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-Imagine the thrill of travelling... | 0:00:03 | 0:00:06 | |
-..to one of the world's -most beautiful and famous cities. | 0:00:06 | 0:00:09 | |
-Imagine the thrill of singing -on this world famous square... | 0:00:10 | 0:00:14 | |
-..and in one of its -most dramatic churches. | 0:00:15 | 0:00:18 | |
-Imagine the thrill of representing -your country... | 0:00:19 | 0:00:23 | |
-..in a premier choral competition - -the Interkultur. | 0:00:23 | 0:00:28 | |
-Singing together brings -nations together. It's amazing. | 0:00:30 | 0:00:33 | |
-This is how one West Wales choir -realised that dream. | 0:00:35 | 0:00:39 | |
-When Cor Y Wiber -from Newcastle Emlyn meets... | 0:00:47 | 0:00:50 | |
-..you know that something -significant is happening. | 0:00:50 | 0:00:54 | |
-Their conductor -is scientist Angharad Mair Jones. | 0:00:55 | 0:00:57 | |
-Husband Meirion -is their accompanist. | 0:00:58 | 0:01:00 | |
-Who'd have thought, five years ago, -when we formed Cor Y Wiber... | 0:01:00 | 0:01:05 | |
-..two years ago, almost to the day, -we were crowned Cor Cymru 2013. | 0:01:06 | 0:01:11 | |
-An opportunity for the girls -to relive and celebrate... | 0:01:13 | 0:01:16 | |
-..some of the competition's -highlights. | 0:01:17 | 0:01:19 | |
-First, the thrill of winning -the women's choir round. | 0:01:20 | 0:01:23 | |
-# Lots of wavy hair like Liberace | 0:01:24 | 0:01:26 | |
-# Mr Sandman, yeah, someone to hold | 0:01:26 | 0:01:29 | |
-# Would be so peachy -before we're too old | 0:01:29 | 0:01:32 | |
-# So please turn on your magic beam | 0:01:33 | 0:01:35 | |
-# Mr Sandman, bring us | 0:01:36 | 0:01:37 | |
-# Please, please, please | 0:01:37 | 0:01:39 | |
-# Mr Sandman, bring us a dream # | 0:01:39 | 0:01:45 | |
-You can't put it into words. | 0:01:55 | 0:01:58 | |
-We were all shocked. | 0:01:58 | 0:02:00 | |
-That's what it was. | 0:02:00 | 0:02:03 | |
-We didn't expect to win. | 0:02:03 | 0:02:05 | |
-We won the first round -so we gave it our all... | 0:02:05 | 0:02:09 | |
-..to compete with the other choirs. | 0:02:10 | 0:02:12 | |
-That's what we did. | 0:02:12 | 0:02:13 | |
-I remember the preparation, -preparation, preparation. | 0:02:14 | 0:02:17 | |
-It was three weeks of learning -three new pieces. | 0:02:17 | 0:02:20 | |
-They were three -very difficult pieces. | 0:02:21 | 0:02:24 | |
-I knew there was a camera on me -all the time. | 0:02:27 | 0:02:30 | |
-When you're conducting, you forget. | 0:02:30 | 0:02:32 | |
-Looking at Las Amarillas, I had a -haughty face to reflect the lyrics. | 0:02:33 | 0:02:38 | |
-I clapped at the end. | 0:02:38 | 0:02:39 | |
-I'm glad I forgot -that the camera was on me. | 0:02:39 | 0:02:43 | |
-# A la tirana na na, -a la tirana na na, a la tirana na na | 0:02:43 | 0:02:46 | |
-# A la tirana na na, -a la tirana na na, a la tirana na na | 0:02:46 | 0:02:48 | |
-# A la tirana na na, -a la tirana na no # | 0:02:49 | 0:02:51 | |
-We could keep one piece from -the rounds and that piece was... | 0:02:53 | 0:02:56 | |
-..And So It Goes by Billy Joel. | 0:02:57 | 0:02:59 | |
-I knew we could put on -a better performance in the final. | 0:02:59 | 0:03:03 | |
-# I spoke to you in cautious tones | 0:03:04 | 0:03:12 | |
-# You answered me with no pretence | 0:03:13 | 0:03:19 | |
-# And still I feel I said too much | 0:03:20 | 0:03:28 | |
-# My silence is my self defence # | 0:03:29 | 0:03:35 | |
-Waiting for the result -was something else. | 0:03:36 | 0:03:39 | |
-The winner is... | 0:03:39 | 0:03:41 | |
-The TV crew held it longer -than "the winner is..." | 0:03:42 | 0:03:47 | |
-Until the name was announced, -it felt like an age. | 0:03:47 | 0:03:52 | |
-Cor Y Wiber. | 0:03:53 | 0:03:54 | |
-Screaming! The girls ran in. | 0:03:55 | 0:03:58 | |
-Jumping around the place. | 0:03:58 | 0:04:00 | |
-And then, Heledd's question. | 0:04:08 | 0:04:10 | |
-And then, Heledd's question. - -Sum up how you feel right now. | 0:04:10 | 0:04:13 | |
-To be honest, -I didn't know how I felt. | 0:04:13 | 0:04:16 | |
-I want a cup of tea. | 0:04:16 | 0:04:18 | |
-No. Why, oh, why? | 0:04:20 | 0:04:23 | |
-That worked out well - -people sent me boxes of tea. | 0:04:25 | 0:04:28 | |
-It was a very special night... | 0:04:28 | 0:04:31 | |
-..but the response - -that was unreal. | 0:04:31 | 0:04:34 | |
-I can't believe how many cards -we received. It's staggering. | 0:04:36 | 0:04:40 | |
-Apart from the money we won -on Cor Cymru... | 0:04:41 | 0:04:45 | |
-..it gave myself and the choir -so much confidence. | 0:04:45 | 0:04:49 | |
-I was thinking of going on tour -but I didn't know where we'd go. | 0:04:49 | 0:04:53 | |
-During Cor Cymru, one of the judges -was Andre van der Merwe. | 0:04:54 | 0:04:58 | |
-His choir in Stellenberg is top -of the Interkultur world rankings. | 0:04:59 | 0:05:03 | |
-I did some research -into their choral festivals. | 0:05:03 | 0:05:07 | |
-When you offer a choir a trip -to Italy, they say yes, please. | 0:05:07 | 0:05:12 | |
-That's why we're off to Italy. | 0:05:12 | 0:05:14 | |
-Come and get your cardigans. | 0:05:14 | 0:05:16 | |
-Come and get your cardigans. - -And polo shirts. | 0:05:16 | 0:05:17 | |
-No trip would be complete -for the girls without new clothes. | 0:05:18 | 0:05:23 | |
