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It was a show that went out three nights a week, live... | 0:00:02 | 0:00:04 | |
Mr Wogan, you're on. | 0:00:04 | 0:00:05 | |
..with a live audience | 0:00:05 | 0:00:07 | |
and everyone who is anyone dropping in - | 0:00:07 | 0:00:09 | |
the great and the good, the bad and the ugly. | 0:00:09 | 0:00:12 | |
They called it Wogan. I never knew why. | 0:00:12 | 0:00:15 | |
So, if you're sitting comfortably, | 0:00:15 | 0:00:18 | |
I'll show you something I made earlier. | 0:00:18 | 0:00:20 | |
God knows what they'll make of us in 25 years' time. | 0:00:20 | 0:00:22 | |
Welcome. | 0:00:35 | 0:00:36 | |
Now, on today's show, we've got a stack of guests | 0:00:36 | 0:00:39 | |
who really stick out from the crowd. | 0:00:39 | 0:00:41 | |
In some cases, because of how old they were, like myself, | 0:00:41 | 0:00:46 | |
and in others, because of how odd they were. | 0:00:46 | 0:00:49 | |
So, here's who's coming up - | 0:00:49 | 0:00:52 | |
Take That, Nicolas Cage, | 0:00:52 | 0:00:54 | |
George Best, Boris Becker | 0:00:54 | 0:00:57 | |
and Macaulay Culkin. | 0:00:57 | 0:00:59 | |
Despite all the big names we got on over the years, | 0:00:59 | 0:01:03 | |
today's first interview with David Icke is perhaps | 0:01:03 | 0:01:06 | |
the one people still ask me the most about. | 0:01:06 | 0:01:09 | |
Prior to this, David was known as a clean-cut BBC sports presenter, | 0:01:09 | 0:01:13 | |
a former goalkeeper. | 0:01:13 | 0:01:15 | |
And the turquoise shell suit and comparisons to Jesus | 0:01:15 | 0:01:19 | |
came as a bit of a surprise. | 0:01:19 | 0:01:21 | |
I told David, years later, that, perhaps, I'd been | 0:01:21 | 0:01:24 | |
a bit too sharp with him. | 0:01:24 | 0:01:25 | |
But however it played out, it's become one of the things people, | 0:01:25 | 0:01:29 | |
for some reason, remember. | 0:01:29 | 0:01:32 | |
Did I see you say that turquoise... What is turquoise going to do? | 0:01:32 | 0:01:37 | |
Well, there is an energy that comes from a being called the God Head, | 0:01:37 | 0:01:44 | |
which I mean, we talk about God, | 0:01:44 | 0:01:46 | |
the God Head is not a guy with a beard sitting on a cloud, | 0:01:46 | 0:01:50 | |
it is a massive spirit. | 0:01:50 | 0:01:52 | |
The basis of all creation. | 0:01:52 | 0:01:55 | |
Coming out from this God Head, round all creation, | 0:01:55 | 0:01:58 | |
through all the stars and planets, | 0:01:58 | 0:02:01 | |
is the life force known as the light. | 0:02:01 | 0:02:03 | |
I mean, the Bible refers to the light. | 0:02:03 | 0:02:06 | |
And within this light are various other energies | 0:02:06 | 0:02:10 | |
which have certain gifts. | 0:02:10 | 0:02:12 | |
These energies have a frequency that is the same as all the colours. | 0:02:12 | 0:02:16 | |
Turquoise is the same frequency as an energy called love and wisdom. | 0:02:16 | 0:02:24 | |
Therefore, when you wear that colour, you attract it. | 0:02:24 | 0:02:27 | |
When you wear black, you attract a colour that is the opposite | 0:02:27 | 0:02:31 | |
to love and all the things we wish to bring to the Earth. | 0:02:31 | 0:02:35 | |
-This is... -It attracts another kind of energy which is very... | 0:02:35 | 0:02:39 | |
But this is very hard on priests and nuns, isn't it? | 0:02:39 | 0:02:43 | |
LAUGHTER Well... | 0:02:43 | 0:02:45 | |
APPLAUSE | 0:02:45 | 0:02:47 | |
Maybe that's a sign that all the truth | 0:02:50 | 0:02:52 | |
is not in the hands of the traditional church | 0:02:52 | 0:02:56 | |
that has been with us over all these thousands of years. | 0:02:56 | 0:02:58 | |
Let me get this story right, | 0:02:58 | 0:03:00 | |
-the press claim that you claim to be the son of God. -Mmm-hmm. | 0:03:00 | 0:03:05 | |
Is that true? | 0:03:05 | 0:03:07 | |
Yes, you see the thing is... | 0:03:07 | 0:03:09 | |
LAUGHTER It's quite funny, really. | 0:03:09 | 0:03:11 | |
2,000 years ago, had a guy called Jesus sat here | 0:03:11 | 0:03:15 | |
and said these same things, you would still be laughing. | 0:03:15 | 0:03:18 | |
It's really funny that we've not really moved on that much. | 0:03:18 | 0:03:21 | |
When we think, it is not a vacuum. | 0:03:21 | 0:03:24 | |
When we think, we create an energy field. | 0:03:24 | 0:03:28 | |
This is how telepathy works. | 0:03:28 | 0:03:29 | |
An energy field leaves one being and other beings can tune into it | 0:03:29 | 0:03:33 | |
and read that thought. | 0:03:33 | 0:03:35 | |
When you think thoughts of love and wisdom and of tolerance | 0:03:35 | 0:03:40 | |
and all the things we wish to bring to the Earth, | 0:03:40 | 0:03:42 | |
you create a certain, kind of, thought energy, | 0:03:42 | 0:03:45 | |
the very same energy that the God Head sends around creation. | 0:03:45 | 0:03:49 | |
When you think the other thoughts of hatred, of anger, of aggression, | 0:03:49 | 0:03:53 | |
you create a different kind of energy, known as negativity, | 0:03:53 | 0:03:56 | |
which is very, very destructive. | 0:03:56 | 0:03:58 | |
This being called Lucifer lives off this energy. | 0:03:58 | 0:04:02 | |
So, the more that is produced on this planet, | 0:04:02 | 0:04:05 | |
the more powerful that being becomes. | 0:04:05 | 0:04:08 | |
Therefore, he stimulates | 0:04:08 | 0:04:10 | |
and has stimulated this planet over 12,000 years, | 0:04:10 | 0:04:12 | |
since he's been in control, | 0:04:12 | 0:04:14 | |
to produce as much of this energy, as possible. | 0:04:14 | 0:04:16 | |
So, evil has been in control of the planet for 12,000 years? | 0:04:16 | 0:04:20 | |
It has been the dominating force. | 0:04:20 | 0:04:22 | |
Evil's not the right word. It is imbalance. | 0:04:22 | 0:04:25 | |
But it has been increasingly in control. As I repeat, | 0:04:25 | 0:04:29 | |
survey the world, ladies and gentlemen, is the force of love | 0:04:29 | 0:04:34 | |
in control of this world, guiding this planet at this time? | 0:04:34 | 0:04:37 | |
Of course not. | 0:04:37 | 0:04:38 | |
The negativity, the thoughts that I'm talking about that | 0:04:38 | 0:04:41 | |
