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January 1, 1964 the day when it all started. | 0:00:00 | 0:00:04 | |
Let's look back over our shoulder at it. | 0:00:04 | 0:00:07 | |
Right. Now then, here's me from the very first show. | 0:00:07 | 0:00:10 | |
MUSIC: "Whole Lotta Love" by Led Zeppelin | 0:00:10 | 0:00:12 | |
Now then, now then, now then. | 0:00:12 | 0:00:14 | |
My goodness gracious. How about that? | 0:00:16 | 0:00:19 | |
Wahey! There you go. Goodbye. | 0:00:19 | 0:00:22 | |
We have a letter here. | 0:00:22 | 0:00:23 | |
"Dear Jimmy, my special thing | 0:00:23 | 0:00:25 | |
"is that I would of licked to be a dog." | 0:00:25 | 0:00:27 | |
HONKS | 0:00:27 | 0:00:29 | |
You are known as the Greatest, correct? | 0:00:29 | 0:00:31 | |
The greatest boxer. | 0:00:31 | 0:00:32 | |
Music, Maestro, if you please. | 0:00:32 | 0:00:35 | |
Why am I standing like this? As it happens, I don't know. | 0:00:35 | 0:00:38 | |
I have been struck on the chin by the master! | 0:00:38 | 0:00:42 | |
Goes on there, like that... | 0:00:42 | 0:00:44 | |
Fred, I love you. | 0:00:44 | 0:00:45 | |
They're trying to get me to stop smoking. | 0:00:49 | 0:00:54 | |
Ladies and gentlemen, from Top Of The Pops, | 0:00:54 | 0:00:56 | |
we hope it's not too late to wish you a Happy New Year. | 0:00:56 | 0:00:59 | |
That Mary Whitehouse is concerned for the moral fibres | 0:00:59 | 0:01:03 | |
and the well-being of this beloved country. | 0:01:03 | 0:01:06 | |
Never mind about "pfft"! | 0:01:06 | 0:01:07 | |
It's being rotted away by corrupt films | 0:01:07 | 0:01:10 | |
and your telly and your bloody BBC's the worst of the lot | 0:01:10 | 0:01:13 | |
with that Top Of The Pops | 0:01:13 | 0:01:14 | |
and the evil painted youths dressed up like girls | 0:01:14 | 0:01:17 | |
and that middle-aged peroxide albino "Clunk Click" ponce they've got in charge of it! | 0:01:17 | 0:01:23 | |
How about that? | 0:01:23 | 0:01:24 | |
APPLAUSE | 0:01:24 | 0:01:26 | |
I'll tell you what we'll do now, ladies and gentlemen. | 0:01:33 | 0:01:36 | |
There are top groups, top records, top everything. | 0:01:36 | 0:01:39 | |
So how's about we have a nice record now | 0:01:39 | 0:01:41 | |
by what is definitely one of the top groups. | 0:01:41 | 0:01:44 | |
In fact, they've been voted the top group | 0:01:44 | 0:01:46 | |
in the rhythm and blues section this year, 1967. | 0:01:46 | 0:01:49 | |
No other than the one and only, The Rolling Stones. | 0:01:49 | 0:01:52 | |
And here they come right now. | 0:01:52 | 0:01:55 | |
MUSIC: "Let's Spend The Night Together" | 0:01:55 | 0:01:57 | |
# Ba-da-da-da ba-da da-da-da | 0:01:58 | 0:02:01 | |
# Ba-da-da-da ba-da da-da-da | 0:02:01 | 0:02:04 | |
# Ba-da-da-da Ba-ba | 0:02:04 | 0:02:07 | |
# My, my, my, my | 0:02:07 | 0:02:09 | |
# Don't you worry about what's on your mind | 0:02:11 | 0:02:14 | |
# Oh, my | 0:02:14 | 0:02:16 | |
# Ba-da-da-da ba-da da-da-da | 0:02:16 | 0:02:18 | |
# I'm in no hurry, I can take my time | 0:02:18 | 0:02:21 | |
# Oh, my | 0:02:21 | 0:02:22 | |
# Ba-da-da-da ba-da da-da-da | 0:02:22 | 0:02:25 | |
# I'm going red and my tongue's getting tied | 0:02:25 | 0:02:29 | |
# Tongue's getting tied | 0:02:29 | 0:02:32 | |
# I'm off my head and my mouth's getting dry | 0:02:32 | 0:02:35 | |
# I'm high but I try, try, try | 0:02:35 | 0:02:37 | |
# Oh, my | 0:02:37 | 0:02:38 | |
# Let's spend the night together | 0:02:38 | 0:02:42 | |
# Now I need you more than ever | 0:02:42 | 0:02:45 | |
# Let's spend the night together now | 0:02:45 | 0:02:48 | |
# Ba-da-da-da Ba-ba | 0:02:48 | 0:02:50 | |
# My, my, my, my | 0:02:50 | 0:02:53 | |
# I feel so strong I can't disguise | 0:02:55 | 0:02:57 | |
# Oh, my | 0:02:57 | 0:02:59 | |
# Let's spend the night together | 0:02:59 | 0:03:02 | |
# But I just won't apologise | 0:03:02 | 0:03:04 | |
# Oh, no, I won't | 0:03:04 | 0:03:06 | |
# Let's spend the night together... # | 0:03:06 | 0:03:08 | |
Here we are, back home again, with today's edition of Savile's Travels. | 0:03:08 | 0:03:12 | |
Down at the bottom... | 0:03:12 | 0:03:14 | |
Whatever you may think of Jimmy Savile, you can't ignore him. | 0:03:14 | 0:03:18 | |
Spending a day with him | 0:03:18 | 0:03:19 | |
has all the frenzy of an American election campaign. | 0:03:19 | 0:03:22 | |
And Jimmy Savile himself has all the instincts of a natural politician. | 0:03:22 | 0:03:26 | |
How are you, ladies? All right, darlings? | 0:03:26 | 0:03:29 | |
Oh, Jimmy! | 0:03:29 | 0:03:31 | |
Give us a kiss, then. | 0:03:31 | 0:03:32 | |
My word, my word! | 0:03:33 | 0:03:35 | |
They'll not believe me that I've kissed Jimmy Savile. | 0:03:35 | 0:03:38 | |
You may love him, you may hate him | 0:03:38 | 0:03:39 | |
but you can't deny he's a man with style - his style. | 0:03:39 | 0:03:43 | |
Good evening. Welcome. Another edition of Top Of The Pops. | 0:03:43 | 0:03:46 | |
Lots of nice young ladies about with us this evening | 0:03:46 | 0:03:49 | |
and lots of nice records we've got, so we're going to start with... | 0:03:49 | 0:03:52 | |
This girl is crazy about this group. It's number 19. | 0:03:52 | 0:03:55 | |
-It's called Co-Co. What's the name of the group? -Sweet. | 0:03:55 | 0:03:58 | |
She's crazy about them. Here they are. | 0:03:58 | 0:04:00 | |
# Co-Co would dream of dancing | 0:04:06 | 0:04:11 | |
# At midnight beneath the stars | 0:04:11 | 0:04:14 | |
# Cos when it comes to dancing | 0:04:14 | 0:04:18 | |
# Co-Co's a star | 0:04:18 | 0:04:20 | |
# He danced in a ring of fire | 0:04:20 | 0:04:24 | |
# That circled the island shore | 0:04:24 | 0:04:28 | |
# And as the flames got higher | 0:04:29 | 0:04:32 | |
# They all called for more and more | 0:04:32 | 0:04:35 | |
# Ho-chi-ka-ka-ho, Co-Co | 0:04:36 | 0:04:40 | |
# Ho-chi-ka-ka-ho, Co-Co | 0:04:40 | 0:04:44 | |
# Ho-chi-ka-ka-ho, go-go, Co-Co | 0:04:44 | 0:04:50 | |
# Ho-chi-ka-ka-ho, Co-Co | 0:04:50 | 0:04:54 | |
# Ho-chi-ka-ka-ho, Co-Co | 0:04:54 | 0:04:58 | |
# Ho-chi-ka-ka-ho, go-go, Co-Co... # | 0:04:58 | 0:05:04 | |
I know there are people who think my appearing | 0:05:06 | 0:05:09 | |
on Top Of The Tops in all the hair and clothes, | 0:05:09 | 0:05:12 | |
they think that's a bit vulgar, but on the long journey through life, | 0:05:12 | 0:05:15 | |
like this long bike ride to John O'Groats, | 0:05:15 | 0:05:19 | |
a man has to do what he has to do. | 0:05:19 | 0:05:22 | |
I know that I live and work in a candyfloss type of business. | 0:05:22 | 0:05:26 | |
I know they think I do all these things for publicity. | 0:05:26 | 0:05:29 | |
All I can say about the wild hair and the wild clothes | 0:05:29 | 0:05:32 | |
is that no man need be ashamed of his working clothes | 0:05:32 | 0:05:35 | |
and I looked a lot funnier when I was coming back from the pits. | 0:05:35 | 0:05:39 | |
I looked like a one-man Black & White Minstrel Show. | 0:05:39 | 0:05:42 | |
I looked very strange then and I suppose I look very strange now. | 0:05:42 | 0:05:45 | |
I wasn't ashamed then, nor am I ashamed now. | 0:05:45 | 0:05:48 | |
You made a name for yourself in the early days, | 0:05:48 | 0:05:51 | |
-being outrageously different. -Really? Really? | 0:05:51 | 0:05:53 | |
Yes, of course. But when was the first time before | 0:05:53 | 0:05:56 | |
you got into show business | 0:05:56 | 0:05:57 | |
that you sort of challenged the norm and dressed up differently? | 0:05:57 | 0:06:01 | |
One of the times was when I was working down South Kirkby colliery, | 0:06:01 | 0:06:04 | |
near you of course... | 0:06:04 | 0:06:05 | |
The cages that dropped the men also dropped the coal, | 0:06:05 | 0:06:09 | |
so you have to go down what's called a man drop | 0:06:09 | 0:06:12 | |
because they have to alter the cage for safety reasons to take tubs of coal. | 0:06:12 | 0:06:15 | |
If you missed the last man drop, you'd had it. | 0:06:15 | 0:06:18 | |
