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It's an opportunity like no other. | 0:00:06 | 0:00:08 | |
From every corner of the country, | 0:00:09 | 0:00:12 | |
taking their first steps on a life-changing journey, | 0:00:12 | 0:00:15 | |
Britain's youngest aspiring entrepreneurs. | 0:00:15 | 0:00:18 | |
To underestimate me would be the most silly thing somebody could do. | 0:00:19 | 0:00:22 | |
I may look like a five foot one blonde angel, but inside | 0:00:22 | 0:00:26 | |
I have the heart of a lioness, who will take on | 0:00:26 | 0:00:28 | |
anybody in her opposition. | 0:00:28 | 0:00:29 | |
I know that I'm a natural leader. | 0:00:29 | 0:00:31 | |
Men are like dogs, you have to show them who their boss is, | 0:00:31 | 0:00:34 | |
and then they'll follow. | 0:00:34 | 0:00:36 | |
I think my drive and determination comes from the fact my parents | 0:00:36 | 0:00:39 | |
didn't want me to have a life like they had. | 0:00:39 | 0:00:40 | |
Because they've always struggled, | 0:00:40 | 0:00:42 | |
I wanted my own money and my independence. | 0:00:42 | 0:00:44 | |
Thousands applied. | 0:00:46 | 0:00:48 | |
12 were chosen. | 0:00:48 | 0:00:50 | |
My biggest achievement in life would be my GCSE results. | 0:00:51 | 0:00:55 | |
I managed to get 11 A-stars, which I was naturally quite pleased with. | 0:00:55 | 0:00:58 | |
I started my first business at the age of nine, | 0:00:58 | 0:01:00 | |
so I really do think that it's just grown on me, | 0:01:00 | 0:01:02 | |
and become a natural instinct. | 0:01:02 | 0:01:04 | |
Waking up in the morning and owning a business | 0:01:04 | 0:01:06 | |
are the same thing for me. | 0:01:06 | 0:01:07 | |
They'll battle it out for the ultimate kick start | 0:01:10 | 0:01:14 | |
to a career in business - | 0:01:14 | 0:01:15 | |
an investment worth £25,000. | 0:01:15 | 0:01:18 | |
But to succeed, they'll have to impress the boss - Lord Sugar. | 0:01:21 | 0:01:26 | |
I know everything. I've seen everything, I've done everything. | 0:01:26 | 0:01:30 | |
East End boy done good, he left school at 16. | 0:01:30 | 0:01:34 | |
Over 40 years on, he's still at the top of his game, | 0:01:34 | 0:01:38 | |
with a vast business empire. | 0:01:38 | 0:01:42 | |
Has everybody signed on to the fact that this task | 0:01:42 | 0:01:44 | |
was all about making money? | 0:01:44 | 0:01:45 | |
He'll put these budding teenage tycoons through | 0:01:45 | 0:01:49 | |
a rigorous selection process. | 0:01:49 | 0:01:51 | |
I'm sweating like a pig at the butcher's! | 0:01:51 | 0:01:54 | |
Is there any way that you can possibly push the price down? | 0:01:54 | 0:01:57 | |
Those sort of comments are poor, from a project manager. | 0:01:57 | 0:02:00 | |
12 candidates. | 0:02:00 | 0:02:01 | |
Bottom line is, you totally went off the rails, here. | 0:02:01 | 0:02:06 | |
You're acting like an idiot. You kept shouting over him. | 0:02:06 | 0:02:08 | |
Guys, let it go, let it go, seriously. | 0:02:08 | 0:02:12 | |
-Eight weeks. -Well done! | 0:02:12 | 0:02:14 | |
-That's pants. -That's a massive problem. | 0:02:14 | 0:02:16 | |
I was really angry, do you know what I mean? | 0:02:16 | 0:02:18 | |
Don't dodge the question, did you lose control of the task? | 0:02:18 | 0:02:22 | |
One winner. | 0:02:22 | 0:02:23 | |
With regret, you're fired. | 0:02:23 | 0:02:25 | |
You're fired. | 0:02:25 | 0:02:26 | |
You're fired. | 0:02:26 | 0:02:28 | |
10am. | 0:02:45 | 0:02:46 | |
The boardroom. | 0:02:49 | 0:02:51 | |
You can go through to the boardroom now. | 0:03:14 | 0:03:17 | |
-Good morning. -ALL: Good morning, Lord Sugar. | 0:03:38 | 0:03:41 | |
Welcome to my boardroom. | 0:03:41 | 0:03:43 | |
You've done tremendously well to get here, today, | 0:03:43 | 0:03:46 | |
out of thousands and thousands of people. | 0:03:46 | 0:03:48 | |
In a funny way, | 0:03:48 | 0:03:50 | |
I feel quite privileged to have you in front of me, | 0:03:50 | 0:03:52 | |
because, so far, none of you have walked in with your smartphones. | 0:03:52 | 0:03:56 | |
For the next eight weeks, | 0:03:57 | 0:03:58 | |
the only way you're going to be using phones is for business. | 0:03:58 | 0:04:02 | |
Not for playing Angry Birds. | 0:04:02 | 0:04:04 | |
Because that'll make me angry, | 0:04:05 | 0:04:07 | |
and you don't want to make me angry, I can assure you. | 0:04:07 | 0:04:13 | |
It's never been harder than now for young people, like you, | 0:04:13 | 0:04:18 | |
to try and find yourself a job. | 0:04:18 | 0:04:22 | |
You pick up the newspapers, and as you can see, | 0:04:22 | 0:04:24 | |
there are lots of companies going to the wall, | 0:04:24 | 0:04:26 | |
there's even countries on the verge of bankruptcy. | 0:04:26 | 0:04:30 | |
I believe that it is young entrepreneurs, like you, | 0:04:30 | 0:04:34 | |
that will bring the prosperity back to our country. | 0:04:34 | 0:04:38 | |
Now, here's a little warning. | 0:04:40 | 0:04:41 | |
I don't like teacher's pets, and I don't like school bullies. | 0:04:41 | 0:04:45 | |
This is about the real world. | 0:04:45 | 0:04:47 | |
I'm not making you sit exams, the only grade you'll get here is F, | 0:04:47 | 0:04:51 | |
for fired. | 0:04:51 | 0:04:53 | |
Now, I might remind you of your granddad. | 0:04:55 | 0:04:57 | |
Here's the main difference. | 0:04:57 | 0:04:59 | |
You're lucky if your granddad gives you | 0:04:59 | 0:05:02 | |
a fiver in an envelope at Christmas time. | 0:05:02 | 0:05:04 | |
I'm going to give you £25,000 to use to further your business ambitions. | 0:05:06 | 0:05:12 | |
That's what you're playing for here. | 0:05:12 | 0:05:15 | |
Right, so, now, I've got your CVs here, so let me see. | 0:05:15 | 0:05:20 | |
What have we got, amongst you lot? | 0:05:20 | 0:05:22 | |
Maximilian Joseph Anthony Semasko Grodecki. | 0:05:22 | 0:05:27 | |
No-one's going to hack your username, then, are they? | 0:05:27 | 0:05:29 | |
I'll call you Max. What kind of things have you been dabbling in? | 0:05:31 | 0:05:33 | |
I run sort of a little mini enterprise, which deals | 0:05:33 | 0:05:37 | |
on one hand with vintage clothes, and on the other hand with collectables. | 0:05:37 | 0:05:41 | |
Good. | 0:05:41 | 0:05:42 | |
-David. -Yeah? -My God. | 0:05:42 | 0:05:45 | |
Well. Whoa. What a CV we've got here. | 0:05:45 | 0:05:49 | |
You're the chair of this, | 0:05:49 | 0:05:51 | |
the chair of that, the chair of something else. | 0:05:51 | 0:05:54 | |
-Of course. -You're the chair of everything. | 0:05:54 | 0:05:56 | |
Let's hope your colleagues don't just sit on you. Well done. | 0:05:56 | 0:06:00 | |
They won't. | 0:06:00 | 0:06:01 | |
-That's a nice outfit you've got on there, sunshine. -Thank you. | 0:06:01 | 0:06:04 | |
Yeah, very nice outfit on, there. | 0:06:04 | 0:06:06 | |
-I hear you're into fashion, is that right? -I am. | 0:06:06 | 0:06:09 | |
Nothing wrong with that. They all start young. | 0:06:09 | 0:06:11 | |
Stella McCartney, Yves Saint Laurent, Christian Dior - who are you? | 0:06:11 | 0:06:13 | |
Patrick McDowell. | 0:06:13 | 0:06:15 | |
Patrick McDowell, actually, has a very nice ring to it. | 0:06:15 | 0:06:18 | |
A Patrick McDowell. | 0:06:18 | 0:06:20 | |
You might make me a suit, one day. | 0:06:20 | 0:06:21 | |
-Hopefully. -Yeah. | 0:06:21 | 0:06:23 | |
And, Maria, what's your moneymaking skills? | 0:06:23 | 0:06:26 | |
Well, basically, I'm not going to beat around the bush, | 0:06:26 | 0:06:29 | |
I'm 17 years old, I'm not an established entrepreneur, | 0:06:29 | 0:06:32 | |
but I really pick up on ideas. | 0:06:32 | 0:06:34 | |
If I see something, if something needs done, I do it. | 0:06:34 | 0:06:38 | |
That's, like, my work ethic. | 0:06:38 | 0:06:39 | |
You said you're 17 years old, so don't expect too much of me. | 0:06:39 | 0:06:43 | |
Actually, that's exactly when I started my business. | 0:06:43 | 0:06:47 | |
When I was 17 years old. | 0:06:47 | 0:06:49 | |
Whatever you see now, whatever I've ever done, | 0:06:49 | 0:06:51 | |
started from those little acorns. | 0:06:51 | 0:06:54 | |
So, there's nothing wrong with being 17, in fact, | 0:06:54 | 0:06:57 | |
I'm a bit surprised you haven't started already. | 0:06:57 | 0:06:59 | |
OK. So, now, let's get down to business. | 0:06:59 | 0:07:03 | |
Now, your first task is a very, very interesting one, | 0:07:03 | 0:07:05 | |
and it's all about rags to riches. | 0:07:05 | 0:07:08 | |
Now, I've got you a tonne each of discarded clothes. | 0:07:08 | 0:07:14 | |
And your task is to go through them, pick the good stuff, | 0:07:14 | 0:07:19 | |
and sell it in the marketplace. | 0:07:19 | 0:07:21 | |
And the team that comes in with the biggest profit will win, | 0:07:22 | 0:07:27 | |
and the team that loses, at least one of you will be fired. | 0:07:27 | 0:07:32 | |
I'm going to make it simple for myself, initially. | 0:07:33 | 0:07:36 | |
