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I have never felt such responsibility in my life. | 0:00:02 | 0:00:04 | |
Jack Murphy is a choreographer to the stars. | 0:00:04 | 0:00:06 | |
Don't talk to me, I'm concentrating! | 0:00:06 | 0:00:08 | |
He's in Bolton, to kick-start a dance hall revival... | 0:00:08 | 0:00:12 | |
Come and sign up for the dance classes at the Palais. | 0:00:12 | 0:00:15 | |
I want to get everybody dancing in a dance hall, dancing cheek to cheek. | 0:00:15 | 0:00:19 | |
..and prove that partner dancing, once a national pastime, | 0:00:19 | 0:00:23 | |
can still work its magic today. | 0:00:23 | 0:00:25 | |
Dancing with a boy is lovely and they're missing out on all that. | 0:00:25 | 0:00:29 | |
He's already got Bolton's original rock and rollers on board | 0:00:29 | 0:00:33 | |
and dancing again. | 0:00:33 | 0:00:35 | |
I'm excited! | 0:00:35 | 0:00:37 | |
And the restoration of Bolton's Palais de Danse is well underway. | 0:00:37 | 0:00:41 | |
-Oh! -Oh, yeah! | 0:00:41 | 0:00:43 | |
Now, Jack has to recruit and teach total ballroom beginners. | 0:00:43 | 0:00:47 | |
-I can't do it. -Cha-cha, one, two... | 0:00:47 | 0:00:49 | |
But you've stopped moving your feet. | 0:00:49 | 0:00:51 | |
This is not good. | 0:00:51 | 0:00:53 | |
He is relying on them | 0:00:53 | 0:00:54 | |
to inspire a new generation to dance cheek to cheek. | 0:00:54 | 0:00:57 | |
-Jack hasn't started on you yet. -Oh, God, the tension is palpable. | 0:00:57 | 0:01:00 | |
You're going to have to step up. You have no idea how upset it makes me. | 0:01:00 | 0:01:05 | |
And to return social dancing to the heart of British life. | 0:01:05 | 0:01:09 | |
Dancing cheek to cheek, it's going to be out of this world. Live bands. | 0:01:09 | 0:01:12 | |
You're coming, aren't you? | 0:01:12 | 0:01:13 | |
But will Bolton catch the ballroom bug? | 0:01:13 | 0:01:15 | |
Do any of you know where these people might be? | 0:01:15 | 0:01:17 | |
Twerk, and a twerk, and twerk. | 0:01:17 | 0:01:19 | |
And can Jack make them feel like dancing? | 0:01:19 | 0:01:22 | |
You stop it and you stop it now. | 0:01:22 | 0:01:24 | |
I am petrified, my stomach is actually churning. | 0:01:24 | 0:01:26 | |
Tonight is the night I find out if I fail or pass. | 0:01:26 | 0:01:31 | |
Jack Murphy wants to get Bolton ballrooming again. | 0:01:38 | 0:01:42 | |
To show the town what it's been missing, | 0:01:42 | 0:01:44 | |
he is throwing a dance hall night to remember. | 0:01:44 | 0:01:47 | |
I am going to reopen the Palais de Danse | 0:01:47 | 0:01:49 | |
and have the most wonderful evening. | 0:01:49 | 0:01:52 | |
Of course, that's all just a fantasy, | 0:01:52 | 0:01:54 | |
but what I have to really do is find the people to fill it. | 0:01:54 | 0:01:57 | |
He would love to get hundreds dancing cheek to cheek | 0:01:57 | 0:02:01 | |
and convince local venues to bring dance hall nights back for good. | 0:02:01 | 0:02:05 | |
To draw people in, he has advertised a taster at the former dance hall. | 0:02:05 | 0:02:09 | |
My fantasy is that they will respond really positively to my idea! | 0:02:09 | 0:02:15 | |
Do you remember when this used to be Ritzy and Ikon? | 0:02:16 | 0:02:19 | |
The chance to meet a choreographer to the stars has pulled in a big | 0:02:19 | 0:02:22 | |
Bolton crowd. | 0:02:22 | 0:02:24 | |
But little do they know, Jack wants to take them back in time. | 0:02:24 | 0:02:28 | |
Hello, hello, hello. | 0:02:28 | 0:02:29 | |
-ALL: -Hello. | 0:02:29 | 0:02:31 | |
Do you know, years and years ago, we had over 10,000 social dance halls | 0:02:31 | 0:02:35 | |
up and down this country and 10 million people a week used to dance. | 0:02:35 | 0:02:40 | |
I want to teach people who have never had the opportunity to | 0:02:40 | 0:02:44 | |
waltz, cha-cha or tango. | 0:02:44 | 0:02:46 | |
Experience what all that magic was about. | 0:02:46 | 0:02:49 | |
-You can't do it. -Can't do it? | 0:02:49 | 0:02:51 | |
The dance hall golden age of the '50s is a world away for this | 0:02:51 | 0:02:54 | |
nightclub generation. | 0:02:54 | 0:02:56 | |
I'm going to play some music. Lock the door! | 0:02:56 | 0:02:59 | |
THEY LAUGH | 0:02:59 | 0:03:01 | |
So before Jack shows the group his moves, he wants to see theirs. | 0:03:01 | 0:03:05 | |
I know this is going to be fantastically difficult. | 0:03:05 | 0:03:08 | |
One, because you're sober. | 0:03:08 | 0:03:10 | |
-ALL: -Yes! | 0:03:10 | 0:03:11 | |
And two, because there is so much light. | 0:03:11 | 0:03:14 | |
Throw me some moves, freestyle. | 0:03:14 | 0:03:17 | |
DANCE MUSIC PLAYS | 0:03:17 | 0:03:19 | |
Be my guest, be my... Yeah, good. | 0:03:20 | 0:03:23 | |
Jack's revival is open to everyone | 0:03:23 | 0:03:26 | |
but he is keen to check out the group's dance ability. | 0:03:26 | 0:03:29 | |
A dad at a wedding could do that. | 0:03:29 | 0:03:32 | |
And he has got more than his fair share of bad dad dancing to | 0:03:34 | 0:03:38 | |
contend with in this group. | 0:03:38 | 0:03:39 | |
I did actually win the Best Dad Dancing competition on holiday. | 0:03:43 | 0:03:49 | |
Other than that, I've got no dancing experience whatsoever. | 0:03:49 | 0:03:52 | |
But there is one chap in the crowd whose moves could rival Beyonce. | 0:03:55 | 0:03:59 | |
MUSIC: Single Ladies (Put A Ring On It) by Beyonce | 0:03:59 | 0:04:02 | |
I think he has danced on a floor a couple of times before. | 0:04:03 | 0:04:07 | |
I have never professionally done dance or anything like that. | 0:04:10 | 0:04:14 | |
But I do like to dance when I go out and stuff. | 0:04:14 | 0:04:17 | |
-With good rhythm, I might add! -No, it's not a solo. Come on, everybody. | 0:04:17 | 0:04:21 | |
Very good. | 0:04:24 | 0:04:25 | |
Marvellous. Marvellous, marvellous. So, we have all warmed up, yes? | 0:04:27 | 0:04:31 | |
With the ice broken, Jack wants to show the group the very | 0:04:31 | 0:04:34 | |
different rituals of the '50s dance floor. | 0:04:34 | 0:04:36 | |
So this is the Palais, 1950s. | 0:04:39 | 0:04:42 | |
In its heyday, 60% of Brits could partner dance. | 0:04:44 | 0:04:48 | |
It was a national pastime. | 0:04:48 | 0:04:49 | |
Does it look a million miles away from what you do | 0:04:51 | 0:04:53 | |
-today in the nightclubs? -Yes. | 0:04:53 | 0:04:55 | |
Good. | 0:04:55 | 0:04:57 | |
Now Jack wants them to give it a go themselves. | 0:04:57 | 0:05:00 | |
I would like all the boys to line up this side of the room | 0:05:00 | 0:05:03 | |
and I would like all the ladies to line up on that side of the room. | 0:05:03 | 0:05:08 | |
In the dance hall heyday, it took courage to hit the dance floor. | 0:05:08 | 0:05:13 | |
Gentlemen, I would like you to go and ask a lady to dance. | 0:05:14 | 0:05:19 | |
I do not want you to ask a lady that you know. | 0:05:20 | 0:05:25 | |
I would like you to bring the lady onto the floor | 0:05:27 | 0:05:30 | |
and come in to arm in arm, or cheek to cheek, and just stand still. | 0:05:30 | 0:05:37 | |
You have just thrown me right out of my comfort zone! | 0:05:37 | 0:05:41 | |
And that is actually, when you're sober, | 0:05:44 | 0:05:46 | |
a fantastically difficult thing to do because, quite frankly, | 0:05:46 | 0:05:49 | |
they don't know if they're going to be rejected or not. Very good. | 0:05:49 | 0:05:53 | |
-How did that make you feel? -Awkward. -Awkward? | 0:05:53 | 0:05:57 | |
-Did you ask a lady to dance that you don't know? -Yes. -Fantastic. | 0:05:57 | 0:06:00 | |
We're going for a kebab! | 0:06:00 | 0:06:01 | |
You're going for a kebab on the way home! Wonderful. | 0:06:01 | 0:06:04 | |
Next lesson, we're going to start to learn to cha-cha-cha. | 0:06:04 | 0:06:07 | |
OK? Thank you very much coming. Cheers. Well done. | 0:06:10 | 0:06:15 | |
Jack hopes he's convinced the group to return | 0:06:15 | 0:06:18 | |
and commit to four weeks of intense training. | 0:06:18 | 0:06:20 | |
It is a nice gentlemanly thing to do, for a man to ask the woman | 0:06:20 | 0:06:24 | |
if she would like to dance. Rather than just grind up against her. | 0:06:24 | 0:06:28 | |
He needs a crowd to join his original rock and rollers on the big night, | 0:06:28 | 0:06:32 | |
and prove that partner dancing has a place in 21st-century Britain. | 0:06:32 | 0:06:37 | |
I have not done any dancing before, | 0:06:37 | 0:06:39 | |
everything is sort of a confidence issue with me. | 0:06:39 | 0:06:41 | |
But I just feel it is something that I really need to do. | 0:06:41 | 0:06:43 | |
-We are newlyweds. -Yes. -And we had our wedding dance. | 0:06:43 | 0:06:47 | |
To be honest with you, I have got two left feet | 0:06:47 | 0:06:50 | |
and it was absolutely terrible. | 0:06:50 | 0:06:51 | |
I am a little bit kind of rabbit in the headlights | 0:06:53 | 0:06:56 | |
because there is an extraordinary amount of work to be done. | 0:06:56 | 0:06:59 | |
If I get 90% of people returning, | 0:06:59 | 0:07:02 | |
I will be absolutely delighted. | 0:07:02 | 0:07:06 | |
Absolutely delighted. | 0:07:06 | 0:07:08 | |
In just four weeks' time, Jack opens the former dance hall as it | 0:07:17 | 0:07:20 | |
