Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
A close call - a moment of danger when life can hang in the balance. | 0:00:02 | 0:00:05 | |
A split second where the outcome could go either way. | 0:00:07 | 0:00:11 | |
I was rooted to the spot with fear. | 0:00:11 | 0:00:13 | |
The difference between disaster and survival. | 0:00:13 | 0:00:16 | |
Our hearts dropped. This was a big crash. | 0:00:16 | 0:00:19 | |
These are the people that've been there and lived to tell the tale. | 0:00:19 | 0:00:22 | |
I need an ambulance. | 0:00:22 | 0:00:24 | |
15 minutes and your number would be up. | 0:00:24 | 0:00:27 | |
Their instincts and resources, coupled with the quick thinking | 0:00:27 | 0:00:30 | |
of others, helped to pull them through. | 0:00:30 | 0:00:33 | |
Could've gone the wrong way. Could've easily gone the wrong way. | 0:00:33 | 0:00:35 | |
And their dramatic experiences were recorded on camera. | 0:00:35 | 0:00:38 | |
I think there was several things that could've killed me, | 0:00:38 | 0:00:41 | |
should've killed me, and didn't. | 0:00:41 | 0:00:43 | |
It's a day they'll never forget. | 0:00:43 | 0:00:45 | |
The day they had a close call. | 0:00:45 | 0:00:47 | |
Today on Close Calls... | 0:01:03 | 0:01:05 | |
A shocking scene in a city centre street | 0:01:05 | 0:01:08 | |
is captured on a mobile phone. | 0:01:08 | 0:01:10 | |
GIRL SCREAMING | 0:01:10 | 0:01:13 | |
A teenage girl is trapped under a tram. | 0:01:13 | 0:01:17 | |
When I noticed the girl, | 0:01:17 | 0:01:18 | |
I immediately thought that her legs were gone. | 0:01:18 | 0:01:20 | |
She was trapped completely under. | 0:01:20 | 0:01:22 | |
It was really frightening to see something like that. | 0:01:22 | 0:01:25 | |
Two boys are halfway home from school when there's | 0:01:25 | 0:01:28 | |
a horrific accident. This is the 999 call. | 0:01:28 | 0:01:32 | |
All the boy's parents can do is wait and hope. | 0:01:41 | 0:01:44 | |
There's an ambulance in front of you, and it's your own son | 0:01:44 | 0:01:47 | |
that's in the ambulance. | 0:01:47 | 0:01:49 | |
You're trying to hold it together, it's very, very difficult. | 0:01:49 | 0:01:53 | |
And an explosion outside a burger bar. | 0:01:53 | 0:01:56 | |
A customer is just a few feet away. | 0:01:56 | 0:01:58 | |
Any unassuming person, if they'd been on top of that, | 0:01:58 | 0:02:01 | |
it would have engulfed them completely. | 0:02:01 | 0:02:04 | |
Getting on a bus, train or a tram is an everyday event for many of us. | 0:02:11 | 0:02:16 | |
But for one schoolgirl it was an event of dramatic proportions. | 0:02:16 | 0:02:21 | |
City centre, Dublin. | 0:02:21 | 0:02:22 | |
A passenger films a schoolgirl lying trapped beneath a 60-tonne tram. | 0:02:22 | 0:02:27 | |
Her urgent screams alert a crowd of commuters. | 0:02:27 | 0:02:30 | |
GIRL SCREAMING | 0:02:30 | 0:02:32 | |
Maja has been hit and dragged along the platform - | 0:02:32 | 0:02:36 | |
she's in excruciating pain. | 0:02:36 | 0:02:38 | |
I immediately thought that her legs were gone. | 0:02:38 | 0:02:41 | |
She was trapped completely under. It was really frightening | 0:02:41 | 0:02:43 | |
to see something like that. | 0:02:43 | 0:02:45 | |
Stunned passengers pour off the busy rush hour carriages. | 0:02:45 | 0:02:49 | |
In desperation, together, they try to heave the tram | 0:02:49 | 0:02:51 | |
from Maja's crushed leg. | 0:02:51 | 0:02:53 | |
16-year-old Maja Dabkowska is a walking miracle. | 0:03:06 | 0:03:10 | |
It's the first day of term and the most important year of her | 0:03:10 | 0:03:14 | |
school life and, as she sets off to catch a bus in busy Dublin | 0:03:14 | 0:03:18 | |
city centre, thoughts have already turned to exams and coursework. | 0:03:18 | 0:03:22 | |
It's a stressful time. | 0:03:22 | 0:03:24 | |
I was so tired. I couldn't sleep all night. | 0:03:24 | 0:03:26 | |
I was so excited or nervous. | 0:03:26 | 0:03:28 | |
In a daze, Maja approaches Jervis Street station | 0:03:30 | 0:03:34 | |
where the Luas - the Dublin tram - intersects the street. | 0:03:34 | 0:03:37 | |