I'm going to have the teams as boys and girls. | 0:07:36 | 0:07:39 | |
Karren will be following the boys' team, | 0:07:39 | 0:07:42 | |
and Nick will be following the girls' team. | 0:07:42 | 0:07:44 | |
I've got you a very, very nice house. | 0:07:44 | 0:07:47 | |
I don't want any trouble from the neighbours. | 0:07:47 | 0:07:49 | |
-So, everything clear? -ALL: Yes, Lord Sugar. | 0:07:49 | 0:07:52 | |
Yeah? Right, good. OK, well, off you go to the house. | 0:07:52 | 0:07:56 | |
Go and get to know each other, and I'll see you back here | 0:07:56 | 0:07:58 | |
in this boardroom, in a few days' time, | 0:07:58 | 0:08:01 | |
and we'll find out which team has won. | 0:08:01 | 0:08:03 | |
-OK? -ALL: Thank you, Lord Sugar. | 0:08:03 | 0:08:05 | |
-You can't learn business from a textbook. -No, no, no. You can't. | 0:08:14 | 0:08:18 | |
Business Studies teachers all around England | 0:08:18 | 0:08:20 | |
will disagree with you, right now. | 0:08:20 | 0:08:23 | |
'I'm like a firework.' | 0:08:23 | 0:08:24 | |
I'm fun, I'm colourful, I'm creative, | 0:08:24 | 0:08:26 | |
and once I get going, there's no stopping me. | 0:08:26 | 0:08:28 | |
I think that power just gravitates towards me. | 0:08:28 | 0:08:32 | |
-Fair enough. -Yeah. | 0:08:32 | 0:08:35 | |
'Not only am I academic,' | 0:08:35 | 0:08:36 | |
I'm social, I'm economical, | 0:08:36 | 0:08:39 | |
I'm philosophical. | 0:08:39 | 0:08:40 | |
Everything that you can think of, I am it. | 0:08:40 | 0:08:43 | |
-These houses are... God. -Unbelievable. | 0:08:49 | 0:08:52 | |
Let's get the biggest room. | 0:08:52 | 0:08:55 | |
Hampstead, north London. | 0:08:55 | 0:08:57 | |
Home, for the next eight weeks, a luxury mansion. | 0:08:57 | 0:09:00 | |
Let's go, let's go! | 0:09:05 | 0:09:07 | |
We've got a walk-in wardrobe! | 0:09:12 | 0:09:14 | |
-Push. -Thank you very much. | 0:09:16 | 0:09:17 | |
Games room. | 0:09:17 | 0:09:19 | |
'I think it inspires you, coming to' | 0:09:20 | 0:09:22 | |
a house like this, to think that, | 0:09:22 | 0:09:23 | |
one day, I could own something like this. | 0:09:23 | 0:09:26 | |
But for now, it's down to business. | 0:09:26 | 0:09:30 | |
First, both teams need a name. | 0:09:30 | 0:09:34 | |
I was thinking of something like "Platinum". | 0:09:34 | 0:09:36 | |
My only concern with Platinum is that it just sounds a bit | 0:09:36 | 0:09:39 | |
cliche, like we're the best, like, platinum. | 0:09:39 | 0:09:42 | |
I've had an idea, but it's a bit strange, it's Latin, | 0:09:42 | 0:09:45 | |
and it's called "Ex Nihilo" | 0:09:45 | 0:09:47 | |
and it means something from nothing. | 0:09:47 | 0:09:50 | |
-Yeah, no, I like Platinum. -I think we should go for Platinum. | 0:09:51 | 0:09:54 | |
-Shall we do that? -Yeah. -It's easy, it's simple. Team Platinum. | 0:09:54 | 0:09:57 | |
Thank you. | 0:09:57 | 0:09:59 | |
I have the name Odyssey. | 0:10:01 | 0:10:05 | |
It means a journey with great adventures. | 0:10:05 | 0:10:08 | |
I don't think we've got the wow factor as Odyssey. | 0:10:08 | 0:10:10 | |
Can you give us any suggestions, then? | 0:10:10 | 0:10:12 | |
Not right now, I can't, no. | 0:10:12 | 0:10:15 | |
-I'm backing Odyssey. -Yeah. | 0:10:15 | 0:10:16 | |
It's a clever name, | 0:10:16 | 0:10:18 | |
but I don't think it's necessarily a punchy, business name. | 0:10:18 | 0:10:20 | |
-Do you know how to spell Odyssey? -No, I don't. | 0:10:20 | 0:10:23 | |
O-D-Y-S-S-E-Y. | 0:10:23 | 0:10:28 | |
'I have a, sort of, minor academic interest in philosophy, | 0:10:28 | 0:10:30 | |
and I particularly enjoy the pre-Socratics, | 0:10:30 | 0:10:34 | |
early classical philosophers - Plato, Aristotle, Heraclius, etc. | 0:10:34 | 0:10:38 | |
I've got O-D-E-S-S-Y. | 0:10:38 | 0:10:41 | |
That one doesn't look particularly classical, to me. | 0:10:41 | 0:10:43 | |
O-D-Y-S-S-E-Y. | 0:10:43 | 0:10:45 | |
Shall we go with Odyssey on the basis that that's how it's spelt? | 0:10:45 | 0:10:49 | |
-I think we've agreed. Team Odyssey. -Team Odyssey it is. | 0:10:49 | 0:10:52 | |
Team Odyssey it is. | 0:10:52 | 0:10:53 | |
-Let's move on and win this task. -Let's do this. | 0:10:53 | 0:10:56 | |
Next, pick a project manager. | 0:10:58 | 0:11:00 | |
I'd quite like to put myself forward. | 0:11:00 | 0:11:02 | |
I just think it's my type of thing, with the fashion trends. | 0:11:02 | 0:11:06 | |
But I know, Max, you've got... | 0:11:06 | 0:11:08 | |
I do have quite a lot of experience of vintage clothes, | 0:11:08 | 0:11:11 | |
but not selling face to face. | 0:11:11 | 0:11:15 | |
-It's just because I've got experience in this field. -OK. | 0:11:15 | 0:11:19 | |
-So everyone's OK with me? -All for Patrick? Go on, Patrick. | 0:11:19 | 0:11:23 | |
The strengths in the group are definitely | 0:11:23 | 0:11:26 | |
Max's vintage clothing, and my fashion expertise. | 0:11:26 | 0:11:29 | |
And then, I think, Max, I would like you in charge of the sub team. | 0:11:30 | 0:11:34 | |
Yeah. | 0:11:34 | 0:11:35 | |
Who's got any background knowledge into clothing, and stuff like that? | 0:11:35 | 0:11:39 | |
For the girls, one volunteer. | 0:11:39 | 0:11:42 | |
Bridal shop assistant, and trainee accountant, Ashleigh. | 0:11:42 | 0:11:46 | |
Work in it already, I'm always | 0:11:46 | 0:11:48 | |
ripping T-shirts up and stuff, as well. | 0:11:48 | 0:11:50 | |
So is everyone agreed with that? Yeah? | 0:11:50 | 0:11:53 | |
Cool. | 0:11:53 | 0:11:55 | |
All we've got to do is put 100% in each, and that's 600%. | 0:11:55 | 0:12:00 | |
And I know we can win this, and I've got faith in all of you. | 0:12:00 | 0:12:03 | |
-Let's win this. -Team Platinum. | 0:12:03 | 0:12:05 | |
ALL: Team Platinum. | 0:12:05 | 0:12:07 | |
With names and leaders agreed, tomorrow, the rag trade. | 0:12:07 | 0:12:13 | |
8am. | 0:12:29 | 0:12:30 | |
-There you go, Max. -Cheers. | 0:12:37 | 0:12:39 | |
Max, Max, Max. | 0:12:43 | 0:12:47 | |
There. | 0:12:47 | 0:12:49 | |
HE LAUGHS | 0:12:49 | 0:12:51 | |
Today, both teams must sort and prepare clothes for sale tomorrow. | 0:12:58 | 0:13:02 | |
They split. Half head off to research the market, | 0:13:05 | 0:13:09 | |
the rest to a recycling depot. | 0:13:09 | 0:13:11 | |
Waiting for each team, one tonne of old clothes. | 0:13:13 | 0:13:18 | |
With over a million tonnes of textiles recycled | 0:13:18 | 0:13:21 | |
and resold each year, there's plenty of cash to be made from cast-offs. | 0:13:21 | 0:13:26 | |
I think, mainly, this task is more feminine. | 0:13:27 | 0:13:30 | |
I think we're lucky, in the sense that, | 0:13:30 | 0:13:32 | |
obviously, I've got an eye for fashion, and what's going to sell. | 0:13:32 | 0:13:34 | |
Even though cooking is seen as a feminine thing, | 0:13:34 | 0:13:38 | |
the best chefs are men, so...we can win this task, | 0:13:38 | 0:13:43 | |
not because it's made for us, but because | 0:13:43 | 0:13:45 | |
we're just the better sex. | 0:13:45 | 0:13:47 | |
DAVID LAUGHS | 0:13:47 | 0:13:48 | |
-DAVID: Oh, my. PATRICK: -Wow. | 0:13:52 | 0:13:54 | |
First job, divide the clothes for sale tomorrow | 0:13:56 | 0:14:01 | |
at Europe's biggest shopping mall, and London's leading car boot sale. | 0:14:01 | 0:14:05 | |
Sifting for the boys, events promoter, Steven, | 0:14:06 | 0:14:10 | |
private tutor, David, | 0:14:10 | 0:14:12 | |
and team leader, fashion designer Patrick. | 0:14:12 | 0:14:15 | |
-What do you think about the corset? Would it sell? -No. | 0:14:15 | 0:14:19 | |
This looks a little bit vintagey. | 0:14:19 | 0:14:22 | |
Basically, if it's really nice, put it in the shopping centre bag, | 0:14:22 | 0:14:25 | |
and if it's... Like, the jeans and stuff, just put in car boot. | 0:14:25 | 0:14:29 | |
-Who can fit into that? -Cheryl Cole. | 0:14:29 | 0:14:32 | |
Patrick? | 0:14:32 | 0:14:34 | |
Guys, you can't just ask me for everything, | 0:14:34 | 0:14:36 | |
-because we need to get this all... -I don't know what to look for. OK. | 0:14:36 | 0:14:41 | |
Patrick really has an eye for fashion, | 0:14:41 | 0:14:43 | |
and he knows what he's looking for. | 0:14:43 | 0:14:44 | |
He can spot the gems | 0:14:44 | 0:14:46 | |
within the pile. | 0:14:46 | 0:14:47 | |
Steven and David | 0:14:47 | 0:14:48 | |
haven't got a clue. | 0:14:48 | 0:14:50 | |
Is this something Cheryl Cole would wear? I don't think so. | 0:14:50 | 0:14:53 | |
The textiles depot, Deptford. | 0:14:55 | 0:14:57 | |
Rummaging for the girls, Maria, Lucy, | 0:14:57 | 0:15:01 | |
and project manager, Ashleigh. | 0:15:01 | 0:15:04 | |
Is this a wedding dress? Is this, like, a red wedding dress? | 0:15:04 | 0:15:07 | |
-I don't know. -ASHLEIGH: -That's quite cool, isn't it? | 0:15:07 | 0:15:09 | |
-It's not for me, but it's quite vintagey. -It is vintagey. | 0:15:09 | 0:15:14 | |
LUCY: Is this bedding? | 0:15:14 | 0:15:15 | |