was in its 1950s heyday, for one night only. | 0:07:20 | 0:07:24 | |
The glamorous Art Deco building once attracted queues around the block. | 0:07:25 | 0:07:29 | |
Peeling back the years that the hall later | 0:07:29 | 0:07:32 | |
ran as a nightclub is an ambitious task. | 0:07:32 | 0:07:35 | |
We are a work in progress today. | 0:07:36 | 0:07:38 | |
Of course, the dance hall back in the day, the 1950s, would be | 0:07:38 | 0:07:42 | |
a refuge for the people coming from the mills. | 0:07:42 | 0:07:46 | |
They would come here to be transported. | 0:07:46 | 0:07:48 | |
Helping Jack turn back the Palais clock for the next | 0:07:48 | 0:07:51 | |
generation is set designer David Weir. | 0:07:51 | 0:07:53 | |
We're kind of trying to get a bit more of that | 0:07:53 | 0:07:56 | |
romantic early dance hall feel going on. | 0:07:56 | 0:07:59 | |
-A bit of Hollywood. -Yeah. | 0:07:59 | 0:08:00 | |
It is going to be very exciting for both the older generation | 0:08:00 | 0:08:04 | |
who were here back in the '50s and the new generation, | 0:08:04 | 0:08:08 | |
seeing a dance hall for the very first time. | 0:08:08 | 0:08:10 | |
To speed up the dance hall renovations, | 0:08:10 | 0:08:13 | |
Jack's called in expert help. | 0:08:13 | 0:08:16 | |
Oh, yes. I like that style. | 0:08:16 | 0:08:18 | |
The original Palais regulars used to come here | 0:08:18 | 0:08:21 | |
in the 1950s and early '60s. | 0:08:21 | 0:08:23 | |
After an absence of half a century, | 0:08:23 | 0:08:26 | |
they will be back on the dance floor on the big night. | 0:08:26 | 0:08:29 | |
-To paint, we have got to put these on. -Oh, Jesus! | 0:08:29 | 0:08:33 | |
Today, Judith, Fred, Flo | 0:08:33 | 0:08:35 | |
and Margo are mucking in to give the restoration their seal of approval. | 0:08:35 | 0:08:40 | |
THEY LAUGH | 0:08:40 | 0:08:42 | |
Maybe if you fancied a young woman, | 0:08:43 | 0:08:45 | |
you invited her in to the kissing arch. | 0:08:45 | 0:08:48 | |
Fred and Judith met at the Palais. They have been married for 58 years. | 0:08:48 | 0:08:52 | |
You know, when Judith and I came here, | 0:08:52 | 0:08:55 | |
-if there was any kissing done, it was done... -On the way to the bus. | 0:08:55 | 0:09:01 | |
You used to nip round the side of the Queen's, Queen's Cinema, | 0:09:01 | 0:09:06 | |
-didn't we? Do you remember? -We what? -Queen's Cinema. | 0:09:06 | 0:09:11 | |
The Queen's Cinema? Do you mean the back row? | 0:09:11 | 0:09:13 | |
Actually, I think that was the boyfriend before you, I'm sorry! | 0:09:13 | 0:09:17 | |
SHE LAUGHS | 0:09:17 | 0:09:19 | |
I got mixed up! | 0:09:19 | 0:09:21 | |
Shall we have a dance?! | 0:09:21 | 0:09:22 | |
Back replace, in we come. Back replace... | 0:09:22 | 0:09:26 | |
On the big night, the gang will jive to live music. | 0:09:26 | 0:09:29 | |
OK, even lift. | 0:09:29 | 0:09:31 | |
Just like the old days, there will be a local big band | 0:09:31 | 0:09:34 | |
performing against a spectacular backdrop. | 0:09:34 | 0:09:37 | |
It's exactly like it was, isn't it? | 0:09:37 | 0:09:39 | |
-Looks like a headboard, to me, that. -It is fabulous, that. -Absolutely. | 0:09:39 | 0:09:44 | |
Looks like a great big bedstead! | 0:09:46 | 0:09:49 | |
I said that! | 0:09:49 | 0:09:50 | |
Flo came to the Palais with her co-workers from the mill | 0:09:50 | 0:09:54 | |
every Saturday, for two shillings and sixpence. | 0:09:54 | 0:09:57 | |
And Margo met her late husband on her way to the Palais one night in 1966. | 0:09:57 | 0:10:02 | |
Rationing had only just finished, hadn't it, in '54? And we had not | 0:10:03 | 0:10:08 | |
been used to any wallpaper, even. | 0:10:08 | 0:10:10 | |
Coloured wallpaper was a novelty. | 0:10:10 | 0:10:13 | |
In here, once you walked in here, it was like fairyland. | 0:10:13 | 0:10:16 | |
Fairyland, definitely. | 0:10:16 | 0:10:18 | |
Right, are you ready? | 0:10:18 | 0:10:21 | |
Come on! | 0:10:21 | 0:10:23 | |
ALL: Oh! | 0:10:23 | 0:10:25 | |
-Oh, yes. -That's lovely. -Fantastic. -Talk about Blackpool! | 0:10:25 | 0:10:28 | |
-Gorgeous. -Good, isn't it? | 0:10:28 | 0:10:30 | |
It just reminds me of when it was. | 0:10:30 | 0:10:32 | |
Just the same, it's fabulous. Fabulous. | 0:10:32 | 0:10:34 | |
When people come in here and see what has been done in here, | 0:10:34 | 0:10:38 | |
they will be utterly gobsmacked. | 0:10:38 | 0:10:40 | |
Yeah. | 0:10:40 | 0:10:41 | |
JAZZ MUSIC | 0:10:43 | 0:10:46 | |
In the 1930s up to the '60s, people learned the dance hall classics | 0:10:46 | 0:10:49 | |
from their parents or their pals. | 0:10:49 | 0:10:52 | |
To return to the glory days, | 0:10:52 | 0:10:54 | |
Jack will need to train his new recruits himself. | 0:10:54 | 0:10:57 | |
With so many to teach, | 0:10:57 | 0:10:59 | |
he's pulled in the help of Bolton's very own ballroom king. | 0:10:59 | 0:11:03 | |
Slow, quick, quick, forward... | 0:11:03 | 0:11:07 | |
Once a pro himself, | 0:11:07 | 0:11:08 | |
Phil Hurst is one of the region's most experienced teachers. | 0:11:08 | 0:11:12 | |
Slow, then rock, one...two... | 0:11:12 | 0:11:15 | |
He will train one group to tango | 0:11:15 | 0:11:16 | |
whilst Jack teaches the others the cha-cha. | 0:11:16 | 0:11:19 | |
When you're first starting off, | 0:11:19 | 0:11:20 | |
it's very tricky to work on the finer points. | 0:11:20 | 0:11:24 | |
-It could have been better. It could have been better! -LAUGHTER | 0:11:24 | 0:11:26 | |
But you really do start to see them develop, over the weeks. | 0:11:26 | 0:11:30 | |
The first-timers have only four weeks to learn steps that can take | 0:11:30 | 0:11:34 | |
a lifetime to master. | 0:11:34 | 0:11:35 | |
Slow, rock...two, three... | 0:11:35 | 0:11:39 | |
Tonight is Jack's first class. | 0:11:39 | 0:11:41 | |
So... | 0:11:43 | 0:11:44 | |
There's no-one here! | 0:11:44 | 0:11:46 | |
So, hopefully, hopefully, they're a little bit late. | 0:11:46 | 0:11:49 | |
They'll be here shortly. | 0:11:49 | 0:11:51 | |
And I will be teaching them a cha-cha-cha. | 0:11:51 | 0:11:53 | |
Hurray! | 0:11:53 | 0:11:55 | |
-Hello. -Hello. | 0:11:55 | 0:11:56 | |
Most of the group have rushed from work to get here. | 0:11:58 | 0:12:01 | |
That's what I'm talking about! | 0:12:01 | 0:12:03 | |
LAUGHTER | 0:12:03 | 0:12:04 | |
You've come! I am feeling a very good vibe from you. Yeah? | 0:12:04 | 0:12:08 | |
Let's run off, quick! | 0:12:08 | 0:12:10 | |
Jack starts his newbies off with the first rule of ballroom. | 0:12:10 | 0:12:13 | |
This is called hold. So just watch. | 0:12:13 | 0:12:17 | |
I high-five Heidi. Kind of. | 0:12:17 | 0:12:21 | |
Heidi's left arm then just becomes like a bird. | 0:12:21 | 0:12:25 | |
Isn't that beautiful, takes flight. | 0:12:25 | 0:12:28 | |
I then become Bruce Lee and... | 0:12:28 | 0:12:30 | |
-Ha-ee-ya! -LAUGHTER | 0:12:30 | 0:12:33 | |
Yeah? And then the bird lands. | 0:12:33 | 0:12:36 | |
-PUPILS: Aw. -And I'm in hold. | 0:12:37 | 0:12:39 | |
So... You need a partner to do it. Do you want to grab a partner? | 0:12:39 | 0:12:42 | |
Dancing in hold should be easy for married couple Scott and Helen. | 0:12:42 | 0:12:46 | |
But the others have to get up close and personal with a stranger. | 0:12:46 | 0:12:50 | |
That can go up there. That's amazing, Mister. | 0:12:50 | 0:12:53 | |
And dance floor diva Drew does not get to sit this one out. | 0:12:53 | 0:12:56 | |
Drew. | 0:12:56 | 0:12:58 | |
Come and dance with me. Lead me. | 0:12:58 | 0:13:01 | |
If you can lead me, you can lead anybody. | 0:13:01 | 0:13:03 | |
One, two, three... | 0:13:03 | 0:13:06 | |
Cha-cha-cha. | 0:13:06 | 0:13:08 | |
Two, three, and a cha-cha-cha. | 0:13:08 | 0:13:11 | |
Don't look at your feet. | 0:13:11 | 0:13:12 | |
I did feel nervous. | 0:13:12 | 0:13:15 | |
Possibly terrified because I was thinking, "God, don't stand | 0:13:15 | 0:13:18 | |
"on his feet," you know, cos that would just be really embarrassing. | 0:13:18 | 0:13:22 | |
Now, what I really like about the way you just danced with me | 0:13:22 | 0:13:25 | |
is I can see that it's all about how it makes you feel. | 0:13:25 | 0:13:29 | |
These are tentative first steps. | 0:13:29 | 0:13:31 | |
They have got to start connecting | 0:13:31 | 0:13:33 | |
and feeling that they are dancing as one unit, not as two units. | 0:13:33 | 0:13:39 | |
Jack's determined to help them get it right. | 0:13:39 | 0:13:42 | |
Let me see your wings. | 0:13:42 | 0:13:43 | |
Bruce Lee, ha-ee-ya! | 0:13:43 | 0:13:45 | |
Good, let that bird land. | 0:13:45 | 0:13:47 | |
And one, two, three, cha-cha-cha. | 0:13:47 | 0:13:50 | |
Basic, and a cha-cha-cha, basic... | 0:13:50 | 0:13:54 | |
That is fantastic, lady. Is this your first dance lesson? | 0:13:54 | 0:13:57 | |
SHE MUMBLES | 0:13:57 | 0:13:58 | |
-Is that a yes? Have you got a tongue in there? -Yes! I'm concentrating. | 0:13:58 | 0:14:03 | |
In just four weeks, | 0:14:04 | 0:14:06 | |
the group have to inspire the crowd at Jack's revival night. | 0:14:06 | 0:14:09 | |
We've got very little time. So we have to get moving very quickly. | 0:14:09 | 0:14:12 | |
