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Christmas University Challenge. | 0:00:18 | 0:00:21 | |
Asking the questions, Jeremy Paxman. | 0:00:21 | 0:00:24 | |
TOY TRAIN HORN TOOTS | 0:00:24 | 0:00:26 | |
Hello. 14 teams of alumni from British universities and colleges | 0:00:28 | 0:00:32 | |
have taken part in this little seasonal contest. | 0:00:32 | 0:00:35 | |
Ten of them have now bowed out. | 0:00:35 | 0:00:37 | |
They can sit happily at home, munching the last of the mince pies, | 0:00:37 | 0:00:40 | |
tut-tutting and muttering, "Fancy not knowing that," | 0:00:40 | 0:00:44 | |
as they watch the four teams left in the semifinals. | 0:00:44 | 0:00:47 | |
Whichever team wins tonight will take the first place in the final. | 0:00:47 | 0:00:51 | |
Now, accidentally leaning on your buzzer | 0:00:51 | 0:00:53 | |
and saying the first thing that comes into your head | 0:00:53 | 0:00:55 | |
isn't a tactic we recommend in this competition, | 0:00:55 | 0:00:58 | |
but it served the team from Manchester University well enough | 0:00:58 | 0:01:00 | |
on at least one occasion in their first-round match. | 0:01:00 | 0:01:03 | |
Happily, though, it was amidst an impressive general knowledge | 0:01:03 | 0:01:07 | |
displayed in the more conventional manner. | 0:01:07 | 0:01:09 | |
It earned them 195 points against the University of East Anglia | 0:01:09 | 0:01:13 | |
who opted to score...rather fewer. LAUGHTER | 0:01:13 | 0:01:16 | |
The team comprises a comedy writer and performer | 0:01:16 | 0:01:18 | |
who proved effectively buzzer-happy in that first match, | 0:01:18 | 0:01:22 | |
a writer and screenwriter whose credits include | 0:01:22 | 0:01:25 | |
the films In The Loop and Four Lions | 0:01:25 | 0:01:27 | |
and a memorable contribution to the Black Mirror series. | 0:01:27 | 0:01:30 | |
He made his debut as a novelist in 2015. | 0:01:30 | 0:01:33 | |
Their captain is a campaigner on issues of health and equality | 0:01:33 | 0:01:37 | |
and, as such, has served as an adviser | 0:01:37 | 0:01:40 | |
to government departments and the NHS. | 0:01:40 | 0:01:42 | |
And fourthly, a barrister who presides over cases | 0:01:42 | 0:01:46 | |
in a television courtroom on ITV. | 0:01:46 | 0:01:48 | |
Let's meet the Manchester team again. | 0:01:48 | 0:01:50 | |
Hello, I'm Lucy Porter, | 0:01:50 | 0:01:52 | |
and I studied English between '91 and '94. | 0:01:52 | 0:01:56 | |
Hi, I'm Jesse Armstrong, | 0:01:56 | 0:01:57 | |
and I graduated in 1995 in American Studies. | 0:01:57 | 0:02:02 | |
And this is their captain. | 0:02:02 | 0:02:03 | |
Hi, I'm Christine Burns, | 0:02:03 | 0:02:05 | |
I came up to Manchester in 1972 and left in 1976 | 0:02:05 | 0:02:09 | |
with a first and a Masters degree in Computer Science. | 0:02:09 | 0:02:12 | |
Hi, I'm Rob Rinder, | 0:02:12 | 0:02:13 | |
I graduated with my first degree in the 1990s at Manchester | 0:02:13 | 0:02:17 | |
in Politics and Modern History. | 0:02:17 | 0:02:19 | |
APPLAUSE | 0:02:19 | 0:02:21 | |
Now, the team from the University of Sheffield | 0:02:24 | 0:02:26 | |
also had an impressive first-round match | 0:02:26 | 0:02:28 | |
and scored 185 points against Aberdeen University's 90, | 0:02:28 | 0:02:33 | |
so we could be in for a close match tonight. | 0:02:33 | 0:02:35 | |
Their team includes a prolific sports writer and broadcaster | 0:02:35 | 0:02:38 | |
based in Madrid. | 0:02:38 | 0:02:40 | |
He earned a doctorate from Sheffield | 0:02:40 | 0:02:41 | |
with a thesis on Catholicism, War and the Foundation of Franco-ism | 0:02:41 | 0:02:45 | |
which was published in 2010. | 0:02:45 | 0:02:47 | |
Secondly, an editor and novelist | 0:02:47 | 0:02:49 | |
who comprises one half of the Nicci French writing partnership | 0:02:49 | 0:02:53 | |
known for their psychological thrillers. | 0:02:53 | 0:02:55 | |
Their captain is an academic at the University of Gloucestershire. | 0:02:55 | 0:02:59 | |
As a biologist with a penchant for insects, | 0:02:59 | 0:03:01 | |
he's a prolific broadcaster and presenter of documentaries. | 0:03:01 | 0:03:05 | |
And their fourth member is an architect | 0:03:05 | 0:03:07 | |
who specialised in self-build projects. | 0:03:07 | 0:03:10 | |
She's taught at the Birmingham School of Architecture | 0:03:10 | 0:03:12 | |
and was the first female president | 0:03:12 | 0:03:14 | |
of the Royal Institute of British Architects. | 0:03:14 | 0:03:17 | |
Let's meet the Sheffield team again. | 0:03:17 | 0:03:19 | |
Hello, I'm Sid Lowe, | 0:03:19 | 0:03:20 | |
and I graduated from Sheffield in 1998. | 0:03:20 | 0:03:23 | |
Hello, I'm Nicci Gerrard, and I did an MA in Sheffield in the 1980s. | 0:03:23 | 0:03:28 | |
And this is their captain. | 0:03:28 | 0:03:29 | |
Hello, I'm Adam Hart, I graduated in 2001 with a PhD in Zoology. | 0:03:29 | 0:03:34 | |
I'm Ruth Reed, I qualified as an architect from Sheffield in 1982. | 0:03:34 | 0:03:38 | |
