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Its an education like no other. I don't care what background you | :00:18. | :00:23. | |
are coming from, whether it is upper class, middle-class. The only | :00:23. | :00:27. | |
thing I'm interested in is finding someone who is first-class. | :00:27. | :00:31. | |
From all over the country, 12 of Britain's youngest and brightest | :00:31. | :00:36. | |
business brains have come to London. I love to encourage young people | :00:36. | :00:41. | |
like you to see if you have that spark of genius in you. Come on, | :00:41. | :00:46. | |
James! Aged 16 and 17, all have a passion for business. | :00:46. | :00:52. | |
I'll pay you �65 for both of them. They are to compete for a life- | :00:52. | :00:57. | |
changing prize worth �25,000. To kick-start a business career. | :00:57. | :01:01. | |
Don't try to pretend that you know it all. Because, believe me, it | :01:01. | :01:05. | |
will be embarrassing. To succeed, they will have to | :01:06. | :01:09. | |
impress the Boss... This is not a talent show. | :01:09. | :01:14. | |
In charge of a vast business empire, Lord Sugar started his career while | :01:14. | :01:19. | |
still at school. Now he's on the hunt for his next | :01:19. | :01:23. | |
Young Apprentice. Can I speak please? To win they | :01:23. | :01:27. | |
must work as teams, but shine as individuals. | :01:27. | :01:34. | |
God, this is difficult. It wasn't me! Because in the end, | :01:34. | :01:40. | |
there can only be one Young Apprentice. | :01:40. | :01:50. | |
:01:50. | :01:51. | ||
You're fired. You're fired, with regret, you're fired. | :01:51. | :01:55. | |
Good morning, Lord Sugar. Previously on Young Apprentice... | :01:55. | :02:00. | |
Your next task is all about developing flavours of popcorn, the | :02:00. | :02:04. | |
not so good news is that I only need two people in the final. | :02:04. | :02:09. | |
With everything to play for... That's American to me. | :02:09. | :02:12. | |
Harry's team tested the taste of America. | :02:12. | :02:17. | |
Sweet, smokey with spice. James pronounced popcorn wrong. | :02:17. | :02:21. | |
don't like it. You distant say it properly. We are | :02:21. | :02:25. | |
not having it. Lizzie forced a decision. | :02:25. | :02:30. | |
Are you going with empire state? Yes, thanks for that, Lizzie. | :02:30. | :02:35. | |
Harry snapped again. I think you got us fired. | :02:35. | :02:40. | |
Zara was in a starring role. All of the other popcorns are the | :02:40. | :02:44. | |
same. Helping James' team to sweep the | :02:44. | :02:50. | |
boardroom. Bringing the curtain down on Harry M and Harry H. | :02:50. | :02:54. | |
I wish you well. Another winning performance from | :02:54. | :02:57. | |
Zara. There is no-one more determined. | :02:57. | :03:02. | |
And James claiming the credit. Because I did that, we won the task. | :03:02. | :03:08. | |
It left Haya without a role. He did not give me a chance to push my | :03:08. | :03:13. | |
ideas forward. Making her the tenth casualty to leave the broadroom. | :03:13. | :03:17. | |
I will have to ask you to leave the process. | :03:17. | :03:24. | |
Now, two candidates remain in the fight to become Lord Sugar's Young | :03:24. | :03:34. | |
:03:34. | :03:36. | ||
Apprentice. PHONE RINGS Hello? Good morning | :03:36. | :03:43. | |
this is Lord Sugar's office. Lord Sugar would like to meet you at | :03:43. | :03:46. | |
County Hall. The car will be with you in 20 minutes. | :03:46. | :03:56. | |
Thank you. County Hall in 30 minutes. What? | :03:56. | :04:01. | |
Where is that How do I know, but we have to minutes. OK, got it, got it, | :04:01. | :04:08. | |
got it. I think that Zara will be a tough | :04:08. | :04:12. | |
competitor. I think that Lord Sugar likes her. She can speak very well, | :04:12. | :04:16. | |
but I'm looking forward to showing what I can do, as opposed to what | :04:16. | :04:21. | |
she can down. I came here to win this. I'm so close now, I literally | :04:21. | :04:25. | |
can taste it. I'm definitely not afraid that I can't win nor beat | :04:25. | :04:30. | |
James. It is a matter of pulling out all of the stops and doing as | :04:30. | :04:40. | |
:04:40. | :05:06. | ||
County Hall. Once home to London's local government, now a leisure and | :05:06. | :05:16. | |
:05:16. | :05:19. | ||
entertainment hot spot. Good morning. | :05:19. | :05:22. | |
Good morning, Lord Sugar. First of all, congratulations for | :05:23. | :05:26. | |
getting through to the final. As you know thousands applied. You | :05:26. | :05:32. | |
have been through seven weeks of very tough and challenging tasks, | :05:32. | :05:36. | |
so you have done very, very well. Now, you might wonder what we are | :05:36. | :05:43. | |
doing here? This is London's largest gaming arcade. Your task is | :05:44. | :05:48. | |
to come up with a brand new online video game. You are doing something | :05:49. | :05:55. | |
else which is quite novel. You are making what is known as a viral | :05:55. | :06:02. | |
internet advert. A viral advert that turns your video game into an | :06:02. | :06:05. | |
epidemic must-have product. Finally, all of this will end up with you | :06:05. | :06:10. | |
having to pitch your game in front of an audience of professionals in | :06:10. | :06:14. | |
three days' time. It might not come as a big surprise to you, but I | :06:15. | :06:20. | |
will bring back some people who you are familiar with to help you. So | :06:20. | :06:28. | |
welcome back. Right, Harry H and Lewis, step over | :06:28. | :06:37. | |
next to James. Gbemi, Haya, step next to Zara. The | :06:37. | :06:44. | |
rest of you three ladies, go and join James' team. You three | :06:44. | :06:49. | |
gentlemen, go and join Zara. I'll see you at the event in a few | :06:49. | :06:53. | |
days' time, then it will be back into the boardroom where I will | :06:53. | :07:00. | |
decide who is the winner of the Young Apprentice. | :07:00. | :07:03. | |
All clear? ALL SPEAK AT ONCE Yes, Lord Sugar. | :07:03. | :07:11. | |
Off you go. Three days to create and launch a | :07:11. | :07:16. | |
new online video game and viral advert. | :07:16. | :07:23. | |
This is going to be so huge. God, I need some really good ideas here. | :07:24. | :07:28. | |