If you missed it, you didn't get any wages and in those days, | 0:06:18 | 0:06:21 | |
you could get fined for not being at work. | 0:06:21 | 0:06:24 | |
A far cry from today. | 0:06:24 | 0:06:25 | |
I nearly was too late | 0:06:26 | 0:06:28 | |
and I had arrived, funnily enough, in a navy blue suit, | 0:06:28 | 0:06:32 | |
which we were allowed one best suit in those days, if you remember. | 0:06:32 | 0:06:35 | |
I had my best suit on and suede shoes, a white shirt. | 0:06:35 | 0:06:41 | |
And so I just had time to get my two lamps, | 0:06:41 | 0:06:43 | |
because I had a job where I had two lamps, rushed down the pit | 0:06:43 | 0:06:46 | |
and stood at the bottom of the pit to get the lamps checked, | 0:06:46 | 0:06:49 | |
dressed immaculate. | 0:06:49 | 0:06:51 | |
So the man who checks all the lamps, never looked at the punter, | 0:06:51 | 0:06:55 | |
used to go... | 0:06:55 | 0:06:56 | |
Suddenly sees the crease in the trouser and suede shoes | 0:06:58 | 0:07:01 | |
and he goes... | 0:07:01 | 0:07:02 | |
And a white shirt and a tie... And a Bevin boy. He went... | 0:07:02 | 0:07:07 | |
So I had a job on my own, a mile and a half away | 0:07:09 | 0:07:12 | |
from the pit bottom and two miles from the coal face. | 0:07:12 | 0:07:16 | |
So I took all my clothes off because it's very warm down the pit. | 0:07:16 | 0:07:19 | |
I took my clothes off and folded them in a newspaper | 0:07:19 | 0:07:22 | |
and worked in the noddy. Right? | 0:07:22 | 0:07:23 | |
And I saved a little bit of water in a bottle | 0:07:23 | 0:07:26 | |
and just before it were knocking off time, | 0:07:26 | 0:07:29 | |
I cleaned my hands off and cleaned my face off, right. | 0:07:29 | 0:07:32 | |
I got back into the pit bottom immaculate. | 0:07:32 | 0:07:35 | |
Now then, nobody but nobody ever did eight hours down a pit | 0:07:35 | 0:07:39 | |
and came back as immaculate as they set off with a white shirt | 0:07:39 | 0:07:43 | |
and everything like that. | 0:07:43 | 0:07:45 | |
They were quite convinced I was a witch. | 0:07:45 | 0:07:48 | |
And I never said a word and I suddenly realised, | 0:07:49 | 0:07:52 | |
that if you were different and you didn't say anything about it, | 0:07:52 | 0:07:55 | |
this had a tremendous effect on people | 0:07:55 | 0:07:57 | |
and that stayed with me for ages. | 0:07:57 | 0:07:59 | |
If you go to South Kirkby now, get some of the old miners... | 0:07:59 | 0:08:02 | |
When you say, "Jimmy Savile's done well, hasn't he?" | 0:08:02 | 0:08:05 | |
Oh, and he'll look around and he'll say, | 0:08:05 | 0:08:07 | |
"He's not what you think, you know." | 0:08:07 | 0:08:09 | |
"The forces of darkness are at work there." | 0:08:10 | 0:08:13 | |
So that was the first time that I realised to be different | 0:08:13 | 0:08:16 | |
made you different. | 0:08:16 | 0:08:18 | |
-You don't have a lead without collar, do you? -Sometimes. -Do you? | 0:08:18 | 0:08:21 | |
-That's good. Is that your husband behind? -Almost. | 0:08:21 | 0:08:24 | |
Oh, ladies and gentlemen, I'll tell you what we'll have now, | 0:08:24 | 0:08:27 | |
as number 19, ladies and gentlemen, Part Of The Union from the Strawbs. | 0:08:27 | 0:08:30 | |
APPLAUSE | 0:08:30 | 0:08:32 | |
# Now I'm a union man | 0:08:36 | 0:08:39 | |
# Amazed at what I am | 0:08:39 | 0:08:42 | |
# I say what I think | 0:08:42 | 0:08:44 | |
# That the company stinks | 0:08:44 | 0:08:46 | |
# Yes, I'm a union man | 0:08:46 | 0:08:48 | |
# When we meet in the local hall | 0:08:49 | 0:08:52 | |
# I'll be voting with them all | 0:08:52 | 0:08:55 | |
# With a hell of a shout | 0:08:55 | 0:08:56 | |
# It's out, brothers, out | 0:08:56 | 0:08:58 | |
# And the rise of the company's fall | 0:08:58 | 0:09:01 | |
# Oh, you don't get me | 0:09:01 | 0:09:03 | |
# I'm part of the union | 0:09:03 | 0:09:05 | |
# You don't get me | 0:09:05 | 0:09:06 | |
# I'm part of the union | 0:09:06 | 0:09:08 | |
# You don't get me | 0:09:08 | 0:09:09 | |
# I'm part of the union | 0:09:09 | 0:09:11 | |
# Till the day I die | 0:09:11 | 0:09:14 | |
# Till the day I die | 0:09:14 | 0:09:16 | |
# As a union man, I'm wise | 0:09:21 | 0:09:24 | |
# To the lies of the company's spies | 0:09:25 | 0:09:27 | |
# And I don't get fooled by the company rules | 0:09:28 | 0:09:31 | |
# Cos I always read between the lines... # | 0:09:31 | 0:09:34 | |
Why the blonde hair? Why the pink hair? | 0:09:35 | 0:09:38 | |
It all started off with a casual conversation with a young fellow | 0:09:38 | 0:09:41 | |
who was a hair stylist. | 0:09:41 | 0:09:44 | |
So I said, "Turn me into a raving blonde." He said, "Yeah, sure." | 0:09:44 | 0:09:47 | |
I went back and sprang onto the stage of my dance floor, | 0:09:47 | 0:09:50 | |
to see how my disc jockeys were going on | 0:09:50 | 0:09:53 | |
and it brought the place to a standstill. | 0:09:53 | 0:09:56 | |
Everybody gathered round. | 0:09:57 | 0:09:59 | |
They were going, "Oh, oh." There was this enormous reaction, you see. | 0:09:59 | 0:10:03 | |
I thought, I've stumbled on something here. | 0:10:03 | 0:10:06 | |
You look as though you're in jail with all this wire. | 0:10:06 | 0:10:09 | |
You're not a monkey, are you? Are you a monkey through the bars? | 0:10:09 | 0:10:14 | |
You're a monkey through the bars, you are. | 0:10:15 | 0:10:18 | |
You are on television at this moment. | 0:10:18 | 0:10:20 | |
A stray television crew, a dozen reporters, 1,000 autographs. | 0:10:20 | 0:10:24 | |
He attracts attention like a Roman candle. | 0:10:24 | 0:10:27 | |
Jimmy Savile feeds off people. | 0:10:27 | 0:10:29 | |
Jimmy, it's nearly two o'clock in the morning, | 0:10:29 | 0:10:32 | |
it's absolutely chucking it down. | 0:10:32 | 0:10:34 | |
What are we doing it for? | 0:10:34 | 0:10:35 | |
I know what I'm doing it for. | 0:10:35 | 0:10:37 | |
This is what's called the moment of truth, you see. | 0:10:37 | 0:10:40 | |
After all the fun and games, of all the people during the day, | 0:10:40 | 0:10:43 | |
you've still got to do the miles to get to Land's End | 0:10:43 | 0:10:45 | |
and even though it snows and even though there's nobody about, | 0:10:45 | 0:10:49 | |
it's the moment of truth. This is what it is. | 0:10:49 | 0:10:51 | |
And how long do you go on walking? Do you walk like this every night? | 0:10:51 | 0:10:54 | |
You've got to walk like this to get the miles in, | 0:10:54 | 0:10:56 | |
on account of you see what it was like in the day with the autographs and that. | 0:10:56 | 0:11:00 | |
I got the impression that the toughest part of the walk | 0:11:00 | 0:11:03 | |
is fighting your way through the crowds. | 0:11:03 | 0:11:05 | |
Yeah, you can tell how many miles you've done | 0:11:05 | 0:11:07 | |
by the amount of pen ink on your hands after you've stripped off | 0:11:07 | 0:11:10 | |
the million bits of paper and signed it like that. | 0:11:10 | 0:11:13 | |
After a scene like that, very nice to see, all them lovely people, | 0:11:13 | 0:11:16 | |
but this to me is the great part of the night | 0:11:16 | 0:11:19 | |
because it's peaceful, it's quiet, everybody is in bed. | 0:11:19 | 0:11:23 | |
You're walking along, you're soaked to the skin, your feet hurt | 0:11:23 | 0:11:26 | |
and it's good for you. | 0:11:26 | 0:11:28 | |
I think I am round the bend. | 0:11:28 | 0:11:30 | |
Now then, yes, sir. | 0:11:32 | 0:11:34 | |
Number five in the hit parade, Tami Lynn - I'm Gonna Run Away From You. | 0:11:34 | 0:11:37 | |
# Why don't I run away from you? | 0:11:43 | 0:11:48 | |
# Everybody say run away, find another boy to play with | 0:11:50 | 0:11:54 | |
# That's not easy to do-oo-oo | 0:11:55 | 0:11:58 | |
# With someone new-oo | 0:12:01 | 0:12:06 | |
# Uh-ho, yeah | 0:12:09 | 0:12:11 | |
# You know I do | 0:12:12 | 0:12:14 | |
# Why don't I run away and hide? | 0:12:17 | 0:12:21 | |
# Oh, it's very nice, their advice I've already done it twice | 0:12:24 | 0:12:28 | |
# They don't know how I've tried | 0:12:29 | 0:12:32 | |
# I've lost my pride... # | 0:12:34 | 0:12:37 | |
-One more time. -Jim. | 0:12:44 | 0:12:46 | |
