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It's an opportunity like no other. | 0:00:05 | 0:00:08 | |
I don't like teacher's pets and I don't like school bullies. | 0:00:08 | 0:00:11 | |
What I like is young people | 0:00:11 | 0:00:13 | |
that have the potential to succeed in business. | 0:00:13 | 0:00:16 | |
From all over the country, | 0:00:16 | 0:00:18 | |
Britain's youngest aspiring entrepreneurs have come to London. | 0:00:18 | 0:00:21 | |
Has everybody signed on to the fact | 0:00:21 | 0:00:24 | |
that this task was all about making money? | 0:00:24 | 0:00:26 | |
-Stop acting like an idiot, you kept shouting over him! -Guys, let it go! | 0:00:26 | 0:00:30 | |
Let it go, seriously. | 0:00:30 | 0:00:33 | |
Aged 16 and 17, all have a burning passion for business. | 0:00:33 | 0:00:36 | |
-Are you going to listen to me? -Look, we're not doing this now. | 0:00:36 | 0:00:40 | |
Don't dodge the question. Did you lose control of the task? | 0:00:40 | 0:00:43 | |
-So listen for a second. -We did listen. | 0:00:43 | 0:00:45 | |
There you go, you're not even listening again. | 0:00:45 | 0:00:47 | |
They'll battle it out for a prize worth £25,000... | 0:00:47 | 0:00:51 | |
Fabulous! | 0:00:51 | 0:00:53 | |
..the ultimate kick-start to a career in business. | 0:00:53 | 0:00:55 | |
Oh, I'm sweating like a pig at the butchers! | 0:00:55 | 0:00:58 | |
But, to succeed, they'll have to impress the boss - Lord Sugar. | 0:00:58 | 0:01:03 | |
You're trying to be too clever, and I'm afraid that it's backfired. | 0:01:03 | 0:01:07 | |
In charge of a vast business empire, | 0:01:07 | 0:01:11 | |
Lord Sugar started his career while still at school. | 0:01:11 | 0:01:14 | |
Now he's on the hunt for his next young apprentice. | 0:01:16 | 0:01:20 | |
Bottom line is, you totally went off the rails here. | 0:01:20 | 0:01:24 | |
To win, they have to work as a team... | 0:01:24 | 0:01:27 | |
-No, no. -It's poor management. | 0:01:27 | 0:01:29 | |
It was bad management. | 0:01:29 | 0:01:30 | |
..but shine as individuals. | 0:01:30 | 0:01:32 | |
650. Cash in hand, now. | 0:01:32 | 0:01:35 | |
SHE SCREAMS | 0:01:35 | 0:01:36 | |
That is really... | 0:01:36 | 0:01:37 | |
Because in the end, there can only be one young apprentice. | 0:01:37 | 0:01:42 | |
With regret, you're fired. | 0:01:42 | 0:01:44 | |
You're fired. You're fired. | 0:01:44 | 0:01:47 | |
Previously on Young Apprentice... | 0:01:56 | 0:01:59 | |
I've got you a ton of discarded clothes, | 0:01:59 | 0:02:02 | |
and your task is to go through them and sell it in the marketplace. | 0:02:02 | 0:02:07 | |
Fashion fan Patrick blew the budget on quirky creations. | 0:02:07 | 0:02:11 | |
This is a vintage kimono, and this is a swimsuit. | 0:02:11 | 0:02:15 | |
While accountant Ashleigh kept the cash box shut. | 0:02:15 | 0:02:19 | |
I'm just going to put my foot down, for the team | 0:02:19 | 0:02:20 | |
and say we're not doing any tailoring. | 0:02:20 | 0:02:23 | |
The girls flogged their socks off... | 0:02:23 | 0:02:25 | |
-What do you think? Sold? -Yeah, sold. -Good! | 0:02:25 | 0:02:27 | |
-..while the boys... -We don't need more than one person selling? | 0:02:27 | 0:02:30 | |
-Not at the moment. -Selling makes money. We're here to make money. | 0:02:30 | 0:02:33 | |
-I know. -..fell apart at the seams. | 0:02:33 | 0:02:36 | |
-We need to leave now. -Yes, tell me, be patient, calm down. | 0:02:36 | 0:02:39 | |
-Put all the blazers in one bag. -OK, thanks. | 0:02:39 | 0:02:41 | |
In the boardroom, the girls had victory sewn up... | 0:02:41 | 0:02:44 | |
Well done, ladies. The keys to this was the accountant here. | 0:02:44 | 0:02:48 | |
..Patrick got a dressing-down... | 0:02:48 | 0:02:51 | |
You have made something that I think even Lady Gaga would turn down. | 0:02:51 | 0:02:55 | |
..but it was Max who failed to fit. | 0:02:55 | 0:02:58 | |
Whether there's any business nous there, I don't know. | 0:02:58 | 0:03:01 | |
He became the first casualty of the boardroom. | 0:03:01 | 0:03:04 | |
Max, you're fired. | 0:03:04 | 0:03:06 | |
Thank you very much for the opportunity, Lord Sugar. | 0:03:06 | 0:03:08 | |
Now, 11 remain to battle it out to become | 0:03:08 | 0:03:12 | |
Lord Sugar's young apprentice. | 0:03:12 | 0:03:14 | |
PHONE RINGS | 0:03:23 | 0:03:28 | |
7am. | 0:03:29 | 0:03:30 | |
PHONE RINGS | 0:03:33 | 0:03:36 | |
-Hello? -'This is Lord Sugar's office. | 0:03:36 | 0:03:38 | |
'He would like you to meet him | 0:03:38 | 0:03:40 | |
'at Sketch in Central London in 30 minutes.' | 0:03:40 | 0:03:42 | |
Thank you very much. | 0:03:42 | 0:03:44 | |
-Sketch, 30 minutes. -Where we going? | 0:03:45 | 0:03:48 | |
I think it could be, like, an arty sort of task, | 0:03:51 | 0:03:53 | |
that we could maybe sell paintings, or things like that. | 0:03:53 | 0:03:56 | |
Loads of my friends are artists, | 0:03:56 | 0:03:57 | |
and they would come in pretty handy right now. | 0:03:57 | 0:03:59 | |
Being in the boardroom is like being in hell, | 0:04:03 | 0:04:06 | |
so we have to win this time, don't we? | 0:04:06 | 0:04:08 | |
I think the boys are actually weak, compared to us. | 0:04:20 | 0:04:23 | |
Yeah, I think they are. We're really very strong-minded women, all of us. | 0:04:23 | 0:04:26 | |
Yeah, I think they're like pushovers, compared to us. | 0:04:26 | 0:04:30 | |
I think they are as well. | 0:04:30 | 0:04:31 | |
The boardroom has only made us stronger. | 0:04:34 | 0:04:36 | |
And then that's given us some experience | 0:04:36 | 0:04:38 | |
that the girls don't have, so by no means are we the underdogs. | 0:04:38 | 0:04:42 | |
-STEVEN: -We're the top dogs. | 0:04:42 | 0:04:44 | |
-Good morning. -CONTESTANTS: Morning, Lord Sugar. | 0:05:17 | 0:05:20 | |
This is one of London's best restaurants. | 0:05:20 | 0:05:22 | |
Not only is it known for its good food, | 0:05:22 | 0:05:25 | |
but it's known for its good presentation. | 0:05:25 | 0:05:28 | |
And that's really what this next task is all about. | 0:05:28 | 0:05:32 | |
You're going to produce a cookery book. | 0:05:32 | 0:05:34 | |
And, in a couple of days time, | 0:05:34 | 0:05:37 | |
you'll present those cookbooks to three retailers that I have laid on. | 0:05:37 | 0:05:42 | |
And the team with the greatest amount of orders will win, | 0:05:42 | 0:05:45 | |
and the losing team... | 0:05:45 | 0:05:47 | |
Regretfully, one of you will be fired. | 0:05:47 | 0:05:50 | |
Right, I've decided that I'm going to mix the teams up a bit. | 0:05:51 | 0:05:54 | |
So, Maria, you come over here to Odyssey. | 0:05:54 | 0:05:58 | |
And Steven, you go over to Platinum. | 0:05:58 | 0:06:01 | |
Everything clear? | 0:06:04 | 0:06:05 | |
CONTESTANTS: Yes, Lord Sugar. | 0:06:05 | 0:06:07 | |
Well, good luck, and I'll see you in a few days time. Off you go. | 0:06:07 | 0:06:10 | |
Two days to design and print a new cookbook... | 0:06:11 | 0:06:15 | |
..then pitch it to three of the UK's top booksellers, | 0:06:17 | 0:06:21 | |
for a slice of Britain's £84 million cookbook market. | 0:06:21 | 0:06:25 | |
But first, both teams need leaders. | 0:06:29 | 0:06:33 | |
Well, can I just say, for this task, | 0:06:33 | 0:06:36 | |
I would happily put myself up for project manager. | 0:06:36 | 0:06:38 | |
I do think that, as the only woman on this team, | 0:06:38 | 0:06:41 | |
it is important that I have a real say in what's going on. | 0:06:41 | 0:06:44 | |
I would also want to put myself forward. | 0:06:44 | 0:06:45 | |
I've been in publishing for about two and a half years. | 0:06:45 | 0:06:48 | |
The magazine we work on has a lot of food, | 0:06:48 | 0:06:50 | |
so I know the kind of layout and presentation. | 0:06:50 | 0:06:52 | |
My biggest achievement | 0:06:52 | 0:06:54 | |
has been being named the World's Youngest Publisher. | 0:06:54 | 0:06:57 | |
I have a team of 12 writers currently working for me, | 0:06:57 | 0:06:59 | |
as well as the head of online. | 0:06:59 | 0:07:00 | |
Waking up and owning a business are the same thing for me. | 0:07:00 | 0:07:03 | |
It seems like a big chunk of it is publishing. | 0:07:03 | 0:07:05 | |
If I wasn't voting for myself, I would vote for Sean. | 0:07:05 | 0:07:08 | |
I'd vote for Sean. | 0:07:08 | 0:07:10 | |
-PATRICK: -It's you, then, Sean. | 0:07:10 | 0:07:12 | |
OK, so who do you think should be PM for this task? | 0:07:17 | 0:07:20 | |
-STEVEN: -Is anyone confident with being PM? | 0:07:20 | 0:07:22 | |
I do quite like to cook in my own time. | 0:07:22 | 0:07:25 | |
I make cakes, so presentation, especially with cupcakes, | 0:07:25 | 0:07:28 | |
is, like, absolutely key. | 0:07:28 | 0:07:29 | |
'I think it's important to be' | 0:07:29 | 0:07:31 | |
in control of situations at all time, | 0:07:31 | 0:07:33 | |
and there's a fine line between that | 0:07:33 | 0:07:35 | |
and being bossy. | 0:07:35 | 0:07:36 | |
And sometimes I fall under the bossy category. | 0:07:36 | 0:07:38 | |
I'd like to put myself in there as project manager, too. | 0:07:38 | 0:07:40 | |
Although it's not something I'd say is part of my business plan, | 0:07:40 | 0:07:43 | |
I have baked cakes in the past for people. | 0:07:43 | 0:07:45 | |
I'm quite happy for Lucy to be project manager. | 0:07:45 | 0:07:48 | |
I think she's got enough experience to handle this quite well. | 0:07:48 | 0:07:51 | |
-Yeah, I believe that as well. -More than happy for Lucy. | 0:07:51 | 0:07:53 | |
So, if we go with Lucy, are you happy with that, Alice? | 0:07:53 | 0:07:56 | |
