Episode 1 You Make Me Feel Like Dancing


Episode 1

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Transcript


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Look at the helter-skelter. That is the first time in my teaching career I have ever said that.

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Jack Murphy is choreographer to the stars.

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Now he's swapping Hollywood for Bolton.

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I'm going to revive social partner dancing in Bolton.

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-Are you?

-I am.

-Here?

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I want to get everybody dancing in a dance hall,

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dancing cheek to cheek.

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To bring back the partner dancing heyday,

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Jack's tracking down the original 1950s boppers.

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Do you have any injuries? This could be interesting.

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How long you got?

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He needs to recruit hundreds of ballroom virgins...

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I invite you to waltz, cha-cha or tango.

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And a cha-cha-cha.

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This is not good.

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..and breathe life into a derelict dance hall.

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Beauty...and the Beast.

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Oh! Wow!

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But will the Bolton locals...

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-Who's leaving?

-Me!

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..swap a night in the pub...

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Why are you not on the dance floor?

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You're trying to change a culture where they...

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..for a night in a dance hall?

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What's so magical about dancing cheek to cheek is the connection.

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-What about a nice slow foxtrot or a waltz?

-Can't do it.

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Or with his reputation on the line...

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How am I going to fill a dance hall?

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..will Jack be running for the Hollywood Hills?

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If you don't want to let me down, then dance from your hearts.

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He's really bumptious, actually.

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-The next time I see it, I can't have this...

-You want it right.

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-I do.

-Right!

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Bolton is home to one of the country's once-glorious dance halls.

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Jack Murphy has just arrived to get the keys.

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-It's been empty for three years, so...

-Three years.

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..watch out for the rats.

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-Are you for real?

-Yep!

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This is the first time Jack's stepped inside.

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A smell of cement.

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The building has been mothballed.

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Oh, my gosh.

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Really not too bad at all!

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Despite its last incarnation as a nightclub...

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They didn't kill it. They haven't killed it.

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..some of the old charm has survived.

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Wow.

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I am...I'm loving it.

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Now Jack wants to use it to kick-start a partner dancing revival.

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People's perception of ballroom dancing

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is probably fake tan

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and sequins and fancy footwork,

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when, actually, when this place was

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kicking, 60 years ago, it was about sociability,

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about people meeting. They came here to meet.

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Bolton's Palais De Danse opened its doors in 1928,

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and was at the forefront of a ballroom revolution.

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Once the reserve of aristocrats, working-class locals

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flocked from the industrial heartland and took to the floor

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to dance arm in arm.

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By the 1950s, 60% of Lancashire folk could ballroom.

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And Jack's hoping they will do again.

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This is gagging for a revival.

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I'd say we'd need 200 people.

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At least.

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At least 200 people to fill that space.

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Ballroom dancing might be out of fashion,

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but Jack believes it's the perfect antidote to 21st-century living.

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Don't tolerate sitting on the sofa.

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Get off the sofa, get in here and learn three steps

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and feel the buzz of the place and get this place kicking again.

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To start his revival,

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Jack is about to swap Hollywood movie stars for Bolton's oldest boppers.

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He's arranged a reunion of the original Palais patrons.

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What's frightening is, what if they don't walk through the door?

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You know, because the demographics of that age group,

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a lot of those will have gone to

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that great big dance hall in the sky.

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It's been over half a century

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since the partner dancing craze first swept the nation.

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Do you know...

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if no-one turns up...

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..I'm, I'm in a bit of, you know...

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deep you-know-what. Proverbial.

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I wouldn't know how to go forward without them.

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# Young at heart... #

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Just as in decades gone by...

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All right! Come on, then!

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..the former dance hall has drawn in the crowds.

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Have you got the plastic surgeons inside?

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This is the first time in almost 50 years some of the regulars

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have set foot inside the building.

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HE LAUGHS

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Ah, it's great, isn't it? Good to be here.

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Oh, God, how different it is.

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When are we getting music on, then? Come on, we want to get bopping.

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Bop off!

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One of the youngest to make a comeback is 74-year-old widow Margot.

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They've altered it very much. It's not the same, I'm afraid.

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They've spoiled the floor.

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It's so completely different from what I remember.

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Right now, I just want to get cracking.

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I want to go and talk to those people.

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I want to go and meet those people.

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When you come to a big place like this to dance,

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with hundreds of people, what do you think it's really about?

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-It's about romance and sex.

-Romance and sex, yeah.

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-In men's mind. My husband used to say that.

-Wonderful, wonderful.

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Not in my mind, my husband's.

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-How many nights a week were you here?

-Mondays, Wednesdays, Fridays,

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-Saturdays.

-So that was your wages.

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-And where were you working at the time?

-I was a sewer at Vantona.

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-You were what, sorry?

-A sewer at Vantona.

-A sore-a van-tawn-a?

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That's very poetic.

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-Tell me what a sore-a is at van-tawn-a?

-Ah, I used to sew.

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-I used to make eiderdowns.

-Oh, you made eiderdowns.

-Yeah.

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-I've worked in shoe shops.

-Oh, a sewer!

-A sewer!

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-What did you think I said?

-I thought it meant, like, saw!

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After a lesson in the local lingo,

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Jack meets the dance hall's oldest regular, Alice.

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There were always dancing here Wednesday afternoon,

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-and the GIs used to come....

-Oh, the GI!

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The memories are flooding back,

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and dance hall veteran Flo reveals more than most.

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Yes. Yes, I do understand you.

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Oh, were they? Tell me, tell me.

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Oh, please. I'll be your best friend.

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No...

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Oh, no, don't - tell me, I'm innocent.

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Now Jack has a revelation of his own to make.

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-Hello!

-Hello!

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There's more to his plan than reuniting old friends.

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I did bring you here for a reunion

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but I have another little thing up my sleeve.

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Having seen this photo of the Palais De Danse,

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I thought,

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"I want to reopen that dance hall."

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THEY LAUGH AND CHEER

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And this is how I think you could help me.

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-You've had some great nights in here, yes?

-Yes.

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And I think the younger generation need to see you dancing.

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-But we need partners! We need men.

-We need men!

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-They're all dead!

-Can you put the word out?

-Yes!

-Yeah?

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So, we're going to revive social dance in Bolton.

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-Come on!

-Yes? Are we up for it?

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-Yes!

-Great stuff. Thank you very much for coming along today.

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Let's have a cup of tea, let's have a sandwich and let's have a chat.

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Well done.

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-So, I'm going to see you, yes?

-Yes, definitely.

-Yes?

-Hopefully.

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-No, I'm going to see you.

-We've nothing else - I've nothing else

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-better to do, I'm retired...

-Wonderful.

-..so it doesn't matter.

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Well, I'm glad I'm going to entertain you.

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Jack wants to get both veterans and novices ballrooming.

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To do it, he's going to reopen the dance hall for one night only.

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But the Palais regulars aren't convinced.

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You're going to try and get the young people in here?

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Or any generation that never danced here.

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If I said to my kids, they'd laugh at me, you know what I mean?

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Would they? I'm going to teach them to jive,

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-I'm going to teach them to waltz.

-How do you think they've got,

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they've not time for pressing all bloomin' things they're pressing

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-and putting them all on.

-They're never off their phones.

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-I know, that's part of the reason.

-No!

-That's exactly it.

-No, no.

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I think that most of the men now are in t'graveyard.

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No, there is a few. No, we have got a few.

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-Thing is, I've got a gammy knee.

-Oh, have you?

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And a gammy hip, at the moment.

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You're trying to change a culture, where they...

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If I manage to do it, if I do manage to do it...

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And if I live long enough, I'll bloody apologise, love, yeah. Right.

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By the end of the reunion,

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Jack has gathered a long list of interested dancers,

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and an even longer list of worries and woes.

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The Bolton Palais means so much to its original patrons,

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and it is going to be a mammoth task to get them dancing once again.

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And they are not as young as they once were.

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In their heyday, the Palais patrons knew all the moves.

