Bryn Fôn 3 Lle
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Transcript
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|---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Subtitles | 0:00:21 | 0:00:23 | |
-Forty years ago... | 0:00:35 | 0:00:37 | |
-..on the 18th of May, 1976... | 0:00:38 | 0:00:40 | |
-..I came here, -to Bingley Hall in Stafford... | 0:00:41 | 0:00:44 | |
-..to see the best rock 'n' roll band -in the world - The Rolling Stones. | 0:00:44 | 0:00:49 | |
-I came here to be entertained... | 0:00:49 | 0:00:51 | |
-..and my life -was never the same afterwards. | 0:00:52 | 0:00:55 | |
-It was a Tuesday. | 0:01:07 | 0:01:10 | |
-Ellis John -borrowed a minibus from Bob Mason... | 0:01:10 | 0:01:14 | |
-..and drove up from Dolgellau... | 0:01:14 | 0:01:17 | |
-..and picked -the rest of us up near Caernarfon. | 0:01:17 | 0:01:20 | |
-I'm trying to work out -where everything was. | 0:01:21 | 0:01:25 | |
-I think the stage was here. | 0:01:25 | 0:01:28 | |
-It's a lot bigger... | 0:01:31 | 0:01:33 | |
-..than I remember. | 0:01:33 | 0:01:36 | |
-We arrived quite early, -so we could more or less choose... | 0:01:36 | 0:01:40 | |
-..where we wanted to sit. | 0:01:40 | 0:01:42 | |
-We decided to sit in the gallery -so we could look down on the stage. | 0:01:43 | 0:01:48 | |
-We set up camp about three quarters -of the way down over there... | 0:01:48 | 0:01:52 | |
-..because -that's where the bar was situated. | 0:01:53 | 0:01:56 | |
-I remember -this voice coming over the PA. | 0:02:03 | 0:02:06 | |
-"Ladies and gentlemen, -put your hands together... | 0:02:06 | 0:02:10 | |
-"..for the greatest rock'n'roll band -in the world, The Rolling Stones. | 0:02:10 | 0:02:14 | |
-"The Rolling Stones!" | 0:02:15 | 0:02:17 | |
-Next came the guitar riff. | 0:02:17 | 0:02:19 | |
-Straight into Honky Tonk Women. | 0:02:27 | 0:02:29 | |
-The place went crazy. | 0:02:30 | 0:02:32 | |
-# It's the honky tonk women | 0:02:32 | 0:02:37 | |
-# Gimme, gimme, gimme | 0:02:40 | 0:02:43 | |
-# The honky tonk blues # | 0:02:43 | 0:02:45 | |
-I was quite immature musically. | 0:02:45 | 0:02:48 | |
-Before coming here, -I'd never seen anything like it. | 0:02:48 | 0:02:54 | |
-I'd seen local bands -do cover versions of chart hits... | 0:02:55 | 0:03:00 | |
-..at Llallyfni War Memorial Hall. | 0:03:00 | 0:03:02 | |
-I went to Bangor Normal and watched -a few bands at the students' union. | 0:03:03 | 0:03:07 | |
-In a way, -this was a real eye opener for me. | 0:03:08 | 0:03:13 | |
-What struck me... | 0:03:20 | 0:03:22 | |
-..was how flamboyant he was. | 0:03:22 | 0:03:25 | |
-His clothes were incredible. -He influenced the era's fashion. | 0:03:25 | 0:03:30 | |
-We didn't dress like this -to go to the market in Llangefni... | 0:03:31 | 0:03:35 | |
-..but we did wear flared trousers! | 0:03:35 | 0:03:39 | |
-After that night, I didn't -want to be a teacher any more. | 0:03:54 | 0:03:58 | |
-It changed the course -of my professional life. | 0:03:59 | 0:04:02 | |
-I'd been training -to become a teacher... | 0:04:02 | 0:04:04 | |