She needs to cross the tram lines to get to her bus stop. | 0:03:37 | 0:03:40 | |
Half asleep and with her mind elsewhere, | 0:03:40 | 0:03:43 | |
instead of walking straight over, she turns onto the busy platform. | 0:03:43 | 0:03:48 | |
It was kind of like a daydream. I don't know how | 0:03:48 | 0:03:50 | |
I managed to get onto the platform. | 0:03:50 | 0:03:52 | |
Two trams go by. | 0:03:52 | 0:03:54 | |
And then Maja makes a massive error of judgment - | 0:03:56 | 0:03:59 | |
she steps out onto the tracks. | 0:03:59 | 0:04:02 | |
I just didn't think there could be a third one coming. | 0:04:02 | 0:04:06 | |
Then I was woken up by the horn from the train. | 0:04:06 | 0:04:09 | |
TRAIN HORN BEEPS | 0:04:09 | 0:04:11 | |
When the train was coming and when I heard the horn, | 0:04:11 | 0:04:13 | |
I just thought, "I'm going to die." | 0:04:13 | 0:04:15 | |
TRAIN HORN BEEPS | 0:04:15 | 0:04:17 | |
Maja has stepped out in front of the oncoming tram. | 0:04:17 | 0:04:21 | |
As she desperately scrambles back onto the platform kerb, | 0:04:21 | 0:04:24 | |
the driver hits the brakes - but it's too late. | 0:04:24 | 0:04:27 | |
It slams into her leg and pins her to the platform wall. | 0:04:27 | 0:04:30 | |
SHE SCREAMS | 0:04:30 | 0:04:33 | |
A passer-by films the aftermath of the collision - | 0:04:33 | 0:04:36 | |
one of the pedestrians looking on is salesman, Glen Whelan. | 0:04:36 | 0:04:40 | |
I was walking down towards the Luas line when I was going to work. | 0:04:40 | 0:04:44 | |
I just saw the Luas immediately stop and heard a little bit of a scream. | 0:04:44 | 0:04:47 | |
MAJA SCREAMS | 0:04:47 | 0:04:49 | |
When I noticed the girl, | 0:04:49 | 0:04:50 | |
I immediately thought her legs were gone. | 0:04:50 | 0:04:52 | |
She was trapped completely under it. It was really frightening | 0:04:52 | 0:04:55 | |
to see something like that. | 0:04:55 | 0:04:56 | |
Maja is conscious but in total shock and pain. | 0:04:56 | 0:05:00 | |
The train dragged me a few metres, to the platform. | 0:05:00 | 0:05:04 | |
My shoe was like ten metres away. | 0:05:04 | 0:05:06 | |
I was just kind of laying there. I was really twisted out. | 0:05:08 | 0:05:11 | |
Then this boy came. He was the first one there. | 0:05:11 | 0:05:15 | |
He gave me a bag, a gym bag, to lean over. | 0:05:15 | 0:05:18 | |
Which kind of stopped me twisting over. | 0:05:18 | 0:05:21 | |
Then people on the train as well, | 0:05:21 | 0:05:23 | |
they realised that there was an accident | 0:05:23 | 0:05:25 | |
and everyone kind of got off. | 0:05:25 | 0:05:27 | |
She's afraid she's badly injured. | 0:05:27 | 0:05:31 | |
The pain was so bad. I never imagined pain like that. | 0:05:31 | 0:05:35 | |
And then I just kind of thought, "I'm going to die. | 0:05:35 | 0:05:38 | |
"Or I'm going to lose my leg." | 0:05:38 | 0:05:40 | |
Passengers and passing pedestrians are in complete shock. | 0:05:40 | 0:05:43 | |
An onlooker calls the emergency services - | 0:05:43 | 0:05:45 | |
it's a job for the experts with specialist equipment. | 0:05:45 | 0:05:49 | |
But Maja's terrified screams spur the shocked crowd | 0:05:49 | 0:05:52 | |
into decisive action. | 0:05:52 | 0:05:53 | |
One person gave an idea that they could push the train off my leg. | 0:05:56 | 0:06:01 | |
He told them to push it, and everyone did. | 0:06:01 | 0:06:04 | |
The crowd of good Samaritans try to heave the 60-tonne tram | 0:06:04 | 0:06:07 | |
away from Maja's leg but only manage to move it a few millimetres. | 0:06:07 | 0:06:12 | |
It was so much better for me but then they had to stop | 0:06:12 | 0:06:15 | |
to get more strength. Then all the weight going back on my leg. | 0:06:15 | 0:06:19 | |
MAJA SCREAMS | 0:06:19 | 0:06:22 | |
There's just not enough people power to lift the tram. | 0:06:22 | 0:06:25 | |
Maja's leg is still under the carriage. | 0:06:25 | 0:06:27 | |
It's been over two minutes since the accident and the pain is unbearable. | 0:06:27 | 0:06:31 | |
MAJA SCREAMS | 0:06:31 | 0:06:33 | |
Someone shouts for extra help and the crowd's number swells. | 0:06:33 | 0:06:36 | |