You seem like the kind of person that plays games, get thinking. I | :07:28. | :07:34. | |
never play games. Why did I not spend more time playing games | :07:34. | :07:40. | |
instead of like... Reading economics work and, you know, being | :07:40. | :07:50. | |
:07:50. | :07:51. | ||
a nerd! East London, created -- creative base for both times, the | :07:51. | :07:59. | |
leading game developers here First some tips on how to get the game | :07:59. | :08:04. | |
global. This is the studio where we make | :08:04. | :08:08. | |
Moshi Monsters. It is one of the fastest growing games in the world. | :08:08. | :08:12. | |
One signage per second. The most important thing about the game that | :08:12. | :08:16. | |
you are creating is that it is fun. What is also important is to create | :08:16. | :08:20. | |
a lead character that is engaging and connects with the audience. You | :08:20. | :08:25. | |
can create one level, but there is no harm in thinking about how the | :08:25. | :08:31. | |
game can expand, into books, toys, magazines, even a cartoon. | :08:31. | :08:34. | |
The briefing is over, it's time to get creative. | :08:34. | :08:40. | |
So, I don't want rubbish. We want to have fun. This should be a fun | :08:40. | :08:44. | |
game. I don't want anyone messing about. So let's have a storming | :08:44. | :08:49. | |
session. I was thinking of the seaside. You have to stop the sea | :08:49. | :08:54. | |
gulls eating your food. They can be a pain for like excreting on you. | :08:54. | :09:01. | |
If they excrete on you, you lose. No. You know how little girls liej | :09:01. | :09:06. | |
horses and stables. -- like horses and stables, where she has to look | :09:06. | :09:15. | |
after the horse? I'ming this I -- I'm thinking along the lines of a | :09:15. | :09:19. | |
pazle game that is addictive. -- puzzle. | :09:19. | :09:25. | |
You could have a room, show the room, you watch it for 30 seconds. | :09:25. | :09:31. | |
It goes blank, show the room again, and you add in what is missing. | :09:31. | :09:37. | |
like that idea. There are not many games like that. It is just weather | :09:37. | :09:42. | |
the public like the idea or not. Across the hall, a game plan clicks | :09:42. | :09:46. | |
for 16-year-old Zara. We are going to create a little | :09:46. | :09:52. | |
animal, that is trying to get back to his loved one. Harry? The main | :09:52. | :09:57. | |
character is Mr Tweety Bird, his wife has been taken away. So the | :09:57. | :10:02. | |
princess and the castle idea. What about a Rauled rabbit? It | :10:02. | :10:08. | |
could be the idea of a boy going to a grave yard to visit his parents. | :10:08. | :10:14. | |
Then whil he is there, there are zom business that are there, he has | :10:14. | :10:19. | |
to escape them. It seems a little bit sombre. | :10:19. | :10:23. | |
I don't think that the animal thing will get people County Counciling. | :10:23. | :10:27. | |
I know that you you don't like the animals, but I think it will work. | :10:27. | :10:32. | |
If it is a really cute, likeable animal. How about a fat piggy | :10:32. | :10:37. | |
escaping from the butcher's? I'm a vegetarian. I think it would be fun | :10:37. | :10:43. | |
to have an evil butcher and the fat piggy trying to escape. I like the | :10:43. | :10:47. | |
character of the Treaty, but I think that the situation of the | :10:47. | :10:55. | |
princess and the castle is too overdone. Zom bee is too sombre, I | :10:55. | :11:00. | |
like the idea of the pig and the butcher, everyone happy with that? | :11:01. | :11:04. | |
ALL SPEAK AT ONCE OK. Let's go. | :11:04. | :11:08. | |
Both teams happy with the game idea, both of the teams split. | :11:08. | :11:13. | |
I know that we have the puzzle game, but I would not play it. It seems | :11:13. | :11:18. | |
boring to me. What is missing? Would people do that? I think with | :11:18. | :11:26. | |
the thing that is missing is the fun element! I'm thinking something | :11:26. | :11:31. | |
that people can play in the office like the files, the paper, putting | :11:31. | :11:40. | |
stuff away, like faster than your boss, do you like it? I do. | :11:40. | :11:46. | |
Hello? Lizzie yes had a really good idea. So it is office time | :11:46. | :11:50. | |
management game. You have to send e-mails, give out papers. People | :11:50. | :11:55. | |
that are coming to your desk looking for things. Put them to the | :11:55. | :12:00. | |
market research, see how it can work. I think that the other game | :12:00. | :12:06. | |
was stronger. The other game sounds more fun. | :12:06. | :12:10. | |
For Zara and her team, the next level... Anything that looks | :12:10. | :12:14. | |
interesting, that could be a part of a landscape or a backdrop or a | :12:14. | :12:19. | |
character or anything, just tell me. A dungeon full of inspiration for | :12:19. | :12:24. | |
their pig and butcher idea. I definitely think that | :12:24. | :12:30. | |
That would be a sick butcher. I am naturally creative a person. | :12:30. | :12:36. | |
This task suits me well. Creating something new, a new game. Get | :12:36. | :12:42. | |
photos of these... This has made me think about this more innovatively. | :12:42. | :12:47. | |
It unlocks that part of my brain. Lunch time in the City. | :12:47. | :12:52. | |
Can I ask a few questions. A chance for James' team to play | :12:52. | :12:56. | |
out their two ideas. The first is a puzzle game. There | :12:56. | :13:01. | |
is a scene. The scene comes on, you have to find out what is missing. | :13:01. | :13:07. | |
The second game is time management. It is like an office one, you send | :13:07. | :13:13. | |
e-mails, answer the phone, if you don't do it in time, you are fired. | :13:14. | :13:23. | |
:13:24. | :13:24. | ||
Which do you prefer? I prefer the puzzle game. I prefer the puzzle | :13:24. | :13:28. | |
game. I will give it to you straight now, | :13:28. | :13:32. | |
a large majority preferred the puzzle game. | :13:32. | :13:40. | |
So, they were more keen? Yes, like 100%. I don't agree with that. | :13:40. | :13:44. | |
James it is your decision, I'm giving you the market research. | :13:44. | :13:47. | |
OK, we have an hour to make a decision. | :13:47. | :13:52. | |
James is in a real mix. He really must think about what is his game | :13:52. | :13:55. | |