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We were doing foxtrot, quickstep, barn dance, polka, all the lot.

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From the 1930s to the '60s,

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dance halls were packed with working-class Brits.

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We used to be the first in the Palais, all dolled up

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and ready to go, and we were on that floor the minute the music started.

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The dance hall classics were relaxed versions of the ballroom standards.

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All you needed was a partner.

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Someone would tap you on the shoulder and you'd look around

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and think, "oh!" It was, you know,

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your heart would leap a bit and, you know,

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you'd say "yes" and waltz, get hold of you and start to dance.

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Now Jack wants to see if the originals can still take

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the dance floor by storm for his night at the Palais.

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Today is a very important day

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because I get to see the wonderful patrons of the Palais dance.

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I'm very excited to see what they have on offer.

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You're asking to do something we haven't done

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for quite a long time, aren't you?

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We're going back from 60 years now, what you're asking.

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I do feel a little bit,

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"Oh, my word, I'm taking coals to Newcastle,"

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because they were living it

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so I expect them to teach me, not me teach them.

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Alice!

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You made it!

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Jack expected a big turnout

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but only half of the original patrons have come back...

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Do you have any injuries? This could be interesting.

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Do you have any injuries that I need to know about before I teach you?

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How long have you got?

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..And the men are seriously outnumbered.

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Right, so, we've got one, two, three, four gentlemen.

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So let me see who's going to dance...

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Well, I haven't got anybody.

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I'm going to put a piece of waltz on and then we will rotate

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-so nobody's left out. Is that OK, my lovely?

-Yeah, I'm fine. Don't worry.

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I'm used to being left out, don't worry about that.

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Don't say that, you'll break my heart.

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OK, here we go.

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Jack's picked one of the earliest dancehall classics - the waltz.

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You go one, two. One, two.

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-One, two, three, Sheila.

-One, two, three, sorry.

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That's where I'm going wrong. It's me that's doing it wrong, not you.

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Back in the day, it was an end-of-night smooch

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so everyone knew the moves.

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I'm a little bit surprised.

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I thought they would waltz better than they did.

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Waltz means "to turn".

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It was more, you know, shuffling round the floor.

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-Try not to step on each other's feet.

-Cheeky bugger.

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But it's been an age since many of them gave this one a go

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and it shows.

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You're doing very well considering you're a cripple.

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Good. And we still alive? Yes?

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Saying that in this room is pretty frightening.

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The old classic has failed to hit the spot...

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-Have a break.

-Get me to a chair.

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..so Jack, who is more used to teaching seasoned pros, changes tack.

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Would you show me how you jive?

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We don't have to throw them over our shoulder, do we?

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No, don't throw them over the shoulder. Not yet.

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Save that for tomorrow, Walter, yeah?

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Lovely. Very nice.

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-I used to love jiving.

-Oh, jiving, yes!

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That's all I did. I could never quickstep or foxtrot.

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Whoo!

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This is great. This is good.

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My cousin used to come to our house and she showed me a little bit.

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She used to get the door and she'd say, "Like that. Shut the door."

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-She used the door handle to jive.

-To jive, do you know what I mean?

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That's how you learned.

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Yeah!

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Yay.

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Are you all listening?

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We will not be waltzing.

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LAUGHTER

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We'll be jiving.

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-This is fantastic. Really, really...

-He's excited now.

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No, I'm not excited.

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I'm less worried. Less worried.

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Here we go. Carry on, guys.

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When they jived, I tell you, my heart skipped a beat.

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I was so relieved. The room just lit up and it was fantastic.

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I mean, Walter and Sheila are just in their element.

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You know, you can see them as teenagers.

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Margot, I'd say, is still trying to process the teenager.

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She's still entrenched in being the 70-year-old.

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Tell me, tell me, tell me,

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when you dance that dance, how does it make you feel?

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-Knackered.

-Knackered!

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It makes you feel young.

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It makes she feel like a 25-year-old man, does it?

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No. No, I'll settle for 35.

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You'll settle for 45.

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It will be interesting to see if Jack can produce any males.

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He'll be miraculous if he can.

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The point is - do they want to dance?

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But it's not really all that

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masculine, is it, to be honest?

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A lot of men don't like it.

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With just a handful of volunteers and most of them women over 70,

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Jack's way off the hundreds he needs to pack the Palais.

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And, as it stands, the exterior of the building

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isn't going to pull in the crowds.

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When it opened in 1928, the Palais was an art deco masterpiece

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and the sign over the door

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was a beacon for Bolton's ballroom devotees.

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But it's long since lost its kerb appeal.

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Right.

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Let's get upstairs.

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I'd like to get out on to the front of the building

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because I'd like to see if, behind the Ikon sign,

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if there's anything that informs me

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of the original glory days of this fabulous building.

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Do you know, if there was the Palais de Danse,

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I would be ecstatic

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but I'm doubting that.

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Here we go.

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Oh, I can't tell you, the smell is just...

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Bleurgh!

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It's been almost 50 years since the Palais closed

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and a long line of nightclubs followed.

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OK, here's the accounts.

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Let's look at the accounts.

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Yep. Went bust.

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Take that. Sweeties.

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To find what Jack's looking for...

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Ah! Awning! I can see street.

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..he'll have to go out on a limb.

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There's the awning.

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So they've gone and

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attached these girders

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to the original face of the building

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and extended out the Ikon sign.

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God, it looks like the haunted rollercoaster.

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Oh, original.

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Oh!

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A-I... A-I-S!

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Yes!

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It's there! It's there! It's there! The original's there!

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Oh, please, get this horrible sign down!

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Palais de Danse.

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We'll clean you up.

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We'll get you looking good again.

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Just got to wash it down. It just needs a power shower.

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Beauty

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and the beast.

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The Palais de Danse is there.

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The sign's there.

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We're ready to rock and roll!

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That gives me hope

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that I can take this building back to its former glory,

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not just on the inside but also the out.

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Jack struck gold at the dance hall.

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By his big night, he wants hundreds of people partner dancing.

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He's determined the original patrons

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will jive like they did in their teenage years.

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I learned at school.

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We used to go behind the blackboard in the break times

0:17:090:17:13

and learn all the other girls to jive.

0:17:130:17:16

That was when we were about 13.

0:17:160:17:18

The risque moves took the dance floor by storm during World War II

0:17:190:17:24

when American GIs stationed at Cheshire's Burtonwood airbase

0:17:240:17:27

came to town.

0:17:270:17:28

They brought that kind of aggressive ballroom jive to the UK.

0:17:290:17:35

We watched it and copied it.

0:17:350:17:38

Breaking all the ballroom rules, it was the twerking of yesteryear.

0:17:390:17:44

But, at the Bolton Palais, there were no jiving.

0:17:440:17:47

You weren't allowed to have a jive.

0:17:470:17:49

I got pulled up for having a jive in the corner with one girl.

0:17:490:17:52

Now Jack wants the Palais regulars to bust those moves again.

0:17:540:17:58

Morning! Let's make our circle. I do like to start in a circle.

0:17:580:18:02

-Have you got me a Fred Astaire yet?

-A Fred Astaire?

0:18:020:18:05

Jack might not have found Flo a movie star

0:18:070:18:10

but the pensioners are about to get the Hollywood treatment.

0:18:100:18:14

You all dance jive differently.

0:18:140:18:17

-Do you accept that?

-Yeah.

-OK. Right.

0:18:170:18:20

Now, in order to get a wow factor of you all moving together,

0:18:200:18:25

you all have to do the same style.

0:18:250:18:29

Jack's choreographed a tailor-made routine.

0:18:290:18:32

So, with our partners...

0:18:320:18:33

A-one and two.

0:18:330:18:35

He's pulled in help from his long-time assistant Heidi.

0:18:350:18:39

Good. So the whole routine is going to be

0:18:390:18:43

a basic...

0:18:430:18:44

..a throw away...

0:18:460:18:47

It might start with the basics...

0:18:470:18:50

..round that back,

0:18:500:18:52

underarm turn...