-With Angharad in charge, -nothing is left to chance. | 0:05:24 | 0:05:27 | |
-The tour handbook. | 0:05:27 | 0:05:29 | |
-Ooh! | 0:05:30 | 0:05:32 | |
-She's so organised and I speak -for everyone when I say we're not! | 0:05:32 | 0:05:35 | |
-A responsible adult in every room. | 0:05:36 | 0:05:38 | |
-I'm the responsible adult? | 0:05:38 | 0:05:40 | |
-Whoa! | 0:05:42 | 0:05:43 | |
-It's easier having ten people inside -and everyone else milling outside. | 0:05:43 | 0:05:48 | |
-Angharad, no! Stop there. | 0:05:48 | 0:05:50 | |
-I'll be able to see if everyone... | 0:05:50 | 0:05:55 | |
-We'll be like the Von Trapps. | 0:05:55 | 0:05:57 | |
-We're looking forward to going... | 0:06:00 | 0:06:03 | |
-..especially to such -an important competition. | 0:06:03 | 0:06:06 | |
-No pressure. | 0:06:06 | 0:06:07 | |
-You do this every time. -Close your books. | 0:06:08 | 0:06:11 | |
-What are we wearing? We haven't -reached what we're wearing. | 0:06:12 | 0:06:16 | |
-# Just one Cornetto # | 0:06:16 | 0:06:18 | |
-Are you, like me, of the opinion... | 0:06:18 | 0:06:20 | |
-..that conducting the choir is -easier than organising these girls? | 0:06:21 | 0:06:24 | |
-Bellissimo. | 0:06:25 | 0:06:26 | |
-Bellissimo. - -Uno... no. | 0:06:26 | 0:06:27 | |
-Uno, duo. | 0:06:27 | 0:06:29 | |
-Doesn't Ricky Martin sing that? | 0:06:29 | 0:06:31 | |
-I don't think so, no. | 0:06:32 | 0:06:33 | |
-Is that Italian? | 0:06:34 | 0:06:36 | |
-Bon appetit. | 0:06:37 | 0:06:39 | |
-Why am I in charge of this choir? -Why am I in charge of this choir? | 0:06:40 | 0:06:44 | |
-Despite the unsocial hour, almost -everyone is excited about the trip. | 0:06:51 | 0:06:57 | |
-It's midnight. The bus -left Newcastle Emlyn at 11.00pm. | 0:06:58 | 0:07:01 | |
-Preseli at 11.30pm. | 0:07:02 | 0:07:04 | |
-Carmarthen at 12.30pm. -I'm the last one on. | 0:07:04 | 0:07:07 | |
-I'm not sure -what I'll see in Venice. | 0:07:09 | 0:07:11 | |
-I want to ride on one of the boats -with a man singing to me. | 0:07:12 | 0:07:16 | |
-Gondola? | 0:07:19 | 0:07:20 | |
-Gondola? - -Oh, yeah. | 0:07:20 | 0:07:22 | |
-I sung in Venice -a year and a half ago. | 0:07:24 | 0:07:27 | |
-Luckily, I picked up two pairs -of very special socks. | 0:07:28 | 0:07:33 | |
-They're stripy -and they reach up to the knee. | 0:07:33 | 0:07:36 | |
-That's very nice for an organist -in the middle of winter. | 0:07:36 | 0:07:40 | |
-I'm eager to add -to my repertoire of socks. | 0:07:40 | 0:07:44 | |
-Aren't I? | 0:07:44 | 0:07:45 | |
-Warm socks on Meirion's mind. | 0:07:47 | 0:07:49 | |
-The rest of the crew -just want to reach Italy. | 0:07:50 | 0:07:53 | |
-The flight is two hours. | 0:07:58 | 0:08:00 | |
-Where are we going? Venice! | 0:08:00 | 0:08:03 | |
-Two hours in the sky -and a moment to relax. | 0:08:07 | 0:08:11 | |
-I'm going to slap you in a minute. | 0:08:11 | 0:08:14 | |
-Sorry, Angharad, we didn't want you -to miss the majestic Alps. | 0:08:15 | 0:08:19 | |
-A clap for the pilot -for his good work... | 0:08:20 | 0:08:23 | |
-..but Angharad's work -has only just begun. | 0:08:23 | 0:08:27 | |
-Welcome to Venice. Looking forward -to reaching the hotel. | 0:08:28 | 0:08:31 | |
-Are you sure the bus...? | 0:08:34 | 0:08:36 | |
-This isn't... Excuse me. -Scusi. Linia a toura? Linia a toura? | 0:08:36 | 0:08:42 | |
-Are you sure this is the right bus? -Can you see our name? | 0:08:42 | 0:08:47 | |
-They asked me -what I wanted on the signboard. | 0:08:48 | 0:08:51 | |
-I sent Cor Y Wiber's logo and -Voci dal Lido. He didn't have it. | 0:08:51 | 0:08:55 | |
-Oh! It was on the front. | 0:08:57 | 0:08:59 | |
-Is it? | 0:09:00 | 0:09:01 | |
-Oh, cool. | 0:09:01 | 0:09:03 | |
-This is the right bus. I haven't -given that to anyone else. | 0:09:05 | 0:09:09 | |
-The choir has reached Italy safely -but the coastal town of Jesolo... | 0:09:09 | 0:09:14 | |
-..is half an hour from the airport. | 0:09:15 | 0:09:17 | |
-With Angharad in charge, everyone -has their rooms within seconds. | 0:09:18 | 0:09:23 | |
-They head straight to the restaurant -for the their first Italian dish. | 0:09:25 | 0:09:30 | |
-Evidently, they eat a lot -of risotto in Newcastle Emlyn. | 0:09:31 | 0:09:34 | |
-It's rice but cheesish. | 0:09:37 | 0:09:39 | |
-Cheesy rice. | 0:09:39 | 0:09:41 | |
-It reminds me -of home-made rice pudding. | 0:09:43 | 0:09:45 | |
-I'm not fussy - I'm eating it all. | 0:09:45 | 0:09:47 | |
-Il cibo e delicio. | 0:09:48 | 0:09:50 | |
-Vegetariana. | 0:09:53 | 0:09:55 | |
-I'm eating that! | 0:09:56 | 0:09:58 | |
-With plenty of risotto -in their bellies... | 0:09:59 | 0:10:04 | |
-..time for some more homework. | 0:10:05 | 0:10:07 | |
-Angharad -has a very organised system. | 0:10:07 | 0:10:10 | |
-Everyone in the choir has a file -in a colourful pack, as you can see. | 0:10:11 | 0:10:15 | |
-Plain, green, yellow. | 0:10:15 | 0:10:18 | |
-Every file has a number. | 0:10:18 | 0:10:20 | |
-The choir member's number. | 0:10:21 | 0:10:23 | |
-Inside the file -are copies of the songs. | 0:10:23 | 0:10:28 | |
-You can see all the copies. | 0:10:28 | 0:10:30 | |
-Every member's number is on -the copy so none can go missing. | 0:10:30 | 0:10:35 | |
-After supper, -the girls head for the beach. | 0:10:36 | 0:10:40 | |
-We're finally here. | 0:10:41 | 0:10:44 | |
