
Browse content similar to O'r Galon: Mared. Check below for episodes and series from the same categories and more!
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-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-It's been a gradual deterioration. | 0:00:28 | 0:00:32 | |
-It's something the entire family -has had to come to terms with. | 0:00:33 | 0:00:37 | |
-The best way I can describe it... | 0:00:42 | 0:00:44 | |
-..is when you tune a television... | 0:00:45 | 0:00:47 | |
-..you can still see -the picture and the colour... | 0:00:47 | 0:00:51 | |
-..but there are black and white -pixels moving around... | 0:00:51 | 0:00:55 | |
-..on top of the picture... | 0:00:56 | 0:00:57 | |
-..with a black block -cut out of the middle... | 0:01:01 | 0:01:05 | |
-..and flashing lights. | 0:01:06 | 0:01:09 | |
-Banana. | 0:01:19 | 0:01:21 | |
-Banana, apple, vanilla, wheatgerm... | 0:01:21 | 0:01:26 | |
-I remember the doctor telling me -she had Stargardt disease. | 0:01:26 | 0:01:31 | |
-She was about nine years old. | 0:01:31 | 0:01:34 | |
-When I was around 11... | 0:01:36 | 0:01:38 | |
-..I had a growth spurt. | 0:01:39 | 0:01:41 | |
-It caused my right eye -to deteriorate so much... | 0:01:41 | 0:01:45 | |
-..I had the eyesight -of an 80-year-old. | 0:01:45 | 0:01:48 | |
-They put that in -to create a glass recording studio. | 0:01:48 | 0:01:53 | |
-Mared has always been -a very creative person. | 0:01:53 | 0:01:59 | |
-Because of her condition, -we were always keen for her... | 0:01:59 | 0:02:03 | |
-..to have experiences -like going to the theatre. | 0:02:04 | 0:02:07 | |
-We made sure -we had seats in the front row. | 0:02:07 | 0:02:10 | |
-I remember -sitting in your front room... | 0:02:11 | 0:02:15 | |
-..and you turned to me and said, -"I can't see you clearly, Nain." | 0:02:16 | 0:02:20 | |
-I was sitting this close to you. | 0:02:21 | 0:02:23 | |
-You said, "I can't see -the television clearly either." | 0:02:23 | 0:02:27 | |
-I said, "It's because -you sit so close to the screen. | 0:02:27 | 0:02:31 | |
-"I don't like you -sitting that close." | 0:02:32 | 0:02:34 | |
-I realized later on... | 0:02:35 | 0:02:38 | |
-..that you had to sit closer to it, -like I have to do now. | 0:02:38 | 0:02:42 | |
-I'm almost on top of it. | 0:02:42 | 0:02:44 | |
-She's so capable -and she's so clever. | 0:02:44 | 0:02:47 | |
-She's very switched on. | 0:02:47 | 0:02:50 | |
-She's far from being dumb. | 0:02:50 | 0:02:53 | |
-When it's one small thing of -not being able to see very well... | 0:02:53 | 0:02:58 | |
-..it's just such a pity. | 0:03:01 | 0:03:03 | |
-She's just Mared. I don't think -of her as someone who can't see. | 0:03:14 | 0:03:18 | |
-I just have to deal with it... | 0:03:20 | 0:03:24 | |
-..just as she has to deal with it. | 0:03:25 | 0:03:28 | |
-You're part of my life now. -We just get on with it. | 0:03:28 | 0:03:32 | |
-It's not something -we talk about, anyway, is it? | 0:03:32 | 0:03:35 | |
-It's not something I think about. | 0:03:37 | 0:03:39 | |
-If I don't think about it, -then neither do you. | 0:03:39 | 0:03:42 | |
-There's a part of my brain which -remembers seeing things clearly. | 0:03:45 | 0:03:49 | |
-I remember a picture... | 0:03:50 | 0:03:52 | |
-..and suddenly I can see it. | 0:03:52 | 0:03:56 | |
-It's odd walking into a room... | 0:03:56 | 0:03:59 | |