No, it's a cape. | 0:15:17 | 0:15:19 | |
Fancy dress? | 0:15:19 | 0:15:21 | |
-What about these trousers, do you think anyone would wear these? -No. | 0:15:21 | 0:15:25 | |
I'm going to start opening more bags, because look how many | 0:15:25 | 0:15:28 | |
-we have to do. -Yeah. | 0:15:28 | 0:15:29 | |
I think we need to sort of speed up slightly more. | 0:15:29 | 0:15:32 | |
Obviously, it's the first task, | 0:15:32 | 0:15:33 | |
so everybody is just getting to know each other. | 0:15:33 | 0:15:36 | |
I feel like we're working more as a team, rather than being led. | 0:15:36 | 0:15:39 | |
Guys, we don't have very long left, so come on, let's keep going. | 0:15:39 | 0:15:43 | |
Yeah, well, we should put everything in black bags. | 0:15:43 | 0:15:45 | |
Right, let's do this really super fast. | 0:15:45 | 0:15:49 | |
THEY SIGH | 0:15:56 | 0:15:58 | |
Six miles away, in Beckenham, the boys keep digging. | 0:16:00 | 0:16:03 | |
There's just so much stuff. | 0:16:03 | 0:16:06 | |
-This is a wetsuit? -Yeah. Can you put that in the special pile, please. | 0:16:07 | 0:16:11 | |
With the chance for bigger mark-ups, both teams have cash | 0:16:11 | 0:16:15 | |
to clean and customise the garments. | 0:16:15 | 0:16:18 | |
I think we've got a few good pieces on this rail, you know, | 0:16:18 | 0:16:21 | |
to do stuff with. | 0:16:21 | 0:16:23 | |
Definitely. | 0:16:23 | 0:16:25 | |
Any money spent will be deducted from tomorrow's sales. | 0:16:25 | 0:16:29 | |
I think we can do something with this jacket, with the top. | 0:16:29 | 0:16:33 | |
There's some unusual items in the customising pile. | 0:16:33 | 0:16:36 | |
I think it's just trying to look for things that are a bit quirky, | 0:16:36 | 0:16:38 | |
that are going to attract people's attention. | 0:16:38 | 0:16:40 | |
London's West End. | 0:16:42 | 0:16:45 | |
At an exclusive vintage clothes shop, | 0:16:45 | 0:16:47 | |
Sean, Max and Andrew check out the value of cast-offs. | 0:16:47 | 0:16:51 | |
Typical designers you'll find here, Ossie Clark, Chanel, | 0:16:51 | 0:16:55 | |
Christian Dior, Biba, we always look out for Biba. | 0:16:55 | 0:16:58 | |
And do you sell any modified items? | 0:16:58 | 0:17:00 | |
We don't really alter the pieces, if we can help it. | 0:17:01 | 0:17:05 | |
Sometimes we'll lift a hemline, | 0:17:05 | 0:17:07 | |
just to make it a bit more current, a bit sexier. | 0:17:07 | 0:17:12 | |
But other than that, we try and keep it as authentic as it can be. | 0:17:12 | 0:17:16 | |
-PHONE RINGS -Hello? | 0:17:16 | 0:17:18 | |
-So, we've just been into the boutique. -Yeah. | 0:17:18 | 0:17:20 | |
One of the things about modification, she said that she lets the dress | 0:17:20 | 0:17:25 | |
tell the story, and she really doesn't like to modify things. | 0:17:25 | 0:17:28 | |
-MAX: -'But for us, if she does modify,' | 0:17:28 | 0:17:29 | |
just a nice one or two simple alterations. | 0:17:29 | 0:17:32 | |
OK. | 0:17:32 | 0:17:34 | |
The swimsuit, I was thinking we can use the fabric | 0:17:34 | 0:17:39 | |
from this really quirky one, and add it onto the bottom of this. | 0:17:39 | 0:17:43 | |
-OK. -Right? So, that'll be the top. | 0:17:43 | 0:17:46 | |
We'll need a few things that will really grab people's attention. | 0:17:46 | 0:17:49 | |
So, if someone sees that, they're going to think... | 0:17:49 | 0:17:52 | |
But would they buy it? | 0:17:52 | 0:17:53 | |
That's the question. | 0:17:53 | 0:17:56 | |
'Personally, I wouldn't ever even consider buying what | 0:17:56 | 0:18:00 | |
Patrick is intending to sell. | 0:18:00 | 0:18:03 | |
I feel that, maybe, | 0:18:03 | 0:18:05 | |
just one in 66 million people who live in the UK would buy his product. | 0:18:05 | 0:18:10 | |
2pm. | 0:18:13 | 0:18:15 | |
Next stop for the girls, a launderette, | 0:18:15 | 0:18:19 | |
with a van full of clothes, and plans to spend cash on customising. | 0:18:19 | 0:18:25 | |
We've got a black dress, this black coat, we were thinking, | 0:18:25 | 0:18:28 | |
maybe, studs here, like stud collar. | 0:18:28 | 0:18:30 | |
These would be really cool studded? | 0:18:30 | 0:18:32 | |
Like the pockets, really cool studded. | 0:18:32 | 0:18:35 | |
I agree, I really like that idea. I really like that. | 0:18:35 | 0:18:38 | |
But for trainee accountant Ashleigh, | 0:18:38 | 0:18:40 | |
what counts is profit. | 0:18:40 | 0:18:43 | |
Listen to me. With this brand of jeans, it's a £40 pair of jeans. | 0:18:43 | 0:18:46 | |
They've clearly been worn, they're meant to be black, | 0:18:46 | 0:18:49 | |
they're not black anymore. | 0:18:49 | 0:18:51 | |
They're not vintage, you're going to be paying £15 for studs, | 0:18:51 | 0:18:54 | |
and you're going to get 20 quid for them. | 0:18:54 | 0:18:56 | |
I'm just going to put my foot down, for the team, | 0:18:56 | 0:18:59 | |
and say we're not doing any tailoring. | 0:18:59 | 0:19:01 | |
-Not doing any at all? -No. | 0:19:01 | 0:19:02 | |
As project manager, is that your decision? | 0:19:02 | 0:19:04 | |
That's my decision, not to do it. | 0:19:04 | 0:19:06 | |
Hopefully, they'll respect me for it at end, | 0:19:06 | 0:19:08 | |
because it's a money-saving thing. | 0:19:08 | 0:19:10 | |
I'm not just being unreasonable, | 0:19:10 | 0:19:12 | |
or saying, "Oh, I don't like it." | 0:19:12 | 0:19:13 | |
You don't need to wash half of this stuff. | 0:19:13 | 0:19:16 | |
I was thinking, a limit of about £50. | 0:19:16 | 0:19:20 | |
We need to just be careful with it, | 0:19:20 | 0:19:22 | |
but I don't know if we should be as really stingy with it, either. | 0:19:22 | 0:19:25 | |
Every penny counts. Could be £2 between us and the boys, | 0:19:25 | 0:19:29 | |
so, you don't want to risk that extra money, do you? | 0:19:29 | 0:19:31 | |
Holborn, a central London tailor's. | 0:19:33 | 0:19:36 | |
Home territory for fashion designer, Patrick. | 0:19:36 | 0:19:40 | |
So, we were thinking, if we take the top of this swimsuit, | 0:19:40 | 0:19:43 | |
and try and, almost, create a corset-looking type thing. | 0:19:43 | 0:19:48 | |
If we go up with the curve, | 0:19:48 | 0:19:52 | |
and then add the kimono fabric, | 0:19:52 | 0:19:57 | |
here, on. | 0:19:57 | 0:19:59 | |
And make, kind of, a loose fitting... | 0:19:59 | 0:20:02 | |
You want to make a dress? | 0:20:02 | 0:20:04 | |
Almost like a handkerchief skirt, on it. | 0:20:04 | 0:20:06 | |
-OK, but they're connected? -Yeah. | 0:20:06 | 0:20:08 | |
OK. Yeah, so, the wetsuit kimono is going to be 35. | 0:20:08 | 0:20:14 | |
My initial logic tells me that | 0:20:14 | 0:20:17 | |
we'll find it quite hard to make a profit from that. Is it worth it? | 0:20:17 | 0:20:21 | |
I'm finding it quite tough to be the project manager for this task. | 0:20:22 | 0:20:25 | |
Just because I didn't expect the boys to be | 0:20:25 | 0:20:27 | |
so inexperienced in the area. | 0:20:27 | 0:20:29 | |
Then for our next one we were thinking, obviously, | 0:20:29 | 0:20:32 | |
that's fairly large. | 0:20:32 | 0:20:35 | |
-So maybe you could take that down to like a size, maybe, a size 12. -OK. | 0:20:35 | 0:20:40 | |
Trying to get the other members of the team to kind of understand | 0:20:40 | 0:20:43 | |
what I'm going for is quite hard, I think, | 0:20:43 | 0:20:45 | |
cos I don't think they've necessarily got the fashion eye for things. | 0:20:45 | 0:20:48 | |
It's £133.20. | 0:20:48 | 0:20:51 | |
-Yes. -OK, see you soon. -Thank you. -Thanks a lot. Good luck. | 0:20:54 | 0:20:59 | |
4pm. For both teams, a bulk wash. | 0:21:01 | 0:21:04 | |
It's not fast enough. | 0:21:05 | 0:21:07 | |
-Sprucing up the girls' garments - Amy, Navdeep and Alice. -Oh! | 0:21:07 | 0:21:14 | |
Keeping down costs with a quick sniff. | 0:21:14 | 0:21:17 | |
If it just smells a bit then we don't need to waste any money | 0:21:17 | 0:21:21 | |
-putting in... -Unless it makes you gag. -Yeah. So, it's the gag test. | 0:21:21 | 0:21:25 | |
If it makes you gag, it goes in the wash, basically. | 0:21:25 | 0:21:27 | |
-Where do we put it? -How do you do this? | 0:21:29 | 0:21:31 | |
-Normally there's like a little slot. -Yeah. | 0:21:31 | 0:21:33 | |
Oh, you put it in this. | 0:21:33 | 0:21:36 | |
-No, that's money. -Will we just put it in? Let's just put it in. | 0:21:36 | 0:21:39 | |
No, no, no, no. | 0:21:39 | 0:21:40 | |
It's a bit dodgy. I don't think you're meant to. | 0:21:40 | 0:21:42 | |
There's cups. Cups to, obviously, like, chuck it in. | 0:21:42 | 0:21:46 | |
Then it'll smell nice. | 0:21:48 | 0:21:49 | |
-We've bought it, we might as well use it, mightn't we? -Yeah. | 0:21:49 | 0:21:53 | |
Not too much. | 0:21:54 | 0:21:56 | |
Yeah, don't go too crazy cos then it will start foaming up. | 0:21:56 | 0:21:59 | |
-Don't put them in there. -Where should it go? -That's a dryer. | 0:21:59 | 0:22:01 | |
