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'This programme contains some strong language.' | 0:00:02 | 0:00:04 | |
If you find this normal, | 0:00:04 | 0:00:07 | |
you belong to the upper middle class or higher. | 0:00:07 | 0:00:09 | |
Or is this your kind of party? | 0:00:11 | 0:00:14 | |
Balancing your plate on your knee? | 0:00:14 | 0:00:16 | |
If so, your background is probably working class. | 0:00:16 | 0:00:20 | |
My friends, the class war is over. | 0:00:20 | 0:00:23 | |
CHEERING AND APPLAUSE | 0:00:30 | 0:00:32 | |
Class dismissed. | 0:00:41 | 0:00:43 | |
I'm Frank Skinner and tonight I'll be discussing | 0:00:43 | 0:00:45 | |
the subject of class with a panel of distinguished guests. | 0:00:45 | 0:00:48 | |
Roisin Conaty, Micky Flanagan and Miles Jupp. | 0:00:48 | 0:00:51 | |
CHEERING AND APPLAUSE | 0:00:51 | 0:00:53 | |
A lot of people feel the concept of class is no longer relevant | 0:00:56 | 0:01:00 | |
and that class differences have ceased to exist. | 0:01:00 | 0:01:02 | |
I th... Hold it... | 0:01:02 | 0:01:04 | |
No, Tarquin. I know you say "clarse" but I... | 0:01:05 | 0:01:09 | |
-LAUGHTER -No, I always say "class". | 0:01:11 | 0:01:14 | |
I know he would, but Stephen Fry is not presenting it, is he? | 0:01:14 | 0:01:18 | |
Yeah, well. Fair enough. | 0:01:18 | 0:01:21 | |
Actually, I'd say "off" rather than "orff"! | 0:01:21 | 0:01:24 | |
LAUGHTER AND APPLAUSE | 0:01:24 | 0:01:26 | |
So firstly, the big question. | 0:01:28 | 0:01:31 | |
Is class still relevant in the 21st century? | 0:01:31 | 0:01:34 | |
I think it is relevant but not as relevant as it was, | 0:01:34 | 0:01:37 | |
or I would be hosting this. | 0:01:37 | 0:01:39 | |
LAUGHTER | 0:01:39 | 0:01:42 | |
APPLAUSE | 0:01:42 | 0:01:44 | |
You're right. The world as upside-down, isn't it? | 0:01:49 | 0:01:52 | |
For example, did you know that in the last three years, | 0:01:52 | 0:01:55 | |
48% of working-class people in this country, | 0:01:55 | 0:01:57 | |
if we may call them that, have been on a foreign holiday. | 0:01:57 | 0:02:00 | |
When I was a kid, it's absolutely true, | 0:02:00 | 0:02:02 | |
the only people I knew who had been abroad | 0:02:02 | 0:02:04 | |
had only done so in the context of World War II. | 0:02:04 | 0:02:08 | |
LAUGHTER | 0:02:08 | 0:02:10 | |
They did a massive survey in March 2011, | 0:02:11 | 0:02:14 | |
just 24% of people classed themselves as working class. | 0:02:14 | 0:02:19 | |
In 1988, when they asked the same question, it was 67%. | 0:02:19 | 0:02:23 | |
So 40% of them have either got credit cards... | 0:02:23 | 0:02:26 | |
Or are working class people more apathetic to voting now? | 0:02:26 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:33 | |
My opinion on class is this, it used to be a big thing | 0:02:35 | 0:02:39 | |
in, say, the '60s and '70s, | 0:02:39 | 0:02:41 | |
but in the discrimination league table, it slipped badly. | 0:02:41 | 0:02:45 | |
If I was trying to put together an unfair dismissal tribunal, | 0:02:45 | 0:02:49 | |
if they said I was racially discriminated against, | 0:02:49 | 0:02:52 | |
I'd say, "We can't lose." | 0:02:52 | 0:02:54 | |
If it was sexual, "We're going to win this." | 0:02:54 | 0:02:56 | |
If it was class I'd say, "Forget it. You're 40 years too late." | 0:02:56 | 0:02:59 | |
It's according to whether you're at the end of it or not. | 0:02:59 | 0:03:02 | |
When I was growing up, I always felt that being working class | 0:03:02 | 0:03:05 | |
was something that, you know, you could be proud of. | 0:03:05 | 0:03:09 | |
Now it's, sort of, | 0:03:09 | 0:03:11 | |
people want to reject it a little bit, | 0:03:11 | 0:03:13 | |
because it's associated with someone who is not trying hard enough. | 0:03:13 | 0:03:16 | |
The word chav and stuff like that. That's demonisation of the working classes. | 0:03:16 | 0:03:20 | |
I think there's quite a lot of class war. People not being viewed right. | 0:03:20 | 0:03:26 | |
-I've got a quote from Cheryl Cole. -Oh! | 0:03:26 | 0:03:28 | |
On that very subject. | 0:03:28 | 0:03:30 | |
This is what Cheryl Cole says, I find this very interesting. | 0:03:30 | 0:03:33 | |
LAUGHTER | 0:03:40 | 0:03:42 | |
Well, no. I don't mean that, though, by "chav". | 0:03:42 | 0:03:45 | |
And neither does anyone else who has ever said chav! | 0:03:45 | 0:03:49 | |