0:18:520:18:54

..but this routine builds to a complicated sequence of steps.

0:18:550:18:59

OK? Do you think you could get that?

0:19:010:19:03

All of it?

0:19:030:19:05

They've got it but some don't like it.

0:19:050:19:09

Left, right, left...

0:19:090:19:12

We don't turn yet. Left...

0:19:120:19:14

To be taught something at this stage in our life, that's...

0:19:140:19:18

That's quite something different.

0:19:180:19:20

Two and two.

0:19:200:19:22

Three. Three and two. Three.

0:19:220:19:25

We are not professionals, you know?

0:19:250:19:28

I can't do this.

0:19:280:19:30

I've not done the jive for a while.

0:19:300:19:32

I find jive absolutely brilliant.

0:19:320:19:35

He took us step-by-step along the way which was very good.

0:19:350:19:39

After a tough session, Jack gives his most enthusiastic dancer, Alice,

0:19:430:19:47

a lift home.

0:19:470:19:48

-This is my house here. This one.

-Can I park in there?

-This one.

0:19:480:19:52

-Yeah, can I park in there?

-Yes. Yes.

0:19:520:19:55

In return, he's getting a spot of Northern hospitality.

0:19:550:19:58

I tell you, Alice, after today, I'm gasping.

0:19:580:20:01

-So, shall I play mother?

-OK.

-Yeah?

0:20:010:20:04

-Now that's me husband Frank.

-Frank, yeah.

0:20:040:20:07

Now, he died when he were 66.

0:20:070:20:10

-When he was 66?

-Yeah. Yeah.

0:20:100:20:13

-I'm sorry to hear that.

-That's myself.

0:20:130:20:15

-Look at you! Great figure.

-Bit slimmer there, Jack!

-Great figure.

0:20:150:20:18

A bit slimmer!

0:20:180:20:20

And that was taken on the balcony.

0:20:200:20:22

-That was taken on the balcony at the Palais?

-At the Palais.

0:20:220:20:24

I had my first date with him there.

0:20:240:20:26

And was he a good dancer?

0:20:260:20:28

-Yes. He was.

-What was your favourite dance with him, Alice?

0:20:280:20:31

-Oh, the waltz.

-The waltz.

0:20:310:20:33

-Oh, so romantic.

-Oh, was it?

0:20:330:20:36

-Dancing cheek to cheek.

-Dancing cheek to cheek.

0:20:360:20:38

-More or less. Oh, yes.

-That's beautiful.

0:20:380:20:41

-So you've been dancing since you were 14?

-14.

0:20:410:20:43

And here you are still dancing.

0:20:430:20:45

-Well, no, because you need a partner.

-You do.

0:20:450:20:48

So, if I could find you a dancing partner,

0:20:480:20:50

you would carry on dancing?

0:20:500:20:52

Oh, I'd love to, yes. Yes.

0:20:520:20:55

How does dancing make you feel at 87?

0:20:550:20:57

Actually, I think it makes you feel a bit younger.

0:20:570:20:59

-Makes you feel younger.

-Yeah!

0:20:590:21:01

How long are you to carry on dancing for, Alice?

0:21:010:21:04

-Well, it depends if I have a partner.

-Mm-hm.

-Yeah.

0:21:040:21:08

So leave that one with me, will you?

0:21:080:21:11

And what about yourself? Have you a nice partner?

0:21:110:21:14

Oh... No.

0:21:140:21:16

-No.

-Oh, Jack!

-Very unlucky in love.

-No!

0:21:160:21:19

-You're like me, then.

-Hardly!

0:21:190:21:22

-You're like me, no partner.

-You put me to shame, woman!

0:21:220:21:25

Yeah, but no partner I'm talking about.

0:21:250:21:27

No, no, no.

0:21:270:21:29

-But you're too far away, aren't you?

-Too far away? For who?

0:21:290:21:33

-London.

-Yeah.

0:21:330:21:35

-I'm in Lancashire!

-Oh, OK!

0:21:350:21:38

All right. Oh! OK! Fine!

0:21:380:21:40

I'll just have a cup of tea.

0:21:420:21:44

Unless Jack fancies a permanent move to Bolton,

0:21:460:21:49

he needs to find some alternatives

0:21:490:21:51

fast.

0:21:510:21:53

Today is all about finding men for these wonderful ladies.

0:21:530:21:56

With only four men recruited to his revival and hundreds needed,

0:21:560:22:00

Jack's plans are on the ropes.

0:22:000:22:03

I'm trying to find men who would like to dance.

0:22:030:22:06

Would you mind if I was to chat to some of you patrons?

0:22:060:22:08

-No, I don't mind.

-And put up a poster?

0:22:080:22:10

-There's a few good movers in the gym.

-Are there?

0:22:100:22:13

How are you doing, fella? I'm after men to dance with gorgeous women.

0:22:130:22:17

-Single women?

-Single women.

0:22:170:22:19

Lovely ladies in their 70s.

0:22:190:22:21

Is it break dance?

0:22:210:22:22

Fantastic. Hey-hey!

0:22:220:22:24

Convincing burly boxers to ballroom is a tall order.

0:22:240:22:29

How are you doing? I'm looking for men who are rhythmical.

0:22:290:22:33

-Can I hold that bag for you?

-You can if you want, yeah.

0:22:360:22:38

Shall I call it?

0:22:380:22:40

Double right hook.

0:22:400:22:41

Good. Fantastic. Yeah. Marvellous.

0:22:410:22:43

-Now, can I have a little chat with you?

-Yep.

-My name's Jack.

0:22:430:22:47

-Nice to meet you, Jack.

-What's your name, sir?

-Ben.

0:22:470:22:49

Ben, I'm looking for gentleman to come and learn to dance

0:22:490:22:51

with some very, very beautiful women and we're going to jive.

0:22:510:22:55

Is this something you would be interested in?

0:22:550:22:57

-Possibly.

-Possibly!

0:22:570:22:58

-Until you said jiving.

-Until I said jiving.

0:22:580:23:01

-I can't see myself jiving.

-Right, so what's your style?

0:23:010:23:03

-Tell me, what moves do you cut?

-I haven't got any.

0:23:030:23:06

You haven't got any at all?

0:23:060:23:07

I think it could be something you would be interested in,

0:23:070:23:10

-he says, trying to persuade.

-Possibly, yeah.

0:23:100:23:12

Possible, yeah? Good man. Good man. Fantastic. Good.

0:23:120:23:15

I'll let you carry on.

0:23:150:23:17

With no definite takers,

0:23:170:23:19

Jack pushes on with his trawl of local gyms.

0:23:190:23:22

Hello, sir. I'm a man on a mission.

0:23:220:23:24

-I'm looking to find men to dance with gorgeous ladies.

-Not for me.

0:23:240:23:28

Hello, how are you doing? Can I take a minute of your time?

0:23:280:23:31

-Yeah, certainly.

-My name's Jack.

-I'm Terry.

-Terry, very nice to meet you.

0:23:310:23:34

-Terry, can you dance?

-Er...

0:23:340:23:37

-No.

-You can't?

0:23:370:23:39

-Would you like to learn to dance?

-I think I would, yeah.

0:23:390:23:41

-You would like to? You would like to?

-Yeah.

0:23:410:23:44

Do you have availability during the week?

0:23:440:23:46

I've just retired, actually, so I've got quite a lot of time off.

0:23:460:23:50

Oh, my God, Terry! Yes! Success on a plate, as they say.

0:23:500:23:53

I'll let you carry on because you need to work out.

0:23:530:23:55

These women are strong

0:23:550:23:57

and, before you know it, they'll be throwing you around the place.

0:23:570:23:59

-Can't wait.

-Good man. Good man. Cheers, Terry. Thanks a lot.

0:23:590:24:03

Jack's not the only one on a manhunt.

0:24:040:24:07

Margot's taking matters into her own hands.

0:24:070:24:10

I don't ask men out normally.

0:24:100:24:13

Normally, I don't.

0:24:130:24:14

I feel a bit sick, actually. Not butterflies.

