
Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
A close call. A moment of danger. | 0:00:02 | 0:00:04 | |
When life can hang in the balance. | 0:00:04 | 0:00:06 | |
A split second, where the outcome could go either way. | 0:00:07 | 0:00:11 | |
I was rooted to the spot with fear. | 0:00:11 | 0:00:13 | |
The difference between disaster and survival. | 0:00:13 | 0:00:16 | |
Our hearts dropped. This was a big crash. | 0:00:16 | 0:00:19 | |
These are the people that have been there, and lived to tell the tale. | 0:00:19 | 0:00:22 | |
I need an ambulance! | 0:00:22 | 0:00:24 | |
15 minutes and your number would be up. | 0:00:24 | 0:00:26 | |
Their instincts and resources, | 0:00:26 | 0:00:29 | |
coupled with the quick thinking of others, helped to pull them through. | 0:00:29 | 0:00:33 | |
Could have gone the wrong way, could have easily gone the wrong way. | 0:00:33 | 0:00:35 | |
And their dramatic experiences were recorded on camera. | 0:00:35 | 0:00:38 | |
SCREAMING | 0:00:38 | 0:00:39 | |
I think there were several things could have killed me should have killed me and didn't. | 0:00:39 | 0:00:43 | |
It's a day they'll never forget. | 0:00:43 | 0:00:45 | |
The day they had a close call. | 0:00:45 | 0:00:48 | |
Today, on Close Calls. | 0:01:03 | 0:01:05 | |
The fight to save a top British surfer, battered by | 0:01:07 | 0:01:10 | |
three massive waves crashing down on his head. | 0:01:10 | 0:01:13 | |
I'm hugging him and saying goodbye, | 0:01:13 | 0:01:15 | |
and I'm trying not to think, "This might be the last time". | 0:01:15 | 0:01:18 | |
Only his best pal can save him. | 0:01:18 | 0:01:21 | |
Sometimes, you got like, one, two or three seconds to pick him up | 0:01:21 | 0:01:24 | |
and get out of the place. | 0:01:24 | 0:01:26 | |
And a cyclist's helmet cam captures a collision | 0:01:26 | 0:01:29 | |
a car driver didn't see coming. | 0:01:29 | 0:01:32 | |
Whoa! | 0:01:32 | 0:01:33 | |
Nazare, on Portugal's Silver Coast. | 0:01:38 | 0:01:41 | |
It's a popular resort and also a Mecca for big wave surfers. | 0:01:41 | 0:01:46 | |
They're drawn to the huge swells which | 0:01:46 | 0:01:48 | |
can reach heights of 100 feet. | 0:01:48 | 0:01:51 | |
Amongst them, British surfer Andrew Cotton, who was out to ride | 0:01:51 | 0:01:55 | |
the biggest wave of the year. | 0:01:55 | 0:01:57 | |
The conditions appear perfect as he prepares | 0:01:59 | 0:02:01 | |
for the second surf of the day. | 0:02:01 | 0:02:03 | |
But, as he attempts to turn into the barrel of the wave, | 0:02:03 | 0:02:06 | |
it unexpectedly breaks on top of him with terrifying consequences. | 0:02:06 | 0:02:11 | |
35-year-old Andrew Cotton has been hooked on surfing | 0:02:17 | 0:02:20 | |
since he was a child growing up in Devon. | 0:02:20 | 0:02:22 | |
It's one of those sort of hobbies that is super fun | 0:02:24 | 0:02:28 | |
but also keeps you really fit and it's a feeling that | 0:02:28 | 0:02:30 | |
when you're riding waves, all your stress and worries, | 0:02:30 | 0:02:34 | |
you know, go to a different place. | 0:02:34 | 0:02:36 | |
Nowadays, it's more than a hobby. | 0:02:36 | 0:02:38 | |
It's the way he earns his living and supports his wife Katie, | 0:02:38 | 0:02:41 | |
and two children. | 0:02:41 | 0:02:42 | |
When the couple first got together, five years ago, | 0:02:43 | 0:02:46 | |
Katie had no idea what Andrew did for a living, | 0:02:46 | 0:02:49 | |
until after he went to Ireland for a long weekend, surfing. | 0:02:49 | 0:02:53 | |
And he came back and I said, "Oh, did you have a good time, | 0:02:53 | 0:02:56 | |
"was it a good trip?" He said, "Yeah, it was OK," | 0:02:56 | 0:02:58 | |
as he does, in his sort of casual way. | 0:02:58 | 0:03:00 | |
And then I went into Tesco | 0:03:00 | 0:03:02 | |
and I saw someone on the front page of Wavelength magazine, | 0:03:02 | 0:03:06 | |
a tiny dot of a guy on a massive wave and it said "Andrew Cotton". | 0:03:06 | 0:03:11 | |
And I thought, "Oh, I didn't realise he was into that sort of stuff!" | 0:03:11 | 0:03:14 | |
In fact, Andrew is a professional, who specialises in big-wave surfing, | 0:03:14 | 0:03:19 | |
an extreme version of the sports where surfers only tackle | 0:03:19 | 0:03:22 | |
waves over 20 feet high. | 0:03:22 | 0:03:25 | |
When you sort of see a big wave coming to you, | 0:03:25 | 0:03:27 | |
