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A close call, a moment of danger when life can hang in the balance. | 0:00:02 | 0:00:05 | |
It was about survival at that point. | 0:00:05 | 0:00:08 | |
A split second where the outcome could go either way. | 0:00:08 | 0:00:11 | |
I knew I had to get the people out of the car. | 0:00:11 | 0:00:13 | |
The difference between disaster... | 0:00:13 | 0:00:15 | |
and survival. | 0:00:15 | 0:00:17 | |
It was terrifying. I thought it was game over. | 0:00:17 | 0:00:20 | |
These are the people that have been there and lived to tell the tale. | 0:00:20 | 0:00:23 | |
The doctor had a word with us, | 0:00:23 | 0:00:25 | |
and thought he was preparing us for David's death. | 0:00:25 | 0:00:28 | |
It was something out of a horror film. | 0:00:29 | 0:00:32 | |
Their instincts and resources... | 0:00:32 | 0:00:34 | |
coupled with the quick thinking of others helped to pull them through. | 0:00:34 | 0:00:38 | |
I wanted to keep him awake. I needed to keep him awake. | 0:00:38 | 0:00:41 | |
And their dramatic experiences were recorded on camera. | 0:00:41 | 0:00:44 | |
Your life is on the line. | 0:00:44 | 0:00:46 | |
It's a day they will never forget. | 0:00:46 | 0:00:48 | |
The day they had a close call. | 0:00:48 | 0:00:50 | |
Today on Close Calls, skiing too close to the edge, | 0:01:05 | 0:01:08 | |
a holiday-maker makes a disastrous error high on an Alpine glacier, | 0:01:08 | 0:01:12 | |
falling deep into a bottomless crack in the ice. | 0:01:12 | 0:01:16 | |
I heard a shout, "Oh, my God. | 0:01:16 | 0:01:17 | |
"Oh, my God. Matt's skied into the crevasse!" | 0:01:17 | 0:01:20 | |
Also today, a car is on fire at a safari park. | 0:01:20 | 0:01:23 | |
A family is facing a terrible dilemma. | 0:01:23 | 0:01:26 | |
How long can they stay in the car before they have to make | 0:01:26 | 0:01:28 | |
a run for it? Not long enough. | 0:01:28 | 0:01:31 | |
My son opened the door and ran. | 0:01:31 | 0:01:33 | |
And police chase a high-speed driver after he overtakes | 0:01:33 | 0:01:36 | |
four un-marked cars, only to find he's making a special delivery. | 0:01:36 | 0:01:41 | |
I've got out of the police vehicle, | 0:01:41 | 0:01:43 | |
run to the passenger side, thinking I'm going to make an arrest. | 0:01:43 | 0:01:47 | |
It's winter in the French Alps, | 0:01:53 | 0:01:55 | |
and three mates are heading out on an adventure. | 0:01:55 | 0:01:58 | |
Their off the mark ski run's on a glacier. | 0:02:01 | 0:02:04 | |
It's challenging and exciting. And they're just getting started. | 0:02:05 | 0:02:09 | |
They're all experienced skiers but this is a risky place. | 0:02:09 | 0:02:13 | |
There are warning signs everywhere. And you can see why. | 0:02:16 | 0:02:20 | |
Their helmet camera records them edging along this precarious ridge. | 0:02:21 | 0:02:25 | |
The friends are feeling the fear. | 0:02:28 | 0:02:30 | |
But they're about to face much greater danger | 0:02:33 | 0:02:36 | |
when the thrill of adventure becomes a desperate struggle for survival. | 0:02:36 | 0:02:41 | |
I heard a shout saying, "Oh, my God. | 0:02:42 | 0:02:44 | |
"Oh, my God. Matt's skied into the crevasse!" | 0:02:44 | 0:02:46 | |
Matt Allen works hard in his family's catering firm | 0:02:57 | 0:03:00 | |
in Belfast for 11 months of the year but his passion lies | 0:03:00 | 0:03:04 | |
hundreds of miles away in France, in the snowfields of Chamonix. | 0:03:04 | 0:03:08 | |
Matt lives to ski. | 0:03:08 | 0:03:10 | |
Ideally, with his ski mates, Rick Greenwood and Matt Donovan. | 0:03:11 | 0:03:15 | |
Every year, I just take all my holidays, one month, and go and | 0:03:15 | 0:03:20 | |
live like I can ski every day, and pretend like it'll last forever. | 0:03:20 | 0:03:24 | |
It's February, and Matt's back in the resort with his friends. | 0:03:25 | 0:03:28 | |
Matt's been there two weeks and skiing hard. | 0:03:28 | 0:03:32 | |
Today, he's tired and planning on taking a rest day. | 0:03:32 | 0:03:35 | |
But, then, an opportunity comes up. | 0:03:35 | 0:03:37 | |
We got a phone call. | 0:03:39 | 0:03:41 | |
One of our very good friends, Rick. He was free to ski that day as well. | 0:03:41 | 0:03:44 | |
He had the day off work. And the weather was just getting better and better. | 0:03:44 | 0:03:48 | |
I was just sitting there. And Matt mentioned the Vallee Blanche. | 0:03:48 | 0:03:52 | |