0:24:140:24:17

Margot has lived alone since her husband died six years ago.

0:24:170:24:20

I met my husband on the way to the Palais and we met and married

0:24:200:24:23

within 12 months so, really, I stopped going, actually,

0:24:230:24:26

to the Palais.

0:24:260:24:28

Unless we fell out for a bit, you know,

0:24:280:24:31

and then I whipped back again.

0:24:310:24:32

He was, you know, a marvellous companion.

0:24:320:24:35

We were companions and, of course, I miss it terribly.

0:24:350:24:38

Hello, Joe? Are you having your tea?

0:24:380:24:40

Margot's called up an old family acquaintance.

0:24:400:24:44

Right. Well, prepare yourself for a shock.

0:24:440:24:46

I'm going to ask you something.

0:24:460:24:48

It's about the dancing days of the Palais. Did you ever go?

0:24:480:24:51

Right, didn't we all?

0:24:530:24:54

We've got a choreographer who's quite famous.

0:24:540:24:57

You won't have heard of him but...

0:24:570:24:59

I mean, who has, but...

0:24:590:25:01

He's... You know...

0:25:010:25:02

Would you be willing to appear?

0:25:020:25:05

Really? Right.

0:25:050:25:07

Well, that's great. That's wonderful.

0:25:070:25:10

'The man that I'm looking for - describe him.'

0:25:100:25:12

He's got to be amusing, cool.

0:25:120:25:14

I want somebody cool.

0:25:140:25:16

'I don't want anybody childish or emotionally immature, which is'

0:25:160:25:21

saying quite a lot for a man.

0:25:210:25:24

Thank you very much. All right. Bye. See you, then. Bye.

0:25:240:25:29

Yeah.

0:25:330:25:35

Great! Nothing ventured, nothing gained.

0:25:350:25:38

One needs courage in this life.

0:25:380:25:40

You've got yourself a partner, Margot.

0:25:400:25:42

It's not a date, is it? Not... Hold on, wait a minute! No.

0:25:420:25:47

No, it didn't come over like that, did it? Hopefully not. No.

0:25:470:25:51

There is a shortage of men, isn't there?

0:25:530:25:55

This is the trouble, isn't it, because this dancing thing

0:25:550:25:59

needs a partner. And I ain't got one.

0:25:590:26:02

Today, Jack's got a treat for his ladies.

0:26:020:26:04

I've not seen him, have you?

0:26:040:26:05

His trawl of Bolton has paid off.

0:26:050:26:07

It's strange. I was working on weights yesterday and I'm...

0:26:120:26:15

..dancing today.

0:26:160:26:18

I've only done crazy disco dancing

0:26:180:26:20

until now, never any organised dancing.

0:26:200:26:23

I was at the boxing gym and he talked me into coming down.

0:26:230:26:26

I thought there might have been some, maybe a little bit

0:26:260:26:29

more my age, middle-aged maybe but it doesn't really matter.

0:26:290:26:32

All of Jack's new recruits have turned up

0:26:320:26:36

but Margot's fella is yet to arrive.

0:26:360:26:38

I haven't got butterflies, no.

0:26:390:26:41

I'm too old for that but I'm apprehensive.

0:26:410:26:44

Hopefully, it will be good to dance with a real man!

0:26:440:26:49

A proper man. That'll be a novelty.

0:26:490:26:52

Ladies and gents, if you'd like to come on to the floor

0:26:520:26:55

and take a partner...

0:26:550:26:57

Margot's bold move has paid off.

0:26:580:27:01

Margot, Joe is waiting, longing.

0:27:010:27:04

No, don't start being suggestive, it doesn't suit us.

0:27:040:27:09

We don't like it. We're glad you've made it

0:27:090:27:11

because they've changed the venue, haven't they?

0:27:110:27:14

I've never danced with Margot at all.

0:27:140:27:16

I danced with my wife.

0:27:160:27:18

She was my girlfriend at the time but since then she has died.

0:27:180:27:22

I'm looking for a new partner.

0:27:220:27:24

Ben, don't look so worried. I found you in a boxing gym, yeah? OK?

0:27:240:27:29

Right, we are starting in hold. So, into hold.

0:27:290:27:34

Let's see if we can get this right.

0:27:340:27:36

This is called hold or frame, yes?

0:27:360:27:38

Some of your frames need to be looked at, yeah?

0:27:380:27:41

OK? Don't be frightened of her.

0:27:420:27:44

Bring your right hand on to her left shoulder blade. That's lovely, good.

0:27:440:27:48

And breathe, Terry. Breathe.

0:27:480:27:52

You just like his biceps.

0:27:520:27:54

I think this is the toughest part of our little dance routine.

0:27:560:28:00

So we have a back replace, round the back.

0:28:000:28:04

A back replace, round the back...

0:28:040:28:06

Jack's strategy is to throw the new recruits in at the deep end.

0:28:060:28:09

Gentleman, place your right hand on top of your left hand and turn.

0:28:110:28:15

He's got his work cut out with the ballroom virgins.

0:28:170:28:20

Off you go and turn.

0:28:220:28:24

But Margot's man is showing promise.

0:28:240:28:26

Now that is a leader. That's lovely. You took my lovely Margot there.

0:28:270:28:32

He's only been here a morning as well.

0:28:320:28:34

Please stop, I'm embarrassed.

0:28:340:28:36

You should never say that to me because I will just carry on.

0:28:360:28:39

-Are you OK, Ben?

-Yes.

-Are you loving it?

-Yeah.

-Don't believe you!

0:28:390:28:43

Here we go. Round you go. Back, replace. One, two.

0:28:440:28:49

You know when you drink a really good wine, yeah?

0:28:490:28:52

You do it slowly, don't you? You don't knock it back.

0:28:540:28:57

Did you all hear that?

0:28:580:29:00

-Maybe you've never drunk a fine wine, I don't know.

-Oh, God.

0:29:000:29:03

That's patronising. I don't like being patronised. Sorry.

0:29:030:29:08

If I can continue my story,

0:29:080:29:10

not everyone is a wine drinker was my point.

0:29:100:29:13

I use a lot of metaphors and analogies to teach, OK?

0:29:140:29:17

If any of you felt offended by what I just said, I truly apologise.

0:29:170:29:22

-Here we go.

-He's labouring that now, isn't he, somewhat?

0:29:240:29:27

Five, six, seven, eight and around you go.

0:29:270:29:30

My overriding concern is definitely Margot because when I'm anxious,

0:29:310:29:35

I know how I behave.

0:29:350:29:37

And I now have to check it

0:29:370:29:39

and I desperately want to keep her on board.

0:29:390:29:42

Jack might have to adjust his movie-star teaching methods

0:29:420:29:45

if he's to win over Bolton's leading lady.

0:29:450:29:49

I think he's really bumptious actually and I know he's probably

0:29:490:29:53

doing it for our benefit but I don't...

0:29:530:29:56

I don't take kindly to...

0:29:560:29:58

I can't believe his attitude, really.

0:29:580:30:00

Jack's grand designs to put the building back on the Bolton map

0:30:040:30:07

could put him back in the good books.

0:30:070:30:10

I'd like to rejuvenate it.

0:30:100:30:12

He has the building for two months

0:30:120:30:14

so any changes have to be agreed by the landlord.

0:30:140:30:17

If I'm going to replicate 1950s dance floor, I need a dance floor.

0:30:180:30:24

-Yeah.

-I can't dance on tiles.

0:30:240:30:27

I will come back to later this week with a definitive answer.

0:30:270:30:31

The floor is essential for the dance hall night.

0:30:310:30:34

-Can we go outside?

-Yeah, absolutely.

0:30:340:30:36

But Jack's next request could be appreciated by the whole of Bolton.

0:30:360:30:40

-Do you think you can take that sign down?

-I'm happy to put it forward.

0:30:400:30:43

I'm personally happy to pull the sign down, quite frankly.

0:30:430:30:46

For the people of Bolton, let alone the dance hall.