APPLAUSE | 0:03:38 | 0:03:40 | |
OK, you all know the rules, so let's just crack on with it. | 0:03:44 | 0:03:46 | |
Finger on the buzzers - here's your first starter for ten. | 0:03:46 | 0:03:49 | |
December 30, 2015 marked the 150th anniversary | 0:03:49 | 0:03:54 | |
of the birth in Bombay of which poet and novelist? | 0:03:54 | 0:03:58 | |
Given the first name Joseph, he's usually known by his... | 0:03:58 | 0:04:02 | |
Kipling. | 0:04:03 | 0:04:05 | |
It is Rudyard Kipling, yes. | 0:04:05 | 0:04:06 | |
-APPLAUSE -Well done. | 0:04:06 | 0:04:09 | |
OK, Manchester, the first set of bonuses go to you. | 0:04:09 | 0:04:11 | |
They're on British writers talking about awards. | 0:04:11 | 0:04:14 | |
Firstly, for five, | 0:04:14 | 0:04:15 | |
"Oh, Christ!" was the response of which Iranian-born British author | 0:04:15 | 0:04:19 | |
on being told that she had won | 0:04:19 | 0:04:20 | |
the Nobel Prize in Literature in 2007? | 0:04:20 | 0:04:24 | |
Oh, it's... | 0:04:24 | 0:04:26 | |
-Any idea? -Not Azar Nafisi. | 0:04:29 | 0:04:31 | |
Arundhati Roy, she's Indian... | 0:04:33 | 0:04:35 | |
-Come on, let's have it, please. -You have one. | 0:04:35 | 0:04:37 | |
-No, it's not her. -No? | 0:04:37 | 0:04:38 | |
Oh, well... | 0:04:38 | 0:04:40 | |
Can you give it us if we say we definitely know | 0:04:40 | 0:04:42 | |
and we'll remember shortly? | 0:04:42 | 0:04:43 | |
This is what happens when you're no longer a student - | 0:04:43 | 0:04:46 | |
you know it but you just can't get it out or remember it. | 0:04:46 | 0:04:48 | |
No, it's Doris Lessing. | 0:04:48 | 0:04:50 | |
Secondly, "I would really like to have had the guts and the energy | 0:04:50 | 0:04:54 | |
"to write about people having battles with the DHSS, | 0:04:54 | 0:04:58 | |
"but I'm an arty person - | 0:04:58 | 0:04:59 | |
"I write overblown, purple, self-indulgent prose." | 0:04:59 | 0:05:02 | |
Which author said that? | 0:05:02 | 0:05:04 | |
She won the James Tait Black Award for Fiction in 1984 | 0:05:04 | 0:05:08 | |
for her novel Nights At The Circus. | 0:05:08 | 0:05:10 | |
Oh, erm, Angela Carter. | 0:05:10 | 0:05:12 | |
-Angela Carter. -Correct. | 0:05:12 | 0:05:13 | |
"It has come too late," | 0:05:13 | 0:05:15 | |
was the response of which British writer born in 1890 | 0:05:15 | 0:05:19 | |
on winning in 1967 | 0:05:19 | 0:05:21 | |
both the Royal Society of Literature Award and the WH Smith Award | 0:05:21 | 0:05:25 | |
for her novel the Wide Sargasso Sea? | 0:05:25 | 0:05:27 | |
Jean Rhys. | 0:05:27 | 0:05:28 | |
-Jean Rhys. -Correct. | 0:05:28 | 0:05:29 | |
10 points for this. APPLAUSE | 0:05:29 | 0:05:31 | |
Greensleeves, Beauty of Babylon, | 0:05:31 | 0:05:34 | |
Lord Lambourne and Winter Banana, | 0:05:34 | 0:05:37 | |
the colour of the latter being described as | 0:05:37 | 0:05:39 | |
a striking waxy pink over green-yellow, | 0:05:39 | 0:05:43 | |
are varieties of which fruit? | 0:05:43 | 0:05:45 | |
Plum? | 0:05:49 | 0:05:50 | |
Anyone like to buzz from Manchester? You may not confer. | 0:05:50 | 0:05:53 | |
-Apple. -Apples is correct, yes. | 0:05:53 | 0:05:55 | |
APPLAUSE | 0:05:55 | 0:05:57 | |
Right, these bonuses are on a deciduous tree, Manchester. | 0:05:59 | 0:06:02 | |
What is the common name of fraxinus excelsior? | 0:06:02 | 0:06:05 | |
It has pinnate leaflets comprising six to 12 opposite pairs | 0:06:05 | 0:06:10 | |
with an additional terminal leaflet at the end | 0:06:10 | 0:06:13 | |
and bears fruit known as keys. | 0:06:13 | 0:06:16 | |
Ash? | 0:06:16 | 0:06:17 | |
-Anybody else? -I've got no idea. | 0:06:17 | 0:06:19 | |
-Ash. -The European Ash is correct. -Well done. | 0:06:19 | 0:06:21 | |
Ash is often accompanied by a hazel understory | 0:06:21 | 0:06:25 | |
providing a habitat for which protected rodents | 0:06:25 | 0:06:27 | |
of the genus Muscardinus? | 0:06:27 | 0:06:30 | |
That's...squirrels? Do you think? | 0:06:31 | 0:06:33 | |
Protected... | 0:06:33 | 0:06:35 | |
Muscardinus. | 0:06:36 | 0:06:37 | |
-Don't know. -No. | 0:06:39 | 0:06:40 | |
-Red squirrel? -No, it's the dormouse. -Oh. | 0:06:40 | 0:06:43 | |
And finally, ash trees are used for nesting | 0:06:43 | 0:06:45 | |
by which general type of raptor | 0:06:45 | 0:06:47 | |
belonging to the order Strigiformes? | 0:06:47 | 0:06:50 | |
What raptors are there? | 0:06:52 | 0:06:53 | |
-I mean... -Hawk. -..there's the hawk. -Yeah. -Yeah? | 0:06:53 | 0:06:55 | |
We're going to say hawk. | 0:06:55 | 0:06:57 | |
-No, it's owls. -Oh. | 0:06:57 | 0:06:59 | |
Ten points for this - | 0:06:59 | 0:07:00 | |
the name of which European city may precede school | 0:07:00 | 0:07:04 | |
to denote a group of linguists established in 1920s... | 0:07:04 | 0:07:07 | |
Vienna? | 0:07:08 | 0:07:09 | |
No, you lose five points. | 0:07:09 | 0:07:10 | |
..a group of linguists established in 1926 | 0:07:10 | 0:07:13 | |
