Sir Fon Y Ty Cymreig


Sir Fon

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-You don't need much help to guess

-where we are in this programme.

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-There were once 50 windmills

-and 50 watermills on this island.

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-They produced flour on the island

-known as the Mother of Wales.

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-There's more to Anglesey

-than industrial buildings.

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-Welcome to Y Ty Cymreig.

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-In this programme, we'll see

-some of Anglesey's great houses.

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-A chateau - yes, honestly!

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-One of the last thatched cottages

-on the island.

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-A lighthouse which is a unique home.

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-A mansion which has been

-in the same family for 400 years.

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-Anyone who's spent time on the

-Menai Straits has seen this house.

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-It's totally different from

-anything else you see on this river.

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-Yes, it's unique.

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-Chateau Rhianfa is probably

-the only chateau in Wales.

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-It was designed

-to look like a Loire Valley chateau.

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-The land was bought

-by the 2nd Baronet of Bodelwyddan...

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-..Sir John Hay Williams, in 1849.

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-The chateau was designed by

-an architect from Liverpool.

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-I'm not sure why they built

-a chateau in Wales but why not?

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-Sir John was rich and had romantic

-ideas about medieval design.

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-It's a complete fantasy.

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-The garden is an important part

-of the Victorian image.

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-Yes, collectors returned

-from China, India and so on...

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-..with rhododendron, frangipani

-and so on.

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-Wealthy people bought them

-and planted them in their gardens.

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-This garden is sheltered

-and that helps.

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-There are several buildings

-in the garden.

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-That's a special one.

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-Yes, the dovecote is my favourite.

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-The romantic shape of its roof

-is inspired by French designs.

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-I'm very fond

-of the fish scale slates.

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-This reflects

-the sheer magnitude of their wealth.

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-They could afford to spend pots

-of money on a dovecote - on a whim!

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-Much of what we see here

-is original to the house.

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-This is a magnificent ceiling.

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-Yes and that's the original paint,

-which is wonderful.

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-Considering this place was converted

-into student flats in the 1960s...

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-..it's in amazingly good condition.

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-These American walnut doors are the

-best available in the Victorian age.

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-You can see from the decor that the

-present owners respect the property.

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-Yes, the 20th century furniture

-fits in really well.

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-The architectural features such as

-the fireplace and the ceiling...

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-..are a mixture

-of Baroque, Indian and classical.

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-Maybe that's why 20th century

-pop art furniture is perfect for it!

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-What is that castle I can see

-beneath the window?

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-Whatever it is, it suits the room!

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-You could throw almost anything

-into the mix.

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-It looks like William Burgess's work

-at Cardiff Castle and Castell Coch.

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-It's actually a working fireplace.

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-It's under a window

-but there's a flue to one side.

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-We've moved

-to the back of the house.

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-This area looks as though

-it should be outside.

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-It was a conservatory

-or an orangery.

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-Even here, there's a beautiful

-fancy staircase.

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-It looks even more stunning

-because the wall is painted black.

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-This really fancy water bowl

-is there for the plants.

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-Look at those Romanesque columns!

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-It's all very, very ornate.

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-It must have been very expensive and

-no-one could afford to do it today.

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-There's a huge element

-of fantasy here.

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-Yes, it's pure fantasy.

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-Wealthy Victorians

-were very conservative...

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-..but the architecture we see here

-is anything but conservative!

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-This lady is the reason we're here.

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-Yes, that's Lady Sarah...

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-..the woman responsible for

-the decor of this place.

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-She doesn't look too happy about it

-in that portrait!

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-How many houses have a lift?

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-How many houses have a lift?

-

-Very few.

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-Come on, Minti!

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-When someone mentions a lighthouse,

-you think of this.

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-Tall and stripey

-with a light on the top.

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-Think again - some are different.

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-I've always wanted to see

-a lighthouse on Y Ty Cymreig.

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-There are nine of them on Anglesey.

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-Tell me about this one.

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-Tell me about this one.

-

-It was built in 1835.

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-It's unusual,

-in that it has no tower.

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-Most of our lighthouses were built

-in association with Trinity House...

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-..but this one

-was built by Jesse Hartley.

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-It looks like a castle.

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-Neo-Gothic fashion was growing

-and it looks like a mini mansion...

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-..or a lodge for a mansion

-from that period.

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-Why did they need three houses?

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-Three people ran every lighthouse.

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-One lighthouse keeper

-and two pilots.

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-We live in the main house and we

-let the cottages to holidaymakers.

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-Iona, Robin and Finn, the

-Irish Wolfhound, own the lighthouse.

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-How did you come across this place?

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-When we first met each other,

-over 20 years ago...

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-..we came here for a picnic.

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-We sat there and Robin said...

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-.."If I could live anywhere

-in the world, it would be here."