We don't go that often because it's a weather thing, and timing. | 0:03:52 | 0:03:55 | |
So, I've got my two best friends, the weather's perfect, | 0:03:55 | 0:03:59 | |
everything fell into place, so me and my favourite people in the world | 0:03:59 | 0:04:03 | |
to ski with, let's go, let's go and have an adventure in Vallee Blanche. | 0:04:03 | 0:04:07 | |
The Vallee Blanche, the White Valley, links France and Italy. | 0:04:07 | 0:04:11 | |
Skiing here requires skill, nerve, and lots of safety equipment. | 0:04:11 | 0:04:15 | |
They load up with shovels, avalanche beacons, harnesses, | 0:04:15 | 0:04:19 | |
and a helmet camera. | 0:04:19 | 0:04:21 | |
They're looking forward to an exciting day of high-octane skiing. | 0:04:21 | 0:04:25 | |
Getting there is a challenge in itself. | 0:04:25 | 0:04:29 | |
Warning signs tell them there are no marked paths, | 0:04:29 | 0:04:32 | |
and no ski patrols, no prepared ski runs, no avalanche protection. | 0:04:32 | 0:04:37 | |
Plus, there are crevasses ahead, | 0:04:37 | 0:04:40 | |
and they have to cross the notorious Arete Ridge. | 0:04:40 | 0:04:44 | |
So, the start of the day is exciting. It's scary. | 0:04:44 | 0:04:47 | |
You get that little adrenaline lift. | 0:04:47 | 0:04:49 | |
And Matt doesn't like it, I don't like it. It's just... | 0:04:49 | 0:04:53 | |
It's just a point you have to get over. | 0:04:53 | 0:04:56 | |
Just myself, Matt, and Matt Donovan, just to do one run | 0:05:01 | 0:05:04 | |
and make the most of a blue sky, powder day. | 0:05:04 | 0:05:07 | |
Now the friends are outside the patrolled ski area. | 0:05:10 | 0:05:14 | |
They have to rely on skills, experience, and each other. | 0:05:14 | 0:05:19 | |
This is adventure. This is where we're going now. | 0:05:19 | 0:05:21 | |
You feel like an explorer. | 0:05:21 | 0:05:23 | |
The cliff is sheer. To the left, the drop is 12,000 feet. | 0:05:27 | 0:05:31 | |
They continue to inch along the narrowest of ridges. | 0:05:34 | 0:05:38 | |
You don't fall down to the left-hand side, it is a no-fall zone, | 0:05:41 | 0:05:45 | |
the left side. You will roll a bit to the snow, and then fall. | 0:05:45 | 0:05:48 | |
And that's it. It's game over. | 0:05:48 | 0:05:50 | |
'I just want to get there. Now.' | 0:05:50 | 0:05:52 | |
Soon, they're at the highest point, | 0:05:57 | 0:05:59 | |
and at the start of the toughest 22km run home. | 0:05:59 | 0:06:03 | |
This is extreme glacier skiing. | 0:06:03 | 0:06:06 | |
Glacier is basically a huge body of ice that has cracks, | 0:06:07 | 0:06:12 | |
crevasses all through it in different areas. | 0:06:12 | 0:06:16 | |
But it's covered in snow. | 0:06:16 | 0:06:17 | |
Where you're skiing, a lot of times, all you see is the snow. | 0:06:17 | 0:06:20 | |
You don't realise you're anywhere different. | 0:06:20 | 0:06:23 | |
To ski on... it carries a lot of dangers, a lot of risks. | 0:06:23 | 0:06:27 | |
Skiing here is not for the faint-hearted. | 0:06:27 | 0:06:30 | |
They need to avoid weak snow bridges, thin layers of snow, | 0:06:30 | 0:06:33 | |
deceptively covering gaping deep crevasses. | 0:06:33 | 0:06:36 | |
As we come over the lip, | 0:06:37 | 0:06:39 | |
Matt's actually pointing out there's a crevasse here, that you can see. | 0:06:39 | 0:06:43 | |
That's a small one that we went around | 0:06:43 | 0:06:46 | |
cos it's quite visible from where we were, so it's no issue. | 0:06:46 | 0:06:50 | |
They move past it. Matt's feeling tired. By now, his knees are aching. | 0:06:50 | 0:06:56 | |
He drops back, opening up a worrying gap between him and his friends. | 0:06:56 | 0:07:01 | |
The guys skied on ahead, I let them get a bit of distance. | 0:07:01 | 0:07:05 | |
So, I was coming in, nice and slowly, in the back. | 0:07:05 | 0:07:08 | |
And we got quite a bit of distance between us. | 0:07:08 | 0:07:11 | |
After the first pitch, as we were coming towards the crevasses, | 0:07:11 | 0:07:14 | |
I skied over the snow bridge of an incredibly big crevasse. | 0:07:14 | 0:07:20 | |
And got safe on the other side. | 0:07:20 | 0:07:23 | |
And then Matt - Matt Donovan - came just behind me, and we both | 0:07:23 | 0:07:27 | |
pulled up just to the other side of the crevasse, in the safe zone. | 0:07:27 | 0:07:31 | |
I saw where they were in the distance. | 0:07:31 | 0:07:33 | |