and Spring when indicating a period of liberalisation | 0:07:13 | 0:07:17 | |
that ended in August 1968? | 0:07:17 | 0:07:20 | |
-Prague. -Prague is correct, yes. | 0:07:21 | 0:07:23 | |
APPLAUSE | 0:07:23 | 0:07:25 | |
Right, you get a set of bonuses on | 0:07:27 | 0:07:28 | |
the 19th-century mathematician and computer pioneer Ada Lovelace. | 0:07:28 | 0:07:33 | |
Firstly, the Dictionary of National Biography notes that | 0:07:33 | 0:07:35 | |
Ada was educated to be a mathematician and a scientist | 0:07:35 | 0:07:39 | |
because her mother feared that | 0:07:39 | 0:07:40 | |
she might turn out to be a poet like her father - who was he? | 0:07:40 | 0:07:44 | |
THEY DISCUSS IN WHISPERS | 0:07:47 | 0:07:49 | |
Are we going for that? Byron? | 0:07:49 | 0:07:52 | |
-Byron. -Correct. | 0:07:52 | 0:07:54 | |
Of which of Charles Babbage's devices did Ada write, | 0:07:54 | 0:07:58 | |
"It weaves algebraical patterns | 0:07:58 | 0:08:00 | |
"just as the Jacquard loom weaves flowers and leaves"? | 0:08:00 | 0:08:04 | |
It remained partially built on his death in 1871. | 0:08:04 | 0:08:08 | |
THEY DISCUSS IN WHISPERS | 0:08:08 | 0:08:10 | |
The Difference Engine. | 0:08:11 | 0:08:13 | |
No, it's the Analytical Engine. | 0:08:13 | 0:08:15 | |
Thirdly, Ada described how the Analytical Engine | 0:08:15 | 0:08:18 | |
could be programmed to compute numbers | 0:08:18 | 0:08:20 | |
defined by the exponential generating function. | 0:08:20 | 0:08:23 | |
These numbers are named after which Swiss mathematician who died in 1705? | 0:08:23 | 0:08:28 | |
You need only give me his surname. | 0:08:28 | 0:08:30 | |
THEY DISCUSS IN WHISPERS | 0:08:32 | 0:08:35 | |
-Swiss... -Swiss mathematician... | 0:08:35 | 0:08:38 | |
-What are we saying? -Poisson? Was it Poisson? | 0:08:38 | 0:08:41 | |
-Just go for that. -Poisson. | 0:08:41 | 0:08:43 | |
No, it's Bernoulli. | 0:08:43 | 0:08:45 | |
We're going to take a picture round now. | 0:08:45 | 0:08:46 | |
For your picture starter you will see a map | 0:08:46 | 0:08:48 | |
representing, with a degree of simplification, | 0:08:48 | 0:08:51 | |
the major journeys made by a historical figure | 0:08:51 | 0:08:53 | |
200 years ago this year. | 0:08:53 | 0:08:56 | |
For ten points, I want you to name that historical figure. | 0:08:56 | 0:08:59 | |
Napoleon. | 0:09:04 | 0:09:05 | |
Napoleon Bonaparte is correct, yes. | 0:09:05 | 0:09:07 | |
APPLAUSE | 0:09:07 | 0:09:09 | |
2015 saw the 200th anniversary of Napoleon's so-called Hundred Days | 0:09:11 | 0:09:15 | |
in which he returned to power following exile in Elba, | 0:09:15 | 0:09:18 | |
fought the Seventh Coalition of powers mobilised to oppose him, | 0:09:18 | 0:09:21 | |
was ultimately defeated at Waterloo and exiled to St Helena. | 0:09:21 | 0:09:25 | |
For your bonuses, you're going to see | 0:09:25 | 0:09:27 | |
three flags of Britain's allies in the Seventh Coalition - | 0:09:27 | 0:09:30 | |
five points for each you can identify. | 0:09:30 | 0:09:32 | |
Firstly. | 0:09:32 | 0:09:33 | |
No, I don't know. | 0:09:33 | 0:09:35 | |
Austria, Hungarian... | 0:09:36 | 0:09:38 | |
-Austria-Hungary. -THEY LAUGH | 0:09:38 | 0:09:40 | |
Prussia. | 0:09:40 | 0:09:41 | |
-We're going to go with...Austria? -Let's say Prussia. | 0:09:41 | 0:09:43 | |
-No, I don't think it's Austria -Prussia? -Yeah. | 0:09:43 | 0:09:47 | |
We'll say Prussia. | 0:09:47 | 0:09:48 | |
No, that's Portugal. Secondly. | 0:09:48 | 0:09:50 | |
-It looks German. -THEY DISCUSS IN WHISPERS | 0:09:53 | 0:09:56 | |
-German? -Hannover? Prussia? -Let's say Prussia again. -Yeah. | 0:09:56 | 0:09:59 | |
We'll say Prussia again. | 0:09:59 | 0:10:00 | |
No, that's the Habsburg Empire or the Austrian Empire. | 0:10:00 | 0:10:03 | |
And finally. | 0:10:03 | 0:10:05 | |
-That's Prussia. -Yeah. -Prussia? | 0:10:05 | 0:10:07 | |
-Given we've had the Habsburg, yes. -THEY LAUGH | 0:10:07 | 0:10:09 | |
-Yeah, Prussia. -Yes, that's correct. Well done. | 0:10:09 | 0:10:11 | |
-You got there in the end. -Phew! -APPLAUSE | 0:10:11 | 0:10:13 | |
Bound to be one of them, wasn't it? LAUGHTER | 0:10:13 | 0:10:15 | |
Right, ten points for this - | 0:10:15 | 0:10:16 | |
in church architecture, what four-letter term | 0:10:16 | 0:10:19 | |
derives from the Greek for arch | 0:10:19 | 0:10:21 | |
and denotes a large, usually semi-circular recess | 0:10:21 | 0:10:24 | |
behind the altar? | 0:10:24 | 0:10:26 | |
-Apse. -Apse is correct, yes. | 0:10:27 | 0:10:29 | |
APPLAUSE | 0:10:29 | 0:10:31 | |
You get a set of bonuses, Sheffield, on cross-dressing | 0:10:32 | 0:10:35 | |
in Shakespeare's plays. LAUGHTER | 0:10:35 | 0:10:37 | |
Firstly, Balthazar, supposedly a lawyer in the trial of Antonio | 0:10:37 | 0:10:41 | |
in The Merchant of Venice | 0:10:41 | 0:10:42 | |
is a cross-dressing guise adopted by which character? | 0:10:42 | 0:10:46 | |
-Do you know? -He's like... | 0:10:47 | 0:10:49 | |