That don't wash. That's the washing machines. | 0:22:01 | 0:22:04 | |
I knew it. I told you it was a dryer. I told you it was a dryer. | 0:22:04 | 0:22:08 | |
Oh, it just went in my shoe. | 0:22:08 | 0:22:11 | |
Incredibly embarrassing experience because I do wash at home. | 0:22:12 | 0:22:15 | |
That's still a bit wet. Oh, it stinks in here. | 0:22:15 | 0:22:18 | |
Guys, this is still wet. I can't iron this. | 0:22:18 | 0:22:20 | |
Let's go. | 0:22:20 | 0:22:22 | |
-Grab as many as you can. -Yeah. | 0:22:22 | 0:22:25 | |
-Get in. -Everything? -Yes. | 0:22:27 | 0:22:30 | |
Washing done, it's back to the house. | 0:22:32 | 0:22:34 | |
Today, both teams have eight hours to sell their hand-picked clothes. | 0:22:48 | 0:22:54 | |
Half head for a car boot sale, | 0:22:54 | 0:22:57 | |
the rest to London's largest shopping mall. | 0:22:57 | 0:23:01 | |
With over 100,000 shoppers expected, the boys set up their display. | 0:23:01 | 0:23:06 | |
Can we have everything on the right hangers as well, please? | 0:23:08 | 0:23:12 | |
Taking pride of place, the latest creations from Patrick. | 0:23:12 | 0:23:16 | |
That looks good, I think. | 0:23:18 | 0:23:20 | |
-That's £5, is that OK? -Yeah. | 0:23:23 | 0:23:25 | |
Brilliant, thank you. | 0:23:25 | 0:23:26 | |
Feeling good. First sale and I did it | 0:23:26 | 0:23:29 | |
so hopefully Lord Sugar will be impressed with that. | 0:23:29 | 0:23:31 | |
What was that? 30 seconds in? Bam. | 0:23:31 | 0:23:34 | |
Two floors up, the girls. | 0:23:36 | 0:23:38 | |
And the whiff of half-washed clothes. | 0:23:41 | 0:23:44 | |
I kind of think I'll just put it on here | 0:23:45 | 0:23:48 | |
and then I'll flog it at some point when it's a bit drier. | 0:23:48 | 0:23:51 | |
Oh, this is the wet bag. | 0:23:51 | 0:23:53 | |
Just hang it up and a bit over. OK, just... Yeah, OK. | 0:23:53 | 0:23:59 | |
Talking up the stock to passing trade - Amy. | 0:23:59 | 0:24:03 | |
Excuse me, do you like designer clothes for quite cheap? | 0:24:03 | 0:24:06 | |
I've got lots of designer brands over there. Under 20 quid. | 0:24:06 | 0:24:09 | |
Do you want to look at our designer store? We've got loads of things under £20. | 0:24:09 | 0:24:12 | |
I've got brands like Burberry, things like that. | 0:24:12 | 0:24:15 | |
-Are you interested? -No, thank you. -OK. | 0:24:15 | 0:24:16 | |
It's not really all designer and it's not all under £20. | 0:24:16 | 0:24:19 | |
Why don't you just go, | 0:24:19 | 0:24:20 | |
"We are a one-stop vintage shop today, would you be interested | 0:24:20 | 0:24:23 | |
-"in looking at some of our stuff?" -It's not under £20. | 0:24:23 | 0:24:25 | |
We need to get people in and no-one is coming. | 0:24:25 | 0:24:27 | |
I think that that one complements your skin as well. | 0:24:29 | 0:24:32 | |
-I love pink actually. -Do you? | 0:24:32 | 0:24:34 | |
Pulling in sales for the boys, | 0:24:34 | 0:24:36 | |
a charm offensive from David and Steven. | 0:24:36 | 0:24:39 | |
So, that's £40 altogether. Brilliant, thank you. | 0:24:39 | 0:24:43 | |
I am willing to put down the price because you have such a nice smile. | 0:24:43 | 0:24:47 | |
You're such a smoothie. | 0:24:47 | 0:24:51 | |
OK, so that's £12 altogether. | 0:24:52 | 0:24:54 | |
We would obviously give you a discount | 0:24:54 | 0:24:56 | |
because you have such a pretty smile. | 0:24:56 | 0:24:59 | |
Are you OK there, madam, or would you like any help? | 0:24:59 | 0:25:01 | |
-No, it came off the hanger. -OK. | 0:25:01 | 0:25:04 | |
My tactic of flirtation is obviously working. | 0:25:04 | 0:25:07 | |
However, I feel that some of us aren't pulling our weight today. | 0:25:07 | 0:25:10 | |
In the sales book, | 0:25:10 | 0:25:11 | |
only me and Steven have sold. | 0:25:11 | 0:25:15 | |
-This jumper will go if you don't buy it. -Thank you very much. | 0:25:15 | 0:25:19 | |
Thanks a lot. | 0:25:19 | 0:25:22 | |
In all honesty, I think you were lucky with | 0:25:22 | 0:25:24 | |
that customer that she was quite conversational. | 0:25:24 | 0:25:26 | |
I don't know whether you should approach everyone like that. | 0:25:26 | 0:25:30 | |
11am. Battersea car boot sale. | 0:25:30 | 0:25:34 | |
Still setting up - the rest of the boys. | 0:25:34 | 0:25:37 | |
-Having blazers on the rail hanging up makes a big difference. -Yeah. | 0:25:39 | 0:25:42 | |
Taking charge of the display - straight A student Max. | 0:25:42 | 0:25:46 | |
-If all the jackets go on the rail, it does make sense. -Yes. | 0:25:46 | 0:25:49 | |
Jackets and good stuff go on the rails. | 0:25:49 | 0:25:52 | |
-Is that the final decision? This is getting silly. -Yeah, I know, but we have so little space. | 0:25:52 | 0:25:56 | |
Just say if it's the final decision. | 0:25:56 | 0:25:58 | |
Final say is all proper jackets go on the rail with the designer stuff. | 0:25:58 | 0:26:01 | |
-Right, that's the final decision then. -Yeah. | 0:26:01 | 0:26:03 | |
I think if you focus on selling, now, and I'll keep on setting up. | 0:26:03 | 0:26:09 | |
We don't need more than one person selling. There's so much to get ready. | 0:26:09 | 0:26:12 | |
We don't need more than one person selling? | 0:26:12 | 0:26:14 | |
-Selling makes money. We are here to make money. -I know, but... | 0:26:14 | 0:26:17 | |
Arguing is not what to do either so sort it out and I'll start selling. | 0:26:17 | 0:26:20 | |
Yeah, £3. | 0:26:20 | 0:26:22 | |
You're very smart for a car boot sale. | 0:26:23 | 0:26:25 | |
-Thank you very much. You're not looking too bad yourself. -Thank you. | 0:26:25 | 0:26:28 | |
Andrew's got the banter. He's engaging with the public, | 0:26:29 | 0:26:32 | |
he's doing deals. | 0:26:32 | 0:26:33 | |
Max hasn't attempted to make a sale yet. | 0:26:33 | 0:26:36 | |
He's far more interested in folding and refolding | 0:26:36 | 0:26:38 | |
and folding again a few items that are out. He's got to engage. | 0:26:38 | 0:26:42 | |
It's all about the selling now. It's not about how the stall looks. | 0:26:42 | 0:26:46 | |
Midday. | 0:26:46 | 0:26:48 | |
Around the corner - the girls. | 0:26:48 | 0:26:51 | |
But sales are slow. | 0:26:51 | 0:26:53 | |
There's no-one walking past. | 0:26:54 | 0:26:56 | |
To get bargain hunters to stop - a plan from project manager Ashleigh. | 0:26:56 | 0:26:59 | |
If you guys sell upfront then they've got to talk to you. | 0:26:59 | 0:27:03 | |
I'll give you that for £4. | 0:27:03 | 0:27:06 | |
Go on. You'll regret it otherwise. | 0:27:06 | 0:27:09 | |
No. | 0:27:09 | 0:27:11 | |
I've seen a really nice thing that'd be quite nice on you. | 0:27:11 | 0:27:13 | |
This colour. Being a blonde myself, I understand it's really hard to get colours to go with you. | 0:27:13 | 0:27:17 | |
Isn't that lovely on her? Isn't that really lovely? | 0:27:17 | 0:27:21 | |
You know when a lady was stood there? | 0:27:21 | 0:27:23 | |
You're stood over her shoulder watching her. | 0:27:23 | 0:27:25 | |
She is just going to put it back down and walk off. | 0:27:25 | 0:27:28 | |
I don't think I was. | 0:27:28 | 0:27:29 | |
THEY TALK OVER EACH OTHER | 0:27:29 | 0:27:31 | |
I think this car boot sale is an absolute disaster, | 0:27:31 | 0:27:34 | |
to be honest with you. | 0:27:34 | 0:27:35 | |
We're all being way too forceful on people | 0:27:35 | 0:27:37 | |
and it's just putting them straight off. | 0:27:37 | 0:27:40 | |
-'Hi, guys.' -Hello. -Hello. | 0:27:40 | 0:27:42 | |
-All right? -So, like, how much have you made altogether? | 0:27:42 | 0:27:46 | |
To be honest, it's hard sales. | 0:27:46 | 0:27:48 | |
A lot of the clothes, nobody is really liking. | 0:27:48 | 0:27:50 | |
'How are you doing?' | 0:27:50 | 0:27:51 | |
'Not very well, to be honest. | 0:27:51 | 0:27:54 | |
'I just need to reiterate the fact' | 0:27:54 | 0:27:56 | |
that you've got the all money items. | 0:27:56 | 0:27:58 | |
We are selling things for £2 or £3, 20p. | 0:27:58 | 0:28:02 | |
'One item difference with you could be a massive difference.' | 0:28:02 | 0:28:05 | |
Yeah, that's fine, we'll work as hard as we can to try and shift everything. | 0:28:05 | 0:28:09 | |
All right, guys, well, we'll see you later. | 0:28:09 | 0:28:11 | |
Good luck. Bye-bye. | 0:28:11 | 0:28:13 | |
Bye. | 0:28:13 | 0:28:14 | |
So we've just got to sell it. | 0:28:16 | 0:28:18 | |
3pm - peak time for trade at the mall. | 0:28:19 | 0:28:23 | |
We have some outrageous things like, you know, | 0:28:25 | 0:28:27 | |
we have something that actually our boss designed himself. | 0:28:27 | 0:28:30 | |
-OK then. -This. -Whoa. | 0:28:30 | 0:28:34 | |
Where would you wear that to? | 0:28:34 | 0:28:37 | |
With his pricey tailored items failing to find buyers, | 0:28:38 | 0:28:41 | |
a new plan from Patrick. | 0:28:41 | 0:28:44 | |
Are you guys happy with us to move on from here | 0:28:44 | 0:28:46 | |
just because I don't think the customers seem to be slowing down? | 0:28:46 | 0:28:50 | |