things that go through my head are that I want to try and catch it. | 0:03:27 | 0:03:31 | |
Sometimes, it's insane. Sometimes the whole ground moves | 0:03:31 | 0:03:36 | |
and it's kind of like an intimidating place. | 0:03:36 | 0:03:39 | |
But pretty amazing at the same time. | 0:03:39 | 0:03:41 | |
There's always a bigger one. | 0:03:41 | 0:03:42 | |
You never know, next week, there might be a bigger wave, | 0:03:42 | 0:03:45 | |
you know, so, it's always... It's never-ending. | 0:03:45 | 0:03:47 | |
'Katie is proud of her husband, but every surfing trip brings worry.' | 0:03:47 | 0:03:52 | |
I sometimes have that horrible surge where I'm hugging him | 0:03:52 | 0:03:55 | |
and saying goodbye and I'm thinking... I'm trying not to think, | 0:03:55 | 0:03:58 | |
"This might be the last time." | 0:03:58 | 0:04:00 | |
Like any other professional sportsman, Andrew strives to | 0:04:00 | 0:04:03 | |
be the best and is currently one of the top competitors in the world. | 0:04:03 | 0:04:08 | |
It's December when he arrives in Portugal to try to | 0:04:08 | 0:04:11 | |
take the record for riding the biggest wave. | 0:04:11 | 0:04:13 | |
The current Guinness World Record was set at Nazare, | 0:04:13 | 0:04:16 | |
with a wave at just under 80 feet. | 0:04:16 | 0:04:19 | |
It was one of the biggest swells this year. | 0:04:19 | 0:04:22 | |
So everyone was a little bit more nervous, we knew that one of us | 0:04:22 | 0:04:28 | |
was going to get one of the biggest waves of the year probably out there. | 0:04:28 | 0:04:31 | |
Andrew can only attempt surfing these big waves with the help | 0:04:33 | 0:04:36 | |
and back-up of close friends and fellow professionals, | 0:04:36 | 0:04:39 | |
like Portuguese surfer Hugo Val. | 0:04:39 | 0:04:42 | |
Hugo's apprehensive but excited | 0:04:42 | 0:04:44 | |
about the day in the surf with the mate he calls "Cotty". | 0:04:44 | 0:04:47 | |
The sea was huge. | 0:04:47 | 0:04:49 | |
It was crest waves all over and we are dealing with the sea | 0:04:49 | 0:04:54 | |
in the most extreme conditions | 0:04:54 | 0:04:56 | |
that a human being has been, you know. | 0:04:56 | 0:04:58 | |
Andrew was fully aware of the dangers out in the swell. | 0:05:00 | 0:05:03 | |
In the last 20 years, | 0:05:03 | 0:05:05 | |
seven professional surfers have lost their lives riding big waves. | 0:05:05 | 0:05:09 | |
The waves this day, they were, like, 50 feet, probably. | 0:05:09 | 0:05:13 | |
Maybe a bit bigger. And fast and powerful. | 0:05:13 | 0:05:16 | |
To try to catch one of these huge waves, | 0:05:18 | 0:05:21 | |
Andrew is towed out by jet ski. | 0:05:21 | 0:05:23 | |
It's the only way he can build up enough speed to get in | 0:05:23 | 0:05:26 | |
the best and safest position on the wave. | 0:05:26 | 0:05:29 | |
Another team member on another ski keeps watch. | 0:05:29 | 0:05:32 | |
Both jet skis tow rescue sleds in case of emergencies. | 0:05:32 | 0:05:37 | |
Between us we've all got comms and stuff, so we can speak to each other | 0:05:37 | 0:05:40 | |
even though we're, like, just darting around in the ocean, you know. | 0:05:40 | 0:05:43 | |
We also have comms on the cliff, as well. | 0:05:43 | 0:05:45 | |
On this December day, | 0:05:46 | 0:05:48 | |
there are two teams of jet skiers working Nazare beach, | 0:05:48 | 0:05:50 | |
to tow the surfers out and act as a safety lookouts. | 0:05:50 | 0:05:53 | |
As they begin their quest for the big waves, Hugo is acting | 0:05:55 | 0:05:58 | |
as the safety ski, while Andrew is towed out by another team member. | 0:05:58 | 0:06:04 | |
The scene is being recorded by camera teams on the clifftop. | 0:06:04 | 0:06:07 | |
I was warming up a little bit and I had a couple of nice rides. | 0:06:07 | 0:06:11 | |
But as Andrew tackles his second wave of the day, | 0:06:11 | 0:06:14 | |
something goes very wrong. | 0:06:14 | 0:06:16 | |
I just sort of faded a bit too deep | 0:06:16 | 0:06:18 | |
and I thought I was going to come up into more of the barrel, | 0:06:18 | 0:06:21 | |
so I was going to come in under and the wave's going to go over me. | 0:06:21 | 0:06:24 | |
And I was going to come out of it, obviously. | 0:06:24 | 0:06:26 | |
As I pulled up, the wave just didn't do what I thought it was going | 0:06:26 | 0:06:29 | |
to do and it sort of crumbled and just knocks me off. | 0:06:29 | 0:06:33 | |