He's like The Prince something. | 0:10:49 | 0:10:51 | |
The Prince of... | 0:10:51 | 0:10:53 | |
-..Morocco? Go for that. -Prince of Morocco? -Go for it. | 0:10:54 | 0:10:58 | |
Prince of Morocco. | 0:10:58 | 0:10:59 | |
The Prince of Morocco? LAUGHTER | 0:10:59 | 0:11:01 | |
Doesn't sound very cross-dressing to me. | 0:11:01 | 0:11:03 | |
-No, it's Portia. -Oh! -SHE SPEAKS INDISTINCTLY | 0:11:03 | 0:11:06 | |
Secondly, in which of Shakespeare's comedies | 0:11:06 | 0:11:09 | |
does Rosalind, the daughter of a duke, | 0:11:09 | 0:11:11 | |
disguise herself as a shepherd called Ganymede? | 0:11:11 | 0:11:16 | |
-Rosalind is in As You Like It. -As You Like It? | 0:11:16 | 0:11:20 | |
-As You Like It. -Correct. | 0:11:20 | 0:11:21 | |
In which of Shakespeare's plays does the shipwrecked Viola | 0:11:21 | 0:11:24 | |
disguise herself as a eunuch called Cesario | 0:11:24 | 0:11:27 | |
in order to become a page in the Illyrian court of Duke Orsino? | 0:11:27 | 0:11:32 | |
-That is Twelfth Night. -Is it Twelfth Night? | 0:11:32 | 0:11:35 | |
-Twelfth Night. -Well done. Ten points for this - | 0:11:35 | 0:11:37 | |
496 and 28 are examples of what class of number | 0:11:37 | 0:11:42 | |
defined as positive integers that are the sum of their proper divisors? | 0:11:42 | 0:11:46 | |
-Perfect numbers. -Perfect numbers is correct, yes. | 0:11:48 | 0:11:50 | |
APPLAUSE | 0:11:50 | 0:11:52 | |
That puts you onto level pegging | 0:11:53 | 0:11:55 | |
and you get a set of bonuses on | 0:11:55 | 0:11:56 | |
discoveries described as the Breakthrough of the Year | 0:11:56 | 0:12:00 | |
by Science magazine, | 0:12:00 | 0:12:01 | |
the journal of the US Association for the Advancement of Science. | 0:12:01 | 0:12:04 | |
Firstly, what observation about the nature of the universe | 0:12:04 | 0:12:07 | |
did Science magazine declare the Breakthrough of 1998? | 0:12:07 | 0:12:11 | |
Nature of the universe, 1998? | 0:12:11 | 0:12:14 | |
-The universe is expanding. -What? | 0:12:14 | 0:12:16 | |
-The earth's expanding. -That was earlier, wasn't it? | 0:12:16 | 0:12:19 | |
That was much earlier, wasn't it? | 0:12:19 | 0:12:20 | |
-We've known that for a long time. -Yeah. -Come on. | 0:12:20 | 0:12:23 | |
-What are we going to go for? -We're going to go with you, | 0:12:23 | 0:12:26 | |
whatever you said because you're the scientist. | 0:12:26 | 0:12:28 | |
Expanding? | 0:12:28 | 0:12:29 | |
No, that's been known since about the 1920s. | 0:12:29 | 0:12:31 | |
It's the expansion is accelerating. ADAM GROANS | 0:12:31 | 0:12:34 | |
The Breakthrough of 2010 was a micromechanical resonator | 0:12:34 | 0:12:37 | |
that had been placed in the superposition of oscillating states | 0:12:37 | 0:12:40 | |
prompting Science magazine to call it | 0:12:40 | 0:12:42 | |
the first example of what form of machine? | 0:12:42 | 0:12:45 | |
Nanomachine? | 0:12:46 | 0:12:48 | |
-A kind of... -Go for it. | 0:12:48 | 0:12:50 | |
A nanomachine? | 0:12:50 | 0:12:52 | |
No, it's a quantum machine. | 0:12:52 | 0:12:53 | |
And finally, the discovery of which subatomic particle | 0:12:53 | 0:12:56 | |
was hailed as the Breakthrough of 2012? | 0:12:56 | 0:12:59 | |
-Higgs boson? -I think... | 0:12:59 | 0:13:01 | |
-Higgs boson, is it? -Yes. -That was later, was it? | 0:13:01 | 0:13:03 | |
-Higgs boson. -Correct. | 0:13:03 | 0:13:05 | |
You go to the lead. Ten points at stake for this. | 0:13:05 | 0:13:07 | |
Winning him critical and commercial success | 0:13:07 | 0:13:09 | |
as well as a special Pulitzer prize in 1992, | 0:13:09 | 0:13:12 | |
what is the title of Art Spiegelman's graphic novel in which... | 0:13:12 | 0:13:16 | |
-Maus. -Maus is correct, yes. | 0:13:17 | 0:13:19 | |
APPLAUSE | 0:13:19 | 0:13:21 | |
You retake the lead, Manchester, | 0:13:21 | 0:13:23 | |
and you get a set of bonuses on the terminology of rugby union. | 0:13:23 | 0:13:26 | |
All three answers are four-letter words. | 0:13:26 | 0:13:29 | |
Firstly, for five, what is defined as, quote, | 0:13:29 | 0:13:32 | |
a phase of play where one or more players from each team | 0:13:32 | 0:13:35 | |
who are on their feet in physical contact | 0:13:35 | 0:13:38 | |
close around the ball on the ground? | 0:13:38 | 0:13:40 | |
Maul. | 0:13:40 | 0:13:41 | |
-A maul. -No, it's a ruck. | 0:13:41 | 0:13:44 | |
Secondly, what begins when, quote, | 0:13:44 | 0:13:46 | |
a player carrying the ball is held by one or more opponents | 0:13:46 | 0:13:49 | |
and one of more of the ball carrier's team mates | 0:13:49 | 0:13:52 | |
bind on the ball carrier. | 0:13:52 | 0:13:53 | |
-That's a maul. -That's a maul. | 0:13:53 | 0:13:55 | |
That is a maul, yes. | 0:13:55 | 0:13:56 | |
Lastly, what term denotes the player | 0:13:56 | 0:13:58 | |
who wears the number four or five jersey? | 0:13:58 | 0:14:01 | |
It refers to the function they perform in the second row of a scrum. | 0:14:01 | 0:14:04 | |