-..not knowing who's in there, -hearing them speak... | 0:03:59 | 0:04:03 | |
-..recognizing the voice... | 0:04:03 | 0:04:05 | |
-..and then being able to picture -the person in my mind... | 0:04:05 | 0:04:09 | |
-..and suddenly I'm almost able -to see the person... | 0:04:09 | 0:04:13 | |
-..because I remember the face. | 0:04:13 | 0:04:16 | |
-Six months earlier | 0:04:16 | 0:04:19 | |
-This is where I'll be going -in a week's time. | 0:04:31 | 0:04:34 | |
-I'm excited. I just want to -be there now. I'm fed up of waiting. | 0:04:37 | 0:04:42 | |
-I've been wanting to leave home -for such a long time... | 0:04:42 | 0:04:46 | |
-..but now I've left, I can't wait -to go home for Sunday lunch already! | 0:04:47 | 0:04:53 | |
-I try not to let it... | 0:04:56 | 0:04:58 | |
-..make me too emotional... | 0:04:58 | 0:05:01 | |
-..and I have to think to myself... | 0:05:01 | 0:05:04 | |
-..'Hold on a minute now. -She's not that bad.' | 0:05:04 | 0:05:07 | |
-But deep down in my heart -it does worry me. | 0:05:10 | 0:05:13 | |
-She knows to ask someone if she's -unsure if she's on the right bus. | 0:05:16 | 0:05:21 | |
-Once she said to a bus driver... | 0:05:21 | 0:05:24 | |
-.."Excuse me, -does this go into town?" | 0:05:24 | 0:05:28 | |
-And he looked at her and he said... | 0:05:28 | 0:05:30 | |
-"What does it say -on the front of the bus, love? | 0:05:31 | 0:05:34 | |
-"Go out, have a little look -and you'll know." | 0:05:35 | 0:05:38 | |
-I don't want to appear disabled. | 0:05:45 | 0:05:47 | |
-I don't want to be judged -because of it. | 0:05:47 | 0:05:51 | |
-I don't carry a stick, I don't have -glasses, I don't have a guide dog. | 0:05:51 | 0:05:56 | |
-I couldn't deal with that. | 0:05:56 | 0:05:58 | |
-I think it's important -that people judge me for me... | 0:05:59 | 0:06:03 | |
-..before finding out that I can't -see instead of the other way around. | 0:06:04 | 0:06:08 | |
-She got off the bus... | 0:06:09 | 0:06:12 | |
-..and caught the next one -but it was the wrong one. | 0:06:12 | 0:06:15 | |
-This happened -when she was about 14 or 15. | 0:06:16 | 0:06:18 | |
-I hope she won't encounter problems -like that again. It worries me. | 0:06:19 | 0:06:24 | |
-I love Cardiff as a city. | 0:06:31 | 0:06:33 | |
-Everything I need is here. | 0:06:34 | 0:06:36 | |
-If I live alone... | 0:06:37 | 0:06:39 | |
-..I'll see areas of Cardiff and -a side to it I've never seen before. | 0:06:40 | 0:06:45 | |
-It'll become a new city to me -because I have to be independent... | 0:06:46 | 0:06:50 | |
-..and live here instead of -just being brought up here. | 0:06:50 | 0:06:54 | |
-I'm on my way to the School -of Optometry, which is nearby. | 0:07:30 | 0:07:34 | |
-I hope when I arrive that -Megan and Angharad will be there. | 0:07:43 | 0:07:48 | |
-I went to school with them both. | 0:07:48 | 0:07:50 | |
-They're also doing -the same course as me. | 0:07:51 | 0:07:53 | |
-Basically, we're learning -to be coaches ourselves. | 0:07:57 | 0:08:01 | |
-We'll be the first group... | 0:08:01 | 0:08:03 | |
-..where children -with visual impairment... | 0:08:04 | 0:08:07 | |
-..or young people with visual -impairment are concerned... | 0:08:07 | 0:08:11 | |
-..will be taught how to coach -children with visual impairment. | 0:08:12 | 0:08:16 | |
-You don't know how that feels -because you're still there. | 0:08:16 | 0:08:20 | |