They mean really bad working class rubbish, is what they mean. | 0:03:49 | 0:03:52 | |
It seems to have replaced the word pleb, hasn't it? | 0:03:52 | 0:03:55 | |
I think people are quietly saying, "Hm, plebs..." | 0:03:55 | 0:03:59 | |
-That's from ancient Rome, isn't it? The plebs. -Plebs? -Yes. | 0:03:59 | 0:04:02 | |
So it's replaced it but plebs had a bloody good run! | 0:04:02 | 0:04:06 | |
LAUGHTER | 0:04:06 | 0:04:08 | |
So all three of you have been exploring your own class struggles. | 0:04:09 | 0:04:14 | |
Miles, what was the nature of your class struggle? | 0:04:14 | 0:04:17 | |
Well, I do think, if you are middle class, | 0:04:17 | 0:04:19 | |
as I am, sometimes you get very trapped within that. | 0:04:19 | 0:04:22 | |
What I find myself genuinely being very envious of is someone like Mickey, | 0:04:22 | 0:04:26 | |
you can call an old lady "sweetheart" | 0:04:26 | 0:04:29 | |
and it would look sort of relaxed and normal. | 0:04:29 | 0:04:32 | |
Look what happened when Wayne Rooney did that! | 0:04:32 | 0:04:34 | |
I would say, this voice, I sound posher than I am. | 0:04:39 | 0:04:42 | |
I sound sort of landed, and indeed loaded, | 0:04:42 | 0:04:44 | |
but it's not actually what I am. | 0:04:44 | 0:04:47 | |
And also my natural tendency is to mumble | 0:04:47 | 0:04:51 | |
and so if I don't speak like this, | 0:04:51 | 0:04:53 | |
people don't understand what I'm saying. | 0:04:53 | 0:04:55 | |
So there's a sort of trade-off. | 0:04:55 | 0:04:57 | |
People can understand what I'm saying but they just assume that I'm a bit of an arse. | 0:04:57 | 0:05:01 | |
I've had, you know, I have to weigh that up before I join a conversation. | 0:05:01 | 0:05:04 | |
Do I want them to understand me or do I want them to like me? | 0:05:04 | 0:05:08 | |
You went to meet accent coach Morwenna Rowe. | 0:05:08 | 0:05:11 | |
She prepared you for a job on a market. | 0:05:11 | 0:05:14 | |
Interestingly, you actually had this session in the same room | 0:05:14 | 0:05:17 | |
that they filmed the speech sessions in The King's Speech movie. | 0:05:17 | 0:05:21 | |
Yeah, yes. We did the whole thing on a similar budget. | 0:05:21 | 0:05:24 | |
Let's have a look. | 0:05:24 | 0:05:26 | |
Are there things about me that suggest that I'm not... | 0:05:26 | 0:05:29 | |
Not someone who sells fruit, or indeed vegetables, | 0:05:29 | 0:05:33 | |
-in the East End? -Yes. | 0:05:33 | 0:05:36 | |
What you're doing at the moment is you're sitting | 0:05:37 | 0:05:40 | |
in a way that's very polite and not even remotely invading my space. | 0:05:40 | 0:05:43 | |
What I'd say is, take up this sofa as if it's yours. | 0:05:43 | 0:05:47 | |
-The whole thing. -Right. So, erm... | 0:05:47 | 0:05:50 | |
But without moving your feet up. That's it. Yeah, yeah. | 0:05:50 | 0:05:53 | |
Even more. At now you want to just project to energy out a little bit. | 0:05:53 | 0:05:56 | |
So instead of that feeling of withdrawing in, just think, "Hey!" | 0:05:56 | 0:05:59 | |
Just that sense of, "I'm going to give it out." | 0:05:59 | 0:06:02 | |
-Fruit! -Ha-ha! Kind of, yeah. | 0:06:02 | 0:06:05 | |
Now, down here you've got this... | 0:06:05 | 0:06:07 | |
Well, in your head, massive manhood that you actually need to really present to the world, | 0:06:09 | 0:06:14 | |
so I want you to just say, "'Ere we are!" | 0:06:14 | 0:06:17 | |
-'Ere we are! -More. | 0:06:17 | 0:06:19 | |
Make sure that goes first. You're behind. | 0:06:19 | 0:06:21 | |
You're the charioteer, that's the horse. | 0:06:21 | 0:06:23 | |
It goes where it wants to, I am just followin' it. | 0:06:23 | 0:06:26 | |
My dick's the planet, I'm just livin' on it. | 0:06:26 | 0:06:29 | |
'Ere y'are, sweetheart, call it a pound. | 0:06:29 | 0:06:32 | |
Pleased with that. | 0:06:32 | 0:06:34 | |
-So I sort of feel pretty ready. -Cool. | 0:06:34 | 0:06:37 | |
-OK, and so you've got the voice? -Yeah. | 0:06:37 | 0:06:39 | |
-Happy with the cries? -Happy with the cries, I shout out. | 0:06:39 | 0:06:42 | |
Stand out like that. | 0:06:42 | 0:06:43 | |
And then what are you wearing? | 0:06:43 | 0:06:46 | |
You're in that? | 0:06:46 | 0:06:48 | |
That's all right, isn't it? | 0:06:48 | 0:06:51 | |
Pound a box, pound a box. Have a taster, darling. | 0:06:51 | 0:06:54 | |
-Whatever y'like, whatever y'fancy! -Give me five cherries, mate. | 0:06:56 | 0:06:59 | |