What do you feel about having the medal? | 0:12:48 | 0:12:50 | |
It's fantastic. Can you see my heart beating under it? | 0:12:50 | 0:12:53 | |
-Yes, I can. -That's my heart beating under it. | 0:12:53 | 0:12:55 | |
I'm so proud of it, I'm going to sleep in it. | 0:12:55 | 0:12:57 | |
People have said to me, "Here, what about all this hospital work? | 0:12:57 | 0:13:01 | |
"Surely this has to be a publicity gimmick." | 0:13:01 | 0:13:04 | |
Five minutes in a hospital | 0:13:05 | 0:13:08 | |
is a gimmick, | 0:13:08 | 0:13:10 | |
if you've got the newspapers there, if you've got the television there. | 0:13:10 | 0:13:13 | |
Five minutes is a gimmick. | 0:13:13 | 0:13:15 | |
Five years...it's not a gimmick. | 0:13:16 | 0:13:19 | |
Some years ago, in my copious fan mail, | 0:13:19 | 0:13:25 | |
I got a notice telling me that I was an honorary member | 0:13:25 | 0:13:30 | |
of Nutters Incorporated, run by some of the patients | 0:13:30 | 0:13:34 | |
at the world-famous Broadmoor Hospital. | 0:13:34 | 0:13:38 | |
So, I've been there, on and off, every week since. | 0:13:38 | 0:13:42 | |
So much so that about 18 months ago, | 0:13:42 | 0:13:45 | |
the hospital actually officially whether I would join the staff | 0:13:45 | 0:13:49 | |
and I am now honorary assistant entertainment officer. | 0:13:49 | 0:13:53 | |
This is the world-famous Stoke Mandeville hospital. It's two hospitals in one. | 0:13:53 | 0:13:57 | |
On the left-hand side, there's a large general, medical and surgical hospital, | 0:13:57 | 0:14:01 | |
on the right-hand side is the most famous spinal unit in the whole world. | 0:14:01 | 0:14:06 | |
Are you taking my pulse? | 0:14:06 | 0:14:08 | |
Naturally, people say to me, | 0:14:08 | 0:14:10 | |
"Has all this working in different kinds of hospitals done you any personal favours?" | 0:14:10 | 0:14:15 | |
And I say that the whole pattern of that which I do | 0:14:15 | 0:14:18 | |
has done me tremendous favours, | 0:14:18 | 0:14:20 | |
because I feel I am filling all my spare days with great joy. | 0:14:20 | 0:14:23 | |
I've met some super people and being with them is far better for me | 0:14:23 | 0:14:27 | |
than being in any pub. | 0:14:27 | 0:14:30 | |
I am enriched by being there, being with the patients. | 0:14:30 | 0:14:33 | |
I'm not doing them any favours, they're doing me the favour. | 0:14:33 | 0:14:37 | |
And at number 10, Elton John, Daniel. | 0:14:37 | 0:14:41 | |
# Daniel is travelling tonight on a plane | 0:14:49 | 0:14:52 | |
# I can see the red tail lights heading for Spain | 0:14:55 | 0:15:01 | |
# Oh and I can see Daniel waving goodbye | 0:15:01 | 0:15:06 | |
# Oh, it looks like Daniel | 0:15:09 | 0:15:11 | |
# Must be the clouds in my eyes | 0:15:14 | 0:15:19 | |
# They say Spain is pretty, though I've never been | 0:15:25 | 0:15:28 | |
# Daniel says it's the best place he's ever seen | 0:15:32 | 0:15:38 | |
# Oh and | 0:15:38 | 0:15:40 | |
# He should know, he's been there enough | 0:15:40 | 0:15:43 | |
# Oh, I miss Daniel | 0:15:45 | 0:15:48 | |
# Oh, I miss him so much... # | 0:15:50 | 0:15:55 | |
CHEERING AND APPLAUSE | 0:16:20 | 0:16:22 | |
Super, super, super. | 0:16:22 | 0:16:23 | |
Also just back off a long trip from Australia, New Zealand | 0:16:23 | 0:16:28 | |
and Japan as well, The one and only, Slade. | 0:16:28 | 0:16:31 | |
APPLAUSE | 0:16:31 | 0:16:33 | |
# Every day, when I'm away, | 0:16:42 | 0:16:46 | |
# I'm thinking of you | 0:16:46 | 0:16:49 | |
# Everyone can carry on, | 0:16:51 | 0:16:54 | |
# Except for we two | 0:16:54 | 0:16:57 | |
# And you know that our love | 0:16:59 | 0:17:03 | |
# And you know that I | 0:17:03 | 0:17:07 | |
# And you know that our love won't die | 0:17:07 | 0:17:13 | |
# And it won't even show | 0:17:14 | 0:17:18 | |
# And no-one will know | 0:17:20 | 0:17:22 | |
# One little wave | 0:17:24 | 0:17:28 | |
# To say you'll behave... # | 0:17:28 | 0:17:31 | |
Have you ever had any chance to use these powers | 0:17:31 | 0:17:34 | |
-for the good of people? -Mankind. -Yes. -Well, Jimmy, | 0:17:34 | 0:17:38 | |
I don't think today I can already use these powers | 0:17:38 | 0:17:44 | |
to the good of people because I have no final explanation to them | 0:17:44 | 0:17:48 | |
and I hope in the near future, | 0:17:48 | 0:17:50 | |
I could put this power to good use somewhere. | 0:17:50 | 0:17:53 | |
-I mean, not technically more but to help people more. -Good, I like it. | 0:17:53 | 0:17:58 | |
You like it but right now, many people who are watching me don't like it | 0:17:58 | 0:18:02 | |
because they immediately think, this guy wants to take over the world if he has this power. | 0:18:02 | 0:18:06 | |
So Jimmy, you see, you have your views, but other people have their views. | 0:18:06 | 0:18:10 | |
-Sure. -That's why I can't go healing around. | 0:18:10 | 0:18:13 | |
Listen, if the good Lord, when he was doing his thing, | 0:18:13 | 0:18:16 | |
if he bothered about people not seeing eye to eye with him, he would've got nowhere | 0:18:16 | 0:18:21 | |
and a lot of us would've got nowhere into the bargain. | 0:18:21 | 0:18:23 | |
Therefore, you've got to square your shoulders and stand up to be counted. | 0:18:23 | 0:18:28 | |
You haven't got to pay too much attention | 0:18:28 | 0:18:30 | |
to whether people think you're not doing the right thing. | 0:18:30 | 0:18:33 | |
As long as your conscience is clear, you're OK. | 0:18:33 | 0:18:35 | |
Should you, for all the ladies and gentleman here | 0:18:35 | 0:18:38 | |
and all those watching, should you feel | 0:18:38 | 0:18:40 | |
if you want to do anything at all before we finish, feel free to say so, | 0:18:40 | 0:18:44 | |
feel free to do so, you can do with me what you want. | 0:18:44 | 0:18:47 | |
Um, all right. I'll turn around, | 0:18:47 | 0:18:49 | |
I won't look, I'll close my eyes. | 0:18:49 | 0:18:52 | |
-Huh? -You draw and this is your paper, your pen, | 0:18:52 | 0:18:56 | |
you draw here something but don't make it complicated. Simple. | 0:18:56 | 0:18:59 | |
Make it very simple. | 0:18:59 | 0:19:01 | |
And what I want you to do is concentrate on what you drew. | 0:19:01 | 0:19:05 | |
Finished? | 0:19:12 | 0:19:13 | |
-Yes. -Cover it so I won't see it. | 0:19:13 | 0:19:15 | |
Look, I'm not giving my time to it. | 0:19:15 | 0:19:17 | |
If I fail, I fail, if I'm right, I'm right. I got something from you, | 0:19:17 | 0:19:21 | |
it doesn't make sense to me. | 0:19:21 | 0:19:22 | |
The first thing that started coming were three lines like that | 0:19:22 | 0:19:26 | |
and nothing really... It does not make sense. | 0:19:26 | 0:19:29 | |
Yes, it does. | 0:19:31 | 0:19:32 | |
LAUGHTER | 0:19:32 | 0:19:34 | |
No, I'm concentrating on this day and night and, and... | 0:19:34 | 0:19:39 | |
LAUGHTER | 0:19:39 | 0:19:41 | |
-So, you've got... -Can I see this? -Yes. Yes. | 0:19:41 | 0:19:47 | |
LAUGHS | 0:19:48 | 0:19:49 | |
-You see, my mind is not rude! -Yes! | 0:19:49 | 0:19:52 | |
LAUGHTER AND APPLAUSE | 0:19:52 | 0:19:54 | |
APPLAUSE | 0:20:21 | 0:20:22 | |
First, tell the ladies and gentleman how old you are. | 0:20:22 | 0:20:25 | |
-12 years old. -12? -Yes. | 0:20:25 | 0:20:26 | |
How long have you been playing piano? | 0:20:26 | 0:20:28 | |
-About five years now. -Five years? | 0:20:28 | 0:20:31 | |
If I'd been playing for 12 years, and I was five years old, I still couldn't play like that. | 0:20:31 | 0:20:35 | |
Are you... this uniform you've got, which school is this? | 0:20:35 | 0:20:38 | |
Cheetham's Hospital School of Music in Manchester. | 0:20:38 | 0:20:41 | |
-The famous one? -Yes. | 0:20:41 | 0:20:42 | |
-How many guys and girls have you got there? -About 400. | 0:20:42 | 0:20:44 | |
Yes? All musically inclined? | 0:20:44 | 0:20:47 | |
Some of them, not all of them but most of them. | 0:20:47 | 0:20:50 | |