-I think it's nice -that there are quite a lot of us... | 0:08:21 | 0:08:25 | |
-..with visual impairment -in close contact. | 0:08:26 | 0:08:29 | |
-Let's be a robot. | 0:08:30 | 0:08:33 | |
-Yes, let's. | 0:08:34 | 0:08:35 | |
-You're a good robot. That's good. | 0:08:37 | 0:08:41 | |
-OK, let's be ballerinas. | 0:08:43 | 0:08:46 | |
-Yes, let's! | 0:08:46 | 0:08:48 | |
-UCan is a theatre company -for children and young people... | 0:08:53 | 0:08:57 | |
-..with visual impairment. | 0:08:57 | 0:09:00 | |
-It started around seven years ago. | 0:09:00 | 0:09:06 | |
-Bernie had been working as an actor -on Hollyoaks for many years. | 0:09:06 | 0:09:10 | |
-Today, we're -kind of concentrating on faces. | 0:09:11 | 0:09:15 | |
-I want you to think about that. | 0:09:15 | 0:09:17 | |
-I want you to think about that. - -Jane Latham is his wife. | 0:09:17 | 0:09:19 | |
-This time, you're going to -completely get into the paint pot. | 0:09:19 | 0:09:23 | |
-It's wonderful working with Mared -and to have known her for so long. | 0:09:24 | 0:09:28 | |
-We've seen her grow up. -She's a talented young lady. | 0:09:28 | 0:09:32 | |
-Splat it all on Bernie. | 0:09:32 | 0:09:35 | |
-The first day we worked with her, -we knew she had it. | 0:09:35 | 0:09:38 | |
-She's got this really good gift. | 0:09:39 | 0:09:41 | |
-This talent of listening... | 0:09:41 | 0:09:43 | |
-..and being able -to portray different characters. | 0:09:44 | 0:09:47 | |
-Let's be a lion. | 0:09:47 | 0:09:49 | |
-Yes, let's! | 0:09:50 | 0:09:52 | |
-I was thrown into this world -full of positive people... | 0:10:00 | 0:10:03 | |
-..who just wanted me -to push myself and have self-belief. | 0:10:07 | 0:10:11 | |
-I don't think -I'd be the person I am today... | 0:10:12 | 0:10:15 | |
-..if I hadn't had -that encouragement from the start. | 0:10:15 | 0:10:19 | |
-I do believe they've helped -shaped me as a person... | 0:10:25 | 0:10:30 | |
-..and the way -I deal with my condition. | 0:10:30 | 0:10:34 | |
-Take your time. | 0:10:34 | 0:10:36 | |
-. | 0:10:43 | 0:10:43 | |
-Subtitles | 0:10:45 | 0:10:45 | |
-Subtitles - -Subtitles | 0:10:45 | 0:10:47 | |
-Strange things have been happening. | 0:10:56 | 0:10:59 | |
-Lights are flashing all the time, -even when I close my eyes. | 0:10:59 | 0:11:05 | |
-I see strips of light -going around and around... | 0:11:07 | 0:11:12 | |
-..for a minute or so -and all I can do is stare. | 0:11:12 | 0:11:16 | |
-It happens when there's -a change in light conditions. | 0:11:20 | 0:11:24 | |
-I'm in the dark -and someone switches on a light. | 0:11:24 | 0:11:27 | |
-From what I understand... | 0:11:31 | 0:11:34 | |
-..some kind of fluid -leaks from the blood vessels... | 0:11:34 | 0:11:37 | |
-..and burns away the retina. | 0:11:38 | 0:11:41 | |
-When Mared was about 10 years old... | 0:11:48 | 0:11:51 | |
-..when the condition -started to manifest... | 0:11:51 | 0:11:55 | |
-..I felt frustrated. | 0:11:55 | 0:11:57 | |
-I was filled with so many emotions. | 0:11:57 | 0:12:00 | |
-I felt angry at the world... | 0:12:00 | 0:12:04 | |
-..and an element of guilt... | 0:12:04 | 0:12:08 | |
-..because of -the illness's genetic factor. | 0:12:08 | 0:12:11 | |
-All these feelings prompted me -to write a poem for Mared. | 0:12:11 | 0:12:16 | |
-How great her vision -and sweet her harmony | 0:12:16 | 0:12:21 | |
-The humour of her jokes -and her outlook on the world | 0:12:21 | 0:12:26 | |