-Is it the prop? -Er, yeah. | 0:14:04 | 0:14:07 | |
-Yeah. -The prop? -Yeah. | 0:14:07 | 0:14:09 | |
We think it's a prop. | 0:14:09 | 0:14:10 | |
No, they're in the front row - it's a lock. | 0:14:10 | 0:14:13 | |
Right, we're going to take a music round now. | 0:14:13 | 0:14:14 | |
For your music starter, you're going to hear a piece of popular music. | 0:14:14 | 0:14:17 | |
For 10 points, I want the name of the band performing, please. | 0:14:17 | 0:14:20 | |
# Oh, up, down, turn around | 0:14:20 | 0:14:23 | |
# Please don't let me hit the ground... # | 0:14:23 | 0:14:25 | |
-New Order. -New Order is right, yes. | 0:14:27 | 0:14:29 | |
APPLAUSE | 0:14:29 | 0:14:31 | |
In 1982 New Order's Temptation topped John Peel's Festive 50, | 0:14:31 | 0:14:37 | |
an alternative Christmas chart voted for by listeners of his Radio 1 show. | 0:14:37 | 0:14:42 | |
Initially a poll of listener's all-time favourite songs, | 0:14:42 | 0:14:44 | |
from 1982 onwards it became | 0:14:44 | 0:14:47 | |
a rundown of listeners' favourite tracks of the year. | 0:14:47 | 0:14:50 | |
Your bonuses are three more number ones | 0:14:50 | 0:14:52 | |
from that second era of the Festive 50, | 0:14:52 | 0:14:55 | |
and this time I want both the band performing | 0:14:55 | 0:14:57 | |
and the year in which the track topped Peel's poll. | 0:14:57 | 0:15:01 | |
Firstly, for five. | 0:15:01 | 0:15:02 | |
ROCK MUSIC PLAYS | 0:15:02 | 0:15:04 | |
-It's Nirvana. -It's Nirvana. -That will have been '90... | 0:15:06 | 0:15:09 | |
-God, when did he die? He died in... -THEY DISCUSS IN HUSHED VOICES | 0:15:09 | 0:15:14 | |
# ..and to pretend | 0:15:14 | 0:15:16 | |
# She's over bored and self-assured... # | 0:15:16 | 0:15:20 | |
Do you know... | 0:15:20 | 0:15:22 | |
It's '90s. | 0:15:22 | 0:15:23 | |
Do you think it was something like '84...? | 0:15:24 | 0:15:27 | |
No, it was later than that. | 0:15:27 | 0:15:28 | |
-'90s? Do you think it might be '90s? -Later. | 0:15:28 | 0:15:31 | |
-So, Nirvana... -Let's go '92 and... | 0:15:31 | 0:15:34 | |
-'92. -Their last one was '93. | 0:15:34 | 0:15:36 | |
Right, our conclusion is Nirvana, 1992. | 0:15:36 | 0:15:39 | |
Bad luck. It was Nirvana, of course, Smells Like Teen Spirit, | 0:15:39 | 0:15:42 | |
-but it was 1991. -Oh! | 0:15:42 | 0:15:44 | |
Secondly. | 0:15:44 | 0:15:45 | |
# You shut your mouth | 0:15:47 | 0:15:49 | |
# How can you say... # | 0:15:49 | 0:15:50 | |
-THEY DISCUSS IN HUSHED VOICES -# I go about things the wrong way? | 0:15:50 | 0:15:54 | |
# I am human and I need to be loved... # | 0:15:54 | 0:16:00 | |
-..'83 to '85. -# Just like everybody else does. # | 0:16:00 | 0:16:05 | |
Or maybe '86. | 0:16:05 | 0:16:06 | |
So, we're saying The Smiths, '80...what? | 0:16:06 | 0:16:09 | |
-I don't know. You go. -'84. | 0:16:09 | 0:16:12 | |
-The Smiths, 1984. -Correct. -Yes! | 0:16:12 | 0:16:14 | |
And finally... | 0:16:14 | 0:16:16 | |
-POP MUSIC PLAYS -Oh... | 0:16:16 | 0:16:18 | |
# She came from Greece, she had a thirst for knowledge | 0:16:18 | 0:16:22 | |
# She studied sculpture at Saint Martin's College, | 0:16:22 | 0:16:25 | |
-# That's where I... # -Later? -Common People. | 0:16:25 | 0:16:28 | |
# ..caught her eye... # | 0:16:28 | 0:16:29 | |
THEY DISCUSS IN HUSHED VOICES | 0:16:29 | 0:16:32 | |
Are we going to go for 2000? | 0:16:32 | 0:16:33 | |
-Sorry, what was the name? -Pulp. | 0:16:33 | 0:16:36 | |
THEY DISCUSS IN HUSHED VOICES | 0:16:36 | 0:16:38 | |
-What year do you think? -Don't know. | 0:16:38 | 0:16:40 | |
-'90s. -Later '90s? '96, '97? | 0:16:40 | 0:16:44 | |
-I was at university... -Let's have it, please. | 0:16:44 | 0:16:46 | |
Pulp, 1997. | 0:16:46 | 0:16:48 | |
-No, it was Pulp, 1995. -Oh! | 0:16:48 | 0:16:50 | |
Right, 10 points for this - give two acronyms, | 0:16:50 | 0:16:53 | |
one of which can be formed by adding a final letter to the other. | 0:16:53 | 0:16:57 | |
They denote, respectively, | 0:16:57 | 0:16:58 | |
a drama school founded by Sir Herbert Beerbohm Tree | 0:16:58 | 0:17:02 | |
and a system for detecting the location of objects | 0:17:02 | 0:17:05 | |
from pulses of electric... | 0:17:05 | 0:17:07 | |
-RADA and radar. -Correct. | 0:17:07 | 0:17:09 | |
APPLAUSE | 0:17:09 | 0:17:11 | |
Your bonuses are on the artists Gilbert & George, Sheffield. | 0:17:12 | 0:17:16 | |
After meeting at St Martin's School of Art in 1967, | 0:17:16 | 0:17:19 | |
one of Gilbert & George's earliest collaborative works | 0:17:19 | 0:17:22 | |
saw them as singing sculptures dressed in suits with bronzed faces | 0:17:22 | 0:17:26 | |
dancing to which song associated with Flanagan and Allen? | 0:17:26 | 0:17:30 | |
Flanagan and Allen? Did they do anything...? | 0:17:33 | 0:17:37 | |
I keep thinking Down By The... No. | 0:17:37 | 0:17:39 | |
-Was it Underneath The Arches? -Yeah. | 0:17:39 | 0:17:42 | |
-Underneath The Arches. -Correct. | 0:17:42 | 0:17:44 | |
