Episode 2 You Make Me Feel Like Dancing


Episode 2

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Transcript


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I have never felt such responsibility in my life.

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Jack Murphy is a choreographer to the stars.

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Don't talk to me, I'm concentrating!

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He's in Bolton, to kick-start a dance hall revival...

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Come and sign up for the dance classes at the Palais.

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I want to get everybody dancing in a dance hall, dancing cheek to cheek.

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..and prove that partner dancing, once a national pastime,

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can still work its magic today.

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Dancing with a boy is lovely and they're missing out on all that.

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He's already got Bolton's original rock and rollers on board

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and dancing again.

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I'm excited!

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And the restoration of Bolton's Palais de Danse is well underway.

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-Oh!

-Oh, yeah!

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Now, Jack has to recruit and teach total ballroom beginners.

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-I can't do it.

-Cha-cha, one, two...

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But you've stopped moving your feet.

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This is not good.

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He is relying on them

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to inspire a new generation to dance cheek to cheek.

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-Jack hasn't started on you yet.

-Oh, God, the tension is palpable.

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You're going to have to step up. You have no idea how upset it makes me.

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And to return social dancing to the heart of British life.

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Dancing cheek to cheek, it's going to be out of this world. Live bands.

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You're coming, aren't you?

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But will Bolton catch the ballroom bug?

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Do any of you know where these people might be?

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Twerk, and a twerk, and twerk.

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And can Jack make them feel like dancing?

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You stop it and you stop it now.

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I am petrified, my stomach is actually churning.

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Tonight is the night I find out if I fail or pass.

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Jack Murphy wants to get Bolton ballrooming again.

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To show the town what it's been missing,

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he is throwing a dance hall night to remember.

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I am going to reopen the Palais de Danse

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and have the most wonderful evening.

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Of course, that's all just a fantasy,

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but what I have to really do is find the people to fill it.

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He would love to get hundreds dancing cheek to cheek

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and convince local venues to bring dance hall nights back for good.

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To draw people in, he has advertised a taster at the former dance hall.

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My fantasy is that they will respond really positively to my idea!

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Do you remember when this used to be Ritzy and Ikon?

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The chance to meet a choreographer to the stars has pulled in a big

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Bolton crowd.

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But little do they know, Jack wants to take them back in time.

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Hello, hello, hello.

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-ALL:

-Hello.

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Do you know, years and years ago, we had over 10,000 social dance halls

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up and down this country and 10 million people a week used to dance.

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I want to teach people who have never had the opportunity to

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waltz, cha-cha or tango.

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Experience what all that magic was about.

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-You can't do it.

-Can't do it?

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The dance hall golden age of the '50s is a world away for this

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nightclub generation.

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I'm going to play some music. Lock the door!

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THEY LAUGH

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So before Jack shows the group his moves, he wants to see theirs.

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I know this is going to be fantastically difficult.

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One, because you're sober.

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-ALL:

-Yes!

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And two, because there is so much light.

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Throw me some moves, freestyle.

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DANCE MUSIC PLAYS

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Be my guest, be my... Yeah, good.

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Jack's revival is open to everyone

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but he is keen to check out the group's dance ability.

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A dad at a wedding could do that.

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And he has got more than his fair share of bad dad dancing to

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contend with in this group.

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I did actually win the Best Dad Dancing competition on holiday.

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Other than that, I've got no dancing experience whatsoever.

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But there is one chap in the crowd whose moves could rival Beyonce.

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MUSIC: Single Ladies (Put A Ring On It) by Beyonce

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I think he has danced on a floor a couple of times before.

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I have never professionally done dance or anything like that.

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But I do like to dance when I go out and stuff.

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-With good rhythm, I might add!

-No, it's not a solo. Come on, everybody.

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Very good.

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Marvellous. Marvellous, marvellous. So, we have all warmed up, yes?

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With the ice broken, Jack wants to show the group the very

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different rituals of the '50s dance floor.

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So this is the Palais, 1950s.

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In its heyday, 60% of Brits could partner dance.

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It was a national pastime.

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Does it look a million miles away from what you do

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-today in the nightclubs?

-Yes.

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Good.

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Now Jack wants them to give it a go themselves.

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I would like all the boys to line up this side of the room

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and I would like all the ladies to line up on that side of the room.

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In the dance hall heyday, it took courage to hit the dance floor.

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Gentlemen, I would like you to go and ask a lady to dance.

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I do not want you to ask a lady that you know.

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I would like you to bring the lady onto the floor

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and come in to arm in arm, or cheek to cheek, and just stand still.

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You have just thrown me right out of my comfort zone!

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And that is actually, when you're sober,

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a fantastically difficult thing to do because, quite frankly,

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they don't know if they're going to be rejected or not. Very good.

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-How did that make you feel?

-Awkward.

-Awkward?

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-Did you ask a lady to dance that you don't know?

-Yes.

-Fantastic.

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We're going for a kebab!

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You're going for a kebab on the way home! Wonderful.

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Next lesson, we're going to start to learn to cha-cha-cha.

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OK? Thank you very much coming. Cheers. Well done.

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Jack hopes he's convinced the group to return

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and commit to four weeks of intense training.

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It is a nice gentlemanly thing to do, for a man to ask the woman

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if she would like to dance. Rather than just grind up against her.

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He needs a crowd to join his original rock and rollers on the big night,

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and prove that partner dancing has a place in 21st-century Britain.

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I have not done any dancing before,

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everything is sort of a confidence issue with me.

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But I just feel it is something that I really need to do.

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-We are newlyweds.

-Yes.

-And we had our wedding dance.

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To be honest with you, I have got two left feet

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and it was absolutely terrible.

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I am a little bit kind of rabbit in the headlights

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because there is an extraordinary amount of work to be done.

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If I get 90% of people returning,

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I will be absolutely delighted.

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Absolutely delighted.

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In just four weeks' time, Jack opens the former dance hall as it

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was in its 1950s heyday, for one night only.

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The glamorous Art Deco building once attracted queues around the block.

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Peeling back the years that the hall later

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ran as a nightclub is an ambitious task.

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We are a work in progress today.

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Of course, the dance hall back in the day, the 1950s, would be

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a refuge for the people coming from the mills.

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They would come here to be transported.

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Helping Jack turn back the Palais clock for the next

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generation is set designer David Weir.

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We're kind of trying to get a bit more of that

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romantic early dance hall feel going on.

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-A bit of Hollywood.

-Yeah.

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It is going to be very exciting for both the older generation

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who were here back in the '50s and the new generation,

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seeing a dance hall for the very first time.

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To speed up the dance hall renovations,

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Jack's called in expert help.

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Oh, yes. I like that style.

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The original Palais regulars used to come here

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in the 1950s and early '60s.

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After an absence of half a century,

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they will be back on the dance floor on the big night.

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-To paint, we have got to put these on.

-Oh, Jesus!

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Today, Judith, Fred, Flo

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and Margo are mucking in to give the restoration their seal of approval.

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THEY LAUGH

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Maybe if you fancied a young woman,

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you invited her in to the kissing arch.

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Fred and Judith met at the Palais. They have been married for 58 years.

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You know, when Judith and I came here,

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-if there was any kissing done, it was done...

-On the way to the bus.

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You used to nip round the side of the Queen's, Queen's Cinema,

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-didn't we? Do you remember?

-We what?

-Queen's Cinema.

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The Queen's Cinema? Do you mean the back row?

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Actually, I think that was the boyfriend before you, I'm sorry!

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SHE LAUGHS

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I got mixed up!

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Shall we have a dance?!

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Back replace, in we come. Back replace...

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On the big night, the gang will jive to live music.

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OK, even lift.

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Just like the old days, there will be a local big band

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performing against a spectacular backdrop.

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It's exactly like it was, isn't it?

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-Looks like a headboard, to me, that.

-It is fabulous, that.

-Absolutely.

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Looks like a great big bedstead!

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I said that!

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Flo came to the Palais with her co-workers from the mill

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every Saturday, for two shillings and sixpence.