Yeah, I think that we should maybe wait 20 more minutes | 0:28:50 | 0:28:52 | |
and really try and push it through, give some discount, | 0:28:52 | 0:28:56 | |
and then we can try and look at some more shops and boutiques | 0:28:56 | 0:28:59 | |
-that we can sell at. -OK. | 0:28:59 | 0:29:01 | |
Sales have been steady so far, but they haven't been excellent. | 0:29:01 | 0:29:04 | |
The customised items have had a lot of interest | 0:29:04 | 0:29:07 | |
and I think they've brought people over to the store, | 0:29:07 | 0:29:09 | |
but we haven't actually sold them yet. | 0:29:09 | 0:29:11 | |
Selling bulk to the industry will be a better move. | 0:29:11 | 0:29:15 | |
If we had more time, I'd have shown you some more of our products, | 0:29:16 | 0:29:19 | |
but, you know, we're pushing on time right now. | 0:29:19 | 0:29:22 | |
-Thank you. -Yeah, thanks. | 0:29:23 | 0:29:26 | |
-We need to leave now. -Yes, tell me, be patient, calm down! | 0:29:26 | 0:29:28 | |
-What do we need, tell me?! -Put all the blazers in one bag. -OK, thanks. | 0:29:28 | 0:29:31 | |
Right at its busiest, they've decided to pack up | 0:29:33 | 0:29:36 | |
and go and flog their stuff to a retailer who is going to pay | 0:29:36 | 0:29:39 | |
nothing like the margin a customer will pay. | 0:29:39 | 0:29:43 | |
It's such a high risk strategy | 0:29:43 | 0:29:45 | |
and I really don't understand the logic behind it. | 0:29:45 | 0:29:47 | |
Upstairs, cashing in on the crowds - the girls. | 0:29:49 | 0:29:53 | |
I've got your gorgeous coat jacket here. | 0:29:53 | 0:29:56 | |
-What do you think, sold? -Yes, sold. -Good. | 0:29:56 | 0:29:59 | |
I really like it. I can see you on a motorbike with your collar up, | 0:29:59 | 0:30:01 | |
that jacket, those sunglasses, I love it. | 0:30:01 | 0:30:05 | |
And those shoes are going really well with it. | 0:30:05 | 0:30:07 | |
My sales technique is quite cheesy - | 0:30:07 | 0:30:10 | |
just sort of tell them constantly how good they look. | 0:30:10 | 0:30:13 | |
I really like it. | 0:30:13 | 0:30:15 | |
I actually love that and I'm not saying that because I work here. | 0:30:15 | 0:30:17 | |
I don't like it. I don't like the colour, I don't like the shape. | 0:30:17 | 0:30:20 | |
-Is this your girlfriend? -Yes. -OK. | 0:30:20 | 0:30:22 | |
If you wear that with your friends when she's not there, | 0:30:22 | 0:30:25 | |
you'll get, "Hmm, that's good." | 0:30:25 | 0:30:27 | |
-If you want to go and get this done, I'll go to 28. -OK. | 0:30:27 | 0:30:30 | |
-Thank you, we've got a deal, £28, yeah? -No problem, OK. | 0:30:30 | 0:30:33 | |
OK, great, thank you. | 0:30:33 | 0:30:35 | |
She went, "I don't like it, I don't like it." | 0:30:35 | 0:30:38 | |
I was going to be, like, "Mate, get a new girlfriend!" | 0:30:38 | 0:30:40 | |
Heading for shops in Shoreditch - the boys. | 0:30:43 | 0:30:46 | |
I thought that the sales were starting to pick up | 0:30:46 | 0:30:48 | |
just before we left. | 0:30:48 | 0:30:51 | |
We probably would have done a few more sales, but let's just hope... | 0:30:51 | 0:30:54 | |
I don't think we would have sold as much as we could do | 0:30:54 | 0:30:58 | |
at these vintage shops. | 0:30:58 | 0:31:00 | |
At the Battersea boot sale, it's busy for Sean and Andrew... | 0:31:02 | 0:31:06 | |
Are you two done yet? You're fleecing me! You're fleecing me! | 0:31:06 | 0:31:09 | |
11 for the two. Cheers. | 0:31:09 | 0:31:12 | |
..while Max manages the stock. | 0:31:12 | 0:31:14 | |
The shirt's only £3. | 0:31:15 | 0:31:17 | |
You can be paying hundreds of quid for them in shops. | 0:31:17 | 0:31:19 | |
I'll do you both for £20. | 0:31:19 | 0:31:21 | |
18. | 0:31:21 | 0:31:23 | |
18? Deal, nice one. | 0:31:23 | 0:31:25 | |
My role mainly throughout the day is get stuff out of the van, | 0:31:27 | 0:31:31 | |
get it into men's, women's, separates, | 0:31:31 | 0:31:33 | |
organise it, and Sean and Andrew have been pushing the selling, | 0:31:33 | 0:31:38 | |
and doing a great job on that. | 0:31:38 | 0:31:40 | |
Jeans over there, fiver, half price. | 0:31:40 | 0:31:43 | |
If you're interested in... | 0:31:44 | 0:31:46 | |
There's a bargain box here all for £2. | 0:31:46 | 0:31:49 | |
Max wasn't really telling us any structure or anything, | 0:31:49 | 0:31:53 | |
but now we've got into it, there's all sorts of patter coming out. | 0:31:53 | 0:31:56 | |
I have no idea about half the stuff I've said to people | 0:31:56 | 0:31:58 | |
whereas Max just seems to be wandering around a little bit. | 0:31:58 | 0:32:02 | |
London's East End. | 0:32:05 | 0:32:06 | |
With the wetsuit kimono heading up his collection of customised clothes, | 0:32:06 | 0:32:10 | |
Patrick and the boys hit Brick Lane, | 0:32:10 | 0:32:15 | |
home to retro retail. | 0:32:15 | 0:32:16 | |
First stop, a leading vintage boutique. | 0:32:16 | 0:32:20 | |
The most funky item... | 0:32:20 | 0:32:23 | |
Wow. | 0:32:23 | 0:32:24 | |
-It's like a swimsuit dress... -That's amazing. | 0:32:24 | 0:32:26 | |
..that we actually got made. | 0:32:26 | 0:32:27 | |
Is that both vintage materials? | 0:32:27 | 0:32:31 | |
-This is a vintage kimono and this is the swimsuit top. -That's incredible. | 0:32:31 | 0:32:36 | |
You know, if you made, like, a range of these | 0:32:36 | 0:32:39 | |
then there might be something that would be more saleable | 0:32:39 | 0:32:42 | |
because all the altered products that we sell we do as a range of clothing. | 0:32:42 | 0:32:47 | |
Would you be willing to talk to us about a price | 0:32:47 | 0:32:51 | |
that we could give you for the one-off items? | 0:32:51 | 0:32:54 | |
As I said, I'd rather do it as a range rather than one item. | 0:32:54 | 0:32:57 | |
In that case, I would feel that you would be losing out on it | 0:32:57 | 0:33:01 | |
to be honest with you. | 0:33:01 | 0:33:04 | |
-I'm afraid not, no. -You sure? -Sorry. | 0:33:04 | 0:33:06 | |
5.30pm. | 0:33:06 | 0:33:10 | |
For both teams, half an hour to go. | 0:33:10 | 0:33:12 | |
If we don't sell this stuff, it's all dead stock | 0:33:12 | 0:33:15 | |
-so I say, literally... -Pounds. | 0:33:15 | 0:33:16 | |
-..give it away for pounds. -Yeah, fine, let's do it. | 0:33:16 | 0:33:18 | |
Come on, get yourself around here! Everything's a pound off. 50p! | 0:33:18 | 0:33:22 | |
£2, anything on here. | 0:33:24 | 0:33:25 | |
£3.50! | 0:33:25 | 0:33:26 | |
£1 for everything on that rail. | 0:33:26 | 0:33:29 | |
£1 for anything. | 0:33:30 | 0:33:32 | |
I'll give it two for £2. | 0:33:32 | 0:33:33 | |
BOTH: Fiver for everything here! | 0:33:33 | 0:33:36 | |
Still convinced his wetsuit kimono's a winner, | 0:33:36 | 0:33:39 | |
a final push from Patrick. | 0:33:39 | 0:33:40 | |
I'm going to show you one thing that we've got | 0:33:40 | 0:33:43 | |
which is our most unusual piece, | 0:33:43 | 0:33:45 | |
which is the swimsuit dress, a vintage kimono. | 0:33:45 | 0:33:50 | |
Yeah, you probably should have left the kimono as it was really. | 0:33:50 | 0:33:54 | |
Would you be interested in taking all the bags? | 0:33:54 | 0:33:57 | |
Just chuck a price out there. | 0:33:57 | 0:33:59 | |
All right, I'll give you 40 quid for the lot. | 0:33:59 | 0:34:03 | |
-What about 70? -No. | 0:34:03 | 0:34:05 | |
No, not at all. 60? | 0:34:05 | 0:34:07 | |
-Do 45. -No, 40 quid. | 0:34:07 | 0:34:09 | |
Do you want to take them home or do you want 40 quid? | 0:34:09 | 0:34:11 | |
We'll take £40, thank you. | 0:34:11 | 0:34:13 | |
-Fine, that's fine. -Thanks. | 0:34:13 | 0:34:15 | |
Thank you very much. | 0:34:15 | 0:34:18 | |
Out of time, it's back to the house. | 0:34:20 | 0:34:25 | |
Tomorrow, the boardroom, and Lord Sugar. | 0:34:25 | 0:34:30 | |
-Good morning. -ALL: Good morning, Lord Sugar. | 0:35:33 | 0:35:35 | |
Well, this was a very interesting task. | 0:35:37 | 0:35:39 | |
I'll tell you where it came from because I was | 0:35:39 | 0:35:42 | |
thinking about myself when I was about your age | 0:35:42 | 0:35:46 | |
and one of the enterprising things that I did | 0:35:46 | 0:35:48 | |
was to go around collecting rags | 0:35:48 | 0:35:51 | |
from the garment factories and sell them to the local rag and bone man. | 0:35:51 | 0:35:57 | |
When you left me here the last time, I sent you back to the house, | 0:35:57 | 0:36:01 | |
you've all got to know each other, I take it? | 0:36:01 | 0:36:04 | |
Yes. | 0:36:04 | 0:36:06 | |
The other thing was to come up with a name for your team, yeah? | 0:36:06 | 0:36:10 | |
-So, ladies, what name did you come up with? -Platinum. | 0:36:10 | 0:36:13 | |
They say when a piece of music goes platinum that means | 0:36:13 | 0:36:16 | |
it's sold a million so do you reckon you sold a million in this task? | 0:36:16 | 0:36:20 | |
Hmm...OK. | 0:36:20 | 0:36:22 | |