0:30:460:30:49

I would need to get consent from my side.

0:30:490:30:51

I just think it would be absolutely wonderful.

0:30:510:30:54

I think it would be magical, really, really magical.

0:30:540:30:58

Jack's dream is to fill the building with hundreds of ballroom newcomers.

0:30:580:31:02

All right, fellas? How are you doing?

0:31:020:31:04

So tonight he's going to hit the town to find them.

0:31:050:31:08

How are you doing, lads?

0:31:090:31:11

I'm going to reopen the Palais de Danse

0:31:120:31:15

as a night hall for a few nights.

0:31:150:31:17

And I'm going to revive social partner dancing.

0:31:170:31:20

What Bolton's become over the last three years or so

0:31:200:31:23

I'd say is everywhere is becoming the same.

0:31:230:31:25

In the last decade, half the nightclubs in this country have closed.

0:31:250:31:28

Why are you not on the dance floor?

0:31:280:31:30

Ladies, why are you not on the dance floor?

0:31:300:31:32

-But I'm asking you...

-Why are you not on the dance floor?

0:31:340:31:37

What is a great night out in Bolton?

0:31:370:31:39

Loads of drink and loads of girls.

0:31:390:31:41

There's a dance floor and the dance floor is empty.

0:31:410:31:45

Come and dance with me.

0:31:450:31:46

Jack's determined to get the younger generation dancing.

0:31:490:31:53

-Who's leading?

-Me!

0:31:530:31:56

What do you think about salsa and Argentine tango?

0:31:560:31:58

It would be nice to get involved with but it's not around any more really.

0:31:580:32:02

Why aren't you out dancing cha-cha on a Friday night? Tell me.

0:32:020:32:05

Because they've changed times.

0:32:050:32:07

-I'm reopening the Palais.

-Are you?

-I am.

-Here?

-As a dance hall.

0:32:070:32:11

What's it going to take me, other than a bottle of vodka,

0:32:110:32:14

-to entice you?

-Two bottles of vodka.

0:32:140:32:16

Dancing cheek to cheek is a world away from a night on the tiles.

0:32:180:32:21

It seems to me that the whole raison d'etre for going out

0:32:210:32:25

is to have a drink.

0:32:250:32:27

Are you going to get drunk tonight, girls?

0:32:270:32:30

I've got a huge task here to try

0:32:300:32:32

and pull the scales down from over their eyes, to say consider this.

0:32:320:32:37

If Jack can't convince the young 'uns to get on the dance floor,

0:32:390:32:42

his revival will fail.

0:32:420:32:44

To persuade a new generation that partner dancing is for them,

0:32:530:32:56

Jack's come up with an audacious plan.

0:32:560:32:59

Right, where do you think we are going?

0:33:010:33:03

It's a mystery to us, isn't it?

0:33:030:33:05

It will take a captive audience of thousands.

0:33:050:33:07

-What's going on here?

-We might be training with footballers.

0:33:070:33:11

Enough space for a major performance.

0:33:130:33:16

-Walter's a season ticket over there.

-Same here.

0:33:160:33:19

-Are you a season-ticket holder?

-Yes, I am.

0:33:190:33:22

-And the final ingredient.

-Hello.

0:33:220:33:25

Jack's Bolton boppers.

0:33:250:33:27

How are we?

0:33:270:33:28

There's no point me choreographing this amazing group of people

0:33:280:33:31

and presenting it to 20 people.

0:33:310:33:33

I'm hardly going to start a revolution with 20 people.

0:33:330:33:36

So, would you just stand on the little bit of grass here?

0:33:360:33:40

Feel that you are a team, yeah.

0:33:400:33:43

Time for Jack to drop his bombshell.

0:33:440:33:46

-On Tuesday week, you will be dancing there.

-Here?

0:33:470:33:51

-Right there, at the game in front of all the spectators.

-No!

0:33:510:33:56

-Oh, my goodness me.

-I dream big.

0:33:570:33:59

There's no point dreaming if you are not going to dream big.

0:33:590:34:03

-So, if you don't want to do it, step off the hallowed turf.

-No way.

0:34:030:34:07

I'll be sitting up there, watching them. I will.

0:34:070:34:10

I'm not letting my people see me down here...

0:34:100:34:13

What are you doing off the hallowed turf?

0:34:130:34:15

-What are you doing off the hallowed turf?

-I'm sorry.

0:34:150:34:18

I can't come up here. Sit up there with all my mates watching me?

0:34:180:34:21

Whoa, they'd be...

0:34:210:34:22

If I had one person down for reacting that way,

0:34:240:34:27

it wouldn't have been Walter. So, that was surprising.

0:34:270:34:31

Enough to give anybody a heart attack because I was shocked

0:34:310:34:34

coming here, to a place I come every other week

0:34:340:34:38

to the march and to do a performance in front of people...

0:34:380:34:41

I don't know how I will do it.

0:34:410:34:44

His identity with this place is with the lads and of course

0:34:440:34:47

dancing with Sheila elsewhere, so the two just don't meet.

0:34:470:34:53

He obviously felt,

0:34:530:34:54

"Oh, no, I'm going to make a right fool of myself."

0:34:540:34:59

Got to do it for my partner's sake.

0:34:590:35:01

I'll have to do it for her sake, you know what I mean. Keep her happy.

0:35:010:35:05

MUSIC: "Machine Gun" by The Commodores

0:35:050:35:09

We've got about three weeks.

0:35:100:35:12

So we now have to turn up the heat and get burning.

0:35:120:35:15

Jack's dance hall revival now rests on the Palais patrons

0:35:150:35:19

delivering a stellar performance that can keep 20,000 football fans

0:35:190:35:23

glued to their seats.

0:35:230:35:25

A-one and two...

0:35:270:35:28

Oh God! Where's...

0:35:280:35:29

Stop improvising!

0:35:290:35:31

To deliver a wow factor, the group have to dance in unison.

0:35:310:35:35

Two, three. A-one and two...

0:35:350:35:39

But the Palais old-timers struggle with the new moves.

0:35:390:35:41

-A-one and two...

-No.

-Three.

0:35:410:35:43

-You've got you've got two-thirds of it.

-Yeah, yeah.

-Great.

0:35:430:35:46

I'll leave you, but the next time I see it, I can't have this...

0:35:460:35:50

-You want it right.

-I do!

-Right!

0:35:500:35:53

And the novices are yet to crack the basics.

0:35:530:35:56

Think of it like you're boxing a partner.

0:35:560:35:58

So, box me. A jab, jab, hook, hook.

0:35:580:36:00

A jab, jab. Follow me. There.

0:36:000:36:03

A jab, jab, follow me, there.

0:36:030:36:06

You look like I need to spray a load of WD-40 over you.

0:36:060:36:10

You look very stiff. OK.

0:36:100:36:13

You, basically, need to find your knees.

0:36:130:36:17

Ta-tum. Ta-tum. Ta-tum.

0:36:170:36:19

Terry has not missed a single practice

0:36:190:36:22

since Jack recruited him down the gym.

0:36:220:36:24

Everybody else seemed to do it a bit more naturally than I do,

0:36:240:36:27

but I'm sure I'll get there.

0:36:270:36:28

But, as rehearsals continue,...

0:36:280:36:30

How's Terry doing, Alice?

0:36:300:36:32

..things get trickier for Terry.

0:36:320:36:34

He gets dumped.

0:36:340:36:36

-We can change partners along, can we? All along the way?

-We will do.

0:36:370:36:40

We'll change partners.

0:36:400:36:42

SHE LAUGHS

0:36:420:36:43

I don't know whether I were tense, or whether he were tense,

0:36:430:36:46

but I feel more at ease not dancing with Terry.

0:36:460:36:50

Just seems to be me that's left on my own all the time.

0:36:530:36:56

I'm trying my best to learn how to do it.

0:36:560:36:58

You know, sort my faults out but I'm not really, probably,

0:36:580:37:01

not the best dancer here but, you know, I'm willing to try.