See, culture is a very big thing. | 0:20:50 | 0:20:51 | |
I was starved of it for many years, so I'm making up for it now. | 0:20:51 | 0:20:54 | |
And if I'd known, why did you pick that piece of music? | 0:20:54 | 0:20:57 | |
Well, it's called La Chasse and it's about a hunt | 0:20:57 | 0:21:00 | |
and I think you always seem to be chasing around the place. | 0:21:00 | 0:21:03 | |
Eh? Eh? | 0:21:03 | 0:21:04 | |
LAUGHTER AND APPLAUSE | 0:21:04 | 0:21:07 | |
Friends, Dr David Bellamy. | 0:21:07 | 0:21:09 | |
APPLAUSE | 0:21:09 | 0:21:11 | |
Roll him down here. | 0:21:11 | 0:21:13 | |
There we are. | 0:21:13 | 0:21:16 | |
-Can I come out? -I was just going to go over there. | 0:21:16 | 0:21:19 | |
-You come out over here. -There we are. | 0:21:19 | 0:21:21 | |
You've got some Bellamy botany round your foot. | 0:21:21 | 0:21:24 | |
-That will make me feel at home. -What is this? -That's ivy. | 0:21:24 | 0:21:28 | |
-Ivy? Ivy! -Who's she? -Who's she? | 0:21:28 | 0:21:31 | |
We've got some gunge along because you told us | 0:21:31 | 0:21:35 | |
-you lived off the land in... Was it Ireland? -In Iceland, actually. | 0:21:35 | 0:21:38 | |
-Iceland! -I lived for ten days... | 0:21:38 | 0:21:40 | |
I had no money at all so I had to eat what I could find. I didn't eat terribly much. | 0:21:40 | 0:21:44 | |
You'd be much, much better living off the land round about the British Isles. | 0:21:44 | 0:21:48 | |
-There's nice things on here. -Where is this? Where did we get this from? | 0:21:48 | 0:21:52 | |
This all comes from virtually any bit of seaside round about. | 0:21:52 | 0:21:55 | |
In amongst here, we've got one we can really have a go at. | 0:21:55 | 0:21:58 | |
I don't want you to chew the wrong one. There you are. | 0:21:58 | 0:22:01 | |
-That's not a bad one. A nice crunchy bit, OK? -Give us some. | 0:22:01 | 0:22:05 | |
-Right. Is it genuine seaweed, this? -Genuine seaweed. | 0:22:05 | 0:22:08 | |
Is any seaweed poisonous, first of all? | 0:22:08 | 0:22:10 | |
-There is one poisonous seaweed in the British Isles. -Ah. | 0:22:10 | 0:22:13 | |
-I promise you that isn't it. -No, I'm not so much bothered about me. When my time comes, it comes. | 0:22:13 | 0:22:18 | |
But I wouldn't like a lot of guys and gals to rush off on their holidays this year | 0:22:18 | 0:22:22 | |
and start consuming seaweed, cos there's poisonous ones. | 0:22:22 | 0:22:25 | |
You really have got to be an expert if you're going to start eating things in our countryside. | 0:22:25 | 0:22:29 | |
-Take primroses... -I haven't got rid of this yet. I won't die, will I? | 0:22:29 | 0:22:34 | |
No, no, no. Promise. | 0:22:34 | 0:22:36 | |
LAUGHTER | 0:22:36 | 0:22:38 | |
-Camera two. -Go away, so he can spit it out. | 0:22:38 | 0:22:43 | |
Which now brings us right into the time for A Song For Europe. | 0:22:43 | 0:22:47 | |
APPLAUSE | 0:22:47 | 0:22:51 | |
# Long, long live love | 0:22:56 | 0:23:02 | |
# Love is to care | 0:23:02 | 0:23:08 | |
# Caring and sharing | 0:23:08 | 0:23:13 | |
# Long, long live love. # | 0:23:13 | 0:23:17 | |
COMMENTATOR: Jimmy Savile is public property. | 0:23:17 | 0:23:20 | |
He is everybody's cousin, everybody's blood brother. | 0:23:20 | 0:23:24 | |
He has to be jolly, zany, "our Jim", whether he likes it or not. | 0:23:24 | 0:23:29 | |
Lorry drivers, autograph hunters, | 0:23:29 | 0:23:31 | |
television interviewers - he takes them all in his stride. | 0:23:31 | 0:23:35 | |
Haydon Bridge, a small town between Brantham and Hexham, | 0:23:35 | 0:23:38 | |
has not exactly been inundated with disc jockeys doing marathon runs. | 0:23:38 | 0:23:43 | |
The reception as the Jimmy Savile road show bowled into town | 0:23:43 | 0:23:47 | |
proved that the occasion was the biggest the town had seen in years. | 0:23:47 | 0:23:51 | |
The look in the eyes of the fans never admits that JS is anything but superhuman. | 0:23:51 | 0:23:55 | |
And accordingly, no-one thinks to let him get his breath back. | 0:23:55 | 0:23:58 | |
He's straight into the autograph scene he knows so well and values so much. | 0:23:58 | 0:24:03 | |
For Jim is nothing if not publicity conscious. | 0:24:03 | 0:24:06 | |
Gimmicks have made him the success he is | 0:24:06 | 0:24:09 | |
and he'll never stop believing in them. | 0:24:09 | 0:24:11 | |
Now then, just hold on and I'll sign this lot and you can get the next lot. | 0:24:11 | 0:24:15 | |
When you get yours, go round to the back, all right? | 0:24:15 | 0:24:17 | |
# I want to drive in a big black Rolls | 0:24:23 | 0:24:26 | |
# And I want to score one of Liverpool's goals | 0:24:26 | 0:24:29 | |
# Jim'll Fix It | 0:24:29 | 0:24:32 | |
# Jim'll Fix It | 0:24:32 | 0:24:34 | |
# If there's anything you want to do | 0:24:34 | 0:24:37 | |
# Like be rescued by a lifeboat crew | 0:24:37 | 0:24:41 | |
-# Jim'll Fix It -Jim'll Fix It | 0:24:41 | 0:24:44 | |
-# Yes, he'll fix it -Jim'll Fix It | 0:24:44 | 0:24:48 | |
-# Fix it for you now -Jim'll Fix It | 0:24:48 | 0:24:51 | |
# Just for you now... # APPLAUSE | 0:24:51 | 0:24:54 | |
Ladies and gentlemen, it so happens I've spent a greater part of my life | 0:24:54 | 0:24:58 | |
fixing things for people, you see. | 0:24:58 | 0:25:00 | |
So the BBC decided, "Why not put it all on film?" | 0:25:00 | 0:25:04 | |
Which is why we call it Jim'll Fix It. | 0:25:04 | 0:25:06 | |
We have been getting all sorts of letters in. | 0:25:06 | 0:25:08 | |
We've got about 9,000 letters up to press. | 0:25:08 | 0:25:11 | |
The sorts of letters that we got to fix was this one from Wendy of Weybridge. | 0:25:11 | 0:25:17 | |
She says, "Dear Jimmy, | 0:25:17 | 0:25:18 | |
"I've always wanted to versus someone in boxing..." | 0:25:18 | 0:25:21 | |
That means box somebody else, obviously. | 0:25:21 | 0:25:24 | |
That's all right. So we might be able to do something there. | 0:25:31 | 0:25:34 | |
Number two here. Paul from Kensington. | 0:25:34 | 0:25:37 | |
There's a message for Paul just now. | 0:25:46 | 0:25:50 | |
HORN HONKS | 0:25:50 | 0:25:51 | |
Because Paul has made a spelling mistake. | 0:25:51 | 0:25:54 | |
Any spelling mistakes we get in letters gets one of these. | 0:25:54 | 0:25:57 | |
Don't worry too much. I make mistakes in spelling as well, but I'm not proud of them either. | 0:25:57 | 0:26:02 | |
Right, we'll try and sort that out. | 0:26:02 | 0:26:04 | |
Now, then, Simon writes to us from Leicestershire and he says... | 0:26:04 | 0:26:08 | |
So that means to say that the other four are giving him a bit of this | 0:26:14 | 0:26:18 | |
and he wants to surprise them with a bit of that. | 0:26:18 | 0:26:21 | |
Right. We'll try and fix all those things for them. | 0:26:21 | 0:26:25 | |
As it happens, ladies and gentlemen, we are now going to show you | 0:26:25 | 0:26:30 | |
a film of a gentleman diving into a swimming pool. Just like this. | 0:26:30 | 0:26:34 | |
That was Gary Smart from Windsor Safari Park, | 0:27:10 | 0:27:13 | |
riding on the back of his killer whale. | 0:27:13 | 0:27:15 | |
But we got a letter from Mhairi Reid from St Albans and she says, | 0:27:15 | 0:27:20 | |
"Dear Jim, I have always had an itching to ride on a dolphin's back. | 0:27:20 | 0:27:24 | |
"I can swim very well. I'm 14 years old. | 0:27:24 | 0:27:27 | |
"Please could you try and fix it for me?" | 0:27:27 | 0:27:29 | |
Mr Smart, do you think I could swim with one of the dolphins? | 0:27:29 | 0:27:33 | |
-Yes, Jim asked me to fix it, so certainly, yes, OK. -Thank you. | 0:27:33 | 0:27:37 | |
Right, there it is. | 0:27:39 | 0:27:40 | |
# Jim'll Fix It | 0:27:40 | 0:27:43 | |
# Jim'll Fix It... # | 0:27:43 | 0:27:46 | |
All I said was, "Who would like to be on television?" | 0:28:14 | 0:28:17 | |
That's all I said. They all came and crushed in like this. | 0:28:17 | 0:28:21 | |
As it happens, it's the number one sound, it is Dancing Queen, it's ABBA, | 0:28:21 | 0:28:25 | |
