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APPLAUSE | 0:00:17 | 0:00:19 | |
Christmas University Challenge. | 0:00:19 | 0:00:22 | |
Asking the questions - Jeremy Paxman. | 0:00:22 | 0:00:25 | |
Hello. We already know that the University of Kent, | 0:00:28 | 0:00:31 | |
St Anne's College, Oxford and St Hilda's College, Oxford | 0:00:31 | 0:00:34 | |
are through to the semifinal stage | 0:00:34 | 0:00:37 | |
of this short and festive contest for distinguished alumni | 0:00:37 | 0:00:40 | |
of 14 of the UK's universities and university colleges. | 0:00:40 | 0:00:44 | |
Leeds University will go through, as well, | 0:00:44 | 0:00:46 | |
unless tonight's winners can beat their score of 175 | 0:00:46 | 0:00:50 | |
and take their place. | 0:00:50 | 0:00:52 | |
Now, the University of Bristol is represented first | 0:00:52 | 0:00:55 | |
by a television presenter who describes herself | 0:00:55 | 0:00:57 | |
as a complete and utter water baby. A qualified scuba diver, | 0:00:57 | 0:01:02 | |
she's made a number of diving-related TV programmes, | 0:01:02 | 0:01:05 | |
as well as presenting Channel 4's Wreck Detectives | 0:01:05 | 0:01:09 | |
and appearing on Coast and The One Show for the BBC. | 0:01:09 | 0:01:12 | |
She's also president of the RSPB. | 0:01:12 | 0:01:15 | |
Her colleague got her first job as a TV reporter | 0:01:15 | 0:01:18 | |
while still a student at Bristol, | 0:01:18 | 0:01:20 | |
nipping out between history lecturers | 0:01:20 | 0:01:22 | |
to shoot a film about Bristol Rovers. | 0:01:22 | 0:01:24 | |
She later became one of Channel 4's youngest commissioning editors, | 0:01:24 | 0:01:28 | |
but now concentrates on presenting programmes for the channel, | 0:01:28 | 0:01:31 | |
such as Food Unwrapped. | 0:01:31 | 0:01:33 | |
Their captain began his career in the City | 0:01:33 | 0:01:36 | |
before becoming economics correspondent for Newsnight. | 0:01:36 | 0:01:39 | |
He was editor in chief of The Observer, | 0:01:39 | 0:01:41 | |
for which he still writes a regular column, | 0:01:41 | 0:01:43 | |
and is the author of several books including The State We're In. | 0:01:43 | 0:01:47 | |
He's been a government adviser | 0:01:47 | 0:01:49 | |
and has chaired a number of policy commissions, | 0:01:49 | 0:01:51 | |
including the Independent Commission on Fees, | 0:01:51 | 0:01:54 | |
a subject no doubt of acute interest | 0:01:54 | 0:01:56 | |
to many a parent, and, indeed, student. | 0:01:56 | 0:01:59 | |
Finally, the author of nine novels and three volumes of non-fiction, | 0:01:59 | 0:02:03 | |
whose work has also been dramatised on Radio 4. | 0:02:03 | 0:02:06 | |
She's been a critic, notably on the former Newsnight Review, | 0:02:06 | 0:02:10 | |
and a columnist for The Guardian, the FT and The New York Times. | 0:02:10 | 0:02:13 | |
Let's meet the Bristol team. | 0:02:13 | 0:02:15 | |
Hello, I'm Miranda Krestovnikoff. | 0:02:17 | 0:02:19 | |
I graduated from Bristol in 1994 in zoology, | 0:02:19 | 0:02:22 | |
and I currently present wildlife programmes on television and radio. | 0:02:22 | 0:02:26 | |
Hello, I'm Kate Quilton. | 0:02:27 | 0:02:29 | |
I graduated in history from Bristol University in 2006. | 0:02:29 | 0:02:32 | |
I'm a journalist and a TV presenter and I make programmes for Channel 4. | 0:02:32 | 0:02:37 | |
-And here's their captain. -Hello, I'm Will Hutton. | 0:02:37 | 0:02:40 | |
I graduated from Bristol in 1971 in economics and sociology. | 0:02:40 | 0:02:45 | |
I'm currently principal of Hertford College, Oxford, | 0:02:45 | 0:02:48 | |
I co-chair the Big Innovation Centre, | 0:02:48 | 0:02:51 | |
and I write a regular column for The Observer. | 0:02:51 | 0:02:53 | |
Hello, I'm Julie Myerson. | 0:02:53 | 0:02:55 | |
I graduated in English from Bristol in 1982, | 0:02:55 | 0:02:57 | |
and I'm now a novelist. | 0:02:57 | 0:02:59 | |
APPLAUSE | 0:02:59 | 0:03:02 | |
Nottingham University are fielding an athlete who says | 0:03:02 | 0:03:06 | |
the main reason he applied to study there | 0:03:06 | 0:03:08 | |
was because it's the home of the National Water Sports Centre. | 0:03:08 | 0:03:11 | |
Perhaps a wise choice as he's won silver medals in his sport | 0:03:11 | 0:03:15 | |
in the last three Olympics. | 0:03:15 | 0:03:18 | |
His colleague, as a boy, made his own weather symbols | 0:03:18 | 0:03:20 | |
to stick on his father's road maps | 0:03:20 | 0:03:22 | |
while doing an impression of Michael Fish - | 0:03:22 | 0:03:25 | |
behaviour likely to induce anxiety | 0:03:25 | 0:03:27 | |
in even the most open-minded parents, you might think. | 0:03:27 | 0:03:30 | |
He's been a news reporter and weather anchor in Montana, | 0:03:30 | 0:03:33 | |
and as part of his current role, | 0:03:33 | 0:03:35 | |