0:37:010:37:04

Maybe they don't think I'm good enough to be doing it.

0:37:070:37:10

The fact that he hasn't done a great deal of dancing

0:37:120:37:15

is that women don't want to dance with him

0:37:150:37:17

because he's not good enough.

0:37:170:37:19

Well, I'm not going to have that.

0:37:190:37:20

Jack needs a strong woman to take Terry in hand.

0:37:200:37:23

-Come and have a little chat with me.

-All right, darling.

0:37:230:37:25

And 76-year-old Flo has got the job.

0:37:250:37:28

-Now, I'm working with Terry...

-I know you are.

-..and he's only...

0:37:280:37:31

-You've been dancing...

-Yeah.

-..for a long time.

-I know, darling.

0:37:310:37:33

-He's been dancing for two weeks.

-I know. It's incredible.

0:37:330:37:36

-So, will you work with him? Yes?

-Yeah, yeah, yeah.

0:37:360:37:39

-You promise me, you will?

-Yeah, I will.

-Because you're able to teach.

0:37:390:37:42

-Yeah? Is that a deal?

-That's right. It's a deal.

0:37:420:37:45

-Love you.

-OK, darling.

-Cheers, darling.

0:37:450:37:48

If I have to do, I'll have to do but he'll have to get more practice.

0:37:480:37:52

Match made in heaven. Fantastic.

0:37:530:37:56

Good.

0:37:560:37:58

It's been an age since Flo had a permanent dance partner.

0:37:580:38:01

It used to be her husband Derek.

0:38:010:38:03

-61 years we've known one another.

-Is it?

-Yeah.

-Right.

0:38:040:38:07

-61 years.

-Oh, right.

0:38:070:38:09

I'm getting rid of you next year.

0:38:100:38:13

They were childhood sweethearts,

0:38:130:38:15

but they didn't find love on the dance floor.

0:38:150:38:17

I love dancing, but he just went in a circle. He couldn't dance.

0:38:180:38:22

He just couldn't move his feet. He just went round and round and round.

0:38:220:38:25

He said, "It's no good, this, Flossie," he said.

0:38:250:38:28

He said, I think we'd better pack our relationship in.

0:38:280:38:31

And I walked away

0:38:310:38:32

and I thought, I can't.

0:38:320:38:34

And I turned round and I said, "I'll give..." I'm nearly crying!

0:38:350:38:38

I said I'd give dancing up.

0:38:400:38:42

I... Ooh! I...

0:38:440:38:47

I remember the day when he walked away.

0:38:470:38:49

Flo hung up her dance shoes,

0:38:550:38:57

but now she and her fellow Palais patrons

0:38:570:39:00

will get the chance to revisit their glory days.

0:39:000:39:03

The art deco building attracted thousands of Lancashire locals.

0:39:040:39:08

They came three nights a week to bop on a sprung maple dance floor

0:39:080:39:12

to a live big band.

0:39:120:39:13

The building is Jack's for two months.

0:39:150:39:17

To make any changes, he needs the nod from the landlord.

0:39:170:39:20

But there's bad news.

0:39:220:39:24

"In short, we do not feel that the removal of the facade

0:39:260:39:28

will be beneficial to the property

0:39:280:39:31

and feel there will be further issues to the property,

0:39:310:39:34

in terms of being wind and watertight if removed."

0:39:340:39:37

"Therefore, we are not willing to allow this to be removed."

0:39:380:39:43

On behalf of all the patrons who danced here,

0:39:430:39:46

who really brought an amazing spirit to this building,

0:39:460:39:50

I'm just really disappointed. I am really disappointed.

0:39:500:39:53

I don't know. Maybe I'm just going to have to choose my battles.

0:39:540:39:58

And Jack soon claims a victory.

0:40:000:40:02

I'm really glowing inside.

0:40:030:40:05

It's such a lovely feeling.

0:40:050:40:07

In the 1970s, the dance hall became a nightclub

0:40:070:40:10

and the sprung floor was ripped out.

0:40:100:40:13

This is for people of Bolton

0:40:130:40:15

and this is to revive the fantastic dance floor

0:40:150:40:18

Don't open your eyes.

0:40:190:40:21

Keep coming. Keep coming.

0:40:210:40:23

Today, it's finally back.

0:40:230:40:24

Open your eyes.

0:40:260:40:27

-Ahh!

-Oh! Wow!

0:40:270:40:30

O-ho-ho! Look at that!

0:40:310:40:34

-Oh-ho!

-That's astounding, that.

-Is it bouncy?

0:40:340:40:37

You tell me.

0:40:370:40:38

-Is it?

-Woo-hoo!

-God. It's wonderful.

-O-ho!

0:40:380:40:42

And it is sprung.

0:40:420:40:43

-Thank you.

-You've got all the spring you need.

0:40:430:40:46

That's amazing.

0:40:460:40:47

-Soak it up.

-It's astounding, this.

0:40:470:40:49

-Soak it up and...

-It's wonderful.

-It's amazing.

0:40:490:40:52

And that isn't the only revelation.

0:40:520:40:55

Couldn't believe it when I saw the floor.

0:40:550:40:58

I was astounded and thrilled.

0:40:580:41:00

I've got faith in him now. I think it's going to happen.

0:41:000:41:03

With the most sceptical of the Palais patrons on side,

0:41:030:41:06

Jack's keen to get the rest of the makeover right.

0:41:060:41:09

Now, the bar. Was the bar over there?

0:41:100:41:14

-No.

-No.

-It was up the top.

0:41:140:41:16

-The bar was there.

-No, the bar was here.

0:41:180:41:21

Tell me about the balcony. What was going on at the balconies?

0:41:210:41:24

-Well, there were tables on there.

-Tables?

-Tables.

0:41:240:41:27

Watching the dancers.

0:41:270:41:29

People watching the dancers? Yeah?

0:41:290:41:31

There is this thing of prejudice, that you see people

0:41:310:41:34

of a certain age and you just think, they are not participating in life.

0:41:340:41:39

And they are full of life. That's what's so exciting about this group.

0:41:390:41:42

You can really feel that they are doing something

0:41:420:41:45

that's incredibly important to them.

0:41:450:41:47

And it is recognising them at their time of life.

0:41:470:41:50

Jack's pinned the success of his revival on his Bolton boppers.

0:41:540:41:58

Flick, kick, now back, stretch, kick!

0:41:590:42:01

Kelly Way for quarter to, Jackie.

0:42:010:42:03

Their performance has to win over the football home crowd.

0:42:040:42:08

And prove dancing cheek to cheek works, whatever your age.

0:42:130:42:16

They've been practising around the clock.

0:42:220:42:24

Round the back, round the back.

0:42:240:42:26

Now, with just a week to go,

0:42:280:42:30

Jack gathers the group to make an announcement.

0:42:300:42:33

I'd like to play a piece of music

0:42:330:42:34

and I'd really like you to listen to it

0:42:340:42:36

and then I'd really like you to tell me what do you think of it.

0:42:360:42:39

A VERSION OF "Crazy In Love" PLAYS

0:42:390:42:42

Until now, the Palais pensioners have been dancing to

0:42:420:42:45

a traditional big-band track.

0:42:450:42:47

Jack is about to make a major change.

0:42:520:42:54

That's the piece of music we're dancing to.

0:42:570:43:00

MINOR UPROAR

0:43:000:43:02

Now you tell us!

0:43:020:43:04

-It's a bit naughty, that.

-It's not the sort of rhythm were used to.

0:43:040:43:07

Quite honestly. It's not our type of rhythm... Well, to me.

0:43:070:43:10

-It's not Glenn Miller.

-That's what I mean.

-No.

0:43:100:43:12

You can't beat Glenn Miller's music, can you?

0:43:120:43:14

As the right music for jiving to.

0:43:140:43:17

Jack's picked the Beyonce track

0:43:170:43:19

to bring partner dancing bang up-to-date.

0:43:190:43:22

I'm not doing a museum piece.

0:43:220:43:24

We are bringing something back to life.