-And who was your project manager? -I was project manager. | 0:36:22 | 0:36:25 | |
How did that come about? | 0:36:25 | 0:36:26 | |
I work in a bridal fabric shop with a haberdashery and design, | 0:36:26 | 0:36:29 | |
and that sort of thing. | 0:36:29 | 0:36:30 | |
So tell me, what happened, Ashleigh, after that? | 0:36:30 | 0:36:33 | |
Did you split your team, what did you do? | 0:36:33 | 0:36:34 | |
I put myself, Lucy and Maria in a team together. | 0:36:34 | 0:36:38 | |
-So who did all the laundry stuff? -We did. | 0:36:38 | 0:36:41 | |
Yeah? Have you done any laundry or do you leave it to your mums? | 0:36:41 | 0:36:43 | |
-Yeah, of course we have! -Are you sure? | 0:36:43 | 0:36:45 | |
This must be the first time you've seen a washing machine. | 0:36:45 | 0:36:48 | |
Did you work out which was a washing machine and which was a dryer? | 0:36:48 | 0:36:50 | |
Eventually, we did, yes. | 0:36:50 | 0:36:52 | |
Did the boss give you any guidelines about how much money | 0:36:52 | 0:36:54 | |
you should spend? | 0:36:54 | 0:36:56 | |
She's an accountant, you know, so they're notoriously mean. | 0:36:56 | 0:36:59 | |
Do you think you controlled the money? | 0:36:59 | 0:37:02 | |
I put my foot down where it needed putting down. | 0:37:02 | 0:37:04 | |
So now, tell me, who went to the high-end shopping centre? | 0:37:04 | 0:37:08 | |
That was the three of us. | 0:37:08 | 0:37:09 | |
Was there any special technique upon which you embarked upon selling... | 0:37:09 | 0:37:13 | |
I was a little bit... | 0:37:13 | 0:37:14 | |
..apart from wrestling the customers to the ground? | 0:37:14 | 0:37:17 | |
No. | 0:37:17 | 0:37:18 | |
Amy was terrifying. | 0:37:18 | 0:37:21 | |
She met one young couple and told the young chap | 0:37:21 | 0:37:24 | |
that if he wore this jacket, he will be deeply attractive to women. | 0:37:24 | 0:37:27 | |
His girlfriend, her eyes brimming with hatred! | 0:37:27 | 0:37:30 | |
Yes, his girlfriend hated me, but he bought the jacket. | 0:37:30 | 0:37:34 | |
So anyway, ladies, good project manager? | 0:37:34 | 0:37:38 | |
Yeah, she's very cool, calm and collected, I'd say. | 0:37:38 | 0:37:41 | |
I might have disagreed on some slight things, but other than that, | 0:37:41 | 0:37:43 | |
I think... | 0:37:43 | 0:37:44 | |
How did you think your team supported you? Good all round? | 0:37:44 | 0:37:47 | |
Yeah, they were fantastic. | 0:37:47 | 0:37:48 | |
I made some decisions which were hard for the group to understand, | 0:37:48 | 0:37:51 | |
but hopefully that will show in the results | 0:37:51 | 0:37:54 | |
that I made those decisions for the right reason. | 0:37:54 | 0:37:58 | |
So, well, gentlemen, | 0:37:58 | 0:37:59 | |
first of all, you came up with a team name of Odyssey, I understand. | 0:37:59 | 0:38:04 | |
-Whose idea was that? -That was my idea. | 0:38:04 | 0:38:06 | |
It was a great name. | 0:38:06 | 0:38:08 | |
Unfortunately you couldn't spell it, could you, David? | 0:38:08 | 0:38:10 | |
-I thought you tutored kids. -Yeah. | 0:38:10 | 0:38:13 | |
I'm bad at spelling and I don't put myself forward as tutoring people. | 0:38:13 | 0:38:16 | |
How can you be a tutor and can't spell? | 0:38:16 | 0:38:18 | |
-Anyway, who was the project manager? -I was project manager, Lord Sugar. | 0:38:20 | 0:38:25 | |
-OK, you put yourself forward? -I put myself forward. | 0:38:25 | 0:38:27 | |
I felt I had the most expertise in this area. | 0:38:27 | 0:38:30 | |
You do a bit of vintage clothing, don't you? | 0:38:30 | 0:38:33 | |
If Patrick hadn't put himself forward with enthusiasm | 0:38:33 | 0:38:36 | |
or if the team hadn't backed him fully, | 0:38:36 | 0:38:38 | |
I would have put myself forward, | 0:38:38 | 0:38:41 | |
but I sort of thought he would probably be better for the job. | 0:38:41 | 0:38:44 | |
Now, another part of the task was to customise a number of items. | 0:38:44 | 0:38:48 | |
So we a took scuba diving suit, kimono... | 0:38:48 | 0:38:53 | |
What? What? | 0:38:53 | 0:38:54 | |
I took a picture for you to give you an idea. | 0:38:54 | 0:38:57 | |
Lord Sugar, can I just say it's quite amazing watching Patrick work | 0:38:57 | 0:39:00 | |
cos you can just see the clock's ticking. | 0:39:00 | 0:39:01 | |
Congratulations on this. | 0:39:01 | 0:39:03 | |
You have made something that I think even Lady Gaga would turn down! | 0:39:03 | 0:39:08 | |
What was this for? A cocktail party on the Titanic or something!? | 0:39:08 | 0:39:12 | |
This attracted customers to our stalls so I thought that was useful. | 0:39:12 | 0:39:16 | |
All right, good team leader or not, chaps? | 0:39:16 | 0:39:19 | |
I would say that he was a decent team leader, | 0:39:19 | 0:39:21 | |
but I wouldn't say he was the best... | 0:39:21 | 0:39:22 | |
But the thing was, David, I was dealing with a team | 0:39:22 | 0:39:25 | |
that didn't have any experience in the field. | 0:39:25 | 0:39:26 | |
All right, look, proof of the pudding | 0:39:26 | 0:39:28 | |
is going to be in the eating here | 0:39:28 | 0:39:30 | |
so Nick, perhaps, if you've got the numbers for me. | 0:39:30 | 0:39:34 | |
So, Platinum, total sales... | 0:39:38 | 0:39:42 | |
£559.90. | 0:39:42 | 0:39:45 | |
Expenditure £106.54 and that generated a profit | 0:39:47 | 0:39:50 | |
of £453.36. | 0:39:50 | 0:39:54 | |
Karren, let's hear how Odyssey got on. | 0:39:57 | 0:40:02 | |
OK, well, total sales, £501.24. | 0:40:02 | 0:40:06 | |
They spent more. £170.87. | 0:40:06 | 0:40:11 | |
Which left you with a profit of £330.37. | 0:40:11 | 0:40:16 | |
MUFFLED EXCITEMENT | 0:40:17 | 0:40:19 | |
Well done, ladies. Well done, ladies. | 0:40:21 | 0:40:25 | |
It looks like the key to this was the accountant here, | 0:40:25 | 0:40:29 | |
keeping a tight rein on the money. | 0:40:29 | 0:40:31 | |
Very, very well done. | 0:40:31 | 0:40:33 | |
In return for this, I'm going to send you on a nice treat. | 0:40:33 | 0:40:36 | |
You're going to go on a high-speed ride down the famous River Thames. | 0:40:36 | 0:40:42 | |
So I'd like you to enjoy yourself | 0:40:42 | 0:40:45 | |
and I'll see you on the next task, OK? | 0:40:45 | 0:40:48 | |
Well done, Ashleigh. | 0:40:48 | 0:40:50 | |
Gentlemen, you brought a whole new meaning to losing your rag, | 0:40:58 | 0:41:02 | |
that's for sure. | 0:41:02 | 0:41:05 | |
I think you need to go away and discuss this amongst yourselves | 0:41:05 | 0:41:09 | |
and then I'll call you back in here and we'll go through it | 0:41:09 | 0:41:12 | |
in far more detail and regretfully, one of you will be fired. | 0:41:12 | 0:41:17 | |
-Off you go and have a chat. -Thank you, Lord Sugar. | 0:41:19 | 0:41:22 | |
You're all going to be given a life jacket, OK? | 0:41:29 | 0:41:32 | |
But in the unlikely event that you went into the water | 0:41:32 | 0:41:34 | |
and they don't inflate, there's a little red toggle, OK? | 0:41:34 | 0:41:37 | |
I'm so excited! | 0:41:37 | 0:41:39 | |
This is the way to see London. | 0:41:41 | 0:41:42 | |
THEY SCREAM | 0:41:48 | 0:41:51 | |
-This is amazing. The adrenaline rush. -I know! | 0:42:06 | 0:42:12 | |
The treat has motivated the girls so much. | 0:42:12 | 0:42:14 | |
We've got a taste for it now and it's not going to be the last. | 0:42:14 | 0:42:17 | |
I'm a bit disappointed. | 0:42:32 | 0:42:34 | |
I feel we all tried our best, but something clearly went wrong. | 0:42:34 | 0:42:39 | |
Maybe, Max, I'm not really sure what your role has been in this. | 0:42:40 | 0:42:44 | |
I was the person organising the boot fair, | 0:42:44 | 0:42:47 | |
I was the person making sure it could happen, getting things off the truck. | 0:42:47 | 0:42:50 | |
I don't think I did a perfect job on the task, | 0:42:51 | 0:42:54 | |
but I certainly think I did a good one. | 0:42:54 | 0:42:57 | |
I think the real issue that lost us this task was down to profit and the fact we overspent on the tailoring. | 0:42:57 | 0:43:01 | |
Yeah, and didn't sell. | 0:43:01 | 0:43:03 | |
'At the end of the day, this was Patrick's judgement,' | 0:43:03 | 0:43:07 | |
it's his speciality and he may have lost us quite a lot of money. | 0:43:07 | 0:43:10 | |
I had to manage a team and basically | 0:43:12 | 0:43:14 | |
teach you fashion cos none of you knew. | 0:43:14 | 0:43:15 | |
Because you all said, "We've got no experience." | 0:43:15 | 0:43:18 | |
"Patrick, what's this, what's that?" | 0:43:18 | 0:43:20 | |
And then I had to try and lead the team as well. | 0:43:20 | 0:43:22 | |
Without me in the team, we wouldn't even have had anything to sell. | 0:43:24 | 0:43:27 | |
INTERCOM RINGS | 0:43:42 | 0:43:44 | |
-Can you send the candidates in, please? -Yes, Lord Sugar. | 0:43:47 | 0:43:52 | |
You can go through to the boardroom now. | 0:43:52 | 0:43:53 | |
Right, gentlemen. | 0:44:06 | 0:44:07 | |
Has everybody signed on to the fact that this task | 0:44:07 | 0:44:10 | |