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And Margo met her late husband on her way to the Palais one night in 1966.

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Rationing had only just finished, hadn't it, in '54? And we had not

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been used to any wallpaper, even.

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Coloured wallpaper was a novelty.

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In here, once you walked in here, it was like fairyland.

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Fairyland, definitely.

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Right, are you ready?

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Come on!

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ALL: Oh!

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-Oh, yes.

-That's lovely.

-Fantastic.

-Talk about Blackpool!

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-Gorgeous.

-Good, isn't it?

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It just reminds me of when it was.

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Just the same, it's fabulous. Fabulous.

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When people come in here and see what has been done in here,

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they will be utterly gobsmacked.

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Yeah.

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JAZZ MUSIC

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In the 1930s up to the '60s, people learned the dance hall classics

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from their parents or their pals.

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To return to the glory days,

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Jack will need to train his new recruits himself.

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With so many to teach,

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he's pulled in the help of Bolton's very own ballroom king.

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Slow, quick, quick, forward...

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Once a pro himself,

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Phil Hurst is one of the region's most experienced teachers.

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Slow, then rock, one...two...

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He will train one group to tango

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whilst Jack teaches the others the cha-cha.

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When you're first starting off,

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it's very tricky to work on the finer points.

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-It could have been better. It could have been better!

-LAUGHTER

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But you really do start to see them develop, over the weeks.

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The first-timers have only four weeks to learn steps that can take

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a lifetime to master.

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Slow, rock...two, three...

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Tonight is Jack's first class.

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So...

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There's no-one here!

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So, hopefully, hopefully, they're a little bit late.

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They'll be here shortly.

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And I will be teaching them a cha-cha-cha.

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Hurray!

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-Hello.

-Hello.

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Most of the group have rushed from work to get here.

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That's what I'm talking about!

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LAUGHTER

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You've come! I am feeling a very good vibe from you. Yeah?

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Let's run off, quick!

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Jack starts his newbies off with the first rule of ballroom.

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This is called hold. So just watch.

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I high-five Heidi. Kind of.

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Heidi's left arm then just becomes like a bird.

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Isn't that beautiful, takes flight.

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I then become Bruce Lee and...

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-Ha-ee-ya!

-LAUGHTER

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Yeah? And then the bird lands.

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-PUPILS: Aw.

-And I'm in hold.

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So... You need a partner to do it. Do you want to grab a partner?

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Dancing in hold should be easy for married couple Scott and Helen.

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But the others have to get up close and personal with a stranger.

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That can go up there. That's amazing, Mister.

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And dance floor diva Drew does not get to sit this one out.

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Drew.

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Come and dance with me. Lead me.

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If you can lead me, you can lead anybody.

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One, two, three...

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Cha-cha-cha.

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Two, three, and a cha-cha-cha.

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Don't look at your feet.

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I did feel nervous.

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Possibly terrified because I was thinking, "God, don't stand

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"on his feet," you know, cos that would just be really embarrassing.

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Now, what I really like about the way you just danced with me

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is I can see that it's all about how it makes you feel.

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These are tentative first steps.

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They have got to start connecting

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and feeling that they are dancing as one unit, not as two units.

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Jack's determined to help them get it right.

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Let me see your wings.

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Bruce Lee, ha-ee-ya!

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Good, let that bird land.

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And one, two, three, cha-cha-cha.

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Basic, and a cha-cha-cha, basic...

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That is fantastic, lady. Is this your first dance lesson?

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SHE MUMBLES

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-Is that a yes? Have you got a tongue in there?

-Yes! I'm concentrating.

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In just four weeks,

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the group have to inspire the crowd at Jack's revival night.

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We've got very little time. So we have to get moving very quickly.

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And...side, close, side, basic.

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Ballroom beginner Dawn has survived the first class.

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I thought I would probably get to the end without being able to

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do it, so, yeah, it was good. But I had to concentrate a lot.

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But, yeah, yeah, I did fine, I think.

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The couple who messed up their wedding waltz are even

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top of the class.

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Basic, and stop right there.

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Could you become my new best friends?

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-Us?

-I just LOVE what you just did, it's fantastic.

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I just watched you dance a cha-cha really beautifully.

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To be honest with you, I can't dance for peanuts, know what I mean?

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But Jack really put us at ease

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and we didn't fall over, which were a bonus.

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OK, so this is all a bit fun, but to learn that routine,

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you're going to have to step up. You've got four weeks.

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Give yourselves a round of applause, well done. Good.

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I am very positive at the moment.

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I know I'm going to have to eat my words,

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because the honeymoon will probably be over soon

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as we start chucking in the dance steps of the routine.

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Their brains are going to feel like spaghetti.

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Jack needs to get his group ballroom-ready to show Bolton

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what it is missing out on.

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And to recreate a dance floor buzz,

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he must pack the Palais to the rafters.

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I must get hundreds of people to come along

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in order for this night to be a great success.

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It is only going to work if I get people in that door.

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-So he is hitting the streets...

-That'll be a no!

-..airwaves...

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Very special guest in as well, today.

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Flossie from Bolton, everyone!

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Yay!

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..and even the local Hindu temple to sell ballroom to Bolton.

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-Don't talk to me, I'm concentrating!

-THEY LAUGH

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And if you're not there, I tell you, you are not in the right place.

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-Go on, a twerk. And a twerk... And a twerk...

-THEY GIGGLE

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Jack wants the whole town to give partner dancing a whirl.

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It is fantastically sexy.

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And if they love it,

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he wants local nightspots to offer people a place to do it.

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This venue, the heart of it could be a dance hall...

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It's something Bolton has not seen for a long time.

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THEY LAUGH

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Dancing cheek to cheek. It's going to be out of this world. Live band!

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-You're coming, aren't you?

-Oh, yeah(!)

-Closed question.

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I saw that!

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I would just be absolutely thrilled to see you there.

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A live band is so brilliant. Listening to a live band.

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-Oh, you are getting all teary eyed.

-I know.

-Bless.

-I know.

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Jack's spread the news far and wide.

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If Bolton follows Jack's call,

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it will be the first dance hall night in decades.

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I feel like I've discovered Tutankhamen!

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Jack wants to offer a genuine dance hall experience.

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So he is scouring Bolton's archives.

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It's my responsibility to recreate a dance hall

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with as much detail as possible.

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Shops? They had shops in there!

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A ladies' hairdressers... There was a baker's in there!

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And a butcher's.

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I'm just off the dance hall to buy me chipolatas and have a foxtrot!

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HE LAUGHS

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Back in the day, the Palais was the multiplex of its time,

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catering to the customer's every need.

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Cafe and lounge.

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No alcohol, coffee.

0:17:320:17:34

Keeping with tradition, there will be no alcohol at Jack's night.

0:17:340:17:38

Looking at these plans,

0:17:380:17:39

I have to think more about what they're going to eat.

0:17:390:17:42

I would like to know what they had to eat then

0:17:420:17:44

and what they would drink then.

0:17:440:17:45

With the prospect of 500 people to cater for on the night,

0:17:460:17:49

Jack needs help.

0:17:490:17:51

The very bakery that started life inside the Palais

0:17:510:17:54

is still going strong today.

0:17:540:17:56

-Hello, David. I'm Jack Murphy.

-Pleased to meet you, Jack.

-Very nice to meet you.

0:17:570:18:00

Well, you have got a hair net and a beard snood.

0:18:000:18:03

Master baker David Smart inherited the business from his father.

0:18:030:18:07

Now, family bakery, used to provide the food for the Palais?

0:18:070:18:14

It did, yeah. The Palais bought bakery

0:18:140:18:16

because they wanted somebody to make all the pies,

0:18:160:18:19

the hotpot suppers, the sandwiches, the buffets, all that sort of thing.

0:18:190:18:23

Because, obviously, they wanted a food manufacturing unit.

0:18:230:18:27

So they bought the bakery.

0:18:270:18:29

Help. What am I going to feed them?

0:18:290:18:31

Potato and meat pie.

