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-Subtitles | 0:00:31 | 0:00:32 | |
-Once again this year, -there are three categories... | 0:00:35 | 0:00:38 | |
-..poetry, fiction -and creative non-fiction. | 0:00:38 | 0:00:40 | |
-The winner of each category -will win 1,000 and a trophy. | 0:00:41 | 0:00:44 | |
-The winner of the overall -Book of the Year award... | 0:00:45 | 0:00:47 | |
-..will receive an additional 3,000 -and a further award. | 0:00:47 | 0:00:51 | |
-I can't wait to find out -who has won. Let's go in. | 0:00:51 | 0:00:54 | |
-I think a night like this is -important for the entire industry. | 0:00:54 | 0:00:58 | |
-It's clearly important -for the authors and publishers. | 0:00:58 | 0:01:02 | |
-It's also important for booksellers -and those in the supply chain. | 0:01:02 | 0:01:06 | |
-It draws attention -to the shortlist... | 0:01:06 | 0:01:09 | |
-..and to the rest -of the year's books. | 0:01:10 | 0:01:13 | |
-It's been a great competition. | 0:01:13 | 0:01:15 | |
-The longlist was excellent -in a challenging year. | 0:01:16 | 0:01:19 | |
-A lot of books -could have been included. | 0:01:19 | 0:01:22 | |
-They've put together -an interesting list. | 0:01:22 | 0:01:25 | |
-There are some unusual and -perhaps unexpected choices. | 0:01:26 | 0:01:29 | |
-I think the choice of novels -is particularly strong. | 0:01:29 | 0:01:32 | |
-I have favourites -in all three categories. | 0:01:33 | 0:01:35 | |
-If I have to decide... | 0:01:36 | 0:01:37 | |
-..and maybe -I'll be eating my hat later... | 0:01:37 | 0:01:40 | |
-..I'd chose Gruffydd Aled Williams' -Dyddiau Olaf Owain Glyndwr... | 0:01:40 | 0:01:44 | |
-..Y Bwthyn by Caryl Lewis -and Nes Draw by Mererid Hopwood. | 0:01:44 | 0:01:48 | |
-My own personal choice -for the main prize... | 0:01:48 | 0:01:50 | |
-..would be Caryl Lewis. | 0:01:50 | 0:01:52 | |
-It's good to have the ceremony -in South Wales... | 0:01:54 | 0:01:57 | |
-..and outside the major cities. | 0:01:58 | 0:02:00 | |
-It's good to draw attention -to the Merthyr area... | 0:02:00 | 0:02:03 | |
-..and to bring the -arts to the Valleys. | 0:02:04 | 0:02:06 | |
-The Book of the Year awards -IS quite a big event. | 0:02:09 | 0:02:12 | |
-There's excitement here. -There's a lot happening. | 0:02:13 | 0:02:16 | |
-I'm from the Rhondda and it was -great not to have to travel too far. | 0:02:17 | 0:02:21 | |
-Good evening and -on behalf of Literature Wales... | 0:02:25 | 0:02:28 | |
-..welcome to the -2016 Book of the Year ceremony. | 0:02:28 | 0:02:31 | |
-I'm Lisa Gwilym and -I'll guide you through the ceremony. | 0:02:32 | 0:02:35 | |
-It's a pleasure to be -at the Redhouse in Merthyr... | 0:02:36 | 0:02:39 | |
-..for one of the highlights -of the Welsh literary year. | 0:02:39 | 0:02:42 | |
-There are ten awards and 12,000 -to be won. | 0:02:43 | 0:02:45 | |
-For the next hour, we'll -concentrate on some of Wales'... | 0:02:46 | 0:02:49 | |
-..best contemporary authors. | 0:02:50 | 0:02:52 | |
-The adjudicators started reading -tonight's books over a year ago. | 0:02:54 | 0:02:58 | |
-The Welsh-language adjudicators -have read over 50 works. | 0:02:58 | 0:03:02 | |
-The English-language adjudicators -have read more than 90 volumes. | 0:03:02 | 0:03:06 | |
-In what has been a strong year -for Welsh literature... | 0:03:06 | 0:03:09 | |
-..I'm sure you'll agree -that reaching the shortlist... | 0:03:10 | 0:03:13 | |
-..is quite an achievement. | 0:03:13 | 0:03:15 | |
-Please show them your appreciation. | 0:03:15 | 0:03:18 | |
-Let's move on to our first award. | 0:03:24 | 0:03:26 | |
-Literature Wales would like -to thank Golwg 360... | 0:03:26 | 0:03:29 | |
-..for their support -once again this year... | 0:03:30 | 0:03:32 | |
-..in sponsoring -the People's Choice Award. | 0:03:33 | 0:03:35 | |
-The award that gives those -who buy and read the books... | 0:03:36 | 0:03:39 | |
-..the chance to vote. | 0:03:39 | 0:03:41 | |
-Presenting the award, please welcome -Owain Schiavone from Golwg 360. | 0:03:41 | 0:03:46 | |
-I'm very happy to announce that the -2016 People's Choice Award winner... | 0:03:52 | 0:03:57 | |
-..is Y Bwthyn by Caryl Lewis. | 0:03:57 | 0:03:59 | |
-Caryl, many congratulations for -winning the People's Choice Award. | 0:04:05 | 0:04:09 | |
-That suggests that you know your -audience and know what they want. | 0:04:11 | 0:04:15 | |
-But for whom do you write? | 0:04:15 | 0:04:17 | |
-I always joke -that my mother's audience... | 0:04:18 | 0:04:21 | |
-..would be sitting in front -of her in a concert... | 0:04:22 | 0:04:25 | |
-..but my audience are sitting in -their beds in their pyjamas... | 0:04:26 | 0:04:30 | |
-..with a packet of Jaffa Cakes, -just like I do! | 0:04:30 | 0:04:33 | |
-I try to write what touches people. | 0:04:36 | 0:04:38 | |
-Books full of feeling, maybe. | 0:04:39 | 0:04:41 | |
-When I have read a book... | 0:04:42 | 0:04:43 | |
-..I like to have been on a journey, -to have felt something. | 0:04:45 | 0:04:54 | |
-That's the only thing I try to do. | 0:04:54 | 0:04:58 | |
-I want to touch people -and to be honest by doing so. | 0:04:58 | 0:05:01 | |
-I'm delighted -and this award is so pretty. | 0:05:02 | 0:05:05 | |
-Many congratulations, the winner -of the People's Choice Award... | 0:05:06 | 0:05:11 | |
-..Caryl Lewis. | 0:05:11 | 0:05:12 | |
-The first category is... | 0:05:19 | 0:05:20 | |
-..the Aberystwyth University Welsh -and Celtic Studies Department... | 0:05:20 | 0:05:24 | |
-..Poetry Award. | 0:05:25 | 0:05:26 | |
-"Here's a happy community | 0:05:32 | 0:05:34 | |
-"Holding Cardiff's golden key; | 0:05:34 | 0:05:37 | |
-"But despite the witty friends | 0:05:37 | 0:05:39 | |
-"Youthful bliss that never ends | 0:05:40 | 0:05:42 | |
-"I long in vain for the scruffy lad | 0:05:43 | 0:05:45 | |
-"who was a rebel, and was glad | 0:05:46 | 0:05:47 | |
-"To stand his ground -and not to roam | 0:05:49 | 0:05:51 | |
-"I'm now an exile with no home | 0:05:51 | 0:05:53 | |
-"And is there anything so sad | 0:05:55 | 0:05:56 | |