Pound a box, pound a bowl! | 0:06:59 | 0:07:02 | |
-The noise is unbelievable. -Pound a box! | 0:07:02 | 0:07:05 | |
Have I given you too much change? Too little? Thanks for the bangers. | 0:07:05 | 0:07:08 | |
Getting a bit better. He's beginning to talk and serve customers at the same time. | 0:07:08 | 0:07:12 | |
I ain't seen nuffin'! I ain't seen nuffin'! | 0:07:12 | 0:07:15 | |
What's a matter with you all? | 0:07:15 | 0:07:17 | |
Four avocados, courtesy of Juppy. Lovely. | 0:07:17 | 0:07:19 | |
Pound a bowl! POUND A BOWL! | 0:07:19 | 0:07:22 | |
See you later, sweetheart. | 0:07:22 | 0:07:24 | |
-You look a bit knackered there, mate. -I am tired. | 0:07:24 | 0:07:27 | |
You've only been here half-an-hour! | 0:07:27 | 0:07:30 | |
I'm sure it seems like half-an-hour to you. | 0:07:30 | 0:07:32 | |
-It was half-an-hour, I promise you. -It's just I find the... | 0:07:32 | 0:07:35 | |
It's the sheer being out there, the shouting bit. | 0:07:35 | 0:07:37 | |
I'm naturally really like that. And you guys, "Woah!" | 0:07:37 | 0:07:41 | |
-You'd be no good to me. -Seriously, though. | 0:07:41 | 0:07:44 | |
Do cockneys like you speak like that all of the time? | 0:07:44 | 0:07:47 | |
What, you think I go home and put on another voice? | 0:07:47 | 0:07:49 | |
-It's just, it's exhausting. -I'm not an actor, I'm a greengrocer. | 0:07:49 | 0:07:53 | |
This is me. | 0:07:53 | 0:07:54 | |
-Micky Flanagan, is he putting it on? -Who's Micky Flanagan? | 0:07:55 | 0:07:59 | |
LAUGHTER AND APPLAUSE | 0:07:59 | 0:08:02 | |
-Well done. -Thank you. | 0:08:07 | 0:08:09 | |
I did call an old lady "sweetheart" at one point. | 0:08:09 | 0:08:12 | |
I felt really excited about that, | 0:08:12 | 0:08:14 | |
like when I was an 11-year-old and scored a half-century | 0:08:14 | 0:08:16 | |
in a cricket match at prep school... | 0:08:16 | 0:08:19 | |
If you take accent, right, Brian Sewell said, | 0:08:19 | 0:08:22 | |
"One could never make love to a woman with a glottal stop." | 0:08:22 | 0:08:26 | |
I should explain what that is. | 0:08:29 | 0:08:31 | |
If you say, "the lottery", you say "the lo-ery". | 0:08:31 | 0:08:35 | |
So the Ts are replaced by a glottal stop. | 0:08:35 | 0:08:39 | |
-Oh, good. He's not after me then. -We've got a picture of Brian. | 0:08:39 | 0:08:42 | |
He has got a bit of a chip on his shoulder. | 0:08:42 | 0:08:44 | |
Is that a chip? | 0:08:47 | 0:08:48 | |
I wouldn't want to sleep with anyone, some people are so posh they don't move their top lip. | 0:08:48 | 0:08:53 | |
It's not mumbling, it's like, "I don't think I'm going to go round there." | 0:08:53 | 0:08:57 | |
It's just like, well, if you're not bothered to move your top lip, | 0:08:57 | 0:09:01 | |
I'm not bothered to talk to you, to be honest. | 0:09:01 | 0:09:04 | |
I've never noticed that before. That is absolutely spot-on. | 0:09:04 | 0:09:06 | |
My friend introduced me to a girlfriend and she talked to me for ten minutes. | 0:09:06 | 0:09:10 | |
I said to him, "That's unacceptable. | 0:09:10 | 0:09:12 | |
"I can't speak to her again until she's learnt to move her face". | 0:09:12 | 0:09:15 | |
I make a lot of effort, really move my face a lot, so you know I am talking. | 0:09:15 | 0:09:20 | |
And she's like, "Yes so we're going to have a drink, have a drink. Really nice to meet you." | 0:09:20 | 0:09:25 | |
What are you doing? | 0:09:25 | 0:09:27 | |
If you are posh, I think the way forward is to be a bit foolish. | 0:09:27 | 0:09:32 | |
Working-class people like posh people if they are a bit silly. | 0:09:32 | 0:09:37 | |
Ping-pong was invented on the dining tables of England, | 0:09:37 | 0:09:40 | |
ladies and gentlemen, in the 19th century, it was. | 0:09:40 | 0:09:44 | |
And it was called whiff-whaff. | 0:09:44 | 0:09:46 | |
And there I think you have the essential difference between us and the rest of the world. | 0:09:46 | 0:09:50 | |
Other nations, the French looked at a dining table and saw an opportunity to have dinner. | 0:09:50 | 0:09:55 | |
We looked at a dining table and saw an opportunity to play whiff-whaff. | 0:09:55 | 0:09:58 | |
I say to the world, ping-pong is coming home! | 0:10:00 | 0:10:04 | |
LAUGHTER AND APPLAUSE | 0:10:04 | 0:10:06 | |
You know, exactly. We kind of like him, though. | 0:10:07 | 0:10:11 | |
He has embraced his poshness. | 0:10:11 | 0:10:13 | |