-..but then decided -to do something else with my life. | 0:04:05 | 0:04:09 | |
-We lived in Dragon Goch. | 0:04:11 | 0:04:13 | |
-That was the name -of our house in Penmynydd. | 0:04:14 | 0:04:17 | |
-The house belonged -to the Ty Fry Estate, Pentraeth... | 0:04:17 | 0:04:21 | |
-..where I worked as a farmhand. | 0:04:21 | 0:04:23 | |
-It was a crazy house. | 0:04:23 | 0:04:25 | |
-It was bohemian. | 0:04:26 | 0:04:27 | |
-Music was always blasting -out of the house day and night. | 0:04:28 | 0:04:33 | |
-This momentous night -was in May 1976... | 0:04:37 | 0:04:40 | |
-..at the beginning -of a glorious summer. | 0:04:41 | 0:04:46 | |
-It was sunny and warm. | 0:04:46 | 0:04:48 | |
-The Eisteddfod was in Cardigan. | 0:04:48 | 0:04:50 | |
-It was one of -the best eisteddfodau ever held. | 0:04:51 | 0:04:54 | |
-One day, we ventured -to the eisteddfod maes... | 0:04:55 | 0:04:59 | |
-..and as you can see, -we look completely lost. | 0:04:59 | 0:05:02 | |
-We didn't know -what to do or where to turn. | 0:05:02 | 0:05:06 | |
-We were at our happiest... | 0:05:06 | 0:05:08 | |
-..at Cardigan rugby club, -which you can see in the background. | 0:05:09 | 0:05:13 | |
-Some groups had been playing there -the night before... | 0:05:13 | 0:05:18 | |
-..and had left their gear. | 0:05:18 | 0:05:20 | |
-During the afternoon, -someone said, "Let's go and jam." | 0:05:20 | 0:05:24 | |
-Ithel Jones and Phil Jones -were there with me. | 0:05:25 | 0:05:28 | |
-They got up and played, so I just -jumped up and made up lyrics. | 0:05:28 | 0:05:33 | |
-I translated songs... | 0:05:34 | 0:05:36 | |
-..like Cross Road Blues by -Robert Johnson and stuff like that. | 0:05:37 | 0:05:41 | |
-People came in from the bar -and started to listen. | 0:05:41 | 0:05:44 | |
-We thought, -oh, OK, we'll do another. | 0:05:44 | 0:05:47 | |
-Ithel sent a postcard saying, -how about starting a band? | 0:05:47 | 0:05:51 | |
-I was asked to be the vocalist. | 0:05:53 | 0:05:57 | |
-We needed songs, -so we started writing. | 0:05:58 | 0:06:02 | |
-We translated songs -or took ideas from other songs. | 0:06:02 | 0:06:06 | |
-Draenog Marw -was one of the songs we translated. | 0:06:06 | 0:06:10 | |
-It was an adaptation -of Dead Skunk by Laudon Wainwright. | 0:06:10 | 0:06:16 | |
-# Take a whiff on me, -that ain't no rose | 0:06:16 | 0:06:20 | |
-# Roll up your window -and hold your nose | 0:06:20 | 0:06:23 | |
-# You don't have to look -and you don't have to see | 0:06:23 | 0:06:26 | |
-# 'Cause you can feel it -in your olfactory | 0:06:27 | 0:06:29 | |
-# You got your dead skunk -in the middle of the road # | 0:06:29 | 0:06:32 | |
-# Dead hedgehog on the road | 0:06:33 | 0:06:37 | |
-# Dead hedgehog on the road | 0:06:37 | 0:06:39 | |
-# And it's stinking to high heaven # | 0:06:39 | 0:06:43 | |
-The following summer in 1977... | 0:06:44 | 0:06:46 | |
-..a group of hippies settled in -Bethesda and organized a festival. | 0:06:46 | 0:06:51 | |
-They booked us -to play in the afternoon... | 0:06:52 | 0:06:56 | |
-..with Meic Stevens. | 0:06:56 | 0:06:58 | |
