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Look at the helter-skelter. That is the first time in my teaching career I have ever said that. | 0:00:02 | 0:00:06 | |
Jack Murphy is choreographer to the stars. | 0:00:06 | 0:00:09 | |
Now he's swapping Hollywood for Bolton. | 0:00:09 | 0:00:11 | |
I'm going to revive social partner dancing in Bolton. | 0:00:11 | 0:00:15 | |
-Are you? -I am. -Here? | 0:00:15 | 0:00:17 | |
I want to get everybody dancing in a dance hall, | 0:00:18 | 0:00:21 | |
dancing cheek to cheek. | 0:00:21 | 0:00:23 | |
To bring back the partner dancing heyday, | 0:00:23 | 0:00:25 | |
Jack's tracking down the original 1950s boppers. | 0:00:25 | 0:00:29 | |
Do you have any injuries? This could be interesting. | 0:00:29 | 0:00:32 | |
How long you got? | 0:00:32 | 0:00:34 | |
He needs to recruit hundreds of ballroom virgins... | 0:00:34 | 0:00:38 | |
I invite you to waltz, cha-cha or tango. | 0:00:38 | 0:00:41 | |
And a cha-cha-cha. | 0:00:41 | 0:00:43 | |
This is not good. | 0:00:43 | 0:00:45 | |
..and breathe life into a derelict dance hall. | 0:00:45 | 0:00:47 | |
Beauty...and the Beast. | 0:00:47 | 0:00:50 | |
Oh! Wow! | 0:00:50 | 0:00:52 | |
But will the Bolton locals... | 0:00:52 | 0:00:54 | |
-Who's leaving? -Me! | 0:00:54 | 0:00:56 | |
..swap a night in the pub... | 0:00:56 | 0:00:58 | |
Why are you not on the dance floor? | 0:00:58 | 0:01:00 | |
You're trying to change a culture where they... | 0:01:00 | 0:01:02 | |
..for a night in a dance hall? | 0:01:02 | 0:01:04 | |
What's so magical about dancing cheek to cheek is the connection. | 0:01:04 | 0:01:07 | |
-What about a nice slow foxtrot or a waltz? -Can't do it. | 0:01:07 | 0:01:11 | |
Or with his reputation on the line... | 0:01:11 | 0:01:13 | |
How am I going to fill a dance hall? | 0:01:13 | 0:01:15 | |
..will Jack be running for the Hollywood Hills? | 0:01:15 | 0:01:17 | |
If you don't want to let me down, then dance from your hearts. | 0:01:17 | 0:01:22 | |
He's really bumptious, actually. | 0:01:22 | 0:01:24 | |
-The next time I see it, I can't have this... -You want it right. | 0:01:24 | 0:01:26 | |
-I do. -Right! | 0:01:26 | 0:01:28 | |
Bolton is home to one of the country's once-glorious dance halls. | 0:01:35 | 0:01:39 | |
Jack Murphy has just arrived to get the keys. | 0:01:41 | 0:01:43 | |
-It's been empty for three years, so... -Three years. | 0:01:45 | 0:01:47 | |
..watch out for the rats. | 0:01:47 | 0:01:49 | |
-Are you for real? -Yep! | 0:01:51 | 0:01:53 | |
This is the first time Jack's stepped inside. | 0:01:58 | 0:02:00 | |
A smell of cement. | 0:02:02 | 0:02:04 | |
The building has been mothballed. | 0:02:05 | 0:02:07 | |
Oh, my gosh. | 0:02:09 | 0:02:10 | |
Really not too bad at all! | 0:02:10 | 0:02:13 | |
Despite its last incarnation as a nightclub... | 0:02:13 | 0:02:16 | |
They didn't kill it. They haven't killed it. | 0:02:16 | 0:02:19 | |
..some of the old charm has survived. | 0:02:19 | 0:02:22 | |
Wow. | 0:02:24 | 0:02:25 | |
I am...I'm loving it. | 0:02:25 | 0:02:28 | |
Now Jack wants to use it to kick-start a partner dancing revival. | 0:02:28 | 0:02:32 | |
People's perception of ballroom dancing | 0:02:33 | 0:02:36 | |
is probably fake tan | 0:02:36 | 0:02:38 | |
and sequins and fancy footwork, | 0:02:38 | 0:02:40 | |
when, actually, when this place was | 0:02:40 | 0:02:42 | |
kicking, 60 years ago, it was about sociability, | 0:02:42 | 0:02:44 | |
about people meeting. They came here to meet. | 0:02:44 | 0:02:48 | |
Bolton's Palais De Danse opened its doors in 1928, | 0:02:48 | 0:02:52 | |
and was at the forefront of a ballroom revolution. | 0:02:52 | 0:02:55 | |
Once the reserve of aristocrats, working-class locals | 0:02:58 | 0:03:01 | |
flocked from the industrial heartland and took to the floor | 0:03:01 | 0:03:04 | |
to dance arm in arm. | 0:03:04 | 0:03:05 | |
By the 1950s, 60% of Lancashire folk could ballroom. | 0:03:05 | 0:03:10 | |
And Jack's hoping they will do again. | 0:03:12 | 0:03:15 | |
This is gagging for a revival. | 0:03:15 | 0:03:17 | |
I'd say we'd need 200 people. | 0:03:17 | 0:03:20 | |
At least. | 0:03:20 | 0:03:21 | |
At least 200 people to fill that space. | 0:03:21 | 0:03:24 | |
Ballroom dancing might be out of fashion, | 0:03:25 | 0:03:27 | |
but Jack believes it's the perfect antidote to 21st-century living. | 0:03:27 | 0:03:32 | |
Don't tolerate sitting on the sofa. | 0:03:32 | 0:03:34 | |
Get off the sofa, get in here and learn three steps | 0:03:34 | 0:03:37 | |
and feel the buzz of the place and get this place kicking again. | 0:03:37 | 0:03:40 | |
To start his revival, | 0:03:42 | 0:03:44 | |
Jack is about to swap Hollywood movie stars for Bolton's oldest boppers. | 0:03:44 | 0:03:49 | |
He's arranged a reunion of the original Palais patrons. | 0:03:49 | 0:03:54 | |
What's frightening is, what if they don't walk through the door? | 0:03:54 | 0:03:57 | |
You know, because the demographics of that age group, | 0:03:57 | 0:04:00 | |
a lot of those will have gone to | 0:04:00 | 0:04:02 | |
that great big dance hall in the sky. | 0:04:02 | 0:04:04 | |
It's been over half a century | 0:04:07 | 0:04:08 | |
since the partner dancing craze first swept the nation. | 0:04:08 | 0:04:12 | |
Do you know... | 0:04:12 | 0:04:14 | |
if no-one turns up... | 0:04:14 | 0:04:15 | |
..I'm, I'm in a bit of, you know... | 0:04:19 | 0:04:22 | |
deep you-know-what. Proverbial. | 0:04:22 | 0:04:25 | |
I wouldn't know how to go forward without them. | 0:04:25 | 0:04:28 | |
# Young at heart... # | 0:04:33 | 0:04:36 | |
Just as in decades gone by... | 0:04:36 | 0:04:38 | |
All right! Come on, then! | 0:04:38 | 0:04:40 | |
..the former dance hall has drawn in the crowds. | 0:04:40 | 0:04:43 | |
Have you got the plastic surgeons inside? | 0:04:43 | 0:04:47 | |
This is the first time in almost 50 years some of the regulars | 0:04:47 | 0:04:50 | |
have set foot inside the building. | 0:04:50 | 0:04:52 | |
HE LAUGHS | 0:04:52 | 0:04:54 | |
Ah, it's great, isn't it? Good to be here. | 0:04:54 | 0:04:58 | |
Oh, God, how different it is. | 0:04:58 | 0:05:01 | |
When are we getting music on, then? Come on, we want to get bopping. | 0:05:01 | 0:05:04 | |
Bop off! | 0:05:04 | 0:05:06 | |
One of the youngest to make a comeback is 74-year-old widow Margot. | 0:05:06 | 0:05:11 | |
They've altered it very much. It's not the same, I'm afraid. | 0:05:11 | 0:05:16 | |
They've spoiled the floor. | 0:05:16 | 0:05:18 | |
It's so completely different from what I remember. | 0:05:18 | 0:05:21 | |
Right now, I just want to get cracking. | 0:05:21 | 0:05:23 | |
I want to go and talk to those people. | 0:05:23 | 0:05:25 | |
I want to go and meet those people. | 0:05:25 | 0:05:27 | |
When you come to a big place like this to dance, | 0:05:27 | 0:05:29 | |
with hundreds of people, what do you think it's really about? | 0:05:29 | 0:05:32 | |
-It's about romance and sex. -Romance and sex, yeah. | 0:05:32 | 0:05:34 | |
-In men's mind. My husband used to say that. -Wonderful, wonderful. | 0:05:34 | 0:05:37 | |
Not in my mind, my husband's. | 0:05:37 | 0:05:38 | |
-How many nights a week were you here? -Mondays, Wednesdays, Fridays, | 0:05:38 | 0:05:42 | |
-Saturdays. -So that was your wages. | 0:05:42 | 0:05:44 | |
-And where were you working at the time? -I was a sewer at Vantona. | 0:05:44 | 0:05:48 | |
-You were what, sorry? -A sewer at Vantona. -A sore-a van-tawn-a? | 0:05:48 | 0:05:50 | |
That's very poetic. | 0:05:50 | 0:05:52 | |
-Tell me what a sore-a is at van-tawn-a? -Ah, I used to sew. | 0:05:52 | 0:05:56 | |
-I used to make eiderdowns. -Oh, you made eiderdowns. -Yeah. | 0:05:56 | 0:05:59 | |
-I've worked in shoe shops. -Oh, a sewer! -A sewer! | 0:05:59 | 0:06:01 | |
-What did you think I said? -I thought it meant, like, saw! | 0:06:01 | 0:06:04 | |
After a lesson in the local lingo, | 0:06:06 | 0:06:09 | |
Jack meets the dance hall's oldest regular, Alice. | 0:06:09 | 0:06:13 | |
There were always dancing here Wednesday afternoon, | 0:06:13 | 0:06:15 | |
-and the GIs used to come.... -Oh, the GI! | 0:06:15 | 0:06:19 | |
The memories are flooding back, | 0:06:19 | 0:06:21 | |
and dance hall veteran Flo reveals more than most. | 0:06:21 | 0:06:25 | |
Yes. Yes, I do understand you. | 0:06:29 | 0:06:32 | |
Oh, were they? Tell me, tell me. | 0:06:32 | 0:06:34 | |
Oh, please. I'll be your best friend. | 0:06:34 | 0:06:37 | |
No... | 0:06:37 | 0:06:39 | |
Oh, no, don't - tell me, I'm innocent. | 0:06:39 | 0:06:41 | |
Now Jack has a revelation of his own to make. | 0:06:44 | 0:06:46 | |
-Hello! -Hello! | 0:06:46 | 0:06:48 | |
There's more to his plan than reuniting old friends. | 0:06:48 | 0:06:52 | |
I did bring you here for a reunion | 0:06:52 | 0:06:54 | |
but I have another little thing up my sleeve. | 0:06:54 | 0:06:56 | |
Having seen this photo of the Palais De Danse, | 0:06:56 | 0:06:59 | |
I thought, | 0:06:59 | 0:07:01 | |
"I want to reopen that dance hall." | 0:07:01 | 0:07:03 | |
THEY LAUGH AND CHEER | 0:07:03 | 0:07:05 | |
And this is how I think you could help me. | 0:07:05 | 0:07:07 | |
-You've had some great nights in here, yes? -Yes. | 0:07:07 | 0:07:10 | |
And I think the younger generation need to see you dancing. | 0:07:10 | 0:07:13 | |
-But we need partners! We need men. -We need men! | 0:07:13 | 0:07:16 | |
-They're all dead! -Can you put the word out? -Yes! -Yeah? | 0:07:16 | 0:07:19 | |
So, we're going to revive social dance in Bolton. | 0:07:19 | 0:07:24 | |