0:18:310:18:32

This recipe is exactly what my dad used to make for the Palais de Danse

0:18:320:18:38

nearly 60 years ago.

0:18:380:18:40

Nothing is different.

0:18:400:18:41

Oh, how fantastic.

0:18:410:18:43

-No need to go for a kebab afterwards.

-No.

0:18:460:18:48

-I want to buy a lot of these.

-Please do!

0:18:480:18:51

Eyes up!

0:18:570:18:58

Across Bolton, ballroom newcomers are being fast-tracked.

0:18:580:19:02

Attending classes night after night.

0:19:020:19:04

Quick, quick, slow...

0:19:040:19:07

Phil's group in the tango...

0:19:070:19:09

One, two, three, four, five...

0:19:090:19:13

..Jack's in the cha-cha.

0:19:130:19:15

Basic, and around you go.

0:19:150:19:18

We need to push it a little bit further.

0:19:180:19:21

I need full-blooded passion, commitment...

0:19:210:19:25

The pressure is mounting.

0:19:250:19:26

Right, we can have a rest now.

0:19:260:19:29

-WHISPERS:

-Have a rest, Alan.

0:19:290:19:30

On the big night, the novices have to inspire locals to take to the floor

0:19:300:19:35

and they have still got a lot to learn.

0:19:350:19:37

Here's the mistake you make.

0:19:370:19:41

You nearly all do this...

0:19:410:19:42

It's a bit Frankenstein. Don't take that line.

0:19:450:19:49

I close before I go forwards. Replace.

0:19:490:19:52

I close before I go to the side.

0:19:520:19:54

Think of the pelvis as head office.

0:19:540:19:57

Everything has to come out of, and through, head office.

0:19:570:20:01

Jack is used to teaching actors who are pros.

0:20:010:20:05

Two, three and a cha-cha-cha.

0:20:050:20:07

His intensive training is taking its toll on the novices.

0:20:070:20:10

The numbers in his group have started to dwindle.

0:20:100:20:14

It's been a long day, I've come straight out of work... Very tired.

0:20:140:20:17

We'll see how my feet go.

0:20:170:20:18

Today at work has been really busy.

0:20:180:20:21

But we have flown here and we're ready for rehearsals.

0:20:210:20:24

With his big night in sight,

0:20:240:20:26

Jack is not prepared to cut the group any slack.

0:20:260:20:30

I can see you have all practised, without a shadow of a doubt.

0:20:300:20:33

But guess what, you have to practise a little bit more.

0:20:330:20:37

Struggling the most is 36-year-old Joe. He used to work at Butlins.

0:20:380:20:42

Now he emcees at hard-core music nights.

0:20:420:20:45

Three, and a cha-cha-cha.

0:20:450:20:47

Together: One, two, three, cha-cha.

0:20:470:20:50

One, two, three, cha-cha...

0:20:500:20:53

One, two...

0:20:530:20:54

But you stopped moving your feet. Yeah?

0:20:540:20:57

This kind of dancing is completely new to me. And so it's a challenge.

0:20:570:21:01

The beat MC Joe is used to is poles apart from the cha-cha.

0:21:010:21:05

Jack needs to instil the rhythm by any means possible.

0:21:050:21:08

Heartbeat, and a one, two, three...

0:21:100:21:13

Heartbeat, one, two, three...

0:21:130:21:16

Heartbeat, one, two, three...

0:21:160:21:20

Jack is teaching me to have a rhythm which I have not learned before.

0:21:200:21:22

Because its '50s and '60s ballroom dancing and he is just trying

0:21:220:21:26

to find a way for it to compute and for it to fall into place.

0:21:260:21:30

Determined to make a breakthrough with MC Joe,

0:21:360:21:39

Jack decides to step into his world.

0:21:390:21:41

When I saw him dance for the first time,

0:21:420:21:45

he didn't have any obvious rhythm in his body in relation to cha-cha-cha.

0:21:450:21:51

And if he feels the rhythm, he will communicate that

0:21:510:21:54

and he will get an amazing experience from doing so.

0:21:540:21:58

-HE RAPS:

-I look round my neighbourhood

0:21:580:22:01

And I see gangsters up to no good...

0:22:010:22:02

RAPPING CONTINUES

0:22:050:22:07

The pace of Joe's hard-core rapping is a long way off

0:22:120:22:15

the tempo of the cha-cha.

0:22:150:22:17

-Mister!

-Was that OK?

-Well done! It's exhausting to listen to.

0:22:200:22:23

Let's take a seat, OK? Because...

0:22:230:22:26

You thought I wouldn't like it.

0:22:270:22:29

-I love it.

-Really?

-Yeah, I do.

-I feel inspired.

0:22:290:22:32

Now put it on this pulse.

0:22:320:22:33

HE PATS OUT A RHYTHM

0:22:330:22:36

I look around my neighbourhood...

0:22:360:22:38

And I see gangsters up to no good

0:22:380:22:40

I see drug addicts rob for their habits

0:22:400:22:42

They don't care, they've got to have it...

0:22:420:22:44

Great. You are so on the beat.

0:22:440:22:47

When you are used to going so quick with your emceeing

0:22:470:22:50

and your rapping, you're bringing that to the cha-cha,

0:22:500:22:53

-because that's the way you tell a story.

-Ah...

0:22:530:22:55

Now, when I dance cha-cha-cha,

0:22:550:22:57

I'm also telling my partner a story.

0:22:570:23:01

I would like you...

0:23:010:23:03

to listen to my basic. Yeah?

0:23:030:23:06

I would like you to listen to my check-replace. Yeah?

0:23:060:23:10

You're telling a story

0:23:100:23:11

and you have to be equally as clear through your body.

0:23:110:23:14

One, two, three, cha-cha-cha.

0:23:140:23:17

Two, three and a cha-cha-cha.

0:23:170:23:20

Two, three and a cha-cha-cha.

0:23:200:23:23

Two, three and a cha-cha-cha.

0:23:230:23:26

Under she goes, and a cha-cha-cha.

0:23:260:23:28

Packing a year's training into a month is no mean feat.

0:23:350:23:39

Jack has also got to finish the Palais' '50s face-lift

0:23:390:23:42

and the building is in disarray.

0:23:420:23:44

Dynamic duo Flo and Margo have come to the rescue.

0:23:440:23:48

We're looking for glitter balls and things for the dance hall.

0:23:480:23:52

Back in the day, a glitter ball was a dance hall essential.

0:23:520:23:55

But in this Aladdin's cave of vintage props...

0:23:560:23:59

There's the palm tree, that's gorgeous, isn't it?

0:23:590:24:02

..Flo and Margo are easily distracted.

0:24:020:24:05

-That's beautiful.

-Oh, that's nice.

0:24:050:24:06

That's definitely a must-have, isn't it? Yeah, that will fit on there.

0:24:060:24:11

-Yeah, on that one, I bet.

-Yeah. Ooh.

0:24:110:24:13

Nearly put your eyes out there, you're not careful.

0:24:130:24:16

-South Sea island effect!

-Yeah. Yeah.

0:24:160:24:19

-Exotica.

-Yeah!

0:24:190:24:21

With a tropical addition to Jack's dance hall found,

0:24:210:24:25

it's on with the treasure hunt.

0:24:250:24:26

Phew. Oh, those are nice!

0:24:260:24:29

-Oh, look at those, Flo.

-At the entrance, with having the palm trees

0:24:290:24:33

-and these on the tables.

-I know. Where's the glitter balls?

0:24:330:24:37

I can't imagine where they are.

0:24:370:24:38

-Some balls here, see. Glitter balls. Here.

-Where?

-Glitter balls? Here.

0:24:380:24:42

Oh, yeah. Oh, yeah, they are lovely, aren't they? They turn round.

0:24:420:24:46

-Do they...?

-Oh, yeah.

-Is it the...?

0:24:460:24:47

And the lights, and you have different colours on them.

0:24:470:24:50

Do they actually turn around?

0:24:500:24:51

Yeah, yeah, they turn around under the lights.