-It's such a nice, family hotel. | 0:10:44 | 0:10:47 | |
-The beach is yards from the hotel. | 0:10:48 | 0:10:50 | |
-It's lovely, the sand is lovely, -the sea is so blue. It's lovely. | 0:10:50 | 0:10:55 | |
-Angharad and Meirion -have a more pressing engagement. | 0:10:57 | 0:11:01 | |
-They register the choir -for the competition. | 0:11:01 | 0:11:04 | |
-Buon giorno. | 0:11:04 | 0:11:06 | |
-We're a choir from Wales. | 0:11:06 | 0:11:09 | |
-Brava. Si. | 0:11:09 | 0:11:11 | |
-What's the name of your choir? | 0:11:11 | 0:11:13 | |
-What's the name of your choir? - -Cor Y Wiber. | 0:11:13 | 0:11:15 | |
-What's a wiber? | 0:11:15 | 0:11:17 | |
-A wiber is a mythical creature. | 0:11:17 | 0:11:19 | |
-It's a cross between a dragon -and a serpent. | 0:11:19 | 0:11:24 | |
-It attacks our hometown. -It sits on the castle. | 0:11:24 | 0:11:29 | |
-It breathes fire. | 0:11:29 | 0:11:31 | |
-It gives us a story to tell. | 0:11:31 | 0:11:33 | |
-We're to here to enjoy ourselves -but we're also here to compete. | 0:11:34 | 0:11:39 | |
-Angharad will be strict tomorrow. | 0:11:39 | 0:11:41 | |
-Angharad will be strict tomorrow. - -She's a perfectionist. | 0:11:41 | 0:11:43 | |
-Only the best will do. -We'll have to shape up tomorrow. | 0:11:43 | 0:11:47 | |
-We'll have to pull out -all the stops. | 0:11:47 | 0:11:49 | |
-Enjoy today, work tomorrow. | 0:11:49 | 0:11:51 | |
-. | 0:11:53 | 0:11:53 | |
-Subtitles | 0:11:57 | 0:11:57 | |
-Subtitles - -Subtitles | 0:11:57 | 0:11:59 | |
-The sun rises from its slumber -on Jesolo beach in Northern Italy. | 0:12:02 | 0:12:07 | |
-The Cor Y Wiber girls, -who love to chatter... | 0:12:10 | 0:12:13 | |
-..are quiet at the breakfast table. | 0:12:14 | 0:12:16 | |
-It's competition day. | 0:12:16 | 0:12:18 | |
-We're subdued. -We're tired after the journey. | 0:12:19 | 0:12:22 | |
-The nerves are kicking in -this morning. We'll be fine. | 0:12:22 | 0:12:27 | |
-We went over the words in bed -last night. | 0:12:28 | 0:12:30 | |
-We're up this morning -and trying not to get too excited. | 0:12:31 | 0:12:34 | |
-I want to represent Wales -and make sure that Cor Y Wiber... | 0:12:35 | 0:12:39 | |
-..is recognised around the world. | 0:12:40 | 0:12:42 | |
-Worldwide domination, -that's what we want. | 0:12:44 | 0:12:47 | |
-I didn't sleep much last night. | 0:12:52 | 0:12:55 | |
-We had a snorer keeping us awake. | 0:12:55 | 0:12:58 | |
-Mam was having a break -from her snoring... | 0:12:58 | 0:13:00 | |
-..and I could hear someone -through the wall. | 0:13:00 | 0:13:03 | |
-It wasn't me, it wasn't Siwan. | 0:13:03 | 0:13:06 | |
-I'm pretty certain it wasn't me. | 0:13:06 | 0:13:08 | |
-I usually snore -but I don't snore in Italy. | 0:13:10 | 0:13:13 | |
-She just breathes like Darth Vader. | 0:13:15 | 0:13:18 | |
-It's like having a full-blown -orchestra in my room. | 0:13:19 | 0:13:23 | |
-You had a concert last night! | 0:13:25 | 0:13:27 | |
-With breakfast over, -it's time to knuckle down. | 0:13:29 | 0:13:32 | |
-Finger up, preferably one -you haven't sliced. | 0:13:35 | 0:13:39 | |
-# Oh-oh-oh-oh-oh-oh-oh-oh # | 0:13:39 | 0:13:43 | |
-You have to feel a connection -between your finger and toe. | 0:13:43 | 0:13:47 | |
-Preparation is meticulous. | 0:13:48 | 0:13:51 | |
-Maybe that's why we enjoy -each other's company. | 0:13:51 | 0:13:54 | |
-If we do something, we do our best. | 0:13:55 | 0:13:58 | |
-Naturally, that means hours -of preparation, hours of research... | 0:13:58 | 0:14:03 | |
-..hours many people -wouldn't think were necessary. | 0:14:04 | 0:14:08 | |
-I know when she's in the zone. | 0:14:08 | 0:14:11 | |
-The presence of spreadsheets -is a huge clue. | 0:14:11 | 0:14:15 | |
-When spreadsheets -showing where singers stand... | 0:14:15 | 0:14:19 | |
-..appear in the bedroom, I'm not a -fan of that but I can accept it now. | 0:14:19 | 0:14:24 | |
-Right, Confitemeni. Go. | 0:14:24 | 0:14:27 | |
-This is the layout. | 0:14:29 | 0:14:31 | |
-Every voice has a different colour. -Every circle is a person. | 0:14:31 | 0:14:36 | |
-You're not there for Confitemeni. | 0:14:36 | 0:14:39 | |
-Right. Cantemus. | 0:14:42 | 0:14:43 | |
-We chose to compete as a chamber -choir because of our number. | 0:14:46 | 0:14:51 | |
-# Cantemus # | 0:14:51 | 0:14:55 | |
-If we're here, we may as well -enter another competition. | 0:14:56 | 0:14:59 | |
-Sacred music. | 0:14:59 | 0:15:02 | |
-We're not a church choir, we have -no experience of singing in church. | 0:15:02 | 0:15:06 | |
-It's a challenge. | 0:15:06 | 0:15:08 | |
-The big day is here. -Let's go for it. | 0:15:13 | 0:15:16 | |
-We're not just representing -Newcastle Emlyn... | 0:15:16 | 0:15:20 | |
-..we're representing Wales. | 0:15:20 | 0:15:22 | |
-The girls' first competition -is in the Sacro Cuore di Gesu. | 0:15:29 | 0:15:33 | |
-In the sacred music category, they -take on Israel, Norway and Sweden. | 0:15:34 | 0:15:40 | |
-An international panel of judges -will decide their fate. | 0:15:41 | 0:15:45 | |
-I'm looking for beautiful music -which touches my heart. | 0:15:45 | 0:15:50 | |
-Israel! | 0:16:17 | 0:16:19 | |
-Coming here, seeing all the people -of different ages and countries. | 0:16:26 | 0:16:31 | |
-It's really amazing to see -we have the same common thing... | 0:16:31 | 0:16:36 | |