And...side, close, side, basic. | 0:14:12 | 0:14:16 | |
Ballroom beginner Dawn has survived the first class. | 0:14:16 | 0:14:20 | |
I thought I would probably get to the end without being able to | 0:14:20 | 0:14:23 | |
do it, so, yeah, it was good. But I had to concentrate a lot. | 0:14:23 | 0:14:27 | |
But, yeah, yeah, I did fine, I think. | 0:14:27 | 0:14:29 | |
The couple who messed up their wedding waltz are even | 0:14:29 | 0:14:32 | |
top of the class. | 0:14:32 | 0:14:34 | |
Basic, and stop right there. | 0:14:34 | 0:14:36 | |
Could you become my new best friends? | 0:14:37 | 0:14:40 | |
-Us? -I just LOVE what you just did, it's fantastic. | 0:14:40 | 0:14:44 | |
I just watched you dance a cha-cha really beautifully. | 0:14:44 | 0:14:47 | |
To be honest with you, I can't dance for peanuts, know what I mean? | 0:14:47 | 0:14:50 | |
But Jack really put us at ease | 0:14:50 | 0:14:52 | |
and we didn't fall over, which were a bonus. | 0:14:52 | 0:14:54 | |
OK, so this is all a bit fun, but to learn that routine, | 0:14:54 | 0:14:58 | |
you're going to have to step up. You've got four weeks. | 0:14:58 | 0:15:01 | |
Give yourselves a round of applause, well done. Good. | 0:15:01 | 0:15:04 | |
I am very positive at the moment. | 0:15:04 | 0:15:06 | |
I know I'm going to have to eat my words, | 0:15:06 | 0:15:08 | |
because the honeymoon will probably be over soon | 0:15:08 | 0:15:12 | |
as we start chucking in the dance steps of the routine. | 0:15:12 | 0:15:16 | |
Their brains are going to feel like spaghetti. | 0:15:16 | 0:15:19 | |
Jack needs to get his group ballroom-ready to show Bolton | 0:15:25 | 0:15:28 | |
what it is missing out on. | 0:15:28 | 0:15:30 | |
And to recreate a dance floor buzz, | 0:15:30 | 0:15:32 | |
he must pack the Palais to the rafters. | 0:15:32 | 0:15:36 | |
I must get hundreds of people to come along | 0:15:36 | 0:15:37 | |
in order for this night to be a great success. | 0:15:37 | 0:15:39 | |
It is only going to work if I get people in that door. | 0:15:39 | 0:15:42 | |
-So he is hitting the streets... -That'll be a no! -..airwaves... | 0:15:42 | 0:15:46 | |
Very special guest in as well, today. | 0:15:46 | 0:15:47 | |
Flossie from Bolton, everyone! | 0:15:47 | 0:15:49 | |
Yay! | 0:15:49 | 0:15:50 | |
..and even the local Hindu temple to sell ballroom to Bolton. | 0:15:50 | 0:15:56 | |
-Don't talk to me, I'm concentrating! -THEY LAUGH | 0:15:56 | 0:15:58 | |
And if you're not there, I tell you, you are not in the right place. | 0:15:58 | 0:16:02 | |
-Go on, a twerk. And a twerk... And a twerk... -THEY GIGGLE | 0:16:02 | 0:16:05 | |
Jack wants the whole town to give partner dancing a whirl. | 0:16:05 | 0:16:09 | |
It is fantastically sexy. | 0:16:09 | 0:16:10 | |
And if they love it, | 0:16:10 | 0:16:12 | |
he wants local nightspots to offer people a place to do it. | 0:16:12 | 0:16:15 | |
This venue, the heart of it could be a dance hall... | 0:16:15 | 0:16:17 | |
It's something Bolton has not seen for a long time. | 0:16:17 | 0:16:19 | |
THEY LAUGH | 0:16:19 | 0:16:21 | |
Dancing cheek to cheek. It's going to be out of this world. Live band! | 0:16:21 | 0:16:24 | |
-You're coming, aren't you? -Oh, yeah(!) -Closed question. | 0:16:24 | 0:16:27 | |
I saw that! | 0:16:27 | 0:16:28 | |
I would just be absolutely thrilled to see you there. | 0:16:30 | 0:16:35 | |
A live band is so brilliant. Listening to a live band. | 0:16:35 | 0:16:38 | |
-Oh, you are getting all teary eyed. -I know. -Bless. -I know. | 0:16:38 | 0:16:41 | |
Jack's spread the news far and wide. | 0:16:41 | 0:16:45 | |
If Bolton follows Jack's call, | 0:16:50 | 0:16:51 | |
it will be the first dance hall night in decades. | 0:16:51 | 0:16:55 | |
I feel like I've discovered Tutankhamen! | 0:16:55 | 0:16:58 | |
Jack wants to offer a genuine dance hall experience. | 0:16:58 | 0:17:01 | |
So he is scouring Bolton's archives. | 0:17:01 | 0:17:04 | |
It's my responsibility to recreate a dance hall | 0:17:04 | 0:17:08 | |
with as much detail as possible. | 0:17:08 | 0:17:11 | |
Shops? They had shops in there! | 0:17:11 | 0:17:13 | |
A ladies' hairdressers... There was a baker's in there! | 0:17:13 | 0:17:16 | |
And a butcher's. | 0:17:16 | 0:17:18 | |
I'm just off the dance hall to buy me chipolatas and have a foxtrot! | 0:17:18 | 0:17:22 | |
HE LAUGHS | 0:17:22 | 0:17:24 | |
Back in the day, the Palais was the multiplex of its time, | 0:17:24 | 0:17:28 | |
catering to the customer's every need. | 0:17:28 | 0:17:29 | |
Cafe and lounge. | 0:17:29 | 0:17:32 | |
No alcohol, coffee. | 0:17:32 | 0:17:34 | |
Keeping with tradition, there will be no alcohol at Jack's night. | 0:17:34 | 0:17:38 | |
Looking at these plans, | 0:17:38 | 0:17:39 | |
I have to think more about what they're going to eat. | 0:17:39 | 0:17:42 | |
I would like to know what they had to eat then | 0:17:42 | 0:17:44 | |
and what they would drink then. | 0:17:44 | 0:17:45 | |
With the prospect of 500 people to cater for on the night, | 0:17:46 | 0:17:49 | |
Jack needs help. | 0:17:49 | 0:17:51 | |
The very bakery that started life inside the Palais | 0:17:51 | 0:17:54 | |
is still going strong today. | 0:17:54 | 0:17:56 | |
-Hello, David. I'm Jack Murphy. -Pleased to meet you, Jack. -Very nice to meet you. | 0:17:57 | 0:18:00 | |
Well, you have got a hair net and a beard snood. | 0:18:00 | 0:18:03 | |
Master baker David Smart inherited the business from his father. | 0:18:03 | 0:18:07 | |
Now, family bakery, used to provide the food for the Palais? | 0:18:07 | 0:18:14 | |
It did, yeah. The Palais bought bakery | 0:18:14 | 0:18:16 | |
because they wanted somebody to make all the pies, | 0:18:16 | 0:18:19 | |
the hotpot suppers, the sandwiches, the buffets, all that sort of thing. | 0:18:19 | 0:18:23 | |
Because, obviously, they wanted a food manufacturing unit. | 0:18:23 | 0:18:27 | |
So they bought the bakery. | 0:18:27 | 0:18:29 | |
Help. What am I going to feed them? | 0:18:29 | 0:18:31 | |
Potato and meat pie. | 0:18:31 | 0:18:32 | |
This recipe is exactly what my dad used to make for the Palais de Danse | 0:18:32 | 0:18:38 | |
nearly 60 years ago. | 0:18:38 | 0:18:40 | |
Nothing is different. | 0:18:40 | 0:18:41 | |
Oh, how fantastic. | 0:18:41 | 0:18:43 | |
-No need to go for a kebab afterwards. -No. | 0:18:46 | 0:18:48 | |
-I want to buy a lot of these. -Please do! | 0:18:48 | 0:18:51 | |
Eyes up! | 0:18:57 | 0:18:58 | |
Across Bolton, ballroom newcomers are being fast-tracked. | 0:18:58 | 0:19:02 | |
Attending classes night after night. | 0:19:02 | 0:19:04 | |
Quick, quick, slow... | 0:19:04 | 0:19:07 | |
Phil's group in the tango... | 0:19:07 | 0:19:09 | |
One, two, three, four, five... | 0:19:09 | 0:19:13 | |
..Jack's in the cha-cha. | 0:19:13 | 0:19:15 | |
Basic, and around you go. | 0:19:15 | 0:19:18 | |
We need to push it a little bit further. | 0:19:18 | 0:19:21 | |
I need full-blooded passion, commitment... | 0:19:21 | 0:19:25 | |
The pressure is mounting. | 0:19:25 | 0:19:26 | |
Right, we can have a rest now. | 0:19:26 | 0:19:29 | |
-WHISPERS: -Have a rest, Alan. | 0:19:29 | 0:19:30 | |
On the big night, the novices have to inspire locals to take to the floor | 0:19:30 | 0:19:35 | |
and they have still got a lot to learn. | 0:19:35 | 0:19:37 | |
Here's the mistake you make. | 0:19:37 | 0:19:41 | |
You nearly all do this... | 0:19:41 | 0:19:42 | |
It's a bit Frankenstein. Don't take that line. | 0:19:45 | 0:19:49 | |
I close before I go forwards. Replace. | 0:19:49 | 0:19:52 | |
I close before I go to the side. | 0:19:52 | 0:19:54 | |
Think of the pelvis as head office. | 0:19:54 | 0:19:57 | |
Everything has to come out of, and through, head office. | 0:19:57 | 0:20:01 | |
Jack is used to teaching actors who are pros. | 0:20:01 | 0:20:05 | |
Two, three and a cha-cha-cha. | 0:20:05 | 0:20:07 | |
His intensive training is taking its toll on the novices. | 0:20:07 | 0:20:10 | |
The numbers in his group have started to dwindle. | 0:20:10 | 0:20:14 | |
It's been a long day, I've come straight out of work... Very tired. | 0:20:14 | 0:20:17 | |
We'll see how my feet go. | 0:20:17 | 0:20:18 | |
Today at work has been really busy. | 0:20:18 | 0:20:21 | |
But we have flown here and we're ready for rehearsals. | 0:20:21 | 0:20:24 | |
With his big night in sight, | 0:20:24 | 0:20:26 | |
Jack is not prepared to cut the group any slack. | 0:20:26 | 0:20:30 | |
I can see you have all practised, without a shadow of a doubt. | 0:20:30 | 0:20:33 | |
But guess what, you have to practise a little bit more. | 0:20:33 | 0:20:37 | |
Struggling the most is 36-year-old Joe. He used to work at Butlins. | 0:20:38 | 0:20:42 | |
Now he emcees at hard-core music nights. | 0:20:42 | 0:20:45 | |
Three, and a cha-cha-cha. | 0:20:45 | 0:20:47 | |
Together: One, two, three, cha-cha. | 0:20:47 | 0:20:50 | |
One, two, three, cha-cha... | 0:20:50 | 0:20:53 | |
One, two... | 0:20:53 | 0:20:54 | |
But you stopped moving your feet. Yeah? | 0:20:54 | 0:20:57 | |
This kind of dancing is completely new to me. And so it's a challenge. | 0:20:57 | 0:21:01 | |
