworthiness is critical?" | 0:06:25 | 0:06:28 | |
BUZZ | 0:06:28 | 0:06:30 | |
Vet. Correct. | 0:06:30 | 0:06:32 | |
APPLAUSE | 0:06:32 | 0:06:34 | |
Southampton, your first set of bonuses | 0:06:34 | 0:06:36 | |
are on the MP Austin Mitchell. | 0:06:36 | 0:06:39 | |
Firstly, for five points, in 1977, Austin Mitchell became MP | 0:06:39 | 0:06:43 | |
for a constituency centred on which East Coast fishing port? | 0:06:43 | 0:06:47 | |
Grimsby. Correct. | 0:06:47 | 0:06:49 | |
The Half Gallon Quarter Acre Pavlova Paradise is a 1972 work | 0:06:49 | 0:06:54 | |
by Austin Mitchell that describes life in which Commonwealth country? | 0:06:54 | 0:06:58 | |
THEY CONFER QUIETLY | 0:06:58 | 0:07:01 | |
Pavlova Paradise. | 0:07:01 | 0:07:03 | |
Commonwealth. It's New Zealand. Australia. | 0:07:03 | 0:07:07 | |
It's New Zealand, isn't it, Pavlova? | 0:07:07 | 0:07:09 | |
New Zealand. Correct, yes, he was an academic there, I think. | 0:07:09 | 0:07:11 | |
While a journalist at Yorkshire Television, Mitchell chaired | 0:07:11 | 0:07:14 | |
a memorable discussion in 1974 between Don Revie and which | 0:07:14 | 0:07:18 | |
other football manager who'd just been dismissed by Leeds United? | 0:07:18 | 0:07:22 | |
Brian Clough. Correct. | 0:07:22 | 0:07:23 | |
We're going to take a picture round now. | 0:07:23 | 0:07:25 | |
For your picture starter, you'll see an image of a snow globe | 0:07:25 | 0:07:28 | |
featuring a stylised depiction of the skyline of a US city. | 0:07:28 | 0:07:32 | |
For 10 points, please name the city. | 0:07:32 | 0:07:34 | |
BELL RINGS | 0:07:35 | 0:07:37 | |
Seattle. | 0:07:37 | 0:07:38 | |
Seattle is correct, yes. | 0:07:38 | 0:07:40 | |
The Space Needle being the giveaway there. | 0:07:40 | 0:07:42 | |
So, following on from Seattle, | 0:07:42 | 0:07:44 | |
three more stylised depictions of US skylines in snow globes. | 0:07:44 | 0:07:48 | |
I want the name of the city in each case, please. Firstly this image. | 0:07:48 | 0:07:51 | |
Chicago? God, I've no idea. | 0:07:52 | 0:07:55 | |
Is that Chicago? Could be. | 0:07:55 | 0:07:57 | |
Or is it...? It's a city in America. | 0:07:57 | 0:08:00 | |
Is it San Francisco and it's like a funny bit of the bridge? | 0:08:00 | 0:08:03 | |
It's got hills. Like a bridge... | 0:08:03 | 0:08:05 | |
No, but there's two of them, there's another one there, see? | 0:08:05 | 0:08:07 | |
That could be the end of the bridge. | 0:08:07 | 0:08:09 | |
I'm going to go with Chicago, unless...? | 0:08:09 | 0:08:11 | |
Yeah. OK, Chicago? | 0:08:11 | 0:08:12 | |
You're right. This one. | 0:08:12 | 0:08:14 | |
Oh, Washington DC. | 0:08:17 | 0:08:18 | |
Washington DC, yeah? Er, the capital. | 0:08:18 | 0:08:21 | |
Washington DC? | 0:08:21 | 0:08:22 | |
Correct, and finally, this one, please. | 0:08:22 | 0:08:24 | |
Oh, St Louis? St Louis? Yes, St Louis. | 0:08:25 | 0:08:28 | |
St Louis. | 0:08:28 | 0:08:30 | |
St Louis, the Gateway Arch, yes, well done. 10 points for this. | 0:08:30 | 0:08:33 | |
What is the mechanical advantage of a lever with a central pivot | 0:08:34 | 0:08:39 | |
whose input force is 12m from the centre | 0:08:39 | 0:08:42 | |
with an output force 2m from the centre? | 0:08:42 | 0:08:45 | |
BELL RINGS | 0:08:45 | 0:08:47 | |
Six? Correct. | 0:08:47 | 0:08:49 | |
APPLAUSE | 0:08:49 | 0:08:51 | |
Insultingly easy. | 0:08:51 | 0:08:53 | |
Your bonuses now are on metallic elements, Emmanuel College. | 0:08:53 | 0:08:56 | |
Atomic number 78, which element is often used to refer collectively to | 0:08:56 | 0:09:00 | |
the rare metals group that includes rhodium, ruthenium and palladium? | 0:09:00 | 0:09:04 | |
Er, is it lanthanum? | 0:09:05 | 0:09:08 | |
Lanthanides, actinides? Lanthanides? | 0:09:08 | 0:09:11 | |