and my friends, from left to right, | 0:28:25 | 0:28:27 | |
it's Mary, Marge, Ruth, Fred, Harry, Dick, Tom, and they all say hello. | 0:28:27 | 0:28:31 | |
# You can dance | 0:28:33 | 0:28:35 | |
# You can jive | 0:28:35 | 0:28:38 | |
# Having the time of your life | 0:28:38 | 0:28:41 | |
# Oooh, see that girl | 0:28:41 | 0:28:45 | |
# Watch that scene | 0:28:45 | 0:28:47 | |
# Digging the dancing queen | 0:28:47 | 0:28:52 | |
# Friday night and the lights are low | 0:28:57 | 0:29:01 | |
# Looking out for a place to go | 0:29:01 | 0:29:06 | |
# Where they play the right music | 0:29:06 | 0:29:09 | |
# Getting in the swing | 0:29:09 | 0:29:11 | |
# You come to look for a king | 0:29:11 | 0:29:13 | |
# Anybody could be that guy | 0:29:16 | 0:29:21 | |
# The night is young and the music's high... # | 0:29:21 | 0:29:24 | |
How many requests do you get on this programme? | 0:29:24 | 0:29:27 | |
We average about 20,000 letters a week. | 0:29:27 | 0:29:31 | |
-A week? -Yes. -Strewth. -Winter and summer. | 0:29:31 | 0:29:34 | |
If you misbehave at the BBC, they put you on opening the Jim'll Fix It mail. | 0:29:34 | 0:29:38 | |
-A penance. -After four hours, | 0:29:42 | 0:29:44 | |
-you run down the corridor, "Jim'll Fix It!" -HE JABBERS | 0:29:44 | 0:29:47 | |
Danny Slater and Gwen Charlton were a young gentleman and a young lady | 0:29:47 | 0:29:52 | |
and we were able to fix them both together, because quite coincidentally, | 0:29:52 | 0:29:56 | |
from different parts of the country, Danny wanted to read the news | 0:29:56 | 0:29:59 | |
and Gwen wanted to ride a white horse through the newsroom | 0:29:59 | 0:30:03 | |
at the back of the newsreaders without them knowing. | 0:30:03 | 0:30:06 | |
We did have a few problems, | 0:30:06 | 0:30:07 | |
because the newsroom happens to be on the sixth floor of Television Centre. | 0:30:07 | 0:30:11 | |
Good evening. World-famous concert pianist John Lill stormed out of the BBC this evening, | 0:30:18 | 0:30:24 | |
saying, "This piano ain't big enough for the both of us." | 0:30:24 | 0:30:27 | |
The world-famous detective Mr Moon has done it again. | 0:30:29 | 0:30:32 | |
Earlier today, he arrested the notorious bank robbers | 0:30:32 | 0:30:36 | |
Polaroid Cairns and Stocky McDonough. | 0:30:36 | 0:30:38 | |
At a hastily assembled press conference, Mr Moon said, | 0:30:38 | 0:30:41 | |
"I don't know why you are hastily assembling this press conference | 0:30:41 | 0:30:44 | |
"because my statement is, I have no statement to make." | 0:30:44 | 0:30:47 | |
IN DANNY'S ACCENT: Good news for the Post Office... | 0:30:47 | 0:30:50 | |
IN HIS OWN ACCENT: I mean, good news for the Post Office. | 0:30:50 | 0:30:54 | |
The Jim'll Fix It office has received over 40,000 letters, | 0:30:54 | 0:30:57 | |
representing at least £3,000 in stamp revenue alone. | 0:30:57 | 0:31:02 | |
Said a BBC postman, "Tut, tut, tut, dear, oh, Lord." | 0:31:02 | 0:31:06 | |
At last night's film premiere of The Fastest Gun In West Suffolk, | 0:31:09 | 0:31:13 | |
sensational new screen idol Bill Lloyd Peacock | 0:31:13 | 0:31:16 | |
arrived in a blaze of publicity. | 0:31:16 | 0:31:19 | |
Mounted police had to restrain a surging crowd of nearly three. | 0:31:19 | 0:31:23 | |
Inside the cinema, there were further violent scenes | 0:31:23 | 0:31:27 | |
when the ice-cream lady ran out of Raspberry Ripples. | 0:31:27 | 0:31:29 | |
Now, here's a late news item. | 0:31:29 | 0:31:31 | |
Gwen Charlton of Morpeth, Northumberland, is missing. | 0:31:31 | 0:31:34 | |
She was last seen riding a white horse in the vicinity of the BBC Television Centre. | 0:31:34 | 0:31:39 | |
And that's all for the moment. So from Danny Slater and me, good night. | 0:31:39 | 0:31:43 | |
APPLAUSE | 0:31:45 | 0:31:48 | |
How about that? Riding a white horse through the newsroom | 0:31:50 | 0:31:54 | |
when they're not looking is really a wild idea. | 0:31:54 | 0:31:57 | |
If you should have any wild ideas of your own that you would like us to fix, | 0:31:57 | 0:32:02 | |
do let us know, really wild ones, | 0:32:02 | 0:32:04 | |
because when the show comes back, God willing it will be coming back, | 0:32:04 | 0:32:08 | |
then we'd like, the more the merrier, really wild ideas like that. | 0:32:08 | 0:32:12 | |
Not just meeting people, they're OK, but we want some really wild ones. | 0:32:12 | 0:32:15 | |
Excuse me, Mr Gerbil? Can I ask you to come and stand by me, please? | 0:32:56 | 0:33:01 | |
Because this is becoming very amazing, is this. | 0:33:01 | 0:33:04 | |
Do you like being a gerbil? | 0:33:06 | 0:33:09 | |
That's very lovely. | 0:33:09 | 0:33:10 | |
I'm going to let everybody into a secret, | 0:33:10 | 0:33:12 | |
because I'm going to go like this. | 0:33:12 | 0:33:14 | |
Ta-da! Ta-da! | 0:33:14 | 0:33:17 | |
A real live young lady in there. | 0:33:19 | 0:33:21 | |
APPLAUSE | 0:33:21 | 0:33:23 | |
# Lazybones Sleeping in the sun | 0:33:33 | 0:33:36 | |
# How you going to get your day's work done? # | 0:33:36 | 0:33:41 | |
How about this one? It's Human League. Thank you. | 0:33:47 | 0:33:50 | |
# When you're in love, you know you're in love | 0:33:52 | 0:33:55 | |
# No matter what you try to do | 0:33:55 | 0:33:59 | |
# You might as well resign yourself | 0:33:59 | 0:34:03 | |
# To what you're going through | 0:34:03 | 0:34:07 | |
# If you're a hard man or if you're a child | 0:34:07 | 0:34:11 | |
# It still might get to you | 0:34:11 | 0:34:15 | |
# Don't kid yourself you've seen it all before | 0:34:15 | 0:34:19 | |
# A million mouths have said that too | 0:34:19 | 0:34:23 | |
# I've had my hard times in the past | 0:34:39 | 0:34:43 | |
# I've been a husband and a lover too | 0:34:43 | 0:34:47 | |
# I've lain alone and cried at night | 0:34:47 | 0:34:50 | |
# Over what love made me do | 0:34:50 | 0:34:54 | |
# And the loved ones who let me down | 0:34:54 | 0:34:59 | |
# And couldn't share my point of view... # | 0:34:59 | 0:35:02 | |
Shall I tell you a good Fix It I did with a young lady at Buckingham Palace? I was at a reception there. | 0:35:02 | 0:35:07 | |
-That's the place where the Queen lives... -They keep the Queen there. | 0:35:07 | 0:35:10 | |
It's not an easy gaff to penetrate. | 0:35:10 | 0:35:13 | |
-Very, very... -What's that? Not an easy...? -Not an easy place to get into. | 0:35:13 | 0:35:17 | |
-Aha! -So I was at this reception | 0:35:17 | 0:35:21 | |
and there was a very nice lady and gentleman said to me, | 0:35:21 | 0:35:24 | |
"My daughter would be so pleased to know that I've met you," and this that and the other. | 0:35:24 | 0:35:28 | |
I said, "Oh, yes? Where is she?" She said, "In the back of the car." | 0:35:28 | 0:35:33 | |
I said, "What, in the boot?" | 0:35:33 | 0:35:35 | |
She said, "No, we sneaked in the back of the car so she can say she's been in the Palace courtyard." | 0:35:35 | 0:35:40 | |
I said, "You've got her stuck out there?" I said, "Leave it to me." | 0:35:40 | 0:35:44 | |
They went, "No, please, don't!" | 0:35:44 | 0:35:47 | |
So I went to see a minder and said, "We've got this situation and I'm bringing a friend in." | 0:35:47 | 0:35:52 | |
They said, "Nobody is going to object to you." I said, "All right." | 0:35:52 | 0:35:55 | |
The Palace staff are the most excellent people. On the way out, | 0:35:55 | 0:35:58 | |
I explained very briefly. They said, "Leave it to us." | 0:35:58 | 0:36:01 | |
I went out into the car park, which is a courtyard inside the Palace, | 0:36:01 | 0:36:05 | |
and I shouted the young lady's name. | 0:36:05 | 0:36:07 | |
Next minute, she's holding my arm, and we're marching up the steps into the Palace. | 0:36:07 | 0:36:11 | |
Two footmen opened the doors, there were majors and colonels and household staff - | 0:36:11 | 0:36:17 | |
it's the most elegant situation and tremendously rewarding. | 0:36:17 | 0:36:21 | |