-Yeah, but... -Because more people have said Lucy. | 0:07:56 | 0:07:58 | |
No, I'm totally happy with that. | 0:07:58 | 0:07:59 | |
'I did put myself forward as project manager,' | 0:07:59 | 0:08:01 | |
but I knew Lucy would get it, because she's... | 0:08:01 | 0:08:05 | |
pretty persistent on what she wants. | 0:08:05 | 0:08:07 | |
I'm not willing to start a catfight for it. | 0:08:07 | 0:08:09 | |
Each year, almost 2,000 cookbooks are published. | 0:08:09 | 0:08:13 | |
It's a tough business, | 0:08:13 | 0:08:15 | |
and, to succeed, both teams need to decide on a target market. | 0:08:15 | 0:08:20 | |
Do we start going over some general themes | 0:08:21 | 0:08:23 | |
that we'd want the book to have? | 0:08:23 | 0:08:25 | |
I quite like targeting at a specific sector, | 0:08:25 | 0:08:28 | |
like the professional woman, or something. | 0:08:28 | 0:08:30 | |
Who's got experience in hitting their woman market? | 0:08:30 | 0:08:34 | |
-SEAN: -Yeah, I think having Maria... | 0:08:34 | 0:08:37 | |
I think all of us can chip in more if we go for just the wider... | 0:08:37 | 0:08:42 | |
MARIA: But you need a target to make it stand out. | 0:08:42 | 0:08:45 | |
-PATRICK: -Who's more likely to buy the book, a man or a woman? | 0:08:45 | 0:08:47 | |
Women are more likely to buy the book, definitely. | 0:08:47 | 0:08:49 | |
-SEAN: -I mean, do we need to specify an age range? -No. -Great, OK. | 0:08:49 | 0:08:52 | |
That works, then. | 0:08:52 | 0:08:54 | |
I feel that Sean would be good at the task, | 0:08:54 | 0:08:56 | |
as he loves publishing, | 0:08:56 | 0:08:57 | |
but I'm not sure whether he'll show that in a confident way, | 0:08:57 | 0:09:00 | |
or whether Maria might overpower him. | 0:09:00 | 0:09:03 | |
So I really would be keen to stick with a woman, | 0:09:03 | 0:09:05 | |
but don't make it overly pink, as Maria says. | 0:09:05 | 0:09:07 | |
-That puts women off sometimes. -Exactly. | 0:09:07 | 0:09:08 | |
Not all women are like Barbies. | 0:09:08 | 0:09:10 | |
-STEVEN: -I think we should pick a market. | 0:09:14 | 0:09:16 | |
With students, there's a really strong focus. | 0:09:16 | 0:09:19 | |
If we're really going to do the same old boring cookbook... | 0:09:19 | 0:09:22 | |
-NAVDEEP: -It has to be different. | 0:09:22 | 0:09:24 | |
For students, if we do it | 0:09:24 | 0:09:25 | |
in some sort of comic book style or something. | 0:09:25 | 0:09:27 | |
Something that's more student. | 0:09:27 | 0:09:29 | |
I've got to say, Steve, I really like your idea about the comic book. | 0:09:29 | 0:09:32 | |
It is really, really unique. | 0:09:32 | 0:09:34 | |
You know when you go away from home, | 0:09:34 | 0:09:35 | |
and things you miss is stuff that your mum does for you. | 0:09:35 | 0:09:38 | |
So you could have the title of, "Where's Mummy?" | 0:09:38 | 0:09:40 | |
And then as the stages go on, you cook her a dinner at the end. | 0:09:40 | 0:09:43 | |
I really like "Where's Mummy?" actually. | 0:09:43 | 0:09:45 | |
-ASHLEIGH: -I like "Where's Mummy?" | 0:09:45 | 0:09:47 | |
See, I was thinking of having the title as a hashtag. | 0:09:47 | 0:09:50 | |
This hashtag business, that's Twitter? | 0:09:50 | 0:09:52 | |
Social networking. | 0:09:52 | 0:09:53 | |
So if you hashtag a word, or a phrase, it will start to trend. | 0:09:53 | 0:09:58 | |
With markets agreed... | 0:10:02 | 0:10:04 | |
the teams split. | 0:10:04 | 0:10:06 | |
One half to research recipes, | 0:10:06 | 0:10:08 | |
the other half to test their ideas on focus groups. | 0:10:08 | 0:10:12 | |
Having decided on a cookbook for the professional woman, | 0:10:15 | 0:10:19 | |
Sean sends Andrew and David... | 0:10:19 | 0:10:21 | |
Hello! | 0:10:21 | 0:10:23 | |
..to give some city professionals a taste of the team's concept. | 0:10:23 | 0:10:27 | |
Right, we're from team Odyssey, today, | 0:10:27 | 0:10:30 | |
and we're publishing a cookery book | 0:10:30 | 0:10:32 | |
for busy professionals just like yourselves. | 0:10:32 | 0:10:35 | |
We were thinking of calling it The Professional Woman. | 0:10:35 | 0:10:38 | |
How's your insight on this? | 0:10:38 | 0:10:39 | |
Although you could direct it to the female market | 0:10:39 | 0:10:42 | |
by saying "The Professional Woman," | 0:10:42 | 0:10:44 | |
I think you're going to put off both men and women, I think. | 0:10:44 | 0:10:48 | |
As for the women, would you say you like to get home | 0:10:48 | 0:10:50 | |
and make a quick meal, at the end of a long day? | 0:10:50 | 0:10:54 | |
Probably not. When I get home late at night, | 0:10:54 | 0:10:57 | |
it's the last thing I want to do. | 0:10:57 | 0:10:59 | |
I wouldn't just limit it to women, cos looking at my group of friends, | 0:10:59 | 0:11:03 | |
actually a lot of the guys do most of cooking. | 0:11:03 | 0:11:06 | |
OK, I do a lot of the cooking, as well. | 0:11:06 | 0:11:09 | |
PHONE RINGS | 0:11:14 | 0:11:16 | |
1pm. | 0:11:16 | 0:11:17 | |
Hi, guys. It's us. | 0:11:20 | 0:11:21 | |
We just really quickly wondering what you | 0:11:21 | 0:11:23 | |
learned from the market research. | 0:11:23 | 0:11:25 | |
One, they didn't like the just girls, they wanted... | 0:11:25 | 0:11:30 | |
healthy but for busy professional men AND women. | 0:11:30 | 0:11:35 | |
'I think we need something that stands out and is marketable.' | 0:11:35 | 0:11:38 | |
We can't come in with another generic cookbook. | 0:11:38 | 0:11:40 | |
The focus group didn't agree with it. | 0:11:40 | 0:11:42 | |
And they didn't agree with it strongly, | 0:11:42 | 0:11:44 | |
so I think we should change. | 0:11:44 | 0:11:46 | |
I'm thinking we're going to have a quick chat between us, | 0:11:46 | 0:11:48 | |
because do both of you think that it should definitely be both genders? | 0:11:48 | 0:11:52 | |
Yeah, no-one in the market research was pro-woman. | 0:11:52 | 0:11:55 | |
-SEAN: -Brilliant, OK. Call you soon. Cheers, guys! -MARIA: -Bye! | 0:11:55 | 0:11:58 | |
Why does he literally not want to listen to anything we say? | 0:12:00 | 0:12:03 | |
He's just annoyed, carrying on like a baby. | 0:12:03 | 0:12:07 | |
A big baby. | 0:12:07 | 0:12:08 | |
Already agreed on a market, Lucy sends Alice, Ashleigh and Amy | 0:12:14 | 0:12:20 | |
to meet food writer Ben Ebbrell. | 0:12:20 | 0:12:22 | |
-Hello. My name's Alice. -Alice, nice to meet you. Ben. | 0:12:23 | 0:12:26 | |
The job - come up with recipes for the team's student cookbook. | 0:12:26 | 0:12:31 | |
-'Hiya.' -Hi! | 0:12:31 | 0:12:33 | |
So, how did the appointment go with the chef? | 0:12:33 | 0:12:36 | |
Basically, we're still there. | 0:12:36 | 0:12:39 | |
We've kind of set ourselves on three ideas. | 0:12:39 | 0:12:42 | |
Can we talk how to make them first? The recipes for them. | 0:12:42 | 0:12:44 | |
Can we talk to you about that later? | 0:12:44 | 0:12:47 | |
We're in with the chef and we're wasting time as we speak. | 0:12:47 | 0:12:50 | |
'That's fine.' | 0:12:50 | 0:12:51 | |
We'll speak later. Try and get the recipes done soon. | 0:12:51 | 0:12:54 | |
-All right, no problem. -OK. Bye, guys! | 0:12:54 | 0:12:57 | |
-Sorry about that. -It's quite all right. | 0:12:57 | 0:12:59 | |
What are you sort of aiming for? What do students want? | 0:12:59 | 0:13:03 | |
We want something that's cheap and easily available, | 0:13:03 | 0:13:05 | |
as regards to the ingredients. | 0:13:05 | 0:13:06 | |
What about something that's so out there? | 0:13:06 | 0:13:08 | |
Because you know students, they just love sweet stuff | 0:13:08 | 0:13:11 | |
and quite like junk food. | 0:13:11 | 0:13:13 | |
Is this, like, really disgusting, but peanut butter on nachos? | 0:13:13 | 0:13:17 | |
It's one of those things, you're going to have to try it. | 0:13:17 | 0:13:19 | |
You'll have to make sure that you | 0:13:19 | 0:13:21 | |
and several other people like it and buy into it before you start | 0:13:21 | 0:13:24 | |
putting it in a cookbook and publishing it. Yeah? | 0:13:24 | 0:13:26 | |
I can imagine peanut butter and sweet chilli | 0:13:26 | 0:13:28 | |
going quite nicely together. | 0:13:28 | 0:13:30 | |
-Do you want to try it? -Yeah. | 0:13:30 | 0:13:32 | |
I would love that in a stir-fry. | 0:13:32 | 0:13:34 | |
So I think we're all agreed on the stir-fry noodles. | 0:13:36 | 0:13:39 | |
Obviously, the sweet chilli and the peanut butter, we all love that. | 0:13:39 | 0:13:43 | |
-Bacon, cheese and potato bake, with barbecue. -Nice. | 0:13:43 | 0:13:48 | |
The whole task is about innovation and creating something new, | 0:13:48 | 0:13:52 | |
-and this sounds fantastic. -Making two worlds collide. | 0:13:52 | 0:13:55 | |
Something you guys like, something you've seen around, | 0:13:55 | 0:13:57 | |
-put the two together, see what you end up with. -Yeah. | 0:13:57 | 0:14:00 | |
Heading to their photographic studio, | 0:14:07 | 0:14:10 | |
to shoot their student dishes, | 0:14:10 | 0:14:12 | |
Steven, Navdeep and project manager Lucy. | 0:14:12 | 0:14:15 | |
PHONE RINGS | 0:14:15 | 0:14:17 | |
-Hi, girls. -Hello. | 0:14:17 | 0:14:20 | |
OK, can we get the recipes? Are you ready with the recipes? | 0:14:20 | 0:14:22 | |
-'Do you want us to tell you how to make them as well?' -Yeah, we do. | 0:14:22 | 0:14:25 | |
Because the chef didn't actually tell us. | 0:14:25 | 0:14:27 | |
Surely the recipe tells you how to make it. | 0:14:27 | 0:14:29 | |
ASHLEIGH: 'We haven't got a recipe, we've just designed the meal.' | 0:14:29 | 0:14:33 | |