Isn't ecstacy a terrible drug? | 0:10:13 | 0:10:16 | |
I bet Steve Ovett watches that clip over and over again on YouTube | 0:10:18 | 0:10:20 | |
with Sebastian Coe, going, "Look how fucking uncomfortable you look now!" | 0:10:20 | 0:10:25 | |
You very rarely meet people who speak really well. | 0:10:27 | 0:10:30 | |
You can't immediately tell if someone | 0:10:30 | 0:10:33 | |
is well educated because they'll drop their accent down a bit, | 0:10:33 | 0:10:36 | |
especially if they're round working class people. | 0:10:36 | 0:10:39 | |
And the same with working class people. They'll try a bit harder, maybe. | 0:10:39 | 0:10:43 | |
You know this estuary English thing in London, | 0:10:43 | 0:10:46 | |
where everybody sort of sounds the same, don't they? | 0:10:46 | 0:10:49 | |
So you think it's sort of moulding into an amorphous mass? | 0:10:49 | 0:10:53 | |
One famous person who sort of did that route | 0:10:53 | 0:10:57 | |
of going from a bit posh to a bit working class was Nigel Kennedy. | 0:10:57 | 0:11:01 | |
This is Nigel Kennedy when he was a young man and as he is now. | 0:11:01 | 0:11:05 | |
It's a bit frightening thinking about it sometimes | 0:11:05 | 0:11:08 | |
but I think it's the best place for me. | 0:11:08 | 0:11:10 | |
We've got all night of Vivaldi and stuff, like... | 0:11:10 | 0:11:13 | |
Vivaldi, You've got to have a break away from this geezer, you know. | 0:11:13 | 0:11:17 | |
I think that's a deliberate move, isn't it? | 0:11:18 | 0:11:21 | |
He was in that area at the time of trying to make | 0:11:21 | 0:11:24 | |
classical music slightly more popular. | 0:11:24 | 0:11:27 | |
That was the perfect way to do it. | 0:11:27 | 0:11:29 | |
A little bit, you know, football shirt and start to talk | 0:11:29 | 0:11:32 | |
like that a little bit. | 0:11:32 | 0:11:34 | |
But it worked for him, didn't it? | 0:11:34 | 0:11:36 | |
Unless they took him straight from that interview of him as a child to a football ground | 0:11:36 | 0:11:40 | |
and he didn't get out until that day. | 0:11:40 | 0:11:42 | |
This is a picture of him at a premier. | 0:11:42 | 0:11:44 | |
That can't be right, can it? | 0:11:45 | 0:11:47 | |
It looks like a special premiere for the homeless. | 0:11:47 | 0:11:50 | |
He'll never get run over, that is for sure. | 0:11:50 | 0:11:54 | |
That thing about the walk, see, I've seen guys walking around | 0:11:54 | 0:11:58 | |
with that very open, "Here's my manhood." | 0:11:58 | 0:12:01 | |
-Do you walk like that, Mick? -I can do. | 0:12:01 | 0:12:04 | |
-If I want to. -Right. -The Cockney tradition, | 0:12:04 | 0:12:08 | |
he has got quite a bow, especially Friday night, | 0:12:08 | 0:12:12 | |
going down the pub, put a nice shirt on, I'm going to have a walk about. | 0:12:12 | 0:12:17 | |
"I'm 'ere. Awight, ladies! What's 'appening?" | 0:12:17 | 0:12:22 | |
Everyone's thinking, by the way, "Arsehole". | 0:12:22 | 0:12:25 | |
When working class men come into the house, you can always tell | 0:12:25 | 0:12:29 | |
because they empty all of their pockets and put their keys, everything goes on the table. | 0:12:29 | 0:12:34 | |
Maybe that's because they need groin space. | 0:12:34 | 0:12:37 | |
I was wondering, because the walk is all about swinging your knees and showing your genitals, | 0:12:37 | 0:12:43 | |
if that's where the word Cockney actually came from. | 0:12:43 | 0:12:47 | |
I'm interested in this idea that you can even tell someone's class | 0:12:47 | 0:12:51 | |
by the way they move about, what they look like. | 0:12:51 | 0:12:55 | |
In the 1950s, people used to go out and they used to watch people | 0:12:55 | 0:12:59 | |
in the street and work out what class they were. | 0:12:59 | 0:13:02 | |
-I think that by the way they're carrying their luggage... -No taxi. | 0:13:02 | 0:13:07 | |
No taxi and all stuffed in the bags like that. | 0:13:07 | 0:13:10 | |
I think the lady possible sets her own hair, | 0:13:10 | 0:13:13 | |
which is always an indication. | 0:13:13 | 0:13:15 | |
-Do we agree then? -Yes. -A skilled worker, I would say so. | 0:13:15 | 0:13:19 | |
Do you reckon if we looked at someone in the audience | 0:13:19 | 0:13:22 | |
we could have a rough idea of what their sort of social status was, just by the look of them? | 0:13:22 | 0:13:27 | |
Can we just pick someone, just put them up on the monitors? Here we go. | 0:13:27 | 0:13:33 | |