And I just, sort of, set a straight line towards them. | 0:07:33 | 0:07:36 | |
As I got closer and closer and closer to them, | 0:07:36 | 0:07:39 | |
I started to look up and I started to realise, | 0:07:39 | 0:07:41 | |
once I was very close, that there was something... | 0:07:41 | 0:07:44 | |
something was just not right about where I was. | 0:07:44 | 0:07:46 | |
I knew I was in the wrong place. | 0:07:46 | 0:07:48 | |
Matt's two friends are plotting the rest of the route down, unaware, | 0:07:49 | 0:07:53 | |
at this point, that their mate has made a terrible misjudgement. | 0:07:53 | 0:07:57 | |
I heard a shout, saying, | 0:08:01 | 0:08:02 | |
"Oh, my God. Oh, my God. Matt's skied into the crevasse!" | 0:08:02 | 0:08:05 | |
It's all captured on Matt Donovan's helmet camera. | 0:08:09 | 0:08:12 | |
I just couldn't believe it. I was, like, | 0:08:19 | 0:08:22 | |
"No, that is impossible. This is a big, big crevasse." | 0:08:22 | 0:08:25 | |
Matt has gone. He can't be seen. | 0:08:27 | 0:08:28 | |
He can't be heard. | 0:08:28 | 0:08:30 | |
In that heart stopping moment, | 0:08:30 | 0:08:32 | |
his friends know they may never see him again. | 0:08:32 | 0:08:35 | |
'Attention! Attention!' | 0:08:35 | 0:08:37 | |
Later, the desperate battle to make contact with Matt. | 0:08:37 | 0:08:41 | |
And the frantic efforts to try and reach him. | 0:08:41 | 0:08:44 | |
When you're actually in that situation, | 0:08:44 | 0:08:46 | |
and there's no-one else around, | 0:08:46 | 0:08:48 | |
it gets...very, very scary, very, very quickly. | 0:08:48 | 0:08:51 | |
When a car is seen weaving in and out of traffic, police give chase. | 0:09:02 | 0:09:05 | |
But, in this case, | 0:09:05 | 0:09:07 | |
it's not the driver who's about to have a lucky escape. | 0:09:07 | 0:09:09 | |
It's late evening on one of the major motorway routes | 0:09:13 | 0:09:16 | |
along the south coast. | 0:09:16 | 0:09:18 | |
A car is being driven erratically, cutting other drivers, | 0:09:19 | 0:09:22 | |
and changing lanes. | 0:09:22 | 0:09:24 | |
The driver doesn't know it's all being recorded on the camera | 0:09:25 | 0:09:29 | |
of an unmarked police car. | 0:09:29 | 0:09:31 | |
I was, sort of, weaving, in and out. | 0:09:31 | 0:09:35 | |
But the police officers have no idea of the dramatic events | 0:09:35 | 0:09:38 | |
unfolding in the vehicle. | 0:09:38 | 0:09:40 | |
Sergeant Simon Goss has been in the force 27 years. | 0:09:45 | 0:09:48 | |
He's in charge of a team of eight traffic cops, | 0:09:48 | 0:09:51 | |
on the lookout for and recording criminals on the road. | 0:09:51 | 0:09:55 | |
But, one day, in the middle of June, he and a number of colleagues | 0:09:55 | 0:09:58 | |
are on their way home from a police operation in unmarked vehicles, | 0:09:58 | 0:10:02 | |
and one of their in-car cameras is recording. | 0:10:02 | 0:10:06 | |
It captures the start of probably the most unexpected | 0:10:06 | 0:10:09 | |
sequence of events he's ever experienced in his career. | 0:10:09 | 0:10:13 | |
Travelling at 60mph, that's the speed limit for that | 0:10:13 | 0:10:16 | |
part of the motorway, just heading back to base after an 11 hour shift. | 0:10:16 | 0:10:20 | |
We're aware of this black car that undertakes us, | 0:10:20 | 0:10:23 | |
clearly driving a lot faster than 60mph. | 0:10:23 | 0:10:26 | |
The vehicle accelerates ahead of us, weaving in and out of traffic, | 0:10:26 | 0:10:30 | |
and I think the consensus of opinion of us all | 0:10:30 | 0:10:32 | |
was that the vehicle had just been stolen and we needed to stop it. | 0:10:32 | 0:10:36 | |
But this car isn't stolen. | 0:10:36 | 0:10:38 | |
It's just in a hurry to make an extremely important delivery. | 0:10:38 | 0:10:42 | |
Behind the wheel is Colin, a devoted dad, and grandad, | 0:10:42 | 0:10:46 | |
who's rushing his heavily pregnant daughter to hospital. | 0:10:46 | 0:10:49 | |
I was, sort of, weaving in and out. | 0:10:50 | 0:10:54 | |
And, unbeknownst to me, undertook four unmarked police cars. | 0:10:54 | 0:10:58 | |
My dad's doing high speed down the motorway... | 0:10:59 | 0:11:03 | |
Obviously, we see the blue flashing lights. | 0:11:03 | 0:11:06 | |
Then Tiff said, "My waters have gone." | 0:11:06 | 0:11:09 | |
So I started going a little bit faster. | 0:11:09 | 0:11:12 | |
Surprisingly, the vehicle continues to speed, even accelerates. | 0:11:13 | 0:11:17 | |