-..a love of music. | 0:16:36 | 0:16:37 | |
-Sweden! Yay! | 0:16:44 | 0:16:45 | |
-We want to meet other choirs -and get influences... | 0:16:59 | 0:17:02 | |
-..and get inspired. | 0:17:02 | 0:17:04 | |
-Also, it's interesting -and exciting to compete. | 0:17:05 | 0:17:09 | |
-Cor Y Wiber! Yay! | 0:17:09 | 0:17:11 | |
-# Cantemus | 0:17:32 | 0:17:35 | |
-# Cantemus | 0:17:35 | 0:17:37 | |
-# Cantemus | 0:17:37 | 0:17:39 | |
-# Quoniam | 0:17:39 | 0:17:42 | |
-# Cantare | 0:17:42 | 0:17:44 | |
-# Bonum est | 0:17:44 | 0:17:46 | |
-# Ergo | 0:17:46 | 0:17:49 | |
-# Cantemus # | 0:17:49 | 0:17:59 | |
-I enjoyed singing Cantemus - -it was our home stretch. | 0:18:06 | 0:18:10 | |
-The tuning was OK. | 0:18:10 | 0:18:11 | |
-It was a joyful song. | 0:18:12 | 0:18:14 | |
-It was nice singing in a different -venue to what we're used to. | 0:18:15 | 0:18:18 | |
-I think it went alright - we'll see. | 0:18:18 | 0:18:20 | |
-This was a new experience -for the girls. | 0:18:21 | 0:18:23 | |
-It's a shock to the system. | 0:18:24 | 0:18:26 | |
-If you've sung a flat note, -you hear it four seconds later. | 0:18:27 | 0:18:31 | |
-When you consider -we had 10 minutes... | 0:18:31 | 0:18:34 | |
-..to sing in a very different -acoustic, I'm very proud of them. | 0:18:34 | 0:18:38 | |
-After singing like angels, a break -and a chance to practise Italian. | 0:18:39 | 0:18:44 | |
-Ciao. Gelato? | 0:18:45 | 0:18:46 | |
-We have to do this. | 0:18:47 | 0:18:49 | |
-From Angharad's phrase book! | 0:18:50 | 0:18:52 | |
-From Angharad's phrase book! - -Cioccolato por favor. | 0:18:52 | 0:18:54 | |
-Grazie. | 0:18:57 | 0:18:58 | |
-Uno... | 0:18:59 | 0:19:00 | |
-Nocciola, por favor. | 0:19:01 | 0:19:02 | |
-Grazie mille. | 0:19:04 | 0:19:05 | |
-Bye-bye! | 0:19:06 | 0:19:07 | |
-What's nice in Italian? | 0:19:10 | 0:19:12 | |
-Bellissimo. | 0:19:12 | 0:19:14 | |
-Bellissimo! | 0:19:14 | 0:19:16 | |
-And an opportunity for Angharad -to evaluate her choir. | 0:19:18 | 0:19:23 | |
-There are three sections. | 0:19:23 | 0:19:25 | |
-The altos. | 0:19:25 | 0:19:27 | |
-They're steady Eddies. | 0:19:27 | 0:19:29 | |
-Like a ship. | 0:19:29 | 0:19:31 | |
-Not the Titanic - that ship sank. | 0:19:32 | 0:19:34 | |
-They're like a large ship -sailing slowly. They're solid. | 0:19:34 | 0:19:38 | |
-You can't have a band without a bass -section, and we're the bass section. | 0:19:38 | 0:19:43 | |
-We turn up for practices. | 0:19:43 | 0:19:45 | |
-The best section, -always in practices. | 0:19:45 | 0:19:47 | |
-The sopranos are typical sopranos - -some diva behaviour. | 0:19:48 | 0:19:51 | |
-Top sops. | 0:19:52 | 0:19:53 | |
-We have to work hard -because we sing up in the heavens. | 0:19:54 | 0:19:57 | |
-We sound like angels. | 0:19:57 | 0:19:59 | |
-We're Cor Y Wiber's angels. | 0:19:59 | 0:20:01 | |
-Soprano. | 0:20:02 | 0:20:03 | |
-We agree -that they have to work hard... | 0:20:04 | 0:20:06 | |
-..but that's because -they're always flat. | 0:20:07 | 0:20:10 | |
-Jealous! | 0:20:10 | 0:20:11 | |
-The three sections... | 0:20:12 | 0:20:15 | |
-What's the word? | 0:20:15 | 0:20:17 | |
-Complement. | 0:20:17 | 0:20:18 | |
-Complement. - -Complement, thank you. | 0:20:18 | 0:20:20 | |
-They complement each other. | 0:20:20 | 0:20:22 | |
-There's barely time -to polish off the ice cream. | 0:20:25 | 0:20:28 | |
-Angharad prepares the choir -for the second competition... | 0:20:28 | 0:20:33 | |
-..the chamber choirs. | 0:20:33 | 0:20:35 | |
-I have a feeling that you're late. | 0:20:35 | 0:20:37 | |
-Not late, but coasting. | 0:20:38 | 0:20:40 | |
-One, two, three. | 0:20:40 | 0:20:42 | |
-There are many categories -over the course of the weekend. | 0:20:47 | 0:20:51 | |
-Children, folk, girls, mixed. | 0:20:52 | 0:20:55 | |
-The marking system -differs to ours in Wales. | 0:20:56 | 0:20:59 | |
-Rather than first, -second and third... | 0:20:59 | 0:21:02 | |
-..the choirs battle for points. | 0:21:02 | 0:21:04 | |
-The marking criteria for all -Interkultur's global competitions... | 0:21:05 | 0:21:10 | |
-..is exactly the same. | 0:21:10 | 0:21:12 | |
-This is how the world rankings -are set. | 0:21:13 | 0:21:16 | |
-Having said that, there is -a final for the four best choirs... | 0:21:16 | 0:21:20 | |
-..on the final night. | 0:21:20 | 0:21:22 | |
-We're not told how we've done, -are we through to the final... | 0:21:22 | 0:21:28 | |
-..until later on tonight. | 0:21:28 | 0:21:30 | |
-We'll wait for a phone call -or someone will call at the hotel... | 0:21:30 | 0:21:34 | |
-..to tell us if we've qualified -for the grand final. | 0:21:35 | 0:21:38 | |
-Fingers crossed. | 0:21:38 | 0:21:40 | |
-After a good performance -in the church earlier in the day... | 0:21:42 | 0:21:46 | |
-..the girls were confident -as they headed to Teatro Vivaldi... | 0:21:47 | 0:21:51 | |
-..for the chamber choir competition. | 0:21:51 | 0:21:54 | |
-It was an opportunity for the girls -to showcase their additional skills. | 0:21:54 | 0:22:00 | |
-Yes. | 0:22:10 | 0:22:11 | |
-We commissioned Brian Hughes... | 0:22:11 | 0:22:14 | |
-..to write us a piece -for this competition. | 0:22:14 | 0:22:17 | |
-Brian has a lot of confidence -in this choir... | 0:22:18 | 0:22:21 | |
-..it's a challenging piece. | 0:22:22 | 0:22:24 | |