We need to make it now, so we need a recipe to base the entire meal on. | 0:14:33 | 0:14:37 | |
'I'm going to give you a recipe off the top of my... | 0:14:37 | 0:14:39 | |
' of how I think it should be done.' | 0:14:39 | 0:14:41 | |
Whatever, we've got to get on with it. | 0:14:41 | 0:14:43 | |
Don't "whatever," Lucy. That's not really helpful. | 0:14:43 | 0:14:45 | |
'We've done what we've been instructed to do.' | 0:14:45 | 0:14:47 | |
You haven't, I instructed you to do the recipes. | 0:14:47 | 0:14:50 | |
This is, to the best of our knowledge, how it should be done, | 0:14:50 | 0:14:52 | |
but if you feel it should be done differently, | 0:14:52 | 0:14:54 | |
then I'm very happy for you to change it. | 0:14:54 | 0:14:56 | |
How kind(!) | 0:14:56 | 0:14:58 | |
That is not good team management at any point, is it? | 0:14:59 | 0:15:02 | |
Didn't I say, quote, "Can you call me back with recipes?" | 0:15:05 | 0:15:09 | |
-What is a recipe? -We're making a cookery book, we NEED recipes. | 0:15:09 | 0:15:13 | |
I wish I'd just pushed for project manager now. | 0:15:15 | 0:15:17 | |
It's just perfect for me, this task. | 0:15:17 | 0:15:20 | |
En route to design the layout for their book, | 0:15:24 | 0:15:27 | |
Sean's team must decide | 0:15:27 | 0:15:29 | |
between sticking with professional women or including men. | 0:15:29 | 0:15:33 | |
I liked The Professional Woman. Are you against it totally? | 0:15:33 | 0:15:37 | |
I'm not completely against it, but... | 0:15:37 | 0:15:39 | |
Are you against it? | 0:15:39 | 0:15:40 | |
You need to stand up and make a decision as project manager. | 0:15:40 | 0:15:43 | |
It's to do with the whole... | 0:15:43 | 0:15:45 | |
Everything we've been told in the focus group, we have to go on. | 0:15:45 | 0:15:49 | |
I think that when you're pitching to someone, especially retailers, | 0:15:49 | 0:15:53 | |
they have so many cookbooks in their shelves, | 0:15:53 | 0:15:56 | |
we need something that stands out. | 0:15:56 | 0:15:57 | |
They want something new, not something that's been done before. | 0:15:57 | 0:16:00 | |
Cos they have it. | 0:16:00 | 0:16:01 | |
Um, I don't know. | 0:16:01 | 0:16:03 | |
We're not being influenced by other people. | 0:16:03 | 0:16:05 | |
If we stick with what we thought was right from the start, | 0:16:05 | 0:16:08 | |
that's the way to go with this. | 0:16:08 | 0:16:10 | |
I was convinced by what Andrew said, but the way you just put that, | 0:16:10 | 0:16:14 | |
it completely blew his argument out of the water. | 0:16:14 | 0:16:17 | |
MOBILE RINGS | 0:16:17 | 0:16:19 | |
-Hello? -Hi, guys. -'Hey.' | 0:16:19 | 0:16:22 | |
Just a really quick thing. We're on our way to the publishers now. | 0:16:22 | 0:16:25 | |
I've made a decision that we'll stick with the female market, | 0:16:25 | 0:16:28 | |
because I think it's a lot more specific. | 0:16:28 | 0:16:30 | |
'Maria made a really good point in the car, | 0:16:30 | 0:16:32 | |
'so I'll let you hear what she said.' | 0:16:32 | 0:16:34 | |
We're just missing one point, | 0:16:34 | 0:16:36 | |
-and you never listen to everything from your market research. -Exactly. | 0:16:36 | 0:16:39 | |
'We're taking 99% of our market research and using it effectively.' | 0:16:39 | 0:16:43 | |
Sean and Patrick, do you agree with Maria? | 0:16:43 | 0:16:46 | |
That's the decision, we need to draw a line. We need to move on, OK? | 0:16:46 | 0:16:50 | |
With their target markets agreed, both teams have just two hours | 0:16:56 | 0:16:59 | |
in professional studios to cook and photograph their recipes... | 0:16:59 | 0:17:04 | |
-Afternoon. -Hello. -Pigging out? -No, I'm not allowed! | 0:17:05 | 0:17:08 | |
Yeah. Um, OK. | 0:17:08 | 0:17:10 | |
..then e-mail the pictures to their design teams at the publishers... | 0:17:10 | 0:17:14 | |
Let's get them on their way. | 0:17:14 | 0:17:16 | |
..so the books can be printed overnight, | 0:17:16 | 0:17:18 | |
ready for tomorrow's pitch. | 0:17:18 | 0:17:20 | |
Hunch over a little bit. Bend down a little bit to your food. | 0:17:20 | 0:17:23 | |
-Yeah? -And look... Yeah, yeah. | 0:17:23 | 0:17:25 | |
Sean's cooking team are going for quick, healthy recipes... | 0:17:25 | 0:17:29 | |
Start frying the cod. | 0:17:29 | 0:17:32 | |
..to suit the theme of their Professional Woman cookbook. | 0:17:32 | 0:17:36 | |
I was a bit disappointed when Sean decided to ignore the focus group | 0:17:36 | 0:17:39 | |
and just go with what Maria decided in the first place. | 0:17:39 | 0:17:43 | |
And I still don't think that they can deny | 0:17:43 | 0:17:45 | |
that a more wider-base book will get more orders. | 0:17:45 | 0:17:49 | |
Yeah, let's get those photos going. | 0:17:49 | 0:17:51 | |
Oh, I'm sweating like a pig at the butchers! | 0:17:51 | 0:17:54 | |
Hammersmith, West London. | 0:17:58 | 0:18:00 | |
The design team arrive at HarperCollins, | 0:18:00 | 0:18:03 | |
one of the world's oldest book publishers. | 0:18:03 | 0:18:06 | |
-So, basically, we're designing a cookbook. -Yeah. | 0:18:06 | 0:18:09 | |
-It's aimed at the professional, busy female. -Right. | 0:18:09 | 0:18:12 | |
The Professional Woman. | 0:18:12 | 0:18:13 | |
Project manager Sean, with his publishing background, | 0:18:13 | 0:18:17 | |
is sticking to his editorial decision. | 0:18:17 | 0:18:20 | |
I think that after hearing the results of the market research, | 0:18:20 | 0:18:22 | |
I was convinced with the multi-gender thing, | 0:18:22 | 0:18:25 | |
but Maria made the great point that this does have to sell | 0:18:25 | 0:18:27 | |
to the people we're pitching to, therefore it has to be unique. | 0:18:27 | 0:18:30 | |
After hearing that, | 0:18:30 | 0:18:31 | |
I was convinced that we had to stick to our guns, | 0:18:31 | 0:18:33 | |
so I did so, and I think it was the right decision. | 0:18:33 | 0:18:35 | |
With the print deadline looming... | 0:18:35 | 0:18:39 | |
Ooh, that looks really good! | 0:18:39 | 0:18:41 | |
-..the pictures arrive from Andrew. -That is really great. | 0:18:41 | 0:18:44 | |
I'm so happy now. I was worried. | 0:18:44 | 0:18:47 | |
Still setting up their pictures... | 0:18:54 | 0:18:55 | |
..Lucy's cookery team. | 0:18:58 | 0:19:00 | |
Six teaspoons of peanut butter, four tablespoons of sweet chilli sauce, | 0:19:00 | 0:19:03 | |
a tablespoon of oil and a little bit of water. | 0:19:03 | 0:19:05 | |
The shoot for the student cookbook, #where'smummy?, is running late. | 0:19:05 | 0:19:11 | |
Before we arrived at the kitchens, | 0:19:11 | 0:19:13 | |
I asked the sub-team for recipes for each of the dishes. | 0:19:13 | 0:19:17 | |
'Now, that did not happen at all, and instead we got an ingredient list.' | 0:19:17 | 0:19:20 | |
-Right. -That looks awful. | 0:19:20 | 0:19:23 | |
Which completely delayed all of our cookings, | 0:19:23 | 0:19:26 | |
because we then had to write every single recipe, | 0:19:26 | 0:19:29 | |
so the last hour has been absolutely frantic. | 0:19:29 | 0:19:32 | |
Everyone has been hands-on and it has been crazy. | 0:19:32 | 0:19:35 | |
What is this? | 0:19:35 | 0:19:37 | |
-Don't eat that, it would probably give you food poisoning. -Really? | 0:19:37 | 0:19:40 | |
-That's fine. I need to get a picture of... -That's a problem. | 0:19:40 | 0:19:43 | |
With the publisher, the rest of Lucy's team. | 0:19:44 | 0:19:48 | |
We want the left-hand side to be comic-strip-like, | 0:19:48 | 0:19:51 | |
but with real pictures. | 0:19:51 | 0:19:52 | |
So it's showing you a step-by-step guide. | 0:19:52 | 0:19:55 | |
But, with the print deadline minutes away... | 0:19:55 | 0:19:59 | |
When are we getting pictures through? | 0:19:59 | 0:20:01 | |
Are they going to start coming through in a bit? | 0:20:01 | 0:20:03 | |
-I don't know, but I think they're about to take them. -OK, right. | 0:20:03 | 0:20:07 | |
..the student cookbook is in danger of being half-baked. | 0:20:07 | 0:20:10 | |
The task is going down the pan at the moment. | 0:20:12 | 0:20:14 | |
'We can only do so much work until the other group send us images.' | 0:20:14 | 0:20:19 | |
Are they having a laugh? | 0:20:20 | 0:20:21 | |
How they spoke to us earlier, | 0:20:21 | 0:20:24 | |
I thought that were absolutely appalling for a leader to do that. | 0:20:24 | 0:20:28 | |
And it were absolutely bang out of order. | 0:20:28 | 0:20:30 | |
And I think it were... | 0:20:30 | 0:20:32 | |
That'll shoot her in the foot in the boardroom, if we do lose this task. | 0:20:32 | 0:20:35 | |
We're sending it through, can you just see what you can do, please? | 0:20:38 | 0:20:41 | |
It's 7.03. | 0:20:41 | 0:20:43 | |
-Just say we're going to sort it out. -We're sorting it out now. | 0:20:43 | 0:20:46 | |
That's not on us, that one, | 0:20:46 | 0:20:47 | |
because we told you at quarter to that we needed them then. | 0:20:47 | 0:20:50 | |
You know why we didn't get them through, so... | 0:20:50 | 0:20:52 | |
'Why didn't you get them through?' | 0:20:52 | 0:20:54 | |
OK, we're not doing this now. | 0:20:54 | 0:20:56 | |
Those sort of comments are poor from a project manager, I'm sorry. | 0:20:56 | 0:20:59 | |
You're not motivating us at all. | 0:20:59 | 0:21:01 | |
You keep sending us these comments which are just rude. | 0:21:01 | 0:21:04 | |
You're being a really bad project manager. | 0:21:04 | 0:21:06 | |
This is not what we need right now. | 0:21:06 | 0:21:08 | |
You do not need to be telling her she's poor as a manager. | 0:21:08 | 0:21:10 | |
-All your... -INDISTINCT SHOUTING ON THE PHONE | 0:21:10 | 0:21:13 | |
