3 Lle: Tudur Owen 3 Lle


3 Lle: Tudur Owen

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-Since this is the place

-I was raised...

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-..it's where my roots

-are most deeply rooted.

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-It's like an anchor to me.

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-I do consider myself

-to be very lucky.

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-I can return to Trefri

-whenever I want.

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-My brother is the farm's tenant.

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-That's a nice feeling.

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-When I was younger,

-I couldn't wait to leave...

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-..but now,

-I take every opportunity to return.

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-I like the name Trefri.

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-It suggests so much to me.

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-Many people make the mistake

-of calling it Trefriw.

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-It's not the same

-as the town in Vale of Conwy.

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-Tre-fri.

-'Tre o fri' (a town of honour).

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-It suggests the place

-has a long history.

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-The buildings are very old.

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-The house was rebuilt in 1721.

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-The outbuildings behind me

-are even older than that...

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-..a lot older.

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-My family has run this farm

-since the 1930s.

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-My father's father, Taid and Nain,

-moved here in 1934...

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-..when my father was a young boy.

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-It's a rather unique location.

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-It's remote and stormy weather

-can rage from the sea...

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-..but it's also sheltered

-because it's right on the coast.

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-The terrain

-is both sandy and rocky.

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-As I grow older,

-I have my own family now...

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-..I can appreciate

-what Mam did when she raised us.

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-We were five children

-living on the farm.

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-I suppose it would have

-been hard to find activities...

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-..to keep us entertained

-as children.

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-I know it's hard

-to stop children becoming bored.

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-My older brother and sister

-spent a lot of time together.

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-At one time,

-I was youngest child...

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-..and I was given

-a lot of attention.

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-Then another two babies arrived,

-so cute in their pink and blue.

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-They took all the attention

-and Tudur was left in the middle.

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-My brother and sister didn't really

-want this little boy with them...

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-..and I didn't want to be

-with little girls who liked pink.

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-I was often left

-to my own devices on the farm.

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-There was very little to do here.

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-As far as the younger sisters

-were concerned...

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-..he treated them as playthings.

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-He would often make them cry.

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-That was his aim most days.

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-If he hadn't made

-both of them cry by lunchtime...

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-..it hadn't been

-a successful day for him.

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-I remember one occasion, he pinched

-them to try and make them cry.

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-Mam decided she'd pinch him herself.

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-He phoned the NSPCC

-but they didn't take him seriously.

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-I often found myself alone.

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-I had to keep myself occupied.

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-I was an energetic child

-and I wanted a buzz and thrills.

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-The only way I got a thrill...

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-..was by taking dangerous risks.

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-I'd climb onto the rooves

-of the buildings...

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-..and onto the roof of the house.

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-I'd climb the highest tree

-I could find...

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-..and take my canoe down to the sea.

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-I'd go as far as I could

-in the canoe...

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-..without my parents finding out.

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-As I was so mischievous...

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-..Mam would worry about me.

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-She'd get angry, I'd get angry...

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-..and we'd have these huge quarrels.

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-Tudur always pushed the boundaries.

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-Mam valiantly tried to control him.

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-She did a job

-but it was hard work at times.

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-I remember him climbing

-the Scots pine in the garden.

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-Mam was standing at the bottom with

-a brush, trying to get him down.

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-She was incensed.

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-She couldn't do anything

-because he was right at the top.

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-I remember her looking at me

-through the window.

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-She was checking to see

-if I was still at the top.

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-She was just worried about me

-but she didn't admit to it.

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-I came down when I was hungry.

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-Not a word was said.

-I just ate my mince.

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-The five of us grew up

-on a very remote farm.

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-It was two miles

-to the nearest child.

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-My brother and I were happy

-to help out on the farm...

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-..but Tudur wasn't always content

-with his lot.

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-He wanted more from life.

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-One way was to find

-other mischievous boys.

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-If there was a mischievous boy,

-Tudur would end up being his friend.

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-I was in trouble all the time,

-in school and further afield.

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-As I grew older, my world grew.

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-There was far more potential

-for being mischievous.

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-I was in trouble with the police

-on more than one occasion.

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-I shouldn't really

-talk about this.

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-One of the boys from the village

-and I...

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-..took a motorbike

-without the owner's consent.

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-Theft would be another word!

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-We wanted to get somewhere

-so we took it.

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-We got caught

-and ended up in so much trouble.

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-It caused so many problems

-for me and my family.

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-It was a fairly important time

-in my life.

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-I wouldn't change it in any way

-because it made me who I am now.

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-The fact that Trefri is so close

-to the sea is very important.

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-I feel uncomfortable

-if I find myself far from the sea.