-Come on! -Yes? Are we up for it? | 0:07:24 | 0:07:27 | |
-Yes! -Great stuff. Thank you very much for coming along today. | 0:07:27 | 0:07:30 | |
Let's have a cup of tea, let's have a sandwich and let's have a chat. | 0:07:30 | 0:07:34 | |
Well done. | 0:07:34 | 0:07:36 | |
-So, I'm going to see you, yes? -Yes, definitely. -Yes? -Hopefully. | 0:07:36 | 0:07:38 | |
-No, I'm going to see you. -We've nothing else - I've nothing else | 0:07:38 | 0:07:41 | |
-better to do, I'm retired... -Wonderful. -..so it doesn't matter. | 0:07:41 | 0:07:44 | |
Well, I'm glad I'm going to entertain you. | 0:07:44 | 0:07:46 | |
Jack wants to get both veterans and novices ballrooming. | 0:07:46 | 0:07:50 | |
To do it, he's going to reopen the dance hall for one night only. | 0:07:50 | 0:07:53 | |
But the Palais regulars aren't convinced. | 0:07:53 | 0:07:56 | |
You're going to try and get the young people in here? | 0:07:56 | 0:07:59 | |
Or any generation that never danced here. | 0:07:59 | 0:08:01 | |
If I said to my kids, they'd laugh at me, you know what I mean? | 0:08:01 | 0:08:04 | |
Would they? I'm going to teach them to jive, | 0:08:04 | 0:08:07 | |
-I'm going to teach them to waltz. -How do you think they've got, | 0:08:07 | 0:08:10 | |
they've not time for pressing all bloomin' things they're pressing | 0:08:10 | 0:08:13 | |
-and putting them all on. -They're never off their phones. | 0:08:13 | 0:08:15 | |
-I know, that's part of the reason. -No! -That's exactly it. -No, no. | 0:08:15 | 0:08:18 | |
I think that most of the men now are in t'graveyard. | 0:08:18 | 0:08:21 | |
No, there is a few. No, we have got a few. | 0:08:21 | 0:08:24 | |
-Thing is, I've got a gammy knee. -Oh, have you? | 0:08:24 | 0:08:27 | |
And a gammy hip, at the moment. | 0:08:27 | 0:08:30 | |
You're trying to change a culture, where they... | 0:08:30 | 0:08:33 | |
If I manage to do it, if I do manage to do it... | 0:08:33 | 0:08:36 | |
And if I live long enough, I'll bloody apologise, love, yeah. Right. | 0:08:36 | 0:08:40 | |
By the end of the reunion, | 0:08:42 | 0:08:43 | |
Jack has gathered a long list of interested dancers, | 0:08:43 | 0:08:47 | |
and an even longer list of worries and woes. | 0:08:47 | 0:08:50 | |
The Bolton Palais means so much to its original patrons, | 0:08:50 | 0:08:53 | |
and it is going to be a mammoth task to get them dancing once again. | 0:08:53 | 0:08:57 | |
And they are not as young as they once were. | 0:08:57 | 0:09:00 | |
In their heyday, the Palais patrons knew all the moves. | 0:09:05 | 0:09:09 | |
We were doing foxtrot, quickstep, barn dance, polka, all the lot. | 0:09:10 | 0:09:16 | |
From the 1930s to the '60s, | 0:09:16 | 0:09:18 | |
dance halls were packed with working-class Brits. | 0:09:18 | 0:09:21 | |
We used to be the first in the Palais, all dolled up | 0:09:21 | 0:09:25 | |
and ready to go, and we were on that floor the minute the music started. | 0:09:25 | 0:09:30 | |
The dance hall classics were relaxed versions of the ballroom standards. | 0:09:30 | 0:09:35 | |
All you needed was a partner. | 0:09:35 | 0:09:36 | |
Someone would tap you on the shoulder and you'd look around | 0:09:37 | 0:09:40 | |
and think, "oh!" It was, you know, | 0:09:40 | 0:09:42 | |
your heart would leap a bit and, you know, | 0:09:42 | 0:09:46 | |
you'd say "yes" and waltz, get hold of you and start to dance. | 0:09:46 | 0:09:50 | |
Now Jack wants to see if the originals can still take | 0:09:52 | 0:09:55 | |
the dance floor by storm for his night at the Palais. | 0:09:55 | 0:09:58 | |
Today is a very important day | 0:09:58 | 0:10:01 | |
because I get to see the wonderful patrons of the Palais dance. | 0:10:01 | 0:10:07 | |
I'm very excited to see what they have on offer. | 0:10:07 | 0:10:10 | |
You're asking to do something we haven't done | 0:10:10 | 0:10:12 | |
for quite a long time, aren't you? | 0:10:12 | 0:10:13 | |
We're going back from 60 years now, what you're asking. | 0:10:13 | 0:10:17 | |
I do feel a little bit, | 0:10:17 | 0:10:18 | |
"Oh, my word, I'm taking coals to Newcastle," | 0:10:18 | 0:10:20 | |
because they were living it | 0:10:20 | 0:10:22 | |
so I expect them to teach me, not me teach them. | 0:10:22 | 0:10:25 | |
Alice! | 0:10:25 | 0:10:26 | |
You made it! | 0:10:26 | 0:10:28 | |
Jack expected a big turnout | 0:10:28 | 0:10:30 | |
but only half of the original patrons have come back... | 0:10:30 | 0:10:34 | |
Do you have any injuries? This could be interesting. | 0:10:34 | 0:10:37 | |
Do you have any injuries that I need to know about before I teach you? | 0:10:37 | 0:10:42 | |
How long have you got? | 0:10:42 | 0:10:45 | |
..And the men are seriously outnumbered. | 0:10:45 | 0:10:48 | |
Right, so, we've got one, two, three, four gentlemen. | 0:10:48 | 0:10:52 | |
So let me see who's going to dance... | 0:10:52 | 0:10:54 | |
Well, I haven't got anybody. | 0:10:54 | 0:10:57 | |
I'm going to put a piece of waltz on and then we will rotate | 0:10:57 | 0:11:00 | |
-so nobody's left out. Is that OK, my lovely? -Yeah, I'm fine. Don't worry. | 0:11:00 | 0:11:03 | |
I'm used to being left out, don't worry about that. | 0:11:03 | 0:11:05 | |
Don't say that, you'll break my heart. | 0:11:05 | 0:11:07 | |
OK, here we go. | 0:11:07 | 0:11:09 | |
Jack's picked one of the earliest dancehall classics - the waltz. | 0:11:11 | 0:11:16 | |
You go one, two. One, two. | 0:11:16 | 0:11:19 | |
-One, two, three, Sheila. -One, two, three, sorry. | 0:11:19 | 0:11:22 | |
That's where I'm going wrong. It's me that's doing it wrong, not you. | 0:11:22 | 0:11:26 | |
Back in the day, it was an end-of-night smooch | 0:11:26 | 0:11:28 | |
so everyone knew the moves. | 0:11:28 | 0:11:31 | |
I'm a little bit surprised. | 0:11:31 | 0:11:32 | |
I thought they would waltz better than they did. | 0:11:32 | 0:11:34 | |
Waltz means "to turn". | 0:11:34 | 0:11:35 | |
It was more, you know, shuffling round the floor. | 0:11:35 | 0:11:39 | |
-Try not to step on each other's feet. -Cheeky bugger. | 0:11:39 | 0:11:43 | |
But it's been an age since many of them gave this one a go | 0:11:44 | 0:11:48 | |
and it shows. | 0:11:48 | 0:11:51 | |
You're doing very well considering you're a cripple. | 0:11:51 | 0:11:56 | |
Good. And we still alive? Yes? | 0:11:56 | 0:11:58 | |
Saying that in this room is pretty frightening. | 0:11:58 | 0:12:00 | |
The old classic has failed to hit the spot... | 0:12:00 | 0:12:03 | |
-Have a break. -Get me to a chair. | 0:12:03 | 0:12:06 | |
..so Jack, who is more used to teaching seasoned pros, changes tack. | 0:12:06 | 0:12:11 | |
Would you show me how you jive? | 0:12:11 | 0:12:13 | |
We don't have to throw them over our shoulder, do we? | 0:12:13 | 0:12:15 | |
No, don't throw them over the shoulder. Not yet. | 0:12:15 | 0:12:17 | |
Save that for tomorrow, Walter, yeah? | 0:12:17 | 0:12:20 | |
Lovely. Very nice. | 0:12:24 | 0:12:26 | |
-I used to love jiving. -Oh, jiving, yes! | 0:12:26 | 0:12:29 | |
That's all I did. I could never quickstep or foxtrot. | 0:12:29 | 0:12:32 | |
Whoo! | 0:12:35 | 0:12:36 | |
This is great. This is good. | 0:12:36 | 0:12:39 | |
My cousin used to come to our house and she showed me a little bit. | 0:12:39 | 0:12:42 | |
She used to get the door and she'd say, "Like that. Shut the door." | 0:12:42 | 0:12:46 | |
-She used the door handle to jive. -To jive, do you know what I mean? | 0:12:46 | 0:12:49 | |
That's how you learned. | 0:12:49 | 0:12:50 | |
Yeah! | 0:12:52 | 0:12:53 | |
Yay. | 0:12:54 | 0:12:56 | |
Are you all listening? | 0:12:56 | 0:12:58 | |
We will not be waltzing. | 0:12:58 | 0:12:59 | |
LAUGHTER | 0:12:59 | 0:13:01 | |
We'll be jiving. | 0:13:02 | 0:13:04 | |
-This is fantastic. Really, really... -He's excited now. | 0:13:04 | 0:13:07 | |
No, I'm not excited. | 0:13:07 | 0:13:09 | |
I'm less worried. Less worried. | 0:13:09 | 0:13:11 | |
Here we go. Carry on, guys. | 0:13:12 | 0:13:14 | |
When they jived, I tell you, my heart skipped a beat. | 0:13:16 | 0:13:18 | |
I was so relieved. The room just lit up and it was fantastic. | 0:13:18 | 0:13:23 | |
I mean, Walter and Sheila are just in their element. | 0:13:23 | 0:13:25 | |
You know, you can see them as teenagers. | 0:13:25 | 0:13:29 | |
Margot, I'd say, is still trying to process the teenager. | 0:13:29 | 0:13:32 | |
She's still entrenched in being the 70-year-old. | 0:13:32 | 0:13:35 | |
Tell me, tell me, tell me, | 0:13:35 | 0:13:36 | |
when you dance that dance, how does it make you feel? | 0:13:36 | 0:13:39 | |
-Knackered. -Knackered! | 0:13:39 | 0:13:41 | |
It makes you feel young. | 0:13:42 | 0:13:43 | |
It makes she feel like a 25-year-old man, does it? | 0:13:43 | 0:13:45 | |
No. No, I'll settle for 35. | 0:13:45 | 0:13:48 | |
You'll settle for 45. | 0:13:48 | 0:13:50 | |
It will be interesting to see if Jack can produce any males. | 0:13:50 | 0:13:53 | |
He'll be miraculous if he can. | 0:13:53 | 0:13:56 | |
The point is - do they want to dance? | 0:13:56 | 0:13:58 | |
But it's not really all that | 0:13:58 | 0:14:02 | |
masculine, is it, to be honest? | 0:14:02 | 0:14:04 | |
A lot of men don't like it. | 0:14:04 | 0:14:06 | |
With just a handful of volunteers and most of them women over 70, | 0:14:06 | 0:14:10 | |
Jack's way off the hundreds he needs to pack the Palais. | 0:14:10 | 0:14:14 | |
And, as it stands, the exterior of the building | 0:14:16 | 0:14:19 | |
isn't going to pull in the crowds. | 0:14:19 | 0:14:20 | |