It might be actinides, actually. 78 is, er, 78 is... | 0:09:11 | 0:09:15 | |
I'm happy to go with lanthanides. I'm just guessing. | 0:09:15 | 0:09:18 | |
I know it, 78, 78 is... | 0:09:18 | 0:09:22 | |
platinum. But I don't think that describes a group. | 0:09:22 | 0:09:26 | |
OK. Lanthanides. | 0:09:26 | 0:09:27 | |
No, he was right. It is platinum, yes. | 0:09:27 | 0:09:30 | |
The international prototype standard kilogram of mass is made from | 0:09:30 | 0:09:33 | |
an alloy containing 90% platinum and 10% of which platinum group element? | 0:09:33 | 0:09:38 | |
Rhenium? OK, rhenium. | 0:09:41 | 0:09:44 | |
No, it's iridium. And finally, | 0:09:44 | 0:09:46 | |
its name denoting the unpleasant smell of some of its compounds, | 0:09:46 | 0:09:49 | |
which platinum group metal is the densest naturally occurring element? | 0:09:49 | 0:09:52 | |
Osmium. Osmium. Osmium. | 0:09:52 | 0:09:54 | |
Correct. 10 points for this. | 0:09:54 | 0:09:56 | |
Whom did Churchill describe as | 0:09:56 | 0:09:58 | |
"The prince of literary rogues who | 0:09:58 | 0:10:00 | |
"always preferred the tale to the truth and smirched or | 0:10:00 | 0:10:04 | |
"glorified great men according as they affected his drama?" | 0:10:04 | 0:10:08 | |
BELL RINGS | 0:10:08 | 0:10:10 | |
Shakespeare. No, you lose five points. | 0:10:10 | 0:10:12 | |
The author in question is best known | 0:10:12 | 0:10:14 | |
for his five-volume History of England, | 0:10:14 | 0:10:17 | |
and for narrative poems such as The Lays of Ancient Rome. | 0:10:17 | 0:10:20 | |
BUZZ | 0:10:20 | 0:10:22 | |
Macaulay. Correct. | 0:10:22 | 0:10:23 | |
APPLAUSE | 0:10:23 | 0:10:26 | |
Right, your bonuses are on 20th century poetry, Southampton. | 0:10:26 | 0:10:29 | |
According to Louis MacNeice, | 0:10:29 | 0:10:31 | |
what precise London location is populated by, quote, | 0:10:31 | 0:10:34 | |
"Cranks, hacks, poverty-stricken scholars | 0:10:34 | 0:10:37 | |
"in pince-nez, period hats or romantic beards?" | 0:10:37 | 0:10:40 | |
Fleet Street. | 0:10:42 | 0:10:43 | |
Fleet Street. It might as well be! | 0:10:43 | 0:10:46 | |
No, it's the British Museum Reading Room. | 0:10:46 | 0:10:47 | |
Which institution in Brussels appears in the title of a poem | 0:10:47 | 0:10:50 | |
by Auden that discusses Bruegel's Landscape with the Fall of Icarus? | 0:10:50 | 0:10:54 | |
Brussels. | 0:10:56 | 0:10:57 | |
What's in Brussels? Don't know. Erm... | 0:10:57 | 0:11:01 | |
What is there? I can only think of the EU. | 0:11:04 | 0:11:07 | |
No. No, pass. | 0:11:09 | 0:11:11 | |
It's the Musee des Beaux Arts. | 0:11:11 | 0:11:13 | |
Finally, which poet describes the moment of stepping into an empty church with the words, | 0:11:13 | 0:11:17 | |
"Hatless, I take off my cycle-clips in awkward reverence?" | 0:11:17 | 0:11:22 | |
Which period are we talking about? | 0:11:23 | 0:11:25 | |
20th century. Is it Ted Hughes? | 0:11:25 | 0:11:28 | |
No, no, no. Betjeman. Betjeman. Betjeman. | 0:11:28 | 0:11:30 | |
No, it's Philip Larkin. 10 points for this. | 0:11:30 | 0:11:33 | |
Meanings of which five-letter word include | 0:11:33 | 0:11:35 | |
an undulation of a ski slope, | 0:11:35 | 0:11:37 | |
a dynasty of Asian rulers | 0:11:37 | 0:11:39 | |
and an influential person in business...? BELL RINGS | 0:11:39 | 0:11:42 | |
Mogul. Mogul is right, yes. | 0:11:42 | 0:11:43 | |
APPLAUSE | 0:11:43 | 0:11:45 | |
These bonuses, Emmanuel College, are on siblings. | 0:11:45 | 0:11:48 | |
What was the surname of the siblings Vaslav and Bronislava who | 0:11:48 | 0:11:51 | |
danced together in the 1909 Paris season of the Ballets Russes? | 0:11:51 | 0:11:55 | |
The sister later choreographed Les Noces and Les Biches. | 0:11:55 | 0:11:58 | |
No idea. Pass? Yeah. Pass. | 0:12:02 | 0:12:04 | |