0:24:510:24:53

-Not just the lights flickering on them?

-No, it turns.

0:24:530:24:56

Ooh, look at that. There's a great big one there, Flo.

0:24:560:24:58

-Oh, yeah, that's massive.

-Massive.

-Oh, yeah.

-It's huge, that.

0:24:580:25:02

-How could we miss that?

-That's nice, in't it?

0:25:020:25:05

That size, you could have in your house,

0:25:050:25:07

if you had a big modern house, you could...

0:25:070:25:09

-If you wanted to.

-Yeah.

0:25:090:25:10

But that is definitely ballroom-sized, isn't it?

0:25:100:25:15

-Definitely. I think it'll look...

-I think so.

-..authentic.

0:25:150:25:18

See what Jack thinks, cos if he approves, if he approves...

0:25:180:25:21

Jack could come out of his own idea, couldn't he?

0:25:210:25:24

Yes, well, that's right. If he doesn't like it.

0:25:240:25:26

If he don't like it, he can lump it!

0:25:260:25:27

Yeah, that's true!

0:25:280:25:30

It's now two weeks in to Jack's rigorous training schedule.

0:25:370:25:40

Step, step and a step it out...

0:25:400:25:42

And there is a problem with his cha-cha group.

0:25:420:25:45

Only four pupils have turned up.

0:25:450:25:47

Now, guys, of course, of course, you're in the room.

0:25:490:25:53

But...

0:25:530:25:54

this is not good.

0:25:540:25:56

OK? Do any of you know where these people might be?

0:25:560:26:00

Unless they got a personal tragedy,

0:26:000:26:02

I really couldn't think so.

0:26:020:26:04

So it leaves me - one, feeling very embarrassed, quite frankly,

0:26:040:26:08

and two, in a very difficult situation.

0:26:080:26:11

Because how am I going to fill a dance hall and how are people

0:26:110:26:13

going to learn to dance if they just randomly turn up to the classes?

0:26:130:26:16

Absolutely extraordinary.

0:26:160:26:17

And I can't but help tell you, I feel embarrassed.

0:26:170:26:21

I feel really embarrassed, because I take it personally, yeah? OK.

0:26:210:26:25

Let's do that again. Step, step and step it out.

0:26:250:26:29

Step, step and step it out. I'm on this foot.

0:26:290:26:33

-So you are only ever on one foot.

-Instead of... Yeah.

0:26:330:26:37

Transferring that weight.

0:26:370:26:39

Despite trying to push forward with the class,

0:26:390:26:43

such a low turnout has shaken Jack.

0:26:430:26:45

You don't need to know this, but I'm sharing it with you.

0:26:450:26:48

You have no idea how upset it makes me that there is only four. OK?

0:26:480:26:54

So thank you for being here. I'm just sharing with you.

0:26:540:26:58

Yeah, I'm totally rattled at the moment because it is unbelievably

0:26:580:27:01

difficult to keep going one step forwards and four steps back.

0:27:010:27:04

I'm not used to it. I'm used to...

0:27:040:27:06

People are genuinely there or generally there

0:27:060:27:08

because they are expected to be there.

0:27:080:27:10

And I had the same expectations.

0:27:100:27:11

If they are not in the room, I can't do anything.

0:27:110:27:13

You know, I'm rendered impotent

0:27:130:27:15

and it's not something I intend to be at 53 years of age.

0:27:150:27:18

Thank you very much. Going to carry on.

0:27:180:27:20

Jack heads across town to check on the beginners' tango group

0:27:240:27:27

being trained by Phil.

0:27:270:27:29

Slow, slow, rock, two, three and turn, side and close.

0:27:290:27:36

So I'm just popping in to see Phil

0:27:380:27:40

who has been helping me teach...

0:27:400:27:43

the numbers that turned up.

0:27:430:27:45

I just want to see how he's getting on, basically.

0:27:450:27:48

The rock is through your knees. OK? We're getting a few variations.

0:27:480:27:54

-We're getting the air guitar...

-LAUGHTER

0:27:540:27:56

Yeah? So we're getting a bit of Showaddywaddy going on

0:27:560:27:58

and we're getting another one

0:27:580:28:00

that I'm not sure where you got that from, yeah, but don't do that.

0:28:000:28:03

Are you ready?

0:28:030:28:05

Five, six, seven, eight!

0:28:060:28:08

Slow, slow, quick, quick, slow.

0:28:080:28:11

Quick, quick, slow. And slow...rock.

0:28:110:28:15

There's about 20... 2, 4, 6, 8, 10, 12, 14, 16, 18. Yeah, 20.

0:28:150:28:20

I'm loving it. Great.

0:28:200:28:22

They are moving very well, very well indeed.

0:28:220:28:27

Five, six, seven, eight.

0:28:270:28:29

Slow, slow, quick, quick, slow.

0:28:290:28:32

Step, side close.

0:28:320:28:34

And one, two, rock, two, three...

0:28:340:28:39

They are doing really, really well.

0:28:390:28:41

It's obvious to Jack the tango group feel the magic of dancing

0:28:410:28:44

cheek to cheek and it's something his cha-cha group have lost.

0:28:440:28:49

Heads to the left, down into your knees.

0:28:490:28:52

Ladies, don't forget the karate chop in the side of your gent's arm.

0:28:520:28:55

He can't resist joining in.

0:28:550:28:57

Is this why they call it ballroom?

0:28:570:28:59

JACK LAUGHS

0:28:590:29:00

Oh, pulling me in.

0:29:000:29:03

Oh, get you.

0:29:030:29:04

Watch me bloody glasses!

0:29:060:29:08

Yes!

0:29:100:29:12

Give yourselves a clap, well done. Not bad. Not bad.

0:29:120:29:16

Well done, well done, well done.

0:29:160:29:18

That woke me up. Marvellous.

0:29:180:29:20

So I always say to people when I'm teaching, tango is like,

0:29:200:29:23

just pretend you've just had an argument.

0:29:230:29:26

"No, you're wrong.

0:29:260:29:27

"You were wrong - I'm sorry, you were wrong!" So it has a narrative.

0:29:270:29:32

But you are doing brilliantly. So I'm going to hand you back.

0:29:320:29:35

Spread out around the room. Arms up, heads left, bent knees.

0:29:350:29:40

MUSIC STARTS

0:29:400:29:42

See you later. Bye-bye, darling, thank you so much.

0:29:420:29:44

Bye-bye! Bye!

0:29:460:29:47

Jack leaves fired up and determined to win his cha-cha dancers back.

0:29:470:29:51

Realising his tough teaching style may have scared off his group,

0:29:570:30:01

Jack's trying a change of tack.

0:30:010:30:03

I will give them a little call to whip them up

0:30:030:30:07

and get them along to rehearsals.

0:30:070:30:09

This is not something I would ordinarily do, but when needs must,

0:30:090:30:12

Jack gets phoning.

0:30:120:30:15

LINE RINGS

0:30:150:30:17

-'Welcome to the O2 messaging service.'

-BEEP

0:30:170:30:21

Sophie, hello. It's Jack Murphy here.

0:30:210:30:23

I hope you're well and I'm looking forward to seeing you this evening.

0:30:230:30:26

I missed you last week. I think I only saw you the once,

0:30:260:30:29

so I hope you're going to be there this evening.

0:30:290:30:31

LINE RINGS

0:30:320:30:34

'The person you are calling is unable to take your call.'

0:30:340:30:36

-BEEP

-Hello, it's Jack Murphy here.

0:30:360:30:39

I'm hoping to see you this evening at rehearsals

0:30:390:30:41

because I've got a couple of surprises in store.

0:30:410:30:44

HE SIGHS

0:30:440:30:46

Tonight, instead of rehearsing behind closed doors,

0:30:460:30:50

Jack's cha-cha group will be dancing in public...

0:30:500:30:53

Oh, this is marvellous.

0:30:530:30:55

..in a chippy with a difference.

0:30:560:30:58

This might be the only one in the country with a grand piano.