All your shouting down the phone... | 0:21:13 | 0:21:15 | |
You're saying shouting down the phone is not getting us... Will you listen? | 0:21:15 | 0:21:18 | |
-Bye. -ASHLEIGH CONTINUES TALKING | 0:21:18 | 0:21:20 | |
TALKING CUTS OFF | 0:21:20 | 0:21:21 | |
-That is just ridiculous. -Ugh... | 0:21:21 | 0:21:24 | |
ALICE GIGGLES | 0:21:24 | 0:21:25 | |
Lucy's hung up. | 0:21:25 | 0:21:28 | |
Ridiculous. | 0:21:28 | 0:21:29 | |
-Are you all right? -I'm just really angry, do you know what I mean? | 0:21:29 | 0:21:32 | |
-So annoying. -It's just people trying to deflect the blame already. | 0:21:32 | 0:21:36 | |
They're just saying, "You're project manager..." | 0:21:36 | 0:21:38 | |
Just leave it. Do you know what I mean? | 0:21:38 | 0:21:40 | |
Yeah. | 0:21:40 | 0:21:41 | |
8am. | 0:21:59 | 0:22:00 | |
-Hi. -Delivery for Odyssey. -Cheers, thank you. | 0:22:02 | 0:22:04 | |
Hot off the press... | 0:22:04 | 0:22:06 | |
It's like Christmas. | 0:22:06 | 0:22:07 | |
..a cookbook for the professional woman. | 0:22:07 | 0:22:10 | |
-That looks good. -It looks amazing. I like the pink and purple. | 0:22:10 | 0:22:15 | |
-Cool! I am really happy with this. -This looks like a winning book. | 0:22:15 | 0:22:19 | |
And, despite last night's delays... | 0:22:19 | 0:22:21 | |
Aww, I love this! | 0:22:21 | 0:22:24 | |
-This is so cool. -..a box of #where'smummy? | 0:22:24 | 0:22:28 | |
-This is... -This is really good. -I do like it. | 0:22:28 | 0:22:31 | |
But in the rush to meet last night's deadline... | 0:22:31 | 0:22:35 | |
There's a few spelling mistakes, but I think we'll get away with it. | 0:22:35 | 0:22:40 | |
..Ashleigh, Amy and Alice failed to check the copy. | 0:22:40 | 0:22:43 | |
-OK, so "ratatouille" is spelt wrong. -Yeah, that was me. | 0:22:43 | 0:22:47 | |
Oh, OK. It shouldn't matter too much, but... | 0:22:47 | 0:22:50 | |
-I'm being honest about it. -Yeah, exactly. | 0:22:50 | 0:22:52 | |
Yeah, "courgette" is spelt wrong as well. | 0:22:52 | 0:22:54 | |
I've always had a problem with those pesky courgettes! | 0:22:54 | 0:22:57 | |
My sub-team were really careful to make everything how we wanted to, | 0:22:57 | 0:23:01 | |
and I just don't think the sub-team did that, | 0:23:01 | 0:23:04 | |
because there are misprints and stuff. That is really annoying, | 0:23:04 | 0:23:08 | |
and I don't think they paid as much attention to detail as we did. | 0:23:08 | 0:23:11 | |
"Og olive oil." | 0:23:12 | 0:23:14 | |
Well, I was typing these out in a rush... | 0:23:16 | 0:23:18 | |
We were just reading it, I didn't type anything. | 0:23:18 | 0:23:20 | |
I've made it very obvious to everyone that I am dyslexic. | 0:23:20 | 0:23:22 | |
Yeah, and I can't spell. | 0:23:22 | 0:23:24 | |
Today, both teams must pitch their cookbooks | 0:23:28 | 0:23:32 | |
to win as many orders as possible | 0:23:32 | 0:23:34 | |
from three of Britain's biggest booksellers. | 0:23:34 | 0:23:38 | |
-What are we aiming for - one million? -Hopefully. | 0:23:38 | 0:23:40 | |
Yeah, I'm thinking one million, to be honest. | 0:23:40 | 0:23:43 | |
-Sounds good. -Absolute minimum. | 0:23:43 | 0:23:45 | |
We need to decide who's going to pitch. | 0:23:47 | 0:23:50 | |
Whoever can get the best pitch and the most orders needs to do it. | 0:23:50 | 0:23:53 | |
I'd quite like to do the second one. | 0:23:53 | 0:23:56 | |
I think a woman needs to be in all the pitches. | 0:23:56 | 0:23:59 | |
I don't disagree with that... | 0:23:59 | 0:24:00 | |
-ANDREW: -I disagree. -The book is called The Professional Woman. | 0:24:00 | 0:24:04 | |
We can't just have a man in a suit standing there. | 0:24:04 | 0:24:06 | |
That's ridiculous! Are you honestly saying that...? | 0:24:06 | 0:24:09 | |
The first meeting of the day, and you're already bickering! | 0:24:09 | 0:24:12 | |
Oh, my word! | 0:24:12 | 0:24:13 | |
OK, what I want to happen | 0:24:13 | 0:24:15 | |
is we're going to have Maria talking about the idea of the book, | 0:24:15 | 0:24:18 | |
the essence of the female, the cooking and why it's needed, | 0:24:18 | 0:24:21 | |
to reaffirm that it is a woman's book and the whole business idea. | 0:24:21 | 0:24:25 | |
That sounds good. | 0:24:25 | 0:24:26 | |
I think Sean just agrees with the bigger characters in the group. | 0:24:26 | 0:24:29 | |
'I can't see any problem with me pitching rather than Maria. | 0:24:29 | 0:24:33 | |
'I don't think he really has the ability to control the group.' | 0:24:33 | 0:24:36 | |
There just doesn't seem to be the leadership there. | 0:24:36 | 0:24:39 | |
-OK, can we write this now? Cos we can't stand with blank pages. -OK. | 0:24:39 | 0:24:43 | |
10am, Central London. | 0:24:48 | 0:24:51 | |
First stop for Lucy's team, with more than 1,000 stores nationwide, | 0:24:52 | 0:24:58 | |
supermarket chain Sainsbury's. | 0:24:58 | 0:25:00 | |
OK, guys, first of all, | 0:25:00 | 0:25:02 | |
if you don't have a precise answer for the question, don't answer it. | 0:25:02 | 0:25:06 | |
I don't want lots of fluffy answers. | 0:25:06 | 0:25:09 | |
Public speaker Navdeep will lead the pitch, | 0:25:09 | 0:25:13 | |
while Ashleigh demonstrates a recipe. | 0:25:13 | 0:25:15 | |
OK, come on guys, let's do this. | 0:25:15 | 0:25:17 | |
The supermarket sells millions of cookbooks every year. | 0:25:19 | 0:25:23 | |
Good afternoon, I just want to begin by saying thank you for your time, | 0:25:23 | 0:25:27 | |
and we hope you enjoy the pitch. | 0:25:27 | 0:25:29 | |
My name's Navdeep, and this is Ashleigh. | 0:25:29 | 0:25:31 | |
#where'smummy? has the potential to become a brand | 0:25:31 | 0:25:35 | |
because customers who are using it, students, | 0:25:35 | 0:25:37 | |
can literally take pictures of what they are doing, | 0:25:37 | 0:25:40 | |
and as Ashleigh is chopping her first-ever meal, | 0:25:40 | 0:25:43 | |
she can upload it to the #where'smummy? page on Twitter, | 0:25:43 | 0:25:46 | |
and it might become the dish of the day. | 0:25:46 | 0:25:48 | |
Looking at that side of it things, we think it has huge potential. | 0:25:48 | 0:25:53 | |
We think that your shop would be the perfect place | 0:25:53 | 0:25:57 | |
to launch our new cookbook. | 0:25:57 | 0:25:58 | |
I notice there are a couple of spelling mistakes in your book. | 0:25:58 | 0:26:02 | |
I don't know if you've noticed them. | 0:26:04 | 0:26:06 | |
Yeah, we noticed them. Unfortunately, we were under time constraints. | 0:26:06 | 0:26:10 | |
So, obviously, that would be changed and... | 0:26:10 | 0:26:14 | |
Eradicated completely. | 0:26:14 | 0:26:17 | |
How can you spell "of", which is two letters, wrong? | 0:26:20 | 0:26:23 | |
And "potatoes". How can you spell potatoes wrong? | 0:26:23 | 0:26:25 | |
-They really have done a terrible job. -Shoddy job. | 0:26:25 | 0:26:28 | |
Absolutely shoddy job. | 0:26:28 | 0:26:30 | |
First up for Sean's team, online retailer Play.com. | 0:26:40 | 0:26:43 | |
Catering entrepreneur Andrew will demonstrate the recipes, | 0:26:46 | 0:26:50 | |
while Maria will head up the pitch. | 0:26:50 | 0:26:53 | |
I'm really nervous now. | 0:26:53 | 0:26:55 | |
The online retailer has more than 15 million customers. | 0:26:58 | 0:27:02 | |
The Professional Woman. | 0:27:02 | 0:27:04 | |
Who is the professional woman? | 0:27:04 | 0:27:06 | |
She's a confident, independent, strong woman, | 0:27:06 | 0:27:09 | |
but who unfortunately has no spare time. | 0:27:09 | 0:27:12 | |
We feel that our cookbook is full of fresh, quick | 0:27:12 | 0:27:15 | |
and healthy ingredients for women on the move. | 0:27:15 | 0:27:18 | |
Professional women are very, very busy people, | 0:27:18 | 0:27:22 | |
so they tend to shop online more frequently than go to shops. | 0:27:22 | 0:27:25 | |
This is why we believe that you would be the perfect retailers for our product. Andrew? | 0:27:25 | 0:27:29 | |
We've got the cod fillets, full of natural oils and omega-3. | 0:27:29 | 0:27:33 | |
We've got the avocado, which is full of minerals | 0:27:33 | 0:27:36 | |
as well as the vitamins in the rocket. | 0:27:36 | 0:27:39 | |
Do you think you may have limited your sales potential | 0:27:39 | 0:27:41 | |
by targeting just female professionals? | 0:27:41 | 0:27:44 | |
We had this discussion yesterday, and we felt we're pitching to people | 0:27:44 | 0:27:49 | |
who have thousands of generic cookbooks on their shelves. | 0:27:49 | 0:27:52 | |
That's why we felt that targeting just women and a niche market | 0:27:52 | 0:27:55 | |
would make it stand out way more than just targeting a general brand. | 0:27:55 | 0:27:59 | |
It has taken 15 minutes, so I'm quite impressed. | 0:27:59 | 0:28:03 | |
You lived up to the quick. | 0:28:04 | 0:28:06 | |
-Give us a hug. -That was so good. -Thanks. | 0:28:07 | 0:28:09 | |
You and Andrew worked perfectly together. | 0:28:11 | 0:28:13 | |
And when the two of you finished, you swapped seamlessly. | 0:28:13 | 0:28:17 | |
It was really, really great. I can't doubt that at all. | 0:28:17 | 0:28:19 | |
Next pitch for Sean's team - the supermarket. | 0:28:21 | 0:28:25 | |
Our tagline - "Fresh, quick and healthy" - | 0:28:27 | 0:28:30 | |
basically describes the professional woman herself | 0:28:30 | 0:28:33 | |
and the food she should be eating. | 0:28:33 | 0:28:35 | |
We know you're such a big company with over 1,000 stores in the UK, | 0:28:35 | 0:28:39 | |
so we really do think | 0:28:39 | 0:28:40 | |
you'd be the absolutely perfect retailer for a brand like ourselves. | 0:28:40 | 0:28:45 | |