Ah, I thought middle class and then I saw that gap between the two front teeth. | 0:13:33 | 0:13:38 | |
And I thought, "That's been formed by years of Woodbines!" | 0:13:38 | 0:13:43 | |
-I think she's posh. -You think she's posh? -I don't think she's that posh. | 0:13:45 | 0:13:49 | |
-I think she's posh posh. -No, I don't think she's posh. -She looks like she's in the caring profession. | 0:13:49 | 0:13:55 | |
-She could possibly be a nurse or something. -What's your name? -Helen. -Helen. | 0:13:55 | 0:14:00 | |
OK... Do you think that's posh? | 0:14:00 | 0:14:03 | |
-That's not not posh. -OK. And what do you do, Helen? -I'm a student. -Ah. | 0:14:03 | 0:14:08 | |
-What's she studying though? -Illustration. -Posh. | 0:14:08 | 0:14:11 | |
-What do you think of yourself as? -Erm...middle? | 0:14:11 | 0:14:17 | |
-Lower middle? -Lower middle, OK. I'm interested in the man next to you, in the spectacles. | 0:14:17 | 0:14:21 | |
I think he could be a minor royal. | 0:14:21 | 0:14:25 | |
Um... What do you think? | 0:14:27 | 0:14:30 | |
I think when he's in town, he likes to be urban and groovy but at the weekends, quite a lot of falconry. | 0:14:30 | 0:14:35 | |
-What class would you say you were? -Lower middle, high working. -Oh, OK. | 0:14:39 | 0:14:44 | |
Scaffolder. | 0:14:44 | 0:14:46 | |
Anyway, we'd better stop doing this cos there's an element of cruelty in it. | 0:14:52 | 0:14:56 | |
I felt terribly ill at ease there. I can only say silly things. | 0:14:56 | 0:15:00 | |
If I say anything, it will look appalling. You were able to just say it and it seemed all right. | 0:15:00 | 0:15:05 | |
I was that close to saying to Helen, "Show us your tits." | 0:15:05 | 0:15:09 | |
I wanted to say that, but I just didn't have the nerve. | 0:15:11 | 0:15:15 | |
-So, Roisin, what was the nature of your class investigation? -Um... | 0:15:15 | 0:15:20 | |
I don't think that people from extreme different classes | 0:15:20 | 0:15:26 | |
can fall in love, that they can make it work. | 0:15:26 | 0:15:28 | |
The reason for this is I met a very posh man, he's lovely, and we were chatting for quite a while | 0:15:28 | 0:15:34 | |
and I mentioned a fish finger and he had no idea what they were. | 0:15:34 | 0:15:38 | |
He had no concept of what a fish finger was. I knew then, this is never going to work. | 0:15:38 | 0:15:43 | |
I'm going to have to explain everything. Clacton, bumper cars, you can't explain a lifetime. | 0:15:43 | 0:15:49 | |
I haven't got all that time. | 0:15:49 | 0:15:51 | |
Do you honestly think that barrier couldn't be broken down? | 0:15:51 | 0:15:56 | |
I don't think many people marry outside their class. | 0:15:56 | 0:16:00 | |
No matter how high you rise or how low you fall, people tend to marry... | 0:16:00 | 0:16:04 | |
It's a sort of comfort feeling, people can understand your background and frame of reference. | 0:16:04 | 0:16:09 | |
Interracial marriage is probably more common than inter-class marriage. | 0:16:09 | 0:16:13 | |
So you went on a date with a different posh bloke and let's see how that went. | 0:16:13 | 0:16:17 | |
-What's that? Thank you very much. -You look lovely. -Thank you very much. So do you. | 0:16:19 | 0:16:24 | |
It's like a meadow...of spring flowers, you're wearing there, | 0:16:24 | 0:16:28 | |
-that I might pick in May. -Do you know what a fish finger is? | 0:16:28 | 0:16:32 | |
-Yes, I do know what a fish finger is. -Have you eaten one? | 0:16:32 | 0:16:35 | |
I've had them in a sandwich just recently. | 0:16:35 | 0:16:38 | |
Mmm... That puts some butter on the spinach. | 0:16:40 | 0:16:44 | |
-Sorry? -I mean, that's very good. -That puts some butter on the spinach? Is that what you say? | 0:16:44 | 0:16:50 | |
-Do you ever say, "Now we're cooking on gas"? -Why would you say that? | 0:16:50 | 0:16:53 | |
-Cos it cooks faster with gas? -Mmm. -Right. | 0:16:55 | 0:16:58 | |
Say we were really getting on, imagine this is our 80th date... | 0:16:58 | 0:17:02 | |
-80th? -Yes. -We would have been intimate by then? | 0:17:02 | 0:17:05 | |
-All right, calm down. -What would that be like? -What? Being intimate? | 0:17:05 | 0:17:09 | |
-Yes. I mean... -I think that's classless. We don't need to discuss that. | 0:17:09 | 0:17:13 | |
That's broken down the barriers. Oh, yeah. No-one's worried about class when you're naked. | 0:17:13 | 0:17:19 | |