When she sees the spectacle of the carpet and the people there, | 0:36:21 | 0:36:24 | |
and they all gave a graceful dip as she walked by. | 0:36:24 | 0:36:27 | |
She was now hanging on to me like a lifebelt! | 0:36:27 | 0:36:30 | |
And we walked up the steps and into the room where the reception was, | 0:36:30 | 0:36:34 | |
in a room called the Bow Room. | 0:36:34 | 0:36:36 | |
Prince Philip, who's a marvellous geezer, | 0:36:36 | 0:36:39 | |
happened to be just standing inside the door, parroting to somebody. | 0:36:39 | 0:36:43 | |
So I went, "Pssst!" | 0:36:43 | 0:36:45 | |
LAUGHTER | 0:36:45 | 0:36:47 | |
It was a prearranged signal, no doubt! | 0:36:48 | 0:36:52 | |
There's not a lot of people go, "Psssst!" inside the Palace! | 0:36:52 | 0:36:55 | |
So he slung a butcher's, like this, | 0:36:55 | 0:37:00 | |
sees me, and I do the nod. I went... | 0:37:00 | 0:37:04 | |
He doesn't know where this young lady's appeared from, | 0:37:06 | 0:37:08 | |
with a long coat on and bumpy shoes, | 0:37:08 | 0:37:10 | |
but he has given the beautiful smile, and she's gone... | 0:37:10 | 0:37:13 | |
That was a Fix It that I really enjoyed, and I think she might remember it. | 0:37:13 | 0:37:18 | |
If her parents and herself are watching tonight, | 0:37:18 | 0:37:21 | |
she might remember it to this day, and I think a lot longer. | 0:37:21 | 0:37:24 | |
(Go over there, like that. You go over there like that.) | 0:37:25 | 0:37:28 | |
(You come here. Now then, you can knock on the door.) | 0:37:28 | 0:37:31 | |
-Hello! Welcome! Come in. -I must introduce our friends. -I'm Lucy. | 0:37:37 | 0:37:43 | |
You're Lucy! | 0:37:43 | 0:37:45 | |
When you were small, did you want to be the Prime Minister? | 0:37:45 | 0:37:50 | |
No. When I was small, I don't think one ever thought there could ever BE | 0:37:50 | 0:37:56 | |
a woman Prime Minister of Britain. | 0:37:56 | 0:37:59 | |
-We didn't, Jimmy, in those days, did we? -No, but we always hoped. | 0:37:59 | 0:38:03 | |
We always hoped, all right. Women have come on so much during my lifetime. | 0:38:03 | 0:38:08 | |
I still haven't quite made it to Number Ten Downing Street, | 0:38:08 | 0:38:14 | |
but I hope that I'll do one day. | 0:38:14 | 0:38:16 | |
The young people have had a marvellous time. | 0:38:16 | 0:38:19 | |
These are Jim'll Fix It badges. | 0:38:19 | 0:38:21 | |
When they've had it fixed for them, they get them awarded. | 0:38:21 | 0:38:24 | |
-Might I ask you to hand them one each? -Of course. -It's Jane's first. | 0:38:24 | 0:38:30 | |
Jane. Can you pop it over your head? | 0:38:30 | 0:38:31 | |
Let's have it facing front. | 0:38:31 | 0:38:34 | |
-One for Philip. -Philip. | 0:38:34 | 0:38:37 | |
I think they might have got two with blue ribbon on, don't you? | 0:38:37 | 0:38:40 | |
-But still. -Oh, sorry about that! That was a slip-up, wasn't it?! | 0:38:40 | 0:38:45 | |
-Never mind. -One for Alice. Lean forward. | 0:38:45 | 0:38:49 | |
-The colour of the red rose. That's right. -You stand up. | 0:38:49 | 0:38:55 | |
-One for Charlie from China. -There we are. That's fine. Don't I get one? | 0:38:55 | 0:39:01 | |
Well, actually... | 0:39:01 | 0:39:02 | |
-I thought you were going to fix my getting into Number Ten! -I've already done so! | 0:39:02 | 0:39:06 | |
I was going to see you privately about that, cos I wouldn't want people realising how I'd done it. | 0:39:06 | 0:39:11 | |
-Then you can give me a "Jim Has Fixed It" for me. -Indeed. | 0:39:11 | 0:39:16 | |
I'm going to teach you to yodel, like Jimmy Savile. | 0:39:17 | 0:39:21 | |
HE YODELS | 0:39:21 | 0:39:22 | |
THEY ALL YODEL IN THE SAME WAY | 0:39:22 | 0:39:26 | |
Oh, dear! One down here. | 0:39:27 | 0:39:29 | |
-Fantastic! -Come on! -Ladies and gentlemen, we've got to go now! | 0:39:29 | 0:39:35 | |
# And you, and you | 0:39:35 | 0:39:37 | |
# There must be something that you always want to do... # | 0:39:37 | 0:39:41 | |
APPLAUSE Hello, how are you? | 0:39:41 | 0:39:44 | |
Every time this lady sees you on the TV, according to her daughter, | 0:39:44 | 0:39:48 | |
she climbs up the wall and round the ceiling! | 0:39:48 | 0:39:50 | |
-Ever think you'd end up next to Mr Doonican? -No, I didn't. | 0:39:50 | 0:39:53 | |
She's holding onto her heart here! | 0:39:53 | 0:39:55 | |
# Ba-ba-ba Ba-ba-ba | 0:39:55 | 0:39:58 | |
# Ba-ba-ba Ba-ba-ba-ba | 0:39:58 | 0:40:00 | |
# Ba-ba-ba | 0:40:00 | 0:40:01 | |
# Jim has fixed it for you | 0:40:01 | 0:40:04 | |
# And you, and you, and you... # | 0:40:04 | 0:40:07 | |
# Ba-ba-ba Ba-ba-ba | 0:40:07 | 0:40:09 | |
# Ba-ba-ba Ba-ba-ba-ba | 0:40:09 | 0:40:11 | |
# Ba-ba-ba... # | 0:40:11 | 0:40:13 | |
Let's see if you've got a head. | 0:40:13 | 0:40:15 | |
Where is the head? It should be here. | 0:40:15 | 0:40:18 | |
There we go, one head. | 0:40:18 | 0:40:20 | |
Yes! | 0:40:20 | 0:40:21 | |
APPLAUSE AND CHEERING | 0:40:21 | 0:40:23 | |
Tremendous! | 0:40:25 | 0:40:27 | |
Ready, steady, go! Wheee! | 0:40:27 | 0:40:30 | |
Wheeeee! | 0:40:34 | 0:40:36 | |
# I feel beneath the white There is a redskin | 0:40:37 | 0:40:43 | |
# Suffering from centuries of taming... # | 0:40:43 | 0:40:49 | |
Can you say "stethoscope"? | 0:41:00 | 0:41:03 | |
No. | 0:41:03 | 0:41:05 | |
# It's not like the West End in London | 0:41:05 | 0:41:08 | |
# Oh, no way | 0:41:08 | 0:41:09 | |
-# Nobody give a damn -When you're down on your luck | 0:41:12 | 0:41:17 | |
-# Nobody understands -When you're down on your luck | 0:41:17 | 0:41:23 | |
-# Nobody give a break -When you're down on your luck... # | 0:41:23 | 0:41:28 | |
I trust that our musical item at this assembly will meet with your approval. | 0:41:29 | 0:41:35 | |
Because for you this morning, Jim has fixed it. | 0:41:35 | 0:41:39 | |
School, I would like to introduce Culture Club. | 0:41:39 | 0:41:44 | |
CHEERING AND APPLAUSE | 0:41:44 | 0:41:47 | |
# Downtown, we'll drown We're in our never splendour | 0:41:48 | 0:41:53 | |
# Flowers, showers Who's got the new boy gender? | 0:41:53 | 0:41:56 | |
# I'll be your baby I'll be your score | 0:41:56 | 0:42:01 | |
# I'll run the gun for you And so much more | 0:42:01 | 0:42:05 | |
# I'll tumble for ya I'll tumble for ya | 0:42:05 | 0:42:08 | |
# I'll tumble for ya I'll tumble for you | 0:42:08 | 0:42:13 | |
# I'll tumble for ya I'll tumble for ya | 0:42:13 | 0:42:17 | |
# I'll tumble for ya... # | 0:42:17 | 0:42:20 | |
DRUM ROLL AND APPLAUSE | 0:42:20 | 0:42:23 | |
# 853-5937 | 0:42:29 | 0:42:34 | |
# Angela can't make it to the phone | 0:42:34 | 0:42:38 | |
# If you care to leave your name and number | 0:42:38 | 0:42:43 | |
# Please speak clearly after the tone | 0:42:43 | 0:42:47 | |
# She'll give you a ring when she gets home. # | 0:42:47 | 0:42:52 | |
# The Locomotion! | 0:42:52 | 0:42:53 | |
# Everybody's doing a brand-new dance now | 0:43:01 | 0:43:05 | |
# Come on, baby, do the Locomotion! | 0:43:05 | 0:43:08 | |
# I know you'll get to like it if you give it a chance now | 0:43:08 | 0:43:12 | |
# Come on, baby, do the Locomotion! | 0:43:12 | 0:43:16 | |
# My little baby sister can do it with ease | 0:43:16 | 0:43:19 | |
# It's easier than learning your ABCs | 0:43:19 | 0:43:23 | |
# So come on, come on Do the Locomotion with me. # | 0:43:23 | 0:43:28 | |
-How is all your collection going on for your sale of work? -Beautifully. | 0:43:28 | 0:43:32 | |
-Tell me the sort of things you've got. -Album from Tom Jones, and Val Doonican. -All the stars. | 0:43:32 | 0:43:38 | |
I'm waiting for my name to appear. | 0:43:38 | 0:43:40 | |
I didn't like to ask you because you're always here, you do such a lot for us. | 0:43:40 | 0:43:44 | |
-You didn't like to ask? -No. -I'm very hurt now. -Oh, Jim. | 0:43:44 | 0:43:47 | |
-Do you know something else? -Yes. | 0:43:47 | 0:43:49 | |
-That is a see-through nightie! -Don't! SHE LAUGHS | 0:43:49 | 0:43:53 | |
-Is there ever a time when you don't raise money, at all? -There is a need. | 0:43:53 | 0:43:57 | |