0:30:580:31:02

I'm really excited about tonight.

0:31:050:31:07

Tonight is about getting them to dance to live music

0:31:070:31:10

because on the night, they'll be dancing to a very, very large band

0:31:100:31:13

so this is an introduction and a bit of bonding and rally the troops.

0:31:130:31:19

The promise of a fish supper has worked.

0:31:190:31:22

-All right.

-Nice to see you.

0:31:240:31:26

I'm going to give you an introduction

0:31:260:31:29

to the lovely Guy and his orchestra.

0:31:290:31:33

The live music isn't the only trick up Jack's sleeve.

0:31:330:31:37

Now, as you know, we've been working really hard.

0:31:370:31:40

I did tell you, there might be a little surprise.

0:31:400:31:44

He's pulled in a favour from his ballroom champion pals from London.

0:31:440:31:48

This is a world-class cha-cha.

0:32:010:32:04

Whoohoo! Fantastic!

0:32:120:32:15

Ladies and gentlemen, the beautiful Chayanne and the very handsome Nick.

0:32:180:32:22

Is that sexy or is that sexy?

0:32:220:32:24

Yeah?

0:32:240:32:25

Now, the group are going to dance for the first time

0:32:250:32:27

to live music in front of the locals,

0:32:270:32:30

just like they'll do it on the big night.

0:32:300:32:33

We are not judging you, we are willing you.

0:32:330:32:37

There's a big difference.

0:32:370:32:39

MUSIC PLAYS

0:32:390:32:42

One, two, three, cha-cha-cha.

0:32:440:32:47

Enjoy!

0:32:470:32:48

Dance for your supper.

0:32:480:32:50

Good.

0:32:510:32:53

Yay!

0:33:080:33:09

-APPLAUSE

-Get in there, Bolton!

0:33:090:33:11

Oh, yes!

0:33:110:33:13

I'm honestly really, really proud of you. Really, really proud of you.

0:33:130:33:18

Wonderful!

0:33:180:33:20

But we're not there yet. This way, ladies and gentlemen,

0:33:200:33:23

for fish and chips.

0:33:230:33:25

They've survived their first public outing...

0:33:250:33:29

but now the big night looms large.

0:33:290:33:31

You could feel the magic in the room and I'm so happy.

0:33:330:33:36

You know, everybody's there, the group is improving.

0:33:360:33:39

It was very sexy, though, the way they did it.

0:33:390:33:41

-Oh, yeah.

-What was it?

-Sexy.

-HE LAUGHS

0:33:410:33:45

I don't feel anybody's laughing at anybody.

0:33:450:33:47

Everybody's been dead sweet and that's helped me as well.

0:33:470:33:50

They thought I looked really good and...

0:33:500:33:53

Well, obviously, I don't look really good,

0:33:540:33:56

but I think for my size, erm...

0:33:560:34:00

Dawn's nerves are shaken,

0:34:010:34:03

but confidence within the rest of the team is growing.

0:34:030:34:06

It's better when you've got a crowd

0:34:060:34:08

because you just want to get on with it.

0:34:080:34:09

You don't have time to feel nervous, so you just get on with it,

0:34:090:34:12

you do it, and it's a good experience.

0:34:120:34:14

They've bonded, which is very, very good.

0:34:140:34:16

It just doesn't get any better as far as a stepping stone.

0:34:160:34:19

I'm... Ooh, I'm thrilled!

0:34:190:34:23

Alongside Jack's ballroom beginners on the big night

0:34:310:34:34

will be the original dance hall patrons.

0:34:340:34:36

Ladies and gentlemen, if you'd like to look to your right,

0:34:360:34:40

raise your right hand and give thanks to the Tower.

0:34:400:34:42

They're off on a coach trip to the spiritual home of ballroom.

0:34:420:34:46

-We're here!

-Yeah!

0:34:460:34:48

When you come to Blackpool, it's all about the sea, the sand,

0:34:480:34:51

the rock, the donkey and the dancing.

0:34:510:34:53

They'll be jiving on the night

0:34:530:34:55

to show Bolton what they've been missing.

0:34:550:34:57

They're doing a warm-up on Blackpool pier.

0:35:030:35:06

Flick for two...

0:35:060:35:08

We're using muscles that we haven't used in that capacity,

0:35:080:35:15

for 50-odd years.

0:35:150:35:17

I'll be nervous. I think everybody is.

0:35:180:35:20

But once the adrenaline gets going,

0:35:200:35:22

you're just in your little world of your own.

0:35:220:35:24

You don't think about the people around you.

0:35:240:35:26

You just think about what you're doing.

0:35:260:35:27

We're 70-odd years old and we can still do it, you know.

0:35:270:35:31

It's a change more than anything.

0:35:320:35:34

It brightens up a boring, lonely existence.

0:35:340:35:38

Fabulous, here we go!

0:35:380:35:39

You lot look good. Turn, back for three, flick...

0:35:390:35:43

Two and two... Lovely!

0:35:430:35:45

Yeah, nice.

0:35:450:35:48

Good stuff. You've just made me feel a very proud teacher.

0:35:480:35:53

Thank you so much.

0:35:530:35:55

-Thank you, Jack.

-Thank you.

0:35:550:35:57

The veterans are ready to rock and roll

0:35:570:36:00

and Flo's even got a thank you for Jack.

0:36:000:36:03

THEY LAUGH

0:36:030:36:06

-What am I supposed to do with that, Flo?

-I don't know.

0:36:070:36:10

-I can show you.

-A wobbly willy?

0:36:100:36:12

With dancers old and young now firing on all cylinders,

0:36:170:36:21

Jack's showcase to promote partner dancing is on track.

0:36:210:36:24

Okey dokey...

0:36:260:36:27

But he's not done yet. He wants to raise the stakes even higher.

0:36:270:36:33

Can we make a parish circle?

0:36:330:36:35

I have been studying the history of that dance hall

0:36:360:36:39

and the kind of things that used to go on.

0:36:390:36:42

So I learned about a thing called the deep end where couples

0:36:420:36:45

used to have a dance-off, particularly in the jive.

0:36:450:36:48

They weren't competing, but it was just people really

0:36:480:36:50

expressing their love for the music and their love for the dance.

0:36:500:36:54

So, I thought, why not have a golden couple?

0:36:540:36:58

A couple that might be able to, with the time given,

0:36:580:37:01

take on a little bit more of a dance routine on their very own.

0:37:010:37:05

That golden couple in the cha-cha-cha group is...

0:37:050:37:10

-Scott and Helen.

-CHEERING AND APPLAUSE

0:37:100:37:13

The cha-cha. Good? Good.

0:37:180:37:20

Good, good, good, good.

0:37:200:37:23

It's not a competition, it's just I want to step it up a little bit.

0:37:230:37:26

It is now!

0:37:260:37:27

I can't believe it!

0:37:280:37:30

-Can you?

-I can, actually, yeah.

0:37:300:37:32

Oh, I don't know why I asked you that sort of question.

0:37:320:37:34

I can't believe it. There'd be nothing better for me,

0:37:340:37:36

to step out with Scott on the dance floor on our own.

0:37:360:37:39

But the last time this pair danced in public, it was a disaster.

0:37:390:37:43

Our wedding dance was more of a

0:37:430:37:45

drunken fumble along the dance floor.

0:37:450:37:47

It was for you! I wasn't drunk at that time. You were, though.

0:37:470:37:51

I just adore Scott and Helen.

0:37:530:37:56

Their story about their wedding dance...

0:37:560:37:59

We have a duty to remedy that, so...

0:37:590:38:02

And they're committing, they're encouraging the rest of the group.

0:38:020:38:06

How could it not be them?

0:38:060:38:07

Now when everybody's watching us, we'll just...

0:38:070:38:11

HE HUMS

0:38:110:38:14

Scott's on a high.

0:38:170:38:19

And a-cha-cha-cha...

0:38:190:38:20

But with the big night getting even closer, Dawn isn't so enthusiastic.

0:38:200:38:25

Take that frown upside down.