I didn't stop. It was in my head to get Tiff to the hospital. | 0:11:17 | 0:11:21 | |
But, as Colin hits top gear, | 0:11:22 | 0:11:24 | |
he soon realises Tiffany isn't going to make it that far. | 0:11:24 | 0:11:28 | |
Half of her head come out. | 0:11:28 | 0:11:30 | |
I had no choice but to pull over. | 0:11:32 | 0:11:34 | |
The vehicle stops on a very narrow bit of hard shoulder | 0:11:34 | 0:11:37 | |
and we basically surround the vehicle with our unmarked cars. | 0:11:37 | 0:11:41 | |
I leapt out of my driver's door, | 0:11:41 | 0:11:43 | |
as all the police got out of their car. | 0:11:43 | 0:11:46 | |
I got out of the police vehicle, run to the passenger side, | 0:11:46 | 0:11:49 | |
thinking I'm going to make an arrest. | 0:11:49 | 0:11:51 | |
And I just said, "My daughter's having a baby." | 0:11:51 | 0:11:54 | |
I opened the passenger door, got Tiffany's legs turned, | 0:11:54 | 0:11:57 | |
out came baby. | 0:11:57 | 0:11:59 | |
He's got Lola's head in his hands, | 0:12:00 | 0:12:02 | |
and Lola's literally being born in front of us. | 0:12:02 | 0:12:05 | |
Which is a massive shock to us all. | 0:12:05 | 0:12:08 | |
And it's just as much of a shock for Tiffany. | 0:12:08 | 0:12:11 | |
It's been a speedy birth in more ways than one. | 0:12:11 | 0:12:14 | |
My first was 27 hours. | 0:12:14 | 0:12:16 | |
She was 19 minutes. | 0:12:16 | 0:12:18 | |
No-one expects your dad to deliver their baby, do they? | 0:12:19 | 0:12:22 | |
It was quite...embarrassing. | 0:12:22 | 0:12:25 | |
Just had to do what he had to do, I suppose, bless him. | 0:12:25 | 0:12:28 | |
Mother and baby finally make it to hospital | 0:12:28 | 0:12:30 | |
and both are in good health. | 0:12:30 | 0:12:32 | |
-Lola is well-prepared for a life in the fast lane. -There, look. | 0:12:32 | 0:12:37 | |
The lady that was registering her... | 0:12:38 | 0:12:40 | |
..said, "Is this the M275 baby?" I said, "Yes." | 0:12:41 | 0:12:45 | |
And that's what they've written on her birth certificate. | 0:12:45 | 0:12:48 | |
Born - M275 on the way to Queen Alexandra Hospital. | 0:12:48 | 0:12:52 | |
Grand Prix grandad Colin makes a rapid apology | 0:12:53 | 0:12:56 | |
for his high-speed antics. | 0:12:56 | 0:12:58 | |
I said, "Look, guys, I'm really sorry for driving like a lunatic." | 0:12:58 | 0:13:01 | |
And they were, afterwards, they were really good. | 0:13:01 | 0:13:04 | |
I think he was just as shocked as we were that he got | 0:13:04 | 0:13:07 | |
so surrounded by four unmarked cars. | 0:13:07 | 0:13:09 | |
He was desperate to try and get Tiffany to hospital. | 0:13:09 | 0:13:12 | |
But he was doing his best in the circumstances. | 0:13:12 | 0:13:14 | |
Simon, however, feels he probably should have been better prepared. | 0:13:14 | 0:13:18 | |
Coincidently, my wife is a midwife. | 0:13:18 | 0:13:20 | |
I did think at the time maybe I should have listened to a few | 0:13:20 | 0:13:23 | |
more stories as she told me about delivering babies, | 0:13:23 | 0:13:26 | |
but, luckily, Lola was fine, Mum was fine. | 0:13:26 | 0:13:28 | |
Coming up, a terrifying car fire, and it seems there's no escape. | 0:13:36 | 0:13:41 | |
A family is trapped inside their burning vehicle, | 0:13:41 | 0:13:44 | |
but they're surrounded by lions. | 0:13:44 | 0:13:46 | |
Do they flee, or sit tight in choking smoke? | 0:13:46 | 0:13:50 | |
I saw flames coming from the front of the vehicle. | 0:13:50 | 0:13:53 | |
I could see the panic on the children's faces. | 0:13:53 | 0:13:56 | |
And, in the Alps, Matt's friends battle to reach him | 0:13:56 | 0:14:00 | |
trapped in a bottomless crevasse. | 0:14:00 | 0:14:02 | |
I kind of had a thought, you know, I was going to be buried. | 0:14:02 | 0:14:05 | |
This is going to be like being in an avalanche, | 0:14:05 | 0:14:07 | |
not going to be able to move, not going to be able to breathe. | 0:14:07 | 0:14:10 | |
This footage, filmed on a mobile phone, shows a line of traffic. | 0:14:21 | 0:14:25 | |
And, at the back, one of the cars is burning out of control. | 0:14:25 | 0:14:29 | |
Inside, a mum and her two young children are suddenly facing | 0:14:29 | 0:14:32 | |
a terrifying, life-threatening decision. | 0:14:32 | 0:14:35 | |
This is Longleat Safari Park, | 0:14:37 | 0:14:38 | |
and their car is in the middle of the lion enclosure. | 0:14:38 | 0:14:41 | |