-"The thawed bravado of that lad? | 0:05:57 | 0:05:59 | |
-"His freedom has no roots today" | 0:06:01 | 0:06:04 | |
-Nes Draw - Mererid Hopwood. | 0:06:04 | 0:06:06 | |
-"There is a song not always heard | 0:06:09 | 0:06:11 | |
-"A melody that goes unheard | 0:06:12 | 0:06:14 | |
-"One melody beyond the stars | 0:06:15 | 0:06:18 | |
-"Beyond this present age of ours | 0:06:18 | 0:06:21 | |
-"There is no language and no key | 0:06:21 | 0:06:24 | |
-"That can release this melody... | 0:06:24 | 0:06:27 | |
-"She will pierce the peaceful heart | 0:06:27 | 0:06:29 | |
-"She will dance and then depart | 0:06:30 | 0:06:32 | |
-"She's neither near nor far away | 0:06:32 | 0:06:34 | |
-"Day or night, no-one can say | 0:06:35 | 0:06:36 | |
-"They know her tune or harmony | 0:06:37 | 0:06:40 | |
-"Or the way she touches me" | 0:06:41 | 0:06:44 | |
-Eiliadau Tragwyddol - Cen Williams. | 0:06:46 | 0:06:50 | |
-"Everyone is an island sometimes | 0:06:52 | 0:06:57 | |
-"When the waves beat the shore | 0:06:58 | 0:07:00 | |
-"And the beaches are seaweed scars | 0:07:00 | 0:07:03 | |
-"Like conscience, after the storm | 0:07:03 | 0:07:05 | |
-"Lonely are those hours | 0:07:06 | 0:07:07 | |
-"Before small ripples return | 0:07:08 | 0:07:10 | |
-"To tickle the scar | 0:07:10 | 0:07:12 | |
-"And caress the smooth virgin beach | 0:07:12 | 0:07:14 | |
-"Once, when I saw a naked footprint | 0:07:15 | 0:07:19 | |
-"In the ebb sand | 0:07:19 | 0:07:21 | |
-"I knew there was order | 0:07:21 | 0:07:23 | |
-"And that someone... somewhere | 0:07:23 | 0:07:26 | |
-"Like Bendigeidfran before them | 0:07:26 | 0:07:29 | |
-"Was bridging two lands" | 0:07:29 | 0:07:32 | |
-This volume will continue -to enchant us for a long time. | 0:07:43 | 0:07:46 | |
-The winner of the poetry category -this year... | 0:07:46 | 0:07:49 | |
-..is Nes Draw by Mererid Hopwood. | 0:07:50 | 0:07:52 | |
-Many congratulations to you. | 0:08:10 | 0:08:12 | |
-This is your first collection -of poetry for adults. | 0:08:21 | 0:08:24 | |
-It seems to have been -very carefully planned. | 0:08:25 | 0:08:27 | |
-How difficult was it to -decide when it was ready? | 0:08:29 | 0:08:32 | |
-That was the most difficult thing. | 0:08:33 | 0:08:35 | |
-It was so difficult to select the -poems I wanted to include. | 0:08:42 | 0:08:45 | |
-I'd like to thank those people -who I named in the book... | 0:08:52 | 0:08:55 | |
-..for giving me so much support. | 0:08:55 | 0:08:57 | |
-Lleucu mentioned the -themes in your work. | 0:09:08 | 0:09:11 | |
-Pacifism and the love of -fellow humans. | 0:09:12 | 0:09:15 | |
-There are a lot of themes -brewing inside me. | 0:09:26 | 0:09:28 | |
-I'd Like To Encourage All Authors -to keep writing... | 0:09:34 | 0:09:37 | |
-..we Need To Express A Welsh -sense of identity... | 0:09:40 | 0:09:43 | |
-..using imagination and -literary skills. | 0:09:43 | 0:09:45 | |
-After the break... | 0:09:46 | 0:09:47 | |
-..we'll have the fiction, creative -non-fiction and main prizes. | 0:09:48 | 0:09:51 | |
-Subtitles | 0:09:52 | 0:09:53 | |
-The second category is -the Welsh-language Fiction Award. | 0:10:01 | 0:10:05 | |
-Llion Pryderi Roberts -presents the adjudication. | 0:10:05 | 0:10:08 | |
-Norte - Jon Gower. | 0:10:13 | 0:10:14 | |
-"Perhaps you haven't seen a land -on its knees... | 0:10:19 | 0:10:22 | |
-"..desperately pleading, -but that's what Hondiragwa was... | 0:10:23 | 0:10:27 | |
-"..or Hondibloodyragwa as it was -known by its inhabitants... | 0:10:27 | 0:10:31 | |
-"..by every living soul who tried -to earn their crust there... | 0:10:32 | 0:10:35 | |
-"..while sheltering -from the sun's blowtorch. | 0:10:36 | 0:10:39 | |
-"The merciless sun. -The unforgiving sun. | 0:10:40 | 0:10:43 | |
-"The heat in itself -would have been enough... | 0:10:44 | 0:10:47 | |
-"..to keep a country -crouched down... | 0:10:47 | 0:10:50 | |
-"..to grind it down -to the ground, even." | 0:10:50 | 0:10:53 | |
-Rifiera Reu - Dewi Prysor. | 0:10:54 | 0:10:55 | |
-"When did the world stop partying? -A big question, but simple enough. | 0:10:57 | 0:11:00 | |
-"Why couldn't people -come together to have fun... | 0:11:00 | 0:11:03 | |
-"..with neither care -nor rules nor admission fee... | 0:11:05 | 0:11:09 | |
-"..to dance and drink -to proper music all night... | 0:11:09 | 0:11:12 | |
-"..without having the hands -of ugly gorillas in black suits... | 0:11:13 | 0:11:16 | |
-"..go through their pockets -on the way in? | 0:11:17 | 0:11:19 | |
-"Why were there no places -for that to happen? | 0:11:19 | 0:11:22 | |
-"Why was that against the law? | 0:11:22 | 0:11:24 | |
-"Why was having fun illegal? | 0:11:24 | 0:11:26 | |
-"Why? Why? Why?" | 0:11:26 | 0:11:27 | |
-Y Bwthyn - Caryl Lewis. | 0:11:31 | 0:11:35 | |
-"The kite had become still -like the air. | 0:11:36 | 0:11:39 | |
-"Its eyes were fixed on a meal -that was rustling among the bracken. | 0:11:39 | 0:11:43 | |
-"The day was drawing to a close too, -and the mood had changed. | 0:11:43 | 0:11:47 | |
-"Enoch watched the kite -with his watery blue eyes. | 0:11:49 | 0:11:53 | |
-"Tyddyn Isaf stood empty now in the -middle of the purple heather... | 0:11:54 | 0:11:59 | |
-"..its whitewash faded and grey. | 0:11:59 | 0:12:02 | |
-"Enoch felt his weakness too. | 0:12:03 | 0:12:06 | |
-"He hadn't been able to sing today; -his grief was a heavy stone... | 0:12:07 | 0:12:11 | |
-"..in his throat and he returned two -or three times to the graveside... | 0:12:11 | 0:12:16 | |
-"..knowing that he would have -to leave her there in the end..." | 0:12:16 | 0:12:20 | |
-..the winner of the fiction category -is Y Bwthyn by Caryl Lewis. | 0:12:24 | 0:12:28 | |
-Congratulations. | 0:12:52 | 0:12:53 | |
-Congratulations. - -Thank you. | 0:12:53 | 0:12:54 | |
-It's a novel situated -in rural Wales... | 0:12:55 | 0:12:57 | |
-..with father, son and stranger -living on a mountain farm. | 0:12:58 | 0:13:02 | |
-There are some very believable -characters. | 0:13:02 | 0:13:05 | |