More people join to add their weight. | 0:06:36 | 0:06:39 | |
With the increased manpower, they try again to free the 16 year old. | 0:06:39 | 0:06:43 | |
There were more people gathering. | 0:06:44 | 0:06:46 | |
There was a good 20 people. Everybody came together to help her. | 0:06:46 | 0:06:50 | |
To push the Luas to the side, to at least get it | 0:06:50 | 0:06:52 | |
an inch off the ground to free her leg. | 0:06:52 | 0:06:55 | |
People began pushing again. | 0:06:55 | 0:06:56 | |
This time, the combined force from the determined crowd | 0:07:01 | 0:07:04 | |
makes a difference. They manage to move the tram. | 0:07:04 | 0:07:06 | |
As more and more people gathered, they kind of... Her leg got free. | 0:07:11 | 0:07:14 | |
Then, after a while, the people could actually drag me out | 0:07:17 | 0:07:20 | |
onto the platform. | 0:07:20 | 0:07:22 | |
After more than three minutes under the tram, she's free. | 0:07:22 | 0:07:25 | |
Maja waits for an ambulance. | 0:07:28 | 0:07:30 | |
The footage reveals she's bleeding and heavily grazed. | 0:07:30 | 0:07:33 | |
But thankfully, she can feel her legs. | 0:07:33 | 0:07:36 | |
At the emergency department, | 0:07:38 | 0:07:39 | |
Maja's legs are covered in cuts and bruises. | 0:07:39 | 0:07:42 | |
Incredibly, she's somehow managed to escape serious injury, | 0:07:42 | 0:07:46 | |
but she can't resist a few snaps for social media. | 0:07:46 | 0:07:49 | |
When the doctor came, he took about 30 X-rays of my leg | 0:07:49 | 0:07:53 | |
from different angles. Then, after a few minutes, the results came back. | 0:07:53 | 0:07:57 | |
And the leg wasn't broken. I was very surprised. | 0:07:57 | 0:08:00 | |
The doctor himself said it was a miracle. | 0:08:00 | 0:08:03 | |
It's been a terrifying experience for Maja | 0:08:03 | 0:08:06 | |
which could have ended very differently. | 0:08:06 | 0:08:08 | |
She's eternally grateful to the scores of people who helped, | 0:08:08 | 0:08:11 | |
although experts advise it's better to wait for the emergency | 0:08:11 | 0:08:14 | |
services to prevent further injuries in serious incidents like Maja's. | 0:08:14 | 0:08:19 | |
When people dragged me out, I was just so thankful that I'm alive. | 0:08:19 | 0:08:23 | |
I didn't know how to thank them. I think I was sitting and kept | 0:08:23 | 0:08:27 | |
repeating thank you to everyone. | 0:08:27 | 0:08:30 | |
And now Maja takes extra care on her daily commute to school. | 0:08:30 | 0:08:34 | |
I'm terrified when I walk past the road now. | 0:08:34 | 0:08:37 | |
I just kind of look ten times. | 0:08:37 | 0:08:38 | |
When things go wrong, there are plenty of people out there to help, | 0:08:46 | 0:08:50 | |
from professional emergency workers to volunteers | 0:08:50 | 0:08:53 | |
and members of the public. | 0:08:53 | 0:08:55 | |
And that is just as well. | 0:08:55 | 0:08:57 | |
It's a summer's afternoon in the village of Pencaitland, | 0:08:58 | 0:09:02 | |
just outside Edinburgh. | 0:09:02 | 0:09:04 | |
School friends Harry and Douglas are taking turns riding | 0:09:04 | 0:09:06 | |
Dougie's bike home from school. | 0:09:06 | 0:09:09 | |
It's a mile to Boggs Holdings, where Dougie lives. | 0:09:09 | 0:09:12 | |
But halfway there, the boys meet with an horrific accident. | 0:09:12 | 0:09:16 | |
LOUD CRASH | 0:09:16 | 0:09:18 | |
A van driver makes this emergency 999 call. | 0:09:18 | 0:09:22 | |
It's Harry. He's lying on the road with a serious head injury. | 0:09:25 | 0:09:28 | |
And he's not breathing. | 0:09:28 | 0:09:30 | |
I remember when I turned that corner thinking, | 0:09:30 | 0:09:32 | |
"This what it's like to lose a child." | 0:09:32 | 0:09:34 | |
At Pencaitland Primary School in East Lothian, | 0:09:42 | 0:09:45 | |
it's just a few weeks before the end of the summer term. | 0:09:45 | 0:09:48 | |
Amongst the pupils in their final year are 12-year-old Douglas | 0:09:48 | 0:09:52 | |
and 11-year-old Harry. | 0:09:52 | 0:09:54 | |
I went to school, which I usually just get dropped off, | 0:09:55 | 0:09:57 | |