-At the end of the night, we all went -back to Dragon Goch for a party. | 0:06:58 | 0:07:02 | |
-There was a knock at the door, I -opened it and it was Meic Stevens. | 0:07:02 | 0:07:07 | |
-He'd been hiding -in the back of our van. | 0:07:07 | 0:07:10 | |
-I think he was with us for 10 days. -We couldn't get rid of him. | 0:07:10 | 0:07:14 | |
-We became good friends, fair play. | 0:07:14 | 0:07:17 | |
-He put my name forward for a part... | 0:07:17 | 0:07:20 | |
-..in the Dic Penderyn rock opera -he'd written... | 0:07:20 | 0:07:23 | |
-..with Rhydwen Williams. | 0:07:23 | 0:07:26 | |
-That's when I got my Equity card. | 0:07:26 | 0:07:28 | |
-It's thanks to Meic -that I started acting. | 0:07:29 | 0:07:32 | |
-This was the night... | 0:07:41 | 0:07:43 | |
-..that made me consider -making a career... | 0:07:44 | 0:07:47 | |
-..from rock'n'roll. | 0:07:47 | 0:07:49 | |
-It was an Eureka moment. | 0:07:50 | 0:07:52 | |
-I went from being -a face in the crowd... | 0:07:52 | 0:07:56 | |
-..to suddenly realizing this is what -these guys did all day, every day... | 0:07:56 | 0:08:01 | |
-..and I wanted a piece of it. | 0:08:02 | 0:08:04 | |
-I received my Equity card in 1979... | 0:08:22 | 0:08:25 | |
-..so it became a ticket -to another profession. | 0:08:25 | 0:08:29 | |
-I was invited to be a presenter... | 0:08:29 | 0:08:33 | |
-..on a magazine programme -called Ser. | 0:08:33 | 0:08:36 | |
-I found out pretty soon... | 0:08:37 | 0:08:40 | |
-..I wasn't comfortable presenting... | 0:08:40 | 0:08:43 | |
-..though I enjoyed -the physical side of it. | 0:08:43 | 0:08:47 | |
-At the same time, -the Bara Caws theatre company... | 0:08:48 | 0:08:51 | |
-..had been going -for about two years. | 0:08:51 | 0:08:54 | |
-Everyone was talking about -this new, radical, political... | 0:08:54 | 0:08:58 | |
-..and trailblazing company. | 0:08:59 | 0:09:01 | |
-In 1981 I acted in my first play... | 0:09:02 | 0:09:04 | |
-..entitled Oes 'Ma Bobl. | 0:09:05 | 0:09:07 | |
-While I was working -with Bara Caws... | 0:09:09 | 0:09:12 | |
-..I lived in Regent Street -for 18 months to two years. | 0:09:12 | 0:09:16 | |
-It was nice coming back to -Upper Bangor after studying here. | 0:09:16 | 0:09:22 | |
-After living in Cardiff -for a while... | 0:09:22 | 0:09:25 | |
-..I saw Upper Bangor -in a very different light. | 0:09:26 | 0:09:31 | |
-The fact that Bara Caws was radical -and different was an attraction. | 0:09:41 | 0:09:45 | |
-It was a pioneering -and political company... | 0:09:45 | 0:09:48 | |
-..led by Iola Gregory, Valmai Jones, -Dyfan Roberts and Mei Jones. | 0:09:49 | 0:09:53 | |
-I was in and out -for three or four years... | 0:09:58 | 0:10:01 | |
-..doing individual plays... | 0:10:02 | 0:10:04 | |
-..before being offered -full-time work. | 0:10:04 | 0:10:08 | |
-A few of us researched, -wrote and performed. | 0:10:08 | 0:10:13 | |
-I acted in many interesting plays. | 0:10:14 | 0:10:16 | |
-It was a learning curve for me. | 0:10:17 | 0:10:19 | |
-I learned about writing, -what made a good play... | 0:10:21 | 0:10:24 | |