he can be seen taking part in Springwatch and Autumnwatch. | 0:03:35 | 0:03:38 | |
Their captain presents the early breakfast show on BBC 6 Music | 0:03:38 | 0:03:42 | |
and can also sometimes be heard on Radio 2 and Radio 5 live | 0:03:42 | 0:03:47 | |
with occasional appearances on BBC breakfast TV. | 0:03:47 | 0:03:50 | |
He blogs for the BBC website | 0:03:50 | 0:03:52 | |
and has written for The Huffington Post and Music Week. | 0:03:52 | 0:03:55 | |
Their fourth member is an art historian, | 0:03:55 | 0:03:57 | |
critic and biographer | 0:03:57 | 0:03:59 | |
with a particular interest in 20th-century British art. | 0:03:59 | 0:04:02 | |
She's written on Roger Fry, Vanessa Bell and John Piper, | 0:04:02 | 0:04:06 | |
as well as the poet Stevie Smith. | 0:04:06 | 0:04:08 | |
Her book British Art Since 1900 | 0:04:08 | 0:04:11 | |
is a familiar textbook in schools and universities, | 0:04:11 | 0:04:14 | |
and in 2005, she was awarded a CBE for services to literature. | 0:04:14 | 0:04:19 | |
Let's meet the Nottingham team. | 0:04:19 | 0:04:21 | |
Hi, I'm David Florence. | 0:04:21 | 0:04:23 | |
I graduated in mathematical physics in 2005, | 0:04:23 | 0:04:25 | |
and I am now a canoeist. | 0:04:25 | 0:04:27 | |
Hello, I'm Nick Miller. | 0:04:27 | 0:04:29 | |
I received a degree in history and politics from Nottingham in 1992, | 0:04:29 | 0:04:33 | |
and now I'm a BBC weather presenter. | 0:04:33 | 0:04:35 | |
And this is their captain. | 0:04:35 | 0:04:36 | |
Hello, I'm Chris Hawkins | 0:04:36 | 0:04:38 | |
and I graduated from Nottingham in 1997 | 0:04:38 | 0:04:41 | |
with a degree in American studies, | 0:04:41 | 0:04:43 | |
which I'm not sure really qualifies me to be here, | 0:04:43 | 0:04:46 | |
and I'm a presenter on BBC Radio 6 Music. | 0:04:46 | 0:04:49 | |
Hello, I'm Frances Spalding. | 0:04:49 | 0:04:51 | |
I graduated from Nottingham in 1972, | 0:04:51 | 0:04:54 | |
and I'm still an art historian and biographer, | 0:04:54 | 0:04:57 | |
and I'm currently a fellow of Clare Hall in Cambridge. | 0:04:57 | 0:05:00 | |
APPLAUSE | 0:05:00 | 0:05:05 | |
Right, the rules are the same as ever. | 0:05:05 | 0:05:07 | |
Ten points for starter questions, which are solo efforts, | 0:05:07 | 0:05:10 | |
and bonuses are team collaborations. | 0:05:10 | 0:05:12 | |
They're worth 15 points. | 0:05:12 | 0:05:14 | |
Fingers on the buzzers. Here's your first starter for ten. | 0:05:14 | 0:05:16 | |
In Chambers Dictionary, meanings of what five-letter word include | 0:05:16 | 0:05:21 | |
"An empty case or lifeless relic", | 0:05:21 | 0:05:24 | |
"any frail structure", | 0:05:24 | 0:05:26 | |
"a type of light racing boat", "a light coffin", | 0:05:26 | 0:05:30 | |
"a conch trumpet" and a..." | 0:05:30 | 0:05:32 | |
A wreck. | 0:05:33 | 0:05:35 | |
No, you lose five points. | 0:05:35 | 0:05:37 | |
-You can hear the rest of it if you want to. -Yeah. | 0:05:37 | 0:05:40 | |
-You can buzz in now if you wish. -No, I'll hear the rest of it. Why not? | 0:05:40 | 0:05:43 | |
..and "an explosive projectile shot from a cannon"? | 0:05:43 | 0:05:45 | |
-It's a shell. -It is a shell, you're right. | 0:05:45 | 0:05:48 | |
APPLAUSE | 0:05:48 | 0:05:50 | |
You get a set of bonuses, then, Bristol, on cold weather | 0:05:50 | 0:05:54 | |
in the openings of 19th-century novels. | 0:05:54 | 0:05:56 | |
In each case, I need the title of the novel | 0:05:56 | 0:05:59 | |
from which the following lines are taken, and the author. | 0:05:59 | 0:06:03 | |
Firstly, from a work published in 1847, | 0:06:03 | 0:06:06 | |
"Pure bracing ventilation they must have up there at all times. | 0:06:06 | 0:06:10 | |
"Indeed, one may guess the power of the north wind blowing over the edge | 0:06:10 | 0:06:15 | |
"by the excessive slant of a few stunted firs | 0:06:15 | 0:06:18 | |
"at the end of the house." | 0:06:18 | 0:06:21 | |
-Bronte? -Bronte? -Wuthering Heights? | 0:06:21 | 0:06:23 | |
-Wuthering Heights? -I'm not sure, but... | 0:06:23 | 0:06:25 | |
-Wuthering Heights, Emily Bronte. -Correct. | 0:06:25 | 0:06:29 | |
Published in 1818, secondly, "I am already far north of London, | 0:06:29 | 0:06:33 | |
"and as I walk in the streets of Petersburg, | 0:06:33 | 0:06:36 | |
"I feel a cold northern breeze play upon my cheeks." | 0:06:36 | 0:06:40 | |
Petersburg? | 0:06:41 | 0:06:43 | |
-Tolstoy? -I don't think it's Tolstoy. Could it be Dostoevsky? | 0:06:45 | 0:06:48 | |
-No, no, no, that's far too early. Not Dostoevsky. -OK. -Right. | 0:06:48 | 0:06:52 | |
-Might be. -Mm. Just... | 0:06:52 | 0:06:55 | |
OK, is Tolstoy in the first person? That's what I'm wondering. | 0:06:55 | 0:06:59 | |
-No, Tolstoy's later in the century, isn't he? -OK. | 0:06:59 | 0:07:02 | |