then walk through the glebe into the school | 0:09:57 | 0:10:00 | |
and play around the playground with my friends. | 0:10:00 | 0:10:03 | |
And then, after school, came out and started going home with Douglas. | 0:10:03 | 0:10:07 | |
The two friends are heading to Dougie's home, | 0:10:09 | 0:10:12 | |
where his mother, Janet, is waiting to take them to youth club. | 0:10:12 | 0:10:16 | |
The school to the house is probably about a mile. | 0:10:16 | 0:10:18 | |
Just over a mile, maybe. | 0:10:18 | 0:10:20 | |
I remember looking at my watch thinking, "It's about 3.50. | 0:10:20 | 0:10:24 | |
"The boys should be here by now." | 0:10:24 | 0:10:25 | |
I knew they just had the one bike between them, | 0:10:25 | 0:10:28 | |
so I knew they'd be kind of walking up the road and blethering | 0:10:28 | 0:10:31 | |
and, you know, generally being boys. | 0:10:31 | 0:10:33 | |
The boys are taking turns riding Dougie's bike. | 0:10:35 | 0:10:38 | |
They're halfway home and on this road | 0:10:38 | 0:10:40 | |
when a car overtakes them. | 0:10:40 | 0:10:42 | |
Behind the car is a van, but the driver | 0:10:42 | 0:10:44 | |
doesn't see the boys until it's too late. | 0:10:44 | 0:10:47 | |
Seconds later, the driver of the van is dialling 999, | 0:10:51 | 0:10:54 | |
shocked and distressed by what's happened. | 0:10:54 | 0:10:57 | |
In the background, there is the sound of crying - it's Dougie, | 0:11:26 | 0:11:29 | |
who's got up unhurt, having been knocked onto the verge. | 0:11:29 | 0:11:33 | |
But his friend Harry is lying on the road, alongside his crumpled bike. | 0:11:33 | 0:11:37 | |
Harry's not making any noise. | 0:11:37 | 0:11:39 | |
By an extraordinary stroke of luck, | 0:11:41 | 0:11:43 | |
off-duty firefighter Paul Cook | 0:11:43 | 0:11:46 | |
passed the accident just after it happened. | 0:11:46 | 0:11:48 | |
He takes over the call. | 0:11:48 | 0:11:50 | |
Harry's friend was sort of in tears, a bit hysterical. | 0:12:10 | 0:12:15 | |
Harry was not moving on the ground. At that stage, I realised it was | 0:12:15 | 0:12:19 | |
a wee bit more serious than I first thought. | 0:12:19 | 0:12:22 | |
Paul's trained in emergency first aid and recognises he needs to | 0:12:22 | 0:12:26 | |
act immediately if Harry's to have any chance. | 0:12:26 | 0:12:30 | |
When I first got there, Harry wasn't breathing, | 0:12:30 | 0:12:32 | |
his airway was a bit blocked. | 0:12:32 | 0:12:34 | |
Just with a wee bit of fluid and stuff. | 0:12:34 | 0:12:37 | |
So I managed to scoop most of that out. | 0:12:37 | 0:12:39 | |
He started to become a wee bit responsive, | 0:12:39 | 0:12:41 | |
coughing and spluttering. | 0:12:41 | 0:12:43 | |
Then he was just drifting in and out of consciousness. | 0:12:43 | 0:12:46 | |
I was just trying to work on keeping his head still. | 0:12:46 | 0:12:49 | |
The driver was obviously in pieces as well, | 0:12:49 | 0:12:52 | |
which is quite understandable. | 0:12:52 | 0:12:53 | |
I told him just to put the phone by my ear. | 0:12:53 | 0:12:56 | |
Paul Cook has got him breathing again, | 0:12:56 | 0:12:58 | |
but Harry keeps losing consciousness. | 0:12:58 | 0:13:01 | |
Half a mile away at Dougie's home, | 0:13:07 | 0:13:09 | |
his mother, Janet, is beginning to wonder what has happened | 0:13:09 | 0:13:12 | |
to the boys. | 0:13:12 | 0:13:13 | |
I'd just been looking at my watch thinking, | 0:13:13 | 0:13:15 | |
"They should be home, I should maybe text them." | 0:13:15 | 0:13:18 | |
I was just stood outside the back door. | 0:13:18 | 0:13:21 | |
And as I was thinking that, as I was walking in the back door, | 0:13:21 | 0:13:26 | |
I heard Dougie screaming for me. He was shouting, "Mum!" | 0:13:26 | 0:13:30 | |
He came running through the house. | 0:13:30 | 0:13:32 | |
Dougie was too distressed to really explain what had happened. | 0:13:32 | 0:13:36 | |
Dougie's been brought home by two passers-by. | 0:13:36 | 0:13:39 | |
They're hoping Dougie's mum will be able to get hold of Harry's parents. | 0:13:39 | 0:13:43 | |
Meanwhile, at ambulance control, Cara Rearie is trying to | 0:13:43 | 0:13:47 | |