are very destructive are pouring out of this planet. | 0:04:41 | 0:04:44 | |
Let me interrupt you. | 0:04:44 | 0:04:46 | |
Was it a great shock for you to discover this at 38? | 0:04:46 | 0:04:49 | |
LAUGHTER | 0:04:49 | 0:04:52 | |
I think the word is gobsmacked. | 0:04:52 | 0:04:54 | |
But, again, you know the best way of removing negativity | 0:04:54 | 0:04:59 | |
is to laugh and be joyous, | 0:04:59 | 0:05:01 | |
so I'm delighted that there's so much laughter in the audience tonight. | 0:05:01 | 0:05:05 | |
Just let me say this. | 0:05:05 | 0:05:07 | |
They're laughing at you. They're not laughing with you. | 0:05:07 | 0:05:10 | |
Fine. | 0:05:10 | 0:05:11 | |
APPLAUSE | 0:05:11 | 0:05:14 | |
I didn't mean that to be hurtful. I don't want you to misinterpret it, | 0:05:16 | 0:05:20 | |
they're not laughing in sympathy with you. | 0:05:20 | 0:05:22 | |
Let me say two things to that. | 0:05:22 | 0:05:24 | |
First, if anyone believes, after 12,000 years of this truth being lost | 0:05:24 | 0:05:30 | |
that coming out with it, initially, is going to get any kind of reaction | 0:05:30 | 0:05:37 | |
other than that one or condemnation, | 0:05:37 | 0:05:40 | |
I would be a crackpot if I thought that was the case. | 0:05:40 | 0:05:43 | |
The other thing is, there is this great illusion, you know, | 0:05:43 | 0:05:46 | |
that Jesus was born and stood up and said, "I know who I am." | 0:05:46 | 0:05:52 | |
It was revealed to him in stages. | 0:05:52 | 0:05:54 | |
He was very, very close to beginning the mission which is | 0:05:54 | 0:05:59 | |
described in the Bible, but not described brilliantly accurately, | 0:05:59 | 0:06:04 | |
before he knew who he was. | 0:06:04 | 0:06:06 | |
And when he came out, Terry, and said, | 0:06:06 | 0:06:08 | |
"I am the son of God, I am an aspect of the soul of the God Head, | 0:06:08 | 0:06:12 | |
"incarnate because of things | 0:06:12 | 0:06:14 | |
"that need to be done on this planet urgently", | 0:06:14 | 0:06:17 | |
people laughed, people ridiculed. | 0:06:17 | 0:06:19 | |
In the end, you know, they crucified him. | 0:06:19 | 0:06:22 | |
There are a couple of questions. First of all, why you? | 0:06:22 | 0:06:25 | |
And secondly, if I may say so, you have confused the message | 0:06:25 | 0:06:31 | |
by an awful lot of predictions. | 0:06:31 | 0:06:35 | |
You told us that there are going to be earthquakes | 0:06:35 | 0:06:38 | |
and some are going to happen quite soon. | 0:06:38 | 0:06:41 | |
Yeah. | 0:06:41 | 0:06:42 | |
Two things to that. | 0:06:42 | 0:06:43 | |
First of all, why me? Why anybody? | 0:06:44 | 0:06:47 | |
People would have said to Jesus and many other people like Jesus, | 0:06:47 | 0:06:50 | |
that have not been written into history... | 0:06:50 | 0:06:52 | |
That was the most famous effort to wrest control of this | 0:06:52 | 0:06:55 | |
planet from these forces, | 0:06:55 | 0:06:56 | |
but there have been many before that. | 0:06:56 | 0:06:58 | |
They would have said, "Why you? You're a carpenter's son." | 0:06:58 | 0:07:02 | |
So, why anyone? | 0:07:02 | 0:07:04 | |
But you're saying you were part of Jesus' soul before. You were also | 0:07:04 | 0:07:08 | |
part of many other people's lives on the way through history. | 0:07:08 | 0:07:12 | |
As we all have been. We've all been on this Earth | 0:07:12 | 0:07:15 | |
and incarnated into different physical bodies many times. | 0:07:15 | 0:07:19 | |
But the other point you bring up about the predictions, | 0:07:19 | 0:07:23 | |
If I am given information from beings who have proved to be | 0:07:23 | 0:07:27 | |
perfectly accurate, day after day, in things they've told us | 0:07:27 | 0:07:31 | |
are going to happen and they happen. | 0:07:31 | 0:07:32 | |
-They told you Saddam Hussein was dead and he's not. -Yes, he is. | 0:07:32 | 0:07:36 | |
I watched his birthday party on the television yesterday. | 0:07:36 | 0:07:39 | |
All I can say to you is all that glitters is not gold. | 0:07:39 | 0:07:43 | |
Hang about and watch and wait. | 0:07:43 | 0:07:45 | |
David has long since gone on to a hugely-successful lecturing career, | 0:07:46 | 0:07:50 | |
warning people that the rulers are really snakes. | 0:07:50 | 0:07:54 | |
Well, let's have some music now from someone whose popularity is | 0:07:54 | 0:07:58 | |
unchanged with the passage of time. | 0:07:58 | 0:08:00 | |
With Hello Again, welcome again, Neil Diamond. | 0:08:00 | 0:08:04 | |
APPLAUSE | 0:08:04 | 0:08:07 | |
# Hello again | 0:08:42 | 0:08:43 | |
# Hello | 0:08:44 | 0:08:45 | |
# I just called to say | 0:08:49 | 0:08:51 | |
# Hello | 0:08:53 | 0:08:54 | |
# I couldn't sleep | 0:08:56 | 0:09:00 | |
# At all tonight | 0:09:01 | 0:09:03 | |
# I know it's late | 0:09:05 | 0:09:06 | |
# I just couldn't wait | 0:09:08 | 0:09:10 | |
# Hello, my friend | 0:09:14 | 0:09:17 | |
# Hello | 0:09:17 | 0:09:18 | |
# I just called to let you know | 0:09:22 | 0:09:25 | |
# I think about you | 0:09:29 | 0:09:33 | |
# Every night | 0:09:35 | 0:09:36 | |
# When I'm here alone | 0:09:37 | 0:09:39 | |
# And you're there at home | 0:09:41 | 0:09:43 | |
# Hello | 0:09:46 | 0:09:48 | |
# Maybe it's been crazy Maybe I'm to blame | 0:09:55 | 0:10:00 | |
# Won't you put your heart above your head | 0:10:02 | 0:10:06 | |
# We've been through it all | 0:10:10 | 0:10:12 | |
# You loved me just the same | 0:10:13 | 0:10:17 | |
# And when you're not there | 0:10:18 | 0:10:20 | |
# I just need to hear | 0:10:22 | 0:10:25 | |
# Hello | 0:10:27 | 0:10:29 | |
# My friend, hello | 0:10:30 | 0:10:32 | |
# It's good to need you so | 0:10:36 | 0:10:40 | |
# It's good to love you | 0:10:42 | 0:10:46 | |
# Like I do | 0:10:47 | 0:10:49 | |
# And to feel this way | 0:10:51 | 0:10:53 | |
# When I hear you say | 0:10:55 | 0:10:56 | |
# Hello | 0:10:59 | 0:11:02 | |
# Hello, my friends, hello | 0:11:21 | 0:11:24 | |
# Just called to let you know | 0:11:28 | 0:11:32 | |
# I think about you | 0:11:34 | 0:11:39 | |
# Every night | 0:11:39 | 0:11:41 | |
# When I'm here alone | 0:11:43 | 0:11:44 | |
# And you're there at home | 0:11:47 | 0:11:49 | |
# Hello. # | 0:11:51 | 0:11:54 | |
APPLAUSE | 0:12:03 | 0:12:06 | |