-Is this normal chat that you would have at the table? Sex talk? -No. | 0:17:19 | 0:17:23 | |
I have tried to be rather well behaved, but at the same time, | 0:17:23 | 0:17:26 | |
I'm getting the feeling that I've got a little bit more leeway | 0:17:26 | 0:17:30 | |
than perhaps I would...were you...from a different background. | 0:17:30 | 0:17:34 | |
-Oh! You see, there... -Right. OK. Now, does that offend you? -Yes. -Right. | 0:17:34 | 0:17:40 | |
You've basically just said, "She looks like a goer!" | 0:17:40 | 0:17:44 | |
I have to say, if I was on a first date with someone | 0:17:52 | 0:17:56 | |
and they said to me, "Are you aware of the concept of a fish finger?" | 0:17:56 | 0:17:58 | |
I'd be a little ill at ease. | 0:17:58 | 0:18:02 | |
Where is this going? | 0:18:03 | 0:18:05 | |
Is it dogging terminology? | 0:18:08 | 0:18:10 | |
To be fair to Joshi, he is in the audience tonight. | 0:18:11 | 0:18:14 | |
Maybe we should give him a chance to defend himself. | 0:18:14 | 0:18:17 | |
What were you getting at when you said, | 0:18:17 | 0:18:19 | |
"If I was with someone from your class, I'd expect a certain..."? | 0:18:19 | 0:18:23 | |
-It's that fish finger statement. That might have thrown me a bit. -It sent you into a randy frenzy?! | 0:18:23 | 0:18:29 | |
I think generally I was referring to these perceptions, | 0:18:33 | 0:18:37 | |
real or otherwise, about class barriers. | 0:18:37 | 0:18:40 | |
Some fellow said to me, "I'm working class, so I make love | 0:18:40 | 0:18:43 | |
"to my girl in a working class manner and you must take her up her...upper class!" | 0:18:43 | 0:18:48 | |
SPEECH DROWNED OUT BY LAUGHTER | 0:18:52 | 0:18:55 | |
-I think we've cleared that up, that you didn't mean anything sexist at all. -Good Lord, no. | 0:18:57 | 0:19:03 | |
On the sexual side of things... | 0:19:04 | 0:19:07 | |
The assumption that working class girls are easy, let me assure you they're not! | 0:19:09 | 0:19:15 | |
You really have got to charm them and woo them and be a nice guy. | 0:19:16 | 0:19:21 | |
Yeah. Pay them sometimes. | 0:19:21 | 0:19:24 | |
There's that idea amongst men that somewhere, there's a group of women who are easier, | 0:19:26 | 0:19:31 | |
so working class fellas think middle class women are... Men do this cos they're so simple. | 0:19:31 | 0:19:37 | |
They think, "Maybe in Switzerland, it's easier. | 0:19:37 | 0:19:41 | |
"Oh, maybe I should go to Africa! In Africa, it is!" | 0:19:41 | 0:19:45 | |
There's only one place, Thailand. | 0:19:45 | 0:19:49 | |
-That's the only place it's really easy to get sex. -Yes. | 0:19:50 | 0:19:54 | |
I suppose a lot of the things that people dress up as are more working class jobs, | 0:19:54 | 0:19:58 | |
like maids' outfits or nurses uniforms. | 0:19:58 | 0:20:02 | |
No-one dresses as an investment banker. Or a judge. | 0:20:02 | 0:20:07 | |
-None of the sort of high up jobs. -No, you're right. -"You sexy judge! | 0:20:07 | 0:20:12 | |
"Am I guilty? Am I guilty?" | 0:20:12 | 0:20:14 | |
"Send me down! Go on, send me down!" | 0:20:17 | 0:20:20 | |
Anyway, Micky, you are a man who has experienced embourgeoisement. | 0:20:22 | 0:20:29 | |
-Yes, I have. -So you were working class and now you've developed many middle class attributes. | 0:20:29 | 0:20:35 | |
But you went to look at one thing that you just can't embrace. | 0:20:35 | 0:20:39 | |
-What is that? -This is modern art. -You think this is a class thing. | 0:20:39 | 0:20:45 | |
I always feel if I go to a modern art gallery, | 0:20:45 | 0:20:48 | |
I'm sort of having the pee taken out of me. | 0:20:48 | 0:20:51 | |
I'd like to try and understand if it is. | 0:20:51 | 0:20:54 | |
Whether or not working class people walk into these places and think, "What a lot of old cobblers?" | 0:20:54 | 0:20:59 | |
Or middle class walk in there and think, "I'm not allowed to say that. "I have to say I sort of get it." | 0:20:59 | 0:21:05 | |
We've got Will Gompertz, who is the BBC Arts Editor, to show you around a gallery, | 0:21:05 | 0:21:11 | |
so a man who really knows about modern art. This is what happened. | 0:21:11 | 0:21:16 | |
This is what makes people a little bit angry cos this looks like a geezer has emptied his brush. | 0:21:16 | 0:21:22 | |
I can see no genuine skill here. How talented is this man? | 0:21:24 | 0:21:29 | |