-Do you start with characters -or the story? | 0:13:05 | 0:13:08 | |
-I always start with a character. | 0:13:10 | 0:13:11 | |
-I ask the character -where it wants to go next. | 0:13:13 | 0:13:15 | |
-The location is a character -in itself. | 0:13:16 | 0:13:18 | |
-I wanted to portray the community, -the landscape... | 0:13:19 | 0:13:22 | |
-..and try to do it justice. | 0:13:24 | 0:13:30 | |
-It's a world that has changed, -and continues to change... | 0:13:32 | 0:13:36 | |
-..even about to end. | 0:13:37 | 0:13:38 | |
-How important is it to record -this way of life before it ends? | 0:13:40 | 0:13:44 | |
-It's so very important. | 0:13:44 | 0:13:45 | |
-Not just to record what happens -but to use the language. | 0:13:46 | 0:13:50 | |
-If the artist uses paint, I have to -use the words of the mountain... | 0:13:50 | 0:13:55 | |
-..to portray the way of life. | 0:13:56 | 0:13:59 | |
-When I researched the novel, -I spoke with Gomer James... | 0:14:00 | 0:14:03 | |
-..who had been raised -on a mountain farm near Ponterwyd. | 0:14:05 | 0:14:09 | |
-I will have to buy him a bottle -of whisky now. | 0:14:11 | 0:14:16 | |
-I told him that the way of life -was ending. | 0:14:17 | 0:14:19 | |
-He leant forward and said "Where do -you think the mountain is going?". | 0:14:24 | 0:14:27 | |
-It's a process of loss -and reclaiming. | 0:14:28 | 0:14:30 | |
-We must try and do justice -to this way of life... | 0:14:31 | 0:14:34 | |
-..and the culture -which we are going to lose. | 0:14:34 | 0:14:37 | |
-It's located in West Wales but you -also convey some worldwide themes. | 0:14:39 | 0:14:45 | |
-I believe that on a small canvas, -you can portray so much more. | 0:14:47 | 0:14:52 | |
-I'm trying to observe -our own square mile. | 0:14:53 | 0:14:58 | |
-After marrying, I moved to the -area where this novel is located. | 0:15:00 | 0:15:06 | |
-It's my adoptive home where my -children are being raised. | 0:15:07 | 0:15:11 | |
-My husband, Aled, -farms the mountain too. | 0:15:11 | 0:15:14 | |
-We visit the mountain ourselves. | 0:15:15 | 0:15:20 | |
-It's part of my life which I wanted -to share with other people. | 0:15:20 | 0:15:26 | |
-Thanks for sharing that part -of your life. | 0:15:27 | 0:15:29 | |
-Many congratulations, Caryl Lewis. | 0:15:29 | 0:15:32 | |
-We move on to the Open University -Creative Non-Fiction Award... | 0:15:38 | 0:15:42 | |
-Dyddiau Olaf Owain Glyndwr -- Gruffydd Aled Williams. | 0:15:48 | 0:15:51 | |
-"Owain's state of mind -in his final years... | 0:15:52 | 0:15:54 | |
-"..can only be perceived -through the window of imagination... | 0:15:55 | 0:15:58 | |
-"..and the picture that presents -itself is not a pleasant one. | 0:15:59 | 0:16:02 | |
-"His personal losses were terrible: | 0:16:03 | 0:16:05 | |
-"His family -was shattered and destroyed. | 0:16:06 | 0:16:08 | |
-"His wife had disappeared into an -English prison... | 0:16:09 | 0:16:12 | |
-"..and many of his children had -died either in battle or in jail. | 0:16:13 | 0:16:16 | |
-"He'd also lost his property and -lands, his people's ancient... | 0:16:17 | 0:16:21 | |
-"..his people's -ancient birthright... | 0:16:22 | 0:16:24 | |
-"On top of all that was the agony -of knowing that his revolt... | 0:16:26 | 0:16:29 | |
-"..had been a failure and -that all the effort and sacrifice... | 0:16:30 | 0:16:34 | |
-"..had to all appearances -been in vain." | 0:16:34 | 0:16:36 | |
-Pam Na Fu Cymru - Simon Brooks. | 0:16:37 | 0:16:41 | |
-"Why is Wales today -not a Welsh-speaking country? | 0:16:43 | 0:16:46 | |
-"Why is Wales today -not an independent country? | 0:16:47 | 0:16:49 | |
-"How could a country that in 1850 -was monoglot Welsh-speaking... | 0:16:50 | 0:16:55 | |
-"..over most of its territory... | 0:16:55 | 0:16:57 | |
-"..be within an ace of losing -the language a hundred years later? | 0:16:58 | 0:17:02 | |
-"The main reason for that is that no -Welsh national movement... | 0:17:02 | 0:17:06 | |
-"..emerged during the 19th Century. | 0:17:06 | 0:17:09 | |
-"This was the age of nationalism -for small countries. | 0:17:11 | 0:17:14 | |
-"But there was -no such surge of pride in Wales." | 0:17:16 | 0:17:19 | |
-Is-deitla'n Unig -- Emyr Glyn Williams. | 0:17:22 | 0:17:24 | |
-"What I mean is that cinema -is just as powerful... | 0:17:27 | 0:17:31 | |
-"..and important an art form... | 0:17:32 | 0:17:33 | |
-"..as painting, drama, -literature and sculpture. | 0:17:34 | 0:17:37 | |
-"And in the everyday world, this -means that the viewer is affected... | 0:17:37 | 0:17:41 | |
-"..and changed by coming -into contact with the film... | 0:17:42 | 0:17:45 | |
-"..in the same way as any work of -art can affect us as individuals... | 0:17:46 | 0:17:50 | |
-"For your information... | 0:17:51 | 0:17:53 | |
-"..for me, television -is a medium and cinema is art." | 0:17:53 | 0:17:57 | |
-After reading, thinking, discussing -and not much arguing... | 0:18:10 | 0:18:13 | |
-..the three of us -are proud to announce... | 0:18:13 | 0:18:16 | |
-..that the winner of -the Creative Non-fiction category... | 0:18:16 | 0:18:20 | |
-..is Dyddiau Olaf Owain Glyndwr -by Gruffydd Aled Williams. | 0:18:20 | 0:18:24 | |
-Many congratulations to you. | 0:18:38 | 0:18:39 | |
-Many congratulations to you. - -Thank you. | 0:18:39 | 0:18:40 | |
-You start the book by saying -a few mysteries can never be solved. | 0:18:43 | 0:18:46 | |
-One of these -is what happened to Owain Glyndwr. | 0:18:47 | 0:18:50 | |
-However, you go through -the facts in detail. | 0:18:50 | 0:18:53 | |
-Why are you so interested -in Owain Glyndwr? | 0:18:54 | 0:18:56 | |
-I was raised -in the Glyndyfrdwy area. | 0:18:58 | 0:19:00 | |
-I'd grown up -with the history of Owain Glyndwr. | 0:19:01 | 0:19:04 | |
-I also studied poetry -written for Owain Glyndwr... | 0:19:08 | 0:19:11 | |
-..by bards such as Iolo Goch. | 0:19:12 | 0:19:13 | |
-So I was interested in him. | 0:19:15 | 0:19:16 | |
-Historians have written -excellent books on Owain Glyndwr... | 0:19:17 | 0:19:21 | |