get as many details as possible about Harry's injuries, | 0:13:47 | 0:13:50 | |
so she can pass vital information to the medics who are en route. | 0:13:50 | 0:13:54 | |
Harry keeps drifting into unconsciousness. | 0:14:31 | 0:14:34 | |
It's becoming clear he must be very badly hurt. | 0:14:34 | 0:14:37 | |
It takes Dougie's mum, Janet, just a few minutes to get to the accident. | 0:14:37 | 0:14:41 | |
The telephone call to the ambulance control is open | 0:14:46 | 0:14:49 | |
until the medics arrive. | 0:14:49 | 0:14:50 | |
Harry was lying... | 0:14:55 | 0:14:57 | |
..on his back. Paul had his head between his hands. | 0:14:59 | 0:15:03 | |
Holding his head steady. | 0:15:03 | 0:15:05 | |
There was another two people there. One sat on the other side of him, | 0:15:05 | 0:15:08 | |
one holding his legs, cos he was moving his arms and legs about. | 0:15:08 | 0:15:13 | |
I spoke to Harry. Tried to get him to respond and stuff. | 0:15:13 | 0:15:17 | |
When I asked him to squeeze my hand if he understood what | 0:15:21 | 0:15:24 | |
I was saying, he didn't...there wasn't...he couldn't do that. | 0:15:24 | 0:15:27 | |
I don't know that I realised how serious it was. | 0:15:34 | 0:15:37 | |
It was clear that he wasn't conscious but, you know, | 0:15:37 | 0:15:39 | |
you don't really know what that | 0:15:39 | 0:15:41 | |
means in terms of what the injuries might be or anything. | 0:15:41 | 0:15:44 | |
I don't think I was really thinking about that. | 0:15:44 | 0:15:46 | |
You know, it was more, "I have to phone his mum." | 0:15:46 | 0:15:49 | |
Call handler Cara picks up Janet's voice consoling Harry. | 0:15:54 | 0:15:57 | |
From the roadside, Janet calls Harry's mum, Lisa, on her mobile. | 0:16:06 | 0:16:11 | |
It was about 4.00 in the afternoon. | 0:16:16 | 0:16:18 | |
It was a nice, sunny day. | 0:16:18 | 0:16:19 | |
Then my phone rang | 0:16:20 | 0:16:22 | |
and it was my friend. | 0:16:22 | 0:16:24 | |
Dougie's mum. Sounding quite panicked. | 0:16:24 | 0:16:29 | |
She asked me if I was on my own. | 0:16:29 | 0:16:30 | |
I said, "No, I've got Nick here. Is everything all right?" | 0:16:31 | 0:16:35 | |
Nick, Harry's dad, happens to be on a day off and with Lisa | 0:16:49 | 0:16:53 | |
when Janet calls. | 0:16:53 | 0:16:55 | |
I was remarkably calm. I was like, "Right, OK. | 0:16:55 | 0:16:58 | |
"Don't worry, I'll drive. It'll be fine." | 0:16:58 | 0:17:00 | |
Lisa got really upset very, very quickly. | 0:17:00 | 0:17:03 | |
Like, this is my worst nightmare. And we just drove | 0:17:03 | 0:17:06 | |
the five minutes to the scene of the accident. | 0:17:06 | 0:17:09 | |
I remember when I turned that corner thinking, | 0:17:09 | 0:17:12 | |
"This is what it is like to lose a child." | 0:17:12 | 0:17:15 | |
Later, a hospital neurosurgeon | 0:17:15 | 0:17:17 | |
confirms the extent of the damage to Harry's head. | 0:17:17 | 0:17:20 | |
Harry's injury was immediately life-threatening. | 0:17:20 | 0:17:23 | |
A case of serious head trauma and brain injury. | 0:17:23 | 0:17:26 | |
Solihull in the West Midlands. | 0:17:34 | 0:17:36 | |
Smoke and fire explode from a pavement manhole | 0:17:37 | 0:17:41 | |
only a few feet from the entrance of a busy fast food takeaway. | 0:17:41 | 0:17:45 | |
A customer captures the event on his phone's camera. | 0:17:45 | 0:17:48 | |
Just seconds after he'd walked over this very spot | 0:17:51 | 0:17:53 | |
on his way to get his supper. | 0:17:53 | 0:17:55 | |
Any unassuming person - | 0:17:55 | 0:17:57 | |
if they'd been on top of that, it would have engulfed them completely. | 0:17:57 | 0:18:01 | |
Father of two Shiraz Nawaz often pops into his local | 0:18:11 | 0:18:14 | |
fried chicken takeaway in Shirley, Solihull. | 0:18:14 | 0:18:18 | |
But on a summer's evening in May, | 0:18:18 | 0:18:20 | |
just as he arrives at the shop to order his favourite fillet burger, | 0:18:20 | 0:18:24 | |
he hears an unusual loud hissing noise behind him. | 0:18:24 | 0:18:27 | |
I popped my head into the door of the shop to order my burger | 0:18:29 | 0:18:33 | |