The beat MC Joe is used to is poles apart from the cha-cha. | 0:21:01 | 0:21:05 | |
Jack needs to instil the rhythm by any means possible. | 0:21:05 | 0:21:08 | |
Heartbeat, and a one, two, three... | 0:21:10 | 0:21:13 | |
Heartbeat, one, two, three... | 0:21:13 | 0:21:16 | |
Heartbeat, one, two, three... | 0:21:16 | 0:21:20 | |
Jack is teaching me to have a rhythm which I have not learned before. | 0:21:20 | 0:21:22 | |
Because its '50s and '60s ballroom dancing and he is just trying | 0:21:22 | 0:21:26 | |
to find a way for it to compute and for it to fall into place. | 0:21:26 | 0:21:30 | |
Determined to make a breakthrough with MC Joe, | 0:21:36 | 0:21:39 | |
Jack decides to step into his world. | 0:21:39 | 0:21:41 | |
When I saw him dance for the first time, | 0:21:42 | 0:21:45 | |
he didn't have any obvious rhythm in his body in relation to cha-cha-cha. | 0:21:45 | 0:21:51 | |
And if he feels the rhythm, he will communicate that | 0:21:51 | 0:21:54 | |
and he will get an amazing experience from doing so. | 0:21:54 | 0:21:58 | |
-HE RAPS: -I look round my neighbourhood | 0:21:58 | 0:22:01 | |
And I see gangsters up to no good... | 0:22:01 | 0:22:02 | |
RAPPING CONTINUES | 0:22:05 | 0:22:07 | |
The pace of Joe's hard-core rapping is a long way off | 0:22:12 | 0:22:15 | |
the tempo of the cha-cha. | 0:22:15 | 0:22:17 | |
-Mister! -Was that OK? -Well done! It's exhausting to listen to. | 0:22:20 | 0:22:23 | |
Let's take a seat, OK? Because... | 0:22:23 | 0:22:26 | |
You thought I wouldn't like it. | 0:22:27 | 0:22:29 | |
-I love it. -Really? -Yeah, I do. -I feel inspired. | 0:22:29 | 0:22:32 | |
Now put it on this pulse. | 0:22:32 | 0:22:33 | |
HE PATS OUT A RHYTHM | 0:22:33 | 0:22:36 | |
I look around my neighbourhood... | 0:22:36 | 0:22:38 | |
And I see gangsters up to no good | 0:22:38 | 0:22:40 | |
I see drug addicts rob for their habits | 0:22:40 | 0:22:42 | |
They don't care, they've got to have it... | 0:22:42 | 0:22:44 | |
Great. You are so on the beat. | 0:22:44 | 0:22:47 | |
When you are used to going so quick with your emceeing | 0:22:47 | 0:22:50 | |
and your rapping, you're bringing that to the cha-cha, | 0:22:50 | 0:22:53 | |
-because that's the way you tell a story. -Ah... | 0:22:53 | 0:22:55 | |
Now, when I dance cha-cha-cha, | 0:22:55 | 0:22:57 | |
I'm also telling my partner a story. | 0:22:57 | 0:23:01 | |
I would like you... | 0:23:01 | 0:23:03 | |
to listen to my basic. Yeah? | 0:23:03 | 0:23:06 | |
I would like you to listen to my check-replace. Yeah? | 0:23:06 | 0:23:10 | |
You're telling a story | 0:23:10 | 0:23:11 | |
and you have to be equally as clear through your body. | 0:23:11 | 0:23:14 | |
One, two, three, cha-cha-cha. | 0:23:14 | 0:23:17 | |
Two, three and a cha-cha-cha. | 0:23:17 | 0:23:20 | |
Two, three and a cha-cha-cha. | 0:23:20 | 0:23:23 | |
Two, three and a cha-cha-cha. | 0:23:23 | 0:23:26 | |
Under she goes, and a cha-cha-cha. | 0:23:26 | 0:23:28 | |
Packing a year's training into a month is no mean feat. | 0:23:35 | 0:23:39 | |
Jack has also got to finish the Palais' '50s face-lift | 0:23:39 | 0:23:42 | |
and the building is in disarray. | 0:23:42 | 0:23:44 | |
Dynamic duo Flo and Margo have come to the rescue. | 0:23:44 | 0:23:48 | |
We're looking for glitter balls and things for the dance hall. | 0:23:48 | 0:23:52 | |
Back in the day, a glitter ball was a dance hall essential. | 0:23:52 | 0:23:55 | |
But in this Aladdin's cave of vintage props... | 0:23:56 | 0:23:59 | |
There's the palm tree, that's gorgeous, isn't it? | 0:23:59 | 0:24:02 | |
..Flo and Margo are easily distracted. | 0:24:02 | 0:24:05 | |
-That's beautiful. -Oh, that's nice. | 0:24:05 | 0:24:06 | |
That's definitely a must-have, isn't it? Yeah, that will fit on there. | 0:24:06 | 0:24:11 | |
-Yeah, on that one, I bet. -Yeah. Ooh. | 0:24:11 | 0:24:13 | |
Nearly put your eyes out there, you're not careful. | 0:24:13 | 0:24:16 | |
-South Sea island effect! -Yeah. Yeah. | 0:24:16 | 0:24:19 | |
-Exotica. -Yeah! | 0:24:19 | 0:24:21 | |
With a tropical addition to Jack's dance hall found, | 0:24:21 | 0:24:25 | |
it's on with the treasure hunt. | 0:24:25 | 0:24:26 | |
Phew. Oh, those are nice! | 0:24:26 | 0:24:29 | |
-Oh, look at those, Flo. -At the entrance, with having the palm trees | 0:24:29 | 0:24:33 | |
-and these on the tables. -I know. Where's the glitter balls? | 0:24:33 | 0:24:37 | |
I can't imagine where they are. | 0:24:37 | 0:24:38 | |
-Some balls here, see. Glitter balls. Here. -Where? -Glitter balls? Here. | 0:24:38 | 0:24:42 | |
Oh, yeah. Oh, yeah, they are lovely, aren't they? They turn round. | 0:24:42 | 0:24:46 | |
-Do they...? -Oh, yeah. -Is it the...? | 0:24:46 | 0:24:47 | |
And the lights, and you have different colours on them. | 0:24:47 | 0:24:50 | |
Do they actually turn around? | 0:24:50 | 0:24:51 | |
Yeah, yeah, they turn around under the lights. | 0:24:51 | 0:24:53 | |
-Not just the lights flickering on them? -No, it turns. | 0:24:53 | 0:24:56 | |
Ooh, look at that. There's a great big one there, Flo. | 0:24:56 | 0:24:58 | |
-Oh, yeah, that's massive. -Massive. -Oh, yeah. -It's huge, that. | 0:24:58 | 0:25:02 | |
-How could we miss that? -That's nice, in't it? | 0:25:02 | 0:25:05 | |
That size, you could have in your house, | 0:25:05 | 0:25:07 | |
if you had a big modern house, you could... | 0:25:07 | 0:25:09 | |
-If you wanted to. -Yeah. | 0:25:09 | 0:25:10 | |
But that is definitely ballroom-sized, isn't it? | 0:25:10 | 0:25:15 | |
-Definitely. I think it'll look... -I think so. -..authentic. | 0:25:15 | 0:25:18 | |
See what Jack thinks, cos if he approves, if he approves... | 0:25:18 | 0:25:21 | |
Jack could come out of his own idea, couldn't he? | 0:25:21 | 0:25:24 | |
Yes, well, that's right. If he doesn't like it. | 0:25:24 | 0:25:26 | |
If he don't like it, he can lump it! | 0:25:26 | 0:25:27 | |
Yeah, that's true! | 0:25:28 | 0:25:30 | |
It's now two weeks in to Jack's rigorous training schedule. | 0:25:37 | 0:25:40 | |
Step, step and a step it out... | 0:25:40 | 0:25:42 | |
And there is a problem with his cha-cha group. | 0:25:42 | 0:25:45 | |
Only four pupils have turned up. | 0:25:45 | 0:25:47 | |
Now, guys, of course, of course, you're in the room. | 0:25:49 | 0:25:53 | |
But... | 0:25:53 | 0:25:54 | |
this is not good. | 0:25:54 | 0:25:56 | |
OK? Do any of you know where these people might be? | 0:25:56 | 0:26:00 | |
Unless they got a personal tragedy, | 0:26:00 | 0:26:02 | |
I really couldn't think so. | 0:26:02 | 0:26:04 | |
So it leaves me - one, feeling very embarrassed, quite frankly, | 0:26:04 | 0:26:08 | |
and two, in a very difficult situation. | 0:26:08 | 0:26:11 | |
Because how am I going to fill a dance hall and how are people | 0:26:11 | 0:26:13 | |
going to learn to dance if they just randomly turn up to the classes? | 0:26:13 | 0:26:16 | |
Absolutely extraordinary. | 0:26:16 | 0:26:17 | |
And I can't but help tell you, I feel embarrassed. | 0:26:17 | 0:26:21 | |
I feel really embarrassed, because I take it personally, yeah? OK. | 0:26:21 | 0:26:25 | |
Let's do that again. Step, step and step it out. | 0:26:25 | 0:26:29 | |
Step, step and step it out. I'm on this foot. | 0:26:29 | 0:26:33 | |
-So you are only ever on one foot. -Instead of... Yeah. | 0:26:33 | 0:26:37 | |
Transferring that weight. | 0:26:37 | 0:26:39 | |
Despite trying to push forward with the class, | 0:26:39 | 0:26:43 | |
such a low turnout has shaken Jack. | 0:26:43 | 0:26:45 | |
You don't need to know this, but I'm sharing it with you. | 0:26:45 | 0:26:48 | |
You have no idea how upset it makes me that there is only four. OK? | 0:26:48 | 0:26:54 | |
So thank you for being here. I'm just sharing with you. | 0:26:54 | 0:26:58 | |
Yeah, I'm totally rattled at the moment because it is unbelievably | 0:26:58 | 0:27:01 | |
difficult to keep going one step forwards and four steps back. | 0:27:01 | 0:27:04 | |
I'm not used to it. I'm used to... | 0:27:04 | 0:27:06 | |
People are genuinely there or generally there | 0:27:06 | 0:27:08 | |
because they are expected to be there. | 0:27:08 | 0:27:10 | |
And I had the same expectations. | 0:27:10 | 0:27:11 | |
If they are not in the room, I can't do anything. | 0:27:11 | 0:27:13 | |
You know, I'm rendered impotent | 0:27:13 | 0:27:15 | |
and it's not something I intend to be at 53 years of age. | 0:27:15 | 0:27:18 | |
Thank you very much. Going to carry on. | 0:27:18 | 0:27:20 | |
Jack heads across town to check on the beginners' tango group | 0:27:24 | 0:27:27 | |
being trained by Phil. | 0:27:27 | 0:27:29 | |
Slow, slow, rock, two, three and turn, side and close. | 0:27:29 | 0:27:36 | |
So I'm just popping in to see Phil | 0:27:38 | 0:27:40 | |
who has been helping me teach... | 0:27:40 | 0:27:43 | |
the numbers that turned up. | 0:27:43 | 0:27:45 | |
I just want to see how he's getting on, basically. | 0:27:45 | 0:27:48 | |
The rock is through your knees. OK? We're getting a few variations. | 0:27:48 | 0:27:54 | |
-We're getting the air guitar... -LAUGHTER | 0:27:54 | 0:27:56 | |