This is the moment the force of the 50-foot-high wave | 0:06:33 | 0:06:36 | |
crashes down on Andrew. | 0:06:36 | 0:06:39 | |
There was no anticipation or thought processes, | 0:06:39 | 0:06:42 | |
like, "Oh, I'm going to fall here". | 0:06:42 | 0:06:44 | |
Straight away, it's just like an intense hit, like, bang! | 0:06:44 | 0:06:48 | |
You know, you're just off. | 0:06:48 | 0:06:49 | |
Hugo can't see his friend through the wall of surf, | 0:06:49 | 0:06:52 | |
but he's heard what's happened over the team radio. | 0:06:52 | 0:06:56 | |
I understood that Cotty was in a bad situation and that he had fell. | 0:06:56 | 0:07:01 | |
Hugo is frantically worried. | 0:07:01 | 0:07:03 | |
They have only seconds to get Andrew out of the avalanche of turbulent water. | 0:07:03 | 0:07:07 | |
Later, as Andrew surfaces, another massive wave looms over him. | 0:07:10 | 0:07:14 | |
Hugo can see it's about to crash down on top of his friend's head. | 0:07:15 | 0:07:19 | |
Sometimes in Nazare, you felt like you had the hand of a giant | 0:07:19 | 0:07:23 | |
or these two hands, and they smash all over your body. | 0:07:23 | 0:07:27 | |
And also coming up: | 0:07:27 | 0:07:29 | |
A terrified mother dials 999. | 0:07:29 | 0:07:32 | |
A seven-year-old boy has plunged 15 feet onto concrete. | 0:07:36 | 0:07:40 | |
Bournemouth, Dorset. | 0:07:48 | 0:07:50 | |
Cyclist John sets out on an early morning ride with a friend. | 0:07:52 | 0:07:56 | |
He is recording the trip with a camera mounted on his helmet. | 0:07:58 | 0:08:01 | |
But it turns out to be a horror video, when John sees a car. | 0:08:03 | 0:08:07 | |
But the car doesn't see John. | 0:08:07 | 0:08:10 | |
WHOA! | 0:08:10 | 0:08:11 | |
John Piper is cycle crazy. | 0:08:17 | 0:08:20 | |
Bikes play a large part of my life. | 0:08:20 | 0:08:22 | |
I train a lot, I do it for the social side of it, | 0:08:22 | 0:08:24 | |
I do it for the fitness side of it, I do it for the adrenaline side of it. | 0:08:24 | 0:08:28 | |
I just love cycling. | 0:08:28 | 0:08:29 | |
So much so that, in his spare time, | 0:08:29 | 0:08:31 | |
John rides between 60-200 miles a week. | 0:08:31 | 0:08:34 | |
He competes in local events and crosses the channel | 0:08:34 | 0:08:37 | |
every year to ride a mountain stage of the Tour de France. | 0:08:37 | 0:08:40 | |
But it's on the roads closer to home | 0:08:40 | 0:08:42 | |
that he will face his greatest danger, | 0:08:42 | 0:08:44 | |
with the whole event recorded. | 0:08:44 | 0:08:47 | |
My wife bought me a Christmas present which was one of these cameras | 0:08:47 | 0:08:51 | |
that you can bolt onto a bike. | 0:08:51 | 0:08:53 | |
And so, come the New Year, off I went for a ride and then, | 0:08:53 | 0:08:57 | |
ironically, that's when I had my accident. | 0:08:57 | 0:09:00 | |
It was the first time I'd ever used it. | 0:09:00 | 0:09:02 | |
John attaches the camera to his cycle helmet, so it follows | 0:09:02 | 0:09:05 | |
his point of view as he sets out on his 50-mile bike ride with a pal. | 0:09:05 | 0:09:09 | |
It's a dark January morning, so John's prepared. | 0:09:10 | 0:09:13 | |
Well, I had three front lights on my bike, all very powerful lights. | 0:09:13 | 0:09:17 | |
I have two rear lights. | 0:09:17 | 0:09:19 | |
You just have to do everything you can do to be seen. | 0:09:19 | 0:09:22 | |
12 miles in and by a chilling coincidence, | 0:09:22 | 0:09:25 | |
John and his friend are chatting about a recent television programme, | 0:09:25 | 0:09:28 | |
showing traffic accidents between cyclists and motorists. | 0:09:28 | 0:09:32 | |
Oh, yeah! Absolutely. | 0:09:45 | 0:09:46 | |
Sometimes, cyclists are in the wrong. And sometimes car drivers are. | 0:09:46 | 0:09:50 | |
We'd literally been chatting about that two minutes | 0:09:50 | 0:09:52 | |
before we got to that roundabout. | 0:09:52 | 0:09:54 | |
Checking the roundabout in both directions, | 0:09:58 | 0:10:01 | |
John sees the road is clear for him to carry on. | 0:10:01 | 0:10:04 | |
He has right of way, but terrifyingly, he's about to | 0:10:04 | 0:10:07 | |
be right IN the way of this car, that simply hasn't noticed him. | 0:10:07 | 0:10:12 | |
WHOA! | 0:10:12 | 0:10:14 | |
YELLING | 0:10:14 | 0:10:16 | |
The memory of it is seared into John's mind. | 0:10:16 | 0:10:19 | |