-Happy of spirit and full of life | 0:12:26 | 0:12:29 | |
-And the mischief that follows -when blowing the saxophone | 0:12:29 | 0:12:33 | |
-Or playing the piano tenderly | 0:12:33 | 0:12:35 | |
-Every melody is full of feeling | 0:12:36 | 0:12:38 | |
-Her loss is our responsibility | 0:12:39 | 0:12:42 | |
-Summer won't come to her again | 0:12:43 | 0:12:45 | |
-Only a perpetual autumn | 0:12:46 | 0:12:48 | |
-A low-lying sun and a grey moon | 0:12:48 | 0:12:50 | |
-I'll be with her until the end | 0:12:51 | 0:12:55 | |
-As a kind of antipasto misto -or offerings on a plate | 0:12:55 | 0:12:59 | |
-If food is the essence of life | 0:12:59 | 0:13:03 | |
-Remembering her as a child, -her fingers twisting my hair | 0:13:03 | 0:13:07 | |
-Our world turns into a dream -for the final time | 0:13:07 | 0:13:11 | |
-Mared is a being of maturity | 0:13:12 | 0:13:16 | |
-All that's important | 0:13:17 | 0:13:18 | |
-Is that we can see her. | 0:13:19 | 0:13:21 | |
-This plaque is made of clay. | 0:13:28 | 0:13:32 | |
-Very cheap clay. | 0:13:32 | 0:13:34 | |
-But there are holes... | 0:13:34 | 0:13:38 | |
-..that have been cut out. | 0:13:38 | 0:13:40 | |
-These holes -spell out a sentence in Braille. | 0:13:41 | 0:13:46 | |
-The words say, hold your ground. | 0:13:46 | 0:13:49 | |
-The idea -is to look through the holes... | 0:13:50 | 0:13:54 | |
-..to see the picture behind... | 0:13:54 | 0:13:56 | |
-..and there's a special way of -using your eyes to see the picture. | 0:13:56 | 0:14:02 | |
-I wanted to try and portray... | 0:14:02 | 0:14:06 | |
-..what a partially-sighted person -has to deal with... | 0:14:06 | 0:14:11 | |
-..in a creative way... | 0:14:11 | 0:14:13 | |
-..and a less obvious way. | 0:14:15 | 0:14:17 | |
-Although this clay plaque... | 0:14:18 | 0:14:23 | |
-..obscures the picture behind it... | 0:14:24 | 0:14:27 | |
-..the piece itself is pretty too. | 0:14:27 | 0:14:30 | |
-It's like my eyesight. | 0:14:30 | 0:14:33 | |
-Although I can't see -the picture clearly... | 0:14:33 | 0:14:36 | |
-..the layer on top of that... | 0:14:37 | 0:14:41 | |
-..still makes -the picture I see pretty. | 0:14:41 | 0:14:45 | |
-Hello. How are you? | 0:15:01 | 0:15:04 | |
-Fine. | 0:15:04 | 0:15:06 | |
-These are for you. Enjoy them. | 0:15:07 | 0:15:10 | |
-Look who's here. | 0:15:10 | 0:15:12 | |
-Are you alright? Long time no see. | 0:15:12 | 0:15:15 | |
-Are you keeping busy? | 0:15:16 | 0:15:17 | |
-Are you keeping busy? - -Yes, ish. | 0:15:17 | 0:15:20 | |
-Busy enough. | 0:15:20 | 0:15:22 | |
-Is it odd being back? | 0:15:22 | 0:15:24 | |
-Is it odd being back? - -Yes, it is. | 0:15:24 | 0:15:26 | |
-Pupils spend a lot of time here... | 0:15:27 | 0:15:30 | |
-..and when they go, -it's strange without them. | 0:15:30 | 0:15:34 | |
-I've decided to leave college. | 0:15:34 | 0:15:37 | |
-You've made your decision? | 0:15:38 | 0:15:39 | |
-You've made your decision? - -Yes. | 0:15:39 | 0:15:40 | |
-It wasn't the right time for you. | 0:15:41 | 0:15:43 | |
-No. | 0:15:43 | 0:15:45 | |
-It was just really difficult -being in that kind of environment. | 0:15:45 | 0:15:50 | |
-It's a big change and now's -not the right time. Maybe later. | 0:15:51 | 0:15:56 | |
-Because of your impairment, -you haven't had the freedom. | 0:15:56 | 0:16:00 | |
-You had freedom from Mam and Dad... | 0:16:00 | 0:16:03 | |