Yeah? So we're getting a bit of Showaddywaddy going on | 0:27:56 | 0:27:58 | |
and we're getting another one | 0:27:58 | 0:28:00 | |
that I'm not sure where you got that from, yeah, but don't do that. | 0:28:00 | 0:28:03 | |
Are you ready? | 0:28:03 | 0:28:05 | |
Five, six, seven, eight! | 0:28:06 | 0:28:08 | |
Slow, slow, quick, quick, slow. | 0:28:08 | 0:28:11 | |
Quick, quick, slow. And slow...rock. | 0:28:11 | 0:28:15 | |
There's about 20... 2, 4, 6, 8, 10, 12, 14, 16, 18. Yeah, 20. | 0:28:15 | 0:28:20 | |
I'm loving it. Great. | 0:28:20 | 0:28:22 | |
They are moving very well, very well indeed. | 0:28:22 | 0:28:27 | |
Five, six, seven, eight. | 0:28:27 | 0:28:29 | |
Slow, slow, quick, quick, slow. | 0:28:29 | 0:28:32 | |
Step, side close. | 0:28:32 | 0:28:34 | |
And one, two, rock, two, three... | 0:28:34 | 0:28:39 | |
They are doing really, really well. | 0:28:39 | 0:28:41 | |
It's obvious to Jack the tango group feel the magic of dancing | 0:28:41 | 0:28:44 | |
cheek to cheek and it's something his cha-cha group have lost. | 0:28:44 | 0:28:49 | |
Heads to the left, down into your knees. | 0:28:49 | 0:28:52 | |
Ladies, don't forget the karate chop in the side of your gent's arm. | 0:28:52 | 0:28:55 | |
He can't resist joining in. | 0:28:55 | 0:28:57 | |
Is this why they call it ballroom? | 0:28:57 | 0:28:59 | |
JACK LAUGHS | 0:28:59 | 0:29:00 | |
Oh, pulling me in. | 0:29:00 | 0:29:03 | |
Oh, get you. | 0:29:03 | 0:29:04 | |
Watch me bloody glasses! | 0:29:06 | 0:29:08 | |
Yes! | 0:29:10 | 0:29:12 | |
Give yourselves a clap, well done. Not bad. Not bad. | 0:29:12 | 0:29:16 | |
Well done, well done, well done. | 0:29:16 | 0:29:18 | |
That woke me up. Marvellous. | 0:29:18 | 0:29:20 | |
So I always say to people when I'm teaching, tango is like, | 0:29:20 | 0:29:23 | |
just pretend you've just had an argument. | 0:29:23 | 0:29:26 | |
"No, you're wrong. | 0:29:26 | 0:29:27 | |
"You were wrong - I'm sorry, you were wrong!" So it has a narrative. | 0:29:27 | 0:29:32 | |
But you are doing brilliantly. So I'm going to hand you back. | 0:29:32 | 0:29:35 | |
Spread out around the room. Arms up, heads left, bent knees. | 0:29:35 | 0:29:40 | |
MUSIC STARTS | 0:29:40 | 0:29:42 | |
See you later. Bye-bye, darling, thank you so much. | 0:29:42 | 0:29:44 | |
Bye-bye! Bye! | 0:29:46 | 0:29:47 | |
Jack leaves fired up and determined to win his cha-cha dancers back. | 0:29:47 | 0:29:51 | |
Realising his tough teaching style may have scared off his group, | 0:29:57 | 0:30:01 | |
Jack's trying a change of tack. | 0:30:01 | 0:30:03 | |
I will give them a little call to whip them up | 0:30:03 | 0:30:07 | |
and get them along to rehearsals. | 0:30:07 | 0:30:09 | |
This is not something I would ordinarily do, but when needs must, | 0:30:09 | 0:30:12 | |
Jack gets phoning. | 0:30:12 | 0:30:15 | |
LINE RINGS | 0:30:15 | 0:30:17 | |
-'Welcome to the O2 messaging service.' -BEEP | 0:30:17 | 0:30:21 | |
Sophie, hello. It's Jack Murphy here. | 0:30:21 | 0:30:23 | |
I hope you're well and I'm looking forward to seeing you this evening. | 0:30:23 | 0:30:26 | |
I missed you last week. I think I only saw you the once, | 0:30:26 | 0:30:29 | |
so I hope you're going to be there this evening. | 0:30:29 | 0:30:31 | |
LINE RINGS | 0:30:32 | 0:30:34 | |
'The person you are calling is unable to take your call.' | 0:30:34 | 0:30:36 | |
-BEEP -Hello, it's Jack Murphy here. | 0:30:36 | 0:30:39 | |
I'm hoping to see you this evening at rehearsals | 0:30:39 | 0:30:41 | |
because I've got a couple of surprises in store. | 0:30:41 | 0:30:44 | |
HE SIGHS | 0:30:44 | 0:30:46 | |
Tonight, instead of rehearsing behind closed doors, | 0:30:46 | 0:30:50 | |
Jack's cha-cha group will be dancing in public... | 0:30:50 | 0:30:53 | |
Oh, this is marvellous. | 0:30:53 | 0:30:55 | |
..in a chippy with a difference. | 0:30:56 | 0:30:58 | |
This might be the only one in the country with a grand piano. | 0:30:58 | 0:31:02 | |
I'm really excited about tonight. | 0:31:05 | 0:31:07 | |
Tonight is about getting them to dance to live music | 0:31:07 | 0:31:10 | |
because on the night, they'll be dancing to a very, very large band | 0:31:10 | 0:31:13 | |
so this is an introduction and a bit of bonding and rally the troops. | 0:31:13 | 0:31:19 | |
The promise of a fish supper has worked. | 0:31:19 | 0:31:22 | |
-All right. -Nice to see you. | 0:31:24 | 0:31:26 | |
I'm going to give you an introduction | 0:31:26 | 0:31:29 | |
to the lovely Guy and his orchestra. | 0:31:29 | 0:31:33 | |
The live music isn't the only trick up Jack's sleeve. | 0:31:33 | 0:31:37 | |
Now, as you know, we've been working really hard. | 0:31:37 | 0:31:40 | |
I did tell you, there might be a little surprise. | 0:31:40 | 0:31:44 | |
He's pulled in a favour from his ballroom champion pals from London. | 0:31:44 | 0:31:48 | |
This is a world-class cha-cha. | 0:32:01 | 0:32:04 | |
Whoohoo! Fantastic! | 0:32:12 | 0:32:15 | |
Ladies and gentlemen, the beautiful Chayanne and the very handsome Nick. | 0:32:18 | 0:32:22 | |
Is that sexy or is that sexy? | 0:32:22 | 0:32:24 | |
Yeah? | 0:32:24 | 0:32:25 | |
Now, the group are going to dance for the first time | 0:32:25 | 0:32:27 | |
to live music in front of the locals, | 0:32:27 | 0:32:30 | |
just like they'll do it on the big night. | 0:32:30 | 0:32:33 | |
We are not judging you, we are willing you. | 0:32:33 | 0:32:37 | |
There's a big difference. | 0:32:37 | 0:32:39 | |
MUSIC PLAYS | 0:32:39 | 0:32:42 | |
One, two, three, cha-cha-cha. | 0:32:44 | 0:32:47 | |
Enjoy! | 0:32:47 | 0:32:48 | |
Dance for your supper. | 0:32:48 | 0:32:50 | |
Good. | 0:32:51 | 0:32:53 | |
Yay! | 0:33:08 | 0:33:09 | |
-APPLAUSE -Get in there, Bolton! | 0:33:09 | 0:33:11 | |
Oh, yes! | 0:33:11 | 0:33:13 | |
I'm honestly really, really proud of you. Really, really proud of you. | 0:33:13 | 0:33:18 | |
Wonderful! | 0:33:18 | 0:33:20 | |
But we're not there yet. This way, ladies and gentlemen, | 0:33:20 | 0:33:23 | |
for fish and chips. | 0:33:23 | 0:33:25 | |
They've survived their first public outing... | 0:33:25 | 0:33:29 | |
but now the big night looms large. | 0:33:29 | 0:33:31 | |
You could feel the magic in the room and I'm so happy. | 0:33:33 | 0:33:36 | |
You know, everybody's there, the group is improving. | 0:33:36 | 0:33:39 | |
It was very sexy, though, the way they did it. | 0:33:39 | 0:33:41 | |
-Oh, yeah. -What was it? -Sexy. -HE LAUGHS | 0:33:41 | 0:33:45 | |
I don't feel anybody's laughing at anybody. | 0:33:45 | 0:33:47 | |
Everybody's been dead sweet and that's helped me as well. | 0:33:47 | 0:33:50 | |
They thought I looked really good and... | 0:33:50 | 0:33:53 | |
Well, obviously, I don't look really good, | 0:33:54 | 0:33:56 | |
but I think for my size, erm... | 0:33:56 | 0:34:00 | |
Dawn's nerves are shaken, | 0:34:01 | 0:34:03 | |
but confidence within the rest of the team is growing. | 0:34:03 | 0:34:06 | |
It's better when you've got a crowd | 0:34:06 | 0:34:08 | |
because you just want to get on with it. | 0:34:08 | 0:34:09 | |
You don't have time to feel nervous, so you just get on with it, | 0:34:09 | 0:34:12 | |
you do it, and it's a good experience. | 0:34:12 | 0:34:14 | |
They've bonded, which is very, very good. | 0:34:14 | 0:34:16 | |
It just doesn't get any better as far as a stepping stone. | 0:34:16 | 0:34:19 | |
I'm... Ooh, I'm thrilled! | 0:34:19 | 0:34:23 | |
Alongside Jack's ballroom beginners on the big night | 0:34:31 | 0:34:34 | |
will be the original dance hall patrons. | 0:34:34 | 0:34:36 | |
Ladies and gentlemen, if you'd like to look to your right, | 0:34:36 | 0:34:40 | |
raise your right hand and give thanks to the Tower. | 0:34:40 | 0:34:42 | |
They're off on a coach trip to the spiritual home of ballroom. | 0:34:42 | 0:34:46 | |
-We're here! -Yeah! | 0:34:46 | 0:34:48 | |
When you come to Blackpool, it's all about the sea, the sand, | 0:34:48 | 0:34:51 | |
the rock, the donkey and the dancing. | 0:34:51 | 0:34:53 | |
They'll be jiving on the night | 0:34:53 | 0:34:55 | |
to show Bolton what they've been missing. | 0:34:55 | 0:34:57 | |
They're doing a warm-up on Blackpool pier. | 0:35:03 | 0:35:06 | |
Flick for two... | 0:35:06 | 0:35:08 | |
We're using muscles that we haven't used in that capacity, | 0:35:08 | 0:35:15 | |
for 50-odd years. | 0:35:15 | 0:35:17 | |
I'll be nervous. I think everybody is. | 0:35:18 | 0:35:20 | |
But once the adrenaline gets going, | 0:35:20 | 0:35:22 | |
you're just in your little world of your own. | 0:35:22 | 0:35:24 | |
You don't think about the people around you. | 0:35:24 | 0:35:26 | |
You just think about what you're doing. | 0:35:26 | 0:35:27 | |
We're 70-odd years old and we can still do it, you know. | 0:35:27 | 0:35:31 | |
It's a change more than anything. | 0:35:32 | 0:35:34 | |
It brightens up a boring, lonely existence. | 0:35:34 | 0:35:38 | |
Fabulous, here we go! | 0:35:38 | 0:35:39 | |
You lot look good. Turn, back for three, flick... | 0:35:39 | 0:35:43 | |
Two and two... Lovely! | 0:35:43 | 0:35:45 | |
Yeah, nice. | 0:35:45 | 0:35:48 | |