In 2005 Gilbert & George represented the UK at the Biennale exhibition | 0:17:44 | 0:17:49 | |
held in which Italian city? | 0:17:49 | 0:17:51 | |
-Venice. -Is it Venice Biennale? | 0:17:51 | 0:17:52 | |
-Venice. -Correct. | 0:17:52 | 0:17:54 | |
Which feminist writer apparently upset the pair | 0:17:54 | 0:17:56 | |
when she declared that the only way they could complete their oeuvre | 0:17:56 | 0:17:59 | |
was by dying in unison? | 0:17:59 | 0:18:03 | |
-I don't think... -Germaine Greer. | 0:18:03 | 0:18:05 | |
-Yeah, Germaine Greer. -Germaine Greer? | 0:18:05 | 0:18:07 | |
-Germaine Greer. -It was, yes. | 0:18:07 | 0:18:08 | |
APPLAUSE Ten points for this... | 0:18:08 | 0:18:12 | |
Back on level pegging. | 0:18:12 | 0:18:13 | |
This'll give one of you the lead if you get it. | 0:18:13 | 0:18:15 | |
"Why is it that giving guns is so easy, | 0:18:15 | 0:18:18 | |
"but giving books is so hard? | 0:18:18 | 0:18:20 | |
"Why is it that making tanks is so easy, | 0:18:20 | 0:18:22 | |
"but building schools is so difficult?" | 0:18:22 | 0:18:25 | |
Who said those words in her Nobel speech in December 2014? | 0:18:25 | 0:18:30 | |
-Malala... -Yousafzai, yes. -..Yousafzai. | 0:18:31 | 0:18:34 | |
-Well done. -Sorry. -APPLAUSE | 0:18:34 | 0:18:36 | |
Right, you get a set of bonuses, Manchester, on Alfred Hitchcock. | 0:18:36 | 0:18:39 | |
Alfred Hitchcock is reputed to have said, | 0:18:39 | 0:18:41 | |
"When an actor comes to me and wants to discuss his character, | 0:18:41 | 0:18:44 | |
"I say, 'It's in the script.' | 0:18:44 | 0:18:46 | |
"If he says, 'But what's my motivation?' | 0:18:46 | 0:18:49 | |
"I say your..." what? | 0:18:49 | 0:18:51 | |
-Money. -Fired? | 0:18:52 | 0:18:54 | |
Yeah, you're fired. | 0:18:55 | 0:18:57 | |
Isn't it your money, your wages? | 0:18:57 | 0:19:01 | |
-Your pay cheque? -Your pay cheque. -Yeah. | 0:19:01 | 0:19:03 | |
-Your pay cheque. -Yes, or salary, yes. | 0:19:03 | 0:19:05 | |
Give the three words that complete this observation by Hitchcock - | 0:19:05 | 0:19:09 | |
"Television has brought back murder into the home..." | 0:19:09 | 0:19:12 | |
-"I love it." -THEY LAUGH | 0:19:15 | 0:19:17 | |
That would be him, wouldn't it? | 0:19:17 | 0:19:19 | |
-"It was there already." -Any better? Any other ideas? | 0:19:19 | 0:19:22 | |
-It's three words. -Yeah. I love it. | 0:19:22 | 0:19:24 | |
No, it's "..where it belongs." LAUGHTER | 0:19:24 | 0:19:26 | |
And finally, which three words complete this Hitchcock observation - | 0:19:26 | 0:19:29 | |
"For me, the cinema is not a slice of life but a..." | 0:19:29 | 0:19:32 | |
Oh, it's... No. | 0:19:38 | 0:19:40 | |
-"..a slice of death"? -Yeah, that sounds nice. -Yeah. | 0:19:40 | 0:19:42 | |
"..a slice of death." | 0:19:42 | 0:19:44 | |
No, it's "..piece of cake." | 0:19:44 | 0:19:45 | |
10 points for this - | 0:19:45 | 0:19:46 | |
what pervasive idea in the Western cultural tradition | 0:19:46 | 0:19:49 | |
did the historian Sidney Pollard describe as, | 0:19:49 | 0:19:52 | |
"The assumption that a pattern of change exists | 0:19:52 | 0:19:55 | |
"in the history of mankind | 0:19:55 | 0:19:56 | |
"that it consists of irreversible...". | 0:19:56 | 0:19:58 | |
The Whig. | 0:20:00 | 0:20:01 | |
No, you lose five points. | 0:20:01 | 0:20:02 | |
"..that it consists of irreversible changes in one direction only | 0:20:02 | 0:20:07 | |
"and that this direction is towards improvement." | 0:20:07 | 0:20:10 | |
NICCI WHISPERS | 0:20:12 | 0:20:15 | |
You may not confer. | 0:20:15 | 0:20:16 | |
-Oh! Sorry, I forgot. -It's all right, don't worry. | 0:20:16 | 0:20:19 | |
Just buzz if you know...otherwise... | 0:20:22 | 0:20:24 | |
-Progress. -Progress is correct, yes. | 0:20:26 | 0:20:28 | |
APPLAUSE | 0:20:28 | 0:20:30 | |
These bonuses are on zoology, Sheffield. | 0:20:31 | 0:20:34 | |
Humans are classified in the genus Homo. | 0:20:34 | 0:20:37 | |
In which order are they classified? | 0:20:37 | 0:20:39 | |
OK. Hold on, let's not get this wrong. OK... | 0:20:41 | 0:20:44 | |
HE WHISPERS TO HIMSELF | 0:20:44 | 0:20:47 | |
-Primates. -Correct. | 0:20:47 | 0:20:48 | |
One of the characteristics of primates is an opposable pollex. | 0:20:48 | 0:20:53 | |
What is the pollex? | 0:20:53 | 0:20:54 | |
-The thumb. -No, that's a hallux. Pollex is a big toe. | 0:20:54 | 0:20:58 | |
-No... -SHE SPEAKS INDISTINCTLY | 0:20:58 | 0:21:01 | |
The thumb. Correct. | 0:21:01 | 0:21:02 | |
You've got an opposable big toe? | 0:21:02 | 0:21:04 | |
-That's very interesting. -Yes... -LAUGHTER | 0:21:04 | 0:21:06 | |
Which family of primates survives in the wild | 0:21:06 | 0:21:08 | |
only on the island of Madagascar? | 0:21:08 | 0:21:10 | |
Lemurs. | 0:21:10 | 0:21:12 | |
-Lemurs. -Correct. APPLAUSE | 0:21:12 | 0:21:14 | |
We're going to take a second picture round. | 0:21:14 | 0:21:16 | |