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-I like being close to the sea.

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-This area is remarkable.

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-When I return to Trefri...

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-..I call in

-to say hello to them all...

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-..then make my way

-down to the sea as soon as I can.

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-In the winter,

-when the sea is rough...

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-..and the wind howls from the west...

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-..it can be a terrifying place.

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-It can make you feel very small.

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-I love the sea's power.

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-I love watching it

-being as angry as it can be.

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-I'm racking my brain

-trying to work out how I ended up...

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-..after being raised

-in a place like this...

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-..doing the work I'm doing now.

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-I owe a great debt to Mam.

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-She encountered many problems with me

-but never gave up.

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-Mam died two years ago...

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-..but I'm glad she had the chance

-to see me realizing my dream...

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-..of doing work I enjoy.

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-I'm glad she saw me

-heading in the right direction.

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-She'd be proud

-of the work I'm doing.

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-That's a comfort sometimes.

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-I'm here, on Platform 1,

-Bangor train station

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-Some of my earliest memories

-come from here.

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-The station connects me to my past

-and I like that.

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-So much has happened here. I love

-sitting down to wonder about that.

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-I also like to reminisce about

-the times I came here as a boy.

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-For a child, the steps at the front

-of the station were quite iconic.

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-I remember thinking as a child...

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-..the steps were the gateway

-to the rest of the world.

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-That's what they were

-as far as I was concerned.

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-In Bangor station...

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-..more often than not,

-my journeys started or ended.

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-There's a lot of emotion attached

-to this place - for me, anyway.

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-As a family,

-we travelled a lot and still do.

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-I'm always excited

-when I'm on the platform...

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-..whether I'm meeting someone

-or saying farewell.

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-There's a tunnel

-at either end of the platform.

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-You could hear the train approaching

-before you could see it.

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-The tracks made a whistling noise.

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-We'd look into the darkness

-and see the light emerging.

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-We'd know that Mam and Dad were home.

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-I remember one occasion...

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-..they went to South Africa

-for several weeks.

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-That's one

-of the earliest memories I have...

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-..saying goodbye to my parents,

-Elen and Richard.

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-I was too young to go.

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-I can remember holding

-my Auntie Katie's hand...

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-..and hiding behind her shyly

-when I welcomed them back.

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-Mam was so upset

-because I was so shy.

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-A lot of romance

-is linked to this place.

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-It's seen better days.

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-The buildings

-need a lick of paint and some TLC...

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-..but I like them.

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-They provide a link to my past.

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-I like sitting here imagining

-what's gone on here over the years.

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-I've had so many experiences here...

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-..welcoming people home

-and saying farewell.

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-I love this place.

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-I'm sitting in the set

-of the TV comedy show Ista'nbwl...

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-..in Barcud's television studio...

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-..in Caernarfon.

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-I remember walking into the studio

-for the very first time.

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-It was the set of a television

-series called Bacha Hi O 'Ma...

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-..presented by Alwyn Sion.

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-I was an assistant floor manager.

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-I'll never forget the feeling

-of walking into the excitement...

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-..of the rehearsals

-for the programme.

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-I knew that's what I wanted to do.

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-Dewi Rhys, the floor manager,

-was the main floor manager.

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-Everyone in the industry

-calls him Magwa.

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-One night, he said...

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-.."Right, Tudur, you can

-welcome the audience tonight.

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-"It's time you took

-the responsibility."

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-Gulp!

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-Looking back, it was nothing.

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-All I had to do

-was point out the fire exits...

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-..tell them

-we'd have a break in the middle...

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-..and tell them to remain quiet

-during certain parts of the show.

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-I was in pieces.

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-I had to help them relax

-by saying a few jokes.

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-I stepped out, told a joke

-and there were a few sniggers.

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-It wasn't raucous laughter...

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-..just chuckles.

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-That was enough to make me realize

-they were listening to me...

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-..and enjoying themselves.

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-That same year, 1999...

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-..a friend of mine,

-Dewi Rhys the actor...

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-..Dyff in Pobol y Cwm...

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-..told me about a comedy festival

-that was being organized...

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-..to coincide with the

-National Eisteddfod in Anglesey.

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-Mei Jones, Eilir Jones, Daniel Glyn

-and Huw Marshall were performing.

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-He asked me if I wanted

-to perform a comedy set.

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-For me, being a floor manager

-and controlling an audience...

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-..was very different to stand-up...

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-..but I still fancied

-a crack at being a comedian.

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-The event was being held

-in the Glanrafon Hotel in Benllech.

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-I walked on and stood there.

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-Although I knew what to expect,

-I still felt very nervous.

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-I performed my set

-and it went down well.