-It tastes gorgeous and is very pretty on the plate. -Thank you. | 0:28:45 | 0:28:49 | |
Do you guys want to try some? | 0:28:49 | 0:28:52 | |
Yeah, absolutely. | 0:28:52 | 0:28:54 | |
Trying to tempt the online retailers, Lucy's team. | 0:28:54 | 0:28:58 | |
Give us your honest feedback on that. | 0:28:58 | 0:29:01 | |
-Good? -That's very good, thank you. | 0:29:03 | 0:29:06 | |
I think the way it's written is quite conversational, | 0:29:08 | 0:29:12 | |
but my only concern would be that that might detract again | 0:29:12 | 0:29:16 | |
and make it more difficult to follow the instructions. | 0:29:16 | 0:29:19 | |
Final chance for both teams | 0:29:27 | 0:29:29 | |
to take a bite out of the British cookbook market, | 0:29:29 | 0:29:32 | |
high-street giant Waterstones. | 0:29:32 | 0:29:34 | |
So what's your thinking on the next pitch, then? | 0:29:35 | 0:29:40 | |
I know you're eager to do the next one. | 0:29:40 | 0:29:42 | |
From a personal point of view, do you think you can match that? | 0:29:42 | 0:29:45 | |
Um...yeah, I think so. | 0:29:45 | 0:29:49 | |
For Sean, a last-minute change to his pitching team. | 0:29:49 | 0:29:52 | |
David, you're going to be doing the cooking. | 0:29:52 | 0:29:54 | |
-Patrick, you'll be doing the pitching. Is that OK? -Yes. | 0:29:54 | 0:29:57 | |
-Are you happy with that? -Uh-huh. -Are you happy? -Yep. | 0:29:57 | 0:29:59 | |
-Great. And will you...? -Oh... -Sorry. | 0:29:59 | 0:30:02 | |
Would you call me and Maria a good working team? Does it work? | 0:30:04 | 0:30:09 | |
It's a risky decision but I think everybody needs to...get heard. | 0:30:09 | 0:30:12 | |
-It's cool, yeah. -We all know how it goes now. | 0:30:12 | 0:30:15 | |
-You've got the notes, you cooked yesterday, right? -Yes. | 0:30:15 | 0:30:18 | |
Me and Maria have been complementing massively. | 0:30:18 | 0:30:21 | |
Sean's used the word "perfect" many times | 0:30:21 | 0:30:23 | |
and I think you shouldn't really mess with a winning combination. | 0:30:23 | 0:30:27 | |
If we are doing perfectly, surely we should do all three pitches. | 0:30:27 | 0:30:30 | |
The Professional Woman... | 0:30:32 | 0:30:34 | |
Our cookery book is full of fresh, | 0:30:39 | 0:30:41 | |
quick and healthy food for women on the move. | 0:30:41 | 0:30:43 | |
But who is the professional woman? | 0:30:43 | 0:30:46 | |
She's a confident, independent lady | 0:30:47 | 0:30:49 | |
but unfortunately she does not have any spare time. | 0:30:49 | 0:30:52 | |
Our tagline best describes... | 0:30:54 | 0:30:56 | |
..the professional woman and the food she will be eating. | 0:30:59 | 0:31:02 | |
The recipes are all in note form so they're really easy... | 0:31:02 | 0:31:06 | |
just so people can just refer to them | 0:31:06 | 0:31:07 | |
and kind of change them if they want to. | 0:31:07 | 0:31:09 | |
That's why there's some space at the bottom of the pages. | 0:31:09 | 0:31:12 | |
It's really not meant to be a... | 0:31:12 | 0:31:14 | |
BLENDER WHIRS NOISILY | 0:31:14 | 0:31:17 | |
Oh. | 0:31:17 | 0:31:19 | |
It's not... It's really not meant... Sorry about that. | 0:31:20 | 0:31:24 | |
It's really not meant to be exact instructions. | 0:31:24 | 0:31:26 | |
It's just meant to be something quick | 0:31:26 | 0:31:28 | |
that they can refer to when they get home from work. | 0:31:28 | 0:31:31 | |
'That pitch was an absolute disaster.' | 0:31:34 | 0:31:35 | |
Our pitch was very drab and dreary. | 0:31:35 | 0:31:38 | |
On the other ones, we had a very conversational style going along. | 0:31:38 | 0:31:42 | |
It was quite...like, up... | 0:31:42 | 0:31:43 | |
Like, it was quite uplifting, | 0:31:43 | 0:31:45 | |
whereas this one was very boring and drab. | 0:31:45 | 0:31:48 | |
Finally, Lucy's student cookbook team. | 0:31:49 | 0:31:52 | |
It would be good if we'd sort of... Could spell courgette and... | 0:31:54 | 0:31:56 | |
Yeah, unfortunately we was on... | 0:31:56 | 0:31:59 | |
We'll let you off ratatouille. That's tricky, but... | 0:31:59 | 0:32:01 | |
-Ratatouille wasn't me. -..potatoes... -That wasn't me either | 0:32:01 | 0:32:04 | |
but the courgette definitely was me. | 0:32:04 | 0:32:06 | |
So you're targeting parents to buy it for the students, | 0:32:06 | 0:32:09 | |
so when you imagine a kind of a Waterstones customer, do you think you've hit them? | 0:32:09 | 0:32:13 | |
We know you sort of target more the older, sort of, middle-class audience. | 0:32:13 | 0:32:17 | |
-Ooh, I'm not so sure about that. -I'm not so sure about that. | 0:32:17 | 0:32:19 | |
We're certainly not middle-class. | 0:32:19 | 0:32:21 | |
We want appeal to everybody. We've got shops all over the country. | 0:32:21 | 0:32:24 | |
We're the most prodigious book chain out there. | 0:32:24 | 0:32:27 | |
-Thank you very much. -Thanks. -Thank you. | 0:32:33 | 0:32:35 | |
Tonight, time for the teams to chew it over. | 0:32:35 | 0:32:40 | |
-When I called their shop middle-class... -Yep. | 0:32:40 | 0:32:42 | |
-..that didn't go down well. -No. | 0:32:42 | 0:32:44 | |
I meant it... I thought it would be a bit of a compliment. | 0:32:44 | 0:32:47 | |
Tomorrow, the boardroom. | 0:32:48 | 0:32:51 | |
-Good morning. -ALL: Good morning, Lord Sugar. | 0:33:46 | 0:33:49 | |
Right, this task was all about cookery books. | 0:33:49 | 0:33:53 | |
You had to come up with the recipes, | 0:33:53 | 0:33:55 | |
you had to produce the books and publish them, | 0:33:55 | 0:33:57 | |
and then you had to go and pitch these books | 0:33:57 | 0:34:00 | |
to three retailers that I've laid on for you. | 0:34:00 | 0:34:03 | |
So, Team Odyssey... | 0:34:03 | 0:34:04 | |
This book here... | 0:34:06 | 0:34:07 | |
..The Professional Woman. | 0:34:08 | 0:34:10 | |
This is what you came up with. So, tell me, the team leader is? | 0:34:10 | 0:34:14 | |
-That was me, Lord Sugar. -How did you come about being the team leader? | 0:34:14 | 0:34:17 | |
The reason I put myself forward | 0:34:17 | 0:34:19 | |
is that I have experience in overseeing publishing. | 0:34:19 | 0:34:21 | |
-Publisher? -That's right. -Young Publisher of the Year. | 0:34:21 | 0:34:24 | |
That's good. | 0:34:24 | 0:34:26 | |
Stick to what you know. Yeah? I've always said that in this boardroom. | 0:34:26 | 0:34:30 | |
The person that's got experience in something | 0:34:30 | 0:34:32 | |
should put themselves forward. | 0:34:32 | 0:34:34 | |
How was the project manager? Was he a good project manager? What? | 0:34:34 | 0:34:37 | |
-He was calm and collected throughout the task. -Yeah? | 0:34:37 | 0:34:41 | |
I felt Sean was a good project manager overall. | 0:34:41 | 0:34:44 | |
I just thought maybe sometimes the decision-making | 0:34:44 | 0:34:46 | |
was left down to other people, but... | 0:34:46 | 0:34:48 | |
-Who's the other people, then? -Just the other members in the team generally. | 0:34:48 | 0:34:51 | |
Bit narrow, isn't it, The Professional Woman? | 0:34:51 | 0:34:54 | |
I mean, who was the champion saying it should be The Professional Woman? | 0:34:54 | 0:34:58 | |
The Professional Woman was my idea. | 0:34:58 | 0:35:01 | |
I felt targeting something at a niche market might actually appeal | 0:35:01 | 0:35:04 | |
to the buyers rather than just something | 0:35:04 | 0:35:06 | |
like a grey, old boring cookbook. | 0:35:06 | 0:35:08 | |
I mean, it don't actually say "cookbook" on here at all. | 0:35:08 | 0:35:12 | |
It says, "The Professional Woman - fresh, quick and healthy". | 0:35:12 | 0:35:17 | |
Sounds like a lonely hearts club plea, doesn't it, really? | 0:35:17 | 0:35:20 | |
So, Andrew, were you happy with the way this whole thing went here? | 0:35:20 | 0:35:25 | |
The initial decision with The Professional Woman, we went to the focus group, | 0:35:25 | 0:35:28 | |
the focus group hated the idea and, er, | 0:35:28 | 0:35:31 | |
it seemed like it was Maria's decision to cancel it out. | 0:35:31 | 0:35:34 | |
Well, to be honest, I was told from the project manager | 0:35:34 | 0:35:37 | |
that my argument did blow Andrew's out of the water - quote. | 0:35:37 | 0:35:41 | |
That's right. | 0:35:41 | 0:35:42 | |
You backed Maria then or was she very forceful in persuading you? | 0:35:42 | 0:35:46 | |
She was forceful but it was my decision at the end of the day. | 0:35:46 | 0:35:48 | |
OK. Nothing wrong with a forceful woman, you know. | 0:35:48 | 0:35:51 | |
Tell me about who did the pitching in front of the three retailers. | 0:35:51 | 0:35:54 | |
The initial two pitches, which were the online retailer and the supermarket, | 0:35:54 | 0:35:58 | |
Maria headed up the pitch which were great, | 0:35:58 | 0:36:00 | |
and then Andrew did the cooking, | 0:36:00 | 0:36:02 | |
and then on the third one, Patrick took over the pitch | 0:36:02 | 0:36:05 | |
and David, as he has cooking experience, did the cooking on that one. | 0:36:05 | 0:36:08 | |
-Happy? -ALL: Yeah. -I think we did as well as we could've done. | 0:36:08 | 0:36:12 | |
-Did well? -It wasn't as good as Maria but he did a...he did a good job. | 0:36:12 | 0:36:16 | |
He's got that cheeky smile again. I never know whether he... | 0:36:16 | 0:36:20 | |
I never know whether he's actually saying, "He did do well | 0:36:20 | 0:36:23 | |
"but I'm smiling at you to say, 'Hmm, not really.' " | 0:36:23 | 0:36:27 | |
Right, now, then, moving on to Team Platinum. | 0:36:27 | 0:36:31 | |
-Who was the project manager? -That was myself, Lord Sugar. -Lucy? -Yep. | 0:36:31 | 0:36:35 | |