idea. He must decide and then develop it. | :13:55. | :13:59. | |
What do you think of the time management game where you are the | :13:59. | :14:05. | |
President or the Prime Minister? That's everyone's... What jobs? | :14:05. | :14:08. | |
with you dumb down the idea of being the Prime Minister, what kind | :14:08. | :14:14. | |
of things would we have them doing? Still answering the phone? Still | :14:14. | :14:19. | |
sending letters? I think that is a more aspirational game that people | :14:19. | :14:25. | |
would want to play. It is tricky. If we can get | :14:25. | :14:28. | |
something simple, easy and fun, then the Prime Minister could be | :14:28. | :14:38. | |
:14:38. | :14:39. | ||
Back at the game developers, Zara puts a developer in the frame. | :14:39. | :14:47. | |
are thinking about calling it Piggy Panic. We want to make the pig the | :14:47. | :14:50. | |
kind of character that people do not want him to be captured and put | :14:50. | :14:56. | |
back. Really Adorable. Really cute. Little legs, fat body? That sort of | :14:56. | :15:05. | |
thing? Perfect. Exactly. Can it have a bandaged leg? I don't know. | :15:05. | :15:14. | |
I feel sorry for it! It makes you want to work harder. I suppose it | :15:14. | :15:23. | |
is a bit edgy. It is quite sweet. What would our little pig character | :15:23. | :15:30. | |
be called? We could have a girl called Porky penny. Pinkie? That is | :15:30. | :15:37. | |
quite nice. It is not gender- specific. It could be a little boy | :15:37. | :15:44. | |
or girl. Pinky and perky already exist. Oh, of course! They were | :15:44. | :15:53. | |
friends. Thank you. I have got high hopes for this concept. It is | :15:53. | :16:02. | |
amusing. It could be a winner. It could be viral. Call in the vet! | :16:02. | :16:12. | |
Casting for their viral advert... Hello! The rest of Zara's team. | :16:12. | :16:17. | |
are exactly what we are looking for. I have got the giggles! We want to | :16:17. | :16:20. | |
do a viral video and we want someone to play the butcher, big | :16:20. | :16:25. | |
and strong. I think you have found your man! Give us your most | :16:25. | :16:35. | |
:16:35. | :16:59. | ||
aggressive face. Can you run at us? You are amazing! Thank you very | :16:59. | :17:09. | |
:17:09. | :17:16. | ||
Hello. Spinning the story for his game, 17 year-old James. It is | :17:16. | :17:20. | |
going to be about... You are the Prime Minister. You have a desk in | :17:20. | :17:24. | |
front of you and people bringing in things for you. You have to collect | :17:24. | :17:28. | |
things on them. If the telephone rings, you clip art it to answer it. | :17:28. | :17:34. | |
If you are doing well, you achieve world peace, economic growth, and | :17:34. | :17:37. | |
Nobel Prize, but if you are doing badly then there is recession, | :17:37. | :17:42. | |
economic crisis. At the end we were thinking of assassination. That | :17:42. | :17:47. | |
could be contentious. Any idea of a name for the game that is starting | :17:47. | :17:57. | |
:17:57. | :17:59. | ||
to emerge? Pm Panic. Crazy Cabinet. OK, the name is going to be Crazy | :17:59. | :18:04. | |
Cabinet. I really like that. I think it is a really good idea for | :18:04. | :18:07. | |
a game. I hope it will appeal to lots of people but it definitely | :18:07. | :18:11. | |
appeal to me because I would like to be Prime Minister. Have fun | :18:11. | :18:16. | |
making it. Thank you. Designers briefed, the finalists call it a | :18:16. | :18:26. | |
:18:26. | :18:42. | ||
Call time, 10 o'clock. Location, a North London park. That is great. | :18:42. | :18:46. | |
Directing her viral advert, professional film-maker Zara. | :18:46. | :18:53. | |
are going to do the angry, menacing eyes. Take one. An inch closer in, | :18:53. | :19:02. | |
please. Great. Really menacing. That is good. Action. Slightly | :19:02. | :19:07. | |
quicker. Slightly Na Li. I am in a dream in his park. We have some | :19:07. | :19:11. | |
strange things going on. We have a giant dressed as a butcher. An | :19:11. | :19:16. | |
attractive young woman dressed as a pig. But to chase it the pig. All | :19:16. | :19:21. | |
the ingredients you might think for a disaster or a brilliant viral | :19:21. | :19:31. | |
:19:31. | :19:40. | ||
advert. That was better. That was Westminster. This is Ken. Location | :19:40. | :19:47. | |
for the opposition's viral, Grady Cabinet. The idea that I am going | :19:47. | :19:53. | |
for his a political broadcast spoof for breach of them. We ask them | :19:53. | :19:58. | |
questions. We have a crazy guy, he says we should sell Scotland is of | :19:58. | :20:08. | |
the deficit. They might be a little bit offensive but nothing is funny | :20:08. | :20:12. | |
unless it is offensive. Some people call it a bus. I call it the loser | :20:12. | :20:18. | |
cruiser. Some people call it a bus. I call it the loser cruiser. Vote | :20:18. | :20:27. | |
for me for Prime Minister. Can we have you cheesy smile again? Vied | :20:27. | :20:34. | |
for me because I like lemons. -- vote for me. James has understood | :20:34. | :20:38. | |
that to make a viral advert go global it has to hit the target | :20:38. | :20:43. | |
market. That target market wants things to be funny, borderline | :20:43. | :20:47. | |
offensive, and really making an impact. He has understood that and | :20:47. | :20:57. | |
:20:57. | :21:04. | ||
he is going down that route. Look Ready? Action. A imagine you are a | :21:04. | :21:09. | |
pig chilling out on a Sunday morning. I know that is weird. | :21:09. | :21:17. | |
looking for laughter, Piggy Panic. Do you think this is entertaining | :21:17. | :21:22. | |
enough? I have never directed comedy before. As a general rule, | :21:22. | :21:26. | |
comedy is hard to capture on film because it is a natural thing. When | :21:26. | :21:30. | |
it looks artificial, it looks terrible. You see a really quick | :21:30. | :21:36. | |
reaction, you jump up, you run over the bench and a way. In it might be | :21:36. | :21:40. | |
funny if she falls over when she goes over the bench. I love that | :21:40. | :21:50. | |
:21:50. | :21:53. | ||
people when they fall over! -- I laugh at people. Maybe big-game | :21:53. | :22:00. | |
player can rugby-tackled the butcher. It can be like, can you | :22:00. | :22:07. | |