-..but because of a lack -of hard historical evidence... | 0:19:22 | 0:19:28 | |
-..there wasn't much -about Glyndwr's final days. | 0:19:28 | 0:19:32 | |
-They were a mystery. | 0:19:32 | 0:19:33 | |
-My book is like a detective story. | 0:19:35 | 0:19:39 | |
-But in contrast to most of them, -the mystery isn't solved at the end. | 0:19:40 | 0:19:44 | |
-You can't solve everything. | 0:19:45 | 0:19:48 | |
-You could argue -it's two books in one. | 0:19:49 | 0:19:52 | |
-There are notes -and detailed scholarly work. | 0:19:53 | 0:19:55 | |
-But the narrative is readable. | 0:19:56 | 0:19:59 | |
-How important was it that you wrote -a widely-appealing book? | 0:19:59 | 0:20:04 | |
-I may have wasted my life writing -overly-academic discourses! | 0:20:04 | 0:20:09 | |
-It was very nice writing a book... | 0:20:09 | 0:20:11 | |
-..where I tried to appeal -to a different reader. | 0:20:12 | 0:20:16 | |
-A wider audience than the one -I've previously written for. | 0:20:17 | 0:20:21 | |
-I have to say I've enjoyed writing -this book more than any other. | 0:20:22 | 0:20:27 | |
-The judges also enjoyed it. | 0:20:28 | 0:20:30 | |
-Gruffydd Aled Williams, -many congratulations to you. | 0:20:31 | 0:20:34 | |
-We now know the winners -in each of the three categories. | 0:20:35 | 0:20:39 | |
-We will now discover -the name of the overall winner. | 0:20:39 | 0:20:44 | |
-All three of us felt that the -undeniable craft of the author... | 0:20:59 | 0:21:02 | |
-..succeeded in presenting a rich -and complex world to the reader. | 0:21:02 | 0:21:06 | |
-It's a true masterpiece. | 0:21:06 | 0:21:08 | |
-It's my pleasure to announce that -this year's Book of the Year is... | 0:21:08 | 0:21:12 | |
-..Y Bwthyn by Caryl Lewis. | 0:21:12 | 0:21:14 | |
-Caryl, -you're back for the third time. | 0:21:40 | 0:21:42 | |
-Many congratulations. | 0:21:42 | 0:21:43 | |
-You're a full-time writer. | 0:21:44 | 0:21:46 | |
-Does the process of writing -become easier as time goes on? | 0:21:47 | 0:21:51 | |
-You're not a stranger to this -competition. You've won in the past. | 0:21:51 | 0:21:55 | |
-The older you get, -the more uncertain you are. | 0:21:56 | 0:21:58 | |
-I'm sure many authors -will agree with me. | 0:22:02 | 0:22:04 | |
-There are other complications. -Children for instance. | 0:22:05 | 0:22:08 | |
-Writing patterns have to change. | 0:22:09 | 0:22:11 | |
-When I was writing Y Bwthyn, -I developed a bad back. | 0:22:11 | 0:22:14 | |
-I was out here with Guto -and had to write over my big belly. | 0:22:15 | 0:22:18 | |
-Time is also a problem. | 0:22:19 | 0:22:20 | |
-I'm delighted and I feel -very honoured to be an author. | 0:22:22 | 0:22:25 | |
-I work with lots of enthusiastic -and talented people. | 0:22:27 | 0:22:32 | |
-I'd like to thank Y Lolfa -for their constant support... | 0:22:34 | 0:22:37 | |
-..and to Meinir -for editing the book... | 0:22:38 | 0:22:42 | |
-..and for putting up with me when I -turned up there with Jaffa Cakes. | 0:22:43 | 0:22:47 | |
-She made cups of tea for me -and never said "Oh no"... | 0:22:47 | 0:22:50 | |
-..when I turned up with my ideas. | 0:22:50 | 0:22:52 | |
-They're always welcoming. | 0:22:53 | 0:22:54 | |
-I'm lucky that my job is doing what -I like to do, what I love to do. | 0:22:55 | 0:23:00 | |
-I would write anyway but to have -recognition from readers firstly... | 0:23:00 | 0:23:05 | |
-..and secondly from the adjudicators -means so much to me. | 0:23:05 | 0:23:08 | |
-One of your main characters, Owen, -is also a writer. | 0:23:08 | 0:23:11 | |
-He's symbolic of the importance -of words. What is the significance? | 0:23:12 | 0:23:16 | |
-It's a novel about roots, -about culture... | 0:23:16 | 0:23:19 | |
-..and about -the process of writing. | 0:23:19 | 0:23:21 | |
-It's about acknowledging and having -confidence in our own culture. | 0:23:23 | 0:23:27 | |
-There's a close relationship -between Owen... | 0:23:28 | 0:23:30 | |
-..and the hare on the cover. | 0:23:31 | 0:23:32 | |
-If you're not familiar with hares, -they don't live in underground dens. | 0:23:35 | 0:23:40 | |
-They live on the earth surface. | 0:23:40 | 0:23:44 | |
-They live on their nerves. They're -in danger. They have no roots. | 0:23:44 | 0:23:49 | |
-If we don't know and have confidence -in our culture... | 0:23:50 | 0:23:53 | |
-..that's what happens to us. | 0:23:53 | 0:23:55 | |
-It's not good for the spirit. | 0:23:56 | 0:23:58 | |
-That's what I was -trying to convey... | 0:23:58 | 0:24:01 | |
-..as he gets to know -his surroundings. | 0:24:01 | 0:24:03 | |
-The word 'cynefin' -is difficult to translate. | 0:24:04 | 0:24:07 | |
-It means more than 'area', it's a -feeling for culture and way of life. | 0:24:07 | 0:24:11 | |
-As he becomes familiar with that, -he finds his voice. | 0:24:12 | 0:24:15 | |
-You've certainly found -your own voice. | 0:24:15 | 0:24:18 | |
-The winner -of the 2016 Book of the Year. | 0:24:18 | 0:24:21 | |
-Many congratulations. | 0:24:22 | 0:24:23 | |
-Congratulations to all the winners. | 0:24:24 | 0:24:27 | |
-After the break, -we'll hear from the adjudicators. | 0:24:27 | 0:24:30 | |
-Join us for the discussion -after the break. | 0:24:31 | 0:24:38 | |
-Subtitles | 0:24:38 | 0:24:38 | |
-Subtitles - -Subtitles | 0:24:38 | 0:24:40 | |
-We got a look at the adjudicators -during the ceremony. | 0:24:58 | 0:25:01 | |
-We'll hear more from two of them -about their decisions now. | 0:25:02 | 0:25:05 | |
-Welcome to Llion Pryderi Roberts, -a lecturer at Cardiff University... | 0:25:05 | 0:25:09 | |
-..and to the author, Lleucu Roberts. | 0:25:10 | 0:25:12 | |
-Fifty books to read in a year, -but what were you looking for? | 0:25:12 | 0:25:15 | |
-I was looking for readable books... | 0:25:16 | 0:25:18 | |
-..but also ones -which excited me as a reader... | 0:25:18 | 0:25:21 | |
-..and as someone -who's interested in literature. | 0:25:22 | 0:25:25 | |
-Books which reached -a certain standard... | 0:25:25 | 0:25:28 | |
-..and as I said earlier... | 0:25:28 | 0:25:30 | |