-Come on. -Have we got a guess? -No. -I haven't got a guess. | 0:07:02 | 0:07:04 | |
Going to have a guess? Can I guess? | 0:07:04 | 0:07:06 | |
I'd say The Idiot, Dostoevsky, but you don't think so. | 0:07:06 | 0:07:09 | |
-No, OK, you guess something. -Dostoevsky's much, much later. | 0:07:09 | 0:07:11 | |
-OK, you guess what you think. -Well, we'll go with... | 0:07:11 | 0:07:13 | |
The Idiot, Dostoevsky. | 0:07:13 | 0:07:15 | |
No, it's Frankenstein by Mary Shelley. | 0:07:15 | 0:07:17 | |
LAUGHTER Finally... | 0:07:17 | 0:07:19 | |
-OK, that was seriously wrong. -Yeah, it was. | 0:07:19 | 0:07:22 | |
Published in 1868 now, | 0:07:22 | 0:07:25 | |
"It's going to be a hard winter for everyone, | 0:07:25 | 0:07:27 | |
"and Mother thinks we ought not to spend money for pleasure | 0:07:27 | 0:07:30 | |
"when our men are suffering so in the army." | 0:07:30 | 0:07:34 | |
-Little...? -Little Women by Louisa May Alcott. | 0:07:34 | 0:07:36 | |
-Little Women by Louisa May Alcott. -Correct. | 0:07:36 | 0:07:40 | |
APPLAUSE Ten points for this. | 0:07:40 | 0:07:43 | |
"Clearly, an impregnable masterpiece", | 0:07:43 | 0:07:45 | |
said Martin Amis of which early novel, | 0:07:45 | 0:07:47 | |
noting that it suffered from one fairly serious flaw - | 0:07:47 | 0:07:50 | |
that of outright unreadability. | 0:07:50 | 0:07:53 | |
Its author's death is recorded as having taken place in Madrid | 0:07:53 | 0:07:57 | |
on the same date as that of Shakespeare - | 0:07:57 | 0:08:00 | |
April the 23rd, 1616. | 0:08:00 | 0:08:02 | |
-Is this for us? This is for us? -No, it's a starter question! | 0:08:03 | 0:08:07 | |
Try and keep up. LAUGHTER | 0:08:07 | 0:08:10 | |
One of you buzzes in if you know the answer to this. | 0:08:10 | 0:08:12 | |
THEY WHISPER You may not confer! | 0:08:12 | 0:08:16 | |
It's a solo effort. | 0:08:16 | 0:08:18 | |
Do you know the rules at all? | 0:08:18 | 0:08:19 | |
-We've learned them now. -LAUGHTER | 0:08:19 | 0:08:22 | |
Right, none of you buzz in. I'll tell you, it's Don Quixote. | 0:08:22 | 0:08:25 | |
Ten points for this. | 0:08:25 | 0:08:26 | |
Inspiring a musical theatre production first seen in 2013, | 0:08:26 | 0:08:30 | |
developed in conjunction with the Dundee publisher DC Thomson, | 0:08:30 | 0:08:34 | |
which magazine for teenage girls ran from 1964 to 1993 and featured...? | 0:08:34 | 0:08:40 | |
-Jackie. -Yes! | 0:08:42 | 0:08:44 | |
APPLAUSE | 0:08:44 | 0:08:47 | |
-What a surprising area of knowledge. -Two younger sisters. | 0:08:47 | 0:08:52 | |
Here are your bonuses. They're on astronomy in 2016, Nottingham. | 0:08:52 | 0:08:56 | |
In August, 2016, | 0:08:56 | 0:08:57 | |
astronomers announced the discovery of an exoplanet | 0:08:57 | 0:09:00 | |
in the habitable zone of which specific star? | 0:09:00 | 0:09:04 | |
It's the closest star to Earth and is part of a triple star system. | 0:09:04 | 0:09:08 | |
-Could it be Mars or Pluto? -Mars or Pluto? | 0:09:11 | 0:09:14 | |
Mars or Pluto, we're thinking. | 0:09:14 | 0:09:16 | |
Triple system - what does that mean? | 0:09:18 | 0:09:21 | |
-That's not my... -It's not... -Let's have an answer. | 0:09:21 | 0:09:24 | |
Is it Venus? I don't know. I just don't know. | 0:09:24 | 0:09:27 | |
-HE STUTTERS -Pluto's not a star. It's a planet. | 0:09:27 | 0:09:30 | |
Pluto. | 0:09:30 | 0:09:31 | |
Pluto? No, it's Proxima or Proxima Centauri. | 0:09:31 | 0:09:36 | |
Secondly, the distance from the Earth to Neptune | 0:09:36 | 0:09:38 | |
is about 30 astronomical units, or AU. | 0:09:38 | 0:09:41 | |
What is the distance to Proxima Centauri? | 0:09:41 | 0:09:44 | |
You can have 20,000 AU either way. CHUCKLING | 0:09:44 | 0:09:48 | |
We'll just have to come up with a number, won't we? | 0:09:48 | 0:09:51 | |
-Just pick a number. -150,000 or something like that. | 0:09:51 | 0:09:53 | |
-150,000? -That's just a number. | 0:09:53 | 0:09:57 | |
150,000. | 0:09:57 | 0:09:59 | |
No, that's not close enough. It's 271,000. | 0:09:59 | 0:10:02 | |
And finally, the exoplanet in question | 0:10:02 | 0:10:05 | |
is much closer to its star than Earth is to the sun, | 0:10:05 | 0:10:08 | |
but it's still in its habitable zone. | 0:10:08 | 0:10:11 | |
This is because Proxima Centauri is what kind of cooler star? | 0:10:11 | 0:10:15 | |
Don't know, no. | 0:10:15 | 0:10:16 | |
I'm thinking of a shooting star. That can't be right, can it? | 0:10:16 | 0:10:19 | |
-Shooting star? -I'm thinking red dwarf or something like that. | 0:10:19 | 0:10:23 | |
-Red dwarf? -Yeah. | 0:10:23 | 0:10:25 | |
-Red dwarf. -It is a red dwarf, yes. | 0:10:25 | 0:10:27 | |
APPLAUSE | 0:10:27 | 0:10:30 | |
We're going to take a picture round now. | 0:10:30 | 0:10:31 | |
For your picture starter, you will see the track list | 0:10:31 | 0:10:34 | |