and, in the same kind of motion, | 0:18:33 | 0:18:35 | |
I turned around and started looking over to where I thought this | 0:18:35 | 0:18:39 | |
noise, which was gradually getting louder, was coming from. | 0:18:39 | 0:18:43 | |
In the same motion, I kind of reached for my phone. | 0:18:43 | 0:18:46 | |
And started recording. | 0:18:46 | 0:18:48 | |
And Shiraz cannot believe what happens next. | 0:18:48 | 0:18:52 | |
I saw the manhole and some smoke coming out. | 0:18:52 | 0:18:57 | |
My point was further confirmed when a huge fireball came out | 0:18:57 | 0:19:02 | |
from within that manhole. | 0:19:02 | 0:19:04 | |
The fire would go down and it would just stop. | 0:19:10 | 0:19:14 | |
And then it would suddenly fire up again. | 0:19:14 | 0:19:16 | |
I actually thought that, at any stage, the floor might cave in. | 0:19:16 | 0:19:21 | |
Because it was with quite a gust that the fireball erupted. | 0:19:21 | 0:19:26 | |
So, you know, it went up to about 15ft. | 0:19:26 | 0:19:29 | |
It was very powerful. | 0:19:29 | 0:19:30 | |
Shiraz's main concern is for the people inside the busy takeaway. | 0:19:32 | 0:19:36 | |
The fire had erupted very close to a shop. | 0:19:36 | 0:19:39 | |
And the shop had an awning, like a canopy type of thing, | 0:19:39 | 0:19:42 | |
and there was only, literally I'd say, inches between that fire | 0:19:42 | 0:19:47 | |
and the actual shop. The fire could've easily spread. | 0:19:47 | 0:19:51 | |
At that stage, I decided to stop filming and take ownership | 0:19:51 | 0:19:55 | |
of the situation. | 0:19:55 | 0:19:57 | |
Shiraz is a former gas engineer and his training takes over. | 0:19:57 | 0:20:02 | |
He runs inside the takeaway to warn Sabir Ahmed | 0:20:02 | 0:20:05 | |
serving at the counter. | 0:20:05 | 0:20:07 | |
I heard him say, "Come out!" As soon as we seen that fire, | 0:20:07 | 0:20:10 | |
we had to step out, switch everything off, get out of the shop. | 0:20:10 | 0:20:14 | |
The gas is off, but the fire isn't dying away. | 0:20:15 | 0:20:18 | |
Shiraz dials 999 before instructing Sabir | 0:20:18 | 0:20:21 | |
and the rest of the staff to get out and keep any passers-by well away | 0:20:21 | 0:20:26 | |
from the unpredictable jets of flame. | 0:20:26 | 0:20:28 | |
Any unassuming person - | 0:20:28 | 0:20:30 | |
if they had been on top of that, it would have engulfed them completely. | 0:20:30 | 0:20:34 | |
The fire service arrive and begin tackling the blaze, which has been | 0:20:35 | 0:20:38 | |
caused by a faulty electrical junction box below the ground. | 0:20:38 | 0:20:42 | |
It takes some time to contain it and they have to use foam to put it out. | 0:20:43 | 0:20:47 | |
I have just literally walked over that. I was very, very lucky. | 0:20:49 | 0:20:55 | |
Thankfully he did tell us and warned us about it. | 0:20:57 | 0:20:59 | |
If he didn't tell us, I don't know what would've happened. | 0:20:59 | 0:21:02 | |
And after almost being cooked himself, | 0:21:02 | 0:21:04 | |
Shiraz can finally look forward to his long overdue dinner. | 0:21:04 | 0:21:08 | |
Once everything was under control, I did get an actual burger, | 0:21:08 | 0:21:11 | |
and it was called the flamed burger, which is quite ironic. | 0:21:11 | 0:21:15 | |
Well, actually, I had two of them. A bit greedy. | 0:21:15 | 0:21:18 | |
At a roadside on the outskirts of Edinburgh, | 0:21:28 | 0:21:31 | |
schoolboy Harry lies critically ill with head injuries | 0:21:31 | 0:21:34 | |
after being knocked off his bike. | 0:21:34 | 0:21:36 | |
His friend's mum is with him. | 0:21:36 | 0:21:38 | |
She's called Harry's parents, who are now en route. | 0:21:38 | 0:21:41 | |
OVER PHONE: | 0:21:41 | 0:21:43 | |
An off-duty firefighter, Paul Cook, trained in emergency first aid, | 0:21:48 | 0:21:52 | |
is doing all he can to keep Harry still and safe. | 0:21:52 | 0:21:55 | |
He's on the line to ambulance control as the paramedics | 0:21:55 | 0:21:58 | |
head to the scene. | 0:21:58 | 0:21:59 | |
PAUL: | 0:22:02 | 0:22:05 | |
The ambulance has arrived. | 0:22:05 | 0:22:07 | |