-..books which will be a shop window -for our literature and culture. | 0:25:30 | 0:25:35 | |
-Lleucu, were the winners -clear from the start? | 0:25:36 | 0:25:39 | |
-Some of the books -really packed a punch... | 0:25:40 | 0:25:42 | |
-..and they will stand out -from the beginning. | 0:25:43 | 0:25:45 | |
-A second reading is often needed. | 0:25:46 | 0:25:48 | |
-As far as the best books -are concerned... | 0:25:49 | 0:25:51 | |
-..the first instinctive reaction -is really half the job, if not more. | 0:25:53 | 0:25:57 | |
-Let's begin with the first category, -poetry. | 0:26:02 | 0:26:05 | |
-Mererid Hopwood took the prize -with her volume, Nes Draw. | 0:26:05 | 0:26:09 | |
-It's fair to say, Llion, -that the poems... | 0:26:10 | 0:26:12 | |
-..have been put together into -a collection quite purposefully. | 0:26:13 | 0:26:17 | |
-Yes, there is intention -behind any volume of poetry. | 0:26:18 | 0:26:21 | |
-One did feel that there was -a purpose here. | 0:26:22 | 0:26:25 | |
-There are poems -at the start of the volume... | 0:26:25 | 0:26:29 | |
-..which indicate to us -what she's trying to do. | 0:26:29 | 0:26:33 | |
-There is mention of a secret room, -the room of the imagination... | 0:26:34 | 0:26:38 | |
-..the space that is imagination. | 0:26:39 | 0:26:41 | |
-I think Mererid is trying -to create a volume... | 0:26:42 | 0:26:45 | |
-..which produces that space -for us as readers... | 0:26:45 | 0:26:48 | |
-..so we can go there -and where anything is possible. | 0:26:49 | 0:26:52 | |
-Where these contradictions, -which she is very fond of... | 0:26:52 | 0:26:56 | |
-..are also possible -and enrich our understanding. | 0:26:56 | 0:26:59 | |
-Nes Draw itself -is an interesting contradiction. | 0:26:59 | 0:27:03 | |
-There are some big themes in -Mererid's commentary on the world. | 0:27:03 | 0:27:07 | |
-Is her voice always a clear one? | 0:27:08 | 0:27:10 | |
-Yes, there is love for others -and pacifism... | 0:27:11 | 0:27:14 | |
-..quite a few Waldo-esque themes -that I alluded to earlier. | 0:27:15 | 0:27:19 | |
-There are certainly some -very personal poems here. | 0:27:20 | 0:27:25 | |
-There is soul searching... | 0:27:26 | 0:27:29 | |
-..and an element of some deeper, -more mystical, searching. | 0:27:30 | 0:27:36 | |
-She grapples with religion -to a certain degree... | 0:27:36 | 0:27:40 | |
-.."I cannot be seen in Dolwar Fach". | 0:27:40 | 0:27:43 | |
-On one level, -they transcend religion. | 0:27:44 | 0:27:47 | |
-They are very spiritual poems, -very personal poems. | 0:27:47 | 0:27:51 | |
-And yet, they are so out of -this world and transcendent too. | 0:27:51 | 0:27:56 | |
-I think they portray -Mererid's character. | 0:27:57 | 0:28:00 | |
-There's a profundity to them. | 0:28:01 | 0:28:03 | |
-Excellent. | 0:28:04 | 0:28:06 | |
-On the back of the volume, -it says... | 0:28:06 | 0:28:09 | |
-.."From between the black and white -all imagination will stem". | 0:28:09 | 0:28:13 | |
-With every reading -one finds another layer of meaning. | 0:28:14 | 0:28:17 | |
-Yes, and I don't think -many of these poems... | 0:28:18 | 0:28:21 | |
-..should be read only once -and then discarded. | 0:28:22 | 0:28:25 | |
-He certainly challenges the reader, -which is a good thing. | 0:28:26 | 0:28:31 | |
-There is definitely that kind -of atmosphere within this volume. | 0:28:31 | 0:28:37 | |
-I return to the idea -I was talking about earlier... | 0:28:38 | 0:28:42 | |
-..the idea of offering us a space. | 0:28:42 | 0:28:45 | |
-Yes, there are big themes here -but she also varies her target... | 0:28:46 | 0:28:50 | |
-..and varies her metre. | 0:28:50 | 0:28:53 | |
-There is strict metre -and metrical compositions. | 0:28:54 | 0:28:57 | |
-She shows her full -rich repertoire of poetry metres. | 0:28:57 | 0:29:01 | |
-We move on to something -very different... | 0:29:02 | 0:29:04 | |
-..Dyddiau Olaf Owain Glyndwr -by Gruffydd Aled Williams. | 0:29:05 | 0:29:08 | |
-We don't get answers -to all the questions... | 0:29:09 | 0:29:12 | |
-..but does this book give us -a new portrayal of Owain Glyndwr? | 0:29:12 | 0:29:16 | |
-Lleucu? | 0:29:16 | 0:29:18 | |
-Yes, it does. | 0:29:18 | 0:29:20 | |
-It brings the person alive... | 0:29:20 | 0:29:23 | |
-..which is quite a feat considering -six centuries have gone by. | 0:29:23 | 0:29:27 | |
-He does this by using -the scant evidence that's available. | 0:29:27 | 0:29:31 | |
-He paints a portrait of a person, -an old person in his loneliness... | 0:29:32 | 0:29:36 | |
-..a person who has lost so much, -who has failed on many levels. | 0:29:36 | 0:29:40 | |
-That person who is so different... | 0:29:41 | 0:29:44 | |
-..to the myth portrayed for so long. | 0:29:45 | 0:29:49 | |
-He goes beyond the myth. | 0:29:50 | 0:29:54 | |
-In that way, it is more insightful -in this age which is without myths. | 0:29:54 | 0:29:58 | |
-Owain Glyndwr, the man, -really comes across clearly. | 0:30:01 | 0:30:05 | |
-It was quite a feat. | 0:30:06 | 0:30:08 | |
-He is a scholar who is obviously -interested in the subject. | 0:30:08 | 0:30:13 | |
-What appealed to you, Llion? | 0:30:13 | 0:30:15 | |
-Was it the way he dealt -with the new evidence? | 0:30:16 | 0:30:19 | |
-Yes, as you said, he is a scholar -fully in charge of his subject. | 0:30:19 | 0:30:23 | |
-It's also the way -he deals with this material. | 0:30:23 | 0:30:27 | |
-He shows an understanding -of the facts, of course... | 0:30:27 | 0:30:31 | |
-..and also of the myths and fables, -traditions which are so important. | 0:30:31 | 0:30:38 | |
-There is a respect -towards those traditions. | 0:30:39 | 0:30:42 | |
-It's not insignificant... | 0:30:42 | 0:30:44 | |
-..that he closes the volume -with a mention of the prophecy. | 0:30:45 | 0:30:49 | |
-There's also an understanding of -the mentality of the Middle Ages. | 0:30:50 | 0:30:54 | |
-In that way, it's a contribution to -our understanding of our history... | 0:30:54 | 0:30:58 | |
-..and of our nationalism. | 0:30:58 | 0:31:00 | |
-Let's move on to the novels -and three very different novels... | 0:31:01 | 0:31:04 | |