It's Nijinsky and Nijinska. | 0:12:04 | 0:12:06 | |
Which US dancer and film star had a 27-year performing partnership | 0:12:06 | 0:12:09 | |
with his sister Adele, the longest, | 0:12:09 | 0:12:11 | |
although not the best remembered of his career? | 0:12:11 | 0:12:14 | |
Erm, Fred Astaire? Fred Astaire, yeah. Fred Astaire. | 0:12:14 | 0:12:17 | |
Correct. Which Austrian composer was about six when his father Leopold | 0:12:17 | 0:12:20 | |
took him and his sister Maria Anna, known as Nannerl, | 0:12:20 | 0:12:24 | |
to play at the Bavarian court in Munich? | 0:12:24 | 0:12:27 | |
ALL: Mozart? Yeah, Mozart. | 0:12:28 | 0:12:30 | |
Mozart is right. | 0:12:30 | 0:12:32 | |
10 points for this starter question. | 0:12:32 | 0:12:34 | |
Which two letters link the internet abbreviation of the country | 0:12:34 | 0:12:37 | |
whose territory includes New Britain, an online resource | 0:12:37 | 0:12:40 | |
to encourage the creation and distribution of e-books, | 0:12:40 | 0:12:43 | |
and the BBFC rating between U and 12A? | 0:12:43 | 0:12:47 | |
BELL RINGS | 0:12:47 | 0:12:49 | |
PG? Correct. | 0:12:49 | 0:12:50 | |
These bonuses, Emmanuel College, are on British travel writers. | 0:12:52 | 0:12:55 | |
Which Italian city features in the title of a memoir | 0:12:55 | 0:12:57 | |
written in the form of a diary by Norman Lewis, | 0:12:57 | 0:13:00 | |
recounting his work as an intelligence officer in 1944? | 0:13:00 | 0:13:04 | |
I've read this. Venice? Florence? Erm... | 0:13:04 | 0:13:08 | |
Milan? Venice, Florence, Milan, Turin, Bologna. Verona. Naples. | 0:13:08 | 0:13:12 | |
It's totally gone, I can't remember. North Italian? Florence. | 0:13:12 | 0:13:15 | |
Is it North Italian? I can't remember. I don't know. | 0:13:15 | 0:13:18 | |
No, I think it's Venice! Venice? | 0:13:18 | 0:13:20 | |
No, it's Naples. Naples '44. | 0:13:20 | 0:13:22 | |
Which soldier and author led the party that in 1944 captured | 0:13:22 | 0:13:26 | |
General Kreipe, the commander of the German forces in Crete? | 0:13:26 | 0:13:30 | |
His travel memoir, A Time of Gifts, was published in 1977. | 0:13:30 | 0:13:34 | |
No, we've no idea, I'm afraid. That was Patrick Leigh Fermor. | 0:13:37 | 0:13:40 | |
And finally, the name of which Italian mountain range | 0:13:40 | 0:13:42 | |
appears in the title of the memoir by the travel writer Eric Newby | 0:13:42 | 0:13:45 | |
about the months following his escape from a POW camp in 1943? | 0:13:45 | 0:13:49 | |
Shall we say Apennines? Apennines. Apennines? | 0:13:50 | 0:13:54 | |
Correct, Love and War in the Apennines. Time for a music round. | 0:13:54 | 0:13:56 | |
For your music starter you're going to hear a piece of popular music. | 0:13:56 | 0:14:00 | |
For 10 points, I want you to identify the singer, please. | 0:14:00 | 0:14:03 | |
# Should I give up or should I just keep chasing pavements? # | 0:14:03 | 0:14:08 | |
BUZZ | 0:14:08 | 0:14:10 | |
Adele. It is Adele, yes. Chasing Pavements. | 0:14:10 | 0:14:12 | |
APPLAUSE | 0:14:12 | 0:14:15 | |
Now, in 2008, Adele topped the BBC's Sound Of poll. | 0:14:15 | 0:14:19 | |
Each winter, this asks music critics and industry figures to pick | 0:14:19 | 0:14:22 | |
new musical talent to watch out for in the year ahead. | 0:14:22 | 0:14:25 | |
For your music bonuses, three more artists or bands who were voted | 0:14:25 | 0:14:28 | |
Ones To Watch in this poll, and who, like Adele, went on to success. | 0:14:28 | 0:14:32 | |
In each case, simply identify them. | 0:14:32 | 0:14:34 | |
Firstly, for five, this band, who were tipped as the sound of 2004. | 0:14:34 | 0:14:39 | |