from a pop album. | 0:10:34 | 0:10:35 | |
Ten points if you can | 0:10:35 | 0:10:36 | |
identify the album. | 0:10:36 | 0:10:38 | |
The title track has, | 0:10:38 | 0:10:39 | |
of course, been omitted. | 0:10:39 | 0:10:40 | |
Pet Sounds. | 0:10:46 | 0:10:48 | |
Pet Sounds by The Beach Boys is correct, yes. | 0:10:48 | 0:10:50 | |
APPLAUSE | 0:10:50 | 0:10:53 | |
That was released 50 years ago this year. | 0:10:53 | 0:10:55 | |
For your bonuses, you'll see the track lists | 0:10:55 | 0:10:58 | |
of three more albums released in 1966. | 0:10:58 | 0:11:01 | |
Five points for each album you can identify, | 0:11:01 | 0:11:03 | |
along with the artist or band who made the album. | 0:11:03 | 0:11:06 | |
Firstly... | 0:11:06 | 0:11:07 | |
Bob Dylan, and it's... | 0:11:08 | 0:11:11 | |
-No idea. -It's Dylan. | 0:11:11 | 0:11:13 | |
And it's... | 0:11:15 | 0:11:16 | |
HE SIGHS | 0:11:16 | 0:11:18 | |
-It's Bob Dylan. -Yes. Which one? | 0:11:18 | 0:11:21 | |
Ah...! | 0:11:21 | 0:11:22 | |
-No, I can't give it to you. -I've gone blank, sorry. | 0:11:24 | 0:11:26 | |
-It's Blonde On Blonde. -Course it is. | 0:11:26 | 0:11:28 | |
Secondly, this five-word album title, please. | 0:11:28 | 0:11:32 | |
-Simon and Garfunkel, isn't it? -Mm-hm. | 0:11:33 | 0:11:36 | |
-Five-word? -Shameful. | 0:11:37 | 0:11:40 | |
It's Simon and Garfunkel and... | 0:11:40 | 0:11:44 | |
It is, but I need the album title, too. | 0:11:44 | 0:11:46 | |
-It's Parsley, Sage, Rosemary And Thyme. -Of course. | 0:11:46 | 0:11:49 | |
Finally... | 0:11:49 | 0:11:50 | |
-It's The Beatles, so... -The Beatles, yeah. | 0:11:50 | 0:11:53 | |
These should be mine, shouldn't they? | 0:11:55 | 0:11:58 | |
Can't help you on that one, Chris. | 0:11:58 | 0:12:00 | |
-Beatles, Hard Day's Night. -No. | 0:12:00 | 0:12:02 | |
-It is The Beatles, but it's Revolver. -Course it is. | 0:12:02 | 0:12:04 | |
Right, ten points for this. | 0:12:04 | 0:12:06 | |
What single-digit number | 0:12:06 | 0:12:07 | |
links the fourth root of 1,296, | 0:12:07 | 0:12:11 | |
the planet Saturn's position from the sun | 0:12:11 | 0:12:14 | |
and the chemical element carbon? | 0:12:14 | 0:12:16 | |
-Six. -Six is correct, yes. | 0:12:21 | 0:12:23 | |
APPLAUSE | 0:12:23 | 0:12:26 | |
Your bonuses are on Ginger Rogers and Fred Astaire. | 0:12:26 | 0:12:29 | |
Firstly, for five points, | 0:12:29 | 0:12:30 | |
Face The Music And Dance is a song from which film? | 0:12:30 | 0:12:34 | |
Astaire plays a sailor on shore leave | 0:12:34 | 0:12:36 | |
who tries to rekindle a romance | 0:12:36 | 0:12:38 | |
with his former dancing partner, played by Rogers. | 0:12:38 | 0:12:41 | |
Face The Music And Dance. | 0:12:41 | 0:12:43 | |
-I can't think of any movies by them. -A sailor? -I'm not old enough. | 0:12:45 | 0:12:48 | |
I don't know. | 0:12:48 | 0:12:50 | |
-I'm going to guess. -Guess. -Top Hat And White Tie? | 0:12:50 | 0:12:54 | |
-No, Top Hat And Tails. -No, no, no. -No, what's it called? | 0:12:54 | 0:12:57 | |
Just think of any title. | 0:12:57 | 0:12:59 | |
-OK, Top Hat. -No, it's Follow The Fleet. -Ah. | 0:12:59 | 0:13:02 | |
Secondly, what is the surname... | 0:13:02 | 0:13:04 | |
Don't go, "Oh, yes, of course it is." | 0:13:04 | 0:13:06 | |
-No, the other one I knew, you know. -LAUGHTER | 0:13:06 | 0:13:09 | |
Secondly, what is the surname | 0:13:09 | 0:13:11 | |
of the influential husband and wife ballroom dance partners | 0:13:11 | 0:13:14 | |
who were portrayed by Rogers and Astaire | 0:13:14 | 0:13:17 | |
in a biographical film of 1939? | 0:13:17 | 0:13:20 | |
-No. -I don't know. | 0:13:22 | 0:13:24 | |
-You don't know? -I don't know. -1939 film? | 0:13:24 | 0:13:27 | |
-We should just say pass. -Pass. | 0:13:27 | 0:13:29 | |
It's Castle. Vernon and Irene Castle. | 0:13:29 | 0:13:32 | |
And finally, in which film does Jerry, | 0:13:32 | 0:13:35 | |
played by Astaire, fall for Dale, played by Rogers? | 0:13:35 | 0:13:38 | |
They meet in London, but she flees to Venice, | 0:13:38 | 0:13:41 | |
thinking he is already married. | 0:13:41 | 0:13:43 | |
The film features the song Cheek To Cheek. | 0:13:43 | 0:13:46 | |
-Dancing Cheek To Cheek. -Yeah. | 0:13:46 | 0:13:49 | |
It's something like Top Hat And Tails. | 0:13:49 | 0:13:51 | |
What is the one...? | 0:13:51 | 0:13:52 | |
Dancing Cheek To Cheek, is it Top Hat And Tails? Let's try that. | 0:13:52 | 0:13:55 | |
-Top Hat And Tails. -No. -Top Hat! | 0:13:55 | 0:13:57 | |
It's just called Top Hat, and I've got to accept your first answer. | 0:13:57 | 0:14:01 | |
-You said Top Hat And Tails, which was incorrect. -Oh, no! | 0:14:01 | 0:14:03 | |
That's not fair! That's not fair. | 0:14:03 | 0:14:05 | |
Oh, stop whining. LAUGHTER | 0:14:05 | 0:14:07 | |
Ten points for this starter question. | 0:14:07 | 0:14:09 | |