Good team leader? | 0:36:35 | 0:36:36 | |
I think she was. | 0:36:36 | 0:36:38 | |
I think she was good. We all knew what we was doing. | 0:36:38 | 0:36:41 | |
First day, I was appalled. I was really upset, actually. | 0:36:41 | 0:36:44 | |
Second day, complete reverse. | 0:36:44 | 0:36:47 | |
-I think she really learnt. -Mm. | 0:36:47 | 0:36:49 | |
OK, well, look... | 0:36:49 | 0:36:51 | |
whose design was this, the sleeve of the book? | 0:36:51 | 0:36:53 | |
I originally came up with the style as a sort of comic book theme. | 0:36:53 | 0:36:57 | |
Yes. This is like... Where's Mummy? | 0:36:57 | 0:37:01 | |
What kind of students is this for, then? This is university students? | 0:37:01 | 0:37:05 | |
-Yeah... -Nursery school, is it? Or what? | 0:37:05 | 0:37:07 | |
I think when you go from home, | 0:37:07 | 0:37:08 | |
for the first time, everybody's a bit like, | 0:37:08 | 0:37:10 | |
"Oh my God, where's my mum?" So I think... | 0:37:10 | 0:37:13 | |
-You're going to turn up in university with this book, with Where's Mummy? -Yeah! | 0:37:13 | 0:37:16 | |
-It was meant to be a joke book. -OK, I got it, I got it. | 0:37:16 | 0:37:19 | |
I mean, I think the concept here, #where'smummy, | 0:37:19 | 0:37:22 | |
is quite clever. | 0:37:22 | 0:37:24 | |
Now, who actually went off to see the chefs | 0:37:24 | 0:37:26 | |
-and come up with the recipes? -We did. | 0:37:26 | 0:37:29 | |
So what happened? Let's hear about this properly. | 0:37:29 | 0:37:32 | |
Lucy told the sub-team that when they were speaking to the chef, | 0:37:32 | 0:37:35 | |
to get recipes for us, | 0:37:35 | 0:37:37 | |
and they told us the three dishes they had come up with. | 0:37:37 | 0:37:40 | |
They gave us the ingredients but there was no, like, steps. There was no recipe. | 0:37:40 | 0:37:44 | |
-We told you how it was made... -No, you didn't. | 0:37:44 | 0:37:46 | |
There was absolutely no way that they told us. | 0:37:46 | 0:37:48 | |
I vaguely remember being hung up on twice | 0:37:48 | 0:37:50 | |
and told at least three times, "Whatever", and then hung up on. | 0:37:50 | 0:37:53 | |
-No... -Lord Sugar, this is what happens a lot. | 0:37:53 | 0:37:55 | |
They get in a conflict and argue over each other | 0:37:55 | 0:37:57 | |
and that was what was what was happening, | 0:37:57 | 0:38:00 | |
and the aggression just took over and we didn't actually get anywhere. | 0:38:00 | 0:38:03 | |
I see. | 0:38:03 | 0:38:04 | |
Now, a little bit of a problem here with spelling. | 0:38:04 | 0:38:08 | |
I mean, we've got here "8 to 12 RASHES of bacon". | 0:38:08 | 0:38:13 | |
I tell you what, you wake up and you've got eight rashes, you'll need to see a bloody doctor! | 0:38:13 | 0:38:18 | |
LAUGHTER | 0:38:18 | 0:38:20 | |
Who type-set this book? | 0:38:20 | 0:38:22 | |
I take full responsibility for the spelling mistakes as Alice is dyslexic, | 0:38:22 | 0:38:25 | |
I knew Ashleigh isn't so good at spelling, and I should've known in hindsight. | 0:38:25 | 0:38:29 | |
How many potential A-levels and GCSEs | 0:38:29 | 0:38:31 | |
you got amongst the bunch of you? | 0:38:31 | 0:38:33 | |
If I remember rightly from looking at all your CVs, | 0:38:33 | 0:38:36 | |
you've got to have about 100 amongst the bunch of you! | 0:38:36 | 0:38:39 | |
I was definitely the courgettes! | 0:38:39 | 0:38:40 | |
-I'm just going to... -Yeah, except it's not terribly funny, is it, really? | 0:38:40 | 0:38:44 | |
-No, it's not funny. -I'm absolutely embarrassed. | 0:38:44 | 0:38:47 | |
The problem we found is later we went to pitch to a bookstore | 0:38:47 | 0:38:50 | |
and they were really unimpressed by the spelling mistakes. | 0:38:50 | 0:38:52 | |
-THEY ALL TALK AT ONCE -I imagine they were. | 0:38:52 | 0:38:54 | |
-Sorry, I'm sorry... -How can you blame HER because YOU guys didn't spell properly? | 0:38:54 | 0:38:58 | |
What you're doing is just dishing out blame... | 0:38:58 | 0:39:01 | |
I'm useless at spelling and I know how to spell rashers and potatoes. | 0:39:01 | 0:39:05 | |
Right, we didn't write those... | 0:39:05 | 0:39:06 | |
Are we getting into this? Because we were under so much time pressure, | 0:39:06 | 0:39:09 | |
the spell-check would've... You didn't have pictures in time so we didn't have... | 0:39:09 | 0:39:13 | |
Cos we had to write recipes simultaneously! | 0:39:13 | 0:39:15 | |
Listen. Can I just say one thing? | 0:39:15 | 0:39:17 | |
I'm not the greatest... | 0:39:17 | 0:39:19 | |
person in the world when it comes to spelling | 0:39:19 | 0:39:21 | |
but I do know that if I'm publishing a book to the general public, | 0:39:21 | 0:39:25 | |
then I'd better make sure there's no spelling mistakes in there | 0:39:25 | 0:39:28 | |
and if someone is not so good at spelling, which we can all be, | 0:39:28 | 0:39:32 | |
then somebody should have had the final read of it | 0:39:32 | 0:39:35 | |
before it went to press who's better at spelling. | 0:39:35 | 0:39:37 | |
OK, well let's get some results now, shall we? | 0:39:39 | 0:39:42 | |
So, Nick, start me off. | 0:39:44 | 0:39:46 | |
Team Platinum. | 0:39:46 | 0:39:48 | |
Right, the high-street book chain... | 0:39:48 | 0:39:50 | |
..they ordered 1,000 copies. | 0:39:51 | 0:39:53 | |
Thousand, right. And, Karren? | 0:39:57 | 0:39:59 | |
Team Odyssey? | 0:39:59 | 0:40:00 | |
They didn't order any, I'm afraid. Zero. | 0:40:00 | 0:40:04 | |
We then go on to the online retailer.... | 0:40:06 | 0:40:09 | |
1,500 copies. | 0:40:12 | 0:40:14 | |
Right. | 0:40:16 | 0:40:17 | |
-Karren? -Well, they did place an order. | 0:40:19 | 0:40:22 | |
800 copies. | 0:40:22 | 0:40:23 | |
Supermarket, Nick? | 0:40:25 | 0:40:27 | |
They said that, subject to an addition of healthier recipes... | 0:40:27 | 0:40:30 | |
..has ordered 5,000 copies of that. | 0:40:31 | 0:40:33 | |
5,000? Wow! | 0:40:33 | 0:40:34 | |
Really? And the supermarket for your team, Karren? | 0:40:36 | 0:40:39 | |
Um... | 0:40:44 | 0:40:45 | |
No orders, Alan. Zero. | 0:40:45 | 0:40:48 | |
Oh, dear, oh, dear, oh, dear, oh, dear, oh, dear. | 0:40:48 | 0:40:51 | |
So we've got a total of 7,500 orders | 0:40:54 | 0:40:57 | |
for Team Platinum and 800 only for... | 0:40:57 | 0:41:01 | |
Team Odyssey. | 0:41:01 | 0:41:04 | |
Amongst all your arguing there, your concept, | 0:41:04 | 0:41:06 | |
and I think it might have impressed people a bit | 0:41:06 | 0:41:09 | |
with that front cover from Steven initially there, | 0:41:09 | 0:41:12 | |
because your spelling didn't impress anybody, I can assure you, | 0:41:12 | 0:41:15 | |
that you came through. | 0:41:15 | 0:41:17 | |
So very well done. Very well done. | 0:41:17 | 0:41:19 | |
And your treat for this is I'm going to send you | 0:41:19 | 0:41:23 | |
to London's only dessert bar | 0:41:23 | 0:41:25 | |
because you've been cooking main courses all day long | 0:41:25 | 0:41:29 | |
so now you go off and enjoy yourself having desserts. | 0:41:29 | 0:41:32 | |
OK? So very well done and I'll see you on the next task. | 0:41:32 | 0:41:35 | |
-Thank you very much. -Thank you, Lord Sugar. | 0:41:35 | 0:41:37 | |
-Whoa! -Oh! | 0:41:45 | 0:41:48 | |
Oh, my God, I've made it! | 0:41:50 | 0:41:52 | |
A disaster, no? | 0:41:54 | 0:41:56 | |
A recipe for disaster, I suppose, you could say. | 0:41:56 | 0:41:59 | |
You have to go off now | 0:42:00 | 0:42:03 | |
and discuss amongst yourself | 0:42:03 | 0:42:05 | |
what you think was the reason for the failure of this | 0:42:05 | 0:42:08 | |
because we will come back in this boardroom here | 0:42:08 | 0:42:11 | |
and I will go back into a lot more detail, | 0:42:11 | 0:42:14 | |
and ultimately I'm going to decide which one of you | 0:42:14 | 0:42:17 | |
will be leaving the process. OK? | 0:42:17 | 0:42:20 | |
-All right, off you go. -ALL: Thank you, Lord Sugar. | 0:42:20 | 0:42:23 | |
-Team Platinum, another win. -Team Platinum! -Yeah, another win! | 0:42:31 | 0:42:34 | |
To #where'smummy! | 0:42:34 | 0:42:35 | |
-Chocolate... -Oh, my God! | 0:42:39 | 0:42:41 | |
You've just made my life! | 0:42:41 | 0:42:43 | |
I think it's obvious who I would have blamed | 0:42:43 | 0:42:46 | |
the failure of the task on if we were to fail. | 0:42:46 | 0:42:49 | |
However, we didn't fail, so... | 0:42:49 | 0:42:52 | |
-But, look! Look what you left of my ice cream?! -That wasn't me! | 0:42:52 | 0:42:55 | |
You left me a runny, runny ice cream! It was not Nav! | 0:42:55 | 0:43:00 | |
The moral of this story is never let Amy anywhere near your food. | 0:43:00 | 0:43:03 | |
Being project manager was a big job. | 0:43:03 | 0:43:06 | |
'I think I was leading some really very independent-minded ladies' | 0:43:06 | 0:43:10 | |
who had quite a strong fight in them. | 0:43:10 | 0:43:13 | |
But I think I did well under the circumstances. | 0:43:13 | 0:43:16 | |
-Cheers! -Definitely well-deserved. -Yep. | 0:43:16 | 0:43:19 | |
I think our biggest flaw was the concept. | 0:43:32 | 0:43:34 | |
I completely agree. | 0:43:34 | 0:43:36 | |
Out of every other idea we had, | 0:43:36 | 0:43:38 | |
I think the concept we chose was the best one we could have. | 0:43:38 | 0:43:41 | |
There was, like, zero other ideas on the table | 0:43:41 | 0:43:44 | |
so I really am not understanding why people think the concept | 0:43:44 | 0:43:47 | |
was the main reason for the failure of this task. | 0:43:47 | 0:43:49 | |
Do you admit, Sean, that if you had listened to me, it might've gone a lot better? | 0:43:49 | 0:43:53 | |