Let's say hello to Macaulay Culkin, | 0:12:15 | 0:12:18 | |
the young fella who in the 1990s was Hollywood's smallest big star | 0:12:18 | 0:12:22 | |
since Shirley Temple. | 0:12:22 | 0:12:24 | |
Here he is talking about Home Alone, | 0:12:24 | 0:12:27 | |
the smash-hit movie that made him a boy wonder. | 0:12:27 | 0:12:30 | |
-You look great. -Thank you. | 0:12:31 | 0:12:33 | |
You're a hot property at the moment, aren't you? | 0:12:33 | 0:12:36 | |
Yeah. | 0:12:36 | 0:12:38 | |
-I read in the papers, £1 million for your next movie. -Wow! | 0:12:38 | 0:12:43 | |
LAUGHTER | 0:12:43 | 0:12:45 | |
He's taking it well, isn't he? | 0:12:45 | 0:12:47 | |
You're taking it well. What would you do with all that money? | 0:12:47 | 0:12:53 | |
Buy myself a licence. | 0:12:55 | 0:12:57 | |
-A licence to what? -To drive. -Oh, to drive. | 0:12:58 | 0:13:03 | |
And say I'm a midget and I'm 21. | 0:13:03 | 0:13:06 | |
And I'd buy myself a Porsche, you know. | 0:13:06 | 0:13:10 | |
-What, now? -Yeah. | 0:13:10 | 0:13:12 | |
And keep it in the garage until you're ready | 0:13:12 | 0:13:14 | |
and not let anybody else drive it? | 0:13:14 | 0:13:16 | |
-Yes. -Certainly not. Good thinking. | 0:13:16 | 0:13:18 | |
But it's a lot of money. | 0:13:19 | 0:13:20 | |
Do you get to see any of the money that you've been making? | 0:13:20 | 0:13:24 | |
No, actually, all I have to do is sign the cheque and... | 0:13:24 | 0:13:29 | |
-Don't tell me, your mother takes it. -No, my mom takes it to the bank. | 0:13:29 | 0:13:33 | |
Oh, does she? That's what she tells you. | 0:13:33 | 0:13:37 | |
-Yeah, you hope. -Yeah. -Good for you. | 0:13:37 | 0:13:42 | |
-Obviously, you're not a person that fame has changed. -No. | 0:13:42 | 0:13:46 | |
-You're a simple God-fearing young man, I hear. -Yes. | 0:13:46 | 0:13:49 | |
That's you. Now, tell me about the movie. | 0:13:49 | 0:13:52 | |
In Home Alone, which has been an enormous success in the States, | 0:13:52 | 0:13:55 | |
-hasn't it? -Yeah. -Did that surprise you? -Well, kind of. | 0:13:55 | 0:14:00 | |
I didn't think it would do that good, but it's a good film. | 0:14:00 | 0:14:05 | |
-It's really funny. -So, what happens is, this young man... | 0:14:05 | 0:14:09 | |
How old are you? | 0:14:09 | 0:14:10 | |
I'm ten right now, but I'm supposed to be eight in the movie. | 0:14:10 | 0:14:14 | |
But when you made the movie, you were probably nine. | 0:14:14 | 0:14:17 | |
We'll take some time to establish this. | 0:14:17 | 0:14:20 | |
-I mean, you get the whole house to yourself. -Yeah. | 0:14:20 | 0:14:23 | |
What happens when the young man gets the whole house to himself? | 0:14:23 | 0:14:28 | |
He bounces on the bed with his shoes on and eats popcorn | 0:14:28 | 0:14:33 | |
and gets this huge bowl of ice cream, puts in ice cream, | 0:14:33 | 0:14:38 | |
whipped cream, sprinkles, cherries, marshmallows. | 0:14:38 | 0:14:43 | |
He takes advantage of it. | 0:14:43 | 0:14:46 | |
He takes advantage of it early, you see. | 0:14:46 | 0:14:50 | |
How about the two guys that play the burglars | 0:14:50 | 0:14:52 | |
that you did all the damage to? | 0:14:52 | 0:14:54 | |
Um, well they were nice, you know. | 0:14:54 | 0:14:57 | |
Did you do all your own stunts | 0:14:59 | 0:15:00 | |
because there's a lot of acrobatics, isn't there? | 0:15:00 | 0:15:04 | |
Yeah, well, my stunt man, | 0:15:04 | 0:15:07 | |
my stunt midget, did... | 0:15:07 | 0:15:09 | |
LAUGHTER | 0:15:09 | 0:15:13 | |
Timing. | 0:15:16 | 0:15:18 | |
-My stunt midget. -Poor little chap. | 0:15:20 | 0:15:23 | |
He would climb up all the shelves and fall and everything. | 0:15:24 | 0:15:28 | |
I would only do the close-ups and I would run sliding on my knees, | 0:15:28 | 0:15:33 | |
that was me. | 0:15:33 | 0:15:34 | |
That's great, isn't it? | 0:15:34 | 0:15:36 | |
You'd be the envy... | 0:15:36 | 0:15:38 | |
-Do you go to school? -Mmm-hmm. | 0:15:38 | 0:15:40 | |
-Have a lot of your school pals seen this movie? -Yeah. | 0:15:40 | 0:15:43 | |
They must be really envious of you, are they? | 0:15:43 | 0:15:45 | |
No, they treat me the same and everything. | 0:15:45 | 0:15:48 | |
They play up to you a little bit, cos you've got all that money now. | 0:15:48 | 0:15:51 | |
No, they don't. | 0:15:51 | 0:15:53 | |
-Do you get much spending money? -I don't get an allowance, at all. | 0:15:53 | 0:15:57 | |
That's really mean, isn't it? | 0:15:57 | 0:15:59 | |
-AUDIENCE: -Aaah! | 0:15:59 | 0:16:01 | |
Sometimes, if I ask for, like, some money. | 0:16:01 | 0:16:05 | |
She says, "What's it for?" and let's say I want to get to get a shirt. | 0:16:05 | 0:16:10 | |
She'll say, "What's it for?" | 0:16:10 | 0:16:13 | |
And I'll say school work and I get the money and go shopping. | 0:16:13 | 0:16:17 | |
-But you go to a regular school. -Yeah. | 0:16:17 | 0:16:21 | |
I hear you've got a way of making money, as well. | 0:16:21 | 0:16:25 | |
You make a little bit of money on the side, as well, don't you? | 0:16:25 | 0:16:27 | |
Yeah, I play liar's poker with the Teamsters. | 0:16:27 | 0:16:30 | |
-He plays liar's poker with the Teamsters. -I'm also a Teamster. I... | 0:16:31 | 0:16:39 | |
Oh, do you know what you have to do to pass the Teamster test? | 0:16:39 | 0:16:44 | |
Hold a cup of coffee and two doughnuts in one hand | 0:16:44 | 0:16:47 | |
and drive with the other. | 0:16:47 | 0:16:48 | |
And do you know what God said to the Teamsters before he died? | 0:16:50 | 0:16:55 | |
"Don't do anything until I get back." | 0:16:55 | 0:16:58 | |
LAUGHTER | 0:16:58 | 0:17:01 | |
Teamster joke. | 0:17:01 | 0:17:03 | |
APPLAUSE | 0:17:03 | 0:17:06 | |
They taught me this. | 0:17:06 | 0:17:07 | |
What about all the publicity, all the screaming fans | 0:17:07 | 0:17:10 | |
-and the stretch limos? Do you like all that stuff? -It's OK, you know. | 0:17:10 | 0:17:15 | |