# I came across | 0:14:39 | 0:14:41 | |
# A fallen tree | 0:14:41 | 0:14:44 | |
# I felt the branches of it looking at me | 0:14:44 | 0:14:50 | |
# Is this the place | 0:14:50 | 0:14:52 | |
# We used to love? | 0:14:52 | 0:14:55 | |
# Is this the place that I've been dreaming of? | 0:14:55 | 0:15:01 | |
# Oh, simple thing Where have you gone? # | 0:15:01 | 0:15:06 | |
Keane, just say it. Keane. | 0:15:06 | 0:15:07 | |
Correct! | 0:15:07 | 0:15:09 | |
Secondly, this singer who was named The Sound Of 2006. | 0:15:09 | 0:15:13 | |
# Girl, put your records on | 0:15:13 | 0:15:15 | |
# Tell me your favourite song | 0:15:15 | 0:15:18 | |
# You go ahead, let your hair down | 0:15:18 | 0:15:21 | |
# Sapphire and faded jeans... # | 0:15:23 | 0:15:25 | |
2006? 2006. Who was around then? | 0:15:25 | 0:15:28 | |
# Just go ahead Let your hair down... # | 0:15:28 | 0:15:31 | |
Do you know what it is? | 0:15:31 | 0:15:33 | |
Do you know who it is? Have a stab. | 0:15:33 | 0:15:35 | |
It's not Duffy, is it? Try it. Try. | 0:15:35 | 0:15:39 | |
Duffy. | 0:15:39 | 0:15:40 | |
No, that's Corinne Bailey Rae. | 0:15:40 | 0:15:41 | |
And finally, this singer, who was picked out as The Sound Of 2010. | 0:15:41 | 0:15:45 | |
# Handle bars | 0:15:45 | 0:15:47 | |
# Then I let go | 0:15:47 | 0:15:49 | |
# Let go for anyone | 0:15:49 | 0:15:51 | |
# Take me in | 0:15:51 | 0:15:53 | |
# And throw out my heart... # 2010? 2010. | 0:15:53 | 0:15:55 | |
# And get a new one... # | 0:15:55 | 0:15:58 | |
We don't know, do we? # Next thing, we're touching | 0:15:58 | 0:16:00 | |
# You look at me | 0:16:00 | 0:16:01 | |
# It's like you hit me with lightning... # | 0:16:01 | 0:16:05 | |
We don't know. | 0:16:05 | 0:16:06 | |
That's Ellie Goulding. | 0:16:06 | 0:16:08 | |
I love the way you asked whether it was 2010 or 2009, | 0:16:08 | 0:16:10 | |
as if it makes any difference. Right, ten points for this. | 0:16:10 | 0:16:12 | |
Answer as soon as your name is called. | 0:16:12 | 0:16:14 | |
What is the smallest positive integer with three prime digits? | 0:16:14 | 0:16:18 | |
235. | 0:16:26 | 0:16:28 | |
Anyone want to buzz from Southampton? | 0:16:28 | 0:16:30 | |
150. | 0:16:32 | 0:16:33 | |
No, it's 222. Right, another starter question, now. | 0:16:33 | 0:16:36 | |
Ten points for this. | 0:16:36 | 0:16:37 | |
In October 2013, who was described | 0:16:37 | 0:16:39 | |
as the youngest Man Booker-winning author | 0:16:39 | 0:16:42 | |
with the longest novel? | 0:16:42 | 0:16:43 | |
Eleanor Cayton? | 0:16:48 | 0:16:49 | |
Eleanor Catton, yes. I'll accept that. | 0:16:49 | 0:16:52 | |
Right, you get a set of bonuses then, Southampton. | 0:16:52 | 0:16:55 | |
They are on Canadian provincial capitals. | 0:16:55 | 0:16:57 | |
In each case, name both the capital and its province. | 0:16:57 | 0:17:00 | |
Firstly, named in reference to Queen Victoria, | 0:17:00 | 0:17:03 | |
which Canadian provincial capital shares its name | 0:17:03 | 0:17:06 | |
with a royal title commonly used | 0:17:06 | 0:17:08 | |
to denote the prosecution in criminal proceedings? | 0:17:08 | 0:17:11 | |
It's Regina. Regina! What's the province? | 0:17:11 | 0:17:15 | |
Regina... Is it Alberta? Alberta, I think. | 0:17:15 | 0:17:17 | |
Regina, Alberta. | 0:17:17 | 0:17:19 | |
No, it's Regina, Saskatchewan. | 0:17:19 | 0:17:21 | |
Words meaning the gait of a horse between walk and canter | 0:17:21 | 0:17:25 | |
and the first name of the Iron Chancellor | 0:17:25 | 0:17:27 | |
may be made using the seven letters | 0:17:27 | 0:17:30 | |
of the name of which provincial capital? | 0:17:30 | 0:17:32 | |
Iron Chancellor, Bismarck. Bismarck. Chancellor... | 0:17:32 | 0:17:34 | |
No, listen, Ottawa. Ottawa. | 0:17:34 | 0:17:37 | |
Ottawa. | 0:17:37 | 0:17:39 | |
No, its Toronto and, of course, it's the capital of Ontario. Oh! | 0:17:39 | 0:17:43 | |
So, the gait of a horse between a walk and a canter | 0:17:43 | 0:17:46 | |