It's getting too dangerous to stay in their burning vehicle, | 0:14:41 | 0:14:45 | |
but it's also too dangerous to get out | 0:14:45 | 0:14:48 | |
because the lions are surrounding the car. | 0:14:48 | 0:14:52 | |
It's probably most people's worst nightmare. | 0:14:52 | 0:14:55 | |
The lions are actually watching us. | 0:14:55 | 0:14:57 | |
Suddenly, fear gives way to panic. | 0:14:57 | 0:14:59 | |
One of the children does something drastic - | 0:14:59 | 0:15:01 | |
opens the door and tries to make a run for it. | 0:15:01 | 0:15:05 | |
My son opened the door and ran out of the car. | 0:15:05 | 0:15:08 | |
It's the Easter holidays, and Helen Clemens and her two children, | 0:15:13 | 0:15:16 | |
12-year-old Charlie and her nine-year-old brother, | 0:15:16 | 0:15:19 | |
George, are on a family day out. | 0:15:19 | 0:15:21 | |
The first thing you do, you see the lemurs | 0:15:22 | 0:15:25 | |
and then you can go into the zebras and the giraffes. | 0:15:25 | 0:15:29 | |
Then there's the monkeys. | 0:15:29 | 0:15:32 | |
And then you go on to the big cats. | 0:15:32 | 0:15:35 | |
You see the tigers first, which we did, | 0:15:38 | 0:15:40 | |
and they were quite close to the road. | 0:15:40 | 0:15:43 | |
But Longleat Safari Park is most famous for its lions, | 0:15:44 | 0:15:48 | |
36 in total, and its Park Ranger Andy Hayton's job | 0:15:48 | 0:15:50 | |
to keep an eye on them. | 0:15:50 | 0:15:52 | |
They're probably more dangerous than a wild lion | 0:15:54 | 0:15:57 | |
because they have no natural fear of us. | 0:15:57 | 0:15:59 | |
It's a big unpredictable carnivore | 0:15:59 | 0:16:02 | |
that makes a living out of killing things and eating it, | 0:16:02 | 0:16:05 | |
so you never, ever, ever get complacent with them. | 0:16:05 | 0:16:08 | |
For Helen and the kids, the lions are definitely the main attraction, | 0:16:09 | 0:16:14 | |
and they're excited as they enter the big cat enclosure. | 0:16:14 | 0:16:17 | |
This Easter weekend, | 0:16:17 | 0:16:18 | |
the good weather has brought visitors in their droves, | 0:16:18 | 0:16:21 | |
all keen to get close up to the pride prowling its territory | 0:16:21 | 0:16:25 | |
and recording their day on their cameras and phones. | 0:16:25 | 0:16:28 | |
Everyone likes to look at all the animals | 0:16:28 | 0:16:30 | |
and they forget there's a lot of people behind you, | 0:16:30 | 0:16:32 | |
so that's why there was a lot of, you know, stopping and starting. | 0:16:32 | 0:16:36 | |
Helen, Charlie and George are already well inside the enclosure | 0:16:37 | 0:16:40 | |
when they realise something's not right with their people carrier. | 0:16:40 | 0:16:43 | |
There was steam coming from the bonnet. | 0:16:43 | 0:16:45 | |
When you go into any enclosure it says, | 0:16:45 | 0:16:47 | |
"Please stay in your vehicle. | 0:16:47 | 0:16:49 | |
"In the case of an emergency, please sound your horn." | 0:16:49 | 0:16:52 | |
She reassures the children, but now Helen is becoming frightened. | 0:16:52 | 0:16:56 | |
She decides to press the horn. | 0:16:56 | 0:16:57 | |
HORN BLARES | 0:16:57 | 0:16:59 | |
But the sudden noise attracts the attention | 0:16:59 | 0:17:01 | |
of a large pride of lions nearby. | 0:17:01 | 0:17:03 | |
One of the rangers on look out sees they're in trouble | 0:17:04 | 0:17:07 | |
and radios Andy Hayton. | 0:17:07 | 0:17:10 | |
I could hear panic in her voice. | 0:17:10 | 0:17:12 | |
She told me that there was smoke | 0:17:12 | 0:17:13 | |
coming from underneath the car bonnet. | 0:17:13 | 0:17:16 | |
Sometimes you think, smoke, steam - | 0:17:16 | 0:17:18 | |
maybe it's a radiator hose burst or something. | 0:17:18 | 0:17:21 | |
But it isn't steam, as they're about to find out. | 0:17:21 | 0:17:24 | |
It started getting darker and it started to turn brown, | 0:17:24 | 0:17:28 | |
and then suddenly it was turning black. | 0:17:28 | 0:17:31 | |
And, because it was at the front of the vehicle, | 0:17:31 | 0:17:33 | |
near the windscreen, it was coming in towards us through the vents, | 0:17:33 | 0:17:37 | |
and I said, "That isn't steam, that's smoke." | 0:17:37 | 0:17:40 | |
Helen is now terrified they'll be overcome by the deadly fumes. | 0:17:43 | 0:17:47 | |
She has no choice but to open the car window, | 0:17:47 | 0:17:50 | |
hoping the lions won't come any closer. | 0:17:50 | 0:17:52 | |