0:38:250:38:29

-And turn it into...

-I'm just concentrating.

0:38:290:38:31

I don't want concentration. Do you know what? Do you know why?

0:38:310:38:36

-I want it to be fun.

-It is!

-Don't over-concentrate, my gorgeous woman.

0:38:360:38:40

It's harder than what I thought, if I'm being quite honest.

0:38:400:38:43

Yeah, very much.

0:38:430:38:45

Dawn's been to almost every rehearsal,

0:38:450:38:47

but her confidence is plummeting.

0:38:470:38:49

I was really struggling and the lady next to me said I look like

0:38:490:38:52

I'm constipated, but that's just because I'm trying to concentrate.

0:38:520:38:56

I'm sort of making funny faces.

0:38:560:38:58

You've got to be able to walk onto a dance floor,

0:38:580:39:00

hopefully on a packed floor, and off you go, cha-cha-cha.

0:39:000:39:05

I don't think there's any way I could just get up

0:39:050:39:07

and strut my stuff in front of everybody, cos I can't do it.

0:39:070:39:10

Maybe this is just that one step too far

0:39:100:39:13

for me at the moment.

0:39:130:39:14

Jack's not letting Dawn off the hook.

0:39:240:39:26

He's taken her to Manchester for a spot of vintage retail therapy.

0:39:260:39:30

Today is very much about giving Dawn some confidence,

0:39:310:39:34

because she's the most beautiful woman,

0:39:340:39:37

but she's very self-conscious about her body image.

0:39:370:39:40

She has made a couple of comments about

0:39:400:39:43

she hopes she's able to turn up,

0:39:430:39:45

so that's slightly daunting.

0:39:450:39:47

Look at those eyes.

0:39:470:39:50

You have no idea how beautiful you are.

0:39:500:39:54

To get on the dance floor being the size I am is very hard.

0:39:540:39:57

My confidence is obviously linked to my weight.

0:39:570:40:00

I was a little podgy child and maybe that's where it all began.

0:40:000:40:03

To get on the floor will take guts,

0:40:030:40:06

and in Jack's world it helps to dress the part.

0:40:060:40:08

-Are you thinking dress?

-No, no.

-Or are you thinking two-piece?

-No.

0:40:100:40:14

Got to be two-piece, Jack. I'd love a dress, but, yeah, yeah, two-piece.

0:40:140:40:19

I think just trousers and a top.

0:40:190:40:23

Because I tell you one thing, you dance beautifully.

0:40:230:40:27

Absolutely...

0:40:270:40:28

I... You're never going to believe me, are you?

0:40:280:40:31

-SHE LAUGHS

-I don't know what I've got to do in order to...convince you.

0:40:310:40:35

She is just a beautiful dancer,

0:40:350:40:38

but I'm not having that stand in her way from having a great time.

0:40:380:40:41

I'm overweight for somebody who's 53

0:40:410:40:44

and supposed to be a movement person, you know. So what?

0:40:440:40:48

And if we fear what other people think about our bodies,

0:40:480:40:51

and we don't dance...

0:40:510:40:54

A life lived in fear is a live half lived.

0:40:540:40:59

You've got to get on that floor.

0:40:590:41:01

-I will.

-Sorry?

-I will.

0:41:010:41:03

-Look me in the eye and say that, then.

-I will, Jack.

0:41:030:41:06

-Are you a woman of your word?

-Definitely.

-Yeah.

0:41:060:41:09

-Don't talk to me about your bum.

-But it's...

0:41:090:41:11

It's not my bum, Jack, it's my belly. But you have done a good job.

0:41:110:41:14

Do you know why? Because my belly has been wobbling all over the place

0:41:140:41:18

since day one and I've not really bothered.

0:41:180:41:20

Great!

0:41:200:41:21

-That's genuine.

-Great.

0:41:210:41:23

It has wobbled and I see it wobble, but I don't really care

0:41:230:41:26

cos I've enjoyed the dancing.

0:41:260:41:27

-No, seriously.

-Good. And you're going to wobble

0:41:270:41:30

-next Saturday?

-Oh, I'm going to wobble

0:41:300:41:32

-next Saturday.

-Yeah?

-And enjoy it.

-Give us a hug. Mwah!

0:41:320:41:36

Fabulous.

0:41:390:41:40

Bolton's first Palais dancehall night in 50 years is just days away.

0:41:530:41:58

This is brill! This is very therapeutic, this.

0:41:580:42:01

Across town, Bolton is ballrooming.

0:42:010:42:03

One, two, three.

0:42:030:42:05

Practising at home...

0:42:050:42:07

Work it, girl.

0:42:070:42:09

Don't get it wrong!

0:42:090:42:11

..dancing in the bakery...

0:42:110:42:12

.six, seven, eight.

0:42:120:42:14

..and sweating the steps in the studio.

0:42:150:42:18

One, two, three...

0:42:180:42:20

The first-timers are fired up.

0:42:200:42:23

-That's it - it's easy!

-It isn't easy!

0:42:230:42:25

-I wouldn't ask you to do it if it was easy!

-Can YOU do that?

0:42:250:42:28

Jack has managed to get 150 people ballroom-ready.

0:42:280:42:32

-Give a growl - Grrrrrr!

-ALL: Grrrrr!

0:42:320:42:35

One, two, three.

0:42:350:42:37

But there's still room for one more.

0:42:370:42:40

-Have you ever danced arm in arm with a man?

-Well, not in this way, but...

0:42:400:42:45

Not in this way? Not in a cha-cha-cha.

0:42:450:42:47

Only in a club environment.

0:42:470:42:50

A club environment. Freestyle.

0:42:500:42:53

Yeah.

0:42:530:42:54

-How would you like to dance with a man?

-Well...

0:42:540:42:57

Yeah, that would be a thrill.

0:42:570:42:59

So will you give me a chance to see if I can't bring

0:42:590:43:02

somebody into our group who would be suitable for you to dance with?

0:43:020:43:06

I think yes.

0:43:060:43:08

-No man would ever dance with a man in that dancehall.

-True.

0:43:080:43:11

-Maybe there were some renegades.

-Some rene...! Ha-ha!

0:43:110:43:14

Yes, we'll be the Romeo and Romeo of the ball

0:43:140:43:17

and I couldn't be more thrilled about it.

0:43:170:43:19

I can't wait!

0:43:190:43:21

On the big night,

0:43:230:43:24

the perfect partnerships will create magic on the dance floor.

0:43:240:43:28

Which is why Jack's picked newlyweds Scott and Helen to do a solo spot.

0:43:300:43:34

-Can I see what you've done since last time I saw you?

-Yes.

0:43:340:43:38

-Oh, I'm sorry, I thought we'd do this one.

-No, this is what we said.

0:43:380:43:41

Apologies, apologies.

0:43:410:43:43

They've been given an advance cha-cha routine.

0:43:430:43:46

Cha-cha-cha, cha-cha-cha.

0:43:460:43:48

Jack wants to give it a final polish.

0:43:480:43:50

Two, three and a...cha-cha-cha and a cha-cha-cha...

0:43:500:43:54

-You're pushing me!

-Cha-cha-cha... Hang on a second. Whoa, whoa.

0:43:540:43:58

Don't, while you're dancing, direct each other.

0:43:580:44:02

-I will do the directing.

-Will you direct him, Jack,

0:44:020:44:05

and tell him that he's pushing me when I'm going backwards?

0:44:050:44:08

Well, actually, you went wrong when you were going forward,

0:44:080:44:11

-so be very careful - pride before a fall.

-There, see?

-Ah-ah!

0:44:110:44:15

-I'm doing the talking now.

-He is still pushing me!

0:44:150:44:18

What's going on here?! What is going on here?

0:44:180:44:20

-So, you did one cha-cha too many.

-Yeah, I did.

0:44:200:44:23

He's not intentionally pulling you.

0:44:230:44:24

-You're taking too big a back step.

-Right.

-That's why you pull.