you wouldn't get from your formulation. | 0:17:46 | 0:17:48 | |
And thirdly, for five points, | 0:17:48 | 0:17:50 | |
which Canadian provincial capital shares its name | 0:17:50 | 0:17:52 | |
with that of the British Foreign Secretary | 0:17:52 | 0:17:54 | |
at the beginning of World War II? | 0:17:54 | 0:17:55 | |
Halifax, Nova Scotia. | 0:17:57 | 0:17:58 | |
Correct. Ten points for this. | 0:17:58 | 0:18:00 | |
The BHPS is the British Society for the preservation | 0:18:00 | 0:18:03 | |
of which small mammals | 0:18:03 | 0:18:05 | |
whose numbers are thought to have declined | 0:18:05 | 0:18:07 | |
by more than one third since 2003? | 0:18:07 | 0:18:09 | |
Hedgehogs. | 0:18:10 | 0:18:11 | |
Correct. | 0:18:11 | 0:18:12 | |
APPLAUSE | 0:18:12 | 0:18:16 | |
Your bonuses are on a German artist, Emmanuel College. | 0:18:16 | 0:18:19 | |
The Hat Makes The Man and Napoleon In The Wilderness | 0:18:19 | 0:18:22 | |
are works by which German artist? | 0:18:22 | 0:18:24 | |
Born 1891, he is noted | 0:18:24 | 0:18:26 | |
for his exploration of the irrational in art. | 0:18:26 | 0:18:29 | |
THEY WHISPER | 0:18:31 | 0:18:34 | |
Oh, is the thing that's always... I don't know. ..on student bedrooms. | 0:18:36 | 0:18:41 | |
Who do you think it is? You know, the bowler hat and the... | 0:18:41 | 0:18:43 | |
No, that's Magritte, isn't it? He's Belgian. Is it Munch? | 0:18:43 | 0:18:46 | |
Yeah, no. He's Norwegian, I think. Nothing. Klimt? Klimt. | 0:18:46 | 0:18:50 | |
Go... No, try Max Ernst. | 0:18:50 | 0:18:54 | |
Max Ernst. | 0:18:54 | 0:18:55 | |
Correct! | 0:18:55 | 0:18:56 | |
In 1919, Ernst became associated with which art movement, | 0:18:56 | 0:19:00 | |
founding a group of like-minded practitioners in Cologne? | 0:19:00 | 0:19:03 | |
Cubism? Modernism? I've no idea. | 0:19:07 | 0:19:09 | |
Not Cubism. | 0:19:09 | 0:19:10 | |
HE WHISPERS INDISTINCTLY | 0:19:13 | 0:19:14 | |
What about Bau... Oh, no, that was Gropius. Try Surrealism. | 0:19:14 | 0:19:17 | |
Surrealism? Yeah. We'll go with surrealism. | 0:19:17 | 0:19:20 | |
No, it's Dada. | 0:19:20 | 0:19:21 | |
He became a surrealist after moving to Paris. | 0:19:21 | 0:19:23 | |
And finally, in 1941, | 0:19:23 | 0:19:24 | |
Ernst married which US collector and gallery owner, | 0:19:24 | 0:19:28 | |
a sponsor of both Jackson Pollock and Mark Rothko? | 0:19:28 | 0:19:30 | |
THEY WHISPER Gertrude Stein? | 0:19:34 | 0:19:38 | |
Gertrude Stein over here. It could be. | 0:19:38 | 0:19:40 | |
I would have said Jane Austen! | 0:19:40 | 0:19:43 | |
Gertrude Stein. | 0:19:43 | 0:19:45 | |
Interesting idea! | 0:19:45 | 0:19:46 | |
No, it's Peggy Guggenheim. Ten points for this. | 0:19:46 | 0:19:48 | |
George VI was the last British king to have acceded to the throne | 0:19:48 | 0:19:52 | |
without having been Prince of Wales. | 0:19:52 | 0:19:54 | |
Prior to him, who was the last king to do so? | 0:19:54 | 0:19:57 | |
William IV? | 0:20:01 | 0:20:02 | |
Correct. | 0:20:02 | 0:20:03 | |
APPLAUSE | 0:20:03 | 0:20:06 | |
He succeeded his brother. | 0:20:06 | 0:20:08 | |
Your bonuses, Southampton, are on mathematics. | 0:20:08 | 0:20:10 | |
In mathematics, | 0:20:10 | 0:20:11 | |
what type of representation writes every positive integer | 0:20:11 | 0:20:14 | |
as a unique sum of distinct powers of two | 0:20:14 | 0:20:17 | |
with non-negative integer exponents? | 0:20:17 | 0:20:19 | |
Just let's get through them. | 0:20:19 | 0:20:21 | |
Pass. It's binary. | 0:20:21 | 0:20:23 | |
Secondly, how many summands are required | 0:20:23 | 0:20:26 | |
to write 100 as a sum of distinct powers of two | 0:20:26 | 0:20:29 | |
with non-negative integer exponents? | 0:20:29 | 0:20:31 | |
Just guess. Just say 50, I've no idea. 50. | 0:20:31 | 0:20:34 | |
No, it's three! | 0:20:34 | 0:20:35 | |