-Yeah. Suppose it was all taken away, could you handle that? -Yeah. | 0:17:15 | 0:17:19 | |
I'll bet you could, too, and I wish you great success | 0:17:19 | 0:17:22 | |
in your career, which I'm sure is going to be star-spangled. | 0:17:22 | 0:17:25 | |
-Thank you for joining us. -OK. -Macaulay. | 0:17:25 | 0:17:28 | |
CHEERING AND APPLAUSE | 0:17:28 | 0:17:29 | |
Good man... That was good fun. | 0:17:31 | 0:17:33 | |
Now, I want you to prepare yourselves for one of the most | 0:17:36 | 0:17:39 | |
dramatic entrances we ever witnessed on Wogan, | 0:17:39 | 0:17:43 | |
followed by one of the strangest interviews. | 0:17:43 | 0:17:46 | |
Nicolas Cage is the man. A fine actor - an Oscar winner - | 0:17:46 | 0:17:49 | |
but he seemed a bit out of sorts on the day. | 0:17:49 | 0:17:52 | |
Maybe he was always like this. | 0:17:52 | 0:17:55 | |
Unlike some, however, he had plenty to say, not all of it making sense. | 0:17:55 | 0:18:01 | |
Welcome Nicolas Cage. | 0:18:01 | 0:18:02 | |
APPLAUSE | 0:18:02 | 0:18:06 | |
Wah! Yeah! | 0:18:17 | 0:18:19 | |
How are you doing, Terry? | 0:18:20 | 0:18:22 | |
-Understatement's the watch word tonight. -My mic, darn it. | 0:18:23 | 0:18:28 | |
All that physical activity just took my mic off. | 0:18:28 | 0:18:31 | |
-You did a bit of that in Wild At Heart when you're dancing. -Sure did. | 0:18:31 | 0:18:34 | |
-All those karate kicks. -Heck, I'll just hold it. | 0:18:34 | 0:18:39 | |
Sorry about that, I just had to get it off my chest. | 0:18:39 | 0:18:41 | |
-I was a bit wound up back there. -Were you? Worked up? | 0:18:41 | 0:18:44 | |
-Just a little worked up. -Do you get carried away? -Well... | 0:18:44 | 0:18:48 | |
I don't know if I get carried away, I just, sort of, have a good time | 0:18:48 | 0:18:52 | |
and you invited me on your show, so I'm going to have a blast! | 0:18:52 | 0:18:55 | |
A blast, eh? | 0:18:55 | 0:18:57 | |
Do you find that kind of thing loosens you up, | 0:18:57 | 0:19:00 | |
just to do hand springs like that, cos I do that quite often. | 0:19:00 | 0:19:03 | |
Do you? | 0:19:03 | 0:19:04 | |
LAUGHTER | 0:19:04 | 0:19:05 | |
-Before we start, I don't do it, then. -You know who you remind me of? | 0:19:05 | 0:19:11 | |
-Arnold Schwarzenegger? -No, The Avengers. | 0:19:11 | 0:19:15 | |
-The Avengers. -Remember Mr Steed? -Diana Rigg. -Diana Rigg and Mr Steed. | 0:19:15 | 0:19:20 | |
-Give it up for the Avenger! All right! -Thank you. | 0:19:20 | 0:19:23 | |
APPLAUSE | 0:19:23 | 0:19:25 | |
-That's me. Now, tell me. Let's talk about you now, Nicolas. -Sure. | 0:19:25 | 0:19:29 | |
-Cos time's a-wasting. -Yeah, I got you. | 0:19:29 | 0:19:31 | |
Wild At Heart, first of all, it's your new movie. | 0:19:31 | 0:19:35 | |
I have to say I saw it in black and white, | 0:19:35 | 0:19:37 | |
because my video machine is not working properly and I thought | 0:19:37 | 0:19:40 | |
it was arty and done in black and white, but it's in full colour. | 0:19:40 | 0:19:43 | |
-Yeah, it is. -It's an extraordinary movie. | 0:19:43 | 0:19:46 | |
-Yeah, well, thank you. -I'm not big on sycophancy, but you're great in it. | 0:19:46 | 0:19:51 | |
Thanks. You know what, this leather is really hot. | 0:19:51 | 0:19:55 | |
You're sorry now you did a handspring. | 0:19:55 | 0:19:57 | |
I've got to tell you something, I hate to do this to you, Terry, | 0:19:57 | 0:20:01 | |
but Mandy gave you a T-shirt. | 0:20:01 | 0:20:03 | |
You're going to give me your snakeskin jacket, aren't you? | 0:20:03 | 0:20:06 | |
No, I've got to give you my Wild At Heart T-shirt. | 0:20:06 | 0:20:10 | |
CHEERING | 0:20:10 | 0:20:12 | |
I'll just put this jacket back on. | 0:20:14 | 0:20:16 | |
It's a big night for me, I can tell you. | 0:20:16 | 0:20:19 | |
Tell me how you started in the acting. | 0:20:19 | 0:20:22 | |
Is that what you always wanted to do? | 0:20:22 | 0:20:25 | |
Well, when I was six years old, I used to watch the TV | 0:20:25 | 0:20:28 | |
and I used to wonder how those little guys got into the TV, | 0:20:28 | 0:20:34 | |
how they were talking like you, you know. | 0:20:34 | 0:20:37 | |
I tried to figure out ways of getting inside that TV set. | 0:20:37 | 0:20:41 | |
That was the first time I really wanted to be an actor, I think. | 0:20:41 | 0:20:44 | |
You have been quoted as saying that, if you hadn't been an actor, | 0:20:44 | 0:20:47 | |
you'd be dead now. | 0:20:47 | 0:20:49 | |
Well, you know. | 0:20:49 | 0:20:50 | |
Maybe I was a little bit far-fetched. | 0:20:50 | 0:20:52 | |
I guess I had this need to do crazy things. | 0:20:54 | 0:20:58 | |
Maybe if I hadn't become an actor, | 0:20:58 | 0:21:01 | |
I used to like the idea of robbing banks. | 0:21:01 | 0:21:04 | |
So, at least I don't have to rob a bank. I can just do it in a movie. | 0:21:04 | 0:21:06 | |
It's safer that way. | 0:21:06 | 0:21:08 | |
-But if you wanted to, the guys and I would go out and help you. -Really? | 0:21:08 | 0:21:11 | |
-We'll rob a couple of banks. -You want to rob a bank with me? | 0:21:11 | 0:21:15 | |
They're all closed. We'll have to wait till Tuesday. | 0:21:15 | 0:21:17 | |
It's a bank holiday, so Tuesday. We'll make a date. | 0:21:17 | 0:21:21 | |
So you've come over here to get away from all the excitement | 0:21:21 | 0:21:25 | |
-or are you going to work here? -No, I came over here to go on your show. | 0:21:25 | 0:21:28 | |
Oh. You see. People still care. | 0:21:28 | 0:21:33 | |
So, what age were you? | 0:21:33 | 0:21:37 | |
-You're now 26 and you've been acting since...? -Since I was 16, ten years. | 0:21:37 | 0:21:42 | |
You didn't go to acting school, though. | 0:21:42 | 0:21:45 | |
Would you say you're a natural like that? | 0:21:45 | 0:21:48 | |
Well, there was this story, I used to get beat up on the bus a lot. | 0:21:48 | 0:21:54 | |
I went to a correctional school for juvenile delinquents | 0:21:54 | 0:21:57 | |
and I wasn't a big guy, I was ten years old. | 0:21:57 | 0:22:00 | |
I got kicked out of school because I was the class clown, | 0:22:00 | 0:22:02 | |