If there is a need, it means that somebody's got to do it, | 0:43:57 | 0:44:01 | |
and I've got plenty of time because I don't work any more. | 0:44:01 | 0:44:04 | |
-What do you mean you don't work any more? -I don't work any more. | 0:44:04 | 0:44:08 | |
You literally do not work any more? You mean, you play a lot, do you? | 0:44:08 | 0:44:11 | |
Well, a bit of Jim'll Fix It - that's good fun, it's not work. | 0:44:11 | 0:44:16 | |
Top Of The Pops is fun, that's not work. | 0:44:16 | 0:44:18 | |
Radio 1 is fun, that's not work. So I don't really work any more. | 0:44:18 | 0:44:21 | |
-You're getting some good publicity tonight. -That's not publicity. | 0:44:21 | 0:44:25 | |
Publicity is when you make money for yourself. We're doing a service to the people of this country. | 0:44:25 | 0:44:31 | |
I'm extremely sorry, I should not have said that. | 0:44:31 | 0:44:34 | |
You can have no more chips for saying that. | 0:44:34 | 0:44:37 | |
Welcome to January 1st, 1964. | 0:44:37 | 0:44:41 | |
It's 6.34pm, and it's a programme you've never heard of before. | 0:44:41 | 0:44:45 | |
It's called Top Of The Pops, and there's the charts. | 0:44:45 | 0:44:48 | |
CHEERING AND APPLAUSE | 0:44:48 | 0:44:50 | |
Haha! It's the future! | 0:44:53 | 0:44:55 | |
First of all, | 0:44:55 | 0:44:58 | |
these are our Top Of The Pops stalwarts. As you can recognise... | 0:44:58 | 0:45:02 | |
every one a household face. Here we have got the four original members. | 0:45:02 | 0:45:06 | |
Mr Jacobs, what does it feel like to be back? | 0:45:06 | 0:45:09 | |
Well, I'm glad they didn't tell you to wear a dinner jacket as well...! | 0:45:09 | 0:45:13 | |
-But it's wonderful. -Anything you come in is good enough for us. ..Peter, what's it like to be back? | 0:45:13 | 0:45:18 | |
Great to be back. 25 years - seems like yesterday. | 0:45:18 | 0:45:21 | |
-Mr Fluffingtons! -Mr Savile! It is absolutely fabulous. | 0:45:21 | 0:45:24 | |
We were the lucky ones, we were there at the very start. Not half! | 0:45:24 | 0:45:28 | |
And we're still here today! Now then, ladies and gentlemen, how about this? | 0:45:28 | 0:45:32 | |
How about we have the Swinging Blue Jeans, Hippy Hippy Shake, to start us going? | 0:45:32 | 0:45:36 | |
# For goodness sake | 0:45:36 | 0:45:39 | |
# I got the hippy hippy shake | 0:45:39 | 0:45:42 | |
# Well, I got the shake I got the hippy hippy shake | 0:45:42 | 0:45:47 | |
# Ooh! I can't sit still With my hippy hippy shake | 0:45:47 | 0:45:53 | |
# With my hippy hippy shake | 0:45:53 | 0:45:58 | |
# Well, it's in the bag | 0:45:58 | 0:46:02 | |
# Ooh! Hippy hippy shake | 0:46:02 | 0:46:05 | |
# Shake it to the left Shake it to the right | 0:46:05 | 0:46:09 | |
# Do the hippy shake shake With all your might | 0:46:09 | 0:46:12 | |
# Oh, baby Yeah, you've got to shake | 0:46:12 | 0:46:17 | |
# Well, it's in the bag | 0:46:17 | 0:46:20 | |
# Ooh! Hippy hippy shake Waaaaaaaah! | 0:46:20 | 0:46:24 | |
# You shake it to the left Shake it to the right | 0:46:40 | 0:46:44 | |
# Do the hippy shake shake with all your might | 0:46:44 | 0:46:47 | |
# Oh, baby Hey, I got to shake... # | 0:46:47 | 0:46:51 | |
When somebody can give me a good reason to stop having a good time, | 0:46:51 | 0:46:54 | |
then I'll jack it all in. | 0:46:54 | 0:46:56 | |
Today, though, Sir James was concentrating on the business of joining the ranks of the titled. | 0:46:56 | 0:47:02 | |
It's an experience he clearly enjoyed, but he says it won't change him one little jot. | 0:47:02 | 0:47:07 | |
APPLAUSE AND CHEERING | 0:47:10 | 0:47:13 | |
Well, I've made it! I'm on Jim'll Fix It! | 0:47:19 | 0:47:23 | |
I have to say, I've watched this show every Saturday night for years. | 0:47:23 | 0:47:27 | |
And what a great show it is, making more dreams come true than the National Lottery. | 0:47:27 | 0:47:32 | |
Ladies and gentlemen, it gives me great pleasure to introduce the dream-maker, Sir Jimmy Savile. | 0:47:32 | 0:47:37 | |
APPLAUSE AND CHEERING | 0:47:37 | 0:47:39 | |
-Carry on with the work. -I will. | 0:47:54 | 0:47:57 | |
You do the walking and the working, I do the sitting and the smoking. | 0:47:57 | 0:48:01 | |
-Let's walk this way. -You sit there, I'll sit here. -OK. -OK, carry on. | 0:48:01 | 0:48:06 | |
-Tonight, we're going to review... -Oh, this is the life! | 0:48:06 | 0:48:09 | |
We're going to review some of the highlights of 20 years of Jim'll Fix It. | 0:48:11 | 0:48:16 | |
-Yes, I'm here. -Do you have any favourite fixes? | 0:48:16 | 0:48:18 | |
As it happens, when I look at the 1,500 fix-its we've done, | 0:48:18 | 0:48:23 | |
they're all like jewels. To the people, they are jewels, | 0:48:23 | 0:48:28 | |
and they're all different colours and different sizes. All I see is a carpet of jewels, | 0:48:28 | 0:48:32 | |
so I don't have a favourite jewel, as such. | 0:48:32 | 0:48:35 | |
You are known as the Greatest, correct? | 0:48:35 | 0:48:37 | |
Greatest boxer - get that straight. | 0:48:37 | 0:48:39 | |
-Not everything, I'm the greatest boxer. -Thank you. | 0:48:39 | 0:48:42 | |
Not the greatest singer, or dancer or mathematician, | 0:48:42 | 0:48:45 | |
I'm the greatest boxer. | 0:48:45 | 0:48:47 | |
I'm glad about that. You cleared up a point on account of... my own team that run this TV show - | 0:48:47 | 0:48:53 | |
which is watched by millions of people - last year, | 0:48:53 | 0:48:58 | |
in spite of your nomenclature calling you the Greatest, had the temerity | 0:48:58 | 0:49:02 | |
to present me with my own award, which is here, | 0:49:02 | 0:49:05 | |
and this award is called "the Great Chatsby". | 0:49:05 | 0:49:09 | |
If you considered yourself the greatest as a boxer only, | 0:49:09 | 0:49:12 | |
then I can keep this medal. It you consider yourself the greatest as a chat merchant, | 0:49:12 | 0:49:16 | |
-I shall have to hand this medal back to the pawnshop. -What's a chat merchant? | 0:49:16 | 0:49:20 | |
A chat merchant is one given to plenty spiel-alots. | 0:49:20 | 0:49:24 | |
-Rapido chatty-chatty all the time. -That might be my title, too. | 0:49:24 | 0:49:29 | |
We could have a duel for the best talker. | 0:49:29 | 0:49:32 | |
First of all, I might ask you | 0:49:32 | 0:49:35 | |
if you could present to these three boys three Jim'll Fix It badges. That's one task. | 0:49:35 | 0:49:40 | |
I have another couple of tasks. These are Jim'll Fix It badges because this morning, | 0:49:40 | 0:49:45 | |
these boys were at school, they knew nothing of the fact that they would be meeting you this afternoon. | 0:49:45 | 0:49:51 | |
I hope one day these develop into Olympic medals. Gold medals. | 0:49:51 | 0:49:55 | |
-This is silver. -It's kosher silver. -A little cheap. | 0:49:55 | 0:50:00 | |
One day you might get a real medal. | 0:50:00 | 0:50:03 | |
Minted in Jerusalem. It is mined in Jerusalem. | 0:50:03 | 0:50:08 | |
It is cheap, artificial silver. | 0:50:08 | 0:50:11 | |
So let this make you determined to be a great fighter so you can get some real silver. | 0:50:11 | 0:50:15 | |
-This will make you think about the real thing. -The next task is this. | 0:50:16 | 0:50:20 | |
These gentlemen have a very important question they would like to ask. | 0:50:20 | 0:50:23 | |
-You go first. -What will you do when you retire from boxing? | 0:50:23 | 0:50:27 | |
What will I do when I retire from boxing? I really don't know. | 0:50:27 | 0:50:31 | |
I've been offered so many things. They want me to be professor at some colleges, | 0:50:31 | 0:50:35 | |
I don't have time to hang around one campus. | 0:50:35 | 0:50:39 | |
They want me to do a lot in ghettos and problems. I don't really know. | 0:50:39 | 0:50:45 | |
I think I'll be a minister of my Islamic religion. | 0:50:45 | 0:50:48 | |
We've got problems in America, dope, gang problems. | 0:50:48 | 0:50:52 | |
Work with people and problems in the streets, | 0:50:52 | 0:50:56 | |