You know, we lost and I can't really doubt anybody's work in the team. | 0:43:53 | 0:43:56 | |
We all worked really hard. | 0:43:56 | 0:43:58 | |
'Everybody can easily blame things on me' | 0:43:58 | 0:44:00 | |
but I won't sit around and be blamed for things | 0:44:00 | 0:44:03 | |
which I wasn't responsible for. | 0:44:03 | 0:44:04 | |
The concept was pretty poor, to be honest. But, also... | 0:44:04 | 0:44:07 | |
it could not have been not putting the concept across in the pitch as well. | 0:44:07 | 0:44:11 | |
Yes, would you send the candidates in, please? | 0:44:34 | 0:44:37 | |
-RECEPTIONIST: -'Yes, Lord Sugar.' | 0:44:37 | 0:44:40 | |
You can go through to the boardroom now. | 0:44:41 | 0:44:44 | |
Disastrous, to say the least. | 0:44:54 | 0:44:56 | |
800 orders and two of the biggest retailers in the country - zero. | 0:44:56 | 0:45:02 | |
Zero. | 0:45:02 | 0:45:03 | |
So, Sean, where did it go wrong | 0:45:04 | 0:45:08 | |
and who do you think was responsible for it going wrong? | 0:45:08 | 0:45:10 | |
When it comes down to who I think is responsible, | 0:45:10 | 0:45:13 | |
I think that Maria really did push the idea forward, | 0:45:13 | 0:45:16 | |
she pushed the title forward. | 0:45:16 | 0:45:17 | |
And she is a, quote, "professional woman," | 0:45:17 | 0:45:19 | |
so I was taking the trust that, you know, this would sell. | 0:45:19 | 0:45:22 | |
She's not a professional woman, she's just come out of school. | 0:45:22 | 0:45:25 | |
-Can I just say... -Yeah. -..I completely disagree with you. | 0:45:25 | 0:45:28 | |
The professional woman was my idea and I take responsibility for that idea. | 0:45:28 | 0:45:32 | |
What I don't take responsibility for | 0:45:32 | 0:45:34 | |
is basically how much of a pushover Sean was. | 0:45:34 | 0:45:37 | |
And basically, at the end of the day, | 0:45:37 | 0:45:39 | |
I think the responsibility of the concept | 0:45:39 | 0:45:41 | |
should be taken by Sean and not myself. | 0:45:41 | 0:45:43 | |
But, Andrew, you had a strong opinion on this, didn't you? | 0:45:43 | 0:45:46 | |
Yes, I did. | 0:45:46 | 0:45:47 | |
As soon as me and David got into the car, | 0:45:47 | 0:45:49 | |
it hit me that we were narrowing our market down more and more. | 0:45:49 | 0:45:52 | |
Every person in the focus group hated the idea, | 0:45:52 | 0:45:55 | |
-you came off the phone and decided to stick with Maria's idea. -Yeah. | 0:45:55 | 0:45:58 | |
That seems, from my point of view, | 0:45:58 | 0:45:59 | |
that Maria shouted so loud that you just agreed with her. | 0:45:59 | 0:46:03 | |
You just heard what he said and she said. What's your answer to this? | 0:46:03 | 0:46:06 | |
So what I did, I took on both sides of the feedback | 0:46:06 | 0:46:08 | |
and I really did consider in my head for a while | 0:46:08 | 0:46:11 | |
what we'd be doing and I think going for the female at the time | 0:46:11 | 0:46:14 | |
definitely did seem the right decision. | 0:46:14 | 0:46:16 | |
Was it because Maria was shouting? | 0:46:16 | 0:46:17 | |
No, it was because Maria was making a very good point to me. | 0:46:17 | 0:46:20 | |
Well, it wasn't a good point, though, was it? | 0:46:20 | 0:46:23 | |
-You're conceding that it was a bad point. -Andrew was right. | 0:46:23 | 0:46:26 | |
-I do accept that now. And I apologise for ignoring your point. -OK. | 0:46:26 | 0:46:29 | |
Simple facts of life, people. OK? | 0:46:29 | 0:46:33 | |
When you sell something, you want to sell to the widest market possible. | 0:46:33 | 0:46:37 | |
You're going to see mass book retailers - | 0:46:37 | 0:46:40 | |
they are not interested in niche markets, you know? | 0:46:40 | 0:46:43 | |
Hobby Weekly or something like that. | 0:46:43 | 0:46:46 | |
-David. -Yes? -In your opinion... | 0:46:48 | 0:46:51 | |
..what do you think you did in this task | 0:46:53 | 0:46:55 | |
and why don't you think that you are culpable for the failure of it? | 0:46:55 | 0:46:58 | |
I went, on the first day, | 0:46:58 | 0:47:00 | |
I asked excellent questions in the focus group. | 0:47:00 | 0:47:03 | |
I went and we cooked excellent meals | 0:47:03 | 0:47:05 | |
with the given instructions that we had. | 0:47:05 | 0:47:08 | |
-We took pictures. -Don't you think I was doing the picture taking? | 0:47:08 | 0:47:12 | |
Both of us did the picture taking, Andrew. | 0:47:12 | 0:47:14 | |
I didn't hear a lot from David. | 0:47:14 | 0:47:16 | |
Would it be fair to say, David, that you were a bit of a quiet mouse during the task? | 0:47:16 | 0:47:19 | |
-No. -Cos I didn't hear any of this. | 0:47:19 | 0:47:21 | |
I feel that you guys were shouting to get your voice heard | 0:47:21 | 0:47:24 | |
and everything that I wanted to say, I said it calmly, | 0:47:24 | 0:47:27 | |
despite the fact that I wasn't shouting that you guys were. | 0:47:27 | 0:47:31 | |
So when it gets down to the pitching to the three retailers, | 0:47:31 | 0:47:36 | |
I understand that Andrew was doing the cooking | 0:47:36 | 0:47:38 | |
and, Maria, you were doing the pitching. Right? | 0:47:38 | 0:47:41 | |
And I think you did the first two and I think they went quite well. | 0:47:41 | 0:47:45 | |
And then Patrick, for some reason or other, | 0:47:45 | 0:47:47 | |
wanted to do the pitch for the third one. | 0:47:47 | 0:47:49 | |
And I heard that that was not very good at all. | 0:47:49 | 0:47:51 | |
Clearly reflected in the fact you got no orders. | 0:47:51 | 0:47:54 | |
What was all that about? | 0:47:54 | 0:47:56 | |
-We decided that that I was going to do one of the pitches. -Why? | 0:47:56 | 0:47:58 | |
Well, just because obviously there were different facts | 0:47:58 | 0:48:02 | |
that needed to go in, so I wrote up the one that... | 0:48:02 | 0:48:05 | |
But, Patrick, this is not a kind of talent show | 0:48:05 | 0:48:08 | |
that everybody's got to do something. This is business. | 0:48:08 | 0:48:11 | |
When you're not good at something, you shouldn't put yourself forward. | 0:48:11 | 0:48:14 | |
And from a project manager point of view, | 0:48:14 | 0:48:16 | |
the reason I made that decision is, | 0:48:16 | 0:48:18 | |
early on in the day, Patrick said he was keen to do it. | 0:48:18 | 0:48:20 | |
Yeah, but you are the project manager. Right? | 0:48:20 | 0:48:24 | |
And no matter whether he was keen to do it or not, right, | 0:48:24 | 0:48:28 | |
you should have said no. | 0:48:28 | 0:48:29 | |
You should have said, "Sorry, these two are doing very, very well, | 0:48:29 | 0:48:33 | |
"you're not doing it," | 0:48:33 | 0:48:34 | |
because you don't stop something that's going well. | 0:48:34 | 0:48:37 | |
Did you think it went well, Sean, Patrick's pitch? | 0:48:37 | 0:48:39 | |
I think, at the beginning, Patrick was very quiet, | 0:48:39 | 0:48:42 | |
he was very timid, but as it went on, I think he did improve | 0:48:42 | 0:48:45 | |
and, towards the end, it was a good pitch. | 0:48:45 | 0:48:47 | |
Just a tip, when you're doing a pitch to a business - | 0:48:47 | 0:48:50 | |
you need a lot of energy, enthusiasm, humour, facts. | 0:48:50 | 0:48:55 | |
Patrick, with the greatest of respect, you know, | 0:48:55 | 0:48:58 | |
you always sounds like it's Monday. | 0:48:58 | 0:49:01 | |
You shouldn't have put yourself forward there. | 0:49:01 | 0:49:03 | |
We just felt that it would have been better to kind of spread the load. | 0:49:03 | 0:49:07 | |
Sean, very shortly, | 0:49:11 | 0:49:13 | |
I'm going to be asking you to make a decision, right? | 0:49:13 | 0:49:16 | |
And when you make that decision, you need to think very, very carefully, | 0:49:16 | 0:49:21 | |
cos I will be asking you afterwards to justify those decisions. | 0:49:21 | 0:49:24 | |
So, Sean, who you bringing back into this boardroom? | 0:49:24 | 0:49:28 | |
Lord Sugar, I'm going to be bringing back Maria and David. | 0:49:28 | 0:49:31 | |
Right. | 0:49:31 | 0:49:32 | |
Anything that I will admit that I have done wrong, | 0:49:36 | 0:49:38 | |
you backed up, 100 percent. | 0:49:38 | 0:49:40 | |
So, basically, I really don't think that I should be in here. | 0:49:40 | 0:49:43 | |
I'm going to bring you in anyway. | 0:49:43 | 0:49:45 | |
-DAVID: -Everything that you asked me to do, Sean, I did it with 110... | 0:49:45 | 0:49:48 | |
-That's your decision, is it? -That's right, Lord Sugar. -Yeah? -Yeah. -OK. | 0:49:48 | 0:49:52 | |
You two gentlemen go back to the house, OK? | 0:49:52 | 0:49:55 | |
-Thank you, Lord Sugar. -Thank you, Lord Sugar. | 0:49:55 | 0:49:57 | |
Well, look, I'm going to have a chat with Karren, | 0:50:00 | 0:50:03 | |
who followed you around on this task. | 0:50:03 | 0:50:05 | |
And Nick will also assist me | 0:50:06 | 0:50:09 | |
because of his experience in this process. | 0:50:09 | 0:50:12 | |
Just step outside and I'll call you back in shortly. | 0:50:12 | 0:50:15 | |
But one of you is going to be fired, OK? | 0:50:15 | 0:50:17 | |
ALL: Thank you, Lord Sugar. | 0:50:17 | 0:50:19 | |
Maria is reluctantly admitting that it was her fault, | 0:50:31 | 0:50:35 | |
but she says she still stands by it. | 0:50:35 | 0:50:37 | |
Quite clearly, she has swayed Sean. | 0:50:37 | 0:50:40 | |
I think he bends with the wind, that's the problem. | 0:50:40 | 0:50:44 | |
-He let Patrick go. -Nuts. Nuts. | 0:50:44 | 0:50:46 | |
And I don't get it. | 0:50:46 | 0:50:48 | |
I mean, Patrick said, "I did a pitch that was bad." | 0:50:48 | 0:50:52 | |
And yet he lets him go. | 0:50:52 | 0:50:54 | |
David was very quiet on this task, Alan. | 0:50:54 | 0:50:57 | |