As I came on to the roundabout, and we were halfway onto | 0:10:19 | 0:10:22 | |
the roundabout, I was aware of two cars coming from the left. | 0:10:22 | 0:10:25 | |
And the first car slowed up and obviously stopped at the roundabout. | 0:10:26 | 0:10:31 | |
But I was aware that the second car was going much faster. | 0:10:31 | 0:10:35 | |
And at first I thought, in my head, "He's going to stop, he's going | 0:10:35 | 0:10:39 | |
"to see me, he's going to stop, he's going to see my lights, he's bound to stop." | 0:10:39 | 0:10:43 | |
And it soon became evident that he wasn't going to stop. | 0:10:43 | 0:10:46 | |
I tried to turn right, as if to go around the roundabout, | 0:10:46 | 0:10:49 | |
but I knew that he wasn't. | 0:10:49 | 0:10:51 | |
On the footage, you even hear me shout... | 0:10:51 | 0:10:54 | |
WHOA! | 0:10:54 | 0:10:55 | |
..because I'm trying to attract his attention, | 0:10:55 | 0:10:57 | |
because I knew he hadn't seen me and I truly think the first time | 0:10:57 | 0:11:00 | |
he saw me was when I bounced off his car. | 0:11:00 | 0:11:02 | |
YELLING | 0:11:05 | 0:11:07 | |
My first reaction when I was on the floor was, "Am I OK? | 0:11:07 | 0:11:12 | |
"Can I move? What can I move? Do I hurt anywhere?" | 0:11:12 | 0:11:16 | |
And that was quickly taken over by actually... | 0:11:16 | 0:11:19 | |
By mixture of adrenaline and anger. | 0:11:20 | 0:11:24 | |
The air was a little bit blue for a couple of minutes! | 0:11:24 | 0:11:28 | |
-You -BLEEP! | 0:11:28 | 0:11:30 | |
-BLEEP. -See me? -BLEEP. -You should have been going so -BLEEP -fast! | 0:11:30 | 0:11:34 | |
My bike was lit up like a landing aircraft, and for me, | 0:11:36 | 0:11:40 | |
I don't see any reason why he wouldn't have seen me. | 0:11:40 | 0:11:42 | |
I got myself to my feet and then sort of patted myself down, | 0:11:51 | 0:11:54 | |
if you like, just to make sure I was still intact | 0:11:54 | 0:11:57 | |
and that everything was OK and that I could move everything. | 0:11:57 | 0:12:00 | |
Thinking he's all right, John's next instinct is to check his bike. | 0:12:00 | 0:12:04 | |
The front of the bike is bent out of shape, | 0:12:08 | 0:12:11 | |
and as John's adrenaline fades, his pain increases. | 0:12:11 | 0:12:14 | |
He's more injured than he first thought. | 0:12:14 | 0:12:17 | |
I was very aware that my left elbow was in a lot of pain. | 0:12:17 | 0:12:20 | |
It was swollen up like a balloon. | 0:12:20 | 0:12:22 | |
What I didn't realise is that I'd taken some impact | 0:12:22 | 0:12:24 | |
on my left wrist and hand as well, but, subsequently, | 0:12:24 | 0:12:27 | |
I was told that I'd had multiple fractures to | 0:12:27 | 0:12:29 | |
one of the bones in the base of my hand and the top of my wrist. | 0:12:29 | 0:12:32 | |
It takes 14 weeks for his bones to mend. | 0:12:33 | 0:12:36 | |
And unlike most people, John can re-watch and re-live his accident. | 0:12:36 | 0:12:41 | |
Yeah, it is quite surreal. | 0:12:41 | 0:12:43 | |
Cos previous to this sort of technology, | 0:12:43 | 0:12:45 | |
it would just literally be in your memory. | 0:12:45 | 0:12:47 | |
And I think you'd only maybe remember certain bits. | 0:12:47 | 0:12:49 | |
So when I first watched it, I wasn't really quite sure what | 0:12:49 | 0:12:52 | |
I was going to see, but actually I was really quite shocked... | 0:12:52 | 0:12:56 | |
by the impact. | 0:12:56 | 0:12:58 | |
And it made me realise quite how vulnerable as a cyclist that I am. | 0:12:58 | 0:13:05 | |
The car drive is later prosecuted for driving without due care | 0:13:05 | 0:13:08 | |
and attention, receiving six points on his licence and a £400 fine. | 0:13:08 | 0:13:14 | |
John knows that if he'd been travelling a split-second faster, | 0:13:14 | 0:13:17 | |
the car would have hit him full-on. | 0:13:17 | 0:13:20 | |
Best case scenario, I think, | 0:13:20 | 0:13:22 | |
probably my left leg would have been shattered. | 0:13:22 | 0:13:24 | |
Worst case scenario, I probably wouldn't be sat here right now | 0:13:24 | 0:13:28 | |
talking to you. | 0:13:28 | 0:13:29 | |
And that would have been devastating for my family, for the driver, | 0:13:30 | 0:13:34 | |
for the driver's family, | 0:13:34 | 0:13:36 | |
it would have had a massive impact on a lot of people. | 0:13:36 | 0:13:39 | |
Parents know that it's impossible to keep | 0:13:49 | 0:13:51 | |