-There's clapping, there's clicking. | 0:22:24 | 0:22:26 | |
-# On Gwyl Ifan | 0:22:27 | 0:22:28 | |
-# On Gwyl Ifan | 0:22:29 | 0:22:30 | |
-# On Gwyl Ifan | 0:22:30 | 0:22:31 | |
-# On Gwyl Ifan | 0:22:32 | 0:22:35 | |
-# We'll go out lovingly | 0:22:38 | 0:22:41 | |
-# To the foot of Mynydd Mawr | 0:22:41 | 0:22:44 | |
-# To expect a song -about a young shepherd | 0:22:44 | 0:22:46 | |
-# Before the break of dawn | 0:22:48 | 0:22:49 | |
-# Before the break of dawn | 0:22:49 | 0:22:51 | |
-# We'll walk together | 0:22:54 | 0:22:56 | |
-# We'll dance on the hill | 0:22:56 | 0:22:59 | |
-# Until the day comes -when we can dance freely | 0:22:59 | 0:23:04 | |
-# Until the day comes -when we can dance freely | 0:23:04 | 0:23:07 | |
-# And frolic like the sheep | 0:23:07 | 0:23:12 | |
-# And frolic like the sheep # | 0:23:13 | 0:23:18 | |
-We finish our repertoire with -our final Cor Cymru piece - Slava. | 0:23:19 | 0:23:23 | |
-It's a two-minute piece, -part one-voice, part eight-voice. | 0:23:24 | 0:23:28 | |
-It's a real wow. | 0:23:29 | 0:23:30 | |
-# Slava! Bogu na nyebe, Slava! | 0:23:31 | 0:23:38 | |
-# Gosudaryu nashemu na sei zemlye, -Slava! | 0:23:38 | 0:23:47 | |
-# Dobrym lyudyam na usly shenye | 0:23:47 | 0:23:53 | |
-# Uslyshenye, uslyshenye | 0:23:53 | 0:23:59 | |
-# Slava! # | 0:24:00 | 0:24:04 | |
-Angharad acknowledges the judges -but the girls don't look happy. | 0:24:08 | 0:24:14 | |
-It's hard to tell. The sound -on stage is so different. | 0:24:15 | 0:24:19 | |
-Hard to tell. | 0:24:20 | 0:24:21 | |
-Everyone's really tense. | 0:24:21 | 0:24:23 | |
-I think everyone's on edge. | 0:24:23 | 0:24:26 | |
-No comment. | 0:24:26 | 0:24:28 | |
-Thank you. | 0:24:30 | 0:24:31 | |
-Thank you. - -Thank you. | 0:24:31 | 0:24:33 | |
-We'll see you for supper. | 0:24:33 | 0:24:35 | |
-We had a shock. | 0:24:35 | 0:24:37 | |
-We went from a five-second acoustic -to a dry acoustic. | 0:24:37 | 0:24:41 | |
-I think that's my worst experience -with Cor Y Wiber. | 0:24:42 | 0:24:45 | |
-I didn't enjoy it. | 0:24:46 | 0:24:48 | |
-They sang well but I definitely -didn't enjoy it, neither did they. | 0:24:48 | 0:24:52 | |
-With hours of waiting before they -discover if they're in the final... | 0:24:52 | 0:24:58 | |
-..Meirion and father-in-law John -go shopping for their special socks. | 0:25:00 | 0:25:04 | |
-What were they? -Not Calzone. That's a pizza. | 0:25:05 | 0:25:07 | |
-Buon giorno. Calzoni? | 0:25:11 | 0:25:13 | |
-Calzoni? | 0:25:15 | 0:25:17 | |
-Calzoni? - -Calzino. | 0:25:17 | 0:25:18 | |
-Grazie. Polka dot is nice. | 0:25:22 | 0:25:25 | |
-It suits you. | 0:25:26 | 0:25:28 | |
-It suits you. - -Polka dots are classic. | 0:25:28 | 0:25:30 | |
-This is the pair I bought in Lecco. -These are similar. | 0:25:30 | 0:25:34 | |
-Grazie mille. | 0:25:34 | 0:25:35 | |
-Grazie. | 0:25:36 | 0:25:37 | |
-We're having a break -from the competition. | 0:25:39 | 0:25:42 | |
-The boss is waiting for the result. -She can switch off. | 0:25:42 | 0:25:46 | |
-There are three things -to distract her. | 0:25:46 | 0:25:49 | |
-The location, -the girls and her family. | 0:25:49 | 0:25:52 | |
-With the girls in shock -after the afternoon's performance... | 0:25:58 | 0:26:03 | |
-..suppertime was a quiet affair. | 0:26:03 | 0:26:07 | |
-Angharad calls a meeting. | 0:26:07 | 0:26:09 | |
-Do you want the good news -or the bad news? | 0:26:10 | 0:26:12 | |
-Bad first. | 0:26:12 | 0:26:14 | |
-It's bad news for Sharlaine. | 0:26:15 | 0:26:17 | |
-We're singing Fendigaid Nos -on Saturday. | 0:26:18 | 0:26:21 | |
-Obviously, -the good news is we're through! | 0:26:25 | 0:26:29 | |
-. | 0:26:33 | 0:26:33 | |
-Subtitles | 0:26:37 | 0:26:37 | |
-Subtitles - -Subtitles | 0:26:37 | 0:26:39 | |
-The girls have secured a place -in Saturday night's final. | 0:26:39 | 0:26:43 | |
-There's only one way to celebrate - -a trip to Venice. | 0:26:44 | 0:26:47 | |
-Here we go. Don't fall, Catrin. | 0:26:50 | 0:26:52 | |
-A half-hour boat trip... | 0:26:53 | 0:26:55 | |
-..and an opportunity -to see this incredible city. | 0:26:56 | 0:26:59 | |
-It would have been an anti-climax -had we not gone through. | 0:27:00 | 0:27:05 | |
-I didn't expect it, -neither did anyone else. | 0:27:05 | 0:27:08 | |
-We waited for hours to hear -if we'd qualified for the final. | 0:27:09 | 0:27:13 | |
-We screamed, we jumped up and down. -We celebrated. | 0:27:13 | 0:27:17 | |
-The response was excellent. | 0:27:17 | 0:27:19 | |
-We have four groupies - -Elen's mother, Teleri's mother... | 0:27:22 | 0:27:27 | |
-..and my parents. | 0:27:27 | 0:27:29 | |
-It's always nice -having them with me. | 0:27:29 | 0:27:32 | |
-They've supported me -since I was this size. | 0:27:32 | 0:27:35 | |
-Dad insisted on playing Mozart -in the car. | 0:27:35 | 0:27:38 | |
-That's how they kept me quiet. | 0:27:38 | 0:27:41 | |
-The tape went in and I sang -the soprano/alto parts in the car... | 0:27:41 | 0:27:45 | |
-..on our journeys. | 0:27:45 | 0:27:47 | |
-That's how I fell in love -with music. | 0:27:47 | 0:27:50 | |
-From the young girl -singing in her father's car... | 0:27:50 | 0:27:54 | |
-..she was coached by some -of the choral world's greats. | 0:27:54 | 0:27:57 | |
-..Islwyn Evans and John Hugh Thomas -to name but two. | 0:27:58 | 0:28:00 | |