When it opened in 1928, the Palais was an art deco masterpiece | 0:14:23 | 0:14:28 | |
and the sign over the door | 0:14:28 | 0:14:29 | |
was a beacon for Bolton's ballroom devotees. | 0:14:29 | 0:14:32 | |
But it's long since lost its kerb appeal. | 0:14:33 | 0:14:36 | |
Right. | 0:14:37 | 0:14:39 | |
Let's get upstairs. | 0:14:39 | 0:14:41 | |
I'd like to get out on to the front of the building | 0:14:41 | 0:14:44 | |
because I'd like to see if, behind the Ikon sign, | 0:14:44 | 0:14:46 | |
if there's anything that informs me | 0:14:46 | 0:14:49 | |
of the original glory days of this fabulous building. | 0:14:49 | 0:14:52 | |
Do you know, if there was the Palais de Danse, | 0:14:52 | 0:14:55 | |
I would be ecstatic | 0:14:55 | 0:14:57 | |
but I'm doubting that. | 0:14:57 | 0:15:00 | |
Here we go. | 0:15:00 | 0:15:01 | |
Oh, I can't tell you, the smell is just... | 0:15:04 | 0:15:08 | |
Bleurgh! | 0:15:08 | 0:15:09 | |
It's been almost 50 years since the Palais closed | 0:15:09 | 0:15:12 | |
and a long line of nightclubs followed. | 0:15:12 | 0:15:15 | |
OK, here's the accounts. | 0:15:15 | 0:15:17 | |
Let's look at the accounts. | 0:15:17 | 0:15:18 | |
Yep. Went bust. | 0:15:22 | 0:15:24 | |
Take that. Sweeties. | 0:15:25 | 0:15:28 | |
To find what Jack's looking for... | 0:15:28 | 0:15:30 | |
Ah! Awning! I can see street. | 0:15:30 | 0:15:34 | |
..he'll have to go out on a limb. | 0:15:34 | 0:15:36 | |
There's the awning. | 0:15:41 | 0:15:43 | |
So they've gone and | 0:15:43 | 0:15:45 | |
attached these girders | 0:15:45 | 0:15:47 | |
to the original face of the building | 0:15:47 | 0:15:51 | |
and extended out the Ikon sign. | 0:15:51 | 0:15:55 | |
God, it looks like the haunted rollercoaster. | 0:15:55 | 0:15:58 | |
Oh, original. | 0:15:58 | 0:16:01 | |
Oh! | 0:16:02 | 0:16:03 | |
A-I... A-I-S! | 0:16:03 | 0:16:07 | |
Yes! | 0:16:07 | 0:16:08 | |
It's there! It's there! It's there! The original's there! | 0:16:10 | 0:16:13 | |
Oh, please, get this horrible sign down! | 0:16:13 | 0:16:17 | |
Palais de Danse. | 0:16:17 | 0:16:20 | |
We'll clean you up. | 0:16:20 | 0:16:21 | |
We'll get you looking good again. | 0:16:21 | 0:16:23 | |
Just got to wash it down. It just needs a power shower. | 0:16:23 | 0:16:26 | |
Beauty | 0:16:26 | 0:16:27 | |
and the beast. | 0:16:27 | 0:16:29 | |
The Palais de Danse is there. | 0:16:33 | 0:16:35 | |
The sign's there. | 0:16:35 | 0:16:37 | |
We're ready to rock and roll! | 0:16:38 | 0:16:39 | |
That gives me hope | 0:16:41 | 0:16:42 | |
that I can take this building back to its former glory, | 0:16:42 | 0:16:45 | |
not just on the inside but also the out. | 0:16:45 | 0:16:48 | |
Jack struck gold at the dance hall. | 0:16:52 | 0:16:55 | |
By his big night, he wants hundreds of people partner dancing. | 0:16:55 | 0:16:59 | |
He's determined the original patrons | 0:16:59 | 0:17:01 | |
will jive like they did in their teenage years. | 0:17:01 | 0:17:04 | |
I learned at school. | 0:17:07 | 0:17:09 | |
We used to go behind the blackboard in the break times | 0:17:09 | 0:17:13 | |
and learn all the other girls to jive. | 0:17:13 | 0:17:16 | |
That was when we were about 13. | 0:17:16 | 0:17:18 | |
The risque moves took the dance floor by storm during World War II | 0:17:19 | 0:17:24 | |
when American GIs stationed at Cheshire's Burtonwood airbase | 0:17:24 | 0:17:27 | |
came to town. | 0:17:27 | 0:17:28 | |
They brought that kind of aggressive ballroom jive to the UK. | 0:17:29 | 0:17:35 | |
We watched it and copied it. | 0:17:35 | 0:17:38 | |
Breaking all the ballroom rules, it was the twerking of yesteryear. | 0:17:39 | 0:17:44 | |
But, at the Bolton Palais, there were no jiving. | 0:17:44 | 0:17:47 | |
You weren't allowed to have a jive. | 0:17:47 | 0:17:49 | |
I got pulled up for having a jive in the corner with one girl. | 0:17:49 | 0:17:52 | |
Now Jack wants the Palais regulars to bust those moves again. | 0:17:54 | 0:17:58 | |
Morning! Let's make our circle. I do like to start in a circle. | 0:17:58 | 0:18:02 | |
-Have you got me a Fred Astaire yet? -A Fred Astaire? | 0:18:02 | 0:18:05 | |
Jack might not have found Flo a movie star | 0:18:07 | 0:18:10 | |
but the pensioners are about to get the Hollywood treatment. | 0:18:10 | 0:18:14 | |
You all dance jive differently. | 0:18:14 | 0:18:17 | |
-Do you accept that? -Yeah. -OK. Right. | 0:18:17 | 0:18:20 | |
Now, in order to get a wow factor of you all moving together, | 0:18:20 | 0:18:25 | |
you all have to do the same style. | 0:18:25 | 0:18:29 | |
Jack's choreographed a tailor-made routine. | 0:18:29 | 0:18:32 | |
So, with our partners... | 0:18:32 | 0:18:33 | |
A-one and two. | 0:18:33 | 0:18:35 | |
He's pulled in help from his long-time assistant Heidi. | 0:18:35 | 0:18:39 | |
Good. So the whole routine is going to be | 0:18:39 | 0:18:43 | |
a basic... | 0:18:43 | 0:18:44 | |
..a throw away... | 0:18:46 | 0:18:47 | |
It might start with the basics... | 0:18:47 | 0:18:50 | |
..round that back, | 0:18:50 | 0:18:52 | |
underarm turn... | 0:18:52 | 0:18:54 | |
..but this routine builds to a complicated sequence of steps. | 0:18:55 | 0:18:59 | |
OK? Do you think you could get that? | 0:19:01 | 0:19:03 | |
All of it? | 0:19:03 | 0:19:05 | |
They've got it but some don't like it. | 0:19:05 | 0:19:09 | |
Left, right, left... | 0:19:09 | 0:19:12 | |
We don't turn yet. Left... | 0:19:12 | 0:19:14 | |
To be taught something at this stage in our life, that's... | 0:19:14 | 0:19:18 | |
That's quite something different. | 0:19:18 | 0:19:20 | |
Two and two. | 0:19:20 | 0:19:22 | |
Three. Three and two. Three. | 0:19:22 | 0:19:25 | |
We are not professionals, you know? | 0:19:25 | 0:19:28 | |
I can't do this. | 0:19:28 | 0:19:30 | |
I've not done the jive for a while. | 0:19:30 | 0:19:32 | |
I find jive absolutely brilliant. | 0:19:32 | 0:19:35 | |
He took us step-by-step along the way which was very good. | 0:19:35 | 0:19:39 | |
After a tough session, Jack gives his most enthusiastic dancer, Alice, | 0:19:43 | 0:19:47 | |
a lift home. | 0:19:47 | 0:19:48 | |
-This is my house here. This one. -Can I park in there? -This one. | 0:19:48 | 0:19:52 | |
-Yeah, can I park in there? -Yes. Yes. | 0:19:52 | 0:19:55 | |
In return, he's getting a spot of Northern hospitality. | 0:19:55 | 0:19:58 | |
I tell you, Alice, after today, I'm gasping. | 0:19:58 | 0:20:01 | |
-So, shall I play mother? -OK. -Yeah? | 0:20:01 | 0:20:04 | |
-Now that's me husband Frank. -Frank, yeah. | 0:20:04 | 0:20:07 | |
Now, he died when he were 66. | 0:20:07 | 0:20:10 | |
-When he was 66? -Yeah. Yeah. | 0:20:10 | 0:20:13 | |
-I'm sorry to hear that. -That's myself. | 0:20:13 | 0:20:15 | |
-Look at you! Great figure. -Bit slimmer there, Jack! -Great figure. | 0:20:15 | 0:20:18 | |
A bit slimmer! | 0:20:18 | 0:20:20 | |
And that was taken on the balcony. | 0:20:20 | 0:20:22 | |
-That was taken on the balcony at the Palais? -At the Palais. | 0:20:22 | 0:20:24 | |
I had my first date with him there. | 0:20:24 | 0:20:26 | |
And was he a good dancer? | 0:20:26 | 0:20:28 | |
-Yes. He was. -What was your favourite dance with him, Alice? | 0:20:28 | 0:20:31 | |
-Oh, the waltz. -The waltz. | 0:20:31 | 0:20:33 | |
-Oh, so romantic. -Oh, was it? | 0:20:33 | 0:20:36 | |
-Dancing cheek to cheek. -Dancing cheek to cheek. | 0:20:36 | 0:20:38 | |
-More or less. Oh, yes. -That's beautiful. | 0:20:38 | 0:20:41 | |
-So you've been dancing since you were 14? -14. | 0:20:41 | 0:20:43 | |
And here you are still dancing. | 0:20:43 | 0:20:45 | |
-Well, no, because you need a partner. -You do. | 0:20:45 | 0:20:48 | |
So, if I could find you a dancing partner, | 0:20:48 | 0:20:50 | |
you would carry on dancing? | 0:20:50 | 0:20:52 | |
Oh, I'd love to, yes. Yes. | 0:20:52 | 0:20:55 | |
How does dancing make you feel at 87? | 0:20:55 | 0:20:57 | |
Actually, I think it makes you feel a bit younger. | 0:20:57 | 0:20:59 | |
-Makes you feel younger. -Yeah! | 0:20:59 | 0:21:01 | |
How long are you to carry on dancing for, Alice? | 0:21:01 | 0:21:04 | |
-Well, it depends if I have a partner. -Mm-hm. -Yeah. | 0:21:04 | 0:21:08 | |
So leave that one with me, will you? | 0:21:08 | 0:21:11 | |
And what about yourself? Have you a nice partner? | 0:21:11 | 0:21:14 | |
Oh... No. | 0:21:14 | 0:21:16 | |
-No. -Oh, Jack! -Very unlucky in love. -No! | 0:21:16 | 0:21:19 | |
-You're like me, then. -Hardly! | 0:21:19 | 0:21:22 | |
-You're like me, no partner. -You put me to shame, woman! | 0:21:22 | 0:21:25 | |
Yeah, but no partner I'm talking about. | 0:21:25 | 0:21:27 | |
No, no, no. | 0:21:27 | 0:21:29 | |
-But you're too far away, aren't you? -Too far away? For who? | 0:21:29 | 0:21:33 | |
-London. -Yeah. | 0:21:33 | 0:21:35 | |
-I'm in Lancashire! -Oh, OK! | 0:21:35 | 0:21:38 | |
All right. Oh! OK! Fine! | 0:21:38 | 0:21:40 | |
I'll just have a cup of tea. | 0:21:42 | 0:21:44 | |
Unless Jack fancies a permanent move to Bolton, | 0:21:46 | 0:21:49 | |
he needs to find some alternatives | 0:21:49 | 0:21:51 | |
fast. | 0:21:51 | 0:21:53 | |
Today is all about finding men for these wonderful ladies. | 0:21:53 | 0:21:56 | |
With only four men recruited to his revival and hundreds needed, | 0:21:56 | 0:22:00 | |
Jack's plans are on the ropes. | 0:22:00 | 0:22:03 | |
I'm trying to find men who would like to dance. | 0:22:03 | 0:22:06 | |
Would you mind if I was to chat to some of you patrons? | 0:22:06 | 0:22:08 | |
-No, I don't mind. -And put up a poster? | 0:22:08 | 0:22:10 | |