0:43:240:43:26

And, therefore,

0:43:260:43:28

the music of now has to inspire the people of now.

0:43:280:43:31

But it's not won over the group.

0:43:310:43:35

I don't like it. That's it. Period. It sounded dreadful to me.

0:43:350:43:38

It sounded ghastly.

0:43:380:43:40

I hope he doesn't want us dressed like Beyonce wi' t'costume on,

0:43:400:43:44

banging our bum like that!

0:43:440:43:45

That is a piece of music that's incredibly modern.

0:43:470:43:50

You know immediately it's Beyonce. Well, it's a cover of a Beyonce.

0:43:500:43:54

So the young people,

0:43:540:43:56

they're going to have a connection with that piece of music.

0:43:560:43:59

Then they're going to see you dancing and come to think, "What?"

0:43:590:44:03

-Do you see now, where I'm coming from?

-Yes.

0:44:030:44:06

So, I'm not saying, "Ah! Wasn't the '50s great?"

0:44:060:44:10

"Ah!" No! It wasn't all great!

0:44:120:44:15

You know, I'm gay. I wasn't even...

0:44:150:44:17

I was a criminal in the '50s!

0:44:170:44:19

LAUGHTER

0:44:190:44:20

You know...

0:44:200:44:21

Jack's convinced his team.

0:44:210:44:24

Come on, my Bolton boppers.

0:44:240:44:26

But now they've got to dance to it.

0:44:270:44:29

Five, six, seven, eight!

0:44:300:44:32

And with the big performance round the corner, nerves are running high.

0:44:340:44:38

I'm doing everything you tell me. I don't know what else I can do.

0:44:410:44:44

It's not long before Joe and Margot are lost.

0:44:440:44:47

So, "one and two, three" becomes, from now on,

0:44:470:44:50

Into...A.

0:44:500:44:51

Into...B

0:44:520:44:54

Into...C

0:44:540:44:56

Yeah?

0:44:560:44:57

Five, six, seven, eight.

0:44:570:45:00

Into A.

0:45:000:45:02

Into B.

0:45:020:45:04

Jack's tip to remember the sequence hasn't worked for Margot and Joe.

0:45:040:45:08

Ba-ba-ba. Ba. Ba-ba-ba. Ba.

0:45:080:45:11

Ba-ba-ba-ba. Ba-ba-ba-ba.

0:45:110:45:15

I haven't got a clue what you're doing, but very good.

0:45:150:45:18

Neither have we.

0:45:180:45:19

Join the club. Join the club.

0:45:190:45:20

Are you going?

0:45:200:45:22

I'm trying to change it, so that you can all do it,

0:45:220:45:25

whoever that was who walked out of the room.

0:45:250:45:27

-How many

-BLEEP

-meetings have we had now?

0:45:270:45:29

And now we're on A, B, and C.

0:45:290:45:30

When he says A, I don't know whether it's the original start-up,

0:45:300:45:33

or the crossover. Because the crossover's A, B, and C.

0:45:330:45:36

And the beginning is... Throw away's A, B, and C.

0:45:360:45:40

I'm absolutely confused about it.

0:45:400:45:42

It's not clear. This is it. I'm serious. You won't see me any more.

0:45:420:45:46

Is he going? Is he angry? I've lost another man now.

0:45:480:45:52

You what?

0:45:520:45:54

Hey?

0:45:540:45:55

All right. All right. He's had enough.

0:45:550:45:58

He is upset because, you know, he feels he can't do it.

0:45:580:46:01

He's a perfectionist. So that's the reason.

0:46:010:46:04

So, he's having a wobbler.

0:46:040:46:06

I'm good at this, though. I can get rid of men like that!

0:46:060:46:10

Anyway.

0:46:100:46:11

Two and two...

0:46:110:46:12

With Joe's walkout to contend with and his reputation on the line,

0:46:120:46:16

Jack's feeling the pressure.

0:46:160:46:18

To be honest with you, I'm finding this unbelievably difficult.

0:46:190:46:23

It's just frustrating the life out of me.

0:46:230:46:25

Because, actually, I feel that I keep going back to page one.

0:46:250:46:28

It's one step forward and, no pun intended, four steps back.

0:46:280:46:31

PHONE RINGS

0:46:410:46:43

With one man down, Jack puts in a call to Joe.

0:46:430:46:46

RINGTONE

0:46:460:46:47

-Hello?

-Joe! It's Jack Murphy, dance teacher. How are you doing?

0:46:490:46:52

I'm all right, thank you.

0:46:520:46:54

You don't want to participate any more? Is that true?

0:46:540:46:57

That's true, yeah. It's taking over my life.

0:46:570:46:59

All right, Joe. Lovely to talk to you.

0:46:590:47:01

I wish you all the best.

0:47:010:47:02

-Thank you, Jack.

-Nice to meet you. Take care. Bye-bye.

0:47:020:47:05

Jack's problems are about to get worse.

0:47:050:47:09

I've come today and I've no dancing partner. He's gone on a cruise.

0:47:090:47:13

So,... I don't know who I'm going to dance with.

0:47:130:47:16

So, do you want to just get with your partners.

0:47:160:47:18

With days to go, Jack is now two men down.

0:47:180:47:22

Alice, I would like you to dance with Tony.

0:47:220:47:25

To keep Alice calm, Jack decides to fix her up with another partner.

0:47:250:47:29

-You're going to dance with Tony.

-Oh, am I?

-Why is that?

0:47:300:47:33

Because I haven't got enough men at the moment.

0:47:330:47:36

Alice has been dancing with Tony.

0:47:360:47:40

And you have.

0:47:400:47:41

I've been dancing most with Ben, though.

0:47:410:47:43

-Do you know what, I'm not doing this. I'm off.

-What's matter?

0:47:430:47:46

There is no simple solution and Jack's out of ideas.

0:47:460:47:50

-We'll have to sort it out.

-Alice, can you come with me?

0:47:500:47:53

Ben, can you come with me?

0:47:530:47:55

Edna, can you come with me? Eileen, can you come with me?

0:47:550:47:57

And, Tony, can you come with me?

0:47:570:47:59

Obviously, I clearly have a situation that I need to clarify.

0:47:590:48:02

OK.

0:48:020:48:03

I'm feeling pretty dreadful because I feel I've put you

0:48:030:48:06

in a situation that I would never wish to put you in.

0:48:060:48:08

I wasn't going to leave you without a partner.

0:48:080:48:10

Not in a million years. I couldn't possibly do that,

0:48:100:48:13

but Alice makes me feel comfortable when she dances with Tony. OK?

0:48:130:48:17

Let me put my twopenn'orth in now.

0:48:170:48:19

I've been a float here, there, everywhere.

0:48:190:48:22

I went to Tony specially and I said,

0:48:220:48:24

"Would you mind if I asked you to be my partner?"

0:48:240:48:27

Oh!

0:48:270:48:28

-Now, he's never let me down one day.

-OK.

0:48:280:48:31

That's made me enjoy what I'm doing because, prior to that,

0:48:310:48:35

-I kept thinking, I'm not going to bother.

-Yeah.

0:48:370:48:39

Because it gives you that feeling of not wanting to bother.

0:48:390:48:43

If you don't have a partner.

0:48:430:48:44

Edna said to me,

0:48:440:48:46

"This is the first time in my life,

0:48:460:48:49

"I've done something for me."

0:48:490:48:51

"Normally, I've done something for my children, my grandchildren,

0:48:510:48:54

"my husband - it's the first time I've done something for me."

0:48:540:48:57

-Yeah.

-And that's why I've come along to help Edna.

0:48:570:49:01

-Do you understand me now?

-Yeah. Yeah.

0:49:010:49:03

-But I can't solve your problem.

-No, no. You can't.

0:49:030:49:05

And I do understand you.

0:49:050:49:06

And I would just like to clarify that I was not aware of any of this.

0:49:060:49:11

Do you give them your blessing to dance together?

0:49:110:49:14

So, rather than me get Edna a dance teacher to dance with,

0:49:140:49:18

from Bolton, I get you a dance teacher to dance with from Bolton?