Technician Oran Robinson is the first to Harry's side. | 0:22:07 | 0:22:11 | |
We carried out an assessment of his injuries | 0:22:11 | 0:22:13 | |
and our main concern at that time was a possible brain injury. | 0:22:13 | 0:22:19 | |
Just moments behind the ambulance are Harry's parents, Lisa and Nick. | 0:22:19 | 0:22:23 | |
I remember his parents arriving on scene | 0:22:23 | 0:22:25 | |
and the shock in their faces, it really touched my heart. | 0:22:25 | 0:22:29 | |
You know, when you arrive at this kind of scene, it's just like... | 0:22:29 | 0:22:32 | |
It's a lot to take in. | 0:22:32 | 0:22:34 | |
I went over and knelt beside him and held his hand and just said, | 0:22:34 | 0:22:37 | |
"Harry, it's Dad here. It's Dad here. | 0:22:37 | 0:22:39 | |
"Harry, you'll be all right. You'll be all right." | 0:22:39 | 0:22:41 | |
His eyes flickered like just a few times, and then he was out. | 0:22:41 | 0:22:46 | |
I was calm and that. I wasn't screaming or crying. Erm... | 0:22:46 | 0:22:51 | |
But I think inside I felt pretty panicked. Erm... | 0:22:51 | 0:22:56 | |
I was just sort of willing him to...not to die at the roadside. | 0:22:58 | 0:23:02 | |
Harry is so unresponsive, | 0:23:03 | 0:23:05 | |
the hospital trauma team Medic One has been alerted. | 0:23:05 | 0:23:08 | |
A consultant and emergency nurse are going to carry out | 0:23:08 | 0:23:11 | |
advanced treatment at the roadside. | 0:23:11 | 0:23:13 | |
They are going to put Harry into an induced coma | 0:23:13 | 0:23:16 | |
and take over his breathing. | 0:23:16 | 0:23:18 | |
It will reduce the pressure in his head | 0:23:18 | 0:23:20 | |
and crucially preserve his brain function. | 0:23:20 | 0:23:22 | |
When it ended up being another ambulance, this Medic One, | 0:23:22 | 0:23:27 | |
when that arrived as well, then you knew it was serious. | 0:23:27 | 0:23:31 | |
And then the police escort. | 0:23:31 | 0:23:33 | |
You know, we were in a convoy of three vehicles. | 0:23:33 | 0:23:36 | |
You're in the back of this car and there is an ambulance in front | 0:23:36 | 0:23:38 | |
of you, and it's your own son that's in that ambulance. | 0:23:38 | 0:23:42 | |
And you're trying to hold together. It's very, very difficult. | 0:23:42 | 0:23:46 | |
It's very difficult. | 0:23:46 | 0:23:47 | |
At the hospital, neurosurgeon Jothy Kandasamy is standing by. | 0:23:49 | 0:23:54 | |
There's no doubt that Harry's case | 0:23:54 | 0:23:56 | |
was a case of serious trauma - head trauma, brain injury. | 0:23:56 | 0:24:01 | |
So a blood clot that was expanding second by second. | 0:24:01 | 0:24:04 | |
An expanding blood clot literally will be life-threatening | 0:24:04 | 0:24:07 | |
within minutes. | 0:24:07 | 0:24:08 | |
Harry is taken into theatre. | 0:24:09 | 0:24:12 | |
It's the start of the longest hours and days in Nick and Lisa's lives. | 0:24:12 | 0:24:16 | |
It's late at night and we're trying to get some sleep, | 0:24:16 | 0:24:19 | |
but you are dreading that knock on the door. | 0:24:19 | 0:24:21 | |
In theatre, Mr Kandasamy and his team control the blood clot | 0:24:21 | 0:24:25 | |
and create a window in Harry's skull | 0:24:25 | 0:24:27 | |
to release the pressure on his brain. | 0:24:27 | 0:24:29 | |
The surgery is a success, | 0:24:30 | 0:24:32 | |
but Harry has to remain in a medically-induced coma. | 0:24:32 | 0:24:35 | |
Up until that point, there was no way for us | 0:24:36 | 0:24:40 | |
to absolutely categorically say to the parents, | 0:24:40 | 0:24:44 | |
"We know what he's going to be like." | 0:24:44 | 0:24:46 | |
This is the sight that greets Lisa and Nick in the critical care unit. | 0:24:46 | 0:24:51 | |
It was the early hours of the morning. | 0:24:52 | 0:24:54 | |
That's quite a shock to see him with lots of lines going in each | 0:24:54 | 0:25:00 | |
hand with drugs and lots of computerised technology which you've | 0:25:00 | 0:25:05 | |
never seen before in your life if you've never been in that situation. | 0:25:05 | 0:25:08 | |
It's a waiting game, and every morning when you get up | 0:25:08 | 0:25:11 | |