-There's a few good movers in the gym. -Are there? | 0:22:10 | 0:22:13 | |
How are you doing, fella? I'm after men to dance with gorgeous women. | 0:22:13 | 0:22:17 | |
-Single women? -Single women. | 0:22:17 | 0:22:19 | |
Lovely ladies in their 70s. | 0:22:19 | 0:22:21 | |
Is it break dance? | 0:22:21 | 0:22:22 | |
Fantastic. Hey-hey! | 0:22:22 | 0:22:24 | |
Convincing burly boxers to ballroom is a tall order. | 0:22:24 | 0:22:29 | |
How are you doing? I'm looking for men who are rhythmical. | 0:22:29 | 0:22:33 | |
-Can I hold that bag for you? -You can if you want, yeah. | 0:22:36 | 0:22:38 | |
Shall I call it? | 0:22:38 | 0:22:40 | |
Double right hook. | 0:22:40 | 0:22:41 | |
Good. Fantastic. Yeah. Marvellous. | 0:22:41 | 0:22:43 | |
-Now, can I have a little chat with you? -Yep. -My name's Jack. | 0:22:43 | 0:22:47 | |
-Nice to meet you, Jack. -What's your name, sir? -Ben. | 0:22:47 | 0:22:49 | |
Ben, I'm looking for gentleman to come and learn to dance | 0:22:49 | 0:22:51 | |
with some very, very beautiful women and we're going to jive. | 0:22:51 | 0:22:55 | |
Is this something you would be interested in? | 0:22:55 | 0:22:57 | |
-Possibly. -Possibly! | 0:22:57 | 0:22:58 | |
-Until you said jiving. -Until I said jiving. | 0:22:58 | 0:23:01 | |
-I can't see myself jiving. -Right, so what's your style? | 0:23:01 | 0:23:03 | |
-Tell me, what moves do you cut? -I haven't got any. | 0:23:03 | 0:23:06 | |
You haven't got any at all? | 0:23:06 | 0:23:07 | |
I think it could be something you would be interested in, | 0:23:07 | 0:23:10 | |
-he says, trying to persuade. -Possibly, yeah. | 0:23:10 | 0:23:12 | |
Possible, yeah? Good man. Good man. Fantastic. Good. | 0:23:12 | 0:23:15 | |
I'll let you carry on. | 0:23:15 | 0:23:17 | |
With no definite takers, | 0:23:17 | 0:23:19 | |
Jack pushes on with his trawl of local gyms. | 0:23:19 | 0:23:22 | |
Hello, sir. I'm a man on a mission. | 0:23:22 | 0:23:24 | |
-I'm looking to find men to dance with gorgeous ladies. -Not for me. | 0:23:24 | 0:23:28 | |
Hello, how are you doing? Can I take a minute of your time? | 0:23:28 | 0:23:31 | |
-Yeah, certainly. -My name's Jack. -I'm Terry. -Terry, very nice to meet you. | 0:23:31 | 0:23:34 | |
-Terry, can you dance? -Er... | 0:23:34 | 0:23:37 | |
-No. -You can't? | 0:23:37 | 0:23:39 | |
-Would you like to learn to dance? -I think I would, yeah. | 0:23:39 | 0:23:41 | |
-You would like to? You would like to? -Yeah. | 0:23:41 | 0:23:44 | |
Do you have availability during the week? | 0:23:44 | 0:23:46 | |
I've just retired, actually, so I've got quite a lot of time off. | 0:23:46 | 0:23:50 | |
Oh, my God, Terry! Yes! Success on a plate, as they say. | 0:23:50 | 0:23:53 | |
I'll let you carry on because you need to work out. | 0:23:53 | 0:23:55 | |
These women are strong | 0:23:55 | 0:23:57 | |
and, before you know it, they'll be throwing you around the place. | 0:23:57 | 0:23:59 | |
-Can't wait. -Good man. Good man. Cheers, Terry. Thanks a lot. | 0:23:59 | 0:24:03 | |
Jack's not the only one on a manhunt. | 0:24:04 | 0:24:07 | |
Margot's taking matters into her own hands. | 0:24:07 | 0:24:10 | |
I don't ask men out normally. | 0:24:10 | 0:24:13 | |
Normally, I don't. | 0:24:13 | 0:24:14 | |
I feel a bit sick, actually. Not butterflies. | 0:24:14 | 0:24:17 | |
Margot has lived alone since her husband died six years ago. | 0:24:17 | 0:24:20 | |
I met my husband on the way to the Palais and we met and married | 0:24:20 | 0:24:23 | |
within 12 months so, really, I stopped going, actually, | 0:24:23 | 0:24:26 | |
to the Palais. | 0:24:26 | 0:24:28 | |
Unless we fell out for a bit, you know, | 0:24:28 | 0:24:31 | |
and then I whipped back again. | 0:24:31 | 0:24:32 | |
He was, you know, a marvellous companion. | 0:24:32 | 0:24:35 | |
We were companions and, of course, I miss it terribly. | 0:24:35 | 0:24:38 | |
Hello, Joe? Are you having your tea? | 0:24:38 | 0:24:40 | |
Margot's called up an old family acquaintance. | 0:24:40 | 0:24:44 | |
Right. Well, prepare yourself for a shock. | 0:24:44 | 0:24:46 | |
I'm going to ask you something. | 0:24:46 | 0:24:48 | |
It's about the dancing days of the Palais. Did you ever go? | 0:24:48 | 0:24:51 | |
Right, didn't we all? | 0:24:53 | 0:24:54 | |
We've got a choreographer who's quite famous. | 0:24:54 | 0:24:57 | |
You won't have heard of him but... | 0:24:57 | 0:24:59 | |
I mean, who has, but... | 0:24:59 | 0:25:01 | |
He's... You know... | 0:25:01 | 0:25:02 | |
Would you be willing to appear? | 0:25:02 | 0:25:05 | |
Really? Right. | 0:25:05 | 0:25:07 | |
Well, that's great. That's wonderful. | 0:25:07 | 0:25:10 | |
'The man that I'm looking for - describe him.' | 0:25:10 | 0:25:12 | |
He's got to be amusing, cool. | 0:25:12 | 0:25:14 | |
I want somebody cool. | 0:25:14 | 0:25:16 | |
'I don't want anybody childish or emotionally immature, which is' | 0:25:16 | 0:25:21 | |
saying quite a lot for a man. | 0:25:21 | 0:25:24 | |
Thank you very much. All right. Bye. See you, then. Bye. | 0:25:24 | 0:25:29 | |
Yeah. | 0:25:33 | 0:25:35 | |
Great! Nothing ventured, nothing gained. | 0:25:35 | 0:25:38 | |
One needs courage in this life. | 0:25:38 | 0:25:40 | |
You've got yourself a partner, Margot. | 0:25:40 | 0:25:42 | |
It's not a date, is it? Not... Hold on, wait a minute! No. | 0:25:42 | 0:25:47 | |
No, it didn't come over like that, did it? Hopefully not. No. | 0:25:47 | 0:25:51 | |
There is a shortage of men, isn't there? | 0:25:53 | 0:25:55 | |
This is the trouble, isn't it, because this dancing thing | 0:25:55 | 0:25:59 | |
needs a partner. And I ain't got one. | 0:25:59 | 0:26:02 | |
Today, Jack's got a treat for his ladies. | 0:26:02 | 0:26:04 | |
I've not seen him, have you? | 0:26:04 | 0:26:05 | |
His trawl of Bolton has paid off. | 0:26:05 | 0:26:07 | |
It's strange. I was working on weights yesterday and I'm... | 0:26:12 | 0:26:15 | |
..dancing today. | 0:26:16 | 0:26:18 | |
I've only done crazy disco dancing | 0:26:18 | 0:26:20 | |
until now, never any organised dancing. | 0:26:20 | 0:26:23 | |
I was at the boxing gym and he talked me into coming down. | 0:26:23 | 0:26:26 | |
I thought there might have been some, maybe a little bit | 0:26:26 | 0:26:29 | |
more my age, middle-aged maybe but it doesn't really matter. | 0:26:29 | 0:26:32 | |
All of Jack's new recruits have turned up | 0:26:32 | 0:26:36 | |
but Margot's fella is yet to arrive. | 0:26:36 | 0:26:38 | |
I haven't got butterflies, no. | 0:26:39 | 0:26:41 | |
I'm too old for that but I'm apprehensive. | 0:26:41 | 0:26:44 | |
Hopefully, it will be good to dance with a real man! | 0:26:44 | 0:26:49 | |
A proper man. That'll be a novelty. | 0:26:49 | 0:26:52 | |
Ladies and gents, if you'd like to come on to the floor | 0:26:52 | 0:26:55 | |
and take a partner... | 0:26:55 | 0:26:57 | |
Margot's bold move has paid off. | 0:26:58 | 0:27:01 | |
Margot, Joe is waiting, longing. | 0:27:01 | 0:27:04 | |
No, don't start being suggestive, it doesn't suit us. | 0:27:04 | 0:27:09 | |
We don't like it. We're glad you've made it | 0:27:09 | 0:27:11 | |
because they've changed the venue, haven't they? | 0:27:11 | 0:27:14 | |
I've never danced with Margot at all. | 0:27:14 | 0:27:16 | |
I danced with my wife. | 0:27:16 | 0:27:18 | |
She was my girlfriend at the time but since then she has died. | 0:27:18 | 0:27:22 | |
I'm looking for a new partner. | 0:27:22 | 0:27:24 | |
Ben, don't look so worried. I found you in a boxing gym, yeah? OK? | 0:27:24 | 0:27:29 | |
Right, we are starting in hold. So, into hold. | 0:27:29 | 0:27:34 | |
Let's see if we can get this right. | 0:27:34 | 0:27:36 | |
This is called hold or frame, yes? | 0:27:36 | 0:27:38 | |
Some of your frames need to be looked at, yeah? | 0:27:38 | 0:27:41 | |
OK? Don't be frightened of her. | 0:27:42 | 0:27:44 | |
Bring your right hand on to her left shoulder blade. That's lovely, good. | 0:27:44 | 0:27:48 | |
And breathe, Terry. Breathe. | 0:27:48 | 0:27:52 | |
You just like his biceps. | 0:27:52 | 0:27:54 | |
I think this is the toughest part of our little dance routine. | 0:27:56 | 0:28:00 | |
So we have a back replace, round the back. | 0:28:00 | 0:28:04 | |
A back replace, round the back... | 0:28:04 | 0:28:06 | |
Jack's strategy is to throw the new recruits in at the deep end. | 0:28:06 | 0:28:09 | |
Gentleman, place your right hand on top of your left hand and turn. | 0:28:11 | 0:28:15 | |
He's got his work cut out with the ballroom virgins. | 0:28:17 | 0:28:20 | |
Off you go and turn. | 0:28:22 | 0:28:24 | |
But Margot's man is showing promise. | 0:28:24 | 0:28:26 | |
Now that is a leader. That's lovely. You took my lovely Margot there. | 0:28:27 | 0:28:32 | |
He's only been here a morning as well. | 0:28:32 | 0:28:34 | |
Please stop, I'm embarrassed. | 0:28:34 | 0:28:36 | |
You should never say that to me because I will just carry on. | 0:28:36 | 0:28:39 | |
-Are you OK, Ben? -Yes. -Are you loving it? -Yeah. -Don't believe you! | 0:28:39 | 0:28:43 | |
Here we go. Round you go. Back, replace. One, two. | 0:28:44 | 0:28:49 | |
You know when you drink a really good wine, yeah? | 0:28:49 | 0:28:52 | |
You do it slowly, don't you? You don't knock it back. | 0:28:54 | 0:28:57 | |
Did you all hear that? | 0:28:58 | 0:29:00 | |
-Maybe you've never drunk a fine wine, I don't know. -Oh, God. | 0:29:00 | 0:29:03 | |
That's patronising. I don't like being patronised. Sorry. | 0:29:03 | 0:29:08 | |
If I can continue my story, | 0:29:08 | 0:29:10 | |