tackle the butcher? So the person is the person playing the game? I | :22:08. | :22:11. | |
get the comedy aspect because somebody rugby tackling a strong | :22:11. | :22:21. | |
:22:21. | :22:24. | ||
man would be funny. Really throw That looked really funny. Happy? | :22:24. | :22:34. | |
:22:34. | :22:36. | ||
That is a rap. Really good working with you all. Thank you. 6 o'clock. | :22:36. | :22:42. | |
Editing his mock manifesto, James. Can we drag this one down? I will | :22:42. | :22:52. | |
:22:52. | :22:53. | ||
cut the deficit by selling Scotland. Will anybody else find that funny | :22:53. | :23:01. | |
apart from us? He laughed! It does not worry me that Zara had | :23:01. | :23:04. | |
directing experience because the last advert that she shot was | :23:04. | :23:10. | |
pretty boring and I don't think she is as fun as me. Putting down her | :23:10. | :23:19. | |
viral, Zara. That needs to be quicker. Like that. Can we watch it | :23:19. | :23:24. | |
and see if it is funny. It is not shocking so it has to be funny. | :23:24. | :23:29. | |
and look at it but you are seeing it from the first time point of | :23:29. | :23:39. | |
:23:39. | :23:40. | ||
view. Piggy Panic! What do you think? I can't see any adult | :23:40. | :23:44. | |
laughing at this. Be more specific. Perhaps a ten-year-old would think | :23:44. | :23:49. | |
it is funny but the 35 year-old would think, what is this? It is | :23:49. | :23:53. | |
hard to look at something when you have seen it being created and see | :23:53. | :23:58. | |
it from a new perspective. It does have a humorous aspect and it does | :23:58. | :24:02. | |
have a twist at the end. I think that our viral get across what the | :24:02. | :24:06. | |
game is and makes it edgy, with a twist. It is uplifting and fun to | :24:06. | :24:11. | |
watch. In terms of putting across an idea, I think it definitely does | :24:11. | :24:21. | |
:24:21. | :24:53. | ||
A top London venue. This is a great place. And for the finalists, the | :24:53. | :25:03. | |
:25:03. | :25:08. | ||
first chance to play their games. It seems very nice, actually. | :25:08. | :25:15. | |
are very good at this! That is really good. It is good. I love | :25:16. | :25:25. | |
:25:26. | :25:37. | ||
You missed it! Quickly! Get it! He is on his way out. I would play | :25:37. | :25:43. | |
that over and over again until I got to level 2. That is not so. -- | :25:43. | :25:50. | |
crazy. Two hours to go, just time to set the scenes. Good job, guys. | :25:50. | :25:55. | |
Does anybody definitely not want to do the pick costume? I would like | :25:55. | :26:02. | |
you to do it, Harry M. -- pig costume. This is definitely the | :26:02. | :26:06. | |
biggest picture that I have done, the biggest audience, the biggest | :26:06. | :26:12. | |
set up and the biggest stakes. is in this to win, that is for sure. | :26:12. | :26:22. | |
:26:22. | :26:23. | ||
I have never seen such a driven 16 year-old. I like the door. Let's | :26:23. | :26:32. | |
get this pitch sorted. Lizzie, you are in charge. Our timeline invites | :26:32. | :26:36. | |
the game are to do a better job. I don't want to give these industry | :26:36. | :26:40. | |
experts too much about the market they are already experts in and I | :26:40. | :26:48. | |
don't want to talk nonsense either. I am confident in the pit that I | :26:48. | :26:55. | |
have, -- pitch that I have, but I want to keep it short and sweet | :26:55. | :27:02. | |
because I do not want to be boring. 6 o'clock, the guests arrived. | :27:02. | :27:08. | |
you play the game? From face but it is they, big players in gaining and | :27:08. | :27:18. | |
:27:18. | :27:18. | ||
Apology for the loss of subtitles for 45 seconds | :27:18. | :28:03. | |
I will do my best. But one man is First, James. Drumming up votes in | :28:03. | :28:11. | |
poor Crazy Cabinet. My dear people of this nation, tonight in my first | :28:11. | :28:16. | |
manifesto, I bring to you a revolutionary online game, that can | :28:16. | :28:23. | |
change the online gaming market for the better. Crazy Cabinet. We make | :28:23. | :28:30. | |
being the Prime Minister a clear and simple. Some like shooting | :28:30. | :28:33. | |
games, some like action driving, some like puzzles, but everybody | :28:33. | :28:37. | |
has concerns about the running of the country. Everybody says they | :28:37. | :28:43. | |
can do a better job, but can you turn Westminster into a better | :28:43. | :28:50. | |
minister? Crazy Cabinet, we have made a crazy but relevant fire rule | :28:50. | :28:56. | |
that we believe will be a huge success. -- viral. It is as big | :28:56. | :29:01. | |
political broadcast with our characters talking about what they | :29:01. | :29:05. | |
would do as Prime Minister. This is a political broadcast brought to | :29:05. | :29:12. | |
you by the Crazy Cabinet. Vote for me. Please vote for me for Prime | :29:12. | :29:17. | |
Minister. We need to educate the children about pigeons. In school | :29:17. | :29:22. | |
people can learn about me. Pigeons deserve the right to public | :29:22. | :29:30. | |
transport, too. I hate Taxes! will cut the deficit by selling | :29:30. | :29:40. | |
:29:40. | :29:48. | ||
Scotland. Crazy Cabinet. Do a Our brand has a crazy future ahead | :29:48. | :29:53. | |
of it. We would like to make extra levels available for �1 for an | :29:53. | :29:58. | |
expansion pack of ten levels. We would also like to make the game | :29:58. | :30:04. | |
into a smartphone app, so you can run the country on the go at a | :30:04. | :30:09. | |
price of 59 pence. The game could go global, for example, Mr | :30:09. | :30:14. | |
President, or we can move into other professions like Mrs Plumber | :30:14. | :30:18. | |
or Mrs Paramedic. We see this company as having a very bright | :30:18. | :30:26. | |
future. Now I will open up the floor to Prime Minister's | :30:26. | :30:31. | |
Questions! I love the game, but I wonder why you have chosen only to | :30:31. | :30:36. | |
have men in your Cabinet? We think there is room to expand. You can | :30:36. | :30:46. | |
:30:46. | :30:52. | ||
choose your character, to be Mrs PM or MrPM. Can you expand the | :30:52. | :30:56. | |
content? I know we want to keep the game current. There are always | :30:56. | :31:00. | |