Andy's still 200 yards away and racing towards the enclosure. | 0:17:52 | 0:17:56 | |
He can see time is running out for the family. | 0:17:56 | 0:18:00 | |
I knew I had to get people out of the car. | 0:18:01 | 0:18:04 | |
Then, suddenly, the family's situation gets much worse. | 0:18:04 | 0:18:07 | |
At that point I saw flames coming from the front of the vehicle. | 0:18:07 | 0:18:11 | |
I could see the panic on the children's faces. | 0:18:11 | 0:18:14 | |
Both Charlie and George were in tears. | 0:18:14 | 0:18:17 | |
It's too much for nine-year-old George. | 0:18:17 | 0:18:19 | |
Overcome with fear, he suddenly jumps out of the car. | 0:18:19 | 0:18:23 | |
My son opened the door and ran out of the car. | 0:18:24 | 0:18:28 | |
I was really, really scared. | 0:18:28 | 0:18:31 | |
I saw the lions, but I just didn't know what to do. | 0:18:31 | 0:18:35 | |
I thought if I could run to the entrance bit, | 0:18:35 | 0:18:41 | |
but it's too far away, so then I just thought, I'll just... | 0:18:41 | 0:18:45 | |
..leg it. | 0:18:46 | 0:18:48 | |
I was calling him back, | 0:18:48 | 0:18:49 | |
I said, "You've got to come back to the car." | 0:18:49 | 0:18:52 | |
I could see the puzzled look on his face, you know, | 0:18:52 | 0:18:55 | |
do I stay in the car? Do I get back in the car? | 0:18:55 | 0:18:57 | |
Andy arrives at Helen's blazing car | 0:19:04 | 0:19:07 | |
and manoeuvres his 4x4 tight up alongside. | 0:19:07 | 0:19:10 | |
I said to Helen, "I'm going to have to just get you into my truck, | 0:19:12 | 0:19:16 | |
"and what I want you all to do is just jump over the driver's seat." | 0:19:16 | 0:19:19 | |
But young George, gripped with panic, | 0:19:19 | 0:19:22 | |
heads to the wrong side of Andy's car and into the path of the lions. | 0:19:22 | 0:19:26 | |
I did have to manhandle George in, | 0:19:26 | 0:19:28 | |
caught him by the scruff of the neck and fired him through the door. | 0:19:28 | 0:19:31 | |
Andy's reached them just in time. | 0:19:33 | 0:19:35 | |
Tourist photos show the front of the car is now well alight. | 0:19:35 | 0:19:38 | |
Just one minute more and the whole family would have been forced | 0:19:38 | 0:19:42 | |
to leap out and into the enclosure with the lions. | 0:19:42 | 0:19:45 | |
Helen captures the moment on her own mobile phone. | 0:19:45 | 0:19:49 | |
With the family safe, the rangers round-up the animals. | 0:19:49 | 0:19:52 | |
Now the locals fire service can take over. | 0:19:52 | 0:19:55 | |
The actual car was on fire. | 0:19:55 | 0:19:56 | |
It was well alight from end to end and there were flames | 0:19:56 | 0:19:59 | |
10 or 15 feet in the air, quite a bit of smoke being produced. | 0:19:59 | 0:20:02 | |
I directed the crews to attack the fire. | 0:20:02 | 0:20:04 | |
Whilst they were doing that I made my way to the nearest ranger | 0:20:04 | 0:20:07 | |
just to confirm... I think my words were something like | 0:20:07 | 0:20:10 | |
"Could you confirm to me that all of the cats are away?" | 0:20:10 | 0:20:13 | |
I think the response was something like, | 0:20:13 | 0:20:15 | |
"Yes, I can assure you they've all gone to bed." | 0:20:15 | 0:20:17 | |
It's been a terrifying experience for Helen, Charlie and George. | 0:20:17 | 0:20:21 | |
Look, there's the ranger, and we're in that car, so we've left it. | 0:20:21 | 0:20:25 | |
Can you see how we've let it? | 0:20:25 | 0:20:27 | |
Wow, look, that's where the lions were. | 0:20:27 | 0:20:29 | |
They were really, really close. They are watching us. | 0:20:29 | 0:20:33 | |
They'll never forget the family outing | 0:20:33 | 0:20:36 | |
that became a trip, literally, into the lion's den. | 0:20:36 | 0:20:40 | |
Back in Chamonix, a day's skiing has taken a terrifying turn | 0:20:48 | 0:20:51 | |
for three friends after one of them missed judges the track | 0:20:51 | 0:20:55 | |
and disappears into a bottomless crack in the ice. | 0:20:55 | 0:20:58 | |
The moment is recorded on one skier's helmet camera. | 0:21:03 | 0:21:06 | |
Now the two men are gripped with fear. | 0:21:07 | 0:21:11 | |
Matt! | 0:21:11 | 0:21:13 | |
I heard a shout to saying, "Oh, my God. Oh, my God. | 0:21:13 | 0:21:15 | |
"Matt skied into the crevasse!" | 0:21:15 | 0:21:17 | |
I skated back up the snow bridge, obviously being very careful | 0:21:17 | 0:21:23 | |
because snow bridges are not the most stable things | 0:21:23 | 0:21:26 | |