The Meaning Of Night in 1927, Golconda in 1953 | 0:14:09 | 0:14:14 | |
and The Mysteries Of The Horizon in 1955 | 0:14:14 | 0:14:17 | |
are artworks thematically linked by male figures in bowler hats | 0:14:17 | 0:14:23 | |
by which Belgian-born surrealist? | 0:14:23 | 0:14:25 | |
-Magritte. -Magritte is right, of course. | 0:14:27 | 0:14:30 | |
APPLAUSE | 0:14:30 | 0:14:32 | |
A gift for an art historian. | 0:14:32 | 0:14:34 | |
Three questions on seasonal paintings, | 0:14:34 | 0:14:36 | |
you'll be pleased to hear. | 0:14:36 | 0:14:37 | |
During the 1840s, Theodore Rousseau, | 0:14:37 | 0:14:41 | |
a leading figure of the Barbizon school, | 0:14:41 | 0:14:43 | |
painted The Forest In Winter At Sunset, | 0:14:43 | 0:14:45 | |
believed to depict a scene in which forest near Paris? | 0:14:45 | 0:14:49 | |
-You don't need to buzz. You can just... -Sorry. Barbizon. | 0:14:50 | 0:14:54 | |
-No, it's not. It's Fontainebleau. -Fontainebleau. Sorry, yes. -OK. | 0:14:54 | 0:14:58 | |
Secondly, The Boulevard Montmartre On A Winter Morning | 0:14:58 | 0:15:02 | |
is a work of 1897 by which painter | 0:15:02 | 0:15:05 | |
whose output included several versions of the scene? | 0:15:05 | 0:15:08 | |
He was the only painter to show work in all eight | 0:15:08 | 0:15:10 | |
of the impressionist exhibitions. | 0:15:10 | 0:15:12 | |
Must be Monet, I think. | 0:15:12 | 0:15:14 | |
Or Pissarro. Oh, Pissarro... | 0:15:14 | 0:15:16 | |
Going for that? | 0:15:16 | 0:15:18 | |
-Monet or Pissarro. -Which? | 0:15:18 | 0:15:20 | |
Well, try Monet...or Pissarro. | 0:15:20 | 0:15:23 | |
Monet or Pissarro - which? | 0:15:23 | 0:15:26 | |
-Flip a coin in your head. -Monet. | 0:15:26 | 0:15:28 | |
Monet. | 0:15:28 | 0:15:29 | |
No, it's Pissarro. Bad luck. | 0:15:29 | 0:15:32 | |
Which impressionist's numerous snowscapes | 0:15:32 | 0:15:36 | |
include the 1875 work Snow Scene At Argenteuil, | 0:15:36 | 0:15:40 | |
now on display at the National Gallery? | 0:15:40 | 0:15:42 | |
His ability is reputed to have prompted Manet | 0:15:42 | 0:15:45 | |
to abandon his own attempts in the genre. | 0:15:45 | 0:15:48 | |
I think that must be Monet. Er... | 0:15:48 | 0:15:54 | |
-Let's do it, then. -Shall we go with Monet? | 0:15:55 | 0:15:58 | |
I'm afraid it'll be wrong. Yes, OK. | 0:15:58 | 0:16:01 | |
-Monet. -It was Monet, yes. APPLAUSE | 0:16:01 | 0:16:04 | |
We're going to take a music round now. | 0:16:04 | 0:16:05 | |
For your music starter, you'll hear the title music | 0:16:05 | 0:16:08 | |
of a well-known television series. | 0:16:08 | 0:16:09 | |
I want the title of the series for ten points, please. | 0:16:09 | 0:16:12 | |
ORCHESTRAL MILITARY MUSIC PLAYS | 0:16:12 | 0:16:16 | |
Is that Thunderbirds? | 0:16:25 | 0:16:27 | |
-It is Thunderbirds, yes. -Yay! -APPLAUSE | 0:16:27 | 0:16:30 | |
2017 will mark the 60th anniversary | 0:16:30 | 0:16:33 | |
of the first television production of Gerry Anderson, | 0:16:33 | 0:16:36 | |
whose extensive credits, of course, included the Thunderbirds. | 0:16:36 | 0:16:39 | |
For your bonuses, three more pieces of music | 0:16:39 | 0:16:41 | |
associated with his Supermarionation output, | 0:16:41 | 0:16:44 | |
all composed by Barry Grey. | 0:16:44 | 0:16:47 | |
Firstly, for five points, | 0:16:47 | 0:16:48 | |
for which title character was this the theme music? | 0:16:48 | 0:16:51 | |
FAST MUSIC PLAYS | 0:16:51 | 0:16:54 | |
-Johnny. -Johnny something. Johnny... What's the one? | 0:16:57 | 0:17:00 | |
The one that had the Angels in it. | 0:17:00 | 0:17:03 | |
Oh! No, could be Captain Scarlet, or it could be the Johnny one. | 0:17:04 | 0:17:08 | |
I mean, if none of you know, let's say Captain Scarlet. | 0:17:08 | 0:17:11 | |
-Captain Scarlet. -No, that was Joe 90. | 0:17:11 | 0:17:13 | |
Oh, that's what I meant! | 0:17:13 | 0:17:14 | |
Second, for which vehicle was this the theme music? | 0:17:14 | 0:17:17 | |
UPBEAT MUSIC PLAYS | 0:17:17 | 0:17:19 | |
-Which vehicle? -Sorry? -Which vehicle was that? -Don't know. | 0:17:24 | 0:17:28 | |
Any vehicle? A vehicle? | 0:17:28 | 0:17:31 | |
-A car? -Was that the car? | 0:17:31 | 0:17:34 | |
# But though I'm not a spaceman Famous and renowned... # | 0:17:34 | 0:17:39 | |
We just have to pass. | 0:17:39 | 0:17:40 | |
That's Fireball XL5. | 0:17:40 | 0:17:42 | |
And finally, this is the opening theme of which series? | 0:17:42 | 0:17:46 | |
OMINOUS MUSIC PLAYS | 0:17:46 | 0:17:49 | |
-Captain Scarlet. -Captain Scarlet. | 0:17:52 | 0:17:54 | |
That is correct, yes. LAUGHTER, APPLAUSE | 0:17:54 | 0:17:57 | |
Ten points for this. | 0:17:57 | 0:17:58 | |
The works of which Italian film director and screenwriter | 0:17:58 | 0:18:01 | |
include The Great Beauty, | 0:18:01 | 0:18:03 | |