coming up with pranks and whatnot. | 0:22:02 | 0:22:04 | |
Fried grasshoppers in people's egg salad sandwiches. | 0:22:04 | 0:22:07 | |
I used to get beat up on the bus every day. | 0:22:09 | 0:22:12 | |
Then, I was Nicky Coppola, that was my name. | 0:22:12 | 0:22:15 | |
So, one day I went to school and I dressed up, | 0:22:15 | 0:22:18 | |
put my cowboy boots on, put my black leather jacket on, | 0:22:18 | 0:22:21 | |
put my sunglasses on and said I was Roy Richards. | 0:22:21 | 0:22:26 | |
If you mess around with my cousin, Nicky Coppola, | 0:22:26 | 0:22:29 | |
I'm going to kick your ass. | 0:22:29 | 0:22:31 | |
So, after that, they never screwed around with me, | 0:22:31 | 0:22:33 | |
so that was really my first acting experience. | 0:22:33 | 0:22:36 | |
Coppola couldn't have helped you as a name, could it? | 0:22:36 | 0:22:40 | |
Well, when I first started out, I was 16 and there was a guy named | 0:22:40 | 0:22:46 | |
Eric Stoltz, a young actor working on a movie with me called Fast Times. | 0:22:46 | 0:22:50 | |
I'm sorry, man, that workout over there, I'm really hot. | 0:22:50 | 0:22:53 | |
Well, it's warm in here tonight. | 0:22:53 | 0:22:55 | |
A lot of the audience have taken their vests off, as well. | 0:22:55 | 0:22:58 | |
What happened to the London fog? Where's the rain? | 0:22:58 | 0:23:02 | |
There is no London smog. The Clean Air Act 1933. | 0:23:02 | 0:23:06 | |
He used to make fun of me cos I was Coppola's nephew, | 0:23:06 | 0:23:08 | |
you know, Godfather lines and Apocalypse Now lines. | 0:23:08 | 0:23:12 | |
After I said I really don't need it, | 0:23:12 | 0:23:14 | |
so I changed my name to Cage. | 0:23:14 | 0:23:16 | |
-And it's worked out very well for you. -Thank you. | 0:23:16 | 0:23:18 | |
Your versatility is quite extraordinary, | 0:23:18 | 0:23:21 | |
if I can be serious about how you act. | 0:23:21 | 0:23:23 | |
You were terrific in Moonstruck, | 0:23:23 | 0:23:25 | |
which was the last thing I saw you in. | 0:23:25 | 0:23:27 | |
And then in Wild At Heart, um... | 0:23:27 | 0:23:29 | |
How do you get into two different roles like that? | 0:23:29 | 0:23:33 | |
You seem a physical kind of person. | 0:23:35 | 0:23:37 | |
-Do you get into things physically? -Yeah, I do. | 0:23:37 | 0:23:39 | |
Not as much as I used to, because I do have a life to live. | 0:23:39 | 0:23:42 | |
And when you start living the part of a crazy, psychopathic killer, | 0:23:42 | 0:23:45 | |
it can get you into trouble when you go home to your girlfriend. So... | 0:23:45 | 0:23:49 | |
Didn't Richard Gere tell you off, when you were making Cotton Club? | 0:23:49 | 0:23:52 | |
Yeah. He said, "If you do that, you'll have about | 0:23:52 | 0:23:55 | |
three more movies left in you." | 0:23:55 | 0:23:57 | |
-But... So I quit. -So you've quietened down, have you? -I'm much quieter. | 0:23:57 | 0:24:01 | |
-You are, you seem a quiet guy. -I'm very quiet. I'm quiet. LAUGHTER | 0:24:01 | 0:24:04 | |
Yes! Yes, of course you are, Nicholas! | 0:24:06 | 0:24:08 | |
Well, maybe if you're comparing him to pitch-perfect Mariah Carey. | 0:24:10 | 0:24:14 | |
In America, she was the first female artist to have her first | 0:24:14 | 0:24:18 | |
five singles go to number one. | 0:24:18 | 0:24:19 | |
Here she is singing one of them - Emotions. | 0:24:20 | 0:24:23 | |
CHEERING AND APPLAUSE | 0:24:25 | 0:24:27 | |
# Oooh, oh, oh, oh | 0:24:29 | 0:24:32 | |
# Hey | 0:24:32 | 0:24:34 | |
# Yeah! | 0:24:34 | 0:24:37 | |
# Oooh, hey, hey, yeah, hey | 0:24:37 | 0:24:42 | |
# Oooh-oooh-oooh oh | 0:24:42 | 0:24:45 | |
# You've got me feeling emotions | 0:24:45 | 0:24:49 | |
# Deeper than I've ever dreamed of | 0:24:49 | 0:24:53 | |
# You've got me feeling emotions | 0:24:53 | 0:24:57 | |
# Higher than the heavens above | 0:24:57 | 0:25:01 | |
# I feel good, I feel nice | 0:25:01 | 0:25:05 | |
# I've never felt so satisfied | 0:25:05 | 0:25:10 | |
# I'm in love, I'm alive | 0:25:10 | 0:25:14 | |
# Intoxicated | 0:25:14 | 0:25:16 | |
# Flying high | 0:25:16 | 0:25:19 | |
# It feels like a dream | 0:25:19 | 0:25:21 | |
# When you touch me tenderly | 0:25:21 | 0:25:26 | |
# I don't know if it's real | 0:25:27 | 0:25:30 | |
# But I like the way I feel | 0:25:30 | 0:25:32 | |
# Inside! | 0:25:32 | 0:25:35 | |
# You've got me feeling emotions | 0:25:35 | 0:25:39 | |
# Deeper than I've ever dreamed of Whoa-oh-oh | 0:25:39 | 0:25:43 | |
# You've got me feeling emotions | 0:25:43 | 0:25:47 | |
# Higher than the heavens above | 0:25:47 | 0:25:52 | |
# Now, In the morning when I rise | 0:25:52 | 0:25:55 | |
-# You are the first thing -On my mind | 0:25:55 | 0:26:00 | |
# And in the middle of the night | 0:26:00 | 0:26:04 | |
# I feel your heartbeat next to mine | 0:26:04 | 0:26:09 | |
# And it feels like a dream | 0:26:09 | 0:26:12 | |
# When you love me tenderly | 0:26:12 | 0:26:16 | |
# I don't know if you're for real | 0:26:16 | 0:26:20 | |
# Oh, but I like the way I feel | 0:26:20 | 0:26:22 | |
# Inside my heart | 0:26:22 | 0:26:25 | |
# You've got me feeling emotions | 0:26:25 | 0:26:29 | |
# Deeper than I've ever dreamed | 0:26:29 | 0:26:32 | |
# Whoa-oh | 0:26:32 | 0:26:33 | |
# You've got me feeling emotions | 0:26:33 | 0:26:37 | |
# Higher than the heavens above Whoa-oh-oh | 0:26:37 | 0:26:42 | |
# You've got me feeling emotions | 0:26:42 | 0:26:45 | |
# Oh, deeper than I've ever dreamed of | 0:26:45 | 0:26:49 | |
# Whoa, baby you've got me feeling emotions | 0:26:49 | 0:26:54 | |
# Higher than the heavens above | 0:26:54 | 0:26:57 | |
# Oh, yes | 0:26:57 | 0:26:59 | |
# Now you know the way | 0:26:59 | 0:27:02 | |
# To make me lose control | 0:27:02 | 0:27:06 | |
# When you're looking into my eyes | 0:27:07 | 0:27:10 | |
# You make me feel so-oo-oo | 0:27:10 | 0:27:15 | |
# High! | 0:27:15 | 0:27:17 | |
# Higher than the sky | 0:27:17 | 0:27:19 | |
# Whoa, oh-oh, baby | 0:27:19 | 0:27:22 | |
# Oh, baby | 0:27:22 | 0:27:24 | |
# Hee-eey | 0:27:24 | 0:27:25 | |
-# All right -All right | 0:27:25 | 0:27:28 | |