-She's sung with Cor Ieuenctid Cymru, -Schola Cantorum of Oxford... | 0:28:01 | 0:28:05 | |
-..and she's won Cor Cymru twice -singing with Cywair. | 0:28:06 | 0:28:09 | |
-She's now Cor Y Wiber's mother... | 0:28:10 | 0:28:12 | |
-..and there was never -a more careful mother to her chicks. | 0:28:12 | 0:28:16 | |
-Burning isn't good. Burning is -very bad, especially for youngsters. | 0:28:16 | 0:28:21 | |
-Yuck, I sound like an old granny. | 0:28:21 | 0:28:23 | |
-I do feel like a hen sometimes, -leading her chicks. | 0:28:24 | 0:28:28 | |
-The hen leads her chicks -to the Bridge of Sighs... | 0:28:30 | 0:28:33 | |
-..for the first selfies. | 0:28:34 | 0:28:35 | |
-Now for some facts about Venezia. | 0:28:37 | 0:28:40 | |
-There are over 400 bridges -in Venice. | 0:28:42 | 0:28:45 | |
-Marco Polo, -Antonio Vivaldi and Casanova... | 0:28:50 | 0:28:55 | |
-..all came from Venice. | 0:28:55 | 0:28:57 | |
-That building is the house -of the little Mozart. | 0:29:05 | 0:29:09 | |
-Whoa! | 0:29:09 | 0:29:11 | |
-Sometimes, all the rehearsals -are difficult. | 0:29:13 | 0:29:16 | |
-Some of us work, some are in school. | 0:29:16 | 0:29:18 | |
-It's all worthwhile in the end. | 0:29:19 | 0:29:21 | |
-After all the rehearsals, -we're in Venice on a gondola. | 0:29:21 | 0:29:24 | |
-I never thought we'd do this. | 0:29:25 | 0:29:27 | |
-Look at those masks. | 0:29:29 | 0:29:31 | |
-I feel lucky to be part -of the choir. | 0:29:37 | 0:29:40 | |
-Without the choir, -I wouldn't be here now. | 0:29:40 | 0:29:44 | |
-It's special. | 0:29:44 | 0:29:46 | |
-You get so many opportunities -from singing in a choir. | 0:29:48 | 0:29:52 | |
-Every tour opens a door -to another tour. | 0:29:52 | 0:29:54 | |
-Cor Cymru gave us the opportunity -to come here. | 0:29:54 | 0:29:58 | |
-Ta-ra. | 0:29:58 | 0:30:00 | |
-We've now seen Rialto Bridge. | 0:30:04 | 0:30:08 | |
-St Mark's Square. | 0:30:12 | 0:30:14 | |
-Saint Mark's Basilica was built -in 832. Saint Mark is buried here. | 0:30:17 | 0:30:22 | |
-I think it's beautiful. | 0:30:23 | 0:30:25 | |
-It was larger than I imagined it. | 0:30:25 | 0:30:28 | |
-Being here with a group of friends -is great. | 0:30:28 | 0:30:31 | |
-Oh! | 0:30:31 | 0:30:33 | |
-Not you. | 0:30:33 | 0:30:34 | |
-With Angharad in charge, no trip -to Venice would be complete... | 0:30:38 | 0:30:42 | |
-..without a performance -in one of its great churches... | 0:30:42 | 0:30:46 | |
-..San Moise. | 0:30:46 | 0:30:48 | |
-# Confitemini Domino | 0:30:49 | 0:30:54 | |
-# Quoniam bonus! | 0:30:55 | 0:31:00 | |
-# Confitemini Domino | 0:31:00 | 0:31:06 | |
-# Quoniam bonus! | 0:31:07 | 0:31:12 | |
-# Quoniam in saeculum | 0:31:12 | 0:31:15 | |
-# Misericordia # | 0:31:16 | 0:31:19 | |
-There's nothing -like a rehearsal or a concert... | 0:31:19 | 0:31:23 | |
-..where you have -to concentrate fully. | 0:31:23 | 0:31:26 | |
-Any personal problems you have, -they stay outside. | 0:31:26 | 0:31:30 | |
-You're in another world. | 0:31:30 | 0:31:32 | |
-It's a highlight for Meirion to sit -at the organ high up in the church. | 0:31:39 | 0:31:45 | |
-At the 11th hour, -we've had permission... | 0:31:45 | 0:31:49 | |
-..to play this ancient organ. | 0:31:49 | 0:31:52 | |
-# One evening in the quiet light | 0:31:58 | 0:32:02 | |
-# The clear star shone | 0:32:02 | 0:32:06 | |
-# Through the coldness -of the empty sky | 0:32:06 | 0:32:10 | |
-# The star of everlasting love | 0:32:11 | 0:32:14 | |
-# In its light the three travelled | 0:32:15 | 0:32:18 | |
-# From the ends of the Earth | 0:32:19 | 0:32:22 | |
-# Three wise men followed the star -to this place | 0:32:23 | 0:32:26 | |
-# To God's son in a manger | 0:32:26 | 0:32:30 | |
-# They all huddled together | 0:32:35 | 0:32:38 | |
-# To worship the Lord | 0:32:39 | 0:32:42 | |
-# A new dawn has arrived | 0:32:42 | 0:32:47 | |
-# The long wait is over | 0:32:47 | 0:32:51 | |
-# The light grows during the night | 0:32:51 | 0:32:55 | |
-# There's life in the land # | 0:32:56 | 0:33:02 | |
-I've had so many opportunities -singing with different choirs. | 0:33:09 | 0:33:13 | |
-It's nice being here -with my own choir. | 0:33:13 | 0:33:16 | |
-These girls are sharing experiences -I've had over the years. | 0:33:16 | 0:33:20 | |
-After an indoor performance... | 0:33:22 | 0:33:24 | |
-..a chance for the girls -to impress the locals outside. | 0:33:24 | 0:33:28 | |
-Who else can say they've sung -on St Mark's Square? | 0:33:28 | 0:33:32 | |
-# Now, let's all rejoice | 0:33:33 | 0:33:37 | |
-# There are better times ahead, -ha-hallelujah | 0:33:38 | 0:33:42 | |
-# After the grey skies, -we'll earn a pretty penny | 0:33:42 | 0:33:45 | |
-# There are signs -that our future is blooming | 0:33:45 | 0:33:49 | |
-# Ffw-dw-la-la-la, ffw-dw-la-la-la | 0:33:50 | 0:33:51 | |
-# Ffw-dw-la-la-la-la-la | 0:33:51 | 0:33:53 | |
-# Ffw-dw-la-la-la, ffw-dw-la-la-la | 0:33:53 | 0:33:55 | |
-# Ffw-dw-la-la-la-la-la # | 0:33:55 | 0:34:02 | |
-We needed today. | 0:34:12 | 0:34:13 | |
-It was an opportunity to relax. | 0:34:14 | 0:34:16 | |
-We knew we were in Italy -but we hadn't seen the sights. | 0:34:16 | 0:34:21 | |
-It was nice enjoying a day -in Venice. | 0:34:21 | 0:34:24 | |
-We'll be back working hard -tomorrow morning. | 0:34:24 | 0:34:27 | |