-..which are typical -of the authors themselves. | 0:31:05 | 0:31:08 | |
-Dewi Prysor's big party -is full of colourful characters. | 0:31:08 | 0:31:12 | |
-Jon Gower takes us -on an incredibly amusing journey... | 0:31:12 | 0:31:15 | |
-..both geographically -and imaginatively. | 0:31:16 | 0:31:18 | |
-Caryl is then so concise in her -prose. Is that why she won, Lleucu? | 0:31:19 | 0:31:23 | |
-Definitely. | 0:31:24 | 0:31:25 | |
-There isn't one wasted word -from her. | 0:31:25 | 0:31:28 | |
-I so admire the way she writes. | 0:31:28 | 0:31:31 | |
-She writes so meticulously -about nature and agriculture. | 0:31:31 | 0:31:35 | |
-She truly knows -what she's talking about. | 0:31:35 | 0:31:38 | |
-There is a conciseness -beyond that too. | 0:31:39 | 0:31:42 | |
-She allows the characters to develop -through their actions and behaviour. | 0:31:43 | 0:31:51 | |
-That's how she explains everything. | 0:31:52 | 0:31:55 | |
-She does not have to spell it out -as an author. | 0:31:55 | 0:31:58 | |
-The characters do that for her. | 0:31:59 | 0:32:01 | |
-Their relationships are explained in -their interactions with each other. | 0:32:02 | 0:32:07 | |
-She has completed no mean task -on that level. | 0:32:07 | 0:32:11 | |
-Her conciseness in the book -is the key to it all. | 0:32:11 | 0:32:15 | |
-It's a novel set -in a specific place in Wales... | 0:32:15 | 0:32:18 | |
-..but is it fair to say that -the themes travel much further? | 0:32:19 | 0:32:23 | |
-Yes. | 0:32:23 | 0:32:25 | |
-Myself and the other judges... | 0:32:26 | 0:32:28 | |
-..felt that she had certainly set -herself a challenge with this novel. | 0:32:28 | 0:32:33 | |
-She tries to do -something very difficult... | 0:32:33 | 0:32:36 | |
-..and does it -to a very high standard. | 0:32:37 | 0:32:39 | |
-She makes it look very easy -at the same time. | 0:32:39 | 0:32:42 | |
-She deals with Wales... | 0:32:42 | 0:32:45 | |
-..and a very specific part -of the country. | 0:32:46 | 0:32:49 | |
-The treatment within the novel... | 0:32:50 | 0:32:53 | |
-.of the situation the characters -find themselves in... | 0:32:54 | 0:32:58 | |
-..the central relationship... | 0:32:59 | 0:33:01 | |
-..and the relationship they have -with their habitat and each other... | 0:33:01 | 0:33:06 | |
-..has a much wider dimension. | 0:33:06 | 0:33:08 | |
-We've discussed the winners -of the three categories... | 0:33:09 | 0:33:12 | |
-..but this is a Book of the Year -competition. | 0:33:12 | 0:33:15 | |
-One book had to win, -so why was that Y Bwthyn, Lleucu? | 0:33:16 | 0:33:19 | |
-Great literature -makes your heart beat faster. | 0:33:20 | 0:33:23 | |
-This really gives me palpitations! | 0:33:23 | 0:33:27 | |
-With every reading, -you see so much more. | 0:33:27 | 0:33:30 | |
-I think it is up there... | 0:33:30 | 0:33:34 | |
-..with any novel -anywhere around the world. | 0:33:34 | 0:33:38 | |
-She has conveyed something that is -far bigger than Ceredigion... | 0:33:38 | 0:33:44 | |
-..far bigger than Wales, -and so concisely. | 0:33:44 | 0:33:48 | |
-She conveys this change -in the world... | 0:33:48 | 0:33:51 | |
-..and how the new world -closes in on the old world. | 0:33:51 | 0:33:55 | |
-There are so many layers and every -reading reveals so much more. | 0:33:55 | 0:34:00 | |
-Llion, how happy were you that the -public agreed with the adjudicators? | 0:34:02 | 0:34:06 | |
-Caryl also won -the People's Choice Award. | 0:34:06 | 0:34:09 | |
-It's obviously nice to hear -that the public agrees with us! | 0:34:10 | 0:34:14 | |
-As far as I'm concerned... | 0:34:15 | 0:34:18 | |
-..the novel really grabbed me -on the first reading. | 0:34:18 | 0:34:21 | |
-It then kept my attention again -on the second and third readings. | 0:34:22 | 0:34:26 | |
-Jams Niclas once said -about the Chair competition... | 0:34:27 | 0:34:31 | |
-..that literature -can disarm adjudicators. | 0:34:31 | 0:34:35 | |
-I felt just that when reading -this novel. It took my breath away. | 0:34:35 | 0:34:39 | |
-Llion Pryderi Roberts -and Lleucu Roberts... | 0:34:39 | 0:34:42 | |
-..thank you for the chat -and your work during the year. | 0:34:42 | 0:34:46 | |
-The adjudicators -decided on the winners... | 0:34:46 | 0:34:49 | |
-..but everyone has an opinion -about the books on the shortlists. | 0:34:49 | 0:34:53 | |
-After the break... | 0:34:53 | 0:34:54 | |
-..we'll hear from playwright -Ian Rowlands and critic Eiry Miles. | 0:34:55 | 0:34:59 | |
-Did they agree with the decision? -We'll find out in a few minutes. | 0:34:59 | 0:35:03 | |
-Subtitles | 0:35:05 | 0:35:06 | |
-Welcome back. | 0:35:10 | 0:35:11 | |
-Earlier on, Caryl Lewis won the -Welsh Book Of The Year 2016 award. | 0:35:13 | 0:35:17 | |
-That was for her novel, Y Bwthyn. | 0:35:18 | 0:35:21 | |
-Thomas Morris won the 2016 -Wales Book Of The Year award.... | 0:35:21 | 0:35:25 | |
-..for his collection -of short stories... | 0:35:25 | 0:35:28 | |
-..We Don't Know What We're Doing. | 0:35:29 | 0:35:31 | |
-Congratulations to them -and to all the winners. | 0:35:31 | 0:35:34 | |
-Two winners and two Triple Crowns. | 0:35:34 | 0:35:37 | |
-That suggests that the judges -got it right. | 0:35:37 | 0:35:40 | |
-The judges have had their chance -to justify their decisions. | 0:35:40 | 0:35:44 | |
-It's now the turn of the readers. | 0:35:44 | 0:35:49 | |
-I'm joined now by the playwright -and director, Ian Rowlands... | 0:35:49 | 0:35:53 | |
-..and critic Eiry Miles. | 0:35:54 | 0:35:56 | |
-Welcome to the both of you. | 0:35:56 | 0:35:58 | |
-The public and the judges agree, -but Eiry, what is your reaction? | 0:35:58 | 0:36:02 | |
-I really enjoyed Y Bwthyn. | 0:36:03 | 0:36:05 | |
-In the fiction category, -it was between Y Bwthyn and Norte. | 0:36:05 | 0:36:09 | |
-I was a bit surprised -because quite often... | 0:36:10 | 0:36:13 | |
-..the public -and the judges do not agree. | 0:36:13 | 0:36:16 | |
-There were good things about both -novels, but, no, not a big shock. | 0:36:16 | 0:36:21 | |