0:49:180:49:21

-Well, as...as... You would feel better, won't you?

-Well, I would.

0:49:210:49:26

Yeah, Alice. I would, if I was honest.

0:49:260:49:28

All right. Good. So, I've got to make a phone call.

0:49:280:49:31

Let me go and make a phone call.

0:49:310:49:33

Thank you.

0:49:330:49:34

For being a fabulous woman.

0:49:340:49:36

Would you like to carry on next door?

0:49:360:49:38

A-ha-ha-ha!

0:49:380:49:40

Why should we be disturbed when we're so near to the end of all?

0:49:400:49:44

I put my case forward and now I'm rested.

0:49:450:49:48

PHONE RINGS

0:49:500:49:51

Jack puts out an SOS to Bolton's ballroom community.

0:49:510:49:55

-Phil, hello. Jack Murphy. How are you doing?

-I'm good, mate.

0:49:550:49:58

-How are you?

-I'm great. Phil, I'm a man in need of a couple of men.

-OK!

0:49:580:50:03

What's happened is...

0:50:030:50:05

I'm hoping he's going to get me a partner.

0:50:050:50:07

If not, I have to have to pull Jack on the field with me.

0:50:070:50:11

Will Jack's cry for help come off?

0:50:130:50:15

Or will Alice and Margot be without partners

0:50:160:50:19

and out of the line-up on the night?

0:50:190:50:21

After weeks of blood, sweat, and walkouts.

0:50:310:50:35

Jack's dance hall veterans are ready to rock and roll.

0:50:350:50:38

Tonight, we are going to perform...

0:50:400:50:43

in front of 20,000 people.

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CROWD NOISE

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I have never, ever, done anything like this in my life.

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A bit butterfly, to be quite honest with you.

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A bit nervous but we'll have to get it right on the day

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and keep Jack happy.

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The stakes are high and, to add to the nerves,

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there are two new recruits joining the line-up

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to dance with Margot and Alice.

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All the others had been dancing for six week.

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And, there's me, you know, with a new partner.

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There's under an hour to go until half-time.

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It's packed, it's buzzing. This is it.

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I'm really going to find out what my group, what their mettle is.

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They'll have just two minutes to wow the home crowd

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and keep them in their seats.

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It's, er...scary, I suppose, is the word. Isn't it?

0:51:300:51:34

The thought of the crowds, I think, and the size of the stadium.

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I'm not nervous at all, no.

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Looking forward to the whole thing.

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-Yeah? Are you?

-Oh, yeah.

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The wife and my eldest daughter are going to be here,

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so just hope I put on a good performance on for them

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and make them proud.

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My granddaughter

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and my great-grandson is coming on the field to watch me.

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So...

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I'm hoping, you know, I can get with it. Yes!

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The family and friends are here for support

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but the aim of the game is to recruit new blood for Jack's revival.

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Honestly, it is one of the most thrilling

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and also frightening things I've ever, ever done.

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Like any good manager, Jack gives a pre-match pep talk.

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How many of you feel like the rabbit in the headlights, right now?

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-Yes.

-Yeah! That's the fear, isn't it?

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LOUD CROWD REACTION

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We need to get these people on our side.

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And if you dance from your heart, you will enjoy it and, you know what?

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You will attract them.

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CROWD NOISE

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If you don't want to let me down, then dance from your hearts.

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You have given me, possibly, one of the greatest gifts of my life.

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This is my mum and dad

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and, in 1952, they danced at the Palais De Danse

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in Northern Ireland, Portstewart.

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My dad died 35 years ago,

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but when you dance, I see my mum and dad dancing.

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And I can only tell you that is the power and the magic of dance.

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So, when you ask me what you do for me, that's what you do.

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So, what I want you to do for yourselves is go out there,

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write a little bit of history.

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-CHEERING

-Here we go!

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ATMOSPHERIC MUSIC WITH CROWD NOISE

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There does come a moment where you have to...

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I'm not a parent,

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but I guess it's just, like, cut the cord

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and so just feels like you've got to let it go

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and there's nothing I can do.

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TANNOY ANNOUNCEMENT

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It's the fabulous group that rocked the dance floor

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at the Bolton Palais, 60 years ago.

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And, today, they are back, so please welcome the Jack Palace Dancers.

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CHEERING AND APPLAUSE

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-They're clapping us now. This is the real thing.

-Yeah.

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They've no idea what it is but, still, never mind.

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DANCE ROUTINE MUSIC BEGINS

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Well, there's no going back now.

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MUSIC: Crazy In Love (Rock and Roll Version)

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We're into the B.

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I feel a lot younger in myself now.

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I do, yeah.

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My relationship to Jack's improved, I think. Over the time.

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I've definitely mellowed towards him.

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I see where he's coming from now.

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Doing something like this gets your energy up again.

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It's like a new lease of life, really. It lifts you.

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But, it has made me come alive again, actually.

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When I started on this journey, I was a little bit nervous.

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Wasn't sure if I'd see it through.

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Now, it's just taken over me life.

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I never thought I would be teaching a group of people in their eighties.

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I never thought they would be performing

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in front of 20,000 people.

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I think it's something that I've always wanted to do. Dance properly.

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It's always been in the back of my mind.

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It's been a wonderful experience.

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Not many people have danced at the stadium.

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It'll be something I can tell my great-great-grandchildren.

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If I'd have thought this, about six month ago,

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I'd have thought I was dreaming,

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but it's wonderful.

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Yes!

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Ha!

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I'm enjoying every minute and, when it finishes,

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I'm hoping I can carry on dancing, too.

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CHEERING AND APPLAUSE

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We started waving. We're like film stars.

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I'm proud of you.

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Ah, thank you.

0:56:110:56:12

Oh!

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How was it? You were amazing.

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I enjoyed it in the end. I really did.

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Because, you know, I thought, here goes, and...

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Let's do it. You know. Why not? And it was great.

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-Did you like it?

-Yeah. It was good. I thought she did really well.

0:56:320:56:35

She did. She did really well. And she looks amazing

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and she looks so happy and so excited

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and it's just so nice to see her like that.

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Jack's rock n' rollers have jived their socks off.

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I feel like I'm smiling like a Cheshire Cat.

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But was it enough to inspire the crowd

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to join his partner dancing revival?

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If they now manage to sign up a good number of people...

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I don't want to put a number on it.

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Of course, I know I should be thinking...

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But, if they manage to sign up new people and make that circle bigger,

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I'm just honoured.

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Come and sign up for the dance classes at the Palais!

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Can we interest you in dance? No?

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-Do you want to learn?

-No, I don't.

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This lady danced for you tonight,

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-do you want to come and learn to dance with her?

-No, no.

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-Did you see the half-time show?

-No, I was having a pint.

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Does anybody want to dance? No? No? It's not easy.

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-I don't need classes.

-While you're dancing, get signing.

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-Did you see them dance? Didn't they do great?

-Yes, they was good. Yeah.

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-She was the best.

-Hang on a sec, you've pulled, woman!

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Bolton's best dance hall.

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Right.

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One, two, three, four, five, six, seven, eight...

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-Um...

-Well, it's eight more than we had before.

-It's eight more.

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Do you know, I love your philosophy. The glass is half full.

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But Jack's dance hall will be half empty.

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Scores on the doors.

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Um, a healthy eight.

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I was expecting in the tens of, so I'm a little bit disappointed.

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It would have been healthy if it was 80.

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Despite his efforts, with so few new recruits,

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Jack's plans for a dance hall revolution hang in the balance.

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I have never felt such responsibility in my life.

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-Whoa!

-Wow!

-Yeah!

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You've stopped moving your feet. This is not good.

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I can't do it.

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You stop it. And you stop it now.

0:58:300:58:33

You have no idea how upset it makes me.

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I'm petrified, my stomach's actually churning.

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I'm excited!

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Tonight's the night I find out if I fail or pass.

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MUSIC: Lust For Life by Iggy Pop

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