an eye on the children 24 hours a day, and sometimes, | 0:13:51 | 0:13:55 | |
even when Mum and Dad think they're safe at home, | 0:13:55 | 0:13:57 | |
things can still go wrong. | 0:13:57 | 0:13:59 | |
Cheltenham, Gloucestershire. | 0:14:02 | 0:14:04 | |
A terrified mother calls 999. | 0:14:04 | 0:14:07 | |
Seven-year-old Rhys has fallen from an upstairs window, | 0:14:11 | 0:14:15 | |
headfirst onto concrete below. | 0:14:15 | 0:14:17 | |
This could potentially be a fatal injury. | 0:14:18 | 0:14:21 | |
It's the worst nightmare that you could possibly have, | 0:14:25 | 0:14:28 | |
that your child has a brain injury. | 0:14:28 | 0:14:30 | |
The Sykes are a family of four. | 0:14:39 | 0:14:41 | |
Tricia and her husband, Ade, live with their son Rhys | 0:14:41 | 0:14:43 | |
and six-year-old daughter Megan. | 0:14:43 | 0:14:45 | |
It's fair to say brother and sister have a bit of a love-hate relationship. | 0:14:45 | 0:14:50 | |
There is only two years and two days between them, | 0:14:50 | 0:14:52 | |
so they're quite close. | 0:14:52 | 0:14:53 | |
She's a mess-up. A lot. | 0:14:53 | 0:14:56 | |
Rhys is quite a sensitive little man, | 0:14:56 | 0:14:59 | |
whereas Megan it is like a Tasmanian devil. | 0:14:59 | 0:15:02 | |
Every time I try to go to sleep, she gets up | 0:15:02 | 0:15:05 | |
take things out of my drawers, puts them in a different place, | 0:15:05 | 0:15:08 | |
I have to find it and I say, "Megan, did you move it?" | 0:15:08 | 0:15:12 | |
They annoy the hell out of each other. | 0:15:12 | 0:15:14 | |
A lot! | 0:15:14 | 0:15:15 | |
But one summer evening, things go too far. | 0:15:17 | 0:15:21 | |
The children are upstairs watching DVDs. | 0:15:21 | 0:15:24 | |
That meant that me and my husband could watch a film on our own | 0:15:24 | 0:15:27 | |
with a little bit of peace and quiet. | 0:15:27 | 0:15:31 | |
But not for long. | 0:15:31 | 0:15:33 | |
I came into my mum's bedroom where Megan was, | 0:15:33 | 0:15:35 | |
to watch a little bit of her film, then we had a little play. | 0:15:35 | 0:15:39 | |
Then Megan was running up to me, trying to tickle me. | 0:15:39 | 0:15:43 | |
Trying to escape Megan's attempts to tickle him, | 0:15:43 | 0:15:46 | |
Rhys climbs onto the windowsill. | 0:15:46 | 0:15:48 | |
It's a hot summer's day and the window is open. | 0:15:48 | 0:15:51 | |
I didn't notice the window was open. | 0:15:51 | 0:15:54 | |
Then, like, she tried to tickle me and I, like... | 0:15:54 | 0:15:57 | |
Like that. | 0:15:57 | 0:15:59 | |
Rhys plummets out of the upstairs window. | 0:16:00 | 0:16:03 | |
We heard a thud and then crying. | 0:16:03 | 0:16:06 | |
I thought Rhys had fallen out of bed so I'd got up, went upstairs. | 0:16:07 | 0:16:11 | |
Megan came out of our bedroom and she said, "Mummy, he's outside, | 0:16:11 | 0:16:15 | |
"he's out of the window." | 0:16:15 | 0:16:17 | |
I was very, very panicked. | 0:16:17 | 0:16:19 | |
Rhys's parents rush outside, fearing what they'll find. | 0:16:21 | 0:16:25 | |
I saw Rhys laying down on the floor, | 0:16:25 | 0:16:27 | |
kind of looking slightly dazed, | 0:16:27 | 0:16:29 | |
and he'd started to kind of wail at that point, | 0:16:29 | 0:16:31 | |
and was really very upset. | 0:16:31 | 0:16:33 | |
All he wanted to do was to be picked up. | 0:16:33 | 0:16:35 | |
He survived a 15-foot fall, | 0:16:36 | 0:16:39 | |
but something's clearly wrong with Rhys. | 0:16:39 | 0:16:41 | |
He was wailing, he was screaming. | 0:16:41 | 0:16:45 | |
I was more worried he'd broken his foot or his ankle, | 0:16:45 | 0:16:48 | |
or something like that. I hadn't even clicked it could be his head. | 0:16:48 | 0:16:52 | |
Tricia dials 999. | 0:16:52 | 0:16:55 | |
On the other end of the line is emergency medical dispatcher | 0:17:11 | 0:17:14 | |
Tracey Grouden. | 0:17:14 | 0:17:16 | |
I could hear the distress in her voice. I had to stay calm. | 0:17:19 | 0:17:22 | |
I had to keep my voice at a lower level | 0:17:22 | 0:17:26 | |
to make sure that she didn't | 0:17:26 | 0:17:28 | |
get more distressed than she already was. | 0:17:28 | 0:17:30 | |
From the information I was getting, it was one of the most serious | 0:17:43 | 0:17:46 | |
calls that we can get, that the child wasn't completely alert. | 0:17:46 | 0:17:50 | |
Because any injury, especially a head injury, | 0:17:50 | 0:17:52 | |