Good stuff. You've just made me feel a very proud teacher. | 0:35:48 | 0:35:53 | |
Thank you so much. | 0:35:53 | 0:35:55 | |
-Thank you, Jack. -Thank you. | 0:35:55 | 0:35:57 | |
The veterans are ready to rock and roll | 0:35:57 | 0:36:00 | |
and Flo's even got a thank you for Jack. | 0:36:00 | 0:36:03 | |
THEY LAUGH | 0:36:03 | 0:36:06 | |
-What am I supposed to do with that, Flo? -I don't know. | 0:36:07 | 0:36:10 | |
-I can show you. -A wobbly willy? | 0:36:10 | 0:36:12 | |
With dancers old and young now firing on all cylinders, | 0:36:17 | 0:36:21 | |
Jack's showcase to promote partner dancing is on track. | 0:36:21 | 0:36:24 | |
Okey dokey... | 0:36:26 | 0:36:27 | |
But he's not done yet. He wants to raise the stakes even higher. | 0:36:27 | 0:36:33 | |
Can we make a parish circle? | 0:36:33 | 0:36:35 | |
I have been studying the history of that dance hall | 0:36:36 | 0:36:39 | |
and the kind of things that used to go on. | 0:36:39 | 0:36:42 | |
So I learned about a thing called the deep end where couples | 0:36:42 | 0:36:45 | |
used to have a dance-off, particularly in the jive. | 0:36:45 | 0:36:48 | |
They weren't competing, but it was just people really | 0:36:48 | 0:36:50 | |
expressing their love for the music and their love for the dance. | 0:36:50 | 0:36:54 | |
So, I thought, why not have a golden couple? | 0:36:54 | 0:36:58 | |
A couple that might be able to, with the time given, | 0:36:58 | 0:37:01 | |
take on a little bit more of a dance routine on their very own. | 0:37:01 | 0:37:05 | |
That golden couple in the cha-cha-cha group is... | 0:37:05 | 0:37:10 | |
-Scott and Helen. -CHEERING AND APPLAUSE | 0:37:10 | 0:37:13 | |
The cha-cha. Good? Good. | 0:37:18 | 0:37:20 | |
Good, good, good, good. | 0:37:20 | 0:37:23 | |
It's not a competition, it's just I want to step it up a little bit. | 0:37:23 | 0:37:26 | |
It is now! | 0:37:26 | 0:37:27 | |
I can't believe it! | 0:37:28 | 0:37:30 | |
-Can you? -I can, actually, yeah. | 0:37:30 | 0:37:32 | |
Oh, I don't know why I asked you that sort of question. | 0:37:32 | 0:37:34 | |
I can't believe it. There'd be nothing better for me, | 0:37:34 | 0:37:36 | |
to step out with Scott on the dance floor on our own. | 0:37:36 | 0:37:39 | |
But the last time this pair danced in public, it was a disaster. | 0:37:39 | 0:37:43 | |
Our wedding dance was more of a | 0:37:43 | 0:37:45 | |
drunken fumble along the dance floor. | 0:37:45 | 0:37:47 | |
It was for you! I wasn't drunk at that time. You were, though. | 0:37:47 | 0:37:51 | |
I just adore Scott and Helen. | 0:37:53 | 0:37:56 | |
Their story about their wedding dance... | 0:37:56 | 0:37:59 | |
We have a duty to remedy that, so... | 0:37:59 | 0:38:02 | |
And they're committing, they're encouraging the rest of the group. | 0:38:02 | 0:38:06 | |
How could it not be them? | 0:38:06 | 0:38:07 | |
Now when everybody's watching us, we'll just... | 0:38:07 | 0:38:11 | |
HE HUMS | 0:38:11 | 0:38:14 | |
Scott's on a high. | 0:38:17 | 0:38:19 | |
And a-cha-cha-cha... | 0:38:19 | 0:38:20 | |
But with the big night getting even closer, Dawn isn't so enthusiastic. | 0:38:20 | 0:38:25 | |
Take that frown upside down. | 0:38:25 | 0:38:29 | |
-And turn it into... -I'm just concentrating. | 0:38:29 | 0:38:31 | |
I don't want concentration. Do you know what? Do you know why? | 0:38:31 | 0:38:36 | |
-I want it to be fun. -It is! -Don't over-concentrate, my gorgeous woman. | 0:38:36 | 0:38:40 | |
It's harder than what I thought, if I'm being quite honest. | 0:38:40 | 0:38:43 | |
Yeah, very much. | 0:38:43 | 0:38:45 | |
Dawn's been to almost every rehearsal, | 0:38:45 | 0:38:47 | |
but her confidence is plummeting. | 0:38:47 | 0:38:49 | |
I was really struggling and the lady next to me said I look like | 0:38:49 | 0:38:52 | |
I'm constipated, but that's just because I'm trying to concentrate. | 0:38:52 | 0:38:56 | |
I'm sort of making funny faces. | 0:38:56 | 0:38:58 | |
You've got to be able to walk onto a dance floor, | 0:38:58 | 0:39:00 | |
hopefully on a packed floor, and off you go, cha-cha-cha. | 0:39:00 | 0:39:05 | |
I don't think there's any way I could just get up | 0:39:05 | 0:39:07 | |
and strut my stuff in front of everybody, cos I can't do it. | 0:39:07 | 0:39:10 | |
Maybe this is just that one step too far | 0:39:10 | 0:39:13 | |
for me at the moment. | 0:39:13 | 0:39:14 | |
Jack's not letting Dawn off the hook. | 0:39:24 | 0:39:26 | |
He's taken her to Manchester for a spot of vintage retail therapy. | 0:39:26 | 0:39:30 | |
Today is very much about giving Dawn some confidence, | 0:39:31 | 0:39:34 | |
because she's the most beautiful woman, | 0:39:34 | 0:39:37 | |
but she's very self-conscious about her body image. | 0:39:37 | 0:39:40 | |
She has made a couple of comments about | 0:39:40 | 0:39:43 | |
she hopes she's able to turn up, | 0:39:43 | 0:39:45 | |
so that's slightly daunting. | 0:39:45 | 0:39:47 | |
Look at those eyes. | 0:39:47 | 0:39:50 | |
You have no idea how beautiful you are. | 0:39:50 | 0:39:54 | |
To get on the dance floor being the size I am is very hard. | 0:39:54 | 0:39:57 | |
My confidence is obviously linked to my weight. | 0:39:57 | 0:40:00 | |
I was a little podgy child and maybe that's where it all began. | 0:40:00 | 0:40:03 | |
To get on the floor will take guts, | 0:40:03 | 0:40:06 | |
and in Jack's world it helps to dress the part. | 0:40:06 | 0:40:08 | |
-Are you thinking dress? -No, no. -Or are you thinking two-piece? -No. | 0:40:10 | 0:40:14 | |
Got to be two-piece, Jack. I'd love a dress, but, yeah, yeah, two-piece. | 0:40:14 | 0:40:19 | |
I think just trousers and a top. | 0:40:19 | 0:40:23 | |
Because I tell you one thing, you dance beautifully. | 0:40:23 | 0:40:27 | |
Absolutely... | 0:40:27 | 0:40:28 | |
I... You're never going to believe me, are you? | 0:40:28 | 0:40:31 | |
-SHE LAUGHS -I don't know what I've got to do in order to...convince you. | 0:40:31 | 0:40:35 | |
She is just a beautiful dancer, | 0:40:35 | 0:40:38 | |
but I'm not having that stand in her way from having a great time. | 0:40:38 | 0:40:41 | |
I'm overweight for somebody who's 53 | 0:40:41 | 0:40:44 | |
and supposed to be a movement person, you know. So what? | 0:40:44 | 0:40:48 | |
And if we fear what other people think about our bodies, | 0:40:48 | 0:40:51 | |
and we don't dance... | 0:40:51 | 0:40:54 | |
A life lived in fear is a live half lived. | 0:40:54 | 0:40:59 | |
You've got to get on that floor. | 0:40:59 | 0:41:01 | |
-I will. -Sorry? -I will. | 0:41:01 | 0:41:03 | |
-Look me in the eye and say that, then. -I will, Jack. | 0:41:03 | 0:41:06 | |
-Are you a woman of your word? -Definitely. -Yeah. | 0:41:06 | 0:41:09 | |
-Don't talk to me about your bum. -But it's... | 0:41:09 | 0:41:11 | |
It's not my bum, Jack, it's my belly. But you have done a good job. | 0:41:11 | 0:41:14 | |
Do you know why? Because my belly has been wobbling all over the place | 0:41:14 | 0:41:18 | |
since day one and I've not really bothered. | 0:41:18 | 0:41:20 | |
Great! | 0:41:20 | 0:41:21 | |
-That's genuine. -Great. | 0:41:21 | 0:41:23 | |
It has wobbled and I see it wobble, but I don't really care | 0:41:23 | 0:41:26 | |
cos I've enjoyed the dancing. | 0:41:26 | 0:41:27 | |
-No, seriously. -Good. And you're going to wobble | 0:41:27 | 0:41:30 | |
-next Saturday? -Oh, I'm going to wobble | 0:41:30 | 0:41:32 | |
-next Saturday. -Yeah? -And enjoy it. -Give us a hug. Mwah! | 0:41:32 | 0:41:36 | |
Fabulous. | 0:41:39 | 0:41:40 | |
Bolton's first Palais dancehall night in 50 years is just days away. | 0:41:53 | 0:41:58 | |
This is brill! This is very therapeutic, this. | 0:41:58 | 0:42:01 | |
Across town, Bolton is ballrooming. | 0:42:01 | 0:42:03 | |
One, two, three. | 0:42:03 | 0:42:05 | |
Practising at home... | 0:42:05 | 0:42:07 | |
Work it, girl. | 0:42:07 | 0:42:09 | |
Don't get it wrong! | 0:42:09 | 0:42:11 | |
..dancing in the bakery... | 0:42:11 | 0:42:12 | |
.six, seven, eight. | 0:42:12 | 0:42:14 | |
..and sweating the steps in the studio. | 0:42:15 | 0:42:18 | |
One, two, three... | 0:42:18 | 0:42:20 | |
The first-timers are fired up. | 0:42:20 | 0:42:23 | |
-That's it - it's easy! -It isn't easy! | 0:42:23 | 0:42:25 | |
-I wouldn't ask you to do it if it was easy! -Can YOU do that? | 0:42:25 | 0:42:28 | |
Jack has managed to get 150 people ballroom-ready. | 0:42:28 | 0:42:32 | |
-Give a growl - Grrrrrr! -ALL: Grrrrr! | 0:42:32 | 0:42:35 | |
One, two, three. | 0:42:35 | 0:42:37 | |
But there's still room for one more. | 0:42:37 | 0:42:40 | |
-Have you ever danced arm in arm with a man? -Well, not in this way, but... | 0:42:40 | 0:42:45 | |
Not in this way? Not in a cha-cha-cha. | 0:42:45 | 0:42:47 | |
Only in a club environment. | 0:42:47 | 0:42:50 | |
A club environment. Freestyle. | 0:42:50 | 0:42:53 | |
Yeah. | 0:42:53 | 0:42:54 | |
-How would you like to dance with a man? -Well... | 0:42:54 | 0:42:57 | |
Yeah, that would be a thrill. | 0:42:57 | 0:42:59 | |
So will you give me a chance to see if I can't bring | 0:42:59 | 0:43:02 | |
somebody into our group who would be suitable for you to dance with? | 0:43:02 | 0:43:06 | |