not everyone is a wine drinker was my point. | 0:29:10 | 0:29:13 | |
I use a lot of metaphors and analogies to teach, OK? | 0:29:14 | 0:29:17 | |
If any of you felt offended by what I just said, I truly apologise. | 0:29:17 | 0:29:22 | |
-Here we go. -He's labouring that now, isn't he, somewhat? | 0:29:24 | 0:29:27 | |
Five, six, seven, eight and around you go. | 0:29:27 | 0:29:30 | |
My overriding concern is definitely Margot because when I'm anxious, | 0:29:31 | 0:29:35 | |
I know how I behave. | 0:29:35 | 0:29:37 | |
And I now have to check it | 0:29:37 | 0:29:39 | |
and I desperately want to keep her on board. | 0:29:39 | 0:29:42 | |
Jack might have to adjust his movie-star teaching methods | 0:29:42 | 0:29:45 | |
if he's to win over Bolton's leading lady. | 0:29:45 | 0:29:49 | |
I think he's really bumptious actually and I know he's probably | 0:29:49 | 0:29:53 | |
doing it for our benefit but I don't... | 0:29:53 | 0:29:56 | |
I don't take kindly to... | 0:29:56 | 0:29:58 | |
I can't believe his attitude, really. | 0:29:58 | 0:30:00 | |
Jack's grand designs to put the building back on the Bolton map | 0:30:04 | 0:30:07 | |
could put him back in the good books. | 0:30:07 | 0:30:10 | |
I'd like to rejuvenate it. | 0:30:10 | 0:30:12 | |
He has the building for two months | 0:30:12 | 0:30:14 | |
so any changes have to be agreed by the landlord. | 0:30:14 | 0:30:17 | |
If I'm going to replicate 1950s dance floor, I need a dance floor. | 0:30:18 | 0:30:24 | |
-Yeah. -I can't dance on tiles. | 0:30:24 | 0:30:27 | |
I will come back to later this week with a definitive answer. | 0:30:27 | 0:30:31 | |
The floor is essential for the dance hall night. | 0:30:31 | 0:30:34 | |
-Can we go outside? -Yeah, absolutely. | 0:30:34 | 0:30:36 | |
But Jack's next request could be appreciated by the whole of Bolton. | 0:30:36 | 0:30:40 | |
-Do you think you can take that sign down? -I'm happy to put it forward. | 0:30:40 | 0:30:43 | |
I'm personally happy to pull the sign down, quite frankly. | 0:30:43 | 0:30:46 | |
For the people of Bolton, let alone the dance hall. | 0:30:46 | 0:30:49 | |
I would need to get consent from my side. | 0:30:49 | 0:30:51 | |
I just think it would be absolutely wonderful. | 0:30:51 | 0:30:54 | |
I think it would be magical, really, really magical. | 0:30:54 | 0:30:58 | |
Jack's dream is to fill the building with hundreds of ballroom newcomers. | 0:30:58 | 0:31:02 | |
All right, fellas? How are you doing? | 0:31:02 | 0:31:04 | |
So tonight he's going to hit the town to find them. | 0:31:05 | 0:31:08 | |
How are you doing, lads? | 0:31:09 | 0:31:11 | |
I'm going to reopen the Palais de Danse | 0:31:12 | 0:31:15 | |
as a night hall for a few nights. | 0:31:15 | 0:31:17 | |
And I'm going to revive social partner dancing. | 0:31:17 | 0:31:20 | |
What Bolton's become over the last three years or so | 0:31:20 | 0:31:23 | |
I'd say is everywhere is becoming the same. | 0:31:23 | 0:31:25 | |
In the last decade, half the nightclubs in this country have closed. | 0:31:25 | 0:31:28 | |
Why are you not on the dance floor? | 0:31:28 | 0:31:30 | |
Ladies, why are you not on the dance floor? | 0:31:30 | 0:31:32 | |
-But I'm asking you... -Why are you not on the dance floor? | 0:31:34 | 0:31:37 | |
What is a great night out in Bolton? | 0:31:37 | 0:31:39 | |
Loads of drink and loads of girls. | 0:31:39 | 0:31:41 | |
There's a dance floor and the dance floor is empty. | 0:31:41 | 0:31:45 | |
Come and dance with me. | 0:31:45 | 0:31:46 | |
Jack's determined to get the younger generation dancing. | 0:31:49 | 0:31:53 | |
-Who's leading? -Me! | 0:31:53 | 0:31:56 | |
What do you think about salsa and Argentine tango? | 0:31:56 | 0:31:58 | |
It would be nice to get involved with but it's not around any more really. | 0:31:58 | 0:32:02 | |
Why aren't you out dancing cha-cha on a Friday night? Tell me. | 0:32:02 | 0:32:05 | |
Because they've changed times. | 0:32:05 | 0:32:07 | |
-I'm reopening the Palais. -Are you? -I am. -Here? -As a dance hall. | 0:32:07 | 0:32:11 | |
What's it going to take me, other than a bottle of vodka, | 0:32:11 | 0:32:14 | |
-to entice you? -Two bottles of vodka. | 0:32:14 | 0:32:16 | |
Dancing cheek to cheek is a world away from a night on the tiles. | 0:32:18 | 0:32:21 | |
It seems to me that the whole raison d'etre for going out | 0:32:21 | 0:32:25 | |
is to have a drink. | 0:32:25 | 0:32:27 | |
Are you going to get drunk tonight, girls? | 0:32:27 | 0:32:30 | |
I've got a huge task here to try | 0:32:30 | 0:32:32 | |
and pull the scales down from over their eyes, to say consider this. | 0:32:32 | 0:32:37 | |
If Jack can't convince the young 'uns to get on the dance floor, | 0:32:39 | 0:32:42 | |
his revival will fail. | 0:32:42 | 0:32:44 | |
To persuade a new generation that partner dancing is for them, | 0:32:53 | 0:32:56 | |
Jack's come up with an audacious plan. | 0:32:56 | 0:32:59 | |
Right, where do you think we are going? | 0:33:01 | 0:33:03 | |
It's a mystery to us, isn't it? | 0:33:03 | 0:33:05 | |
It will take a captive audience of thousands. | 0:33:05 | 0:33:07 | |
-What's going on here? -We might be training with footballers. | 0:33:07 | 0:33:11 | |
Enough space for a major performance. | 0:33:13 | 0:33:16 | |
-Walter's a season ticket over there. -Same here. | 0:33:16 | 0:33:19 | |
-Are you a season-ticket holder? -Yes, I am. | 0:33:19 | 0:33:22 | |
-And the final ingredient. -Hello. | 0:33:22 | 0:33:25 | |
Jack's Bolton boppers. | 0:33:25 | 0:33:27 | |
How are we? | 0:33:27 | 0:33:28 | |
There's no point me choreographing this amazing group of people | 0:33:28 | 0:33:31 | |
and presenting it to 20 people. | 0:33:31 | 0:33:33 | |
I'm hardly going to start a revolution with 20 people. | 0:33:33 | 0:33:36 | |
So, would you just stand on the little bit of grass here? | 0:33:36 | 0:33:40 | |
Feel that you are a team, yeah. | 0:33:40 | 0:33:43 | |
Time for Jack to drop his bombshell. | 0:33:44 | 0:33:46 | |
-On Tuesday week, you will be dancing there. -Here? | 0:33:47 | 0:33:51 | |
-Right there, at the game in front of all the spectators. -No! | 0:33:51 | 0:33:56 | |
-Oh, my goodness me. -I dream big. | 0:33:57 | 0:33:59 | |
There's no point dreaming if you are not going to dream big. | 0:33:59 | 0:34:03 | |
-So, if you don't want to do it, step off the hallowed turf. -No way. | 0:34:03 | 0:34:07 | |
I'll be sitting up there, watching them. I will. | 0:34:07 | 0:34:10 | |
I'm not letting my people see me down here... | 0:34:10 | 0:34:13 | |
What are you doing off the hallowed turf? | 0:34:13 | 0:34:15 | |
-What are you doing off the hallowed turf? -I'm sorry. | 0:34:15 | 0:34:18 | |
I can't come up here. Sit up there with all my mates watching me? | 0:34:18 | 0:34:21 | |
Whoa, they'd be... | 0:34:21 | 0:34:22 | |
If I had one person down for reacting that way, | 0:34:24 | 0:34:27 | |
it wouldn't have been Walter. So, that was surprising. | 0:34:27 | 0:34:31 | |
Enough to give anybody a heart attack because I was shocked | 0:34:31 | 0:34:34 | |
coming here, to a place I come every other week | 0:34:34 | 0:34:38 | |
to the march and to do a performance in front of people... | 0:34:38 | 0:34:41 | |
I don't know how I will do it. | 0:34:41 | 0:34:44 | |
His identity with this place is with the lads and of course | 0:34:44 | 0:34:47 | |
dancing with Sheila elsewhere, so the two just don't meet. | 0:34:47 | 0:34:53 | |
He obviously felt, | 0:34:53 | 0:34:54 | |
"Oh, no, I'm going to make a right fool of myself." | 0:34:54 | 0:34:59 | |
Got to do it for my partner's sake. | 0:34:59 | 0:35:01 | |
I'll have to do it for her sake, you know what I mean. Keep her happy. | 0:35:01 | 0:35:05 | |
MUSIC: "Machine Gun" by The Commodores | 0:35:05 | 0:35:09 | |
We've got about three weeks. | 0:35:10 | 0:35:12 | |
So we now have to turn up the heat and get burning. | 0:35:12 | 0:35:15 | |
Jack's dance hall revival now rests on the Palais patrons | 0:35:15 | 0:35:19 | |
delivering a stellar performance that can keep 20,000 football fans | 0:35:19 | 0:35:23 | |
glued to their seats. | 0:35:23 | 0:35:25 | |
A-one and two... | 0:35:27 | 0:35:28 | |
Oh God! Where's... | 0:35:28 | 0:35:29 | |
Stop improvising! | 0:35:29 | 0:35:31 | |
To deliver a wow factor, the group have to dance in unison. | 0:35:31 | 0:35:35 | |
Two, three. A-one and two... | 0:35:35 | 0:35:39 | |
But the Palais old-timers struggle with the new moves. | 0:35:39 | 0:35:41 | |
-A-one and two... -No. -Three. | 0:35:41 | 0:35:43 | |
-You've got you've got two-thirds of it. -Yeah, yeah. -Great. | 0:35:43 | 0:35:46 | |
I'll leave you, but the next time I see it, I can't have this... | 0:35:46 | 0:35:50 | |
-You want it right. -I do! -Right! | 0:35:50 | 0:35:53 | |
And the novices are yet to crack the basics. | 0:35:53 | 0:35:56 | |
Think of it like you're boxing a partner. | 0:35:56 | 0:35:58 | |
So, box me. A jab, jab, hook, hook. | 0:35:58 | 0:36:00 | |
A jab, jab. Follow me. There. | 0:36:00 | 0:36:03 | |
A jab, jab, follow me, there. | 0:36:03 | 0:36:06 | |
You look like I need to spray a load of WD-40 over you. | 0:36:06 | 0:36:10 | |
You look very stiff. OK. | 0:36:10 | 0:36:13 | |
You, basically, need to find your knees. | 0:36:13 | 0:36:17 | |
Ta-tum. Ta-tum. Ta-tum. | 0:36:17 | 0:36:19 | |
Terry has not missed a single practice | 0:36:19 | 0:36:22 | |
since Jack recruited him down the gym. | 0:36:22 | 0:36:24 | |
Everybody else seemed to do it a bit more naturally than I do, | 0:36:24 | 0:36:27 | |