0:44:240:44:29

So it's no point you saying, "Stop pulling me, stop pushing me,"

0:44:290:44:33

because, actually, he doesn't know why he's doing it.

0:44:330:44:36

-I've told him he's taking too big a step.

-You told him?

-Mm.

-OK.

0:44:360:44:39

-Getting a bit tense.

-You wouldn't believe the tension this week.

0:44:390:44:43

-Really?

-Yeah. Plenty of arguments, plenty of shouting and screaming.

0:44:430:44:47

Focus. After "and". And...cha-cha-cha.

0:44:470:44:51

Keep the hands low, keep the hands low. One, two, and stop right there.

0:44:510:44:55

-Good.

-I'm not saying that...

0:44:550:44:57

I'm not saying that I'm perfect or anything,

0:44:570:44:59

but you're pushing me and I kept saying, "you're pushing me."

0:44:590:45:02

-He didn't that time, did he?

-No, he didn't.

0:45:020:45:05

But he isn't pushing you out of the wrong intention.

0:45:050:45:08

Well, it feels like it sometimes.

0:45:080:45:09

I'll be pushing you out of the door if you carry on like that.

0:45:090:45:12

-Whose door?

-That one there. Wait till YOU get on the other end.

0:45:120:45:17

Jack hasn't started on YOU yet.

0:45:170:45:18

Slightly... Oh, God, the tension is palpable!

0:45:180:45:22

-If you are competing with each other...

-We have been.

0:45:250:45:28

-You have been.

-Yeah.

-You have to be really...

0:45:280:45:31

-I think we have, to be honest.

-I've not! You have from the start.

0:45:310:45:33

You being competitive, pushing me, pulling me.

0:45:330:45:36

"You don't do it like this." Telling me how to do my moves.

0:45:360:45:39

That's what he's been doing.

0:45:390:45:40

I think it's just frustration because you keep getting them wrong.

0:45:400:45:43

-See what I mean? You can't deal with stupid, can you?

-Oooh!

0:45:430:45:47

-Let's not use that word.

-Yeah, that's naughty.

0:45:470:45:50

-Why?

-That's below the belt.

0:45:500:45:52

Ooh...

0:45:520:45:54

-He just won't listen!

-I'm worried I'm charging the wrong rate.

0:45:540:45:57

My rates for marriage guidance counselling are something different.

0:45:570:46:01

Yeah, I am worried.

0:46:010:46:03

Here is what I want you to do, OK,

0:46:030:46:05

because otherwise I'm the one that's going to have the domestic.

0:46:050:46:08

Don't compete. So he's trying to lead.

0:46:080:46:11

Now, you have to give of yourself to your husband,

0:46:110:46:14

-otherwise it doesn't work.

-Right. Can I say...

0:46:140:46:17

You all have to get the steps right.

0:46:170:46:19

You all have to get the rhythm right - that's absolutely fine.

0:46:190:46:22

But stop it! And you stop it now.

0:46:220:46:24

It's very simple -

0:46:240:46:26

if they do not stop competing with each other,

0:46:260:46:30

they will sabotage their dance for Saturday night

0:46:300:46:33

and no-one will find it attractive, and in not finding it attractive,

0:46:330:46:37

I'm not selling social dance, end of.

0:46:370:46:40

Cheers.

0:46:400:46:42

Two months ago, Jack arrived in Bolton to kick-start his

0:46:520:46:56

social dance revival to live up to the 1950s heyday.

0:46:560:47:00

Now, after a race to get locals ballroom-ready

0:47:000:47:04

and an ambitious restoration, the glitter balls are back.

0:47:040:47:08

The dancehall night has finally arrived

0:47:090:47:12

and Jack's about to find out if he can get Bolton dancing.

0:47:120:47:15

People. Are they going to come?

0:47:180:47:21

The ads are out, the posters are at the front of the building.

0:47:210:47:26

I need a lot of people to fill this floor!

0:47:260:47:29

I have never felt such responsibility in my life.

0:47:320:47:35

And I'm nervous. I'm very, very nervous.

0:47:360:47:40

So, tonight's the night I find out if I fail or pass.

0:47:400:47:47

First to arrive are the original Palais patrons who have been

0:47:530:47:56

with Jack every step of the way.

0:47:560:47:59

-Oh, it's lovely!

-Oh, it looks fantastic!

0:47:590:48:02

For these dancehall veterans, it's like stepping back in time.

0:48:020:48:06

-It looks fabulous, don't it?

-It does look gorgeous.

-It looks fabulous.

0:48:060:48:09

The dancehall, restored with a quintessential stage backdrop,

0:48:090:48:14

romantic velvet drapes, fairytale lighting

0:48:140:48:18

and iconic glitter balls, was the setting to their teenage years

0:48:180:48:22

when they came here to dance and fall in love.

0:48:220:48:25

This is where it all happened for me and Jude, you know.

0:48:250:48:28

-And for lots of other people.

-This is why I keep getting upset.

0:48:280:48:30

-Have I done you proud?

-ALL: Yes!

0:48:320:48:35

Because this is really important.

0:48:350:48:37

You lived it. You were here in the '50s. I am really nervous.

0:48:370:48:42

Will they have as magical a time

0:48:420:48:45

that you have treasured in your hearts?

0:48:450:48:49

-ALL: Yeah!

-It's fantastic.

0:48:490:48:50

It brings back memories, and my stomach... It's brilliant!

0:48:500:48:56

I'm excited!

0:48:560:48:58

The grand opening is minutes away.

0:49:010:49:04

Jack's cha-cha group has arrived

0:49:040:49:06

dressed to the nines for their dance floor debut.

0:49:060:49:08

I'm really nervous now. I'm petrified.

0:49:080:49:11

My stomach is actually churning. Yeah.

0:49:110:49:13

Adding to the pressure is a late addition,

0:49:130:49:16

Drew's new dance partner, Mikey.

0:49:160:49:18

We've worked hard at learning this dance,

0:49:180:49:20

-so I'm very excited.

-I'm constantly going over it in my mind, the dance.

0:49:200:49:25

BOTH: Three, two, three, four. Four, two, three, cha-cha-cha!

0:49:250:49:29

I want people to dance arm in arm, cheek to cheek,

0:49:310:49:34

for the very first time in the Palais de Dance, Bolton, tonight.

0:49:340:49:38

Time to see if Jack's efforts to rally the town have paid off.

0:49:390:49:43

CHEERING

0:49:490:49:50

JACK LAUGHS

0:49:520:49:53

Hundreds of them! In you come! Come on in. Lovely to meet you.

0:49:530:49:58

Word of Jack's partner dancing revival has spread.

0:49:590:50:02

Hundreds of newcomers are here to see if ballroom is for them.

0:50:020:50:06

-It's amazing! It's lovely, isn't it?

-It's so glamorous!

0:50:060:50:10

We went expecting anything like this.

0:50:100:50:13

Amongst them, Jack's invited two important guests,

0:50:130:50:15

local nightspot owners who might give a home

0:50:150:50:18

to social dancing beyond tonight.

0:50:180:50:20

I'm here tonight to see if this kind of event

0:50:220:50:25

is feasible for the bar that I own.

0:50:250:50:27

I need to see the people dancing,

0:50:270:50:29

I need to see them enjoying themselves.

0:50:290:50:31

I need to see whether they've really got the feel that they'd

0:50:310:50:34

want to come out on a cold Thursday night to dance.

0:50:340:50:36

To host their own event, they need proof it works,

0:50:360:50:39

so tonight they're sitting in judgment.

0:50:390:50:41

Every dance counts.

0:50:410:50:43

Welcome to the Palais de Danse, Bolton.

0:50:430:50:47

CHEERING

0:50:470:50:48

Inspiring Bolton to carry on dancing falls to Jack's ballroom novices.

0:50:540:50:58

It's time to cha-cha.

0:50:580:51:01

I'm feeling really excited and a little bit scared.

0:51:010:51:05

I'm petrified now. Yeah, I'm really nervous.

0:51:080:51:14

And now, ladies and gentlemen,

0:51:140:51:16

my wonderful group are going to dance for your pleasure...