-..what audiences wanted... | 0:10:24 | 0:10:26 | |
-..and finding the right balance for -getting the play's message across. | 0:10:27 | 0:10:32 | |
-The work was rewarding. | 0:10:32 | 0:10:34 | |
-That passion is still there. -The flame still burns inside me. | 0:10:34 | 0:10:39 | |
-It's important to put on plays... | 0:10:39 | 0:10:42 | |
-..for people in their communities -about subjects which concern them. | 0:10:42 | 0:10:47 | |
-It was a special place... | 0:10:48 | 0:10:50 | |
-..and it was -a very happy time in my life. | 0:10:51 | 0:10:54 | |
-It also inspired the song, -Mardi Gras Ym Mangor Uchaf. | 0:10:54 | 0:10:58 | |
-# Dire Straits on Holyhead Road | 0:10:58 | 0:11:02 | |
-# And Led Zep... # | 0:11:02 | 0:11:04 | |
-By 1982, S4C was launched. | 0:11:05 | 0:11:07 | |
-The Tir Glas company -was looking for new artists. | 0:11:07 | 0:11:11 | |
-Huw Jones asked me -if I'd perform as a solo artist. | 0:11:11 | 0:11:15 | |
-The first song I ever wrote... | 0:11:17 | 0:11:20 | |
-..I had a melody in my head... | 0:11:20 | 0:11:24 | |
-..and the lyrics came easily -one Saturday morning... | 0:11:24 | 0:11:28 | |
-..while I went to fetch -something for breakfast. | 0:11:28 | 0:11:31 | |
-It came to me very organically. | 0:11:32 | 0:11:34 | |
-# Everything for every occasion -on sale in every shop | 0:11:34 | 0:11:38 | |
-# Shopkeepers... # | 0:11:39 | 0:11:41 | |
-It's easy -to romanticize about these places... | 0:11:41 | 0:11:44 | |
-..because Upper Bangor -has always been a charming place. | 0:11:45 | 0:11:49 | |
-It's gone downhill these days. | 0:11:49 | 0:11:51 | |
-Ed Povey's murals have gone, -the colourful shops have gone. | 0:11:51 | 0:11:55 | |
-Despite its appearance, -it's a busy place... | 0:11:56 | 0:11:59 | |
-..buzzing with creativity. | 0:12:00 | 0:12:02 | |
-It's provided a lot of fun -for people over the years. | 0:12:03 | 0:12:06 | |
-People are fonder of Upper Bangor -than they are about the city itself. | 0:12:06 | 0:12:11 | |
-# Nugget, Meri, Meris -and Common Jacks of the world # | 0:12:12 | 0:12:15 | |
-Nugget was Cefin. | 0:12:16 | 0:12:19 | |
-That came from Valmai telling him -he was so intrinsically Welsh... | 0:12:19 | 0:12:25 | |
-..he had a gold nugget inside him... | 0:12:25 | 0:12:28 | |
-..which gleamed every time -there was any talk of cerdd dant... | 0:12:28 | 0:12:32 | |
-..or something Welsh-orientated. | 0:12:32 | 0:12:35 | |
-Meri Meri was Valmai Jones, -who was more influenced... | 0:12:36 | 0:12:39 | |
-..by English culture -than Welsh culture. | 0:12:39 | 0:12:42 | |
-I was the Common Jack, of course. | 0:12:43 | 0:12:45 | |
-It was our form of shorthand... | 0:12:48 | 0:12:50 | |
-..for pigeonholing people. | 0:12:50 | 0:12:54 | |
-# Jabbering in Welsh -at Y Glob almost every night | 0:12:55 | 0:12:59 | |
-# Menai Vaults and the Belle Vue, -Bangor aye and who knows? | 0:12:59 | 0:13:03 | |
-# Nugget, Meri Meris -and the world's Common Jacks | 0:13:03 | 0:13:07 | |
-# Speaking Esperanto, -that's the only language there is | 0:13:08 | 0:13:11 | |