and you walk downstairs to go back into intensive care and see him... | 0:25:11 | 0:25:17 | |
You're thinking, "Great, we've got through another night | 0:25:17 | 0:25:20 | |
"without having a knock on the door." | 0:25:20 | 0:25:21 | |
And, you know, you sit and you talk to him | 0:25:21 | 0:25:24 | |
hoping that he is listening to it somewhere subconsciously. | 0:25:24 | 0:25:27 | |
And you stroke him and you tell them that you love him. | 0:25:27 | 0:25:29 | |
You are always very much on edge | 0:25:29 | 0:25:32 | |
because you don't know what the outcome could be. | 0:25:32 | 0:25:35 | |
In head injuries, the outcomes can be tragic. | 0:25:35 | 0:25:38 | |
The bolt in Harry's head measures the pressure inside his brain. | 0:25:39 | 0:25:43 | |
His parents have to wait another 12 days until Harry's consultant | 0:25:43 | 0:25:47 | |
is happy that the levels are low enough | 0:25:47 | 0:25:49 | |
to attempt bringing him out of the coma. | 0:25:49 | 0:25:52 | |
He opened his eyes on Father's Day, | 0:25:52 | 0:25:54 | |
so that was the best Father's Day present I've ever had. | 0:25:54 | 0:25:56 | |
I started to shout down the ward. | 0:25:58 | 0:26:00 | |
Bear in mind there's lots of very poorly children. | 0:26:00 | 0:26:03 | |
"He's awake! He's awake!" | 0:26:03 | 0:26:05 | |
And Nick and I were fighting back the tears. | 0:26:05 | 0:26:08 | |
That is very, very emotional when he first opened his eyes. | 0:26:08 | 0:26:11 | |
Really very emotional. | 0:26:11 | 0:26:13 | |
I do remember waking up in intensive care. | 0:26:15 | 0:26:17 | |
I thought it was a dream. | 0:26:17 | 0:26:19 | |
I remember my mum and dad coming round the side to say hello | 0:26:20 | 0:26:24 | |
and gave me a cuddle. | 0:26:24 | 0:26:25 | |
In the next few days, | 0:26:27 | 0:26:28 | |
Harry is taken to Ward 7 for children with head injuries. | 0:26:28 | 0:26:31 | |
His progress is rapid and astonishes everyone. | 0:26:31 | 0:26:35 | |
His primary school decide to give him | 0:26:36 | 0:26:38 | |
a citizenship award to mark his extraordinary recovery, | 0:26:38 | 0:26:42 | |
and make this video with him for his school friends to see. | 0:26:42 | 0:26:45 | |
Yeah, go on. Yay! | 0:26:45 | 0:26:47 | |
WOMAN GIGGLES | 0:26:47 | 0:26:49 | |
After 18 days in hospital, Harry goes home fit and well. | 0:26:50 | 0:26:55 | |
He's back playing with his mate Dougie | 0:26:55 | 0:26:57 | |
and recalling the events of that day. | 0:26:57 | 0:26:59 | |
The gears are completely wrecked. | 0:26:59 | 0:27:02 | |
I've got the helmet that I was wearing at the time that... | 0:27:02 | 0:27:05 | |
I got hit. | 0:27:05 | 0:27:06 | |
It was Douglas' helmet, and of course when I hit, | 0:27:06 | 0:27:09 | |
this bit came off. | 0:27:09 | 0:27:10 | |
Scratches here. | 0:27:10 | 0:27:12 | |
Incredibly, | 0:27:13 | 0:27:14 | |
the only lasting affects of his dreadful injuries are headaches. | 0:27:14 | 0:27:18 | |
The driver of the van was found guilty of dangerous driving | 0:27:18 | 0:27:21 | |
and banned for two years. | 0:27:21 | 0:27:23 | |
But the family have made their peace with him. | 0:27:23 | 0:27:26 | |
We since wrote a letter to him telling him that we don't feel | 0:27:26 | 0:27:29 | |
any ill will to him, which we don't. | 0:27:29 | 0:27:32 | |
There is such thing as accidents. | 0:27:32 | 0:27:34 | |
The family are grateful to all those involved in Harry's | 0:27:35 | 0:27:38 | |
survival and recovery, particularly firefighter Paul Cook, | 0:27:38 | 0:27:42 | |
the first on the scene who recognised | 0:27:42 | 0:27:44 | |
just how critical his situation was. | 0:27:44 | 0:27:46 | |
I'm just grateful that I could do something that, you know, | 0:27:47 | 0:27:50 | |
I had the skills that I could do something to help Harry. | 0:27:50 | 0:27:53 | |
Thanks to him, I managed to get into hospital and I didn't die. | 0:27:53 | 0:27:57 | |
Which is good. | 0:27:57 | 0:27:59 | |
I don't want to die at the age of 11. | 0:27:59 | 0:28:01 | |
That's all for now. Join us next time for more Close Calls. | 0:28:10 | 0:28:13 |