-..but you couldn't do -a lot of things... | 0:16:03 | 0:16:06 | |
-..that you have -the confidence to do now. | 0:16:06 | 0:16:09 | |
-You should enjoy -doing things you didn't do before. | 0:16:09 | 0:16:12 | |
-Since growing up -in this situation... | 0:16:13 | 0:16:18 | |
-..and being surrounded by people... | 0:16:18 | 0:16:22 | |
-..I realize I'm in the best possible -situation that I could be in. | 0:16:22 | 0:16:27 | |
-You mean family? | 0:16:27 | 0:16:28 | |
-You mean family? - -Family, UCan, friends... | 0:16:28 | 0:16:30 | |
-..school. | 0:16:31 | 0:16:33 | |
-I've been very lucky in -the decisions that have been made. | 0:16:33 | 0:16:38 | |
-The fact that Mam and Dad haven't -changed our home life at all. | 0:16:38 | 0:16:43 | |
-Mam still works -and Dad still works... | 0:16:43 | 0:16:46 | |
-..but they're home often enough. | 0:16:46 | 0:16:49 | |
-I've stayed in mainstream school, -a Welsh-medium school. | 0:16:50 | 0:16:54 | |
-Ysgol Plasmawr is wonderful. | 0:16:54 | 0:16:57 | |
-Yes, exactly. | 0:16:58 | 0:16:59 | |
-I took these photographs... | 0:17:03 | 0:17:06 | |
-..at a farmhouse in Strata Florida. | 0:17:06 | 0:17:10 | |
-I've never seen such -a beautiful house in all my life... | 0:17:10 | 0:17:16 | |
-..although it's dilapidated. | 0:17:17 | 0:17:19 | |
-Really weird little things... | 0:17:21 | 0:17:25 | |
-..like horse paraphernalia. | 0:17:25 | 0:17:27 | |
-I'm no farm girl, -so I'm not sure what they are. | 0:17:27 | 0:17:30 | |
-Put the whole thing together... | 0:17:31 | 0:17:33 | |
-..and it's as if -it's been staged for a photograph. | 0:17:33 | 0:17:38 | |
-I find it difficult to explain... | 0:17:41 | 0:17:45 | |
-..how I do the work... | 0:17:45 | 0:17:49 | |
-..because it sounds odd, -but I just do it. | 0:17:49 | 0:17:54 | |
-It just happens. | 0:17:54 | 0:17:56 | |
-I think my mind -remembers when I had full vision. | 0:18:01 | 0:18:08 | |
-I've collected the pieces -I've made over the years... | 0:18:12 | 0:18:16 | |
-..because I've become -very attached to them. | 0:18:17 | 0:18:21 | |
-I didn't want to leave them -in school. | 0:18:21 | 0:18:25 | |
-This is my favourite piece of all. | 0:18:26 | 0:18:28 | |
-This is when my obsession -with clay began. | 0:18:30 | 0:18:33 | |
-My grandfather told me -just to have a go with clay. | 0:18:33 | 0:18:39 | |
-The first thing you create -is a thumb pot. | 0:18:39 | 0:18:44 | |
-All it is is a lump of clay -in the shape of a ball. | 0:18:44 | 0:18:50 | |
-You use your thumb... | 0:18:50 | 0:18:52 | |
-..and your fingers... | 0:18:52 | 0:18:54 | |
-..to create the cup shape. | 0:18:54 | 0:18:58 | |
-The trick -is to mould it in one piece. | 0:18:58 | 0:19:03 | |
-I had a picture in my mind -that they were going to hang... | 0:19:03 | 0:19:07 | |
-..because -there were holes in them... | 0:19:07 | 0:19:11 | |
-..as if they were decaying or as if -something had been pecking at them. | 0:19:11 | 0:19:16 | |
-I liked the idea -they were hanging... | 0:19:17 | 0:19:19 | |
-..and had been left for many years. | 0:19:20 | 0:19:24 | |
-# A dormant love was awakened | 0:19:27 | 0:19:31 | |
-# We got married though we were poor | 0:19:32 | 0:19:35 | |
-# In delicate shawls | 0:19:37 | 0:19:39 | |
-# Children were nursed | 0:19:39 | 0:19:43 | |
-# A belated Hallelujah | 0:19:46 | 0:19:51 | |