-# It's Mardi Gras in Upper Bangor | 0:13:12 | 0:13:16 | |
-# Calypso on everyone's lips # | 0:13:16 | 0:13:20 | |
-You don't realize it at the time... | 0:13:20 | 0:13:22 | |
-..but in the early 1980s... | 0:13:23 | 0:13:25 | |
-..I didn't know what was going to -happen for the rest of that decade. | 0:13:25 | 0:13:30 | |
-In 1983 I became a father. | 0:13:30 | 0:13:33 | |
-In 1988 Sobin was formed. | 0:13:34 | 0:13:36 | |
-Crysbas was dead on its feet. | 0:13:37 | 0:13:39 | |
-My acting career -had taken over by then. | 0:13:40 | 0:13:43 | |
-Those wild, crazy days... | 0:13:44 | 0:13:46 | |
-..spent in places like this -came to an end, to some degree! | 0:13:47 | 0:13:51 | |
-# The singer | 0:13:51 | 0:13:54 | |
-# The singer all alone # | 0:13:55 | 0:14:01 | |
-. | 0:14:09 | 0:14:10 | |
-Subtitles | 0:14:11 | 0:14:11 | |
-Subtitles - -Subtitles | 0:14:11 | 0:14:13 | |
-DUBLIN | 0:14:22 | 0:14:25 | |
-We've crossed the water to Dublin. | 0:14:35 | 0:14:38 | |
-I've come to the National Stadium... | 0:14:38 | 0:14:42 | |
-..the only building in the world -exclusively designed for boxing. | 0:14:42 | 0:14:47 | |
-I came here -on the fourth of June, 1988... | 0:14:47 | 0:14:51 | |
-..to see -a very special man from Canada... | 0:14:52 | 0:14:55 | |
-..called Leonard Cohen. | 0:14:55 | 0:14:57 | |
-# He's here in front of me now | 0:14:57 | 0:15:01 | |
-# He's composing poetry -where once was boxing | 0:15:01 | 0:15:04 | |
-# A city celebrating a millennium | 0:15:06 | 0:15:09 | |
-# And the Jew singing a welcome # | 0:15:09 | 0:15:12 | |
-There's not much to say -about the building itself. | 0:15:12 | 0:15:16 | |
-Dublin was celebrating -1,000 years since its founding. | 0:15:16 | 0:15:20 | |
-He came on and said... | 0:15:20 | 0:15:23 | |
-.."Thanks for the welcome, -it's good to be here in Dublin. | 0:15:23 | 0:15:27 | |
-"It's good to be performing -in one of the original buildings." | 0:15:27 | 0:15:31 | |
-# Remembering his no-nonsense words | 0:15:31 | 0:15:34 | |
-# Janis and the poet from Montreal # | 0:15:35 | 0:15:38 | |
-We were sitting -down at the bottom... | 0:15:38 | 0:15:41 | |
-..in the centre of the square. | 0:15:41 | 0:15:43 | |
-There was a scruffy hippy -right at the end. | 0:15:44 | 0:15:46 | |
-In between every song, without fail, -he shouted... | 0:15:47 | 0:15:50 | |
-.."Hey, Lenny! Lady Midnight! | 0:15:50 | 0:15:53 | |
-"Lenny, why don't you sing...?" | 0:15:53 | 0:15:56 | |
-In between every song. | 0:15:56 | 0:15:58 | |
-After half an hour... | 0:15:58 | 0:16:00 | |
-..Leonard had had enough of him -and he turned on him and said... | 0:16:01 | 0:16:05 | |
-"Listen, I've forgotten that song -and I advise you to do the same." | 0:16:05 | 0:16:11 | |
-# He says what he's got to say -without smiling | 0:16:11 | 0:16:15 | |
-# "Lady Midnight" the hippy insists | 0:16:15 | 0:16:19 | |
-# "Oh, no, I've forgotten it" | 0:16:19 | 0:16:22 | |
-# "Do the same, you idiot | 0:16:23 | 0:16:26 | |
-# "Because I remember you well | 0:16:27 | 0:16:29 | |
-# "At the Chelsea Hotel" # | 0:16:31 | 0:16:33 | |