# Oo-oo-ooh, oh-ooh-ooh-ooh yeah | 0:27:28 | 0:27:32 | |
-# Ooh -Oooh-oooh | 0:27:32 | 0:27:35 | |
# He-ee-ee-ee-ee-eey | 0:27:35 | 0:27:38 | |
# Ooooh-ooh-oooh-oooh | 0:27:38 | 0:27:40 | |
# You've got me feeling emotions | 0:27:40 | 0:27:44 | |
# Deeper than I've ever dreamed of | 0:27:44 | 0:27:48 | |
# You've got me feeling emotions | 0:27:48 | 0:27:52 | |
# Higher than the heavens above | 0:27:52 | 0:27:56 | |
# Oooh, yeah | 0:27:56 | 0:27:58 | |
# I said you've got me feeling emotions | 0:27:58 | 0:28:03 | |
-# Deeper than I've ever dreamed of -Yes, you do | 0:28:03 | 0:28:05 | |
# Yeah, yeah, yeah | 0:28:05 | 0:28:07 | |
# You've got me feeling emotions | 0:28:07 | 0:28:11 | |
# Hey, hey, yeah | 0:28:11 | 0:28:13 | |
-# Higher -You've got me feeling | 0:28:13 | 0:28:15 | |
-# Emotions -So good | 0:28:15 | 0:28:18 | |
-# Deeper than I've ever dreamed of -You've got me feeling | 0:28:18 | 0:28:20 | |
-# So fine, baby -Oh-oh, you've | 0:28:20 | 0:28:22 | |
# Got me feeling emotions | 0:28:22 | 0:28:26 | |
# Higher than the heavens above | 0:28:26 | 0:28:30 | |
# Higher... # | 0:28:30 | 0:28:33 | |
APPLAUSE # Ye-eea-ah! # | 0:28:33 | 0:28:36 | |
CHEERING AND APPLAUSE CONTINUES | 0:28:38 | 0:28:42 | |
After the pleasure of listening to that performance, | 0:28:43 | 0:28:46 | |
we've some slightly sad viewing. | 0:28:46 | 0:28:48 | |
It was always incredibly difficult to witness the disintegration | 0:28:48 | 0:28:52 | |
of footballing legend, the great George Best. | 0:28:52 | 0:28:54 | |
But this encounter, perhaps not surprisingly, | 0:28:54 | 0:28:57 | |
is another one of those ones that Wogan viewers always remember. | 0:28:57 | 0:29:01 | |
APPLAUSE AND WHISTLING, HOUSE BAND PLAYS | 0:29:07 | 0:29:10 | |
MUSIC ENDS, APPLAUSE DIES DOWN | 0:29:16 | 0:29:18 | |
Now, it's good to see you again. | 0:29:18 | 0:29:21 | |
Thank you for joining us. | 0:29:21 | 0:29:22 | |
Now, would you rather be at Old Trafford tonight, | 0:29:22 | 0:29:24 | |
with the return into Europe? | 0:29:24 | 0:29:26 | |
Does that make you... wish to be there again? | 0:29:26 | 0:29:29 | |
Yes. | 0:29:29 | 0:29:31 | |
A full and complete and frank answer there. | 0:29:31 | 0:29:35 | |
LAUGHTER | 0:29:35 | 0:29:37 | |
The last time you were only here, | 0:29:37 | 0:29:38 | |
you'd just come out of the old calaboose. | 0:29:38 | 0:29:40 | |
-Prison, you mean? -Yeah. -Yeah. | 0:29:41 | 0:29:43 | |
Did that experience, do you feel, do you any good? | 0:29:43 | 0:29:47 | |
Not... It's not nice to be in prison. | 0:29:48 | 0:29:51 | |
-No. -LAUGHTER | 0:29:51 | 0:29:53 | |
What are you laughing at? What are you laughing? LAUGHTER | 0:29:53 | 0:29:56 | |
These people don't know what they're laughing at half the time. | 0:29:56 | 0:29:59 | |
Yes. But you don't feel it did you any...? | 0:29:59 | 0:30:01 | |
Did it have a sobering effect on you? | 0:30:01 | 0:30:04 | |
It did me good because I got £35,000 out of it. SOME AUDIENCE MEMBERS LAUGH | 0:30:04 | 0:30:08 | |
You got £35,000 out of it? | 0:30:08 | 0:30:10 | |
Yeah. They paid me. | 0:30:10 | 0:30:12 | |
For being in prison. | 0:30:12 | 0:30:13 | |
-Who did? -LAUGHTER | 0:30:13 | 0:30:17 | |
The... Daily Record or some... | 0:30:18 | 0:30:21 | |
Yeah. | 0:30:21 | 0:30:23 | |
-Yeah, but money's never been important to you? -Nah. | 0:30:23 | 0:30:26 | |
There's one thing in my life that's not important, is money. | 0:30:26 | 0:30:29 | |
What is important in life? | 0:30:31 | 0:30:32 | |
Friends. | 0:30:34 | 0:30:35 | |
-Football? -Football, yeah, still. Yeah. | 0:30:35 | 0:30:39 | |
-The ladies? -Ladies are still important, yeah. | 0:30:40 | 0:30:43 | |
SCATTERED LAUGHTER | 0:30:43 | 0:30:46 | |
-They keep laughing. -I know. | 0:30:46 | 0:30:48 | |
What about the booze. Is that important to you? | 0:30:48 | 0:30:50 | |
The booze is still important, yeah, yeah. LAUGHTER | 0:30:50 | 0:30:54 | |
Get off it! LAUGHTER | 0:30:54 | 0:30:56 | |
Gazza did that the other day. | 0:30:57 | 0:30:59 | |
You have been very outspoken about football throughout your time. | 0:30:59 | 0:31:04 | |
What do you think of Gazza? | 0:31:04 | 0:31:08 | |
I think he is a very talented player. | 0:31:08 | 0:31:11 | |
But he is not in the same class as me. | 0:31:12 | 0:31:14 | |
-AUDIENCE: -Oooh! | 0:31:16 | 0:31:18 | |
-Who said that? -I thought you did! | 0:31:18 | 0:31:21 | |
I mean, what would your advice to him be? | 0:31:21 | 0:31:25 | |
Behave yourself. | 0:31:28 | 0:31:30 | |
Because he's actually... | 0:31:30 | 0:31:33 | |
I hate the press. | 0:31:33 | 0:31:35 | |
They gave you a hard time and, obviously, they're, | 0:31:37 | 0:31:40 | |
if you like, more intensive now than when you were, when you were a lad. | 0:31:40 | 0:31:44 | |
But mind you, they might say that you asked for it. | 0:31:44 | 0:31:47 | |
I don't care what they say. | 0:31:47 | 0:31:49 | |
They are treating this guy... | 0:31:51 | 0:31:54 | |
with disrespect. | 0:31:55 | 0:31:57 | |
And it's not right. | 0:31:57 | 0:31:58 | |
What they are doing to him is wrong. | 0:31:59 | 0:32:01 | |
-He's, what, 25? -23. | 0:32:02 | 0:32:04 | |
Is he 23? I'm always wrong. | 0:32:06 | 0:32:10 | |
WOGAN LAUGHS | 0:32:10 | 0:32:11 | |
What about, what about football now, when you look at it? | 0:32:11 | 0:32:13 | |
I know that you are going to probably | 0:32:13 | 0:32:15 | |
commentate on the game itself tonight, later on. | 0:32:15 | 0:32:19 | |
What about football? What is your opinion when you look at it? | 0:32:19 | 0:32:22 | |
There was a great upsurge of interest when England did | 0:32:22 | 0:32:25 | |
so well in the World Cup this time. | 0:32:25 | 0:32:26 | |
What do you feel about football, here, what you feel about England? | 0:32:26 | 0:32:30 | |
As a football team? | 0:32:30 | 0:32:31 | |
Actually, they did nothing. Unfortunately. I wish they did. | 0:32:32 | 0:32:39 | |
-Because... They are not right. -You don't think so? -No. | 0:32:39 | 0:32:46 | |
What you think of the new manager, what about Graham Taylor, | 0:32:46 | 0:32:49 | |