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-I replied, "Don't be silly!

-Who could buy a lighthouse?"

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-Many years later,

-we were on holiday here...

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-..when we passed an estate agent

-and saw Point Lynas was for sale.

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-Two years later, we bought it.

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-Are you in charge

-of keeping the lamp shining?

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-No, although Robin says

-I'm the foghorn in this place!

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-Trinity House

-maintain the lighthouse building.

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-They come here once a month

-to keep an eye on it.

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-How does the lamp work?

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-How does the lamp work?

-

-It's a work of art.

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-It's really beautiful.

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-All the hard work

-is done by three small bulbs.

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-I have one of those bulbs

-in my pocket.

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-Look how incredibly small this is!

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-Three 250 watt bulbs, what you'd

-have in a domestic light fitting...

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-..light up this room.

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-You can see the light 20 miles away.

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-The magnifying work

-is all done by these lovely lenses.

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-Yes, the glass is really wonderful.

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-Yes, indeed.

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-How was the light produced

-before electricity was invented?

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-They used paraffin lamps

-and oil lamps before that.

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-There was a massive fire risk

-in the house.

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-The keeper's house

-is just behind this wall.

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-That's why it's a stone staircase.

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-What do you like most

-about living here?

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-The best thing about it is the sea.

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-I love to sit and watch the sea.

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-888

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-888

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-Welcome back to Y Ty Cymreig

-and to a hidden gem - Carreglwyd.

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-Unlike the chateau we saw earlier,

-this is tucked away.

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-Yes, it's completely private.

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-This mansion was built in 1634.

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-It isn't on a hilltop

-and it offers no glorious views.

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-In fact, it's hidden in a hollow.

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-To all intents and purposes,

-it looks like a Georgian house.

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-It's been remodelled.

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-Everything to the left of the

-central chimney is 17th century.

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-Everything to the right of it

-is 18th century...

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-..and there are

-some Victorian touches here.

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-It looks like one building.

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-For once, pebbledash

-has proved to be an asset!

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-Yes, but I'd never say that

-about any other house!

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-They worked hard

-to keep the symmetry.

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-What features can we see here?

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-These are Georgian windows.

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-Ordinary ones to the left...

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-..and huge ones to the right,

-in the dining room.

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-The dormers at the top

-have side-hung sashes.

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-The Georgian fanlight

-above the door is outstanding.

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-This is the best view of the house.

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-The trouble is I can't turn the boat

-around to admire it!

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-Wherever we look in this room,

-there's a chunk of history.

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-There are centuries of history

-in this room.

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-Yes, Carreglwyd has been

-in the same family...

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-..since it was built

-in the 17th century.

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-There are portraits on the walls

-in almost every room.

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-In the hall, the first room you see

-when you enter the house....

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-..is a portrait of William Griffith,

-who built this house.

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-He was Master of the Rolls

-for Charles I.

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-The golden handshake he received

-upon his retirement...

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-..paid for this house.

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-Who's that lady?

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-Who's that lady?

-

-That's his wife.

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-Her portrait is twice as big as his!

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-It doesn't say her name.

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-She's known as The Wife of

-Chancellor Griffith of Carreglwyd.

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-The owner and passionate caretaker

-of Carreglwyd now is Tom Carpenter.

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-The house has been adapted

-several times.

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-I took over the estate in 1982.

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-A significant amount of

-renovation work was carried out...

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-..between 1982 and 1985.

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-My aim was to return this part

-of the house to the 1760s.

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-The kitchen and breakfast room

-have been modernised.

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-That contrast works well for us.

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-My wife made the greatest sacrifice

-and she did most of the hard work.

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-It's great

-in spring, summer and autumn...

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-..but winter

-continues to be a challenge.

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-High oil prices

-make it an expensive house to heat.

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-Have you made sacrifices

-or is it a privilege?

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-It's both of those things.

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-I can't imagine being away from here

-for a long period of time.

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-These windows

-are bigger than the other ones.

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-It's a lighter room.

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-It's a lighter room.

-

-Yes.

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-That's the original stain.

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-They haven't been painted.

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-These arches

-are very much Georgian features.

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-Yes, they're typically Georgian.

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-We're talking about

-the classical period here.

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-This curved door

-leads to the kitchen.

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-This is one of my all-time

-favourite doors.

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-Imagine how difficult it must have

-been to hang a curved door!

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-It's verging on the impossible.

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-It could do with some polish!

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-It's wonderful

-to be enveloped in history.

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-This magnificent landing

-is like a first floor hall.

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-It's big enough

-to be a take-off and landing!

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-This is the main staircase and the

-servants' staircase is next to it.

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-From what period

-does this part date?

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-It's the original

-17th century building...

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-..as you can see from the beams

-and the mouldings.

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-This is definitely 17th century.