-He's a very complex man. | 0:16:34 | 0:16:36 | |
-I know -he's been battling depression. | 0:16:36 | 0:16:39 | |
-Many people -think his songs are depressing... | 0:16:39 | 0:16:43 | |
-..but I can see -a lot of humour in them. | 0:16:44 | 0:16:47 | |
-# I remember you well -in the Chelsea Hotel | 0:16:47 | 0:16:52 | |
-# You were famous, -your heart was a legend | 0:16:53 | 0:16:57 | |
-# You told me again -you preferred handsome men | 0:16:59 | 0:17:03 | |
-# But for me -you would make an exception # | 0:17:04 | 0:17:07 | |
-He's very different from people -like Mick Jagger and others. | 0:17:08 | 0:17:12 | |
-Jagger'd argue that you have to -sustain the audience's attention... | 0:17:12 | 0:17:17 | |
-..with some kind of movement -or whatever... | 0:17:17 | 0:17:19 | |
-..but he believed -the total opposite. | 0:17:20 | 0:17:22 | |
-He preferred to present his lyrics -in the best way he could... | 0:17:23 | 0:17:26 | |
-..and let the audience -absorb the sentiment... | 0:17:27 | 0:17:32 | |
-..process them -and interpret them as they wish. | 0:17:32 | 0:17:35 | |
-You take elements of both things -when you're with a full band. | 0:17:39 | 0:17:44 | |
-You're aware that you need -to move and give a performance. | 0:17:44 | 0:17:48 | |
-With the quiet acoustic stuff -that I sing... | 0:17:48 | 0:17:53 | |
-..it's enough to sit on a stool -and sing the lyrics... | 0:17:53 | 0:17:58 | |
-..of Emyr Huws Jones -or Alun Sbardun Hughes... | 0:17:59 | 0:18:02 | |
-..and let people enjoy it and think -about the lyrics in a different way. | 0:18:02 | 0:18:07 | |
-I've seen him -many times after that... | 0:18:11 | 0:18:14 | |
-..but because -he's become so popular... | 0:18:14 | 0:18:17 | |
-..the venues are much bigger. | 0:18:17 | 0:18:19 | |
-That night, -in this intimate setting... | 0:18:19 | 0:18:24 | |
-..I feel as though -I met Leonard Cohen... | 0:18:24 | 0:18:27 | |
-..and he was talking directly to me -and none of the 2,000 who were here. | 0:18:27 | 0:18:32 | |
-I have to say, -I love coming to Dublin. | 0:18:43 | 0:18:46 | |
-I've been coming -since the end of the 1970s... | 0:18:46 | 0:18:49 | |
-..for various reasons. | 0:18:49 | 0:18:51 | |
-Living in North Wales, it's easier -to come to Dublin to see a show... | 0:18:51 | 0:18:56 | |
-..than travel all the way to London. | 0:18:56 | 0:18:59 | |
-As the years went by and -I started to work for Bara Caws... | 0:19:06 | 0:19:10 | |
-..we came here -to perform numerous plays... | 0:19:10 | 0:19:14 | |
-..that were held nearby -in the New Theatre. | 0:19:14 | 0:19:17 | |
-I've come here to sing -over the years too... | 0:19:17 | 0:19:20 | |
-..especially during -rugby internationals. | 0:19:20 | 0:19:24 | |
-But whilst filming Midffild, -we'd come here for wrap parties... | 0:19:24 | 0:19:29 | |
-..after the shoot was over. | 0:19:29 | 0:19:31 | |
-We'd often go to O'Donoghue's -and the Baggot Inn. | 0:19:31 | 0:19:36 | |
-If you come to Dublin, -there's one thing you must have. | 0:19:36 | 0:19:40 | |
-A pint or two of Guinness. | 0:19:40 | 0:19:42 | |