0:51:160:51:19

..a cha-cha-cha.

0:51:200:51:22

BAND STRIKES UP

0:51:220:51:24

The group has made a slick start.

0:51:270:51:30

All eyes are on them and MC Joe has finally found his rhythm.

0:51:310:51:37

Yeah, they're tight, they are on it!

0:51:410:51:44

But nerves have taken hold of Dawn's dance partner.

0:51:440:51:47

Oh...

0:51:490:51:52

Alan is losing it.

0:51:520:51:53

Dawn quickly pulls it back.

0:51:570:51:59

The group is doing Jack proud.

0:52:030:52:05

And owning their place on the dance floor are Drew and Mikey.

0:52:060:52:10

They must be very nervous - two lads dancing together in a hall

0:52:120:52:15

that has never seen two lads dance together before.

0:52:150:52:18

BOTH: Cha-cha-cha!

0:52:220:52:23

CHEERING

0:52:230:52:24

Wahey!

0:52:240:52:25

Whoohoo!

0:52:270:52:28

-JOE:

-I've really enjoyed this. It's been fantastic. The buzz was there.

0:52:280:52:32

-Teamwork, that's what it's all about.

-Thanks, Joe!

-Thank you very much!

0:52:320:52:35

-MIKEY:

-I loved it. The feelings inside me was happiness, joy.

0:52:350:52:39

You know, I was ecstatic.

0:52:390:52:41

It was like before you go on a rollercoaster and then some.

0:52:410:52:46

BAND STRIKES UP

0:52:460:52:49

One woman determined not to miss out tonight is Margot.

0:52:490:52:52

I've no idea who I'm dancing with,

0:52:520:52:54

but it would be nice to dance after all the practice I've done.

0:52:540:52:57

So she decides to break with tradition and ask a man to dance.

0:52:570:53:01

-Is it all right if I dance with your husband?

-Course it is, yes!

0:53:010:53:04

-I'm stuck for a partner. Will you be mine?

-I'd be delighted.

0:53:040:53:07

-Thank you very much.

-Are you all right?

0:53:070:53:09

-Now I'm dancing with you I am, yeah!

-Awww!

0:53:090:53:12

After 50 years away,

0:53:180:53:19

the original patrons are back to show the joy dancing arm in arm can give.

0:53:190:53:24

-FLO:

-It was fantastic! I felt like a young lady again.

0:53:300:53:34

Me body didn't, but in me mind it was.

0:53:340:53:37

Who wouldn't want to go back in time to visit, you know...your youth?

0:53:370:53:41

-MARGOT:

-It was wonderful tonight.

0:53:420:53:43

When you get to my time of life you don't expect to have

0:53:430:53:46

experiences like that.

0:53:460:53:47

-It seemed like we were 16.

-Incredible.

0:53:470:53:52

-You can't buy that feeling.

-I never, ever dreamed that it would happen.

0:53:520:53:58

And here we are!

0:53:580:53:59

MUSIC FINISHES

0:53:590:54:01

CHEERING AND APPLAUSE

0:54:010:54:03

-They were just wonderful!

-Brilliant, amazing.

0:54:060:54:10

It's a bit like being in the movies here this evening,

0:54:100:54:13

it really, really is.

0:54:130:54:14

So it's to take people into another world, a fantasy world.

0:54:140:54:19

The reality of the revival relies on newcomers taking part.

0:54:190:54:23

But can a night where booze is swapped for a brew

0:54:230:54:26

appeal to a young crowd?

0:54:260:54:28

We felt like we were in the 1950s and in that era.

0:54:280:54:32

It's a very traditional sort of dance,

0:54:320:54:35

something that is in our history,

0:54:350:54:37

rather than going out for a night out in sort of Bolton or Manchester.

0:54:370:54:40

I don't think young people would just get up and have a dance.

0:54:400:54:43

I think they need alcohol to give them that confidence.

0:54:430:54:47

It's not over, that's part one.

0:54:490:54:51

CHEERING

0:54:510:54:54

Now Jack will play his trump card.

0:54:550:54:57

After rocky rehearsals, husband and wife must put on a united front.

0:54:570:55:01

Here we go!

0:55:030:55:04

They're about to find out what it's like to dance solo...

0:55:040:55:08

in front of 400 people.

0:55:080:55:10

And Jack is a little bit nervous.

0:55:110:55:14

BAND STRIKES UP

0:55:140:55:16

She always loses the rhythm. Cha-cha-cha, two three, cha-cha-cha.

0:55:300:55:34

She's done it! Yeah!

0:55:340:55:36

Cha-cha-cha!

0:55:360:55:37

Bam, bam, cha-cha-cha. Good girl!

0:55:370:55:40

Cha-cha-cha, cha-cha-cha.

0:55:410:55:44

-They're looking at each other nicely, aren't they?

-Yeah!

0:55:440:55:47

-Check YOU out!

-Yeah, they're talking to each other.

0:55:470:55:51

Ready?

0:55:510:55:52

-Who do you think wears the trousers in that house, Phil?

-Well...

0:55:520:55:56

MUSIC FINISHES

0:55:580:56:00

CHEERING AND APPLAUSE

0:56:000:56:02

That were absolutely fantastic! I'm on such a high at t'moment! Oh!

0:56:080:56:13

-I just...

-Grrr!

-Grrr!

-HE LAUGHS

0:56:130:56:16

Jack's newbies have all strutted their stuff. Now it's crunch time.

0:56:160:56:21

The locals are tucking in to the Palais pies.

0:56:210:56:24

But will the sober crowd get on their feet and hit the dance floor?

0:56:260:56:30

And now, ladies and gentlemen, it is your turn.

0:56:300:56:33

I'm going to teach you a very simple,

0:56:330:56:36

very, very simple dance, called the Wild Wild West.

0:56:360:56:39

It's a fun dance.

0:56:390:56:40

Get on the floor. If you haven't danced, get down here now.

0:56:400:56:44

Nightclub owners...

0:56:450:56:47

And I'll teach you the steps first of all.

0:56:470:56:50

We need an acid test.

0:56:500:56:51

If we can get real newcomers on the floor, that will prove,

0:56:510:56:54

categorically, that dancehalls are alive

0:56:540:56:57

and well again in the 21st century.

0:56:570:57:01

Right, here we go! Let's take it away!

0:57:010:57:03

Come and join us, everybody.

0:57:030:57:04

You lot are coming down!

0:57:150:57:16

Everyone shone this evening. But also the buzz, the electricity!

0:57:230:57:27

Thank you. Thank you so much. Thank you.

0:57:270:57:30

-It really is fantastic!

-It's all very impressive.

0:57:300:57:33

Fantastic feel in the room, as well.

0:57:330:57:35

They've done a tremendous job. It's a lovely atmosphere.

0:57:350:57:38

It's ticked a lot of boxes.

0:57:380:57:40

But the big box it hasn't ticked is what do we do next?

0:57:400:57:45

I'm actually chuffed to bits with myself

0:57:490:57:52

and I feel that I've come out of my big shell.

0:57:520:57:55

I was nervous but not self-conscious.

0:57:550:57:57

So for me it's been an amazing journey,

0:57:570:57:59

just brought about by dance.

0:57:590:58:01

I hope that it does continue for the younger generation.

0:58:010:58:05

Dancing with a boy is lovely, and talk - it's lovely!

0:58:050:58:09

And they're missing out on all that, you know.

0:58:090:58:11

I would love nothing more than to come back here in a year's time

0:58:110:58:15

and know that the majority of these people that we've taught

0:58:150:58:18

are still dancing.

0:58:180:58:20

MUSIC FINISHES, CHEERING AND APPLAUSE

0:58:240:58:28

Don't start arguing and showing off.

0:58:370:58:39

Are you ready? Cha-cha-cha...

0:58:390:58:41

INDISTINCT RAP

0:58:410:58:43

WHOOPING

0:58:490:58:51

Ah, one, two, three, four, five...

0:58:530:58:58

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