going to be difficult decisions to be made, whether it is political or | :31:00. | :31:05. | |
economical. I know that we will remember that. Please, remember, | :31:05. | :31:14. | |
vote Crazy Cabinet, thanks! Well done. | :31:14. | :31:18. | |
Really good. That went really, really, really | :31:18. | :31:23. | |
well. Next door, hoping to bring home the bacon, Piggy Panic and | :31:23. | :31:33. | |
:31:33. | :31:33. | ||
Zara. APPLAUSE Well, hello, ladies and | :31:33. | :31:39. | |
gentlemen, we are here to present to you a new video game we have | :31:39. | :31:44. | |
devised that we are calling Piggy Panic. The concept of the game is | :31:44. | :31:53. | |
simple, get Porky Pete out of the farmhouse. Of course, avoiding the | :31:53. | :31:58. | |
butcher behind you and any toxic waste dumps behind you. Naturally | :31:58. | :32:04. | |
if you can pick up the apples and more house friendly farm friends, | :32:04. | :32:11. | |
you can get a higher score. Just to show you now, can we cue the ad, | :32:11. | :32:21. | |
:32:21. | :32:25. | ||
please? Piggy panic, piggy, panic, piggy, panic, piggy, panic, piggy, | :32:25. | :32:35. | |
:32:35. | :32:45. | ||
Can you beat the butcher?! So, there you go. It is a little bit | :32:45. | :32:51. | |
silly, a little bit funny. It gives you an idea of what the game is. | :32:51. | :32:55. | |
Now where can it go in the future? We have lots of ideas. We think it | :32:55. | :32:58. | |
fits well into the social networking sites. What you are | :32:58. | :33:05. | |
seeing here is a free demo trial version it can be installed on | :33:05. | :33:09. | |
phones and advertising incorporated to bring in revenue and encourage | :33:09. | :33:14. | |
people to buy the game at a set price. The other concept is ingame | :33:14. | :33:20. | |
purchases. There could be a protective shield for Porky Pig to | :33:20. | :33:26. | |
pig up. There could be a potion, depending on what you need for | :33:26. | :33:31. | |
certain levels, you can have superspeed. There is also | :33:31. | :33:37. | |
merchandise. Who could not see this animal being created into a an | :33:37. | :33:41. | |
adorable cuddly toy that a little one would love to cuddle up to at | :33:41. | :33:45. | |
night. I am passionate about this. I know it can go so much further. | :33:45. | :33:50. | |
Thank you. APPLAUSE | :33:50. | :33:54. | |
Congratulations to you and your team on a great game. You were | :33:54. | :34:01. | |
cagey on the pricing, I wonder, the games sell for 69 pence on various | :34:01. | :34:08. | |
app stores, you make 49 pence back, how do you turn a profit? I think | :34:08. | :34:12. | |
that people will be willing to pay a few pounds in the full version. | :34:12. | :34:16. | |
Even more than that as it becomes more popular. | :34:16. | :34:21. | |
Why has he got a bandage on his leg? We wanted to hint at the idea | :34:21. | :34:26. | |
that he may have a past with that butcher! Thank you very much. | :34:26. | :34:34. | |
APPLAUSE Well done, Zara. A really good job. | :34:34. | :34:39. | |
How do you feel? Exhausted. I think that I zoned out for a moment, | :34:39. | :34:46. | |
there. Oh, my God. Zara's game has so much potential, | :34:46. | :34:50. | |
the brightness, the colour, the little piggy with its bannaged foot, | :34:50. | :34:56. | |
it could run and run. I think that Crazy Cabinet was | :34:56. | :35:00. | |
really different. I think that everyone when watching the news can | :35:00. | :35:03. | |
imagine that they are the Prime Minister, I think that there is a | :35:03. | :35:09. | |
hook. There$$NEWLINE Lord Sugar has a tough decision to make between | :35:09. | :35:13. | |
Zara and James. Game over. Tomorrow, it is the | :35:13. | :35:23. | |
:35:23. | :35:26. | ||
final boardroom. Now that it's just down to me and | :35:26. | :35:30. | |
James, I'm pretty confident that I have given every ounce of my energy | :35:30. | :35:36. | |
and attention to winning. Obviously it's in the hands of Lord Sugar now. | :35:36. | :35:39. | |
I wouldn't have applied for the process if I didn't think that I | :35:39. | :35:45. | |
had a good chance of winning. Tzaraway may abworthy finalist, but | :35:45. | :35:55. | |
:35:55. | :35:57. | ||
I'm a worthy winner. -- Zara may be a worthy finalist, | :35:57. | :36:05. | |
but I'm a worthy winner. All there is left to play for is | :36:05. | :36:12. | |
that prize. That's what I have my eyes on. | :36:12. | :36:17. | |
I faced 11 other people in this process. I've beaten ten of them. | :36:17. | :36:27. | |
:36:27. | :37:03. | ||
Good afternoon. ALL SPEAK AT ONCE Good afternoon, | :37:03. | :37:07. | |
Lord Sugar. Well, nice to see you all back in | :37:07. | :37:12. | |
the boardroom again. What a great event last night. You | :37:12. | :37:15. | |
had some of the biggest industry experts there. | :37:15. | :37:19. | |
Big names. They fed me back a lot of good | :37:19. | :37:24. | |
information. I know not a lot of people of your age know this, but I | :37:24. | :37:29. | |
have been in the computer business back in the 80s, in fact I was in | :37:29. | :37:35. | |
the computer business when Apples and blackberries were put in pies. | :37:35. | :37:39. | |
Let's start with James and his Crazy Cabinet. That is because you | :37:39. | :37:43. | |
have a dream that one day you might be the Prime Minister, is that | :37:43. | :37:47. | |
right? I said that before, but after creating the game and | :37:47. | :37:52. | |
realising how difficult it is, I think it is no longary dream of | :37:52. | :37:57. | |
mine. You went into the brainstorm, how was it? It was a bit organised. | :37:57. | :38:01. | |
I admit. It took a while to get my head around it. | :38:01. | :38:08. | |
You took time pontificateing? really wanted to get the idea right. | :38:09. | :38:12. | |
I didn't want to make a snap decision. I wanted to think it | :38:12. | :38:15. | |
through. I'm happy that I did it through. | :38:15. | :38:23. | |
Hannah? At the start James did feel a little indesighs i, but we had a | :38:23. | :38:28. | |
little thing and by not doing anything irrational, we had better | :38:28. | :38:31. | |
concept than at the beginning. The people that I spoke to said | :38:32. | :38:33. | |
that the concept was very, very good. | :38:33. | :38:38. | |