I think he's lost a bit of confidence this week. | 0:50:57 | 0:50:59 | |
Could you send the three of them in, please? | 0:51:03 | 0:51:05 | |
'Yes, Lord Sugar.' | 0:51:05 | 0:51:06 | |
Sean... | 0:51:17 | 0:51:18 | |
..I'd like a explanation from you | 0:51:19 | 0:51:21 | |
as to why Patrick is back in the house | 0:51:21 | 0:51:24 | |
and him and her are sitting here, | 0:51:24 | 0:51:27 | |
wondering whether they're going to survive this process. | 0:51:27 | 0:51:31 | |
For example, why's David here? Why did you bring him back? | 0:51:31 | 0:51:33 | |
Can you explain to me why? I'm sure did he'd want to know. | 0:51:33 | 0:51:36 | |
I'd like to know as well, actually, yeah. | 0:51:36 | 0:51:38 | |
The reason I brought David back | 0:51:38 | 0:51:40 | |
is it seemed that David didn't take a great part | 0:51:40 | 0:51:42 | |
in either the market research or the photography | 0:51:42 | 0:51:44 | |
and I just didn't hear what he did in this task. | 0:51:44 | 0:51:46 | |
I completely disagree with that. | 0:51:46 | 0:51:48 | |
I just think Sean's trying to say maybe it is your LACK of culpability | 0:51:48 | 0:51:50 | |
that you are here for this task, | 0:51:50 | 0:51:52 | |
cos maybe you just sat in the background. | 0:51:52 | 0:51:54 | |
The failure of this task didn't happen | 0:51:54 | 0:51:56 | |
because of my side of the sub-team. | 0:51:56 | 0:51:59 | |
Whatever I did, I did with full conviction. | 0:51:59 | 0:52:03 | |
Karren, in the focus group, did I not ask questions? | 0:52:03 | 0:52:09 | |
Well, you did ask you questions. | 0:52:09 | 0:52:11 | |
But Andrew did lead the questions at the focus group. | 0:52:11 | 0:52:15 | |
Sean, what have you got to say? Who should be fired for this task? | 0:52:16 | 0:52:20 | |
I genuinely think that, although I made the mistake | 0:52:20 | 0:52:22 | |
of listening to Maria too much, | 0:52:22 | 0:52:23 | |
because she shouted and she tried to get her own way, | 0:52:23 | 0:52:27 | |
I do think Maria definitely pushed the idea forward, | 0:52:27 | 0:52:30 | |
so I think Maria should be fired. | 0:52:30 | 0:52:31 | |
I had the idea to target at women, but we all came up with the idea. | 0:52:31 | 0:52:35 | |
You cannot just point this on my head. | 0:52:35 | 0:52:37 | |
I am referring to the long conversation in the car, | 0:52:37 | 0:52:39 | |
where you're pushing and pushing. | 0:52:39 | 0:52:41 | |
It wasn't a very long conversation. | 0:52:41 | 0:52:43 | |
I made a point and you said it was very good. | 0:52:43 | 0:52:45 | |
How do you solve a problem like Maria? | 0:52:45 | 0:52:48 | |
I think you solve a problem like Maria | 0:52:48 | 0:52:50 | |
by making sure she knows where she's gone wrong. We all made mistakes... | 0:52:50 | 0:52:53 | |
No, I mean the problem being | 0:52:53 | 0:52:55 | |
that she seems to always be talking you down, | 0:52:55 | 0:52:57 | |
making you change your mind. | 0:52:57 | 0:52:58 | |
No, I think that was one case and I learned from that. | 0:52:58 | 0:53:01 | |
Maria is louder than me as a person. | 0:53:01 | 0:53:02 | |
That doesn't mean her ideas are always better. | 0:53:02 | 0:53:04 | |
I was thrown into a team with four boys - I had to shout louder. | 0:53:04 | 0:53:08 | |
Being a woman, I really love being heard. | 0:53:08 | 0:53:11 | |
I'm strong and I'm a domineering person, | 0:53:11 | 0:53:13 | |
and I won't apologise for that. | 0:53:13 | 0:53:15 | |
Forcefulness and chirpiness and all of that stuff is all very good, | 0:53:15 | 0:53:19 | |
but sometimes a bull in a china shop doesn't mean you're right. | 0:53:19 | 0:53:22 | |
-No, I understand that. -Good. I hope you do! | 0:53:22 | 0:53:25 | |
I recognise that mistake. | 0:53:25 | 0:53:27 | |
And the thing is, when you're producing a product like this, | 0:53:27 | 0:53:32 | |
the retailers are going to say, "Very limited market here." | 0:53:32 | 0:53:35 | |
The fatal error was the market. | 0:53:35 | 0:53:37 | |
David, where do you think | 0:53:40 | 0:53:41 | |
the responsibility lies for your failure? | 0:53:41 | 0:53:43 | |
I think the failure of this task lies on Sean, | 0:53:43 | 0:53:46 | |
because we gave them some very critical information | 0:53:46 | 0:53:49 | |
from the focus group, | 0:53:49 | 0:53:52 | |
but some decisions were made that didn't reflect what we told them. | 0:53:52 | 0:53:56 | |
Look, all of you have done very well getting here. | 0:53:58 | 0:54:02 | |
Thousands and thousands and thousands have applied | 0:54:02 | 0:54:05 | |
and one of you is going to go home today. | 0:54:05 | 0:54:07 | |
Sean, a project manager is someone | 0:54:11 | 0:54:15 | |
who is supposed to assert their authority. | 0:54:15 | 0:54:18 | |
You are here to try and win a task, yeah? | 0:54:20 | 0:54:23 | |
I get the distinct impression that you are bit of a diplomat, | 0:54:23 | 0:54:26 | |
or try to be a bit of a diplomat, and try to make everybody happy. | 0:54:26 | 0:54:29 | |
Maria, there is no question in my mind here, | 0:54:31 | 0:54:34 | |
no question in my mind, that the idea was flawed, | 0:54:34 | 0:54:38 | |
that you forced the project manager to do things that they wouldn't, | 0:54:38 | 0:54:43 | |
in a normal walk of life, have done, because of your forcefulness. | 0:54:43 | 0:54:47 | |
You know, at the end of the day, | 0:54:47 | 0:54:48 | |
you've got to know when to admit you've made mistakes | 0:54:48 | 0:54:52 | |
and when to tone down a bit. | 0:54:52 | 0:54:53 | |
And, David, I get the feeling here | 0:54:54 | 0:54:58 | |
that from what I've heard from Karren | 0:54:58 | 0:55:00 | |
and what I've heard from your other colleagues, | 0:55:00 | 0:55:03 | |
that some of the stuff you're claiming that you did or didn't do | 0:55:03 | 0:55:05 | |
maybe didn't occur and for that reason, I'm struggling. | 0:55:05 | 0:55:10 | |
But, Maria, I think this is very, very tough situation for me | 0:55:10 | 0:55:17 | |
and thousands of people have applied for this position | 0:55:17 | 0:55:20 | |
and I do admire your forcefulness, bubbliness and all of that stuff. | 0:55:20 | 0:55:26 | |
And, on that basis, I'm going to... | 0:55:27 | 0:55:31 | |
let you remain in this process. | 0:55:31 | 0:55:33 | |
Sean... | 0:55:36 | 0:55:38 | |
..I think you mistake today was bringing the wrong person back | 0:55:40 | 0:55:43 | |
and taking your eye off the ball | 0:55:43 | 0:55:44 | |
of what you're supposed to be good at doing. | 0:55:44 | 0:55:48 | |
And, on that basis, Sean, it is with regret that... | 0:55:48 | 0:55:51 | |
you're fired. | 0:55:51 | 0:55:53 | |
Thank you, Lord Sugar. | 0:55:53 | 0:55:55 | |
You... | 0:56:03 | 0:56:05 | |
learn a bit, I hope. | 0:56:05 | 0:56:07 | |
Listen to other people. | 0:56:07 | 0:56:09 | |
It's not always you, you, you and your ideas. | 0:56:09 | 0:56:11 | |
But, um... | 0:56:12 | 0:56:14 | |
I've given you another chance, OK? Because you're a fiery character. | 0:56:14 | 0:56:18 | |
And, David, I think that he brought the wrong person back in. | 0:56:18 | 0:56:21 | |
-Thank you. -Go back to the house and I'll see you on the next task, OK? | 0:56:21 | 0:56:24 | |
-Thank you so much. -I won't disappoint you, Lord Sugar. | 0:56:24 | 0:56:28 | |
Well done. Good luck. | 0:56:32 | 0:56:33 | |
Although Lord Sugar fired me today, | 0:56:51 | 0:56:53 | |
I think I can walk out here with my head held high. | 0:56:53 | 0:56:55 | |
I'll go home, continue working on all of the things I have coming up | 0:56:55 | 0:56:58 | |
and make sure that in five, ten years' time, | 0:56:58 | 0:57:00 | |
I'm going to be successful. | 0:57:00 | 0:57:01 | |
-Who do you think is going home? -Who do you guys want to come back? | 0:57:04 | 0:57:08 | |
I want Maria back. | 0:57:08 | 0:57:09 | |
She did make a pretty big slip-up on this task, | 0:57:09 | 0:57:13 | |
but she can definitely fight her own corner. | 0:57:13 | 0:57:16 | |
Everyone makes mistakes, though. | 0:57:16 | 0:57:17 | |
-ALL: -Oh, my God! | 0:57:19 | 0:57:22 | |
Is it just you?! | 0:57:23 | 0:57:24 | |
-No! -No, don't joke, that's not funny. | 0:57:24 | 0:57:27 | |
It's just you?! | 0:57:27 | 0:57:28 | |
THEY ALL SCREAM IN DELIGHT | 0:57:28 | 0:57:30 | |
Oh, my God! | 0:57:30 | 0:57:32 | |
-So what did you say to Sean? -Yeah, so we've lost Sean. | 0:57:35 | 0:57:38 | |
-Sean's gone! It's weird to think. -It's horrible. | 0:57:38 | 0:57:41 | |
It is horrible, it's like someone died, | 0:57:41 | 0:57:43 | |
because you genuinely don't see them again. | 0:57:43 | 0:57:45 | |
Now ten candidates remain in the fight | 0:57:46 | 0:57:50 | |
to become Lord Sugar's Young Apprentice. | 0:57:50 | 0:57:53 | |
Next time... | 0:57:57 | 0:57:58 | |
Your task today is to go out and to procure items. | 0:57:58 | 0:58:01 | |
They're going to be used in an opera. | 0:58:01 | 0:58:03 | |
With ten theatrical props to find... | 0:58:03 | 0:58:05 | |
-Do you know what a "candle-brum" is? -'No, I don't.' | 0:58:05 | 0:58:09 | |
-..at rock-bottom prices... -Why should I give you a discount?! | 0:58:09 | 0:58:11 | |
-No! -Come back! | 0:58:11 | 0:58:13 | |
..as the drama unfolds... | 0:58:14 | 0:58:16 | |
-That's actually ridiculous. -Thank you. See you in a bit. | 0:58:16 | 0:58:18 | |
You were stupidly slow. | 0:58:18 | 0:58:20 | |
..it's curtains for someone. | 0:58:20 | 0:58:23 | |
You have completely messed it up. | 0:58:23 | 0:58:25 | |
You're fired. | 0:58:25 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:51 |