And finally...! | 0:20:35 | 0:20:37 | |
Haven't a clue! | 0:20:37 | 0:20:38 | |
And finally, for five points, if repetitions are allowed, | 0:20:38 | 0:20:41 | |
what is the maximal number of summands required | 0:20:41 | 0:20:43 | |
to write 100 as a sum of powers of two | 0:20:43 | 0:20:46 | |
with non-negative integer exponents? | 0:20:46 | 0:20:49 | |
Go on. Seven. LAUGHTER | 0:20:49 | 0:20:52 | |
It's 100! | 0:20:52 | 0:20:54 | |
Right, we're going to take another picture round, now. | 0:20:54 | 0:20:57 | |
You'll see an illustration of a scene from a play by Shakespeare. | 0:20:57 | 0:21:00 | |
Ten points if you can name the play, please. | 0:21:00 | 0:21:02 | |
Othello. | 0:21:08 | 0:21:10 | |
No. | 0:21:10 | 0:21:11 | |
One of you may buzz from Emmanuel. | 0:21:11 | 0:21:13 | |
Merchant of Venice? | 0:21:17 | 0:21:18 | |
No, it's The Winter's Tale. | 0:21:18 | 0:21:19 | |
It's when the statue of Hermione seems to come to life. | 0:21:19 | 0:21:21 | |
So picture bonuses in a moment. Another starter question. | 0:21:21 | 0:21:25 | |
Fingers on the buzzers, all of you. | 0:21:25 | 0:21:27 | |
In the field of data entry and electronic publishing, | 0:21:27 | 0:21:30 | |
for what do the letters OCR stand? | 0:21:30 | 0:21:32 | |
Optical character recognition. | 0:21:35 | 0:21:37 | |
Correct. | 0:21:37 | 0:21:38 | |
APPLAUSE | 0:21:38 | 0:21:41 | |
So, you get the picture bonuses | 0:21:41 | 0:21:43 | |
following on from illustrations of a scene from The Winter's Tale. | 0:21:43 | 0:21:46 | |
Your bonuses are three more depictions | 0:21:46 | 0:21:48 | |
of characters from that play. | 0:21:48 | 0:21:49 | |
Firstly, for five, who are this couple from a Victorian engraving? | 0:21:49 | 0:21:53 | |
Do we know anything about The Winter's Tale? I have no... | 0:21:57 | 0:21:59 | |
No, nothing. | 0:21:59 | 0:22:00 | |
I've got... Wait, hang on. | 0:22:00 | 0:22:03 | |
Oh, he didn't tell as any... | 0:22:04 | 0:22:05 | |
just Hermione. We could pluck one name out of the air | 0:22:05 | 0:22:08 | |
but to pluck two would be tough, I think. | 0:22:08 | 0:22:10 | |
Antonio and Maria. Antonia... | 0:22:10 | 0:22:13 | |
Antonio. Antonio and Maria. | 0:22:13 | 0:22:15 | |
No, it's Florizel and Perdita. | 0:22:15 | 0:22:17 | |
Secondly, the character shown here in a Georgian engraving. | 0:22:17 | 0:22:20 | |
I think we're really just... Bart Simpson?! | 0:22:23 | 0:22:26 | |
No, we're just going to give up again, I'm afraid. | 0:22:26 | 0:22:28 | |
That's Autolycus. | 0:22:28 | 0:22:30 | |
And finally, the character played here | 0:22:30 | 0:22:32 | |
by the Victorian actor Johnston Forbes Robertson. | 0:22:32 | 0:22:35 | |
This is all from Winter's Tale? It's all Winter's Tale, yes. | 0:22:38 | 0:22:40 | |
Yeah, I'm sorry, we're going to have to say no idea again. | 0:22:40 | 0:22:43 | |
That's Leontes. Ten points for this. | 0:22:43 | 0:22:45 | |
Deposed in 1797, Ludovico Manin | 0:22:45 | 0:22:48 | |
was the last holder of which title, as chief magistrate of Venice? | 0:22:48 | 0:22:53 | |
Doge. Correct. | 0:22:55 | 0:22:56 | |
APPLAUSE | 0:22:56 | 0:22:59 | |
Your bonuses are on courtroom drama, Southampton. | 0:22:59 | 0:23:02 | |
In each case, name the film from the description. | 0:23:02 | 0:23:04 | |
Firstly, a 1957 film by Stanley Kubrick | 0:23:04 | 0:23:07 | |
based on the trial of French soldiers in World War I | 0:23:07 | 0:23:10 | |
who refused to continue an impossible attack. | 0:23:10 | 0:23:13 | |
It's three word title is taken from Thomas Gray's elegy. | 0:23:13 | 0:23:16 | |
In A Churchyard? Country Churchyard? Do you think? | 0:23:20 | 0:23:23 | |
That was In A Country Churchyard. That was the title, yeah. | 0:23:23 | 0:23:27 | |
A Country Churchyard. | 0:23:27 | 0:23:29 | |