can get worse very quickly. | 0:17:52 | 0:17:54 | |
A paramedic in a rapid-response car, | 0:18:12 | 0:18:14 | |
and two in an ambulance, are on their way. | 0:18:14 | 0:18:17 | |
With such a young casualty involved, senior paramedic | 0:18:17 | 0:18:20 | |
and Incident Commander Philip Griffith has also been | 0:18:20 | 0:18:23 | |
dispatched in another car. | 0:18:23 | 0:18:25 | |
My initial thoughts were that this could potentially be a fatal injury. | 0:18:25 | 0:18:29 | |
Any child who falls from more than sort of eight feet is... | 0:18:29 | 0:18:33 | |
There's the potential for a life-threatening injury. | 0:18:33 | 0:18:36 | |
Initially, I was expecting to find a child that was unconscious, | 0:18:44 | 0:18:47 | |
at minimum, if not in cardiac arrest, | 0:18:47 | 0:18:49 | |
having fallen from such a great height, | 0:18:49 | 0:18:51 | |
but we were quite amazed how uninjured he looked. | 0:18:51 | 0:18:55 | |
Phil wants to see where the accident happened. | 0:18:55 | 0:18:58 | |
The boy had fallen through a plastic canopy | 0:18:58 | 0:19:00 | |
and there was a child-shaped hole in this canopy, | 0:19:00 | 0:19:04 | |
which I'm sure broke his fall and slowed down the impact | 0:19:04 | 0:19:07 | |
on the concrete below. | 0:19:07 | 0:19:09 | |
Despite no visible injury, Rhys's drowsiness is causing concern. | 0:19:09 | 0:19:14 | |
The risk is that there's always the injuries we can't see, | 0:19:14 | 0:19:17 | |
which tend to be more dangerous than the ones we can see. | 0:19:17 | 0:19:20 | |
Protecting his head and neck, the medics rushed Rhys | 0:19:20 | 0:19:22 | |
to Gloucester Royal Hospital, accompanied by Mum. | 0:19:22 | 0:19:26 | |
But as they arrive, Rhys' condition deteriorates. | 0:19:26 | 0:19:30 | |
His head started to swell. It wasn't the same shape as it previously was. | 0:19:30 | 0:19:34 | |
Tricia can only wait as Rhys has emergency CT scans of his head. | 0:19:38 | 0:19:43 | |
It's the worst nightmare that you could possibly have, | 0:19:43 | 0:19:45 | |
that your child has a brain injury, | 0:19:45 | 0:19:47 | |
and you can do nothing to help. | 0:19:47 | 0:19:50 | |
It's not as if you can kiss it better. | 0:19:50 | 0:19:52 | |
And it's not as if it takes a plaster to make it better. | 0:19:54 | 0:19:58 | |
That's something that could have a profound effect | 0:19:58 | 0:20:01 | |
for the rest of his life. | 0:20:01 | 0:20:02 | |
After transferring to Bristol's Children's Hospital, | 0:20:04 | 0:20:07 | |
Rhys is found to have a fracture to his skull and cheekbone. | 0:20:07 | 0:20:10 | |
The doctor had said that the fracture was only hairline, | 0:20:10 | 0:20:14 | |
so not to be concerned whether it would heal easily. | 0:20:14 | 0:20:18 | |
But they are concerned about a small bleed they have found on his brain. | 0:20:18 | 0:20:22 | |
Though it's not large enough for them to risk an operation, | 0:20:22 | 0:20:25 | |
they need to keep him under close observation. | 0:20:25 | 0:20:28 | |
My head was hurting a lot. | 0:20:28 | 0:20:31 | |
And Rhys was very, very upset because Rhys - all he wanted to do | 0:20:31 | 0:20:35 | |
was just to go home, and did not want to be in hospital, | 0:20:35 | 0:20:38 | |
whatsoever, at that point. | 0:20:38 | 0:20:40 | |
Rhys's accident has also had an effect on his little sister, Megan. | 0:20:40 | 0:20:45 | |
She didn't want to sleep in their bedroom until he was back, | 0:20:45 | 0:20:49 | |
and so the first night, she actually slept on the floor | 0:20:49 | 0:20:52 | |
in the living room with my husband asleep on the sofa, | 0:20:52 | 0:20:56 | |
because she just didn't want to go in the room. | 0:20:56 | 0:21:00 | |
Thankfully, after five nights in hospital, Rhys gets the all clear | 0:21:02 | 0:21:06 | |
to go home, and a few months later, he's made a complete recovery. | 0:21:06 | 0:21:10 | |
He's doing amazingly well. | 0:21:10 | 0:21:12 | |
He's completely and utterly a little miracle | 0:21:12 | 0:21:15 | |
with how he's coping, with everything. | 0:21:15 | 0:21:17 | |
I can't remember the bit at all about falling out from the window, | 0:21:17 | 0:21:21 | |
but I remember when I landed on the floor. | 0:21:21 | 0:21:24 | |
I tried to get up, but I couldn't. | 0:21:24 | 0:21:27 | |
Rhys knows he's been very lucky. | 0:21:27 | 0:21:29 | |