There is so many things to do with this game that we struggled to | :38:38. | :38:43. | |
pinpoint them all before the pitch. OK. So you have the concept of the | :38:43. | :38:46. | |
Prime Minister. Then this viral advert. | :38:46. | :38:51. | |
That is to the MPs to, well, actually, they are a higher calibre | :38:51. | :38:55. | |
than some of the MPs we have got. It was actually funny. Do you think | :38:56. | :39:00. | |
it led people to the game? viral was meant to be ridiculous, | :39:00. | :39:04. | |
to make people smile. Hopefully that they will pass that on. | :39:04. | :39:07. | |
I didn't hear it lead me to the game. | :39:07. | :39:11. | |
Lord Sugar, the viral adverts are different to television adverts, | :39:11. | :39:14. | |
they don't have to relate to the products as much. | :39:14. | :39:20. | |
I get that, 100%, but the idea of a viral advert is to ask what it is | :39:20. | :39:24. | |
for. So here is is a lesson for you all to learn. There is something | :39:24. | :39:28. | |
called being too close to something. You assume that everybody else who | :39:28. | :39:32. | |
sees it will know what it means. So what you have to do in the future | :39:32. | :39:37. | |
is to think about this is the first time you is seen it. To ask | :39:37. | :39:40. | |
yourself the question, will other people know what I'm going on | :39:40. | :39:46. | |
about? That is my only shriet criticism of it. Moving over, then, | :39:46. | :39:54. | |
to -- slight. Moving over, then, to Zara with Piggy Panic and Porky | :39:54. | :39:58. | |
Pete. That's correct. We narrowed this | :39:58. | :40:01. | |
game off after a while to a list of six possible ideas. | :40:02. | :40:11. | |
:40:12. | :40:12. | ||
What were they? There was one that Mahamed had where he was a zombie. | :40:12. | :40:17. | |
Fifthing up satellite dishes? was the idea? It is about a little | :40:17. | :40:24. | |
boy who gos to a graveyard. After he visits his parents, the zombies | :40:24. | :40:29. | |
come out and he has to kill them. What an imagination. So the | :40:30. | :40:34. | |
feedbackcame back that Piggy Panic was the one? Yes. | :40:34. | :40:37. | |
So, I think that the presentation was good. People were impressed | :40:37. | :40:43. | |
with the game, but I don't think your game has the migration effect | :40:43. | :40:49. | |
that James' game has got. Whey think your game has more of is the | :40:49. | :40:54. | |
potential development ideas and the character himself would be a | :40:54. | :40:59. | |
saleable item for anything, toys, books, all of that sort of stuff. | :40:59. | :41:04. | |
We talked about the viral adverts, yours was a little more engaging | :41:04. | :41:07. | |
with the game. I did know it was for a game. Although when I first | :41:07. | :41:13. | |
saw it I thought it was a ren deportation of Crimewatch. The | :41:13. | :41:17. | |
thing is, it was funny, I suppose. It said to me that this is all to | :41:17. | :41:23. | |
do with the game, Piggy Panic. So I think that it did its job. ThereI | :41:23. | :41:26. | |
can understand it is difficult for the past candidates to come back | :41:26. | :41:30. | |
and help and give their all, but from what I have heard, you have | :41:30. | :41:34. | |
done very, very well as far as that's concerned? Gbemi was great | :41:34. | :41:39. | |
when it came to constructing the game. I am proud to have worked | :41:39. | :41:43. | |
with the team to come up with something that good in that short a | :41:43. | :41:47. | |
space of time. We did very well as a team. It was a pleasure to work | :41:47. | :41:51. | |
for James. I think that he deserves this. | :41:51. | :41:57. | |
I definitely had two fantastic Chancellors beside me today | :41:57. | :42:00. | |
throughout the task. Yes. | :42:00. | :42:03. | |
As a completely dispassionate observer, as that is what I am. I | :42:03. | :42:10. | |
would like to say that I thought that Zara handled this firmly, | :42:10. | :42:15. | |
calmly and fairly. I thought she did a very professional job. | :42:15. | :42:19. | |
I must say about James that I find you a very structured person. One | :42:19. | :42:24. | |
that is not afraid to take risks and follow their own vision, but | :42:24. | :42:30. | |
also is completely inclusive, especially so on this tafbg. | :42:30. | :42:33. | |
I have a -- task. I have tough job ahead of me. I | :42:33. | :42:37. | |
wanted to talk with these two to decide with me which one of you is | :42:37. | :42:42. | |
going to be the winner. So, thank you very much again. You have done | :42:42. | :42:48. | |
a great job. I'm proud of it, you should be proud of. | :42:48. | :42:52. | |
OK? ALL SPEAK AT ONCE Thank you, Lord Sugar. | :42:52. | :42:59. | |
You know what I think. Well done, Zara. | :42:59. | :43:04. | |
Well, look, a great presentation by both of you yesterday. | :43:04. | :43:11. | |
A great accolade from your teams. Indeed from Karren and Nick. I have | :43:11. | :43:16. | |
a very tough decision ahead of me, OK? I would like to take a few | :43:16. | :43:21. | |
moments whilst you step outside and we'll call you back in, OK? ALL | :43:21. | :43:31. | |
:43:31. | :43:38. | ||
We have to keep remembering they are 17 years old. Spectacular stuff, | :43:38. | :43:44. | |
last night, from both teams. Both games have got great potential. | :43:44. | :43:47. | |
experts on my table, given the amount of time they had to do that | :43:47. | :43:52. | |
work, were staggered and delighted at the proficiency and the | :43:52. | :43:59. | |
professionalism of the whole thing. Two grade, credible candidates have | :43:59. | :44:09. | |
come all the way through, so it is a tough one. -- great. You can go | :44:09. | :44:19. | |
:44:19. | :44:22. | ||
Let's not undermine the importance of the task that you have just done. | :44:22. | :44:27. | |
I put to both out of your comfort zone, and together with what you | :44:27. | :44:31. | |
have achieved over the past eight weeks, that is what I am really | :44:31. | :44:36. | |
going to make my final decision on. I will start with James. Prime | :44:36. | :44:42. | |
Minister! I suppose it is now Question Time. You a project | :44:42. | :44:47. | |
manager twice, not project manager in the early days because I think | :44:47. | :44:51. | |