-As far as the competition -promotes reading... | 0:36:22 | 0:36:25 | |
-..the judges have surely -made the right decision... | 0:36:26 | 0:36:29 | |
-..because after all, Y Bwthyn -will be read and enjoyed. | 0:36:29 | 0:36:33 | |
-You are right. | 0:36:33 | 0:36:35 | |
-I'm not sure -it was the brave decision. | 0:36:35 | 0:36:38 | |
-I would have liked -to have seen Simon winning it. | 0:36:39 | 0:36:42 | |
-Simon has produced a book -that grabs the zeitgeist... | 0:36:42 | 0:36:46 | |
-..especially post-Brexit. | 0:36:46 | 0:36:48 | |
-It's a very important book -for us Welsh people... | 0:36:49 | 0:36:52 | |
-..to read and to consider. | 0:36:52 | 0:36:54 | |
-I was surprised that Simon -didn't win the factual award. | 0:36:54 | 0:36:58 | |
-But yes, they have been right... | 0:36:58 | 0:37:02 | |
-..because Caryl's book -will be read by hundreds of people. | 0:37:03 | 0:37:07 | |
-The first category of the night -was poetry. | 0:37:08 | 0:37:10 | |
-Eiry, you were in favour -of Mererid Hopwood's collection. | 0:37:11 | 0:37:14 | |
-Why was her collection the best? | 0:37:15 | 0:37:16 | |
-I enjoyed all three collections. | 0:37:17 | 0:37:19 | |
-Everything about Mererid's -collection was excellent. | 0:37:20 | 0:37:24 | |
-The poems ranged from the profound -to the light-hearted. | 0:37:25 | 0:37:29 | |
-She expresses -her belief in pacifism... | 0:37:30 | 0:37:34 | |
-..but there are also -some angry poems. | 0:37:35 | 0:37:37 | |
-That really surprises you -as Mererid is such a gentle soul. | 0:37:38 | 0:37:42 | |
-I enjoyed the content but the style -of the book is very classical. | 0:37:42 | 0:37:47 | |
-It could easily -have been published in the 1960s. | 0:37:48 | 0:37:50 | |
-That really adds to the experience. | 0:37:52 | 0:37:54 | |
-It's the whole package. | 0:37:55 | 0:37:57 | |
-Three different poets in very -different periods of their careers. | 0:37:58 | 0:38:02 | |
-One poet in the summer of his days, -one in her autumn... | 0:38:02 | 0:38:07 | |
-..and one in his winter. | 0:38:08 | 0:38:10 | |
-That's quite interesting. | 0:38:11 | 0:38:13 | |
-I enjoyed Eiliadau Tragwyddol -by Cen Williams. | 0:38:13 | 0:38:16 | |
-He talks about time in one poem, -as "Ticking towards his ending". | 0:38:17 | 0:38:21 | |
-Actually, -it's "Ticking towards the darkness". | 0:38:23 | 0:38:27 | |
-It's a collection by someone -who is ticking towards his darkness. | 0:38:27 | 0:38:31 | |
-I liked the idea of a man -reinterpreting his life... | 0:38:32 | 0:38:35 | |
-..and looking back to see -what his life was really worth... | 0:38:36 | 0:38:39 | |
-..what were the lives of those -ahead and behind him worth. | 0:38:40 | 0:38:43 | |
-It was very interesting. | 0:38:44 | 0:38:47 | |
-His poems aren't as concise -as Mererid's... | 0:38:48 | 0:38:53 | |
-..and I think her work is fantastic. | 0:38:53 | 0:38:56 | |
-But I would have chosen Cen instead -of Mererid in a close contest. | 0:38:57 | 0:39:00 | |
-Mererid came to the fore... | 0:39:02 | 0:39:05 | |
-..with some saying that -it's a collection to treasure. | 0:39:05 | 0:39:09 | |
-Will we look back at Nes Draw -in years to come in those terms? | 0:39:09 | 0:39:13 | |
-I think I will look back with -my children on this collection. | 0:39:13 | 0:39:17 | |
-It's an excellent collection. | 0:39:17 | 0:39:19 | |
-To the novels now. | 0:39:20 | 0:39:22 | |
-In a good year, -you would expect the shortlist... | 0:39:22 | 0:39:28 | |
-..to reflect the variety -that we have in Wales. | 0:39:28 | 0:39:30 | |
-Three very different novels, -with three distinctive voices. | 0:39:31 | 0:39:34 | |
-Ian, did you enjoy -the three novels? | 0:39:35 | 0:39:37 | |
-Yes, for very different reasons. | 0:39:37 | 0:39:40 | |
-I think Norte should have won. | 0:39:41 | 0:39:44 | |
-Caryl's novel was superb. -Her writing is excellent. | 0:39:45 | 0:39:48 | |
-Dewi Prysor had plenty of energy. | 0:39:49 | 0:39:53 | |
-I know Dewi and his world. It was -certainly a portrayal of his world. | 0:39:56 | 0:40:00 | |
-I loved reading that book. | 0:40:00 | 0:40:03 | |
-It needed some editing perhaps -and the climax wasn't that good. | 0:40:04 | 0:40:08 | |
-Norte would have been my choice. | 0:40:08 | 0:40:12 | |
-It sets out the Welsh outside Wales. | 0:40:13 | 0:40:22 | |
-Caryl Lewis is a bit too easy. | 0:40:23 | 0:40:25 | |
-Dewi Prysor is a novel -from our square mile. | 0:40:25 | 0:40:29 | |
-Norte offered us something different -as Welsh people. | 0:40:29 | 0:40:32 | |
-Eiry, what did you think? | 0:40:33 | 0:40:34 | |
-I agree. | 0:40:35 | 0:40:36 | |
-I was amazed -at how he created these worlds. | 0:40:37 | 0:40:40 | |
-He wrote about wolves in Alaska -and then a fish factory. | 0:40:40 | 0:40:44 | |
-It was all so believable. | 0:40:44 | 0:40:46 | |
-He took us on this journey -and I sometimes lost my breath. | 0:40:47 | 0:40:50 | |
-I liked the way that in some really -profound moments there was humour. | 0:40:51 | 0:40:55 | |
-He talks about a Toblerone... | 0:40:57 | 0:41:01 | |
-He talks about a Toblerone... | 0:41:03 | 0:41:06 | |
-..in a section about abject poverty -in Midwest America. | 0:41:06 | 0:41:10 | |
-I felt that it was an ambitious -and imaginative novel. | 0:41:11 | 0:41:15 | |
-Caryl Lewis was the winner. | 0:41:18 | 0:41:21 | |
-Why do you think the judges -went for her novel? | 0:41:22 | 0:41:26 | |
-We've already said that -it will be a very popular novel. | 0:41:27 | 0:41:30 | |
-It has been written very well -for a certain type of reader... | 0:41:31 | 0:41:38 | |
-..who will certainly enjoy it. | 0:41:38 | 0:41:41 | |
-She knows her audience well. | 0:41:41 | 0:41:43 | |
-She writes about people that we can -believe in straight away. | 0:41:45 | 0:41:48 | |
-The characters are well-rounded. | 0:41:49 | 0:41:52 | |
-I live in rural Wales and I felt -that I really knew these people. | 0:41:53 | 0:41:58 | |
-Although I enjoyed it, -I felt that it ended very quickly. | 0:42:01 | 0:42:06 | |