-# The world beyond is responding now | 0:19:51 | 0:19:56 | |
-# Hallelujah day and night | 0:19:56 | 0:20:00 | |
-# The delicate cloth -is the colour of the soil # | 0:20:01 | 0:20:06 | |
-I recorded an album two years ago. | 0:20:06 | 0:20:09 | |
-It was the first album -I'd released in a long while. | 0:20:09 | 0:20:13 | |
-My daughter Lisa -has sung with me over the years. | 0:20:15 | 0:20:20 | |
-After hearing -Mared and Hanna's voices... | 0:20:21 | 0:20:26 | |
-..I decided it'd be great to have -the three of them singing harmonies. | 0:20:27 | 0:20:32 | |
-It was a wonderful experience. | 0:20:33 | 0:20:35 | |
-The three of them sing on the album. | 0:20:35 | 0:20:38 | |
-# Something in the beady eyes | 0:20:38 | 0:20:40 | |
-# That see everything -like a reflection | 0:20:40 | 0:20:44 | |
-# Solzhenitsyn, stop | 0:20:44 | 0:20:50 | |
-I'm still not sure of the rhythm. | 0:20:50 | 0:20:52 | |
-I'm still not sure of the rhythm. - -# Solzhenitsyn, stop | 0:20:52 | 0:20:56 | |
-# Something in the beady eyes | 0:20:56 | 0:20:58 | |
-# That sees everything -like a reflection | 0:20:58 | 0:21:03 | |
-# Solzhenitsyn, stop # | 0:21:03 | 0:21:04 | |
-It's more of a saying than a song. | 0:21:04 | 0:21:07 | |
-It's spoken more than sung. | 0:21:08 | 0:21:10 | |
-It's been -an incredible experience... | 0:21:12 | 0:21:15 | |
-..having them there in support -and sharing the experience. | 0:21:16 | 0:21:21 | |
-# In delicate shawls -children were nursed # | 0:21:21 | 0:21:24 | |
-It made a huge difference because -it changed the quality of my work. | 0:21:25 | 0:21:30 | |
-# A belated Hallelujah | 0:21:30 | 0:21:35 | |
-# The world beyond -is responding now | 0:21:35 | 0:21:40 | |
-# Hallelujah day and night | 0:21:40 | 0:21:44 | |
-# The delicate cloth -is the colour of the soil # | 0:21:44 | 0:21:49 | |
-Singing is my passion. | 0:21:50 | 0:21:54 | |
-That's what -I'd eventually like to do. | 0:21:55 | 0:21:59 | |
-But I also enjoy writing... | 0:22:00 | 0:22:04 | |
-..and I'm drawn -to literature and drama. | 0:22:04 | 0:22:08 | |
-But I'm not sure. | 0:22:08 | 0:22:11 | |
-These things are all connected. | 0:22:11 | 0:22:14 | |
-There might be a way -of combining all those things. | 0:22:14 | 0:22:18 | |
-I've never met anyone like Mared. | 0:22:30 | 0:22:32 | |
-We work with a lot -of partially-sighted children. | 0:22:33 | 0:22:36 | |
-She's extraordinary. | 0:22:36 | 0:22:39 | |
-You work with lots of people -in this line of work... | 0:22:42 | 0:22:45 | |
-..and then you meet someone -at a relatively young age... | 0:22:45 | 0:22:49 | |
-..who's got it all. | 0:22:50 | 0:22:52 | |
-The musical talent, the voice... | 0:22:52 | 0:22:54 | |
-..and she has the ability to be -good every time she does something. | 0:22:54 | 0:22:59 | |
-It's quite natural -and it's also rare. | 0:22:59 | 0:23:02 | |
-Whatever she decides to do, -she'll be good at it. | 0:23:02 | 0:23:05 | |
-There's no doubt about that. | 0:23:05 | 0:23:09 | |
-I've come to the point where I think -that's what everyone else sees too. | 0:23:11 | 0:23:17 | |
-I can't really understand -what everybody else sees. | 0:23:17 | 0:23:21 | |
-That's my way of dealing with it. | 0:23:22 | 0:23:26 | |
-I kid myself -that I'm the normal one... | 0:23:27 | 0:23:32 | |
-..not everyone else! | 0:23:32 | 0:23:34 | |
-S4C Subtitles by Adnod Cyf. | 0:23:50 | 0:23:52 | |
-. | 0:23:52 | 0:23:52 |