was all about making money? | 0:44:10 | 0:44:11 | |
Yes. | 0:44:11 | 0:44:12 | |
-This was not a design task. -Exactly. | 0:44:12 | 0:44:15 | |
In hindsight, I would spend less time on the design, | 0:44:15 | 0:44:18 | |
would focus more on the pricing and selling. | 0:44:18 | 0:44:20 | |
Because I think at the end of the day we didn't sell the tailored items. | 0:44:20 | 0:44:24 | |
But I don't think that was the main factor that made us lose. | 0:44:24 | 0:44:28 | |
-You have got your own designer brand. -Yep. | 0:44:28 | 0:44:30 | |
And you know how important it is for there to be designer labels, right? | 0:44:30 | 0:44:34 | |
The things I sorted, | 0:44:34 | 0:44:36 | |
I did put the designer labels into the shopping centre piles. | 0:44:36 | 0:44:39 | |
What was the designer label on this? The label on the sleeve? | 0:44:39 | 0:44:42 | |
Designed by Frankenstein, or what? | 0:44:42 | 0:44:44 | |
I thought that would attract customers to the stand, which it did. | 0:44:44 | 0:44:47 | |
-It wasn't meant for selling then? -Yeah, it was meant for selling. | 0:44:47 | 0:44:51 | |
That's obviously a very specific item. | 0:44:51 | 0:44:53 | |
Patrick is saying that we spent the £137 | 0:44:53 | 0:44:56 | |
to make the items so that they can attract customers. | 0:44:56 | 0:44:59 | |
What's the point of attracting customers? | 0:44:59 | 0:45:01 | |
We're meant to be selling to them. | 0:45:01 | 0:45:03 | |
I arranged for you to be at one of the greatest retail locations | 0:45:03 | 0:45:07 | |
in the country, and you decided | 0:45:07 | 0:45:09 | |
that you were going to leave there and go to | 0:45:09 | 0:45:12 | |
what you might consider to be a trendy destination at Brick Lane. | 0:45:12 | 0:45:16 | |
That was mainly because you must've had in your mind your special items. | 0:45:16 | 0:45:20 | |
I thought that obviously because we had spent a lot of money on them | 0:45:20 | 0:45:23 | |
I hoped they would sell there. | 0:45:23 | 0:45:25 | |
Whilst they were packing away, | 0:45:25 | 0:45:27 | |
I was still selling to customers and there were plenty of people around. | 0:45:27 | 0:45:31 | |
If you look at how much I was selling per hour, | 0:45:31 | 0:45:35 | |
and then extrapolate that, we would've made more than £40. | 0:45:35 | 0:45:39 | |
In the shopping centre, the best seller was Steven. | 0:45:39 | 0:45:43 | |
He sold £107 worth of merchandise. | 0:45:43 | 0:45:47 | |
You sold £85 worth, you, David, | 0:45:47 | 0:45:51 | |
and Patrick sold £57 worth. OK? | 0:45:51 | 0:45:54 | |
In the car boot, Andrew £53, | 0:45:54 | 0:45:58 | |
Sean £40, | 0:45:58 | 0:46:01 | |
and Max 14. | 0:46:01 | 0:46:03 | |
So overall we conclude that you're useless at selling. | 0:46:03 | 0:46:08 | |
I wasn't a seller, Lord Sugar. | 0:46:08 | 0:46:10 | |
My role was the organiser, director, getting stuff out the van all day, | 0:46:10 | 0:46:13 | |
making sure the stall was running and sorting out stuff. | 0:46:13 | 0:46:17 | |
Bottom line is, you beat the girls on the car boot sale, OK? | 0:46:17 | 0:46:21 | |
But they nearly got double the amount of sales as you | 0:46:21 | 0:46:25 | |
at the shopping centre, which was the big venue. | 0:46:25 | 0:46:28 | |
It was supposed to be the crescendo of this task. | 0:46:28 | 0:46:32 | |
The idea of getting the best merchandise out of that pile, | 0:46:32 | 0:46:35 | |
that's where you were supposed to | 0:46:35 | 0:46:37 | |
make your money. What went wrong at the shopping centre? | 0:46:37 | 0:46:40 | |
I think the thing that went wrong was we moved too early. | 0:46:40 | 0:46:43 | |
It was so busy, you had to fight the crowds to get out. | 0:46:43 | 0:46:46 | |
-Sean, what's your call on things? -There were two things. | 0:46:46 | 0:46:48 | |
Obviously the pricing of the tailoring cut us back a bit. | 0:46:48 | 0:46:52 | |
And then I also believe after lunchtime | 0:46:52 | 0:46:55 | |
Max could've come out and helped us sell. If he matched our price | 0:46:55 | 0:46:58 | |
-we'd be a lot closer to the girls. -Patrick. | 0:46:58 | 0:47:00 | |
It is the first task here, | 0:47:00 | 0:47:02 | |
I know how difficult it is to step up and be the project manager. | 0:47:02 | 0:47:06 | |
But now there's another difficult task that you've got to do. | 0:47:06 | 0:47:09 | |
I'd like to know who you want to bring back in the boardroom. | 0:47:09 | 0:47:12 | |
I'm going to bring back... | 0:47:14 | 0:47:16 | |
I'm going to bring back David and Max. | 0:47:20 | 0:47:24 | |
Right. You other three gentlemen, I'll see you on the next task. | 0:47:26 | 0:47:31 | |
-ALL: Thank you, Lord Sugar. -Good luck, boys. | 0:47:31 | 0:47:34 | |
Gentlemen, if you three would step outside for a while, | 0:47:39 | 0:47:43 | |
I'll have a chat with Karren and Nick, of course, | 0:47:43 | 0:47:45 | |
who's been listening very carefully. | 0:47:45 | 0:47:47 | |
So step outside and I'll call you back in later. | 0:47:47 | 0:47:50 | |
Thank you, Lord Sugar. | 0:47:50 | 0:47:52 | |
Well, let's not forget what we have here. 16 and 17-year-olds. | 0:47:59 | 0:48:04 | |
I sometimes forget, I'm talking to them as if they're adults, | 0:48:04 | 0:48:08 | |
and they're very, very credible, and it's going to be a shame | 0:48:08 | 0:48:10 | |
because one of them is going home. | 0:48:10 | 0:48:12 | |
But I think project manager, Patrick, | 0:48:12 | 0:48:15 | |
I do believe that he lost the plot as far as the task is concerned, | 0:48:15 | 0:48:21 | |
meaning it was all about trying to sell as much stuff as possible, | 0:48:21 | 0:48:24 | |
and that is borne out by the fact that they shut down | 0:48:24 | 0:48:27 | |
at the shopping centre and they went off to Brick Lane, | 0:48:27 | 0:48:31 | |
and I think that was a killer blow. | 0:48:31 | 0:48:33 | |
In terms of specifics, he negotiated, he designed, he sold. | 0:48:33 | 0:48:38 | |
He did do all those things, | 0:48:38 | 0:48:40 | |
he did them to a greater or lesser degree throughout the task, | 0:48:40 | 0:48:43 | |
more so than some others who did a bit of hiding, did a bit of folding. | 0:48:43 | 0:48:46 | |
Max, I found him quite articulate, really. | 0:48:48 | 0:48:51 | |
He's also an A-star student, clever boy. | 0:48:51 | 0:48:55 | |
Sales tasks, you've got to sell. | 0:48:55 | 0:48:57 | |
And if you can find an excuse whereby you're relieved of selling, | 0:48:57 | 0:49:00 | |
then it's a safe place to hide. | 0:49:00 | 0:49:02 | |
INTERCOM RINGS | 0:49:03 | 0:49:04 | |
-Can you send the three of them in, please? -Yes, Lord Sugar. | 0:49:07 | 0:49:11 | |
Lord Sugar will see you now. | 0:49:11 | 0:49:13 | |
Patrick. | 0:49:28 | 0:49:29 | |
Why did you bring Max back in the boardroom, as a matter of interest? | 0:49:29 | 0:49:33 | |
Whilst I understand that there needed to be someone | 0:49:33 | 0:49:36 | |
to put things out at the car boot sale | 0:49:36 | 0:49:37 | |
I didn't feel it was | 0:49:37 | 0:49:38 | |
that large a stall that needed someone permanently there, | 0:49:38 | 0:49:41 | |
and I felt that that was probably a big contributor | 0:49:41 | 0:49:44 | |
to why we didn't make as much money as we could have done. | 0:49:44 | 0:49:48 | |
I don't really like being criticised for this not-selling thing. | 0:49:48 | 0:49:52 | |
I would have loved to spend the day selling. I think it would have been easier, | 0:49:52 | 0:49:55 | |
and probably a lot more enjoyable than what I was doing. | 0:49:55 | 0:49:58 | |
And I was quite aware that it might look bad on my part | 0:49:58 | 0:50:01 | |
not having very good figures. | 0:50:01 | 0:50:03 | |
I didn't feel that three of us just doing a bit of everything | 0:50:03 | 0:50:07 | |
was going to be efficient. | 0:50:07 | 0:50:08 | |
It's a car boot sale. It doesn't need to be super-organised. | 0:50:08 | 0:50:11 | |
And it wasn't that large a stall. | 0:50:11 | 0:50:13 | |
It needed the three of you to sell. | 0:50:13 | 0:50:16 | |
Do you think you are responsible for the failure of this task? | 0:50:16 | 0:50:19 | |
Certainly not. I'm sure I wasn't perfect, | 0:50:19 | 0:50:21 | |
but I think all the stuff I did, I did a good job. | 0:50:21 | 0:50:24 | |
Where do you think the responsibility lay | 0:50:24 | 0:50:26 | |
for the failure of this task, then? | 0:50:26 | 0:50:27 | |
The slightly unsuitable design of the clothes, | 0:50:27 | 0:50:30 | |
and the overspend on tailoring, | 0:50:30 | 0:50:31 | |
and the additional one of leaving the shopping centre too early. | 0:50:31 | 0:50:35 | |
Unfortunately, although I really do admire | 0:50:35 | 0:50:38 | |
his undoubted creativity and energy, | 0:50:38 | 0:50:40 | |
I think Patrick was ultimately responsible for those things. | 0:50:40 | 0:50:43 | |
I disagree. | 0:50:43 | 0:50:44 | |
David, what's the reason for the failure and who's responsible? | 0:50:45 | 0:50:49 | |