but I'm sure I'll get there. | 0:36:27 | 0:36:28 | |
But, as rehearsals continue,... | 0:36:28 | 0:36:30 | |
How's Terry doing, Alice? | 0:36:30 | 0:36:32 | |
..things get trickier for Terry. | 0:36:32 | 0:36:34 | |
He gets dumped. | 0:36:34 | 0:36:36 | |
-We can change partners along, can we? All along the way? -We will do. | 0:36:37 | 0:36:40 | |
We'll change partners. | 0:36:40 | 0:36:42 | |
SHE LAUGHS | 0:36:42 | 0:36:43 | |
I don't know whether I were tense, or whether he were tense, | 0:36:43 | 0:36:46 | |
but I feel more at ease not dancing with Terry. | 0:36:46 | 0:36:50 | |
Just seems to be me that's left on my own all the time. | 0:36:53 | 0:36:56 | |
I'm trying my best to learn how to do it. | 0:36:56 | 0:36:58 | |
You know, sort my faults out but I'm not really, probably, | 0:36:58 | 0:37:01 | |
not the best dancer here but, you know, I'm willing to try. | 0:37:01 | 0:37:04 | |
Maybe they don't think I'm good enough to be doing it. | 0:37:07 | 0:37:10 | |
The fact that he hasn't done a great deal of dancing | 0:37:12 | 0:37:15 | |
is that women don't want to dance with him | 0:37:15 | 0:37:17 | |
because he's not good enough. | 0:37:17 | 0:37:19 | |
Well, I'm not going to have that. | 0:37:19 | 0:37:20 | |
Jack needs a strong woman to take Terry in hand. | 0:37:20 | 0:37:23 | |
-Come and have a little chat with me. -All right, darling. | 0:37:23 | 0:37:25 | |
And 76-year-old Flo has got the job. | 0:37:25 | 0:37:28 | |
-Now, I'm working with Terry... -I know you are. -..and he's only... | 0:37:28 | 0:37:31 | |
-You've been dancing... -Yeah. -..for a long time. -I know, darling. | 0:37:31 | 0:37:33 | |
-He's been dancing for two weeks. -I know. It's incredible. | 0:37:33 | 0:37:36 | |
-So, will you work with him? Yes? -Yeah, yeah, yeah. | 0:37:36 | 0:37:39 | |
-You promise me, you will? -Yeah, I will. -Because you're able to teach. | 0:37:39 | 0:37:42 | |
-Yeah? Is that a deal? -That's right. It's a deal. | 0:37:42 | 0:37:45 | |
-Love you. -OK, darling. -Cheers, darling. | 0:37:45 | 0:37:48 | |
If I have to do, I'll have to do but he'll have to get more practice. | 0:37:48 | 0:37:52 | |
Match made in heaven. Fantastic. | 0:37:53 | 0:37:56 | |
Good. | 0:37:56 | 0:37:58 | |
It's been an age since Flo had a permanent dance partner. | 0:37:58 | 0:38:01 | |
It used to be her husband Derek. | 0:38:01 | 0:38:03 | |
-61 years we've known one another. -Is it? -Yeah. -Right. | 0:38:04 | 0:38:07 | |
-61 years. -Oh, right. | 0:38:07 | 0:38:09 | |
I'm getting rid of you next year. | 0:38:10 | 0:38:13 | |
They were childhood sweethearts, | 0:38:13 | 0:38:15 | |
but they didn't find love on the dance floor. | 0:38:15 | 0:38:17 | |
I love dancing, but he just went in a circle. He couldn't dance. | 0:38:18 | 0:38:22 | |
He just couldn't move his feet. He just went round and round and round. | 0:38:22 | 0:38:25 | |
He said, "It's no good, this, Flossie," he said. | 0:38:25 | 0:38:28 | |
He said, I think we'd better pack our relationship in. | 0:38:28 | 0:38:31 | |
And I walked away | 0:38:31 | 0:38:32 | |
and I thought, I can't. | 0:38:32 | 0:38:34 | |
And I turned round and I said, "I'll give..." I'm nearly crying! | 0:38:35 | 0:38:38 | |
I said I'd give dancing up. | 0:38:40 | 0:38:42 | |
I... Ooh! I... | 0:38:44 | 0:38:47 | |
I remember the day when he walked away. | 0:38:47 | 0:38:49 | |
Flo hung up her dance shoes, | 0:38:55 | 0:38:57 | |
but now she and her fellow Palais patrons | 0:38:57 | 0:39:00 | |
will get the chance to revisit their glory days. | 0:39:00 | 0:39:03 | |
The art deco building attracted thousands of Lancashire locals. | 0:39:04 | 0:39:08 | |
They came three nights a week to bop on a sprung maple dance floor | 0:39:08 | 0:39:12 | |
to a live big band. | 0:39:12 | 0:39:13 | |
The building is Jack's for two months. | 0:39:15 | 0:39:17 | |
To make any changes, he needs the nod from the landlord. | 0:39:17 | 0:39:20 | |
But there's bad news. | 0:39:22 | 0:39:24 | |
"In short, we do not feel that the removal of the facade | 0:39:26 | 0:39:28 | |
will be beneficial to the property | 0:39:28 | 0:39:31 | |
and feel there will be further issues to the property, | 0:39:31 | 0:39:34 | |
in terms of being wind and watertight if removed." | 0:39:34 | 0:39:37 | |
"Therefore, we are not willing to allow this to be removed." | 0:39:38 | 0:39:43 | |
On behalf of all the patrons who danced here, | 0:39:43 | 0:39:46 | |
who really brought an amazing spirit to this building, | 0:39:46 | 0:39:50 | |
I'm just really disappointed. I am really disappointed. | 0:39:50 | 0:39:53 | |
I don't know. Maybe I'm just going to have to choose my battles. | 0:39:54 | 0:39:58 | |
And Jack soon claims a victory. | 0:40:00 | 0:40:02 | |
I'm really glowing inside. | 0:40:03 | 0:40:05 | |
It's such a lovely feeling. | 0:40:05 | 0:40:07 | |
In the 1970s, the dance hall became a nightclub | 0:40:07 | 0:40:10 | |
and the sprung floor was ripped out. | 0:40:10 | 0:40:13 | |
This is for people of Bolton | 0:40:13 | 0:40:15 | |
and this is to revive the fantastic dance floor | 0:40:15 | 0:40:18 | |
Don't open your eyes. | 0:40:19 | 0:40:21 | |
Keep coming. Keep coming. | 0:40:21 | 0:40:23 | |
Today, it's finally back. | 0:40:23 | 0:40:24 | |
Open your eyes. | 0:40:26 | 0:40:27 | |
-Ahh! -Oh! Wow! | 0:40:27 | 0:40:30 | |
O-ho-ho! Look at that! | 0:40:31 | 0:40:34 | |
-Oh-ho! -That's astounding, that. -Is it bouncy? | 0:40:34 | 0:40:37 | |
You tell me. | 0:40:37 | 0:40:38 | |
-Is it? -Woo-hoo! -God. It's wonderful. -O-ho! | 0:40:38 | 0:40:42 | |
And it is sprung. | 0:40:42 | 0:40:43 | |
-Thank you. -You've got all the spring you need. | 0:40:43 | 0:40:46 | |
That's amazing. | 0:40:46 | 0:40:47 | |
-Soak it up. -It's astounding, this. | 0:40:47 | 0:40:49 | |
-Soak it up and... -It's wonderful. -It's amazing. | 0:40:49 | 0:40:52 | |
And that isn't the only revelation. | 0:40:52 | 0:40:55 | |
Couldn't believe it when I saw the floor. | 0:40:55 | 0:40:58 | |
I was astounded and thrilled. | 0:40:58 | 0:41:00 | |
I've got faith in him now. I think it's going to happen. | 0:41:00 | 0:41:03 | |
With the most sceptical of the Palais patrons on side, | 0:41:03 | 0:41:06 | |
Jack's keen to get the rest of the makeover right. | 0:41:06 | 0:41:09 | |
Now, the bar. Was the bar over there? | 0:41:10 | 0:41:14 | |
-No. -No. -It was up the top. | 0:41:14 | 0:41:16 | |
-The bar was there. -No, the bar was here. | 0:41:18 | 0:41:21 | |
Tell me about the balcony. What was going on at the balconies? | 0:41:21 | 0:41:24 | |
-Well, there were tables on there. -Tables? -Tables. | 0:41:24 | 0:41:27 | |
Watching the dancers. | 0:41:27 | 0:41:29 | |
People watching the dancers? Yeah? | 0:41:29 | 0:41:31 | |
There is this thing of prejudice, that you see people | 0:41:31 | 0:41:34 | |
of a certain age and you just think, they are not participating in life. | 0:41:34 | 0:41:39 | |
And they are full of life. That's what's so exciting about this group. | 0:41:39 | 0:41:42 | |
You can really feel that they are doing something | 0:41:42 | 0:41:45 | |
that's incredibly important to them. | 0:41:45 | 0:41:47 | |
And it is recognising them at their time of life. | 0:41:47 | 0:41:50 | |
Jack's pinned the success of his revival on his Bolton boppers. | 0:41:54 | 0:41:58 | |
Flick, kick, now back, stretch, kick! | 0:41:59 | 0:42:01 | |
Kelly Way for quarter to, Jackie. | 0:42:01 | 0:42:03 | |
Their performance has to win over the football home crowd. | 0:42:04 | 0:42:08 | |
And prove dancing cheek to cheek works, whatever your age. | 0:42:13 | 0:42:16 | |
They've been practising around the clock. | 0:42:22 | 0:42:24 | |
Round the back, round the back. | 0:42:24 | 0:42:26 | |
Now, with just a week to go, | 0:42:28 | 0:42:30 | |
Jack gathers the group to make an announcement. | 0:42:30 | 0:42:33 | |
I'd like to play a piece of music | 0:42:33 | 0:42:34 | |
and I'd really like you to listen to it | 0:42:34 | 0:42:36 | |
and then I'd really like you to tell me what do you think of it. | 0:42:36 | 0:42:39 | |
A VERSION OF "Crazy In Love" PLAYS | 0:42:39 | 0:42:42 | |
Until now, the Palais pensioners have been dancing to | 0:42:42 | 0:42:45 | |
a traditional big-band track. | 0:42:45 | 0:42:47 | |
Jack is about to make a major change. | 0:42:52 | 0:42:54 | |
That's the piece of music we're dancing to. | 0:42:57 | 0:43:00 | |
MINOR UPROAR | 0:43:00 | 0:43:02 | |
Now you tell us! | 0:43:02 | 0:43:04 | |
-It's a bit naughty, that. -It's not the sort of rhythm were used to. | 0:43:04 | 0:43:07 | |
Quite honestly. It's not our type of rhythm... Well, to me. | 0:43:07 | 0:43:10 | |
-It's not Glenn Miller. -That's what I mean. -No. | 0:43:10 | 0:43:12 | |
You can't beat Glenn Miller's music, can you? | 0:43:12 | 0:43:14 | |
As the right music for jiving to. | 0:43:14 | 0:43:17 | |
Jack's picked the Beyonce track | 0:43:17 | 0:43:19 | |
to bring partner dancing bang up-to-date. | 0:43:19 | 0:43:22 | |
I'm not doing a museum piece. | 0:43:22 | 0:43:24 | |
We are bringing something back to life. | 0:43:24 | 0:43:26 | |
And, therefore, | 0:43:26 | 0:43:28 | |
the music of now has to inspire the people of now. | 0:43:28 | 0:43:31 | |
But it's not won over the group. | 0:43:31 | 0:43:35 | |
I don't like it. That's it. Period. It sounded dreadful to me. | 0:43:35 | 0:43:38 | |
It sounded ghastly. | 0:43:38 | 0:43:40 | |
I hope he doesn't want us dressed like Beyonce wi' t'costume on, | 0:43:40 | 0:43:44 | |
banging our bum like that! | 0:43:44 | 0:43:45 | |