If the porch wasn't there, I'd probably die. | 0:21:29 | 0:21:32 | |
That broke my fall, so if that wasn't there - bang! | 0:21:32 | 0:21:35 | |
Probably dead. | 0:21:35 | 0:21:36 | |
And as well as his head, | 0:21:36 | 0:21:38 | |
Rhys's relationship with his sister is also in a good state of repair. | 0:21:38 | 0:21:42 | |
They're a lot closer because of the accident. | 0:21:42 | 0:21:45 | |
My little sister now is a lot more careful with me. | 0:21:45 | 0:21:49 | |
She's keeping him safe, even though she's the younger sister. | 0:21:49 | 0:21:53 | |
Back in Nazare, Portugal, British professional surfer | 0:22:06 | 0:22:10 | |
Andrew Cotton is in great danger. | 0:22:10 | 0:22:12 | |
A 50-foot wave has just crashed down on his head. | 0:22:13 | 0:22:16 | |
Now he's at the mercy of massive breakwater. | 0:22:16 | 0:22:19 | |
His equilibrium has gone, and he can't tell which way is up. | 0:22:19 | 0:22:23 | |
Only his buoyancy vest can save him. | 0:22:23 | 0:22:26 | |
I did get held down for quite some time. | 0:22:26 | 0:22:28 | |
I'd been down so long that both of the jet skis were looking for me. | 0:22:28 | 0:22:32 | |
But I was, like, obviously, underwater and they couldn't know | 0:22:32 | 0:22:35 | |
where I'm going to come up because he doesn't know exactly where I fell. | 0:22:35 | 0:22:38 | |
And as I surfaced, he'd just gone by, | 0:22:38 | 0:22:42 | |
so there's no way he could come back and get me. | 0:22:42 | 0:22:44 | |
Having missed Andrew, this jet skier hasn't time to circle back | 0:22:44 | 0:22:48 | |
because another wave is about to crash down on them. | 0:22:48 | 0:22:51 | |
He has to race away or risk being thrown into the water, too. | 0:22:51 | 0:22:54 | |
Now it's up to Andrew's best pal and team-mate Hugo to time | 0:22:58 | 0:23:01 | |
a rescue bid in the few seconds of calm between waves. | 0:23:01 | 0:23:04 | |
Everything, it was on me and, at the same point, I noticed | 0:23:06 | 0:23:10 | |
that Cotty was going to take a massive wave on his head. | 0:23:10 | 0:23:13 | |
I knew what was going to happen. | 0:23:13 | 0:23:16 | |
It was almost like the lip, | 0:23:16 | 0:23:18 | |
which is like all the power. | 0:23:18 | 0:23:20 | |
And so I deflated my vest | 0:23:20 | 0:23:23 | |
and then just literally ducked under, about a foot underwater, | 0:23:23 | 0:23:26 | |
and had the full, like, force of the Atlantic Ocean | 0:23:26 | 0:23:30 | |
land square on my head. | 0:23:30 | 0:23:32 | |
It was pretty much like being hit by a truck. | 0:23:35 | 0:23:38 | |
I don't know how much force or pressure that is hitting you, | 0:23:38 | 0:23:41 | |
but it is - it's insane. | 0:23:41 | 0:23:43 | |
Now Hugo can only watch on helplessly. | 0:23:43 | 0:23:46 | |
Sometimes in Nazare, you feel like you got, like, | 0:23:46 | 0:23:48 | |
the hand of a giant, or the two hands, | 0:23:48 | 0:23:50 | |
that they smash all over your body. | 0:23:50 | 0:23:53 | |
Like every inch of your body is, like, being compressed | 0:23:53 | 0:23:56 | |
and smashed and it's, like - and squeezed. It's like... | 0:23:56 | 0:24:00 | |
It's crazy, crazy feeling. Crazy. | 0:24:00 | 0:24:01 | |
And that's what Andrew is going through. | 0:24:02 | 0:24:05 | |
Underneath the surface, the powerful undercurrent is hurling him | 0:24:05 | 0:24:08 | |
around like a rag doll. | 0:24:08 | 0:24:10 | |
He tries to follow his training | 0:24:10 | 0:24:11 | |
and protect his limbs from the strength of the waves. | 0:24:11 | 0:24:15 | |
I usually grab onto my vest, and I grabbed onto my vest with | 0:24:15 | 0:24:18 | |
this arm, and I...this one, as it hit me, | 0:24:18 | 0:24:21 | |
just got ripped, ripped off, | 0:24:21 | 0:24:23 | |
and my arm, like, sort of hyperextended and pulled back, | 0:24:23 | 0:24:27 | |
as I did about 30 somersaults underwater. | 0:24:27 | 0:24:31 | |
It pulled back so violently I thought I'd actually, like, | 0:24:31 | 0:24:34 | |
snapped with my elbow or, like...you know, | 0:24:34 | 0:24:37 | |
so I had a shooting pain up my arm, my shoulder was killing. | 0:24:37 | 0:24:40 | |
The power of the crashing wave plunges Andrew down | 0:24:40 | 0:24:44 | |
deeper under the sea. | 0:24:44 | 0:24:45 | |
The water pressure could burst his eardrums, | 0:24:45 | 0:24:47 | |
or he could be smashed into the ocean floor and killed. | 0:24:47 | 0:24:51 | |