I think I could get close to that with a bit of practice. | 0:21:29 | 0:21:32 | |
Do you know what? I don't think you'd get anywhere near. | 0:21:32 | 0:21:35 | |
This is a slash in a canvas and someone is telling me this is art. | 0:21:35 | 0:21:40 | |
-I don't think it is art. -I like this. | 0:21:40 | 0:21:43 | |
What I like is the idea that he's destroyed something and at the same time, he's created something. | 0:21:43 | 0:21:50 | |
-Ah! See, that's your sort of get out of jail card. -It's not. | 0:21:50 | 0:21:54 | |
I just think it's clever. I think it's a nice idea. | 0:21:54 | 0:21:56 | |
I could go home and go to my sofa and go... And then Cath will say, "Why have you slashed the settee?" | 0:21:56 | 0:22:03 | |
-I think she'd be right to say that. -I'd say, "I had this terrible set of emotions I needed to express. | 0:22:03 | 0:22:08 | |
-"It's slashed. Deal with it." -It's not a work of art. -Why is it not? | 0:22:08 | 0:22:14 | |
Because you've slashed your settee. It's not a work of art. It's a bloke who's slashed a settee. | 0:22:14 | 0:22:20 | |
SPEECH DROWNED OUT BY MICKY LAUGHING | 0:22:20 | 0:22:23 | |
You've done really well so far on a few of the cases, | 0:22:23 | 0:22:26 | |
but I'm telling you now, this is a mirror. This is not art. | 0:22:26 | 0:22:32 | |
Otherwise, in every toilet in the country, | 0:22:32 | 0:22:35 | |
every bathroom in the country, there's art on the wall, apparently. So, come on. | 0:22:35 | 0:22:40 | |
I think this is a comment on art and art making and people's relationship with art. | 0:22:40 | 0:22:45 | |
I am so tempted to just draw a cock in the corner because I think that would make it funnier. | 0:22:45 | 0:22:50 | |
-Do you really think it would make it...? -Yeah. | 0:22:50 | 0:22:52 | |
-I think people would come from miles around to see the cock on the mirror. -You do? -Yeah. | 0:22:52 | 0:22:57 | |
It would be my interpretation of this person's very weak criticism of art. | 0:22:57 | 0:23:01 | |
I'll give a criticism of art and I'll draw a cock on it. | 0:23:01 | 0:23:05 | |
I'm worried by that laughter because I think this is the people saying, "Yes, it's all rubbish. | 0:23:11 | 0:23:18 | |
"These artists, they don't know," and we celebrate the fact that we see through it. | 0:23:18 | 0:23:24 | |
-This is one of Andy Warhol's soup cans, right? What do you think of that, Mick? -Erm... | 0:23:24 | 0:23:30 | |
I'm not hungry at the moment, so... I don't know. | 0:23:30 | 0:23:34 | |
-What's it supposed to make me think? -I don't know. | 0:23:34 | 0:23:37 | |
Why is it if I dismissed that, I'm ignorant? | 0:23:37 | 0:23:41 | |
Yet if someone, a really upper class person watches football and goes, | 0:23:41 | 0:23:46 | |
"Load of old nonsense," they don't really get challenged on it. | 0:23:46 | 0:23:51 | |
Well, I don't like middle class people at football very much. | 0:23:51 | 0:23:54 | |
But when I was at school, we used to do this thing | 0:23:54 | 0:23:58 | |
that if one of the kids in our gang started doing a bit of homework, | 0:23:58 | 0:24:02 | |
or getting interested, we used to give them a lot of stick cos we'd think, "Who do you think you are?" | 0:24:02 | 0:24:08 | |
And we were basically celebrating the fact, | 0:24:08 | 0:24:11 | |
we were anti-learning and anti-knowledge and all that. | 0:24:11 | 0:24:15 | |
I think looking back, I sort of feel bad about that. | 0:24:15 | 0:24:19 | |
-Yeah, you should. -Yeah. | 0:24:19 | 0:24:21 | |
I think the tin of soup, it's almost a class statement. | 0:24:21 | 0:24:25 | |
It's saying you don't have to go to a big posh fancy gallery | 0:24:25 | 0:24:28 | |
to see beautiful things cos those things in your kitchen cupboard have their own beauty. | 0:24:28 | 0:24:33 | |
That's why some working class would find it so hard. It's about the time you have to contemplate. | 0:24:33 | 0:24:40 | |
The working classes haven't got that time to contemplate an urinal. | 0:24:40 | 0:24:45 | |
They have a wee and go back to the factory. | 0:24:45 | 0:24:48 | |
-Would you say you're a working class man, Mick? -Yeah, definitely. | 0:24:48 | 0:24:52 | |
I think money and education, they can't get in the way of the fact | 0:24:52 | 0:24:56 | |
that I'm still essentially a working class bloke, who now has got a little bit of money. | 0:24:56 | 0:25:02 | |
No, it's a lot actually. I can't deny it. | 0:25:03 | 0:25:06 | |