That is a piece of music that's incredibly modern. | 0:43:47 | 0:43:50 | |
You know immediately it's Beyonce. Well, it's a cover of a Beyonce. | 0:43:50 | 0:43:54 | |
So the young people, | 0:43:54 | 0:43:56 | |
they're going to have a connection with that piece of music. | 0:43:56 | 0:43:59 | |
Then they're going to see you dancing and come to think, "What?" | 0:43:59 | 0:44:03 | |
-Do you see now, where I'm coming from? -Yes. | 0:44:03 | 0:44:06 | |
So, I'm not saying, "Ah! Wasn't the '50s great?" | 0:44:06 | 0:44:10 | |
"Ah!" No! It wasn't all great! | 0:44:12 | 0:44:15 | |
You know, I'm gay. I wasn't even... | 0:44:15 | 0:44:17 | |
I was a criminal in the '50s! | 0:44:17 | 0:44:19 | |
LAUGHTER | 0:44:19 | 0:44:20 | |
You know... | 0:44:20 | 0:44:21 | |
Jack's convinced his team. | 0:44:21 | 0:44:24 | |
Come on, my Bolton boppers. | 0:44:24 | 0:44:26 | |
But now they've got to dance to it. | 0:44:27 | 0:44:29 | |
Five, six, seven, eight! | 0:44:30 | 0:44:32 | |
And with the big performance round the corner, nerves are running high. | 0:44:34 | 0:44:38 | |
I'm doing everything you tell me. I don't know what else I can do. | 0:44:41 | 0:44:44 | |
It's not long before Joe and Margot are lost. | 0:44:44 | 0:44:47 | |
So, "one and two, three" becomes, from now on, | 0:44:47 | 0:44:50 | |
Into...A. | 0:44:50 | 0:44:51 | |
Into...B | 0:44:52 | 0:44:54 | |
Into...C | 0:44:54 | 0:44:56 | |
Yeah? | 0:44:56 | 0:44:57 | |
Five, six, seven, eight. | 0:44:57 | 0:45:00 | |
Into A. | 0:45:00 | 0:45:02 | |
Into B. | 0:45:02 | 0:45:04 | |
Jack's tip to remember the sequence hasn't worked for Margot and Joe. | 0:45:04 | 0:45:08 | |
Ba-ba-ba. Ba. Ba-ba-ba. Ba. | 0:45:08 | 0:45:11 | |
Ba-ba-ba-ba. Ba-ba-ba-ba. | 0:45:11 | 0:45:15 | |
I haven't got a clue what you're doing, but very good. | 0:45:15 | 0:45:18 | |
Neither have we. | 0:45:18 | 0:45:19 | |
Join the club. Join the club. | 0:45:19 | 0:45:20 | |
Are you going? | 0:45:20 | 0:45:22 | |
I'm trying to change it, so that you can all do it, | 0:45:22 | 0:45:25 | |
whoever that was who walked out of the room. | 0:45:25 | 0:45:27 | |
-How many -BLEEP -meetings have we had now? | 0:45:27 | 0:45:29 | |
And now we're on A, B, and C. | 0:45:29 | 0:45:30 | |
When he says A, I don't know whether it's the original start-up, | 0:45:30 | 0:45:33 | |
or the crossover. Because the crossover's A, B, and C. | 0:45:33 | 0:45:36 | |
And the beginning is... Throw away's A, B, and C. | 0:45:36 | 0:45:40 | |
I'm absolutely confused about it. | 0:45:40 | 0:45:42 | |
It's not clear. This is it. I'm serious. You won't see me any more. | 0:45:42 | 0:45:46 | |
Is he going? Is he angry? I've lost another man now. | 0:45:48 | 0:45:52 | |
You what? | 0:45:52 | 0:45:54 | |
Hey? | 0:45:54 | 0:45:55 | |
All right. All right. He's had enough. | 0:45:55 | 0:45:58 | |
He is upset because, you know, he feels he can't do it. | 0:45:58 | 0:46:01 | |
He's a perfectionist. So that's the reason. | 0:46:01 | 0:46:04 | |
So, he's having a wobbler. | 0:46:04 | 0:46:06 | |
I'm good at this, though. I can get rid of men like that! | 0:46:06 | 0:46:10 | |
Anyway. | 0:46:10 | 0:46:11 | |
Two and two... | 0:46:11 | 0:46:12 | |
With Joe's walkout to contend with and his reputation on the line, | 0:46:12 | 0:46:16 | |
Jack's feeling the pressure. | 0:46:16 | 0:46:18 | |
To be honest with you, I'm finding this unbelievably difficult. | 0:46:19 | 0:46:23 | |
It's just frustrating the life out of me. | 0:46:23 | 0:46:25 | |
Because, actually, I feel that I keep going back to page one. | 0:46:25 | 0:46:28 | |
It's one step forward and, no pun intended, four steps back. | 0:46:28 | 0:46:31 | |
PHONE RINGS | 0:46:41 | 0:46:43 | |
With one man down, Jack puts in a call to Joe. | 0:46:43 | 0:46:46 | |
RINGTONE | 0:46:46 | 0:46:47 | |
-Hello? -Joe! It's Jack Murphy, dance teacher. How are you doing? | 0:46:49 | 0:46:52 | |
I'm all right, thank you. | 0:46:52 | 0:46:54 | |
You don't want to participate any more? Is that true? | 0:46:54 | 0:46:57 | |
That's true, yeah. It's taking over my life. | 0:46:57 | 0:46:59 | |
All right, Joe. Lovely to talk to you. | 0:46:59 | 0:47:01 | |
I wish you all the best. | 0:47:01 | 0:47:02 | |
-Thank you, Jack. -Nice to meet you. Take care. Bye-bye. | 0:47:02 | 0:47:05 | |
Jack's problems are about to get worse. | 0:47:05 | 0:47:09 | |
I've come today and I've no dancing partner. He's gone on a cruise. | 0:47:09 | 0:47:13 | |
So,... I don't know who I'm going to dance with. | 0:47:13 | 0:47:16 | |
So, do you want to just get with your partners. | 0:47:16 | 0:47:18 | |
With days to go, Jack is now two men down. | 0:47:18 | 0:47:22 | |
Alice, I would like you to dance with Tony. | 0:47:22 | 0:47:25 | |
To keep Alice calm, Jack decides to fix her up with another partner. | 0:47:25 | 0:47:29 | |
-You're going to dance with Tony. -Oh, am I? -Why is that? | 0:47:30 | 0:47:33 | |
Because I haven't got enough men at the moment. | 0:47:33 | 0:47:36 | |
Alice has been dancing with Tony. | 0:47:36 | 0:47:40 | |
And you have. | 0:47:40 | 0:47:41 | |
I've been dancing most with Ben, though. | 0:47:41 | 0:47:43 | |
-Do you know what, I'm not doing this. I'm off. -What's matter? | 0:47:43 | 0:47:46 | |
There is no simple solution and Jack's out of ideas. | 0:47:46 | 0:47:50 | |
-We'll have to sort it out. -Alice, can you come with me? | 0:47:50 | 0:47:53 | |
Ben, can you come with me? | 0:47:53 | 0:47:55 | |
Edna, can you come with me? Eileen, can you come with me? | 0:47:55 | 0:47:57 | |
And, Tony, can you come with me? | 0:47:57 | 0:47:59 | |
Obviously, I clearly have a situation that I need to clarify. | 0:47:59 | 0:48:02 | |
OK. | 0:48:02 | 0:48:03 | |
I'm feeling pretty dreadful because I feel I've put you | 0:48:03 | 0:48:06 | |
in a situation that I would never wish to put you in. | 0:48:06 | 0:48:08 | |
I wasn't going to leave you without a partner. | 0:48:08 | 0:48:10 | |
Not in a million years. I couldn't possibly do that, | 0:48:10 | 0:48:13 | |
but Alice makes me feel comfortable when she dances with Tony. OK? | 0:48:13 | 0:48:17 | |
Let me put my twopenn'orth in now. | 0:48:17 | 0:48:19 | |
I've been a float here, there, everywhere. | 0:48:19 | 0:48:22 | |
I went to Tony specially and I said, | 0:48:22 | 0:48:24 | |
"Would you mind if I asked you to be my partner?" | 0:48:24 | 0:48:27 | |
Oh! | 0:48:27 | 0:48:28 | |
-Now, he's never let me down one day. -OK. | 0:48:28 | 0:48:31 | |
That's made me enjoy what I'm doing because, prior to that, | 0:48:31 | 0:48:35 | |
-I kept thinking, I'm not going to bother. -Yeah. | 0:48:37 | 0:48:39 | |
Because it gives you that feeling of not wanting to bother. | 0:48:39 | 0:48:43 | |
If you don't have a partner. | 0:48:43 | 0:48:44 | |
Edna said to me, | 0:48:44 | 0:48:46 | |
"This is the first time in my life, | 0:48:46 | 0:48:49 | |
"I've done something for me." | 0:48:49 | 0:48:51 | |
"Normally, I've done something for my children, my grandchildren, | 0:48:51 | 0:48:54 | |
"my husband - it's the first time I've done something for me." | 0:48:54 | 0:48:57 | |
-Yeah. -And that's why I've come along to help Edna. | 0:48:57 | 0:49:01 | |
-Do you understand me now? -Yeah. Yeah. | 0:49:01 | 0:49:03 | |
-But I can't solve your problem. -No, no. You can't. | 0:49:03 | 0:49:05 | |
And I do understand you. | 0:49:05 | 0:49:06 | |
And I would just like to clarify that I was not aware of any of this. | 0:49:06 | 0:49:11 | |
Do you give them your blessing to dance together? | 0:49:11 | 0:49:14 | |
So, rather than me get Edna a dance teacher to dance with, | 0:49:14 | 0:49:18 | |
from Bolton, I get you a dance teacher to dance with from Bolton? | 0:49:18 | 0:49:21 | |
-Well, as...as... You would feel better, won't you? -Well, I would. | 0:49:21 | 0:49:26 | |
Yeah, Alice. I would, if I was honest. | 0:49:26 | 0:49:28 | |
All right. Good. So, I've got to make a phone call. | 0:49:28 | 0:49:31 | |
Let me go and make a phone call. | 0:49:31 | 0:49:33 | |
Thank you. | 0:49:33 | 0:49:34 | |
For being a fabulous woman. | 0:49:34 | 0:49:36 | |
Would you like to carry on next door? | 0:49:36 | 0:49:38 | |
A-ha-ha-ha! | 0:49:38 | 0:49:40 | |
Why should we be disturbed when we're so near to the end of all? | 0:49:40 | 0:49:44 | |
I put my case forward and now I'm rested. | 0:49:45 | 0:49:48 | |
PHONE RINGS | 0:49:50 | 0:49:51 | |
Jack puts out an SOS to Bolton's ballroom community. | 0:49:51 | 0:49:55 | |
-Phil, hello. Jack Murphy. How are you doing? -I'm good, mate. | 0:49:55 | 0:49:58 | |
-How are you? -I'm great. Phil, I'm a man in need of a couple of men. -OK! | 0:49:58 | 0:50:03 | |
What's happened is... | 0:50:03 | 0:50:05 | |
I'm hoping he's going to get me a partner. | 0:50:05 | 0:50:07 | |
If not, I have to have to pull Jack on the field with me. | 0:50:07 | 0:50:11 | |
Will Jack's cry for help come off? | 0:50:13 | 0:50:15 | |
Or will Alice and Margot be without partners | 0:50:16 | 0:50:19 | |
and out of the line-up on the night? | 0:50:19 | 0:50:21 | |
After weeks of blood, sweat, and walkouts. | 0:50:31 | 0:50:35 | |
Jack's dance hall veterans are ready to rock and roll. | 0:50:35 | 0:50:38 | |
Tonight, we are going to perform... | 0:50:40 | 0:50:43 | |
in front of 20,000 people. | 0:50:43 | 0:50:45 | |
CROWD NOISE | 0:50:45 | 0:50:47 | |
I have never, ever, done anything like this in my life. | 0:50:47 | 0:50:52 | |
A bit butterfly, to be quite honest with you. | 0:50:52 | 0:50:54 | |
A bit nervous but we'll have to get it right on the day | 0:50:54 | 0:50:56 | |