He desperately tugs at the cord of his life vest, | 0:24:51 | 0:24:54 | |
which inflates and lifts him back to the surface. | 0:24:54 | 0:24:57 | |
I came up and then I managed to deflate again, | 0:24:57 | 0:25:01 | |
so I was like, wasn't sort of crazily buoyant. | 0:25:01 | 0:25:04 | |
I knew that after that wave and after Cotty popped up again, | 0:25:05 | 0:25:10 | |
I got to reach him. | 0:25:10 | 0:25:11 | |
Hugo has caught a glimpse of Andrew, | 0:25:13 | 0:25:15 | |
but before he can safely swoop in to save him, | 0:25:15 | 0:25:18 | |
a third 60-foot wave smashes down on his injured friend. | 0:25:18 | 0:25:22 | |
He had a red wet suit, | 0:25:23 | 0:25:26 | |
and the face was like the colour of the wet suit, you know? | 0:25:26 | 0:25:29 | |
And I noticed at this point that he was making a big effort | 0:25:29 | 0:25:34 | |
with some bad pain on his body. | 0:25:34 | 0:25:37 | |
Andrew's still in agony. | 0:25:40 | 0:25:42 | |
He's fighting the tide without the use of his right arm, | 0:25:42 | 0:25:45 | |
which could be broken. He's in desperate need of rescue. | 0:25:45 | 0:25:49 | |
The greatest danger is that Andrew will be held underwater | 0:25:49 | 0:25:52 | |
by consecutive waves, and drown. | 0:25:52 | 0:25:54 | |
And through a constant barrage of water, | 0:25:54 | 0:25:56 | |
he's struggling to hold his breath. | 0:25:56 | 0:25:58 | |
As you're getting tumbled around, | 0:25:58 | 0:26:00 | |
you don't hear anything or see anything. | 0:26:00 | 0:26:03 | |
You sort of just trust that someone will be there, at some point, | 0:26:03 | 0:26:06 | |
to sort of help you out or pick you up. | 0:26:06 | 0:26:08 | |
Hugo watches as the jet ski once again just misses Andrew. | 0:26:10 | 0:26:15 | |
It's all down to Hugo now. | 0:26:15 | 0:26:17 | |
Sometimes, it's really big, big pressure | 0:26:17 | 0:26:19 | |
and you know that you've just got, like, one chance, | 0:26:19 | 0:26:22 | |
and sometimes you've got, like, one, two or three seconds | 0:26:22 | 0:26:25 | |
to pick him up and get out of the place. | 0:26:25 | 0:26:27 | |
Andrew has been tossed and thrown around in the violent swell | 0:26:27 | 0:26:30 | |
for almost two minutes but, finally, | 0:26:30 | 0:26:32 | |
as the footage shows, Hugo gets a chance to rescue his friend. | 0:26:32 | 0:26:36 | |
I have a few seconds between waves and I went... | 0:26:36 | 0:26:39 | |
..to pick up Cotty. | 0:26:40 | 0:26:42 | |
He just screamed, "Hey! I've got my bad arm." | 0:26:44 | 0:26:47 | |
like, "Help, Hugo!", and then, yeah, | 0:26:47 | 0:26:50 | |
I try to grab him as much as I can on his arm. | 0:26:50 | 0:26:53 | |
They have, like, a rescue sled on the back of the ski, | 0:26:53 | 0:26:55 | |
and I got on the back of the ski and, obviously, my shoulder | 0:26:55 | 0:26:58 | |
and my elbow were killing. | 0:26:58 | 0:27:00 | |
He just, like... | 0:27:02 | 0:27:03 | |
put his hand down and we gunned it for the beach. | 0:27:03 | 0:27:07 | |
Andrew's safely on his way back to the shore. | 0:27:07 | 0:27:11 | |
But he's in agony with his elbow and fears it's broken. | 0:27:11 | 0:27:14 | |
It could be the end of his career and his livelihood. | 0:27:14 | 0:27:17 | |
I had sort of sat on the beach and then it was like, "Oh, actually, | 0:27:17 | 0:27:21 | |
"hang on, I can still move, like, I can still move!" | 0:27:21 | 0:27:24 | |
"I can still move it", and it wasn't ideal. It was like... | 0:27:24 | 0:27:27 | |
But, you know, that was my session done. Over. | 0:27:28 | 0:27:32 | |
Andrew's has a real scare, | 0:27:32 | 0:27:33 | |
but just two weeks after his accident, | 0:27:33 | 0:27:36 | |
he's back out in the surf again. | 0:27:36 | 0:27:38 | |
He takes every precaution he can, | 0:27:38 | 0:27:39 | |
but Andrew's philosophical about the hazards of his chosen sport. | 0:27:39 | 0:27:44 | |
I want to surf as many big waves as I possibly can, you know? | 0:27:44 | 0:27:48 | |
I don't want to get hurt or die, drown. | 0:27:48 | 0:27:52 | |
You know, of course, none of us want to do that, you know? | 0:27:52 | 0:27:55 | |
We all want to surf big waves and we want to do it safely, | 0:27:55 | 0:27:57 | |
and that's like... The safety's the most important thing. | 0:27:57 | 0:28:01 | |
Join us next time for more close calls. | 0:28:11 | 0:28:14 |