-will he make a difference? -Not even slightly, no. -Why? | 0:32:49 | 0:32:52 | |
Where do you think they're going wrong? | 0:32:52 | 0:32:55 | |
Cos they don't have the players... that are doing it. | 0:32:56 | 0:33:01 | |
I mean, how are they going to get the players together? | 0:33:01 | 0:33:03 | |
-Do you think it is the training methods that are wrong? -Yeah. | 0:33:03 | 0:33:07 | |
But not everybody has, at the risk of being sycophantic, | 0:33:07 | 0:33:10 | |
not everybody has your talent. | 0:33:10 | 0:33:12 | |
-Some people have to be... -That is correct, yeah. | 0:33:12 | 0:33:15 | |
AUDIENCE GASPS, LAUGHTER | 0:33:16 | 0:33:18 | |
Correct! THEY LAUGH | 0:33:18 | 0:33:20 | |
Yeah. | 0:33:21 | 0:33:23 | |
It's just a shame because... | 0:33:23 | 0:33:25 | |
I still love the game, I love it. | 0:33:25 | 0:33:28 | |
I watch it and they have got no idea what they're doing. | 0:33:30 | 0:33:33 | |
And they keep bringing these managers | 0:33:36 | 0:33:39 | |
and have got no idea what they're talking about. | 0:33:39 | 0:33:44 | |
And what they're... | 0:33:44 | 0:33:45 | |
-I mean, they talk a load of... -Please! | 0:33:45 | 0:33:48 | |
-This is...? -It's all... Yeah. -Is this live? | 0:33:48 | 0:33:51 | |
It is, very. Well, almost. | 0:33:51 | 0:33:53 | |
-LAUGHTER -Yeah, yeah. | 0:33:53 | 0:33:54 | |
Well, having established that the show was live, | 0:33:55 | 0:33:59 | |
George proceeded to send me and the producers into multiple panics, | 0:33:59 | 0:34:03 | |
with all sorts of colourful language, | 0:34:03 | 0:34:05 | |
to which we will not subject you at this hour. | 0:34:05 | 0:34:08 | |
Now, there was no such trouble with tennis wonder kid Boris Becker, | 0:34:08 | 0:34:11 | |
who, in 1985, aged just 17, became the first unseeded, | 0:34:11 | 0:34:16 | |
and youngest winner, of the Wimbledon men's final. | 0:34:16 | 0:34:20 | |
-How has life changed for you since you won Wimbledon? -Um... | 0:34:20 | 0:34:23 | |
Have you noticed anything because you're playing tennis | 0:34:23 | 0:34:26 | |
most of the time? | 0:34:26 | 0:34:28 | |
Well, I hope not that I've changed. The people have changed to me. | 0:34:28 | 0:34:33 | |
-You haven't changed? -Er... | 0:34:33 | 0:34:36 | |
-Maybe a little bit. But it's... -What little bit has changed? | 0:34:36 | 0:34:40 | |
LAUGHTER | 0:34:40 | 0:34:43 | |
Um... | 0:34:43 | 0:34:45 | |
I'm a little bit older now! | 0:34:45 | 0:34:47 | |
LAUGHTER | 0:34:47 | 0:34:49 | |
-You're going to be 18 any minute, aren't you? -In 12 days now. -18. | 0:34:49 | 0:34:53 | |
You're an old man, Boris! You're over the hill! | 0:34:53 | 0:34:56 | |
Then, I'm officially a man. | 0:34:56 | 0:34:58 | |
LAUGHTER | 0:34:58 | 0:35:00 | |
-You can drive a car. -Yeah. | 0:35:00 | 0:35:03 | |
It's amazing... | 0:35:03 | 0:35:06 | |
How are you coping with the pressures, with the press | 0:35:06 | 0:35:09 | |
conferences, with the photographers, with people who are now...? | 0:35:09 | 0:35:13 | |
You had a private life before Wimbledon. | 0:35:13 | 0:35:16 | |
You've had no private life since then, have you? | 0:35:16 | 0:35:18 | |
Yeah, at the beginning, it was a little bit difficult for me | 0:35:18 | 0:35:21 | |
to understand that now, when I'm going on the street, that all people | 0:35:21 | 0:35:26 | |
are coming to me, want to talk to me, | 0:35:26 | 0:35:28 | |
I have to give press conferences, and when I'm talking, | 0:35:28 | 0:35:32 | |
there are like 50 or 60 journalists from all over the world | 0:35:32 | 0:35:36 | |
and listen to every word I'm saying. | 0:35:36 | 0:35:39 | |
But now, I think I've got used to it | 0:35:39 | 0:35:41 | |
and sometimes, I even enjoy it, a little bit. | 0:35:41 | 0:35:45 | |
-Really? -LAUGHTER | 0:35:45 | 0:35:47 | |
-What about this kind of thing? Do you enjoy this? -Er... Yeah. So far. | 0:35:47 | 0:35:52 | |
LAUGHTER | 0:35:52 | 0:35:54 | |
Has your English had to improve? Are you taking more English lessons? | 0:35:54 | 0:35:58 | |
-Cos your English is very good. Was it always that good? -Thank you. | 0:35:58 | 0:36:02 | |
No, I haven't learned so much in school, | 0:36:02 | 0:36:05 | |
but I am travelling now for, let's say, one-and-a-half years on the tour | 0:36:05 | 0:36:12 | |
and, when there's a press conference, | 0:36:12 | 0:36:14 | |
I have to talk English, I cannot talk German, so it's getting better, yeah. | 0:36:14 | 0:36:19 | |
Yeah. And of course, you learn a different kind of language | 0:36:19 | 0:36:23 | |
-when you play people like McEnroe, don't you? -LAUGHTER | 0:36:23 | 0:36:25 | |
All sorts of unusual English words! | 0:36:25 | 0:36:29 | |
Yes. Every word is new for me there. | 0:36:29 | 0:36:31 | |
LAUGHTER | 0:36:31 | 0:36:34 | |
When you play a bad shot, and you feel like letting off steam, | 0:36:34 | 0:36:38 | |
do you curse in German or English? | 0:36:38 | 0:36:42 | |
-Well, I started to yell in...Romanian. -Romanian. | 0:36:42 | 0:36:47 | |
LAUGHTER | 0:36:47 | 0:36:49 | |
Cos now, German journalists are coming to tournaments | 0:36:49 | 0:36:53 | |
and English, of course, so I have to yell in Romanian. | 0:36:53 | 0:36:56 | |
Yes, of course. | 0:36:56 | 0:36:58 | |
Yeah. John McEnroe said last week, | 0:36:58 | 0:37:00 | |
and I know you don't pay any attention to him, | 0:37:00 | 0:37:03 | |
but he said that if you continue to throw yourself around the court | 0:37:03 | 0:37:07 | |
the way you do, you'll be an old man before you're 21. | 0:37:07 | 0:37:10 | |
-You'll do some damage to yourself. -Yes. | 0:37:10 | 0:37:13 | |
-KNOCKS ON TABLE So far, nothing happen to me. -I hope you don't think that was wood. | 0:37:13 | 0:37:18 | |
LAUGHTER | 0:37:18 | 0:37:21 | |
You just knocked on plastic, then! | 0:37:21 | 0:37:23 | |
LAUGHTER | 0:37:23 | 0:37:25 | |
But... I'm not diving on hard court, or not very often. | 0:37:25 | 0:37:29 | |
-You're not that foolish. -No. But I like to dive on grass, for example. | 0:37:29 | 0:37:34 | |