For your picture starter, you'll see a photograph of a historical figure - | 0:21:16 | 0:21:19 | |
ten points if you can identify him. | 0:21:19 | 0:21:21 | |
-Amundsen. -It is Amundsen, yes. | 0:21:24 | 0:21:26 | |
APPLAUSE | 0:21:26 | 0:21:29 | |
In 1911 Amundsen was, of course, | 0:21:29 | 0:21:31 | |
the leader of the first expedition to reach the South Pole. | 0:21:31 | 0:21:34 | |
Your picture bonuses are | 0:21:34 | 0:21:36 | |
photographs of three more notable polar explorers. | 0:21:36 | 0:21:39 | |
Five points for each you can identify. | 0:21:39 | 0:21:41 | |
Firstly, for five. | 0:21:41 | 0:21:42 | |
-I think that's Shackleton. -..think it's Shackleton. | 0:21:44 | 0:21:47 | |
Shackleton. | 0:21:47 | 0:21:48 | |
That is Ernest Shackleton. Secondly. | 0:21:48 | 0:21:50 | |
THEY DISCUSS IN WHISPERS | 0:21:55 | 0:21:58 | |
-I've got no idea. -Could be Scott or Oates. | 0:21:58 | 0:22:01 | |
-No. -It's too... | 0:22:01 | 0:22:03 | |
-It's too early for... -What should we go for? | 0:22:04 | 0:22:06 | |
Oates. | 0:22:06 | 0:22:07 | |
No, that's Peary, usually more associated with the North Pole. | 0:22:07 | 0:22:10 | |
Finally. | 0:22:10 | 0:22:11 | |
-That's Scott. -Yeah, that must be Scott. -Yeah. | 0:22:13 | 0:22:15 | |
-Scott. -That is Captain Scott, yes. | 0:22:15 | 0:22:17 | |
APPLAUSE Right, ten points for this - | 0:22:17 | 0:22:19 | |
born in 1955 in Kirkcaldy in Fife, | 0:22:19 | 0:22:22 | |
which crime writer's most notable characters | 0:22:22 | 0:22:24 | |
include the journalist Lindsay Gordon, | 0:22:24 | 0:22:26 | |
the private investigator Kate Brannigan and... | 0:22:26 | 0:22:29 | |
-Val McDermid. -Correct. | 0:22:30 | 0:22:31 | |
APPLAUSE | 0:22:31 | 0:22:33 | |
Your bonuses this time, Sheffield, are on the 1980s. | 0:22:35 | 0:22:37 | |
In 1981 who became the first woman to serve on | 0:22:37 | 0:22:40 | |
the United States Supreme Court? | 0:22:40 | 0:22:43 | |
Oh, was it not... | 0:22:43 | 0:22:45 | |
..Elizabeth... | 0:22:45 | 0:22:47 | |
Was it Elizabeth Long? Just go for something. | 0:22:51 | 0:22:53 | |
-Elizabeth...? -Elizabeth Long. I don't know... | 0:22:53 | 0:22:55 | |
-Nominate Nicci. -Whoa. -THEY LAUGH | 0:22:55 | 0:22:58 | |
To make a fool of my... Elizabeth Long. | 0:22:58 | 0:23:01 | |
No, it was Sandra Day O'Connor. | 0:23:01 | 0:23:02 | |
Secondly, in 1988 who became the first female leader | 0:23:02 | 0:23:06 | |
of a Muslim nation in modern history | 0:23:06 | 0:23:08 | |
when her party won the largest number of seats | 0:23:08 | 0:23:10 | |
in Pakistan's National Assembly? | 0:23:10 | 0:23:12 | |
-Benazir Bhutto? -Yes... -THEY DISCUSS IN HUSHED VOICES | 0:23:12 | 0:23:15 | |
-Benazir Bhutto. -Correct. | 0:23:15 | 0:23:17 | |
Known as the Queen of Soul, who in 1987 became the first woman | 0:23:17 | 0:23:21 | |
to be inducted into the Rock and Roll Hall of Fame? | 0:23:21 | 0:23:24 | |
-Is that Aretha Franklin? -Aretha Franklin? | 0:23:24 | 0:23:26 | |
Aretha Franklin. I think it was Aretha Franklin. | 0:23:26 | 0:23:28 | |
-Aretha Franklin. -It was Aretha Franklin, yes. | 0:23:28 | 0:23:30 | |
We are under four minutes to go | 0:23:30 | 0:23:31 | |
and ten points at stake for this starter question. | 0:23:31 | 0:23:34 | |
In genetics, what letter is the designation of a sex chromosome | 0:23:34 | 0:23:37 | |
occurring in both sexes of... | 0:23:37 | 0:23:39 | |
-X. -X is correct. | 0:23:41 | 0:23:42 | |
You get a set of bonuses, this time, Manchester, on a playwright. | 0:23:42 | 0:23:46 | |
French Without Tears and The Deep Blue Sea | 0:23:46 | 0:23:48 | |
are works by which playwright born 1911? | 0:23:48 | 0:23:52 | |
-That is Rattigan, isn't it? -Yeah. -Rattigan? | 0:23:52 | 0:23:55 | |
-Rattigan. -Correct. | 0:23:55 | 0:23:57 | |
First performed in 1948, | 0:23:57 | 0:23:58 | |
which play by Rattigan concerns a schoolmaster who receives | 0:23:58 | 0:24:01 | |
a copy of a 19th-century translation of Aeschylus' Agamemnon | 0:24:01 | 0:24:05 | |
-as a present from a pupil? -The Browning Version. | 0:24:05 | 0:24:07 | |
-The Browning version. -Correct. | 0:24:07 | 0:24:08 | |
Rattigan's play Ross, | 0:24:08 | 0:24:10 | |
first performed in 1960 with Alec Guinness as the title character, | 0:24:10 | 0:24:14 | |
is based on the life of which literary and military figure? | 0:24:14 | 0:24:17 | |
-I don't know. -Don't know. -No? | 0:24:17 | 0:24:19 | |
-We don't know. -It was Lawrence of Arabia. | 0:24:19 | 0:24:21 | |
10 points for this - | 0:24:21 | 0:24:22 | |
A New System Of Chemical Philosophy was a work of 1808 | 0:24:22 | 0:24:26 | |
by which natural philosopher, | 0:24:26 | 0:24:28 | |
a leading member of the Manchester Literary and Philosophical Society? | 0:24:28 | 0:24:31 | |
Best-known for his pioneering work on atomic theory, | 0:24:31 | 0:24:34 | |
he gives his name to a type of colour blindness. | 0:24:34 | 0:24:37 | |
-Dalton. -Dalton is correct, yes. | 0:24:39 | 0:24:41 | |