No, it's "paths of glory lead but to the grave." | 0:23:29 | 0:23:31 | |
In 1961, a film in which an American court | 0:23:31 | 0:23:35 | |
tries Nazi judges accused of war crimes. | 0:23:35 | 0:23:38 | |
Its title refers to the German city in which the trial takes place. | 0:23:38 | 0:23:42 | |
Nuremberg? Nuremberg. | 0:23:44 | 0:23:45 | |
Something to do with Nuremberg? Nuremberg? | 0:23:45 | 0:23:47 | |
Oh, I don't know. Try it. Go for it. | 0:23:48 | 0:23:51 | |
Nuremberg. | 0:23:51 | 0:23:52 | |
It's Judgment At Nuremberg. | 0:23:52 | 0:23:53 | |
And finally, a 1957 Oscar-nominated film directed by Sidney Lumet. | 0:23:53 | 0:23:59 | |
It's three word title refers to the members of the jury. | 0:23:59 | 0:24:01 | |
12 Angry Men. 12 Angry Men. 12 Angry Men. | 0:24:01 | 0:24:03 | |
Correct. Four minutes to go, ten points for this. | 0:24:03 | 0:24:06 | |
The Greenwich Meridian crosses one British motorway. Which one? | 0:24:06 | 0:24:10 | |
M20. | 0:24:12 | 0:24:13 | |
Anyone like to buzz from Emmanuel? | 0:24:13 | 0:24:15 | |
M25. | 0:24:16 | 0:24:18 | |
Correct. | 0:24:18 | 0:24:19 | |
APPLAUSE | 0:24:19 | 0:24:21 | |
Your bonuses are on shorter words | 0:24:22 | 0:24:24 | |
that can be made using any of the nine letters | 0:24:24 | 0:24:26 | |
in the word hailstorm. | 0:24:26 | 0:24:28 | |
In each case, give the word from the definition. | 0:24:28 | 0:24:30 | |
Firstly, a person who has strong feelings and opinions | 0:24:30 | 0:24:32 | |
about what is right | 0:24:32 | 0:24:34 | |
and tries to control the behaviour of other people. | 0:24:34 | 0:24:36 | |
Hailstorm. Can you get moralist out of hailstorm? | 0:24:38 | 0:24:42 | |
A three-letter word. What? Moralist. | 0:24:42 | 0:24:44 | |
A three-letter word. Is it three letters? No, no. | 0:24:44 | 0:24:46 | |
I don't think... I think it's any number. | 0:24:46 | 0:24:49 | |
Moralist. Moralist. Moralist. Moralist? | 0:24:49 | 0:24:51 | |
Correct. | 0:24:51 | 0:24:53 | |
Secondly, the fruit of forest trees such as beech, oak or chestnut. | 0:24:53 | 0:24:57 | |
It's mast. Mast, yes, correct. Mast. | 0:24:57 | 0:25:00 | |
Correct. And finally, an extremely small amount, | 0:25:00 | 0:25:03 | |
or the ninth letter of the Greek alphabet. | 0:25:03 | 0:25:05 | |
Oh... Theta. | 0:25:05 | 0:25:08 | |
Eh... Iota. Iota. Iota, yeah. Yeah? | 0:25:08 | 0:25:11 | |
OK, iota. | 0:25:11 | 0:25:13 | |
Correct. Ten points for this. Listen carefully. | 0:25:13 | 0:25:15 | |
Mark Rylance's 2013 production | 0:25:15 | 0:25:17 | |
of Much Ado About Nothing at the Old Vic | 0:25:17 | 0:25:20 | |
starred James Earl Jones as Benedick | 0:25:20 | 0:25:22 | |
and which British actress as Beatrice? | 0:25:22 | 0:25:25 | |
Vanessa Redgrave? | 0:25:27 | 0:25:28 | |
Correct. APPLAUSE | 0:25:28 | 0:25:31 | |
These bonuses are on Scottish lochs, Southampton. | 0:25:31 | 0:25:33 | |
Part of the Trossachs National Park, | 0:25:33 | 0:25:35 | |
which, in terms of surface area, is Scotland's largest loch? | 0:25:35 | 0:25:39 | |
Loch Ness? Loch Ness? Loch Lomond? | 0:25:39 | 0:25:41 | |
Loch Ness? No, I think it's Loch Ness. Yeah. Loch Ness. | 0:25:41 | 0:25:43 | |
No, it's Loch Lomond. | 0:25:43 | 0:25:45 | |
Located in Argyll and Bute, which is Scotland's longest freshwater loch? | 0:25:45 | 0:25:49 | |
If we don't know, go... That must be Ness. Loch Ness. Loch Ness. | 0:25:50 | 0:25:53 | |
No, it's Loch Awe. | 0:25:53 | 0:25:54 | |
Situated in the Highlands, | 0:25:54 | 0:25:56 | |
which is Scotland's largest loch in terms of volume? | 0:25:56 | 0:25:59 | |
Oh, no, that's Loch Ness again! Let's try Loch Ness. | 0:25:59 | 0:26:02 | |
Correct! LAUGHTER AND APPLAUSE | 0:26:02 | 0:26:04 | |
Ten points for this. | 0:26:04 | 0:26:06 | |