which won the Academy Award for Best Foreign Language Film in 2014, | 0:18:03 | 0:18:08 | |
and the 2016 series The Young Pope? | 0:18:08 | 0:18:11 | |
THEY WHISPER You may not confer. | 0:18:12 | 0:18:14 | |
One of you can buzz. | 0:18:14 | 0:18:16 | |
It's something like Paolo Bussolini. | 0:18:19 | 0:18:22 | |
-But it's not that, is it? -LAUGHTER | 0:18:22 | 0:18:25 | |
Not close enough, certainly. | 0:18:25 | 0:18:27 | |
Anyone like to buzz? It's Paolo Sorrentino. | 0:18:27 | 0:18:30 | |
-Bad luck. -Nearly there. -Not nearly there at all! | 0:18:30 | 0:18:33 | |
It was miles away! LAUGHTER | 0:18:33 | 0:18:35 | |
-I mean, how much do you want? -Paolo was right. | 0:18:35 | 0:18:37 | |
Right, ten points for this. | 0:18:37 | 0:18:38 | |
In the northern hemisphere, what two-word term | 0:18:38 | 0:18:41 | |
derives in part from the Latin meaning "sun stopped" | 0:18:41 | 0:18:44 | |
and denotes the day when the South Pole is inclined | 0:18:44 | 0:18:47 | |
about 23.4 degrees towards the sun? | 0:18:47 | 0:18:51 | |
-Solstice. -Two-word term, I asked for. | 0:18:52 | 0:18:55 | |
-Oh. Sol... -Come on. Anyone want to buzz from Nottingham? | 0:18:55 | 0:18:59 | |
-Solar solstice. -No, it's the winter solstice. Bad luck. | 0:18:59 | 0:19:03 | |
And you get a five-point fine for incorrect interruption. | 0:19:03 | 0:19:06 | |
-I clearly said two-word term. -You did. | 0:19:06 | 0:19:08 | |
Right, so, ten points at stake for this. | 0:19:08 | 0:19:10 | |
Which political thinker and historian is this? | 0:19:10 | 0:19:12 | |
Born in Paris in 1805, | 0:19:12 | 0:19:14 | |
his enduring ideas include soft despotism | 0:19:14 | 0:19:18 | |
and the atomisation of society, | 0:19:18 | 0:19:20 | |
and were expressed in works such as The Old Regime And The Revolution | 0:19:20 | 0:19:24 | |
and Democracy In America. | 0:19:24 | 0:19:26 | |
-Alexis de Tocqueville. -Yes. | 0:19:30 | 0:19:32 | |
APPLAUSE | 0:19:32 | 0:19:36 | |
Right, Bristol, your bonuses are on periods of the Mesozoic Era. | 0:19:36 | 0:19:40 | |
Extending from 201 to 145 million years ago, | 0:19:40 | 0:19:44 | |
which period takes its name | 0:19:44 | 0:19:46 | |
from a range of mountains in France and Switzerland? | 0:19:46 | 0:19:49 | |
-Takes the names from the Alps? -Alpine? -No, no, no. | 0:19:50 | 0:19:54 | |
-Could it be Jurassic? -Pyrenees? -Why not Jurassic? -Switzerland... | 0:19:54 | 0:19:57 | |
-It's not Jurassic? -Jura. Jura. -Jurassic. | 0:19:57 | 0:20:01 | |
-Jurassic. -Jurassic is correct, yes. | 0:20:01 | 0:20:03 | |
Secondly, extending from approximately | 0:20:03 | 0:20:06 | |
252 to 201 million years ago, which period takes its name | 0:20:06 | 0:20:10 | |
from a sequence of rock strata in Central Germany? | 0:20:10 | 0:20:14 | |
Central Germany. Westphalia. | 0:20:15 | 0:20:19 | |
Ruhr. Ruhr. Come on, name some... | 0:20:19 | 0:20:22 | |
-Rock strata? -Rock strata in Central Germany. | 0:20:22 | 0:20:25 | |
The Ruhr Valley. Come on, let's think about Central Germany. | 0:20:25 | 0:20:29 | |
-What? -I'm thinking of the periods of time rather than... | 0:20:29 | 0:20:32 | |
-Just say any period. -Any period. -Say a period. | 0:20:32 | 0:20:34 | |
-Cretaceous. -No. -No? | 0:20:34 | 0:20:37 | |
-Cretaceous. -No, it's Triassic. The Trias. -Oh. | 0:20:37 | 0:20:41 | |
And extending from approximately 145 to 66 million years ago, | 0:20:41 | 0:20:46 | |
which period takes its name from the Latin for chalk? | 0:20:46 | 0:20:49 | |
-Latin for chalk. -Could it be Cretaceous? -What? | 0:20:50 | 0:20:52 | |
Could it be Cretaceous? I don't know. | 0:20:52 | 0:20:54 | |
-You say if you know better, but that's my guess. -Cretaceous. | 0:20:54 | 0:20:57 | |
-Is Cretaceous from chalk? Chalk - Cretaceous? -Could be. -Chalk. | 0:20:57 | 0:20:59 | |
-Possibly. -It could be. | 0:20:59 | 0:21:01 | |
If you don't know the answer... | 0:21:01 | 0:21:02 | |
Illuminating light of knowledge, let's try Cretaceous. | 0:21:02 | 0:21:05 | |
Cretaceous is correct. Well done. Ten points for this. | 0:21:05 | 0:21:07 | |
APPLAUSE He claimed that, | 0:21:07 | 0:21:09 | |
to obtain harmonic perfection, | 0:21:09 | 0:21:11 | |
art should be freed from any representation of nature | 0:21:11 | 0:21:14 | |
and be created from wholly abstract, geometrical elements. | 0:21:14 | 0:21:19 | |
-Mondrian. -Mondrian is correct, yes. | 0:21:20 | 0:21:22 | |
APPLAUSE | 0:21:22 | 0:21:26 | |
These bonuses are on marzipan, Nottingham. | 0:21:26 | 0:21:29 | |
17km south of Madrid, which city claims that, | 0:21:29 | 0:21:32 | |
following a famine in the early 13th century, | 0:21:32 | 0:21:36 | |
local nuns invented marzipan using sugar and almonds, | 0:21:36 | 0:21:39 | |
being the only ingredients readily available. | 0:21:39 | 0:21:42 | |