there was a lack of support from your team mates. Yes. I think at | :44:51. | :44:55. | |
the start I definitely came into this the wrong way but I am a fast | :44:55. | :44:59. | |
learner. I take on board any criticism that I am given and I | :44:59. | :45:03. | |
tried to change. I think I did that and whenever I became project | :45:03. | :45:11. | |
manager of I had the full backing of my team on both tasks, and I won. | :45:11. | :45:14. | |
I have learnt to manage, delegate, work with other people. I could not | :45:14. | :45:18. | |
do that at the start of this process, but now I think I am | :45:19. | :45:28. | |
:45:29. | :45:31. | ||
probably the best at doing that in this process. As James become a | :45:31. | :45:34. | |
leopard that changed his spots? Did you override the things that people | :45:34. | :45:39. | |
said during the course of this task? I have learnt to take on | :45:39. | :45:42. | |
board other people's opinions but I am a risk-taker. Normally the risks | :45:42. | :45:46. | |
that I take pay off and I am not afraid to stick my neck on the line | :45:46. | :45:49. | |
and say that if something feels right then I will go with it. | :45:50. | :45:56. | |
have heard James say that he is a risk taker. Do you think that you | :45:56. | :46:03. | |
shied away from being team leader? I never planned to shy away. In | :46:03. | :46:10. | |
terms of working, I have never held back without putting forward ideas. | :46:10. | :46:14. | |
Throughout the tasks, you have always been the leader of the sub | :46:14. | :46:18. | |
team or managed the sub team when you have not been a project manager, | :46:18. | :46:21. | |
a consequence of not putting herself forward. You try to steer | :46:21. | :46:26. | |
from the back. I did not even know that about myself. That balance | :46:26. | :46:30. | |
between jumping in and taking risks is one that I got wrong. Now I know | :46:30. | :46:33. | |
that I am somebody that does instinctively, without even knowing | :46:33. | :46:40. | |
it, wants to take risks and Leeds and I can recognise that and I can | :46:40. | :46:46. | |
do it. James, is this a gruelling prospect for you to be in front of | :46:46. | :46:51. | |
someone as articulate as Zara to put your point across to me? | :46:51. | :46:54. | |
think that Zara is certainly articulate but I don't dress things | :46:54. | :46:59. | |
up. I say it how it is and I don't see the point of dressing things up. | :46:59. | :47:02. | |
If I may make a point, for the sake of my English teacher more than | :47:02. | :47:06. | |
anything, I don't think I make things sound fancier than they are | :47:06. | :47:11. | |
with long words. I think being articulate and well spoken is | :47:11. | :47:17. | |
completely different. Yes, it is. But me, I just like to know the | :47:17. | :47:22. | |
bottom line. The bullet points, bang, bang, bang. I don't need the | :47:22. | :47:26. | |
flowery words around them. It is not a fault. It just needs to be | :47:26. | :47:30. | |
deployed in the right places. summer dresses things up, I switch | :47:30. | :47:39. | |
off, so I say it how it is. -- someone. You don't dress things up | :47:39. | :47:42. | |
but sometimes you promote things that you do not the day to believe | :47:42. | :47:46. | |
in yourself, selling them. I do what it takes to sell a product and | :47:46. | :47:50. | |
win the task. Sometimes slightly dubious tactics. Remember the | :47:50. | :47:56. | |
flowers, winning the task with a load of old rubbish? I think that | :47:56. | :48:00. | |
was in the early stages of this competition... In sit in your | :48:00. | :48:05. | |
character, James? It is not in my character any more. At the start of | :48:05. | :48:09. | |
this process that is certainly what I was like. The cheapest possible | :48:09. | :48:13. | |
product at the best possible price. I was a wheeler-dealer. I don't | :48:14. | :48:17. | |
think that is who I am any more. I am a decision-maker and a risk- | :48:17. | :48:21. | |
taker. I am not here to rip people off. Good. You can fool some people | :48:22. | :48:25. | |
some of the time but in the long haul, honesty, integrity and | :48:25. | :48:31. | |
sincerity of the things that pay- off. -- are the things. I'm going | :48:32. | :48:36. | |
to ask you one more time to step outside. When you come back in we | :48:36. | :48:39. | |
will have a final chat and then I will let you know which one is the | :48:39. | :48:49. | |
:48:49. | :48:56. | ||
Well, doesn't it get hard? Two completely different characters, I | :48:56. | :49:02. | |
would say. One risk taker, dives in, tends to be a bit domineering, but | :49:02. | :49:09. | |
has clearly learnt through the cause of the eight weeks. And Zara | :49:09. | :49:14. | |
is very calm and collected, articulate. When you look at Zara, | :49:14. | :49:18. | |
you see this very controlled, very calm person. It is very easy to | :49:18. | :49:24. | |
forget that she is a teenager. At a young, professional women are, | :49:24. | :49:30. | |
I find her incredibly credible, for want of a better word. -- as a | :49:30. | :49:34. | |
young, professional woman. When depth of thought and imagination | :49:34. | :49:41. | |
come into play, that is James's strength. This boy could be Prime | :49:41. | :49:48. | |
Minister. You can laugh. He might be First Minister in Belfast. | :49:48. | :49:53. | |
tough one. We will have to call them back in. Send the candidates | :49:53. | :50:03. | |
:50:03. | :50:14. | ||
in, police. Yes, Lord Sugar. Lord Let me remind you what this is all | :50:14. | :50:17. | |
about. You might be relieved to hear that I am not offering you a | :50:17. | :50:24. | |
job. There is of course at �25,000 prize for the winner in order to | :50:24. | :50:28. | |
help them build their future. I would be interested to hear from | :50:28. | :50:32. | |
you, Zara, what you will do with this money. Bearing in mind, it | :50:32. | :50:37. | |
will be drip-fed to you as and when I approve its use. What I plan to | :50:37. | :50:43. | |
do is get more advanced equipment for the film-making. At the moment | :50:43. | :50:47. | |
I have a camera, a laptop and I have done quite well, but what I | :50:47. | :50:52. | |
would love to do is buy some proper, professional filming equipment. | :50:52. | :50:57. | |