Imperial, Hungarian, horseshoe, Chevron, Dali, walrus and pencil | 0:26:06 | 0:26:11 | |
are all types of what form...? | 0:26:11 | 0:26:14 | |
Moustache. | 0:26:14 | 0:26:15 | |
Correct. APPLAUSE | 0:26:15 | 0:26:18 | |
Your bonuses, Emmanuel College, are on miracles. | 0:26:18 | 0:26:20 | |
In his 1748 enquiry concerning human understanding, | 0:26:20 | 0:26:23 | |
which philosopher called a miracle "a violation of the laws of nature?" | 0:26:23 | 0:26:28 | |
Hume, isn't it? Hume? Could be. | 0:26:28 | 0:26:30 | |
We'll go with Hume. | 0:26:30 | 0:26:31 | |
Correct. The Book Of Miracles is a work | 0:26:31 | 0:26:33 | |
by which 17th-century religious figure, | 0:26:33 | 0:26:35 | |
a founder of The Society Of Friends? | 0:26:35 | 0:26:38 | |
Oh, erm... | 0:26:38 | 0:26:39 | |
HE MOUTHS | 0:26:41 | 0:26:44 | |
Is it Brigham Young? | 0:26:44 | 0:26:45 | |
I don't know. Oh, no, no... | 0:26:45 | 0:26:48 | |
Brigham Young is a... | 0:26:48 | 0:26:50 | |
a Mormon. So it's a Quaker, right? Mm. | 0:26:50 | 0:26:53 | |
Do we know any Quakers? THEY MUTTER | 0:26:53 | 0:26:55 | |
No, sorry. No idea, I'm afraid. | 0:26:55 | 0:26:57 | |
That was George Fox. | 0:26:57 | 0:26:58 | |
And finally, the 1962 film The Miracle Worker | 0:26:58 | 0:27:01 | |
told the story of the teacher Anne Sullivan | 0:27:01 | 0:27:04 | |
and which of her pupils? | 0:27:04 | 0:27:05 | |
Helen Keller. Helen Keller? | 0:27:05 | 0:27:07 | |
Yeah, Helen Keller. | 0:27:07 | 0:27:08 | |
Correct. Ten points for this. | 0:27:08 | 0:27:09 | |
St Kitts and Nevis, Zimbabwe, Belize and Vanuatu | 0:27:09 | 0:27:12 | |
are among the countries that joined the United Nations | 0:27:12 | 0:27:15 | |
during which decade? | 0:27:15 | 0:27:16 | |
1970s? | 0:27:19 | 0:27:20 | |
Anyone like to buzz from Emmanuel? | 0:27:20 | 0:27:22 | |
You may not confer. One of you may buzz. | 0:27:22 | 0:27:24 | |
'60s. | 0:27:28 | 0:27:29 | |
No, it's the 1980s. Ten points for this. | 0:27:29 | 0:27:31 | |
Meaning robotic, docile or conformist, | 0:27:31 | 0:27:34 | |
what adjective derives from the title | 0:27:34 | 0:27:36 | |
of a 1972 novel by Ira Levin set in a fictional suburb...? | 0:27:36 | 0:27:40 | |
Robot? | 0:27:42 | 0:27:43 | |
No. You lose five points. | 0:27:43 | 0:27:45 | |
..set in a fictional suburb in Connecticut? | 0:27:45 | 0:27:48 | |
You may not confer! | 0:27:48 | 0:27:49 | |
Inert. | 0:27:56 | 0:27:57 | |
No, it's Stepford. Ten points for this. | 0:27:57 | 0:28:00 | |
A small rocky hillock south of Ardnamurchan Point | 0:28:00 | 0:28:02 | |
represents which extremity of the island of Great Britain? | 0:28:02 | 0:28:06 | |
The most westerly point? | 0:28:08 | 0:28:10 | |
Westernmost is correct, yes. | 0:28:10 | 0:28:11 | |
APPLAUSE | 0:28:11 | 0:28:14 | |
Emmanuel College, these are your bonuses on archaic occupations. | 0:28:14 | 0:28:17 | |
The term pettifogger, originating in the mid-16th century denotes... | 0:28:17 | 0:28:21 | |
GONG CHIMES And at the gong, | 0:28:21 | 0:28:22 | |
Southampton University have 105. | 0:28:22 | 0:28:24 | |
Emmanuel College, Cambridge have 175. | 0:28:24 | 0:28:27 | |
APPLAUSE | 0:28:27 | 0:28:29 | |
Well, we're going to have to say goodbye to you, Southampton. | 0:28:30 | 0:28:33 | |
But 105 is a perfectly respectable score. | 0:28:33 | 0:28:35 | |
Thank you for joining us. | 0:28:35 | 0:28:36 | |
And Emmanuel, we look forward to seeing you in the final. | 0:28:36 | 0:28:39 | |
I hope you can join us next time, for the second semifinal. | 0:28:39 | 0:28:41 | |
But until then, it's goodbye from Southampton University. Goodbye! | 0:28:41 | 0:28:44 | |
It's goodbye from Emmanuel College, Cambridge. Goodbye! | 0:28:44 | 0:28:47 | |
And it's goodbye from me. Goodbye. | 0:28:47 | 0:28:49 | |
APPLAUSE | 0:28:49 | 0:28:52 |