APPLAUSE | 0:24:41 | 0:24:43 | |
Right, your bonuses are on terms | 0:24:43 | 0:24:45 | |
that share the same Latin prefix, Sheffield. | 0:24:45 | 0:24:48 | |
Also denoted by a Greek-derived word meaning seeing for oneself, | 0:24:48 | 0:24:52 | |
what two-word hyphenated term refers to a specific type of examination? | 0:24:52 | 0:24:57 | |
-Seeing for oneself? It's not viva...? -Viva... | 0:24:59 | 0:25:01 | |
Is it viva voce? | 0:25:01 | 0:25:03 | |
-Doesn't that mean speaking? -Viva... | 0:25:03 | 0:25:06 | |
Seeing for yourself would be like viva... | 0:25:06 | 0:25:08 | |
Come on. Let's have it, please. | 0:25:10 | 0:25:11 | |
-Viva voce. -Uh, no, it's post-mortem. | 0:25:11 | 0:25:14 | |
A word corresponding to the English 'by', 'with', 'for' or 'from' | 0:25:14 | 0:25:19 | |
that is placed after the noun rather than before it, | 0:25:19 | 0:25:22 | |
as, for example, in the Uralic languages and in Hindi. | 0:25:22 | 0:25:25 | |
I literally don't know what he's just said. | 0:25:26 | 0:25:28 | |
-No, I don't... -THEY LAUGH | 0:25:28 | 0:25:31 | |
SHE SPEAKS IN A HUSHED VOICE | 0:25:31 | 0:25:33 | |
A word placed after 'by', 'for', 'from... | 0:25:33 | 0:25:35 | |
Come on. Let's have it. | 0:25:35 | 0:25:37 | |
We don't really understand the question. | 0:25:37 | 0:25:38 | |
LAUGHTER It's postposition. | 0:25:38 | 0:25:40 | |
And finally, a term used to describe | 0:25:40 | 0:25:42 | |
the works and style of painters | 0:25:42 | 0:25:44 | |
such as Cezanne, Van Gogh and Gauguin. | 0:25:44 | 0:25:47 | |
Postimpressionism? | 0:25:47 | 0:25:49 | |
-Postimpressionism. -It has to be. Go on. | 0:25:49 | 0:25:52 | |
-Postimpressionism. -Correct. APPLAUSE | 0:25:52 | 0:25:54 | |
10 points for this - | 0:25:54 | 0:25:55 | |
the words Echinacea, panacea and nausea | 0:25:55 | 0:25:59 | |
in their standard dictionary spellings | 0:25:59 | 0:26:00 | |
end with which two letters? | 0:26:00 | 0:26:02 | |
-E-A. -Correct. | 0:26:04 | 0:26:05 | |
You get a set of bonuses on the names of elements, Sheffield. | 0:26:05 | 0:26:10 | |
Elements including yttrium, erbium and terbium | 0:26:10 | 0:26:14 | |
are named after Ytterby, | 0:26:14 | 0:26:16 | |
the mining village where they were first discovered, | 0:26:16 | 0:26:18 | |
in which European country? | 0:26:18 | 0:26:20 | |
-It must be something like Italy. -Sounds Italian. -It sounds Italian. | 0:26:20 | 0:26:25 | |
-What's it called? -Ytterby. -Ytterby. | 0:26:25 | 0:26:28 | |
-Spain? -Doesn't sound like Spanish to me. | 0:26:28 | 0:26:30 | |
-I think Italy. -Italy. | 0:26:30 | 0:26:33 | |
No, it's Sweden. | 0:26:33 | 0:26:35 | |
Secondly, which element in the periodic table | 0:26:35 | 0:26:37 | |
is named after the daughter of Tantalus in Greek mythology? | 0:26:37 | 0:26:40 | |
-Oh... -Tantalum. | 0:26:40 | 0:26:43 | |
Tantalum? Tantalum. | 0:26:43 | 0:26:44 | |
No, it's niobium, after Niobe. | 0:26:44 | 0:26:47 | |
And finally, one of the rarest gases in the earth's atmosphere, | 0:26:47 | 0:26:50 | |
which element derives its name for the Greek for hidden? | 0:26:50 | 0:26:54 | |
Oh, God. Hidden... | 0:26:54 | 0:26:56 | |
-What's the...? -Xeon? | 0:26:57 | 0:26:59 | |
Come on, let's have it, please. | 0:26:59 | 0:27:01 | |
-Xenon. -No, it's krypton. | 0:27:01 | 0:27:03 | |
Ten points for this - | 0:27:03 | 0:27:04 | |
meaning black knife or hidden knife, | 0:27:04 | 0:27:07 | |
what name is given to the small dagger that's worn in hose | 0:27:07 | 0:27:11 | |
in traditional male Scottish Highland dress? | 0:27:11 | 0:27:14 | |
Dirk. | 0:27:14 | 0:27:15 | |
No, you lose five points. | 0:27:15 | 0:27:17 | |
Manchester, one of you buzz. | 0:27:17 | 0:27:19 | |
Er, it's a kirk? | 0:27:21 | 0:27:22 | |
No, that's a church. It's a sgian-dhu. | 0:27:22 | 0:27:24 | |
10 points for this - | 0:27:24 | 0:27:26 | |
GONG SOUNDS And at the gong... | 0:27:26 | 0:27:28 | |
APPLAUSE ..Manchester have 105, | 0:27:28 | 0:27:31 | |
but Sheffield have 160. | 0:27:31 | 0:27:33 | |
AUDIENCE CHEER AND APPLAUD | 0:27:33 | 0:27:35 | |
Well, bad luck, Manchester. | 0:27:38 | 0:27:39 | |
You stormed away, | 0:27:39 | 0:27:41 | |
but then they pulled back pretty steadily, I thought. | 0:27:41 | 0:27:44 | |
We shall have to say goodbye but thank you for joining us - | 0:27:44 | 0:27:46 | |
you've been a very entertaining team to have this Christmas, | 0:27:46 | 0:27:49 | |
and Sheffield, we look forward to seeing you in the final. | 0:27:49 | 0:27:51 | |
Well done. Congratulations. | 0:27:51 | 0:27:52 | |
I hope you can join us next time for the next semifinal, | 0:27:52 | 0:27:55 | |
but until then, it's goodbye from Manchester University... | 0:27:55 | 0:27:57 | |
-ALL: -Goodbye. -..it's goodbye from Sheffield University... | 0:27:57 | 0:28:00 | |
-ALL: -Goodbye. -..and it's goodbye from me, goodbye. | 0:28:00 | 0:28:02 | |
APPLAUSE | 0:28:02 | 0:28:04 |