OK. So you've never thought to yourself, "I'm becoming middle class, I've noticed a change"? | 0:25:06 | 0:25:12 | |
Yeah, I think there are moments when you catch yourself wondering where the hummus is in the fridge. | 0:25:12 | 0:25:19 | |
I suppose it's where your loyalties end up. | 0:25:19 | 0:25:22 | |
If I'm watching a debate on the TV about the transport system | 0:25:22 | 0:25:29 | |
and the fact that the Tube strikers are going out again, my affiliation is with the Tube strikers. | 0:25:29 | 0:25:34 | |
"Yeah, go out on strike. Get as money as you can. You're down a hole, 12 hour shifts." | 0:25:34 | 0:25:40 | |
I'm not someone who'd go, "Some of these people are on £40,000 a year for driving a train!" | 0:25:40 | 0:25:47 | |
I'm always siding with the working class man. | 0:25:47 | 0:25:51 | |
Miles, I imagine you're thinking, "Public transport? What's that?" | 0:25:51 | 0:25:55 | |
I'm confused by much of what Micky says. | 0:25:56 | 0:25:58 | |
Just plastering on this smile and hoping he doesn't bite. | 0:26:01 | 0:26:04 | |
I've been studying the whole notion of class and how you define class for years | 0:26:06 | 0:26:11 | |
and I've asked some very important people how to do it. | 0:26:11 | 0:26:15 | |
Some of them, they just don't really want to join in. | 0:26:15 | 0:26:19 | |
The one badge of working class-ness, I always thought, | 0:26:19 | 0:26:23 | |
was...having a bucket in the bedroom. | 0:26:23 | 0:26:26 | |
-Right? -Yes. | 0:26:27 | 0:26:29 | |
-For what purpose? -Well... | 0:26:29 | 0:26:32 | |
-No, I get it. -If you have an outside toilet, you don't want to get up in the night. | 0:26:33 | 0:26:37 | |
I used to think, if people didn't grow up with a bucket of urine in the bedroom, | 0:26:37 | 0:26:42 | |
they weren't truly working class. Honestly. This is my badge. | 0:26:42 | 0:26:46 | |
The registrar general comes up with education and... but I think this is more foolproof. | 0:26:46 | 0:26:52 | |
They talk about working class kids going to sleep with tears in their eyes, that was the ammonia. | 0:26:52 | 0:26:56 | |
Look at that expression. | 0:26:59 | 0:27:02 | |
Now that is, "I don't know where to go with this. | 0:27:02 | 0:27:05 | |
"Slightly worried. I've never heard the word urine on TV before. What is a bucket?" | 0:27:05 | 0:27:10 | |
The old bucket of wee in the room has, I'm sad to say, died out. | 0:27:11 | 0:27:16 | |
-It has died out. -Not in my house, it ain't. | 0:27:16 | 0:27:20 | |
There's nothing quite like having a piss in a bucket in the night. | 0:27:20 | 0:27:23 | |
It's my house, if I want to piss in a bucket, I will. | 0:27:23 | 0:27:27 | |
-I had to share a room with two brothers, both of whom were heavy drinkers. -Oh, God! | 0:27:27 | 0:27:32 | |
If I got up at four, I couldn't lift the bucket. | 0:27:32 | 0:27:36 | |
And I did it once and the handle... Well, it wasn't the driest. | 0:27:39 | 0:27:44 | |
I got it two foot and it dropped. | 0:27:44 | 0:27:46 | |
It landed on its base and there was sort of | 0:27:46 | 0:27:49 | |
what I would call a piss ball rose up and hit me full in the face. | 0:27:49 | 0:27:54 | |
The same physics... as a tequila slammer. | 0:27:55 | 0:28:00 | |
Thanks very much, guys, for coming. | 0:28:01 | 0:28:04 | |
It's been a wondrous journey through the whole subject of class. | 0:28:04 | 0:28:09 | |
Thank you, Miles, Micky and Roisin. | 0:28:09 | 0:28:11 | |
APPLAUSE | 0:28:11 | 0:28:14 | |
So... | 0:28:19 | 0:28:21 | |
So, um, presenting this programme has caused me | 0:28:25 | 0:28:28 | |
to look very closely at my own views on class and I suppose I can best sum them up like this... | 0:28:28 | 0:28:34 | |
# He was poor but she was honest | 0:28:39 | 0:28:43 | |
# Victim of a squire's whim | 0:28:43 | 0:28:47 | |
# First he loved her, then he left her | 0:28:47 | 0:28:51 | |
# But she had a child by him... # | 0:28:51 | 0:28:55 | |
Everybody! | 0:28:59 | 0:29:00 | |
# It's the same the whole world over | 0:29:00 | 0:29:04 | |
# It's the poor what gets the blame | 0:29:04 | 0:29:08 | |
# It's the rich that gets all the pleasure | 0:29:08 | 0:29:13 | |
# Ain't it all a bloomin' shame? # | 0:29:13 | 0:29:18 | |
Good night! | 0:29:20 | 0:29:23 | |
Subtitles by Red Bee Media Ltd | 0:29:23 | 0:29:26 | |
E-mail [email protected] | 0:29:26 | 0:29:29 |