-Tomorrow is the big day. -Everything is geared for tomorrow. | 0:34:29 | 0:34:33 | |
-We can't wait. | 0:34:33 | 0:34:34 | |
-Arrivederci, Venice. | 0:34:38 | 0:34:40 | |
-Tomorrow, we're going for it. | 0:34:40 | 0:34:43 | |
-. | 0:34:53 | 0:34:53 | |
-Subtitles | 0:34:57 | 0:34:57 | |
-Subtitles - -Subtitles | 0:34:57 | 0:34:59 | |
-It's judgement day for Cor Y Wiber. | 0:35:01 | 0:35:04 | |
-It's the day of the grand final. | 0:35:04 | 0:35:07 | |
-The worry of the first round -has been replaced by smiles. | 0:35:07 | 0:35:11 | |
-We're excited about the final. | 0:35:13 | 0:35:15 | |
-We're far more confident -this morning. | 0:35:16 | 0:35:18 | |
-There's less pressure -and we'll give it a good shot. | 0:35:19 | 0:35:23 | |
-Oh, no! | 0:35:23 | 0:35:24 | |
-When we competed, in the morning, -we sang in a massive church... | 0:35:25 | 0:35:30 | |
-..with great acoustic. | 0:35:30 | 0:35:31 | |
-We sang that afternoon. We weren't -used to those surroundings. | 0:35:32 | 0:35:37 | |
-I was shocked by the acoustic -in the auditorium. | 0:35:37 | 0:35:41 | |
-Today's plan is to rehearse -on the beach. | 0:35:41 | 0:35:44 | |
-I hope that's a way -to enjoy rehearsing... | 0:35:44 | 0:35:49 | |
-..and get used -to the lack of acoustic. | 0:35:49 | 0:35:52 | |
-The acoustic won't be any worse -than the beach. | 0:35:52 | 0:35:55 | |
-The scientist knows -the importantce of warming up... | 0:35:56 | 0:36:00 | |
-..both the body and the voice. | 0:36:00 | 0:36:02 | |
-They're clever. -They're facing each other. | 0:36:07 | 0:36:10 | |
-I thought you were just -good friends. | 0:36:12 | 0:36:14 | |
-More! Less. | 0:36:20 | 0:36:22 | |
-After Angharad's unique rehearsal, -glam sunglasses on the nose... | 0:36:26 | 0:36:29 | |
-..and head for the beach. | 0:36:30 | 0:36:31 | |
-I don't care, -I'm taking my leggings off. | 0:36:32 | 0:36:35 | |
-She always gets the best out of us. | 0:36:50 | 0:36:53 | |
-She's great at choosing -a repertoire. | 0:36:54 | 0:36:57 | |
-She spends hours listening to music -and finding something to suit us. | 0:36:58 | 0:37:03 | |
-She's our boss in a good way. | 0:37:03 | 0:37:06 | |
-One, two, three. Aaaah! Mouth. | 0:37:06 | 0:37:10 | |
-When you close your mouth, -I can't hear the sound. | 0:37:10 | 0:37:14 | |
-We're not in a volume battle because -we'll lose the volume battle. | 0:37:15 | 0:37:19 | |
-I don't know why I'm a conductor. | 0:37:19 | 0:37:21 | |
-Now, I can't imagine myself -not being a conductor. | 0:37:22 | 0:37:25 | |
-I never imagined myself -growing up to be a conductor... | 0:37:25 | 0:37:29 | |
-..but then again, I spent years -watching conductors. | 0:37:30 | 0:37:33 | |
-I was always trying to learn -from people who knew more. | 0:37:34 | 0:37:38 | |
-I was like a sponge - -wanting to listen, wanting to learn. | 0:37:38 | 0:37:42 | |
-That might be the thrill. | 0:37:42 | 0:37:44 | |
-If I develop as a conductor, -the choir will develop with me. | 0:37:45 | 0:37:48 | |
-We have musical unity. | 0:37:49 | 0:37:50 | |
-If you change your sound, -I will hear a different sound. | 0:37:51 | 0:37:56 | |
-The preparation is complete. | 0:37:57 | 0:37:59 | |
-With hours to wait -until the competition... | 0:38:00 | 0:38:02 | |
-..the girls head off -to play golf and go shopping. | 0:38:03 | 0:38:07 | |
-What happens next? Another shot? | 0:38:07 | 0:38:09 | |
-This is my heaven. A shoe shop. | 0:38:13 | 0:38:16 | |
-I don't like the pattern. | 0:38:18 | 0:38:20 | |
-I don't like these. | 0:38:22 | 0:38:24 | |
-This is nice. | 0:38:25 | 0:38:27 | |
-The only problem - -in this country it's slim fit. | 0:38:28 | 0:38:32 | |
-With Angharad, you sometimes think -she's bonkers, she's bound to be. | 0:38:34 | 0:38:38 | |
-She asks us to do floss to hold -a note. Everything's intentional. | 0:38:38 | 0:38:46 | |
-If you do this... | 0:38:46 | 0:38:48 | |
-..you need to blow your nose. | 0:38:51 | 0:38:53 | |
-Something we've learnt -is how to empty our noses. | 0:38:53 | 0:38:56 | |
-Blow out - -we haven't had that before. | 0:38:57 | 0:39:01 | |
-She's kept that one for the tour. | 0:39:02 | 0:39:04 | |
-Argh! | 0:39:05 | 0:39:07 | |
-That's kept for behind closed doors. | 0:39:08 | 0:39:11 | |
-It was all on camera though. | 0:39:11 | 0:39:13 | |
-Oh, yeah! | 0:39:15 | 0:39:18 | |
-You're happier -than when we won the competition. | 0:39:28 | 0:39:32 | |
-Soon enough, the laughter stops. | 0:39:37 | 0:39:39 | |
-The best of the best head to -Teatro Vivaldi and the grand final. | 0:39:40 | 0:39:46 | |
-From Sweden, Norway, Germany... | 0:39:46 | 0:39:51 | |
-..and Wales. | 0:39:51 | 0:39:53 | |
-Meirion wishes the girls the best -of luck in his own unique way. | 0:39:53 | 0:39:58 | |
-We're lifting ourselves -for the grand climax. | 0:39:58 | 0:40:02 | |
-Italy's best. | 0:40:03 | 0:40:05 | |
-Sorry about the legs. | 0:40:05 | 0:40:07 | |
-The girls are ready to do battle. | 0:40:09 | 0:40:11 | |
-As are the international judges. | 0:40:11 | 0:40:14 | |
-It'll be a good competition, -the standard is high... | 0:40:15 | 0:40:19 | |
-..and I hope every choir -will give it their all this time. | 0:40:19 | 0:40:23 | |
-I hope there's plenty of emotion, -that's so important in music. | 0:40:23 | 0:40:28 | |
-Welcome to the final evening -of the first edition... | 0:40:30 | 0:40:34 | |