and with crime and things like that. | 0:50:56 | 0:50:58 | |
-Next question. -What would you have been if you was not a boxer? | 0:50:58 | 0:51:02 | |
If I was not a boxer, | 0:51:02 | 0:51:03 | |
I don't know what I would have been, cos I started boxing at 12 years old | 0:51:03 | 0:51:07 | |
and that's all I wanted to do was be a boxer after I started. | 0:51:07 | 0:51:11 | |
I don't know, probably everyday working, going to some job every day, | 0:51:11 | 0:51:17 | |
working six, seven hours a day, | 0:51:17 | 0:51:19 | |
coming home in rush-hour traffic. | 0:51:19 | 0:51:21 | |
What type of work I would do, I really don't know. | 0:51:21 | 0:51:23 | |
-Next. -Did you ever used to get into fights in school? | 0:51:23 | 0:51:26 | |
Yes, I used to get into fights in school. All the time. | 0:51:26 | 0:51:30 | |
And that wasn't good | 0:51:30 | 0:51:33 | |
because there were bullies running around my school, | 0:51:33 | 0:51:35 | |
and they used to always say, "I want you to bring me your lunch tomorrow." | 0:51:35 | 0:51:39 | |
Have you ever heard of fellas doing that? They do that to you. | 0:51:39 | 0:51:43 | |
"If you don't bring me your lunch..." I brought a fella my lunch every day. | 0:51:43 | 0:51:47 | |
One time I got tired, and didn't bring him no lunch. I started fighting. | 0:51:47 | 0:51:50 | |
Another task I have now. I'd like to hand out four books. | 0:51:50 | 0:51:54 | |
That's one, The Greatest: My Own Story by Muhammad Ali, | 0:51:55 | 0:51:59 | |
with a beautiful picture on the back, | 0:51:59 | 0:52:01 | |
with the words "full of wisdom". That's the third book. | 0:52:01 | 0:52:05 | |
And the fourth book, so that when we have our eventual duel, is my own life story, sir, | 0:52:05 | 0:52:11 | |
which you can have as a gift. That is my good self. | 0:52:11 | 0:52:15 | |
-I'd never heard of you! -I'd never heard of you! | 0:52:15 | 0:52:18 | |
-I only knew a few weeks ago. It seems like years. -You wrote a book? Who did you ever whip? | 0:52:18 | 0:52:24 | |
-That is what we call a novel smile. -Can I have your autograph? | 0:52:24 | 0:52:28 | |
Certainly! You're smiling the real smile now, | 0:52:28 | 0:52:31 | |
not the professional smile - the real smile! | 0:52:31 | 0:52:34 | |
And I have one final request. I have one final request. | 0:52:34 | 0:52:37 | |
It says, "To the Master... | 0:52:37 | 0:52:40 | |
.."M Ali..." | 0:52:43 | 0:52:45 | |
That is for you, sir. You're laughing again. I have one request, | 0:52:45 | 0:52:50 | |
because in all seriousness, you can imagine what a thrill it is | 0:52:50 | 0:52:53 | |
for these guys who did not know they were going to meet the Master - | 0:52:53 | 0:52:56 | |
who's now deeply engrossed in my book - | 0:52:56 | 0:52:58 | |
nor did I, as it happens. A great thrill for all of us. | 0:52:58 | 0:53:01 | |
I would like you to strike me on the chin. | 0:53:01 | 0:53:04 | |
Then who will be your beneficiary? | 0:53:04 | 0:53:07 | |
Well, Dr Bottle, possibly. | 0:53:07 | 0:53:10 | |
I have been struck on the chin by the Master! I give up now. | 0:53:12 | 0:53:15 | |
That is the finish, goodbye. | 0:53:15 | 0:53:17 | |
I thought I was crazy, but he is! | 0:53:20 | 0:53:22 | |
Hello! And welcome to the very last Top Of The Pops. | 0:53:40 | 0:53:46 | |
GROANING | 0:53:46 | 0:53:48 | |
42 years ago, I said welcome to the very first Top Of The Pops. | 0:53:48 | 0:53:52 | |
It belongs to the world now. | 0:53:52 | 0:53:54 | |
They're going to carry the Top Of The Pops banner. | 0:53:54 | 0:53:58 | |
I've got some friends who are going to see us out in style. | 0:53:58 | 0:54:01 | |
-Wow, wow! Is this memory lane, or what? -Yes! -It is! Good! | 0:54:02 | 0:54:08 | |
Take That were thought by many to be the most successful band since the Beatles. | 0:54:08 | 0:54:13 | |
But one of their members jumped ship. Or was he pushed? | 0:54:13 | 0:54:16 | |
-Some thought that was the end, but he went on to phenomenal success. -Indeed. | 0:54:16 | 0:54:20 | |
He became one of the UK's most successful solo artists ever, | 0:54:20 | 0:54:23 | |
and still going strong. He's been on the show over 100 times. | 0:54:23 | 0:54:27 | |
Here he is, it's the Robster, Let Me Entertain You. | 0:54:27 | 0:54:31 | |
# Hell has gone and heaven's here There's nothing left for you to fear | 0:54:31 | 0:54:34 | |
# Shake your ass, come over here Now scream | 0:54:34 | 0:54:39 | |
# I'm a burning effigy of everything I used to be | 0:54:39 | 0:54:42 | |
# You're my rock of empathy, my dear | 0:54:42 | 0:54:45 | |
# So come on, let me entertain you | 0:54:45 | 0:54:51 | |
# Let me entertain you | 0:54:54 | 0:54:59 | |
# Life's too short for you to die Grab yourself an alibi | 0:55:02 | 0:55:06 | |
# Heaven knows your mother lied, mon cher | 0:55:06 | 0:55:09 | |
# Look me up in Yellow Pages I will be your rock of ages | 0:55:09 | 0:55:13 | |
# Your see-through fads And your crazy phases, yeah | 0:55:13 | 0:55:16 | |
-# So come on... -Let me entertain you | 0:55:16 | 0:55:22 | |
# Let me entertain you... # | 0:55:25 | 0:55:30 | |
-Are you still a religious man? -STILL a religious man? -Yeah. | 0:55:38 | 0:55:41 | |
You've claimed on many occasions... | 0:55:41 | 0:55:43 | |
-I've not claimed. I've not claimed. -There's a serviette there. | 0:55:43 | 0:55:47 | |
-Don't wipe it on the paper. -You can't have serviettes if you have chips in the paper. | 0:55:47 | 0:55:51 | |
That's what the paper's for! | 0:55:51 | 0:55:54 | |
These lowlife southern habits! | 0:55:54 | 0:55:57 | |
LAUGHTER | 0:55:57 | 0:56:00 | |
God is the fabric of everybody's life, | 0:56:02 | 0:56:06 | |
and God is the fabric of my life, | 0:56:06 | 0:56:08 | |
no more religious or less religious than anyone else. | 0:56:08 | 0:56:11 | |
I would not say I'm a religious man, but I do know who the boss is. | 0:56:11 | 0:56:15 | |
Or anywhere. God is all over, not necessarily up there. | 0:56:17 | 0:56:20 | |
It's a strange thing to be in a chip shop on a Thursday night talking about God with Jimmy Savile. | 0:56:20 | 0:56:25 | |
-Not really. -It's very strange. | 0:56:25 | 0:56:27 | |
People say to me, why do I believe in God? | 0:56:27 | 0:56:31 | |
One could talk a long time about why you believe in God. | 0:56:31 | 0:56:35 | |
But to encapsulate it, I believe in God because, | 0:56:35 | 0:56:39 | |
if nothing else, it's a good gamble. | 0:56:39 | 0:56:43 | |
If we went through life thinking that when we die, we rot, | 0:56:43 | 0:56:49 | |
and that's it gone, finito, that's all right. | 0:56:49 | 0:56:52 | |
But it's much nicer to go through life with a faith, | 0:56:52 | 0:56:57 | |
thinking that maybe when we die, we go on to even a better life than this. | 0:56:57 | 0:57:02 | |
Who knows? | 0:57:02 | 0:57:04 | |
Therefore it follows logically that if you try to live by a decent code, | 0:57:04 | 0:57:08 | |
reasonably decent code, | 0:57:08 | 0:57:11 | |
as well as you can manage, then it is a hope | 0:57:11 | 0:57:17 | |
that when the time comes, that you go off into - for the want of a better word - | 0:57:17 | 0:57:23 | |
a life hereafter and a heaven. | 0:57:23 | 0:57:25 | |
So, at the end of the day, when all the crowds have gone, | 0:57:25 | 0:57:29 | |
and all the frantic has finished, people say, | 0:57:29 | 0:57:32 | |
"What do you find at the end of the day? | 0:57:32 | 0:57:35 | |
"Have you found peace or are you like the clown whose tears come after the show?" | 0:57:35 | 0:57:40 | |
I say that I have found peace because, at the end of the day, | 0:57:40 | 0:57:45 | |
I sleep like a log, and often, so I'm told, with a smile on my face, | 0:57:45 | 0:57:50 | |
thinking about what a great day it's been, so I found peace. | 0:57:50 | 0:57:55 | |
It's not that I'm clever, it's just that I'm lucky. | 0:57:55 | 0:58:01 | |
As it happens... | 0:58:11 | 0:58:13 | |
see you soon. | 0:58:13 | 0:58:15 |