-I'd have liked her -to have left it more open-ended. | 0:42:08 | 0:42:13 | |
-However, it is an exceptional novel. | 0:42:15 | 0:42:21 | |
-She knows that she has an audience -of people who'll like it. | 0:42:23 | 0:42:27 | |
-I feel it's too Welsh. | 0:42:28 | 0:42:29 | |
-There's a novel... | 0:42:30 | 0:42:32 | |
-..called Independent People -by Halldor Laxness from Iceland... | 0:42:32 | 0:42:37 | |
-..which deals -with the same kind of world. | 0:42:37 | 0:42:40 | |
-A man in a cottage -who restores it into a home... | 0:42:40 | 0:42:43 | |
-..where a family is raised -on the side of a mountain. | 0:42:44 | 0:42:47 | |
-There's something universal -about it. | 0:42:47 | 0:42:50 | |
-I didn't think -it was an universal novel. | 0:42:51 | 0:42:54 | |
-I thought it was parochial. | 0:42:54 | 0:42:56 | |
-The ending is too simplistic too. | 0:42:56 | 0:42:59 | |
-It's very good -but it's not my thing. | 0:42:59 | 0:43:02 | |
-It's incredibly varied. Every year, -I say I don't know what we'll get. | 0:43:08 | 0:43:12 | |
-This year, Owain Glyndwr, films and -the future of the Welsh language. | 0:43:13 | 0:43:16 | |
-Ian, -they're totally different books. | 0:43:17 | 0:43:19 | |
-What appealed to you personally? | 0:43:19 | 0:43:21 | |
-I've already said... | 0:43:21 | 0:43:23 | |
-..Simon's book is superb -and it captures the zeitgeist. | 0:43:23 | 0:43:27 | |
-Gruffydd Aled Williams' book -is incredibly interesting. | 0:43:28 | 0:43:31 | |
-But at the start, it starts by not -stating anything categorically... | 0:43:32 | 0:43:36 | |
-..about Owain Glyndwr's final days. | 0:43:36 | 0:43:39 | |
-I thought, I'll pour -through this book for a few hours. | 0:43:40 | 0:43:43 | |
-I'm going to invest time -in the book. | 0:43:43 | 0:43:46 | |
-What are we going to discover if -you're not telling us anything new? | 0:43:47 | 0:43:51 | |
-He says the odd new thing... | 0:43:51 | 0:43:53 | |
-..about places -Owain Glyndwr may have visited. | 0:43:54 | 0:43:56 | |
-What's very interesting -are the poignant parts. | 0:43:57 | 0:44:00 | |
-The portrayal of Owain Glyndwr -in his old age... | 0:44:00 | 0:44:04 | |
-..going from home to home. | 0:44:04 | 0:44:05 | |
-We see this hero who at one time was -strong and powerful as an old man. | 0:44:06 | 0:44:10 | |
-That's quite interesting. | 0:44:10 | 0:44:12 | |
-What appealed to the judges... | 0:44:13 | 0:44:15 | |
-..was the balance between facts -and the creative aspect. | 0:44:15 | 0:44:19 | |
-Would you agree with that, Eiry? | 0:44:19 | 0:44:21 | |
-No, not exactly. | 0:44:22 | 0:44:24 | |
-I feel that for me, -the most interesting parts... | 0:44:25 | 0:44:28 | |
-..were the parts -that spoke about people's beliefs... | 0:44:29 | 0:44:33 | |
-..and visits to houses -in the borders... | 0:44:34 | 0:44:37 | |
-..and the interesting characters. | 0:44:38 | 0:44:40 | |
-If there was more of that... | 0:44:41 | 0:44:43 | |
-..and more mention -of the literature of the period... | 0:44:44 | 0:44:47 | |
-..I think I would have taken -to the book a bit better. | 0:44:48 | 0:44:51 | |
-For me, -there too much detail at times. | 0:44:51 | 0:44:54 | |
-I felt I had to concentrate -as I read it. | 0:44:54 | 0:44:57 | |
-It's not a book -you could read in the bath. | 0:44:57 | 0:45:00 | |
-It required you to concentrate. | 0:45:00 | 0:45:02 | |
-There was an element -of detective work about it too. | 0:45:03 | 0:45:07 | |
-Apparently, there are stories -behind his research. | 0:45:07 | 0:45:10 | |
-He's been to these old houses -on the border... | 0:45:11 | 0:45:14 | |
-..and some families, to this day... | 0:45:14 | 0:45:17 | |
-..still want nothing to do -with Owain Glyndwr. | 0:45:17 | 0:45:21 | |
-Some rejoice in their Welshness or -their relationship with Welshness. | 0:45:21 | 0:45:25 | |
-I would like to have known -more about that too. | 0:45:26 | 0:45:29 | |
-The complexities that still exist -on the Welsh border. | 0:45:29 | 0:45:32 | |
-That's the area -to which Owain Glyndwr escaped. | 0:45:32 | 0:45:35 | |
-Isn't it interesting -that we disagree with the judges? | 0:45:35 | 0:45:38 | |
-Is that the value -of this competition... | 0:45:39 | 0:45:41 | |
-..that it drives discussions -like these? | 0:45:42 | 0:45:44 | |
-Absolutely. | 0:45:44 | 0:45:47 | |
-Anything that encourages -a discussion about literature... | 0:45:47 | 0:45:50 | |
-..and encourages people -to read books... | 0:45:51 | 0:45:53 | |
-..they otherwise wouldn't -is a brilliant thing. | 0:45:53 | 0:45:56 | |
-It reflects well -on us as a small nation... | 0:45:56 | 0:45:59 | |
-..that we can produce -such a variety of literature... | 0:45:59 | 0:46:03 | |
-..and have discussions -like this one. | 0:46:03 | 0:46:05 | |
-What do these nine books tell us... | 0:46:05 | 0:46:07 | |
-..about the state -of publishing in Wales? | 0:46:08 | 0:46:10 | |
-In terms of our writers and their -imaginations, it's very healthy. | 0:46:11 | 0:46:15 | |
-In terms -of the world of publication... | 0:46:16 | 0:46:18 | |
-..as I'm married to the woman -who produced Nes Draw... | 0:46:19 | 0:46:22 | |
-..I can tell you it isn't healthy. | 0:46:23 | 0:46:25 | |
-There are problems on the horizon -due to the cuts that have been made. | 0:46:25 | 0:46:30 | |
-There is a lot of uncertainty -about the future... | 0:46:30 | 0:46:33 | |
-..but I can't question -our writers' imaginations. | 0:46:33 | 0:46:37 | |
-I really enjoyed reading -all nine volumes. | 0:46:37 | 0:46:39 | |
-I disagreed with the judges -on one or two occasions... | 0:46:40 | 0:46:43 | |
-..but the pleasure of reading them -was fantastic. | 0:46:44 | 0:46:47 | |
-Definitely. | 0:46:47 | 0:46:48 | |
-There we have it, -plenty to discuss again this year. | 0:46:50 | 0:46:53 | |
-If you haven't read -some of these books, why not do so? | 0:46:54 | 0:46:57 | |
-There are great books out there, -so enjoy reading them. | 0:46:57 | 0:47:01 | |
-From the Redhouse in Merthyr, -thanks for watching and goodbye. | 0:47:01 | 0:47:05 | |
-S4C Subtitles by Testun Cyf. | 0:47:22 | 0:47:24 |