Good feeling to land on the old grass and bounce up again. | 0:37:34 | 0:37:37 | |
-You could have been a footballer. -Er... | 0:37:37 | 0:37:40 | |
Yes, I used to play soccer a little bit, but when I was younger. | 0:37:40 | 0:37:43 | |
-Yeah. -LAUGHTER | 0:37:43 | 0:37:45 | |
From what they say, you could... There's a man taking photographs. | 0:37:45 | 0:37:49 | |
LAUGHTER | 0:37:49 | 0:37:51 | |
You could have been a top footballer. | 0:37:51 | 0:37:53 | |
What made you decide on tennis? | 0:37:53 | 0:37:55 | |
Well, my whole family play tennis. | 0:37:55 | 0:37:57 | |
My father was the hometown president of my tennis club and so, | 0:37:57 | 0:38:01 | |
I got involved in tennis more than football. | 0:38:01 | 0:38:04 | |
What about your social life? | 0:38:04 | 0:38:05 | |
Have you any time for a social life with the tournaments | 0:38:05 | 0:38:09 | |
-and going around playing here and there? -Er... | 0:38:09 | 0:38:13 | |
Well, not very much, you know? | 0:38:13 | 0:38:16 | |
I'm playing a lot of tennis, but sometimes I'm reading... | 0:38:16 | 0:38:20 | |
I started to read now, because my coach said it's good for me... | 0:38:20 | 0:38:23 | |
Reading? | 0:38:23 | 0:38:25 | |
-Yeah. -Does your coach allow you to go out with girls? -Er... | 0:38:25 | 0:38:28 | |
Well... LAUGHTER | 0:38:28 | 0:38:31 | |
Er... I... Yes, I do like girls, but my coach... | 0:38:32 | 0:38:36 | |
LAUGHTER | 0:38:36 | 0:38:38 | |
..doesn't like it so much. | 0:38:38 | 0:38:40 | |
How does it feel to be a tax exile in Monte Carlo at 17? | 0:38:40 | 0:38:45 | |
-Well, I moved there already one year ago. -You were a tax exile at 16! | 0:38:45 | 0:38:50 | |
LAUGHTER | 0:38:50 | 0:38:52 | |
And I didn't win any money, then. One year ago. | 0:38:52 | 0:38:56 | |
And, for example, it's my only place where I can be just for myself. | 0:38:56 | 0:39:01 | |
I can walk on the street and I'm watching the people, | 0:39:01 | 0:39:04 | |
they are walking, they are not watching me, I'm watching them. | 0:39:04 | 0:39:07 | |
And so, I like it very much. | 0:39:07 | 0:39:10 | |
It's nice weather and many possibilities there. | 0:39:10 | 0:39:14 | |
-For freedom and being yourself. -Yeah. -Good. | 0:39:14 | 0:39:17 | |
Well, we hope that your continued success | 0:39:17 | 0:39:20 | |
won't restrict your freedom any more and thank you for joining us. | 0:39:20 | 0:39:23 | |
-Thank you. -Good to see you. -APPLAUSE AND CHEERING | 0:39:23 | 0:39:26 | |
We'll end today with more fresh-faced young men. | 0:39:30 | 0:39:34 | |
Way back in 1991, we welcomed a group of unknowns who, | 0:39:34 | 0:39:39 | |
I'll be honest, didn't stand out that much from other pop groups. | 0:39:39 | 0:39:43 | |
And the song wasn't perhaps one of their best. | 0:39:43 | 0:39:47 | |
But still, this is a chunk of TV gold. | 0:39:47 | 0:39:52 | |
It's Take That, all five of them, | 0:39:52 | 0:39:54 | |
with Promises, their first Top 40 hit. | 0:39:54 | 0:39:57 | |
In fact, it reached the giddy heights of number 38. | 0:39:57 | 0:40:02 | |
SCREAMING AND APPLAUSE | 0:40:02 | 0:40:06 | |
Here we go! | 0:40:14 | 0:40:15 | |
# Standing back, I can't believe | 0:40:33 | 0:40:37 | |
# How you've led me on | 0:40:37 | 0:40:40 | |
# And judging by the things you say | 0:40:40 | 0:40:45 | |
# There's got to be something wrong | 0:40:45 | 0:40:48 | |
# What you telling me that | 0:40:48 | 0:40:51 | |
# For when you don't mean it? | 0:40:51 | 0:40:53 | |
# What you telling me that | 0:40:53 | 0:40:54 | |
# For I don't believe it? | 0:40:54 | 0:40:57 | |
# Your promises never been anything you made them seem | 0:40:57 | 0:41:01 | |
# So, what you gonna promise me this time? | 0:41:01 | 0:41:05 | |
# You're telling lies so plain to see | 0:41:05 | 0:41:08 | |
# You're trying to make a fool of me | 0:41:08 | 0:41:10 | |
# So, what you gonna promise me this time? | 0:41:10 | 0:41:13 | |
# I never know | 0:41:13 | 0:41:15 | |
# Seems like I've been playing your game | 0:41:18 | 0:41:23 | |
# And now you think you've won | 0:41:23 | 0:41:26 | |
# But when you count up what you've gained | 0:41:26 | 0:41:31 | |
# You're the lonely one | 0:41:31 | 0:41:34 | |
# What you telling me that | 0:41:34 | 0:41:36 | |
# For when you don't mean it? | 0:41:36 | 0:41:38 | |
# What you telling me that | 0:41:38 | 0:41:41 | |
# For I don't believe it? | 0:41:41 | 0:41:44 | |
# Your promises never been anything you made them seem | 0:41:44 | 0:41:48 | |
# So, what you gonna promise me this time? | 0:41:48 | 0:41:51 | |
# You're telling lies so plain to see | 0:41:51 | 0:41:54 | |
# You're trying to make a fool of me | 0:41:54 | 0:41:56 | |
# So, what you gonna promise me this time? | 0:41:56 | 0:42:00 | |
# Your promises never been anything you made them seem | 0:42:00 | 0:42:04 | |
# So, what you gonna promise me this time? | 0:42:04 | 0:42:08 | |
# You're telling lies so plain to see | 0:42:08 | 0:42:11 | |
# You're trying to make a fool of me | 0:42:11 | 0:42:13 | |
# So, what you gonna promise me this time? | 0:42:13 | 0:42:17 | |
# I wanna know | 0:42:17 | 0:42:18 | |
Let's go! | 0:42:20 | 0:42:21 | |
OK, boys! | 0:42:32 | 0:42:34 | |
# Promises, promises | 0:42:40 | 0:42:42 | |
# What you telling me that | 0:42:42 | 0:42:44 | |
# For when you don't mean it? | 0:42:44 | 0:42:46 | |
# What you telling me that | 0:42:46 | 0:42:48 | |
# For I don't believe it? | 0:42:48 | 0:42:51 | |
# Your promises never been anything you made them seem | 0:42:51 | 0:42:55 | |
# So, what you gonna promise me this time? | 0:42:55 | 0:42:58 | |
# You're telling lies so plain to see | 0:42:59 | 0:43:02 | |
# You're trying to make a fool of me | 0:43:02 | 0:43:04 | |
# So, what you gonna promise me this time? | 0:43:04 | 0:43:07 | |
# Your promises. # | 0:43:07 | 0:43:10 | |
Thank you! | 0:43:10 | 0:43:11 | |
CHEERING AND APPLAUSE | 0:43:11 | 0:43:14 | |
Who could have predicted that they'd rise to such dizzy heights? | 0:43:21 | 0:43:25 | |
Well, that's it today. We've got more next time, so do join me again. | 0:43:25 | 0:43:30 |