I think yes. | 0:43:06 | 0:43:08 | |
-No man would ever dance with a man in that dancehall. -True. | 0:43:08 | 0:43:11 | |
-Maybe there were some renegades. -Some rene...! Ha-ha! | 0:43:11 | 0:43:14 | |
Yes, we'll be the Romeo and Romeo of the ball | 0:43:14 | 0:43:17 | |
and I couldn't be more thrilled about it. | 0:43:17 | 0:43:19 | |
I can't wait! | 0:43:19 | 0:43:21 | |
On the big night, | 0:43:23 | 0:43:24 | |
the perfect partnerships will create magic on the dance floor. | 0:43:24 | 0:43:28 | |
Which is why Jack's picked newlyweds Scott and Helen to do a solo spot. | 0:43:30 | 0:43:34 | |
-Can I see what you've done since last time I saw you? -Yes. | 0:43:34 | 0:43:38 | |
-Oh, I'm sorry, I thought we'd do this one. -No, this is what we said. | 0:43:38 | 0:43:41 | |
Apologies, apologies. | 0:43:41 | 0:43:43 | |
They've been given an advance cha-cha routine. | 0:43:43 | 0:43:46 | |
Cha-cha-cha, cha-cha-cha. | 0:43:46 | 0:43:48 | |
Jack wants to give it a final polish. | 0:43:48 | 0:43:50 | |
Two, three and a...cha-cha-cha and a cha-cha-cha... | 0:43:50 | 0:43:54 | |
-You're pushing me! -Cha-cha-cha... Hang on a second. Whoa, whoa. | 0:43:54 | 0:43:58 | |
Don't, while you're dancing, direct each other. | 0:43:58 | 0:44:02 | |
-I will do the directing. -Will you direct him, Jack, | 0:44:02 | 0:44:05 | |
and tell him that he's pushing me when I'm going backwards? | 0:44:05 | 0:44:08 | |
Well, actually, you went wrong when you were going forward, | 0:44:08 | 0:44:11 | |
-so be very careful - pride before a fall. -There, see? -Ah-ah! | 0:44:11 | 0:44:15 | |
-I'm doing the talking now. -He is still pushing me! | 0:44:15 | 0:44:18 | |
What's going on here?! What is going on here? | 0:44:18 | 0:44:20 | |
-So, you did one cha-cha too many. -Yeah, I did. | 0:44:20 | 0:44:23 | |
He's not intentionally pulling you. | 0:44:23 | 0:44:24 | |
-You're taking too big a back step. -Right. -That's why you pull. | 0:44:24 | 0:44:29 | |
So it's no point you saying, "Stop pulling me, stop pushing me," | 0:44:29 | 0:44:33 | |
because, actually, he doesn't know why he's doing it. | 0:44:33 | 0:44:36 | |
-I've told him he's taking too big a step. -You told him? -Mm. -OK. | 0:44:36 | 0:44:39 | |
-Getting a bit tense. -You wouldn't believe the tension this week. | 0:44:39 | 0:44:43 | |
-Really? -Yeah. Plenty of arguments, plenty of shouting and screaming. | 0:44:43 | 0:44:47 | |
Focus. After "and". And...cha-cha-cha. | 0:44:47 | 0:44:51 | |
Keep the hands low, keep the hands low. One, two, and stop right there. | 0:44:51 | 0:44:55 | |
-Good. -I'm not saying that... | 0:44:55 | 0:44:57 | |
I'm not saying that I'm perfect or anything, | 0:44:57 | 0:44:59 | |
but you're pushing me and I kept saying, "you're pushing me." | 0:44:59 | 0:45:02 | |
-He didn't that time, did he? -No, he didn't. | 0:45:02 | 0:45:05 | |
But he isn't pushing you out of the wrong intention. | 0:45:05 | 0:45:08 | |
Well, it feels like it sometimes. | 0:45:08 | 0:45:09 | |
I'll be pushing you out of the door if you carry on like that. | 0:45:09 | 0:45:12 | |
-Whose door? -That one there. Wait till YOU get on the other end. | 0:45:12 | 0:45:17 | |
Jack hasn't started on YOU yet. | 0:45:17 | 0:45:18 | |
Slightly... Oh, God, the tension is palpable! | 0:45:18 | 0:45:22 | |
-If you are competing with each other... -We have been. | 0:45:25 | 0:45:28 | |
-You have been. -Yeah. -You have to be really... | 0:45:28 | 0:45:31 | |
-I think we have, to be honest. -I've not! You have from the start. | 0:45:31 | 0:45:33 | |
You being competitive, pushing me, pulling me. | 0:45:33 | 0:45:36 | |
"You don't do it like this." Telling me how to do my moves. | 0:45:36 | 0:45:39 | |
That's what he's been doing. | 0:45:39 | 0:45:40 | |
I think it's just frustration because you keep getting them wrong. | 0:45:40 | 0:45:43 | |
-See what I mean? You can't deal with stupid, can you? -Oooh! | 0:45:43 | 0:45:47 | |
-Let's not use that word. -Yeah, that's naughty. | 0:45:47 | 0:45:50 | |
-Why? -That's below the belt. | 0:45:50 | 0:45:52 | |
Ooh... | 0:45:52 | 0:45:54 | |
-He just won't listen! -I'm worried I'm charging the wrong rate. | 0:45:54 | 0:45:57 | |
My rates for marriage guidance counselling are something different. | 0:45:57 | 0:46:01 | |
Yeah, I am worried. | 0:46:01 | 0:46:03 | |
Here is what I want you to do, OK, | 0:46:03 | 0:46:05 | |
because otherwise I'm the one that's going to have the domestic. | 0:46:05 | 0:46:08 | |
Don't compete. So he's trying to lead. | 0:46:08 | 0:46:11 | |
Now, you have to give of yourself to your husband, | 0:46:11 | 0:46:14 | |
-otherwise it doesn't work. -Right. Can I say... | 0:46:14 | 0:46:17 | |
You all have to get the steps right. | 0:46:17 | 0:46:19 | |
You all have to get the rhythm right - that's absolutely fine. | 0:46:19 | 0:46:22 | |
But stop it! And you stop it now. | 0:46:22 | 0:46:24 | |
It's very simple - | 0:46:24 | 0:46:26 | |
if they do not stop competing with each other, | 0:46:26 | 0:46:30 | |
they will sabotage their dance for Saturday night | 0:46:30 | 0:46:33 | |
and no-one will find it attractive, and in not finding it attractive, | 0:46:33 | 0:46:37 | |
I'm not selling social dance, end of. | 0:46:37 | 0:46:40 | |
Cheers. | 0:46:40 | 0:46:42 | |
Two months ago, Jack arrived in Bolton to kick-start his | 0:46:52 | 0:46:56 | |
social dance revival to live up to the 1950s heyday. | 0:46:56 | 0:47:00 | |
Now, after a race to get locals ballroom-ready | 0:47:00 | 0:47:04 | |
and an ambitious restoration, the glitter balls are back. | 0:47:04 | 0:47:08 | |
The dancehall night has finally arrived | 0:47:09 | 0:47:12 | |
and Jack's about to find out if he can get Bolton dancing. | 0:47:12 | 0:47:15 | |
People. Are they going to come? | 0:47:18 | 0:47:21 | |
The ads are out, the posters are at the front of the building. | 0:47:21 | 0:47:26 | |
I need a lot of people to fill this floor! | 0:47:26 | 0:47:29 | |
I have never felt such responsibility in my life. | 0:47:32 | 0:47:35 | |
And I'm nervous. I'm very, very nervous. | 0:47:36 | 0:47:40 | |
So, tonight's the night I find out if I fail or pass. | 0:47:40 | 0:47:47 | |
First to arrive are the original Palais patrons who have been | 0:47:53 | 0:47:56 | |
with Jack every step of the way. | 0:47:56 | 0:47:59 | |
-Oh, it's lovely! -Oh, it looks fantastic! | 0:47:59 | 0:48:02 | |
For these dancehall veterans, it's like stepping back in time. | 0:48:02 | 0:48:06 | |
-It looks fabulous, don't it? -It does look gorgeous. -It looks fabulous. | 0:48:06 | 0:48:09 | |
The dancehall, restored with a quintessential stage backdrop, | 0:48:09 | 0:48:14 | |
romantic velvet drapes, fairytale lighting | 0:48:14 | 0:48:18 | |
and iconic glitter balls, was the setting to their teenage years | 0:48:18 | 0:48:22 | |
when they came here to dance and fall in love. | 0:48:22 | 0:48:25 | |
This is where it all happened for me and Jude, you know. | 0:48:25 | 0:48:28 | |
-And for lots of other people. -This is why I keep getting upset. | 0:48:28 | 0:48:30 | |
-Have I done you proud? -ALL: Yes! | 0:48:32 | 0:48:35 | |
Because this is really important. | 0:48:35 | 0:48:37 | |
You lived it. You were here in the '50s. I am really nervous. | 0:48:37 | 0:48:42 | |
Will they have as magical a time | 0:48:42 | 0:48:45 | |
that you have treasured in your hearts? | 0:48:45 | 0:48:49 | |
-ALL: Yeah! -It's fantastic. | 0:48:49 | 0:48:50 | |
It brings back memories, and my stomach... It's brilliant! | 0:48:50 | 0:48:56 | |
I'm excited! | 0:48:56 | 0:48:58 | |
The grand opening is minutes away. | 0:49:01 | 0:49:04 | |
Jack's cha-cha group has arrived | 0:49:04 | 0:49:06 | |
dressed to the nines for their dance floor debut. | 0:49:06 | 0:49:08 | |
I'm really nervous now. I'm petrified. | 0:49:08 | 0:49:11 | |
My stomach is actually churning. Yeah. | 0:49:11 | 0:49:13 | |
Adding to the pressure is a late addition, | 0:49:13 | 0:49:16 | |
Drew's new dance partner, Mikey. | 0:49:16 | 0:49:18 | |
We've worked hard at learning this dance, | 0:49:18 | 0:49:20 | |
-so I'm very excited. -I'm constantly going over it in my mind, the dance. | 0:49:20 | 0:49:25 | |
BOTH: Three, two, three, four. Four, two, three, cha-cha-cha! | 0:49:25 | 0:49:29 | |
I want people to dance arm in arm, cheek to cheek, | 0:49:31 | 0:49:34 | |
for the very first time in the Palais de Dance, Bolton, tonight. | 0:49:34 | 0:49:38 | |
Time to see if Jack's efforts to rally the town have paid off. | 0:49:39 | 0:49:43 | |
CHEERING | 0:49:49 | 0:49:50 | |
JACK LAUGHS | 0:49:52 | 0:49:53 | |
Hundreds of them! In you come! Come on in. Lovely to meet you. | 0:49:53 | 0:49:58 | |
Word of Jack's partner dancing revival has spread. | 0:49:59 | 0:50:02 | |
Hundreds of newcomers are here to see if ballroom is for them. | 0:50:02 | 0:50:06 | |
-It's amazing! It's lovely, isn't it? -It's so glamorous! | 0:50:06 | 0:50:10 | |
We went expecting anything like this. | 0:50:10 | 0:50:13 | |
Amongst them, Jack's invited two important guests, | 0:50:13 | 0:50:15 | |