I think that Patrick is responsible because I feel that we, | 0:50:49 | 0:50:53 | |
number one, overspent on tailoring the items and then | 0:50:53 | 0:50:56 | |
number two we left the mall too early | 0:50:56 | 0:50:58 | |
which at the end of the day, it was your suggestion. | 0:50:58 | 0:51:02 | |
"I have a perfect balance between being creative | 0:51:02 | 0:51:05 | |
"and being a businessperson." This is your description, your words. | 0:51:05 | 0:51:09 | |
Yeah. | 0:51:09 | 0:51:10 | |
"I believe that I am unique by offering a new take on ideas | 0:51:10 | 0:51:14 | |
"and that whilst being strong-minded and opinionated | 0:51:14 | 0:51:17 | |
"I'm able to listen to those who have opinions." | 0:51:17 | 0:51:20 | |
I want you to answer very clearly to me | 0:51:20 | 0:51:24 | |
my concern that you went off on a tangent here. | 0:51:24 | 0:51:28 | |
-I was making sure that the business side of things ran smoothly as well. -Was you? | 0:51:28 | 0:51:31 | |
I started my business when I was about your age and, you know, | 0:51:31 | 0:51:36 | |
I had my eye on the ball, on the money. | 0:51:36 | 0:51:38 | |
On the selling. Were you on the ball there, did you know about the money? | 0:51:38 | 0:51:42 | |
I knew that the tailored items were bringing people in. | 0:51:42 | 0:51:45 | |
You didn't sell one piece of the tailored items | 0:51:45 | 0:51:48 | |
at the recommended retail price that you put on them. | 0:51:48 | 0:51:51 | |
-Not one piece. -No, we didn't. | 0:51:51 | 0:51:53 | |
David, I've had a quick look through your application here. | 0:51:53 | 0:51:57 | |
The way you deal with men, for example - "They are like dogs, | 0:51:57 | 0:52:01 | |
"you can get them eating from your hands." | 0:52:01 | 0:52:04 | |
What are you going on about there? Are these two dogs here or what? | 0:52:04 | 0:52:07 | |
I do believe that people in this task did act like dogs. | 0:52:07 | 0:52:11 | |
They didn't know what they were doing. | 0:52:11 | 0:52:13 | |
I believe that this task was made for Patrick, | 0:52:13 | 0:52:16 | |
however he didn't take control of it. | 0:52:16 | 0:52:18 | |
-Where was his failure, then? -I don't doubt his bravery at all. | 0:52:18 | 0:52:22 | |
I just believe that some people are not made for the business industry. | 0:52:22 | 0:52:25 | |
He's taken over £1,000, I think it is, flogging his stuff. | 0:52:25 | 0:52:29 | |
-1,140, and I've actually secured... -1,140, any advance on that? | 0:52:29 | 0:52:33 | |
At the same time, if you look at my CV, I am doing numerous things | 0:52:33 | 0:52:37 | |
-and I am excelling at every single... -I do numerous things as well. | 0:52:37 | 0:52:41 | |
-I got to this position. -I try so hard. | 0:52:41 | 0:52:43 | |
To be honest, I think you see | 0:52:43 | 0:52:45 | |
-I'm a boy that does fashion and think I'm this person you can push around. -Certainly not. | 0:52:45 | 0:52:49 | |
Am going to tell you, David, that I think that's ridiculous. | 0:52:49 | 0:52:51 | |
I listened to you as project manager and I told you | 0:52:51 | 0:52:54 | |
-when you were doing things wrong. -You seem to be saying that everything I've been doing is wrong. | 0:52:54 | 0:52:59 | |
I wouldn't say that everything you did is wrong. | 0:52:59 | 0:53:01 | |
I said that we came to you as someone... | 0:53:01 | 0:53:03 | |
-You said that I was responsible for the failure of the task. -Yeah. | 0:53:03 | 0:53:06 | |
That doesn't mean that you did everything wrong. | 0:53:06 | 0:53:08 | |
-Did he do anything right? -I haven't heard it if I did. | 0:53:08 | 0:53:12 | |
Tell me something, Max. Why should you remain in this process? | 0:53:14 | 0:53:18 | |
You're an exceptionally intelligent fellow, | 0:53:18 | 0:53:22 | |
I'm wondering whether you're one of those guys that is | 0:53:22 | 0:53:26 | |
a bit of a thinker and is less of, with respect, a doer, really. | 0:53:26 | 0:53:30 | |
I think it's easy because my plan was a bit quiet | 0:53:30 | 0:53:33 | |
to think I wasn't doing much, but I think it's not an easy job | 0:53:33 | 0:53:36 | |
and I think I did quite well at it. | 0:53:36 | 0:53:38 | |
Patrick, out of these two here then, who would you say should go home? | 0:53:38 | 0:53:42 | |
I think I'm going to put the responsibility with Max. | 0:53:42 | 0:53:44 | |
If the stuff had been better sorted out and we had as a general theme | 0:53:44 | 0:53:47 | |
maybe I wouldn't have had such a difficult job. | 0:53:47 | 0:53:49 | |
I don't think you understand, Max, that it was a tonne of rubbish clothes. | 0:53:49 | 0:53:52 | |
-We had to sift through them. -It wasn't a tonne of rubbish clothes. | 0:53:52 | 0:53:55 | |
It's a miracle that we found anything sellable in those bags. | 0:53:55 | 0:53:59 | |
-The majority of it wasn't sellable. -All right. Listen. | 0:53:59 | 0:54:02 | |
I don't think I need to hear any more. | 0:54:02 | 0:54:04 | |
When I make my mind up, | 0:54:04 | 0:54:06 | |
I have to take into account who do I feel | 0:54:06 | 0:54:09 | |
has the ongoing potential to go through the process | 0:54:09 | 0:54:14 | |
and possibly end up to be the winner. | 0:54:14 | 0:54:16 | |
Patrick, you totally went off the rails here, I'm afraid to say. | 0:54:19 | 0:54:26 | |
You forgot that this is a business task. | 0:54:26 | 0:54:29 | |
You were selling goods. | 0:54:29 | 0:54:31 | |
You had to park for one moment in your mind that you're a designer. | 0:54:31 | 0:54:36 | |
-Yeah. -There is no question that a couple of the decisions | 0:54:36 | 0:54:38 | |
you made was the downfall of this task. | 0:54:38 | 0:54:42 | |
Having said all that, | 0:54:43 | 0:54:45 | |
I mustn't underestimate the fact of how difficult it is for you | 0:54:45 | 0:54:49 | |
to take the helm on the first task. | 0:54:49 | 0:54:52 | |
Max, exceptionally great on paper. | 0:54:53 | 0:54:58 | |
Whether there is any business nous there, I don't know. | 0:54:58 | 0:55:01 | |
David, I've got a big concern about you, | 0:55:03 | 0:55:06 | |
that you are somebody who causes a bit of friction, | 0:55:06 | 0:55:11 | |
and part of this process is being able to work with people. | 0:55:11 | 0:55:14 | |
So it's very difficult for me, | 0:55:16 | 0:55:19 | |
but I regret that my instinct is telling me that... | 0:55:19 | 0:55:24 | |
..Max, I think you're meant for different types of things. | 0:55:27 | 0:55:31 | |
-Max, you're fired. -Thank you for this opportunity, Lord Sugar. | 0:55:31 | 0:55:36 | |
You've heard some criticism from me. You see how tough it is. | 0:55:52 | 0:55:57 | |
I'll see you on the next task. | 0:55:57 | 0:55:58 | |
I won't be perhaps as lenient the next time round, OK? | 0:55:59 | 0:56:03 | |
-Go back to the house. -Thank you very much. | 0:56:03 | 0:56:05 | |
-Really good luck. -Thank you. -Good luck. | 0:56:15 | 0:56:18 | |
Don't get me wrong, I mean, business needs bright people. | 0:56:21 | 0:56:25 | |
It's kind of saddening, really, to let someone of that calibre go. | 0:56:25 | 0:56:29 | |
But I think Max has got something different. | 0:56:29 | 0:56:31 | |
I really hope this isn't the end of my business life. | 0:56:44 | 0:56:48 | |
I do have a passion for business, and I'm just going to keep on going | 0:56:48 | 0:56:51 | |
and use all the lessons I've learned in my short time in the process. | 0:56:51 | 0:56:56 | |
So who do you think's coming back, then? | 0:57:01 | 0:57:04 | |
I really hope Patrick comes back, but I don't think he will. | 0:57:04 | 0:57:07 | |
-Max's management was a bit... -I think it's definitely him or David. | 0:57:07 | 0:57:11 | |
SQUEALS | 0:57:18 | 0:57:20 | |
It's like the most intense experience I've ever had in my life. | 0:57:29 | 0:57:32 | |
You have no idea. Until you've done it, you won't know. | 0:57:32 | 0:57:35 | |
I'm not going through that again, so you are! | 0:57:35 | 0:57:38 | |
Now 11 candidates remain. | 0:57:40 | 0:57:44 | |
Lord Sugar's search for his Young Apprentice has begun. | 0:57:44 | 0:57:48 | |
Next time. | 0:57:50 | 0:57:51 | |
Your task today is that you're going to have to produce a cookery book. | 0:57:51 | 0:57:56 | |
-Out of the frying pan... -Six teaspoons of peanut butter. | 0:57:56 | 0:57:59 | |
This is the first meeting of the day and you're already bickering. | 0:57:59 | 0:58:03 | |
..and into the fire. | 0:58:03 | 0:58:04 | |
You just keep sending these comments which are just rude. | 0:58:04 | 0:58:07 | |
You're being a really bad project manager. | 0:58:07 | 0:58:09 | |
Then publish... | 0:58:09 | 0:58:12 | |
-and be dammed. -That looks really good! | 0:58:12 | 0:58:14 | |
A disaster, no? | 0:58:14 | 0:58:16 | |
A recipe for disaster. | 0:58:16 | 0:58:18 | |
You're fired. | 0:58:18 | 0:58:20 | |
Subtitles by Red Bee Media Ltd | 0:58:29 | 0:58:32 |