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-Did this room

-have a particular function?

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-Its size suggests to me

-this was a reception room.

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-It's certainly a great space

-in which to display heirlooms.

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-Are there bedrooms off this landing?

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-Are there bedrooms off this landing?

-

-Yes, let me show you my favourite.

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-Isn't it lovely?

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-It isn't a huge room

-but the fireplace is wonderful.

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-It dates back to the Regency period,

-which was the early 19th century.

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-We tend to link Georgian style

-with plain designs.

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-Yes, classical designs.

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-This is exceptionally fancy!

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-There's a dado rail and a

-decorative strip around the ceiling.

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-It really is ornate.

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-Yes but think about the

-leading architect, John Nash...

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-..and his work at Yr Hafod

-and in the famous Brighton Pavilion.

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-We see similar designs

-on this fireplace.

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-This Indian shape

-was the height of fashion.

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-Chinese and Indian designs

-were all the rage.

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-There's no plaster here -

-it's all wood.

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-The cornice is made of wood as well.

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-Does it feel like a Welsh house

-to you?

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-The children all speak Welsh

-and I feel Welsh.

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-My family

-is a part of the history of Wales.

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-Being a part of the 'Yes' campaign

-for the Welsh Assembly...

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-..made it all come alive for me.

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-Everyone has a part to play

-in the new Wales...

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-..and I'm proud of that.

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-It's my duty to help my children

-follow their own path in life...

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-..and also to be a part

-of preserving Carreglwyd.

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-Once, Anglesey was covered with

-whitewashed thatched cottages.

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-Today, Swtan in the north of the

-island, is the last one standing.

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-Greg, you must be in your element.

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-Yes, this cottage

-makes my heart sing.

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-This is why we make Y Ty Cymreig.

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-It's all about

-pretty, original cottages like this.

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-This is

-the quintessential Welsh house.

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-Yes, indeed.

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-We're very close to the sea.

-Was this a fisherman's cottage?

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-It was a smallholding.

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-The pigsty has gone

-but the calf shed is here.

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-There are large gardens here.

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-The oat straw on the roof

-suggests they cultivated oat here.

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-It was a smallholding

-but they may have fished as well.

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-People did what they could

-to make ends meet.

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-The main house is on this side...

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-..with the fireplace

-and the dairy next to it.

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-This was common layout

-in west Wales.

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-This floor looks like concrete.

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-No, it isn't concrete.

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-This is the original earth floor.

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-If you look closely, you can see

-the nails where the lino was.

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-The roof has been rebuilt

-but it is very traditional.

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-The roof trusses are new,

-as is the roof structure.

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-The gorse underthatch

-is covered with canvas.

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-They would have originally used

-old grain sacks.

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-What is the house used for today?

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-What is the house used for today?

-

-It's a museum.

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-Cadw and the National Trust

-aren't involved.

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-The Porth Swtan community,

-assisted by Menter Mon...

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-..raised the money

-to carry out this project.

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-Peter Muckle

-helped the Porth Swtan community...

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-..but perhaps the leading expert

-was a man who lived in Swtan.

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-Gwilym, you were the last person

-to be born in this house.

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-For how long did you live here?

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-I lived here for over 30 years.

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-What memories do you have

-of living here?

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-Good memories of long summers

-spent on the beach...

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-..and going fishing with my dad.

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-Going out on balmy summer evenings.

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-Was it a comfortable home?

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-It was alright,

-as long as you were by the fire.

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-If you moved away from the fire it

-was cold, especially in the winter.

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-It was great in the summer.

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-Where did you sleep?

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-Where did you sleep?

-

-Up in the cockloft.

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-Up there.

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-This is the calf house

-and it is also thatched.

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-They needed the roof nets

-because it's windy here.

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-This is a tiny space.

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-This must be the calf.

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-This must be the calf.

-

-Yes, Minti's new friend!

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-You can see the walls,

-which are interesting.

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-This local stone probably came from

-the fields and from the beach.

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-They didn't waste whitewash.

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-Only the bottom half of the wall

-was whitewashed.

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-It's wonderful to see the gorse.

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-This is how the underthatch looks

-without a canvas.

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-Are you proud of

-your renovated former home?

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-Yes, I'm proud of it and

-it can make me yearn for the past.

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-You're now a grandfather.

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-You're now a grandfather.

-

-Yes, I have six grandchildren.

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-They love to come here.

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-I hope some of them

-help keep this place going.

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-There are few examples like this

-in Wales.

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-Unfortunately, that's true.

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-The lesson for us all is

-how the community came together...

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-..to save this place.

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-If everyone in Wales did that...

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-..we'd have enough houses

-to fill 20 series of Y Ty Cymreig!

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-Yes but unfortunately,

-that isn't the case.

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-S4C subtitles by Eirlys A Jones

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