-South of Madrid. -What's 70km south of Madrid? | 0:21:42 | 0:21:45 | |
South of Madrid, is it? | 0:21:45 | 0:21:47 | |
-South of Madrid. -70km south of Madrid. -Seville? | 0:21:47 | 0:21:50 | |
Seville's down there. | 0:21:50 | 0:21:52 | |
-It's down in the south. -Shall we try Seville? -Seville? | 0:21:52 | 0:21:55 | |
-Come on. -Seville. | 0:21:55 | 0:21:57 | |
No, it's Toledo. | 0:21:57 | 0:21:58 | |
Which port on the Baltic Sea in Northern Germany | 0:21:58 | 0:22:01 | |
is home to a marzipan museum, whose origins lie in a shop | 0:22:01 | 0:22:05 | |
opened in 1806 by the confectioner Johann Niederegger? | 0:22:05 | 0:22:09 | |
It's a former capital of the Hanseatic League. | 0:22:09 | 0:22:12 | |
-No. -Has no-one taken the ferry to Northern Germany before? | 0:22:13 | 0:22:16 | |
-Not recently enough to be able to remember. -A cruise, maybe. | 0:22:16 | 0:22:20 | |
-Don't know. -No? -Neither do I, no. | 0:22:21 | 0:22:24 | |
-Pass. -We've got no idea. -It's Lubeck. | 0:22:24 | 0:22:27 | |
And finally, since the Middle Ages, a marzipan recipe | 0:22:27 | 0:22:29 | |
with supposed healing properties | 0:22:29 | 0:22:31 | |
has been made in one of Europe's oldest pharmacies. | 0:22:31 | 0:22:35 | |
In which Baltic capital on the Gulf of Finland is it? | 0:22:35 | 0:22:39 | |
Riga is one. Tallinn. | 0:22:39 | 0:22:42 | |
Tallinn? | 0:22:42 | 0:22:43 | |
-Yes. -Tallinn? -Sure. -Tallinn? -Sure. | 0:22:43 | 0:22:47 | |
A not-very-convincing, unanimous Tallinn. | 0:22:48 | 0:22:50 | |
Well done. It was a good guess. APPLAUSE | 0:22:50 | 0:22:52 | |
We're going to take a picture round now. | 0:22:52 | 0:22:54 | |
For your picture starter, | 0:22:54 | 0:22:56 | |
I want you to give me the name of the building recreated here in ice. | 0:22:56 | 0:23:00 | |
The Vatican. | 0:23:07 | 0:23:08 | |
No. Anyone like to buzz from Nottingham? | 0:23:08 | 0:23:11 | |
Palace of Versailles. | 0:23:13 | 0:23:14 | |
No, it's St Paul's Cathedral. | 0:23:14 | 0:23:16 | |
So, picture bonuses in a moment or two. | 0:23:16 | 0:23:18 | |
Another starter question in the meantime. Ten points for this. | 0:23:18 | 0:23:21 | |
Answer promptly. | 0:23:21 | 0:23:23 | |
Name either of the two sea areas of the shipping forecast | 0:23:23 | 0:23:26 | |
that share names with towns or cities in England. | 0:23:26 | 0:23:30 | |
-Dover. -Well done, yes. | 0:23:32 | 0:23:34 | |
APPLAUSE The other one is Plymouth. | 0:23:34 | 0:23:37 | |
OK, we saw that picture starter - | 0:23:37 | 0:23:41 | |
St Paul's Cathedral rendered in ice | 0:23:41 | 0:23:43 | |
and exhibited at the Sapporo Winter Festival in Japan. | 0:23:43 | 0:23:47 | |
For your bonuses, three more pictures | 0:23:47 | 0:23:49 | |
of notable winter festivals and celebrations from around the world. | 0:23:49 | 0:23:53 | |
Five points if you can name the city in which each is being held. | 0:23:53 | 0:23:56 | |
Here's the first. | 0:23:56 | 0:23:58 | |
-FRANCES SPALDING: -Is it Edinburgh? It's Edinburgh. -Is it? -Yes. -Is it? | 0:24:01 | 0:24:05 | |
Edinburgh? | 0:24:05 | 0:24:07 | |
-NICK MILLER: -I mean, what building is that? | 0:24:07 | 0:24:09 | |
-Liverpool? -I'm going to go with Edinburgh just because... | 0:24:09 | 0:24:13 | |
-Edinburgh. -Edinburgh?! Doesn't look in the slightest bit like Edinburgh. | 0:24:13 | 0:24:17 | |
-No, it's Ottawa. -The snow. | 0:24:17 | 0:24:19 | |
-That's clearly the Canadian Parliament building. -Of course. | 0:24:19 | 0:24:22 | |
Secondly, which city is this? | 0:24:22 | 0:24:24 | |
Well, it's got a major river going through it. | 0:24:27 | 0:24:30 | |
-There's a big bridge. -There are bridges. | 0:24:30 | 0:24:32 | |
-Rome? -Rome? | 0:24:39 | 0:24:41 | |
Paris? Rome? | 0:24:41 | 0:24:42 | |
-Rome. -No, that's Lyon. | 0:24:42 | 0:24:44 | |
That's Lyon Cathedral in the bottom right. | 0:24:44 | 0:24:46 | |
And finally, which city is this? | 0:24:46 | 0:24:48 | |
I think that's Edinburgh. | 0:24:48 | 0:24:50 | |
No, I'm not so sure it is, though. | 0:24:50 | 0:24:53 | |
Try... Is it St Petersburg? | 0:24:55 | 0:24:57 | |
Go on, then. | 0:24:57 | 0:24:58 | |
I really don't think it is. | 0:24:58 | 0:25:01 | |
-Which...? -Paris? | 0:25:01 | 0:25:02 | |
-If in doubt, say Paris. -Paris? | 0:25:03 | 0:25:06 | |
-Paris. -No, it's Edinburgh. -Oh! | 0:25:06 | 0:25:08 | |
LAUGHTER Ten points for this. | 0:25:08 | 0:25:10 | |
With approximately 50,000 native speakers | 0:25:10 | 0:25:13 | |
and dialects including Sursilvan, | 0:25:13 | 0:25:15 | |
which language is spoken predominantly | 0:25:15 | 0:25:18 | |
in the Swiss canton of Grisons? | 0:25:18 | 0:25:20 | |
It's one of the four national languages of Switzerland. | 0:25:20 | 0:25:23 | |