local nightspot owners who might give a home | 0:50:15 | 0:50:18 | |
to social dancing beyond tonight. | 0:50:18 | 0:50:20 | |
I'm here tonight to see if this kind of event | 0:50:22 | 0:50:25 | |
is feasible for the bar that I own. | 0:50:25 | 0:50:27 | |
I need to see the people dancing, | 0:50:27 | 0:50:29 | |
I need to see them enjoying themselves. | 0:50:29 | 0:50:31 | |
I need to see whether they've really got the feel that they'd | 0:50:31 | 0:50:34 | |
want to come out on a cold Thursday night to dance. | 0:50:34 | 0:50:36 | |
To host their own event, they need proof it works, | 0:50:36 | 0:50:39 | |
so tonight they're sitting in judgment. | 0:50:39 | 0:50:41 | |
Every dance counts. | 0:50:41 | 0:50:43 | |
Welcome to the Palais de Danse, Bolton. | 0:50:43 | 0:50:47 | |
CHEERING | 0:50:47 | 0:50:48 | |
Inspiring Bolton to carry on dancing falls to Jack's ballroom novices. | 0:50:54 | 0:50:58 | |
It's time to cha-cha. | 0:50:58 | 0:51:01 | |
I'm feeling really excited and a little bit scared. | 0:51:01 | 0:51:05 | |
I'm petrified now. Yeah, I'm really nervous. | 0:51:08 | 0:51:14 | |
And now, ladies and gentlemen, | 0:51:14 | 0:51:16 | |
my wonderful group are going to dance for your pleasure... | 0:51:16 | 0:51:19 | |
..a cha-cha-cha. | 0:51:20 | 0:51:22 | |
BAND STRIKES UP | 0:51:22 | 0:51:24 | |
The group has made a slick start. | 0:51:27 | 0:51:30 | |
All eyes are on them and MC Joe has finally found his rhythm. | 0:51:31 | 0:51:37 | |
Yeah, they're tight, they are on it! | 0:51:41 | 0:51:44 | |
But nerves have taken hold of Dawn's dance partner. | 0:51:44 | 0:51:47 | |
Oh... | 0:51:49 | 0:51:52 | |
Alan is losing it. | 0:51:52 | 0:51:53 | |
Dawn quickly pulls it back. | 0:51:57 | 0:51:59 | |
The group is doing Jack proud. | 0:52:03 | 0:52:05 | |
And owning their place on the dance floor are Drew and Mikey. | 0:52:06 | 0:52:10 | |
They must be very nervous - two lads dancing together in a hall | 0:52:12 | 0:52:15 | |
that has never seen two lads dance together before. | 0:52:15 | 0:52:18 | |
BOTH: Cha-cha-cha! | 0:52:22 | 0:52:23 | |
CHEERING | 0:52:23 | 0:52:24 | |
Wahey! | 0:52:24 | 0:52:25 | |
Whoohoo! | 0:52:27 | 0:52:28 | |
-JOE: -I've really enjoyed this. It's been fantastic. The buzz was there. | 0:52:28 | 0:52:32 | |
-Teamwork, that's what it's all about. -Thanks, Joe! -Thank you very much! | 0:52:32 | 0:52:35 | |
-MIKEY: -I loved it. The feelings inside me was happiness, joy. | 0:52:35 | 0:52:39 | |
You know, I was ecstatic. | 0:52:39 | 0:52:41 | |
It was like before you go on a rollercoaster and then some. | 0:52:41 | 0:52:46 | |
BAND STRIKES UP | 0:52:46 | 0:52:49 | |
One woman determined not to miss out tonight is Margot. | 0:52:49 | 0:52:52 | |
I've no idea who I'm dancing with, | 0:52:52 | 0:52:54 | |
but it would be nice to dance after all the practice I've done. | 0:52:54 | 0:52:57 | |
So she decides to break with tradition and ask a man to dance. | 0:52:57 | 0:53:01 | |
-Is it all right if I dance with your husband? -Course it is, yes! | 0:53:01 | 0:53:04 | |
-I'm stuck for a partner. Will you be mine? -I'd be delighted. | 0:53:04 | 0:53:07 | |
-Thank you very much. -Are you all right? | 0:53:07 | 0:53:09 | |
-Now I'm dancing with you I am, yeah! -Awww! | 0:53:09 | 0:53:12 | |
After 50 years away, | 0:53:18 | 0:53:19 | |
the original patrons are back to show the joy dancing arm in arm can give. | 0:53:19 | 0:53:24 | |
-FLO: -It was fantastic! I felt like a young lady again. | 0:53:30 | 0:53:34 | |
Me body didn't, but in me mind it was. | 0:53:34 | 0:53:37 | |
Who wouldn't want to go back in time to visit, you know...your youth? | 0:53:37 | 0:53:41 | |
-MARGOT: -It was wonderful tonight. | 0:53:42 | 0:53:43 | |
When you get to my time of life you don't expect to have | 0:53:43 | 0:53:46 | |
experiences like that. | 0:53:46 | 0:53:47 | |
-It seemed like we were 16. -Incredible. | 0:53:47 | 0:53:52 | |
-You can't buy that feeling. -I never, ever dreamed that it would happen. | 0:53:52 | 0:53:58 | |
And here we are! | 0:53:58 | 0:53:59 | |
MUSIC FINISHES | 0:53:59 | 0:54:01 | |
CHEERING AND APPLAUSE | 0:54:01 | 0:54:03 | |
-They were just wonderful! -Brilliant, amazing. | 0:54:06 | 0:54:10 | |
It's a bit like being in the movies here this evening, | 0:54:10 | 0:54:13 | |
it really, really is. | 0:54:13 | 0:54:14 | |
So it's to take people into another world, a fantasy world. | 0:54:14 | 0:54:19 | |
The reality of the revival relies on newcomers taking part. | 0:54:19 | 0:54:23 | |
But can a night where booze is swapped for a brew | 0:54:23 | 0:54:26 | |
appeal to a young crowd? | 0:54:26 | 0:54:28 | |
We felt like we were in the 1950s and in that era. | 0:54:28 | 0:54:32 | |
It's a very traditional sort of dance, | 0:54:32 | 0:54:35 | |
something that is in our history, | 0:54:35 | 0:54:37 | |
rather than going out for a night out in sort of Bolton or Manchester. | 0:54:37 | 0:54:40 | |
I don't think young people would just get up and have a dance. | 0:54:40 | 0:54:43 | |
I think they need alcohol to give them that confidence. | 0:54:43 | 0:54:47 | |
It's not over, that's part one. | 0:54:49 | 0:54:51 | |
CHEERING | 0:54:51 | 0:54:54 | |
Now Jack will play his trump card. | 0:54:55 | 0:54:57 | |
After rocky rehearsals, husband and wife must put on a united front. | 0:54:57 | 0:55:01 | |
Here we go! | 0:55:03 | 0:55:04 | |
They're about to find out what it's like to dance solo... | 0:55:04 | 0:55:08 | |
in front of 400 people. | 0:55:08 | 0:55:10 | |
And Jack is a little bit nervous. | 0:55:11 | 0:55:14 | |
BAND STRIKES UP | 0:55:14 | 0:55:16 | |
She always loses the rhythm. Cha-cha-cha, two three, cha-cha-cha. | 0:55:30 | 0:55:34 | |
She's done it! Yeah! | 0:55:34 | 0:55:36 | |
Cha-cha-cha! | 0:55:36 | 0:55:37 | |
Bam, bam, cha-cha-cha. Good girl! | 0:55:37 | 0:55:40 | |
Cha-cha-cha, cha-cha-cha. | 0:55:41 | 0:55:44 | |
-They're looking at each other nicely, aren't they? -Yeah! | 0:55:44 | 0:55:47 | |
-Check YOU out! -Yeah, they're talking to each other. | 0:55:47 | 0:55:51 | |
Ready? | 0:55:51 | 0:55:52 | |
-Who do you think wears the trousers in that house, Phil? -Well... | 0:55:52 | 0:55:56 | |
MUSIC FINISHES | 0:55:58 | 0:56:00 | |
CHEERING AND APPLAUSE | 0:56:00 | 0:56:02 | |
That were absolutely fantastic! I'm on such a high at t'moment! Oh! | 0:56:08 | 0:56:13 | |
-I just... -Grrr! -Grrr! -HE LAUGHS | 0:56:13 | 0:56:16 | |
Jack's newbies have all strutted their stuff. Now it's crunch time. | 0:56:16 | 0:56:21 | |
The locals are tucking in to the Palais pies. | 0:56:21 | 0:56:24 | |
But will the sober crowd get on their feet and hit the dance floor? | 0:56:26 | 0:56:30 | |
And now, ladies and gentlemen, it is your turn. | 0:56:30 | 0:56:33 | |
I'm going to teach you a very simple, | 0:56:33 | 0:56:36 | |
very, very simple dance, called the Wild Wild West. | 0:56:36 | 0:56:39 | |
It's a fun dance. | 0:56:39 | 0:56:40 | |
Get on the floor. If you haven't danced, get down here now. | 0:56:40 | 0:56:44 | |
Nightclub owners... | 0:56:45 | 0:56:47 | |
And I'll teach you the steps first of all. | 0:56:47 | 0:56:50 | |
We need an acid test. | 0:56:50 | 0:56:51 | |
If we can get real newcomers on the floor, that will prove, | 0:56:51 | 0:56:54 | |
categorically, that dancehalls are alive | 0:56:54 | 0:56:57 | |
and well again in the 21st century. | 0:56:57 | 0:57:01 | |
Right, here we go! Let's take it away! | 0:57:01 | 0:57:03 | |
Come and join us, everybody. | 0:57:03 | 0:57:04 | |
You lot are coming down! | 0:57:15 | 0:57:16 | |
Everyone shone this evening. But also the buzz, the electricity! | 0:57:23 | 0:57:27 | |
Thank you. Thank you so much. Thank you. | 0:57:27 | 0:57:30 | |
-It really is fantastic! -It's all very impressive. | 0:57:30 | 0:57:33 | |
Fantastic feel in the room, as well. | 0:57:33 | 0:57:35 | |
They've done a tremendous job. It's a lovely atmosphere. | 0:57:35 | 0:57:38 | |
It's ticked a lot of boxes. | 0:57:38 | 0:57:40 | |
But the big box it hasn't ticked is what do we do next? | 0:57:40 | 0:57:45 | |
I'm actually chuffed to bits with myself | 0:57:49 | 0:57:52 | |
and I feel that I've come out of my big shell. | 0:57:52 | 0:57:55 | |
I was nervous but not self-conscious. | 0:57:55 | 0:57:57 | |
So for me it's been an amazing journey, | 0:57:57 | 0:57:59 | |
just brought about by dance. | 0:57:59 | 0:58:01 | |
I hope that it does continue for the younger generation. | 0:58:01 | 0:58:05 | |
Dancing with a boy is lovely, and talk - it's lovely! | 0:58:05 | 0:58:09 | |
And they're missing out on all that, you know. | 0:58:09 | 0:58:11 | |
I would love nothing more than to come back here in a year's time | 0:58:11 | 0:58:15 | |
and know that the majority of these people that we've taught | 0:58:15 | 0:58:18 | |
are still dancing. | 0:58:18 | 0:58:20 | |
MUSIC FINISHES, CHEERING AND APPLAUSE | 0:58:24 | 0:58:28 | |
Don't start arguing and showing off. | 0:58:37 | 0:58:39 | |
Are you ready? Cha-cha-cha... | 0:58:39 | 0:58:41 | |
INDISTINCT RAP | 0:58:41 | 0:58:43 | |
WHOOPING | 0:58:49 | 0:58:51 | |
Ah, one, two, three, four, five... | 0:58:53 | 0:58:58 |