That allows it to make bigger scale productions that I can sell on for | :50:57. | :51:01. | |
more money to more clients. That is where I see this going. James, what | :51:01. | :51:05. | |
have you got in mind? Throughout this process, things I have learnt | :51:05. | :51:09. | |
in economics in school has really come in handy. What I would first | :51:09. | :51:12. | |
of all like to do is to study economics a bit more and widen my | :51:12. | :51:16. | |
knowledge of that. I have learnt so much throughout this process that I | :51:16. | :51:20. | |
can adapt to any business situation but the thing I like most is | :51:20. | :51:23. | |
actually producing something, marketing it and selling it to | :51:23. | :51:26. | |
people. That is really where I would hope to be in the future. | :51:26. | :51:30. | |
why will be holding on to the lion's share of my money for some | :51:30. | :51:39. | |
time until I see you coming up with an idea? Have you ever done any | :51:39. | :51:45. | |
work for walking about money, so to speak? I have never even had a job, | :51:45. | :51:48. | |
so I have learnt in this process more than I had before. I think I | :51:48. | :51:52. | |
have learned enough in this process to go on, study more and develop | :51:52. | :51:56. | |
some kind of idea and some business where I am producing something, | :51:56. | :52:01. | |
marketing it and selling it. course you have made some money out | :52:01. | :52:06. | |
of your production staff, yes? started making films a couple of | :52:06. | :52:11. | |
years ago, when I studied my GCSEs. I have made a few and sold them on | :52:11. | :52:16. | |
for profit. I work for charities mostly. I am not 20th Century Fox, | :52:16. | :52:20. | |
but I think ideally if I am looking at the peak of my career, I would | :52:20. | :52:23. | |
love to be running a series of media-related things to do with | :52:23. | :52:28. | |
film, advertising and marketing. I am a renaissance person, and I like | :52:28. | :52:31. | |
to have my hand and lot of different parts and try things out. | :52:31. | :52:35. | |
I think it is fantastic that Zara has made money doing something that | :52:35. | :52:39. | |
she likes. But I don't think that is a disadvantage to me. What I | :52:39. | :52:44. | |
have learnt is wonderful. I like enterprising people, people that | :52:44. | :52:47. | |
are self-sufficient and realise that the world does not owe them a | :52:48. | :52:51. | |
living. I have not done very enterprising things in the past, | :52:51. | :52:56. | |
but I have shown that I am an enterprising person. Zara, quite | :52:56. | :53:02. | |
bluntly, why should I choose you? Because throughout this process I | :53:02. | :53:08. | |
always work as hard as I possibly can. My focus never ever drops or | :53:08. | :53:13. | |
falters. I have never lost my cool once. I stayed very calm, even when | :53:13. | :53:19. | |
things have been rubbish, I keep focusing. I do each task to the | :53:20. | :53:25. | |
best that it can be done. I don't just him about what I want to do. I | :53:25. | :53:27. | |
recognise that I need to work very hard for anything that I want in | :53:27. | :53:32. | |
life. You have got a great contender here as far as James is | :53:32. | :53:39. | |
concerned. Where do you think his weaknesses are compared to you? | :53:39. | :53:42. | |
think James might have aspirations about what he wants to do, but | :53:42. | :53:46. | |
actions speak louder than words. Actually having the guts to just | :53:46. | :53:55. | |
try something and do it, I don't believe that James would actually | :53:55. | :53:58. | |
use the �25,000 and do as much with his career as I have already shown | :53:58. | :54:03. | |
that I have and will continue to do. What is that based on? What have | :54:03. | :54:08. | |
you done? The economics is what I wish to pursue. If I went on to | :54:08. | :54:11. | |
study economics I would be a success at it because I have | :54:11. | :54:14. | |
already achieved first place in GCSE in Northern Ireland. I don't | :54:14. | :54:18. | |
think that you can say you have achieved more outside this process | :54:18. | :54:21. | |
compared to me because that is unfounded. I don't believe that it | :54:21. | :54:26. | |
is. I think Zara is corporate and creative but in terms of business | :54:27. | :54:30. | |
acumen, I have bought things more cheaply than she did, I have sold | :54:30. | :54:35. | |
things better than she did. But more importantly I am a risk taker. | :54:36. | :54:40. | |
Zara is not a risk-taker. Why take risks that pay off. I am an | :54:40. | :54:45. | |
enterprising person. -- I take risks. There has only been one task | :54:45. | :54:51. | |
when you have proven that you have sold more than me. In the ice cream | :54:51. | :54:55. | |
and florist task, I could have sold better than you. I think I sold | :54:55. | :54:59. | |
very well in both of those tasks. am going to sum up now and I do not | :54:59. | :55:05. | |
need to hear any more from you. I will tell you how I see it. James, | :55:05. | :55:09. | |
when you came into the process I think you admit yourself that it | :55:09. | :55:16. | |
was a bit like a bull in a china shop. But to be fair, you have | :55:16. | :55:19. | |
evolved during the process. I think you have learned the art of | :55:19. | :55:23. | |
listening. You are not frightened to follow your instincts and you | :55:23. | :55:31. | |
say you are natural risk-taker. Zara, you are calm, articulate and | :55:31. | :55:34. | |
you seem to be in control of your emotions which is a good thing when | :55:34. | :55:38. | |
you are in business. I really have got a very tough decision to make | :55:38. | :55:43. | |
here. It is not often that I am faced with two people that are so | :55:43. | :55:50. | |
close together but so different in personality. And so it is very hard | :55:50. | :55:54. | |
for me to come to the conclusion that I have come to, because there | :55:54. | :56:04. | |
:56:04. | :56:15. | ||
I am pleased to announce that... Zara, you are the winner of The | :56:15. | :56:25. | |
:56:25. | :56:45. | ||
Young Apprentice. Well done, Zara. It is incredible to be leaving this | :56:45. | :56:50. | |
as the winner. I honestly never thought I would make it this far. | :56:50. | :56:53. |