-Romansch. -Romansch is correct, yes. | 0:25:25 | 0:25:27 | |
APPLAUSE | 0:25:27 | 0:25:30 | |
You take the lead, and your bonuses are on | 0:25:30 | 0:25:32 | |
recent novels based on Shakespeare plays. | 0:25:32 | 0:25:35 | |
Firstly, Anne Tyler's retelling of which Shakespeare play | 0:25:35 | 0:25:39 | |
concerns Kate Battista, her eccentric scientist father | 0:25:39 | 0:25:42 | |
and her uppity, pretty younger sister Bunny? | 0:25:42 | 0:25:45 | |
I have no idea. | 0:25:47 | 0:25:49 | |
-Try The Tempest. -The Tempest? -That's fine. I have no idea. | 0:25:49 | 0:25:53 | |
-The Tempest. -No, that's The Taming Of The Shrew. | 0:25:53 | 0:25:55 | |
Secondly, concerning the hedge fund manager Leo, | 0:25:55 | 0:25:58 | |
his French wife MiMi and Leo's best friend Xeno, | 0:25:58 | 0:26:02 | |
Jeanette Winterson describes her novel The Gap Of Time | 0:26:02 | 0:26:05 | |
as a response to which play? | 0:26:05 | 0:26:07 | |
-The Winter's Tale. -Winter's Tale? -It's definitely The Winter's Tale. | 0:26:07 | 0:26:10 | |
-The Winter's Tale. -Correct. | 0:26:10 | 0:26:11 | |
Finally, with characters including the reality TV star Plurabelle | 0:26:11 | 0:26:16 | |
and the art collector Simon Strulovitch, | 0:26:16 | 0:26:18 | |
which play is reimagined by Howard Jacobson | 0:26:18 | 0:26:21 | |
and set mainly in Cheshire? | 0:26:21 | 0:26:23 | |
Othello? | 0:26:28 | 0:26:30 | |
Let's have it, please. | 0:26:30 | 0:26:33 | |
-Go on. -I don't know. | 0:26:33 | 0:26:34 | |
-Othello. -No, it's The Merchant Of Venice. | 0:26:34 | 0:26:37 | |
Ten points for this. | 0:26:37 | 0:26:38 | |
Oglu in Turkish, Ides in Greek, | 0:26:38 | 0:26:41 | |
Escu in Romanian and Enko in Ukrainian | 0:26:41 | 0:26:45 | |
all have what meaning when suffixed to family names? | 0:26:45 | 0:26:48 | |
Their meaning is shared by the British prefixes Fitz and Mac. | 0:26:48 | 0:26:53 | |
-Son. -"Son of" is correct, yes. APPLAUSE | 0:26:54 | 0:26:57 | |
So, you get a set of bonuses now | 0:26:57 | 0:26:59 | |
on the England cricket team in India, Bristol. | 0:26:59 | 0:27:03 | |
The first two English batsmen to score a double hundred | 0:27:03 | 0:27:05 | |
in a test in India did so in the same innings | 0:27:05 | 0:27:08 | |
of the fourth test at Madras in 1985. | 0:27:08 | 0:27:10 | |
-Name either of them. -Do you know? | 0:27:10 | 0:27:13 | |
Um, David Gower, I would say. | 0:27:13 | 0:27:16 | |
-Go on. Say it. -David Gower. | 0:27:16 | 0:27:18 | |
No, it was Graham Fowler and Mike Gatting. | 0:27:18 | 0:27:20 | |
Secondly, which Indian spinner took eight for 55 | 0:27:20 | 0:27:23 | |
in England's first innings at Madras in 1952? | 0:27:23 | 0:27:26 | |
He also gives his name to a form of dismissal | 0:27:26 | 0:27:28 | |
in which the non-striking batsman | 0:27:28 | 0:27:31 | |
is run out before the ball has been bowled. | 0:27:31 | 0:27:34 | |
-Ooh. -Is it Googly? It's not Googly? -No, no. That's, um... | 0:27:34 | 0:27:39 | |
Who was a spinner at that time? | 0:27:40 | 0:27:43 | |
What was the name of the...? | 0:27:43 | 0:27:45 | |
-Oh, gosh. -What was the name of the...? | 0:27:45 | 0:27:47 | |
I'm just thinking of English spinners. | 0:27:47 | 0:27:48 | |
-Come on. Let's have it, please. -No, we can't. We don't know. | 0:27:48 | 0:27:51 | |
It's Mankad. Vinoo Mankad. | 0:27:51 | 0:27:52 | |
Who recorded match figures of...? GONG | 0:27:52 | 0:27:54 | |
And at the gong, Bristol University have 70, | 0:27:54 | 0:27:57 | |
Nottingham have 75. | 0:27:57 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:01 | |
Well, it wasn't a particularly high scoring game, I have to say! | 0:28:01 | 0:28:06 | |
And you seemed to have some difficulty with the rules, | 0:28:06 | 0:28:09 | |
I must say. | 0:28:09 | 0:28:10 | |
And you spent an awful lot of time conferring, Nottingham. | 0:28:10 | 0:28:12 | |
Anyway, it was good fun. Thank you very much for joining us. | 0:28:12 | 0:28:15 | |
We shall have to say goodbye to both of you, I fear. | 0:28:15 | 0:28:17 | |
Thank you very much for playing. You didn't have to. Thank you. | 0:28:17 | 0:28:21 | |
I hope you can join us next time because we now know the teams | 0:28:21 | 0:28:25 | |
in the semifinal stage of the competition. | 0:28:25 | 0:28:27 | |
They will be the University of Kent, St Anne's College, Oxford, | 0:28:27 | 0:28:30 | |
St Hilda's College, Oxford, and Leeds University. | 0:28:30 | 0:28:33 | |
I hope you can join me for the first of the semifinals next time. | 0:28:33 | 0:28:37 | |
-Until then, though, it's goodbye from Bristol University. ALL: -Bye. | 0:28:37 | 0:28:41 | |
-It's goodbye from Nottingham University. ALL: -Goodbye. | 0:28:41 | 0:28:44 | |
And it's goodbye from me. Goodbye. | 0:28:44 | 0:28:46 | |
APPLAUSE | 0:28:46 | 0:28:48 |