and keep Jack happy. | 0:50:56 | 0:50:58 | |
The stakes are high and, to add to the nerves, | 0:50:59 | 0:51:02 | |
there are two new recruits joining the line-up | 0:51:02 | 0:51:04 | |
to dance with Margot and Alice. | 0:51:04 | 0:51:07 | |
All the others had been dancing for six week. | 0:51:07 | 0:51:11 | |
And, there's me, you know, with a new partner. | 0:51:11 | 0:51:14 | |
There's under an hour to go until half-time. | 0:51:15 | 0:51:19 | |
It's packed, it's buzzing. This is it. | 0:51:19 | 0:51:21 | |
I'm really going to find out what my group, what their mettle is. | 0:51:21 | 0:51:25 | |
They'll have just two minutes to wow the home crowd | 0:51:25 | 0:51:28 | |
and keep them in their seats. | 0:51:28 | 0:51:30 | |
It's, er...scary, I suppose, is the word. Isn't it? | 0:51:30 | 0:51:34 | |
The thought of the crowds, I think, and the size of the stadium. | 0:51:34 | 0:51:38 | |
I'm not nervous at all, no. | 0:51:38 | 0:51:39 | |
Looking forward to the whole thing. | 0:51:39 | 0:51:42 | |
-Yeah? Are you? -Oh, yeah. | 0:51:42 | 0:51:43 | |
The wife and my eldest daughter are going to be here, | 0:51:44 | 0:51:47 | |
so just hope I put on a good performance on for them | 0:51:47 | 0:51:49 | |
and make them proud. | 0:51:49 | 0:51:50 | |
My granddaughter | 0:51:50 | 0:51:53 | |
and my great-grandson is coming on the field to watch me. | 0:51:53 | 0:51:56 | |
So... | 0:51:56 | 0:51:57 | |
I'm hoping, you know, I can get with it. Yes! | 0:51:57 | 0:52:02 | |
The family and friends are here for support | 0:52:02 | 0:52:05 | |
but the aim of the game is to recruit new blood for Jack's revival. | 0:52:05 | 0:52:09 | |
Honestly, it is one of the most thrilling | 0:52:09 | 0:52:11 | |
and also frightening things I've ever, ever done. | 0:52:11 | 0:52:14 | |
Like any good manager, Jack gives a pre-match pep talk. | 0:52:15 | 0:52:19 | |
How many of you feel like the rabbit in the headlights, right now? | 0:52:19 | 0:52:22 | |
-Yes. -Yeah! That's the fear, isn't it? | 0:52:22 | 0:52:24 | |
LOUD CROWD REACTION | 0:52:24 | 0:52:25 | |
We need to get these people on our side. | 0:52:25 | 0:52:28 | |
And if you dance from your heart, you will enjoy it and, you know what? | 0:52:28 | 0:52:31 | |
You will attract them. | 0:52:31 | 0:52:32 | |
CROWD NOISE | 0:52:32 | 0:52:35 | |
If you don't want to let me down, then dance from your hearts. | 0:52:35 | 0:52:40 | |
You have given me, possibly, one of the greatest gifts of my life. | 0:52:40 | 0:52:45 | |
This is my mum and dad | 0:52:45 | 0:52:48 | |
and, in 1952, they danced at the Palais De Danse | 0:52:48 | 0:52:52 | |
in Northern Ireland, Portstewart. | 0:52:52 | 0:52:55 | |
My dad died 35 years ago, | 0:52:55 | 0:52:57 | |
but when you dance, I see my mum and dad dancing. | 0:52:57 | 0:53:01 | |
And I can only tell you that is the power and the magic of dance. | 0:53:01 | 0:53:05 | |
So, when you ask me what you do for me, that's what you do. | 0:53:05 | 0:53:09 | |
So, what I want you to do for yourselves is go out there, | 0:53:09 | 0:53:15 | |
write a little bit of history. | 0:53:15 | 0:53:17 | |
-CHEERING -Here we go! | 0:53:17 | 0:53:19 | |
ATMOSPHERIC MUSIC WITH CROWD NOISE | 0:53:30 | 0:53:33 | |
There does come a moment where you have to... | 0:53:36 | 0:53:40 | |
I'm not a parent, | 0:53:40 | 0:53:42 | |
but I guess it's just, like, cut the cord | 0:53:42 | 0:53:44 | |
and so just feels like you've got to let it go | 0:53:44 | 0:53:48 | |
and there's nothing I can do. | 0:53:48 | 0:53:49 | |
TANNOY ANNOUNCEMENT | 0:53:49 | 0:53:50 | |
It's the fabulous group that rocked the dance floor | 0:53:50 | 0:53:53 | |
at the Bolton Palais, 60 years ago. | 0:53:53 | 0:53:57 | |
And, today, they are back, so please welcome the Jack Palace Dancers. | 0:53:57 | 0:54:01 | |
CHEERING AND APPLAUSE | 0:54:02 | 0:54:03 | |
-They're clapping us now. This is the real thing. -Yeah. | 0:54:05 | 0:54:09 | |
They've no idea what it is but, still, never mind. | 0:54:09 | 0:54:12 | |
DANCE ROUTINE MUSIC BEGINS | 0:54:12 | 0:54:13 | |
Well, there's no going back now. | 0:54:15 | 0:54:17 | |
MUSIC: Crazy In Love (Rock and Roll Version) | 0:54:18 | 0:54:20 | |
We're into the B. | 0:54:32 | 0:54:33 | |
I feel a lot younger in myself now. | 0:54:43 | 0:54:46 | |
I do, yeah. | 0:54:46 | 0:54:48 | |
My relationship to Jack's improved, I think. Over the time. | 0:54:48 | 0:54:51 | |
I've definitely mellowed towards him. | 0:54:51 | 0:54:53 | |
I see where he's coming from now. | 0:54:53 | 0:54:55 | |
Doing something like this gets your energy up again. | 0:54:56 | 0:54:59 | |
It's like a new lease of life, really. It lifts you. | 0:54:59 | 0:55:03 | |
But, it has made me come alive again, actually. | 0:55:03 | 0:55:06 | |
When I started on this journey, I was a little bit nervous. | 0:55:06 | 0:55:08 | |
Wasn't sure if I'd see it through. | 0:55:08 | 0:55:10 | |
Now, it's just taken over me life. | 0:55:10 | 0:55:12 | |
I never thought I would be teaching a group of people in their eighties. | 0:55:13 | 0:55:17 | |
I never thought they would be performing | 0:55:17 | 0:55:19 | |
in front of 20,000 people. | 0:55:19 | 0:55:21 | |
I think it's something that I've always wanted to do. Dance properly. | 0:55:23 | 0:55:26 | |
It's always been in the back of my mind. | 0:55:26 | 0:55:28 | |
It's been a wonderful experience. | 0:55:28 | 0:55:30 | |
Not many people have danced at the stadium. | 0:55:30 | 0:55:32 | |
It'll be something I can tell my great-great-grandchildren. | 0:55:32 | 0:55:35 | |
If I'd have thought this, about six month ago, | 0:55:35 | 0:55:38 | |
I'd have thought I was dreaming, | 0:55:38 | 0:55:40 | |
but it's wonderful. | 0:55:40 | 0:55:42 | |
Yes! | 0:55:47 | 0:55:48 | |
Ha! | 0:55:51 | 0:55:53 | |
I'm enjoying every minute and, when it finishes, | 0:55:53 | 0:55:56 | |
I'm hoping I can carry on dancing, too. | 0:55:56 | 0:55:59 | |
CHEERING AND APPLAUSE | 0:56:02 | 0:56:03 | |
We started waving. We're like film stars. | 0:56:05 | 0:56:09 | |
I'm proud of you. | 0:56:09 | 0:56:11 | |
Ah, thank you. | 0:56:11 | 0:56:12 | |
Oh! | 0:56:12 | 0:56:14 | |
How was it? You were amazing. | 0:56:17 | 0:56:20 | |
I enjoyed it in the end. I really did. | 0:56:20 | 0:56:23 | |
Because, you know, I thought, here goes, and... | 0:56:23 | 0:56:26 | |
Let's do it. You know. Why not? And it was great. | 0:56:28 | 0:56:32 | |
-Did you like it? -Yeah. It was good. I thought she did really well. | 0:56:32 | 0:56:35 | |
She did. She did really well. And she looks amazing | 0:56:35 | 0:56:38 | |
and she looks so happy and so excited | 0:56:38 | 0:56:40 | |
and it's just so nice to see her like that. | 0:56:40 | 0:56:43 | |
Jack's rock n' rollers have jived their socks off. | 0:56:43 | 0:56:46 | |
I feel like I'm smiling like a Cheshire Cat. | 0:56:46 | 0:56:48 | |
But was it enough to inspire the crowd | 0:56:48 | 0:56:50 | |
to join his partner dancing revival? | 0:56:50 | 0:56:53 | |
If they now manage to sign up a good number of people... | 0:56:53 | 0:56:59 | |
I don't want to put a number on it. | 0:56:59 | 0:57:01 | |
Of course, I know I should be thinking... | 0:57:01 | 0:57:04 | |
But, if they manage to sign up new people and make that circle bigger, | 0:57:04 | 0:57:07 | |
I'm just honoured. | 0:57:08 | 0:57:09 | |
Come and sign up for the dance classes at the Palais! | 0:57:10 | 0:57:13 | |
Can we interest you in dance? No? | 0:57:13 | 0:57:16 | |
-Do you want to learn? -No, I don't. | 0:57:16 | 0:57:18 | |
This lady danced for you tonight, | 0:57:18 | 0:57:19 | |
-do you want to come and learn to dance with her? -No, no. | 0:57:19 | 0:57:22 | |
-Did you see the half-time show? -No, I was having a pint. | 0:57:22 | 0:57:24 | |
Does anybody want to dance? No? No? It's not easy. | 0:57:24 | 0:57:27 | |
-I don't need classes. -While you're dancing, get signing. | 0:57:27 | 0:57:31 | |
-Did you see them dance? Didn't they do great? -Yes, they was good. Yeah. | 0:57:31 | 0:57:34 | |
-She was the best. -Hang on a sec, you've pulled, woman! | 0:57:34 | 0:57:37 | |
Bolton's best dance hall. | 0:57:37 | 0:57:39 | |
Right. | 0:57:39 | 0:57:41 | |
One, two, three, four, five, six, seven, eight... | 0:57:41 | 0:57:45 | |
-Um... -Well, it's eight more than we had before. -It's eight more. | 0:57:45 | 0:57:48 | |
Do you know, I love your philosophy. The glass is half full. | 0:57:48 | 0:57:53 | |
But Jack's dance hall will be half empty. | 0:57:53 | 0:57:56 | |
Scores on the doors. | 0:57:56 | 0:57:57 | |
Um, a healthy eight. | 0:57:59 | 0:58:01 | |
I was expecting in the tens of, so I'm a little bit disappointed. | 0:58:01 | 0:58:06 | |
It would have been healthy if it was 80. | 0:58:06 | 0:58:09 | |
Despite his efforts, with so few new recruits, | 0:58:09 | 0:58:12 | |
Jack's plans for a dance hall revolution hang in the balance. | 0:58:12 | 0:58:16 | |
I have never felt such responsibility in my life. | 0:58:19 | 0:58:22 | |
-Whoa! -Wow! -Yeah! | 0:58:22 | 0:58:25 | |
You've stopped moving your feet. This is not good. | 0:58:25 | 0:58:28 | |
I can't do it. | 0:58:28 | 0:58:30 | |
You stop it. And you stop it now. | 0:58:30 | 0:58:33 | |
You have no idea how upset it makes me. | 0:58:33 | 0:58:36 | |
I'm petrified, my stomach's actually churning. | 0:58:37 | 0:58:41 | |
I'm excited! | 0:58:41 | 0:58:43 | |
Tonight's the night I find out if I fail or pass. | 0:58:43 | 0:58:47 | |
MUSIC: Lust For Life by Iggy Pop | 0:58:52 | 0:58:55 |