-You've gone up in the world. | 0:20:10 | 0:20:12 | |
-It's the only bar in the world where -the barman stands on the counter. | 0:20:12 | 0:20:17 | |
-We came here on Midffild trips -for almost three years. | 0:20:17 | 0:20:22 | |
-We went to Galway the following year -but it was a big mistake. | 0:20:22 | 0:20:27 | |
-We should've stuck to Dublin. | 0:20:27 | 0:20:29 | |
-It got messy in Galway. -Even messier than Dublin! | 0:20:29 | 0:20:33 | |
-# Through the world's violence | 0:20:33 | 0:20:37 | |
-# Its length and breadth | 0:20:37 | 0:20:40 | |
-# When I was young # | 0:20:40 | 0:20:43 | |
-Fun afternoons -rather than fun nights. | 0:20:43 | 0:20:46 | |
-It started quietly -with everyone chatting... | 0:20:46 | 0:20:49 | |
-..and then the Irish -would start singing... | 0:20:49 | 0:20:53 | |
-..and we'd start singing -at the other end. | 0:20:53 | 0:20:56 | |
-# Before I return to Wales, -my friend # | 0:20:56 | 0:21:01 | |
-By now, it's fair to say I've -established myself as an actor. | 0:21:01 | 0:21:06 | |
-People regard me as an actor, -not just as a singer who acts. | 0:21:06 | 0:21:10 | |
-Obviously Midffild -was one of S4C's great successes. | 0:21:10 | 0:21:15 | |
-It helped me acquire other roles. | 0:21:15 | 0:21:19 | |
-Move, you yob. | 0:21:19 | 0:21:21 | |
-You move, pillock. | 0:21:21 | 0:21:23 | |
-That's enough. Pack it in. I'm sick -of you two. Bryncoch's sick of you. | 0:21:23 | 0:21:28 | |
-He started it. | 0:21:29 | 0:21:29 | |
-He started it. - -Turn that off! It's like High Noon! | 0:21:29 | 0:21:33 | |
-I had dozens of work offers -after that. | 0:21:33 | 0:21:37 | |
-Usually, I'd look to do -a series like Midffild... | 0:21:38 | 0:21:42 | |
-..a film with Sion Humphreys... | 0:21:42 | 0:21:45 | |
-..and two tours with Bara Caws. | 0:21:45 | 0:21:47 | |
-My diary was full during that time. | 0:21:47 | 0:21:49 | |
-I'd done Gaucho with Endaf Emlyn... | 0:21:49 | 0:21:52 | |
-..Yma I Aros, -a film written by Meic Povey... | 0:21:52 | 0:21:55 | |
-..with songs composed by Ems -about a country music duo. | 0:21:56 | 0:22:00 | |
-I also appeared -in the Minafon and Jabas series. | 0:22:00 | 0:22:05 | |
-Talcen Caled was another success. | 0:22:05 | 0:22:08 | |
-It was a gritty series -based in Porthmadog. | 0:22:08 | 0:22:12 | |
-People still ask me if I'm going -to reprise the role of Les! | 0:22:12 | 0:22:16 | |
-The time has come -to bid farewell to Dublin. | 0:22:34 | 0:22:38 | |
-I've enjoyed being back here... | 0:22:38 | 0:22:41 | |
-..reliving some of the good times -I've had here, as others have had. | 0:22:41 | 0:22:45 | |
-To be honest, -visiting all three places... | 0:22:46 | 0:22:50 | |
-..has reminded me -of what I enjoy doing... | 0:22:50 | 0:22:53 | |
-..and what's so great about my job, -which is entertaining people. | 0:22:53 | 0:22:59 | |
-I'm bringing enjoyment -to people's lives. | 0:22:59 | 0:23:02 | |
-It something I'll continue to do. | 0:23:02 | 0:23:05 | |
-S4C Subtitles by Adnod Cyf. | 0:23:33 | 0:23:35 | |
-. | 0:23:35 | 0:23:36 |