at the best of times, and started peering into the crevasse, | 0:21:26 | 0:21:29 | |
looking to see exactly what had happened. | 0:21:29 | 0:21:32 | |
They know their friend is in desperate trouble. | 0:21:32 | 0:21:34 | |
He might even have lost his life. | 0:21:34 | 0:21:36 | |
But Matt is alive | 0:21:36 | 0:21:38 | |
and all too conscious of what's happening to him. | 0:21:38 | 0:21:41 | |
I was falling. That was the most terrifying thing. | 0:21:43 | 0:21:46 | |
And I was banging off the sides, | 0:21:48 | 0:21:50 | |
and I didn't know how much snow was coming with me, | 0:21:50 | 0:21:52 | |
I kind of had a thought, you know, that I was going to be buried. | 0:21:52 | 0:21:55 | |
This is going to be like being in an avalanche, | 0:21:55 | 0:21:58 | |
not going to be able to move, not going to be able to breathe. | 0:21:58 | 0:22:01 | |
Miraculously, Matt comes to a halt on a small ledge of snow | 0:22:01 | 0:22:04 | |
60 feet from the surface. | 0:22:04 | 0:22:06 | |
I stopped falling at the bottom, | 0:22:07 | 0:22:10 | |
and there was very little snow piled up around me. | 0:22:10 | 0:22:13 | |
I was pretty much just standing there trying to work out what happened. | 0:22:13 | 0:22:17 | |
I was at the bottom of this huge hole just... | 0:22:17 | 0:22:21 | |
"What happened? Where am I now?" | 0:22:21 | 0:22:23 | |
Looking up, he can just see a patch of blue sky. | 0:22:24 | 0:22:28 | |
Looking down, the crack just keeps on going. | 0:22:28 | 0:22:31 | |
All I could see was two walls either side of me of ice. | 0:22:33 | 0:22:37 | |
It was deafeningly silent. It was terrifying. | 0:22:37 | 0:22:40 | |
I wasn't optimistic. I thought it was game over. | 0:22:41 | 0:22:44 | |
The fact that Matt actually skied down into the crevasse | 0:22:44 | 0:22:47 | |
has been crucial - it's kept him upright. | 0:22:47 | 0:22:50 | |
If he'd tried to stop he could have plunged in headfirst. | 0:22:50 | 0:22:54 | |
I'm doing this pat-down of my body trying to work out... | 0:22:56 | 0:23:00 | |
I should be broken in half, something should be broken, | 0:23:00 | 0:23:03 | |
there should be blood. This isn't normal. | 0:23:03 | 0:23:06 | |
But, for some reason, I was all OK. | 0:23:06 | 0:23:08 | |
His friends have no idea if he's dead or alive. | 0:23:08 | 0:23:12 | |
The scary part right now is that I was | 0:23:13 | 0:23:15 | |
shouting and shouting and shouting, | 0:23:15 | 0:23:18 | |
whilst balanced, with my skis on, on a snow bridge, | 0:23:18 | 0:23:21 | |
basically, not knowing what the outcome was going to be. | 0:23:21 | 0:23:25 | |
So I was just shouting, "Matt, Matt, Matt! | 0:23:25 | 0:23:27 | |
"Matt, Matt, Matt! Answer me, answer me, Matt! | 0:23:27 | 0:23:30 | |
"Are you OK? Are you OK? Are you OK?" | 0:23:30 | 0:23:32 | |
I started shouting and shouting and shouting, | 0:23:33 | 0:23:36 | |
and I could sense that it wasn't travelling very far, | 0:23:36 | 0:23:39 | |
cos the sound wasn't echoing, it was just dying. | 0:23:39 | 0:23:42 | |
Rick has a desperate idea. | 0:23:44 | 0:23:45 | |
In vain hope, he tries ringing Matt's mobile phone. | 0:23:45 | 0:23:48 | |
Then my phone rang. I was thinking, "This'll be my mum." | 0:23:50 | 0:23:53 | |
Unbelievably, the idea works. | 0:23:54 | 0:23:56 | |
A jubilant Rick signals that he's made contact. | 0:23:56 | 0:23:59 | |
We talked through the situation very briefly. | 0:24:01 | 0:24:04 | |
Just to arrange, OK, they're getting a rope to me. | 0:24:04 | 0:24:07 | |
They're getting an ice screw down | 0:24:07 | 0:24:09 | |
to me on the end of the rope for a weight. | 0:24:09 | 0:24:11 | |
We lowered down an ice screw to him | 0:24:11 | 0:24:13 | |
so that he could clip into his harness, | 0:24:13 | 0:24:15 | |
secure himself to the crevasse wall inside the glacier | 0:24:15 | 0:24:18 | |
and make himself safe while we decided what we needed to do. | 0:24:18 | 0:24:21 | |
but Matt knows there's also danger | 0:24:23 | 0:24:25 | |
from the ridge his friends are standing on above him. | 0:24:25 | 0:24:28 | |
I was still very aware that where Rick was standing to shout at me | 0:24:29 | 0:24:33 | |
was actually on a snow bridge, so I was still quite aware that | 0:24:33 | 0:24:36 | |
I'm not completely out of danger. | 0:24:36 | 0:24:38 | |
There's still a risk that the roof could come down on me, | 0:24:38 | 0:24:41 | |