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-People laughed

-and laughed out aloud.

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-It gave me such a thrill.

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-My set today

-is about two hours long in Welsh...

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-..and about an hour long in English.

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-It originates from

-the five-minute set in Benllech.

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-I've been doing stand-up with Tudur

-for over ten years.

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-He's doing far more than me now.

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-I'm almost drawing my pension!

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-He's enthusiastic

-and has boundless energy.

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-He has the drive to do it.

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-He'd do stand-up every night

-if he could.

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-He keeps track of every gig

-we've done.

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-He could tell you how a gig went

-in Blaenau Ffestiniog in 2004.

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-He'd have marked himself

-eight out of ten...

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-..and marked me two out ten again!

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-He would remember specific gigs...

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-..and that sort of memory is great

-as back-up.

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-My earliest comedy heroes,

-without a doubt...

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-..are two Welshmen -

-Charles Williams and Ryan Davies.

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-I was fortunate enough

-to see both performing live.

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-I love meeting old characters.

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-Do you know

-who makes me laugh the most?

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-People who make mistakes

-when they speak.

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-His stories, as jokes, they aren't

-the funniest in the world...

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-..but what's funny

-is the way he tells them.

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-The delivery.

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-He grabs your attention

-and builds the tension.

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-His timing, when he delivers

-the punchline, is perfect every time.

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-"Roberts, how are you?"

-"Very well, Charles."

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-"We had a bad night last night."

-"Why, what happened?"

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-"Dear old Mary Williams. She called

-for the amble-bus during the night."

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-"Is that so?

-To take her to the hospital?"

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-"Yes. She went to the hospital

-in the amble-bus."

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-"What was wrong with her?"

-"She thought she had Glad-stones!"

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-I also remember Ryan performing

-at Glantraeth many years ago.

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-He was a different sort of comedian.

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-He had all sorts of different skills.

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-Charles was a great actor...

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-..but Ryan was also

-a very talented musician.

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-I remember hearing him

-singing songs...

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-..and verses

-and making them humorous.

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-He also created

-different characters.

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-He created the female character -

-I can't remember her name.

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-She reminded me

-of an old aunt I had.

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-I remember thinking

-how clever he was...

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-..using additional elements

-to create comedy.

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-Oh, no, don't laugh.

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-I've washed my hair.

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-Creating comedy using a character

-is fascinating.

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-I've had success with PC Leslie

-Wynne. People are very fond of him.

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-It all started

-with the sketch shows - Mawr.

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-Then I thought about the character.

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-At the time, Richard Brunstrom was

-the Chief Constable of North Wales.

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-He was a very chequered character.

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-I wondered what it would be like

-if he had a right-hand man for PR...

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-..and called him "the caring face

-of North Wales Police."

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-I managed to create the conflict

-which is integral to comedy.

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-Turning the idea on its head.

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-Take the character - a naive,

-camp man...

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-..and place him

-in the harsh, real world.

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-If we move down to the groin...

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-I regret not paying attention

-in biology lessons.

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-I placed the character

-in situations such as a drug raid...

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-..letting my imagination run wild,

-a sketch would write itself.

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-I imagined Leslie Wynne knocking on

-doors calling, "Yoo-hoo, anyone in?"

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-I think people enjoyed it.

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-Any questions?

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-She wants to know

-if he has a brother.

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-It's great seeing him in action.

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-I sit in the wings watching him

-and he's full of energy.

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-He'll come off and say,

-"I wasn't good enough."

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-He is a perfectionist.

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-With me...

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-..I just want to do it and go home.

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-I just sweat it out

-and hope it goes OK.

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-I can't imagine not performing.

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-I often travel to gigs and say

-to myself, "Why are you doing this?

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-"Why can't you find a normal job...

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-"..which starts at 8.30am,

-finishes at 5.30pm with weekends off?

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-"It would be so much easier."

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-And it would be

-but this has a particular appeal.

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-I think I just like the attention.

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-I do like the praise.

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-That's what laughter is.

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-It's as if someone's saying,

-"Oh, you're good, you're so clever."

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-That's what laughter is all about -

-someone massaging your ego.

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-All performers have an ego.

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-I've yet to find a performer

-who doesn't feel the same way.

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-We are an insecure bunch.

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-So, I have some

-very fond memories of this studio...

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-..just because

-I can trace my story back...

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-..to the moment I walked

-in front of that audience.

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-A switch in my head

-went on that night.

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-I remember thinking,

-"Yes, I can do this."

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-Whatever I've tried to do...

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-..and it was a pleasant feeling...

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-..but I finally felt,

-"Yes, I've found my place."

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-S4C Subtitles by Simian 04 Cyf.

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