-..of the international -choir competition Voci dal Lido. | 0:40:34 | 0:40:38 | |
-Please welcome on stage -Bergen Kammerkor. | 0:40:38 | 0:40:41 | |
-# Peace on Earth | 0:42:26 | 0:42:34 | |
-# Peace to the world | 0:42:34 | 0:42:40 | |
-# Goodwill to all men | 0:42:41 | 0:42:52 | |
-# Kneeling down by the manger | 0:42:53 | 0:43:01 | |
-# Hallelujah | 0:43:01 | 0:43:05 | |
-# Hallelujah | 0:43:06 | 0:43:10 | |
-# Hallelujah # | 0:43:11 | 0:43:22 | |
-# Cuatro por cinco son veinte | 0:43:24 | 0:43:26 | |
-# Tres por siete son veinte-uno | 0:43:26 | 0:43:27 | |
-# Cuatro por cinco son veinte | 0:43:28 | 0:43:29 | |
-# Tres por siete son veinte-uno | 0:43:29 | 0:43:31 | |
-# Cuatro por cinco son veinte | 0:43:31 | 0:43:33 | |
-# Tres por siete son veinte-uno | 0:43:33 | 0:43:34 | |
-# Cuatro por cinco son veinte | 0:43:35 | 0:43:36 | |
-# Tres por siete son veinte-uno | 0:43:36 | 0:43:38 | |
-# Na na na na no # | 0:43:55 | 0:43:57 | |
-The four choirs have sung -from their hearts. | 0:44:04 | 0:44:07 | |
-Before the first prize is awarded... | 0:44:07 | 0:44:09 | |
-..it's the points -in the individual categories... | 0:44:10 | 0:44:13 | |
-..which count -because of the world rankings. | 0:44:14 | 0:44:17 | |
-Sweden and Y Wiber -win gold certificates. | 0:44:18 | 0:44:20 | |
-Y Wiber win for high marks -in sacred music and chamber music. | 0:44:20 | 0:44:25 | |
-Time for the major awards. -Who is the best conductor? | 0:44:28 | 0:44:33 | |
-The conductor's prize of -the first Voci dal Lido goes to... | 0:44:35 | 0:44:39 | |
-..Angharad Mair Jones from Wales. | 0:44:40 | 0:44:43 | |
-Two gold certificates -and the best conductor prize. | 0:44:46 | 0:44:50 | |
-Surely she couldn't win -the Grand Slam? | 0:44:50 | 0:44:53 | |
-The winner of Voci dal Lido... | 0:44:53 | 0:44:56 | |
-..La Cappella from Sweden. | 0:44:57 | 0:45:00 | |
-They miss out on first prize -by only point... | 0:45:05 | 0:45:08 | |
-..but the Welsh girls -can be very proud of their efforts. | 0:45:09 | 0:45:13 | |
-We're really happy. | 0:45:13 | 0:45:15 | |
-This is our first competition -outside Wales. | 0:45:15 | 0:45:18 | |
-To win two certificates and with -Angharad winning, we're chuffed. | 0:45:19 | 0:45:25 | |
-We won gold - -that puts us in the world rankings. | 0:45:25 | 0:45:28 | |
-I'm very proud of them. | 0:45:33 | 0:45:34 | |
-They sung so well - -they couldn't have sung any better. | 0:45:35 | 0:45:38 | |
-Everyone said you'd sung so well. | 0:45:38 | 0:45:40 | |
-We've done a good job -flying the flag for Wales. | 0:45:40 | 0:45:43 | |
-Party, pizza, Prosecco! | 0:45:44 | 0:45:47 | |
-Party, pizza, Prosecco was the call! | 0:45:48 | 0:45:51 | |
-That's precisely -what the girls deserved. | 0:45:51 | 0:45:55 | |
-# There are better times ahead, -ha-hallelujah | 0:45:56 | 0:45:59 | |
-No night would be complete -without a song. | 0:46:01 | 0:46:03 | |
-# There are signs -that our future is blooming | 0:46:03 | 0:46:06 | |
-# Ffw-dw-la-la-la, ffw-dw-la-la-la | 0:46:06 | 0:46:08 | |
-# Ffw-dw-la-la-la-la-la | 0:46:08 | 0:46:10 | |
-# Ffw-dw-la-la-la, ffw-dw-la-la-la | 0:46:10 | 0:46:11 | |
-# Ffw-dw-la-la-la-la-la # | 0:46:12 | 0:46:14 | |
-Much too soon, it's time -for the choir to head home. | 0:46:15 | 0:46:19 | |
-The experience of their tour to -Venice will stay with them forever. | 0:46:21 | 0:46:26 | |
-If you want to join a choir, -it's the best thing you'll do. | 0:46:26 | 0:46:30 | |
-Not only for the singing but -the friends you make are incredible. | 0:46:30 | 0:46:35 | |
-To be part of something, hoping -your voice makes a difference. | 0:46:35 | 0:46:39 | |
-# Sandman # | 0:46:40 | 0:46:42 | |
-This trip has been amazing. | 0:46:42 | 0:46:45 | |
-You only get these experiences -with a choir. | 0:46:45 | 0:46:48 | |
-Singing in Venice, in that church. -That was incredible. | 0:46:50 | 0:46:55 | |
-There was enough acoustic -to make us sound class! | 0:46:55 | 0:46:59 | |
-The gondolas were amazing. | 0:46:59 | 0:47:02 | |
-# Mr Sandman # | 0:47:03 | 0:47:05 | |
-I laughed until I was ill. | 0:47:05 | 0:47:07 | |
-If I had to choose a highlight, that -first note we sang in the church... | 0:47:08 | 0:47:13 | |
-..in Jesolo. | 0:47:14 | 0:47:16 | |
-Hearing the sound -bounce back at you. | 0:47:16 | 0:47:19 | |
-I'll never forget that experience. | 0:47:20 | 0:47:22 | |
-I'll never forget that experience. - -# Mr Sandman # | 0:47:22 | 0:47:24 | |
-This tour reminded me -why I'm Cor Y Wiber's conductor. | 0:47:24 | 0:47:28 | |
-On a cold night and someone texts -to say they can't come... | 0:47:28 | 0:47:33 | |
-..when it takes ages -to get a music piece right... | 0:47:33 | 0:47:37 | |
-..you scratch your head. | 0:47:37 | 0:47:40 | |
-When you're on a tour like this, -they've been great company. | 0:47:40 | 0:47:45 | |
-They've been patient, -they've raised their game. | 0:47:46 | 0:47:50 | |
-They've overcome the heat -in the auditorium. | 0:47:51 | 0:47:54 | |
-I've mentioned I might take them -on tour somewhere else. | 0:47:54 | 0:48:00 | |
-Just being with the choir -is the highlight for me. | 0:48:00 | 0:48:04 | |
-It's nice to be home. -Time for a cuppa. | 0:48:04 | 0:48:07 | |
-S4C Subtitles by Adnod Cyf. | 0:48:16 | 0:48:18 | |
-. | 0:48:18 | 0:48:18 |