the small bridge he's standing on, the cornice, could come down on me. | 0:24:41 | 0:24:45 | |
There was still a lot of fear. | 0:24:45 | 0:24:46 | |
Matt's friends call helicopter rescue, | 0:24:48 | 0:24:50 | |
only to find it's not available. | 0:24:50 | 0:24:53 | |
All we could do then was try and attempt a crevasse rescue. | 0:24:53 | 0:24:58 | |
When you're actually in that situation, | 0:24:58 | 0:25:01 | |
a friend of yours is down there and there's no-one else around, | 0:25:01 | 0:25:06 | |
it gets very, very scary, very, very quickly. | 0:25:06 | 0:25:09 | |
Rick and Matt secure their friend to a rope. | 0:25:09 | 0:25:13 | |
He won't fall any further. | 0:25:13 | 0:25:15 | |
But getting him out is an altogether different problem. | 0:25:15 | 0:25:19 | |
We realised we probably did not have enough equipment | 0:25:19 | 0:25:23 | |
for the two of us to get him out, and it would have been a struggle, | 0:25:23 | 0:25:27 | |
the two of us, to set up a system that would get him out. | 0:25:27 | 0:25:31 | |
Fortunately, two English guys came down, | 0:25:31 | 0:25:35 | |
one of them have very, very, very accomplished mountaineer | 0:25:35 | 0:25:38 | |
who, although, by his own admission, | 0:25:38 | 0:25:40 | |
had never done a crevasse rescue before, | 0:25:40 | 0:25:42 | |
knew the basic principles of setting up a pulley system | 0:25:42 | 0:25:46 | |
to get Matt out of the crevasse. | 0:25:46 | 0:25:48 | |
Down in the crevasse, Matt is doing all he can to keep calm. | 0:25:48 | 0:25:53 | |
Some time passed and I'm just sitting there | 0:25:53 | 0:25:57 | |
with my skis in my backpack and my backpack on, | 0:25:57 | 0:26:01 | |
hanging by a screw, on a rope, in a hole... | 0:26:01 | 0:26:04 | |
So I got my camera out. | 0:26:05 | 0:26:07 | |
I took the selfie and everything, just to, eh... | 0:26:08 | 0:26:11 | |
I don't know, I was just trying to not panic. | 0:26:11 | 0:26:13 | |
Between them, the four guys on the surface have set up the pulley. | 0:26:17 | 0:26:21 | |
Down below, Matt suddenly feels a tug on the rope. | 0:26:21 | 0:26:24 | |
As soon as they pulled, there was this hugely satisfying | 0:26:26 | 0:26:30 | |
wrench on the rope that just lifted me up, | 0:26:30 | 0:26:33 | |
and I've never felt happier to be wrenched up | 0:26:33 | 0:26:36 | |
by a rope before in my life. | 0:26:36 | 0:26:38 | |
I just remember sitting there thinking, | 0:26:38 | 0:26:41 | |
"I'm now going away from the crevasse." | 0:26:41 | 0:26:43 | |
I knew they just had to keep pulling and pulling and pulling, | 0:26:43 | 0:26:46 | |
and every little bit I was going up. | 0:26:46 | 0:26:48 | |
After about half an hour of backbreaking work, | 0:26:51 | 0:26:54 | |
the four of us finally, finally, finally | 0:26:54 | 0:26:56 | |
saw Matt's face coming above the lip of the crevasse, | 0:26:56 | 0:27:00 | |
coming through the snow bridge, and we dragged him out. | 0:27:00 | 0:27:05 | |
The helmet camera cuts out just before Matt reaches the surface, | 0:27:05 | 0:27:09 | |
but he's safe. | 0:27:09 | 0:27:11 | |
The friends record the moment with a photograph. | 0:27:11 | 0:27:14 | |
Very emotional moment for all of us, | 0:27:14 | 0:27:16 | |
you know, two complete strangers who'd helped us out | 0:27:16 | 0:27:19 | |
and the three of us who are good friends. | 0:27:19 | 0:27:21 | |
I think everyone shed a bit of a tear. | 0:27:21 | 0:27:23 | |
I've never felt so happy. | 0:27:23 | 0:27:25 | |
Climbing out the side of this hole, | 0:27:25 | 0:27:26 | |
just come over the side of the crevasse and there's these | 0:27:26 | 0:27:29 | |
two strange guys I've never seen before, my two good buddies - | 0:27:29 | 0:27:33 | |
it was the first time I really felt | 0:27:33 | 0:27:35 | |
that full flood of adrenaline and emotion. | 0:27:35 | 0:27:39 | |
Rick came up, huge hug. | 0:27:39 | 0:27:41 | |
Probably the most emotional hug I've had with Rick, | 0:27:41 | 0:27:43 | |
and Matt the same. | 0:27:43 | 0:27:45 | |
The two guys, we just had this real hug, you know. | 0:27:45 | 0:27:48 | |
"We nearly watched you die. You're now safe." | 0:27:49 | 0:27:53 | |
That's nice, it's a good feeling. | 0:27:53 | 0:27:55 | |
That's it for today. Join us next time for more stories | 0:27:56 | 0:27:59 | |
from people about the day they had a close call. | 0:27:59 | 0:28:01 |